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Beyond Eldred v. Ashcroft

I thought I'd grab up some of the many commentaries and responses to the Eldred decision. If you read only one of these links, see Lessig's blog. Jack Balkin, another law professor who contributed to the case, is discussing it in his blog. The NYTimes has two distinct news stories on the decision (NYT1, NYT2), plus a biting editorial about the decision. Copyright scholar Siva Vaidhyanathan has a piece in Salon. The LA Times posts one of the very few stories to present the decision in a positive light. Reason is one of several to mock the mouse.

22 of 377 comments (clear)

  1. Blog by Remik · · Score: 4, Insightful

    I stand in a sort of perverse awe, trying to grasp the 'reasoning' of Justice Ginsburg's opinion...utterly perplexed as to how six other justices signed their names to it when they had the exact text of how the ruling should have come down by Justice Breyer's hand.

    I want there to be some good that comes out of Eldred, but right now I'm very disillusioned. So, I'm following Lessig's advice and turning to blogging. Let your opinions be known.

    -R

    1. Re:Blog by Zathrus · · Score: 4, Insightful

      Because the Supreme Court should not make policy. That is not it's job. It is only there to decide on constitutionality and the occasional Federal vs. State issues (which boil down to constitutionality as well).

      Has the SC made policy previously? Yes. And it's generally bad when it happens, and acknowledged as being bad afterwards.

      I don't like the decision, but I do agree with the reasoning behind it. It is a Congressional matter. And the precedent for the act is set back to the framing of the Constitution.

      I may agree with much of what Breyer wrote, but he was wrong to do it from the bench. The majority opinion slams him on this, repeatedly, and in rather harsh language for the Supreme Court at that. Noting that one of your fellow justices writes based out of policy and not out of precedent or rule of law is harsh. It basically says "You're not being a judge".

      What Lessig's blog states is correct in that it's now up to the citizens to get Congress to reform IP law. Which, realistically, is how it should've gone in the first place. It's not going to be an easy fight, but the fights that are worth it rarely are. And things may very well get worse before they get better... but that's how it often goes.

      I agree that IP law is deeply broken. I don't agree that this was the right way to fix it.

  2. Blogs by Amsterdam+Vallon · · Score: 4, Insightful

    Is sharing a journal of all your daily thoughts and emotions the best strategy to employ in order to win a court case as a lawyer?

    --

    Reply or e-mail; don't vaguely moderate. Ex-O'Reilly/MIT employee, now a full-time Google employee.
  3. What really boggles the mind by Eccles · · Score: 4, Interesting

    What boggles the mind is how little this really benefits the corporations. With rare exceptions (Snow White, Happy Birthday, and Gershwin), what percentage of content revenues come from old material? For record companies, a good year comes from a big hit created that year, not the old stuff.

    --
    Ooh, a sarcasm detector. Oh, that's a real useful invention.
    1. Re:What really boggles the mind by nosilA · · Score: 4, Insightful

      This is not the important question in their minds. The question is how much will their current profits suffer if much material is released into the public domain. This seems at first glance to be the same question, but think about it for a moment. If you could watch, for free, movies from the 1930's, would you pay to watch fewer movies from the 80's and 90's? Would you buy as new movies from '01 and '02? If people could make derivative works featuring the early Disney characters, would you necessarily watch the new ones produced by Disney?

      The reasons that the public domain is valuable to us are the very same reasons why the new content producers fear it.

      -Alison

    2. Re:What really boggles the mind by blincoln · · Score: 4, Insightful

      First, a derivative work can only be created by the original artist or someone they give permission to.

      So Disney got permission from Robert Louis Stevenson to make Treasure Planet?

      Second, the copyright on the original movies may expire but not on the artwork of the characters as long as Disney keeps using and changing them.

      What's your point? All that means is that it's okay to use the older image and derivations of it, but not the newer one(s).

      Finally, Disney characters, such as Mickey Mouse, are also trademarked and therefore can never be used as long as Disney continues to maintain that Trademark. Trademarks never expire on their own accord.

      The name may be trademarked, but the image isn't.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    3. Re:What really boggles the mind by ChaosDiscord · · Score: 4, Informative
      People can never create derivative works of disney characters for three reasons:

      First, a derivative work can only be created by the original artist or someone they give permission to.

      Well, at least until copyright expires. That is the entire point of the discussion. Once copyright expires I can make any sort of derivative work I like (Like Disney itself did when it made the Jungle Book 11 years after the copyright on the source material expired.

      Second, the copyright on the original movies may expire but not on the artwork of the characters as long as Disney keeps using and changing them.

      Copyright protects a specific concrete creation, not the concept. So while new Mickey works would have a new copyright start date, the old Mickey works do not. Once the copyright expires, I'm free to take a copy of "Steamboat Willie" and edit it into something, or study it carefully to learn how to draw Mickey, then draw (and sell) my own Mickey draws based on that knowledge.

      Finally, Disney characters, such as Mickey Mouse, are also trademarked and therefore can never be used as long as Disney continues to maintain that Trademark. Trademarks never expire on their own accord.

      This is true, and creates a fascinating new area for legal sorts to fight over. This clearly limits free speech in an area where something enters the public domain. It hasn't really come up before because prior to Mickey there hasn't been characters in copyright protected works which people wanted to reuse. One possibly defense is that you are allowed to use and reference trademarks as long as there is no possibility of someone confusing the source. This is why I can create a documentary on Disney, even using Disney's logos, even though Disney's copyright does cover the area of documentaries. It will be interesting to see how it plays out. Darn shame it will be at least twenty more years before it starts playing out.

  4. The LA Times Article by Badgerman · · Score: 5, Insightful

    The LA Times Article was a gag-inducing personal piece. I loved how the law is supposedly for little people and their legacy:

    To quote the woman in the article, about her grandfather's films:
    "I'm happy that people won't be able to take his art and show it in a way that would diminish or hurt it, or put it in a way that he wouldn't have wanted," she said.

    From what I can tell, she's mainly worried about people selling tapes on EBay. How horrible. People VIEWING AN ACTORS FILMS! I'm sure that's the last thing he wanted.

    I'm glad this woman cares for his legacy. I commend her work. But in the bigger picture, her win is the loss for many of us. I'm sure in 20 years, when the companies go to congress asking for a longer copyright extention, there will be some other justifications.

    But in the end, I'd rather see a legacy for all. No man stands tall except on the shoulders of others.

    --
    "The Sage treasures Unity and measures all things by it" - Lao Tzu
    1. Re:The LA Times Article by thatguywhoiam · · Score: 4, Interesting
      I agree, it was sickening, and brings to light a certain point about copyright that always sticks in my throat... Copyright continuing on to relatives.

      I've had some brushed with asshole IP a few times in my travels. Notably, I once worked on a set of commercial CD-ROMs for some classic rock bands. We had a spectacular - nay, epic - struggle with Jimi Hendrix's sister, who for all intents and purposes lives off the ghost of her dead brother. She has all rights, and doesn't actually *do* anything. Long story short, we spent weeks and weeks bending over backwards, crossing and dotting all letters, only to have her change her mind at the last minute.

      Another example: Grateful Dead. There are exactly 2 approachable sources for interview footage of Jerry Garcia: the BBC, and Some Guy in the States. Some Guy purposefully bought up all this footage, and now that's his job. He lives off Jerry's ghost.

      Even if you are the rightful descendant/heir to some great artist, I don't, in my opinion, think you have the slightest shred of 'rights' to that work. None. Son, daughter, whatever. The only cocnession that makes sense is a wife/partner, and even then it just seems unjust. The LA Times article crowed about how this woman can now 'lovingly restore' her ancestor's works at her own personal expense, but she's selling tapes on eBay. Better than it dissappearing, but what if she was the one misrepresenting, defiling, or otherwise tainting the name of her ancester? No recourse.

      It just makes no sense to me. Someone tell me why its a good idea to 'inherit' copyrights. If they made a ton of money with those rights, fine, let the children inherit that money. Rights, I don't think so.

      --
      If Jesus wants me it knows where to find me.
    2. Re:The LA Times Article by Anonymous Coward · · Score: 5, Insightful

      Actually, the disgusting part about this piece is that it is factually misleading. She talks about how she has remastered and reorchestrated the works of her grandfather. This means that she has created a derivative work, which is copyrightable. She can protect that redone work of hers, confident that the improvement will incite people to purchase it.

      Were the orginal to go to public domain, it would not harm the copyright of her derivative.

      Lets put it in perspective. Were she complaining that his work was about to go to public domain and that no money would come to her over something she never put any work into, she would be a leech. However, she is adding value. This added value means that she should be confident in letting the older work to to public domain. She will still be able to make money, through her added value.

      In the end, she's not actually gaining ANYTHING from the extension of copyright, only hampering fans of her grandfathers work from buying and selling it.

      Misleading and emotional pieces like this make me more disgusted with the media every day.

  5. Who is the public domain? All of us. by uncoveror · · Score: 4, Insightful
    The US Supreme Court, in a 7-2 decision, just upheld the Sonny Bono Copyright Term Extension Act, an act posthumously named after the late congressman who had favored making copyrights last forever. That is supposed to be unconstitutional, as it says in Section 8, clause 8 of the US Constitution: "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries." Over the years, this "limited time" has been extended again and again at the behest of the entertainment industry toward the obvious goal of perpetual copyright. When the High Court agreed to hear the challenge brought by Eric Eldred, publisher of an online library of Public Domain works, I had high hopes. I struggle now to find words adequate to express my disappointment.

    Except for Justices Breyer and Stevens, the Supreme Court has sold out. They have given their Nihil Obstat to perpetual copyright, and ignored the Constitution, no matter what they say in Justice Ginsburg's majority opinion. We can expect another Copyright Term Extension Act every twenty years. Citing this precedent, the Supreme Court will do nothing about it. I guess I should have expected as much from the Supreme Court that decided to throw out the results of the 2000 election, and coronate Bush.

    Soon, no one but historians will know what the public domain even was. We are all the public domain, and have all been robbed. An idea once expressed belongs to us, and is only on loan to copyright holders. Now, the loan can last forever. Copyrights frequently do not even go to the artists, scientists, and inventors who do the actual creating, but to parasites who exploit them. From now on, as the public domain, we should all engage in "piracy" as a form of civil disobedience, and take back what rightfully belongs to us. To hell with unjust laws that the corporations bribed Congress into passing, and bribed 7 of the 9 Supreme Court Justices into upholding. We, the public domain, must declare them null and void, and ignore them.

    Imagine that the perpetual copyrights the corporations have created always existed. The King James Version of the Bible would be copyrighted. To print copies of it, you would need permission from the British Crown, or at least the Church of England, and would also have to pay them royalties. The KJV is so widely published because it is in the public domain, and anyone who wishes to may make copies of it. Now, nothing created after 1923 may ever belong to us all in this manner again.

    It seems that Government of the people by the people and for the people has perished from the earth. We are left with government of the people by the corporations and for the corporations. I challenge Congress or the Supreme Court to prove me wrong.

    --
    The Uncoveror: It's the real news.
  6. Benefits of Public Domain by iiii · · Score: 5, Interesting
    I was thinking about this case, and realized, if there is one company that has made a lot of money from public domain stories, it is Disney. Think about it, what is the origin of the stories in "Snow White", "Sleeping Beauty", "Beauty and the Beast", "Cinderella", "Aladdin"? These are all stories that are in the public domain, most of them fairy tales that appear in "The Brothers Grimm Household Tales" among other collection. "Tarzan" is in the public domain. "Treasure Island", "The Sword in the Stone", "Robin Hood"?

    When your really think about it, the fact that they are trying to prevent stories from enterring the public domain is even more hypocritical.

    --
    Light cup, beer drink, thin so chain, neck turtle fat, man I won't say it again
    1. Re:Benefits of Public Domain by stratjakt · · Score: 5, Interesting

      The shorter list would be truly original Disney animated features.

      I'm being serious. This is a company that built it's empire simply rehashing other people's stories.

      Let me think.. Ummm...

      Lilo and Stitch
      The Fox and the Hound
      Aristocats
      101 Dalmations
      Bambi
      Fantasia (in a new artwork for old music kind of way)

      thats all I got

      I'm sure there are a few live action or cartoon shorts that are original works.

      Try and make a feature length cartoon about the Hunchback of Notre Dame or the Jungle Book and see how long till Disney is threatening you with C&D orders and lawsuits. That's what really burns. It's as much about stealing our culture as it is about 'protecting' their IP.

      --
      I don't need no instructions to know how to rock!!!!
  7. go suzzie ... go suzzie by mark_lybarger · · Score: 5, Insightful

    Suzanne Lloyd has spent the last four years refurbishing her legacy: 26 films made by her grandfather, silent film star Harold Lloyd. She has spent millions on digitally restored prints and full orchestrations.

    now i'm sure suzzie has worked hard for her digitally remastered films, but just because they were grandpa's films doesn't mean they're hers. it's been said over and over and over again. usefull art and science... to the creator... for limited times... NOT to the creator's grandchildren for decades to come for century old media.

  8. I mailed my Congresscritters by Luyseyal · · Score: 4, Insightful

    I snail-mailed and e-mailed my Congresscritters yesterday. The short version of it is:

    Thousands of books, films, and characters will be lost forever just so Disney and a few others can make some more money. Please require registration to keep a copyright on all works older than, say, 1950.

    Something like that...
    -l

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  9. Great opportunity for Mickey Mouse Jokes by Limburgher · · Score: 4, Funny

    Like the one where the shrink finishes examining Minnie, and comes out and tells Mickey that he can't find any evidence that she is mentally ill. Mickey then says, "Aw, shucks, doc, I didn't say she was crazy, I said she was fucking Goofy! ha HA!" (drumroll)

    --

    You are not the customer.

  10. Why Copyrights Must Die by argoff · · Score: 4, Interesting

    1st off, the moral and historical foundation of property derives from the fact that not everybody can use something at the same time, not from monopolies granted by a king in return for not publishing bad things about the monarchy

    2nd, copyrights are a fraud in that they don't help creators that much. Often you'll hear it cried from the rooftops that the artist is king and that anybody who finds a need to copy is a self centered brat that offers nothing of value to society. Perhaps this is intentional as to distract from the fact that for every artist that makes it big, 10000 are in dirt poverty.

    3rd, they are worthless as a free market property right. If I said I had no incentive to grow apples unless I could plant them in your yard, or I said that I had no incentive to grow cotton without owning slaves on the plantation - people would see it as the worthless arguments that they are, but if I say I have no incentive to bring things into the public domain without a copyright monopoly - they just take it on faith, they don't even question it. If the govt gave someone a monopoly on growing peaches and then called it free market because he could buy and sell shares of that monopoly - people would see it for what it is, a fraud. The same is true with copyrights. Since peoples activities have a natural limit in supply and demand, and not information, it is the activities that should be equated to market value and not information.

    4th, information is so easy to copy and manipulate that we are quickly reaching a point where either all of it must be controlled or none of it. The copyright industries know that and so should you.

  11. On to Golan v. Ashcroft! by Royster · · Score: 4, Interesting

    The "other" CTEA challange is Golan v. Ashcroft which has been on hold while Eldred v. Ashcroft was being decided.

    The CTEA took some works which were previously in the Public Domain in the US and restored their Copyright. Golan, a conductor, lost the use of some compositions which were formerly in the PD in the US. This case will now procede.

    --
    I have discovered a truly marvelous sig, unfortunately the sig limit is too small to contain i
  12. Biting editorial? WTF? by Anonymous Coward · · Score: 5, Insightful
    The NYTimes has two distinct news stories on the decision (NYT1, NYT2), plus a biting editorial about the decision.

    Allow me to summarize this "biting editorial":

    1) The Supreme Court's decision that extensions to copyright were constitutional really just favored copyright holders. Holy fuck, no kidding?

    2) Even the defense didn't really think that the laws Congress passed would be declared unconstitutional, but they still tried.

    3) The public benefits from public domain. Also, an unsupported assertion about how the public domain is a "great democratic seedbed of artistic creation" is put forward. A fine sentiment, whatever, still nothing "biting".

    4) The author concludes that this is a setback for the public domain, and adds some doom and gloom nonsense about how it's the beginning of the end for it.

    Come on, people. Is this what "biting" has come to mean these days? No fucking way.

    "Biting" would have been to call Lawrence Lessig a bumbling idiot for presenting such a ridiculously weak case to the Supreme Court. "Biting" would have been to further berate him for his self-serving commentary that basically boils down to "well, gosh, I knew I wouldn't win but I had to try. Ain't I such a great person for trying? Now, it's your turn. You go fix the problem."

    What a chode. Opponents of the DMCA and other copyright extensions had a great chance to make a compelling argument about the benefits of the public domain, and Lessig fucks it up. How many similar cases do you think will make it before the Supremes now? That's right, ZERO. It's called a precedent and it now works against us. Thanks, Lawrence.

    Moving on to other potential targets, a "biting" editorial could also have noted that Disney, who has drawn heavily from public domain, is downright reprehensible for refusing to give anything back.

    Similarly "biting" remarks could have indicated that the Disney films which drew most heavily from public domain material (Beauty and the Beast, the Little Mermaid) have been enormously successful, while those which come from the febrile, impotent imaginations of the hacks at Disney (Pocahantas, many others ad nauseaum) tend to do quite poorly.

    One might also "bitingly" observe that if Disney would just throw these harebrained plots back into the public domain pool and let them profit from others' efforts for a decade or so, by the time Disney ripped them off once more they might be halfway watchable.

    Such a "biting" editorial could also have targeted those jackals in Congress who routinely sell out the public's interest in these matters to Disney and other megacorporations. Fuck you, Senator Hollings.

    I prefer a little more bite in my "biting" editorials, thanks all the same.

    Here's a tip, Michael: if you're going to throw in snide, jackass remarks and unsolicited observations, at least do everyone the courtesy of making them reasonably intelligent.

    "Biting editorial" my gangrenous left testicle.

  13. Which Experiment? by medcalf · · Score: 4, Insightful

    The NYTimes editorial characterizes public domain as an experiment, and criticizes the decision for making it likely to end. The reality is the opposite: property rights to ideas and expressions were an experiment. The natural law is that you can only take property if by "taking" property, you deprive the owner of the use of the property. For example, if I steal your car, or your money, they are not available to you to use. Except in the most colloquial sense, I can't "steal" an idea, or a tune, or a movie plot, because doing so does not remove it from the use of its originator. It is a shame that we Americans on the whole appear to have basically come to believe that our best interest is served by simply giving up any hope of having individual Rights and Liberties in favor of having the government infantilize us - sorry, care for us. Bleah!

    --
    -- Two men say they're Jesus. One of them must be wrong. - Dire Straits
  14. M-i-c, k-e-y .. by 1010011010 · · Score: 5, Funny
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    they alive today, would be publically burning
    Mickey in effigy.
    --
    Napster-to-go says "Fill and refill your compatible MP3 player", which is a lie. It's not MP3. It's WMA with DRM.
  15. Re:Where to go from here by alext · · Score: 4, Funny

    As a European, can I just say thanks a lot?

    This means that we can look forward to corresponding legislation on climate change, the international criminal court, gun control etc. right?

    Or is it maybe that big-business sponsored WTO programs are the real driving force here, and not a desire to match European practice at all?