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Forbes on Lessig and Eldred

scubacuda writes "In the Forbes editorial, Fact and Comment , Steve Forbes voices his support for Lessig and the Eldred case: 'Maybe Congress should just be done with it and declare that a copyright is forever....Stanford Law School professor Lawrence Lessig has proposed a sensible compromise..."[I]f Congress is listening to the frustration that the court's decision has created, [paying to maintain copyright extensions] would be a simple and effective way for the First Branch to respond." He's absolutely right.'"

67 of 200 comments (clear)

  1. Congress CAN'T declare it's forever by Anonymous Coward · · Score: 3, Informative

    In fact, Lessig was trying to argue the fact that since they keep extending it, it basically it is forever. The reason they can not do this is the Constitution specifically says a "limited time." Forever is not a "limited time" by anyone's definition.

    1. Re:Congress CAN'T declare it's forever by Anonymous Coward · · Score: 3, Insightful

      Actually, noone is going to declare it forever because that would cut the revenue stream for the politicians as steady donations from the corporates are given everytime the copyright is exten-dead.

    2. Re:Congress CAN'T declare it's forever by Anonymous Coward · · Score: 2, Funny

      How about "until hell freezes over"? :)

    3. Re:Congress CAN'T declare it's forever by dbrutus · · Score: 2, Insightful

      The Supreme Court also declared that Congress can't just keep extending things in perpetuity by a series of legislation and that a future Court on observing this would have the right to step in. They just said that we haven't got there yet.

      Forever is not a word that has to be used in the legislation for it to run afoul of the 'limited times' clause.

    4. Re:Congress CAN'T declare it's forever by sconeu · · Score: 2, Funny

      How about "until hell freezes over"? :)

      It already has.

      --
      General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
    5. Re:Congress CAN'T declare it's forever by Doomdark · · Score: 2, Insightful

      Well, that's only every 20 years or so, so as far as conspiracy theories go this isn't all that good. Or perhaps it was meant to be a joke?

      --
      I like paying taxes. With them I buy civilization -- Oliver Wendell Holmes
  2. Sweet! by KDan · · Score: 2, Informative

    Let's hope they actually listen to that. That proposal, to have copyrights expire unless some token amount is paid in (ie someone clearly takes an interest) would put enormous amounts of material into the public domain. It would be brilliant!

    Daniel

    --
    Carpe Diem
    1. Re:Sweet! by evil_mojo_jojo · · Score: 5, Insightful

      Yes, but doesn't this spawn yet another "industry" of professional copyright maintainers? Sort of like domain name squatters?

    2. Re:Sweet! by djradon · · Score: 3, Interesting

      Seems inherently unfair to me. Unless you are rich, you lose the rights to your work?

    3. Re:Sweet! by Goldsmith · · Score: 4, Insightful

      If your work can't bring in enough money to support itself, it might as well be in the public domain, right?

    4. Re:Sweet! by Tony-A · · Score: 4, Insightful

      Yep, and you tax the hell out of it.
      There is a fundamental difference between cheap land that you develop and make productive and cheap land that is just left sitting there.
      There is a sort of poetic justice if a book that is out of print is also out of copyright.

    5. Re:Sweet! by rusty0101 · · Score: 4, Insightful

      Depends upon the cost of maintaining the copyright.

      As a suggestion, an original copyright will last no more than 10 years. If the original copyright holder feels a need to renew the copyright, he must do so before the end of the 10th year. He may renew for no more than 5 years at a time, with renewals happening within the last year.

      The cost of the original copyright is the production of the work. The cost of renewals is 10 cents per megabyte of text, image or minute of music, and 1 dollar per minute of motion picture.

      Works may be retained in a corporate copyright contract, however corporations are going to be interested in reducing their costs over time, so one of three things will happen. The corporation will recognize that the copyright is still earning them money, and renew the copyright, they will see no return on the copyright and will let it lapse, the company will go bust and the copyricht will lapse.

      Personally I do not believe that a copyright should be handed down to heirs. The work will remain under the copyright that the creator maintaines, and the family or other heirs may benifit from that copyright, however they may not renew the copyright.

      Any work for which the copyright has lapsed may not be put back into copyright.

      That's just my opinion.

      -Rusty

      --
      You never know...
    6. Re:Sweet! by Remik · · Score: 5, Informative

      It is brilliant, and unfortunatly it's also 'illegal' under the terms of the Berne Convention, of which the U.S. is a signatory.

      As part of the treaty, a persons right of copyright may not be put in jeopardy even by small formalities. It is one of the problems that arise from the European conception that an artist has a 'moral right' to the work they've produced.

      -R

    7. Re:Sweet! by Master+Bait · · Score: 2, Insightful

      Right. And since this plan doesn't put any cash in any Congress Critter's campaign fund coffers, there's no motivation for Congress to make it law.

      --
      "Only in their dreams can men truly be free 'twas always thus, and always thus will be."
      --Tom Schulman
    8. Re:Sweet! by divide+overflow · · Score: 4, Insightful

      Seems inherently unfair to me. Unless you are rich, you lose the rights to your work?

      It wasn't particularly fair to YOU when congress increased the copyright protection period. And your comment is particularly ironic, because it is precisely because large corporations (like Disney) ARE rich that you lost YOUR rights...your right to have the material become part of the public domain after a reasonable time to allow the copyright holder to benefit from his work. Isn't THAT unfair?

    9. Re:Sweet! by Yokaze · · Score: 3, Insightful
      Not necessarily. Please let me emphasise your words:

      As part of the treaty, a persons right of copyright may not be put in jeopardy even by small formalities. It is one of the problems that arise from the European conception that an artist has a 'moral right' to the work they've produced.

      In other words, the artists copyright may not put in jeopardy, but when he passes his rights to a second party (e.g. Disney, Time-Warner, Sony, whatever), he already has willfully relinquished some of his rights in favour of said second party.

      No one says, that the new owners rights to a piece of work have to be of the same quality as the original author had.
      --
      "Between strong and weak, between rich and poor [...], it is freedom which oppresses and the law which sets free"
    10. Re:Sweet! by rossz · · Score: 3, Informative
      So what? The Berne Convention may well be contrary to the Constitution, and according to the Supreme Court ...
      Reid v. Covert, 354 U.S. 1 (1957). The Court ruled: ...no agreement with a foreign nation can confer on Congress or any other branch of the Government power which is free from the restraints of the Constitution.
      And in case you didn't know, the Constitution is not a small formality.
      --
      -- Will program for bandwidth
    11. Re:Sweet! by djradon · · Score: 2, Insightful


      No, these are two separate issues. Having to pay, even $0.10/MB, to protect my legitimate copyright is totally unfair. I guess I adhere to the "European conception that an artist has a 'moral right' to the work they've produced." (see parent).



      I'm actually not in favor of Disney's "perpetual copyright through lobbying." I feel 76 years is a reasonable length for creative works. But that has nothing to do with the core issue.



      Imagine this: at one of the "renewal periods" for my photo library (which is already > 2GB, that's ~$200) I'm totally broke. Is it fair to lose my copyright?



      Moreover, that amount of money isn't going to matter to Disney, and with no good reason not to renew, big corporations will just renew all their intellectual property in perpetuity. This whole idea perpetuates the concentration of intellectual property in megacorporations.

    12. Re:Sweet! by NeMon'ess · · Score: 2, Insightful

      When you die +50, 75, xxx years later, your work will be public domain, and everyone can enjoy your work from the original 100 free copies whether you want that or not. It would be a very unusual situation where after 20 years you would still insist on giving away your work for free to a select number of people, and yet still care that the rest of the world not see your work. Lessig's idea still doesn't satisfy me because Disney can pay to keep Mickey indefinitely. I don't particularly care for Mickey, but public domain or new, original Bugs Bunny cartoons would be great.

    13. Re:Sweet! by puppet10 · · Score: 3, Interesting

      And what kind of protection do you think you currently get for free?

      If you do register and pay a small filing fee you get some additional protection, because it becomes potentially more expensive to violate your copyright. However for 'free' copyright upon creation any violation is much less expensive for the violator which must simply stop using your copyrighted material and are only liable for actual damages (ie your attorney fees are yours and you only can possibly win the infringers profits and your losses if any).

      Additionally finding infringement of your copyright can be a difficult proposition unless it's being flagrantly violated in a widely read publication.

      So although the small filing fee (not free) provides you with more protection (statutory damages and attorneys fees) there is still the cost of filing and the preparation costs of registering the copyright. Additionally any money you invest in hunting down violators of your copyright. Actively protecting a copyright while not prohibitively expensive does involve some costs even without a small renewal fee.

      Finally the fundamental basis for copyright in the US isn't protection of the artist; it's the promotion of new works. So the pertinent question is, would the additional cost of not allowing your photo library to go to the public domain 20 years from its creation cause you not to publish it now?

      --
      -------- This space intentionally left blank --------
    14. Re:Sweet! by Doomdark · · Score: 2, Insightful
      First of all, cost of extending copyright need not be huge. I don't think only rich people can register domains, for example, as renewal cost while not negligible, is not huge.

      But more to the point... you can't really even publish your copyrighted work, unless you are rich, or have produced something others (publishing company) thinks can make them rich (companies that are very likely to be "rich" compared to most individuals). Meaning that most publishable works can certainly earn enough money to allow them to be copyrighted for as long as they remain productive. So, even a poor (at least originally poor) author/composer can get copyright extended, as long as work in question is considered good enough (as measured by people buying copies of the work).

      Plus, don't confuse copyright with authorship. Even if one doesn't hold a copyright on, say, a book, doesn't mean (s)he has lost authorship. That person just can not prevent others from reproducing (aka copying) the work in question.

      --
      I like paying taxes. With them I buy civilization -- Oliver Wendell Holmes
  3. Of course he's right by DragonMagic · · Score: 3, Insightful

    Of course he's right. It seems that the new era, money for lobbying gets you just the right laws if you can pull some wool over the right eyes. Piggyback it onto another bill, say it's to fight a certain crime, or just be one of the top supporters to the right Congressman and you got your bill on its way.

    The only one the long copyrights really benefit are the large corporations. So why not just leave it that these corporations, who are making money off someone else's creative effort, have to pay to keep making money off this long after the creator's death? Makes sense, and it won't put items that need to be in the public domain because no one knows who rightfully owns the rights to it, into an unnecessary protection.

    --

    Human nature is the same everywhere; the modes only are different. -- Earl of Chesterfield
  4. where does the money go? by gripdamage · · Score: 2, Insightful

    The money should go towards enriching the public domain. The priveledge of extending copyright is at the public domain's expense, so that is the only thing that makes sense. I fear the money would just become part of the US military budget the way things are going.

  5. Poor Congress' Conundrum by philovivero · · Score: 3, Insightful

    Congress is really between a rock and a hard place. On the one hand, the Constitution of our United States says copyright can't be forever. On the other hand, Disney is giving many members lots of cash and nubile young fluffers to make their jobs less dreary.

    They have an obligation to pass laws for their paying constituents, but the highest law of the land (Constitution) says they can't do it.

    So they have to play this game whereby they pretend they're doing something good for the people of the United States when in fact they're loser lawmakers taking bribes.

    On top of all that, they have to maintain a thin sense of professionality so people won't just vote someone else in the next election.

    You gotta really feel sorry for those guys. What a tough job. I could never be a bottom-feeding liar for a living, personally.

    1. Re:Poor Congress' Conundrum by Elbereth · · Score: 3, Interesting

      Well, this of it this way.

      Information wants to be free, right? Allinformation, that is, except for personally identifiable information and your personal information. That information doesn't want to be free. It wants to be secret. So, some information wants to be free, but not all of it. Also, not all source code wants to be free. It wants to be free on its own terms, or free to some people and not to others. Also, some source code wants to redefine the word 'free' to mean something else. And then there's the information that just plain can't be free, because people's lives depend on it being secret(police informants, undercover cops, locations of safe houses, military secrets, and so on).

      Now, try to do anything while you've got this being screamed into your ear. Of course, your other ear is getting the same treatment, but from a different point of view ("Why do I have to release everything I write into the public domain? Fuck that! I want copyrights!"). And then there's the long, long line of other people, waiting to scream their political views into your ears.

      No, I wouldn't really like doing this, either. No matter what you do, someone is going to demonize you. Support abortion? You're a baby killer. Don't support abortion? You're misogynistic. Support the death penalty? You're contributing to human rights abuses in America. Don't support the death penalty? You're soft on crime.

      I hate politicians, too, but making politics out to be some sort of game where you just wait for all the cash and babes to come rolling in is kind of silly. Be a DJ or pro sports athlete if you want that. It'd be a lot easier than constantly dealing with zealots screaming that you're sending the country into a downward spiral every time you make a decision.

      Our politicians have become ineffective and wishy-washy because we scream at them and demonize them so much. Maybe if we all backed off a little bit, they wouldn't be scared to death of making decisions.

      My cynical side says that nothing could ever make a politician honest, but my optimistic side is ever hopeful that we'll someday have a crooked policitian who has the will to stick to his guns on an issue.

    2. Re:Poor Congress' Conundrum by spitzak · · Score: 4, Insightful

      I don't think you quite got the point beind the line "information wants to be free". The joke is *all* information "wants to be free", even top-secret or personal information. That's why you have to work at keeping it secret. It's kind of like a law of thermodynamics, information spreads and is "free" unless you stop it. Just because we build refrigerators does not mean the laws of thermodynamics are false.

    3. Re:Poor Congress' Conundrum by ChaosDiscord · · Score: 2, Insightful
      Information wants to be free, right? All information, that is, except for personally identifiable information and your personal information.

      You seem to be confusing unrelated things. "Information wants to be free" has nothing to do with what I want or what anyone else wants. "Information wants to be free" in much the same way that than object in motion wants to stay in motion. Keeping information from being free is hard. It requires lots of laws and technical measures. In the absense of laws (like copyright) and technical measures (like DRM), there would be no limit on how information spread. Even with these laws and technical measures, supposedly controlled information spreads anyway.

      Anyone claiming that "information wants to be free" is some sort of moral imperative needs to be beaten with a clue-by-four. "Information wants to be free" is a reminder of the nature order of things, that efforts to stop information's freedom will be difficult, expensive, and ultimately cannot work 100%.

  6. Doesn't solve my problems with copyright at all by thinmac · · Score: 4, Insightful

    All a solution like this would do is protect large companies like Disney which have the money to pay for copyright extention. Frankly, Disney can also afford to compete in the public domain, and I don't think they are the people copyright really needs to protect.

    The folks I worry about with copyright are small artists who either themselves make a living off of their work, or who have living relatives who do so. These are the people that copyright needs to protect, and these are the same people who cannot afford to pay to extend that protection.

    Law, in general, should help those who cannot help themselves. In my view, large corporations have the ability to compete successfully in a free, public domain market. Unless the sums required to extend copyright are tiny (and therefore useless), the people who need protection won't be able to get it. For the most part, Forbes' solution would just maintain the status quo.

    1. Re:Doesn't solve my problems with copyright at all by s20451 · · Score: 4, Insightful

      The folks I worry about with copyright are small artists who either themselves make a living off of their work, or who have living relatives who do so. These are the people that copyright needs to protect, and these are the same people who cannot afford to pay to extend that protection.

      That's exactly what Lessig' proposal intends to ensure. By charging a nominal fee to renew copyright, it allows artists to retain control over their work for as long as they are making money from it. Once it becomes unprofitable for them (or they die, and their heirs choose not to pay the fee), the work enters the public domain.

      The proposal is intended to allow otherwise unused works to enter the public domain for all to use. It does not address the problem of long-term protection of copyright where the work remains profitable, as in the case of Disney.

      --
      Toronto-area transit rider? Rate your ride.
    2. Re:Doesn't solve my problems with copyright at all by Sloppy · · Score: 2, Informative
      Please read the Eric Eldred Act FAQ.

      Small artists can afford to pay a dollar every three years. If they can't, then they have nothing to lose from the work falling into PD anyway.

      The only reason there's that dollar charge at all, is to subvert the Berne convention's terms by making it a "tax" instead of "registration."

      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    3. Re:Doesn't solve my problems with copyright at all by YoungHack · · Score: 3, Insightful

      The folks I worry about with copyright are small artists who either themselves make a living off of their work, or who have living relatives who do so. These are the people that copyright needs to protect, and these are the same people who cannot afford to pay to extend that protection.

      Look, there's no innate right to make money on one idea forever. At any other job you have to keep producing, or you get fired. Why should you be able to make one successful work and expect to be paid forever?

      If you want to keep getting paid, keep producing new successful works. That's life in every endeavor other than authorship.

      Frankly, 10-20 years is plenty for copyright. Anyone who is still making money after that (i.e. they aren't out of print) is good enough to produce more new work. And in those years they have made plenty of money that they don't have to "starve". Everyone else is in jeopardy of disappearing into obscurity, and projects like Project Gutenberg should get a crack at preserving that work.

  7. Oh, Great. by Euphonious+Coward · · Score: 2, Insightful
    There's nothing like having another whacko on your side. First Phillis Schlafly, now this?

    If we end up with this deal with the devil, at least we should try to have the monopoly-maintenance fee double on each round.

  8. already doing that by matt4077 · · Score: 4, Funny

    "[paying to maintain copyright extensions]"

    it's already done. They call it 'lobbying'.

  9. dystopia by twitter · · Score: 3, Insightful
    [paying to maintain copyright extensions] would be a simple and effective way for the First Branch to respond

    Too bad it's not a good way to respond. Consolidated publishing will simply pass the cost of renewal to the reading public. Too large a body of information is owned by too few people for too long a time frame. They have the power, thanks to the DMCA, and now the technology to put us on the road to Tycho.

    The only real solution is the original one, reasonably time limited protection of publication 14 to 28 years. The costs of publishing have only decreased since that original deal was made and so the incentives should have decreased since. How absolutly absurd it is that Einstine's orginal papers are still protected by copyright! What use are 100 year old technical publications beside historical research?

    --

    Friends don't help friends install M$ junk.

  10. The proposed payment for extension is good, but... by nsayer · · Score: 4, Interesting
    Just some tweaks I'd make:
    1. Reduce the basic copyright term to 20 years.
    2. Set the fee to $ k * (2^n - 1) for each desired extension term (n = 0 is the first term, which would be $0). The longer you want to lock up a work, the more it costs you (at an exponential rate). The value of k should be adjusted for inflation.
    3. If a copyright expires and the current rightholder does not wish to extend, then allow the copyright to be auctioned with the minimum bid starting at the renewal price. If no one meets the minimum bid, the work irrevocably enters the public domain.
    4. The money raised should be paid into a fund for public libraries.

  11. how about... by jarnies · · Score: 4, Insightful

    ...disallowing corporations from holding copyrights of anything. reserve copyright for individuals only. that would protect the small time artist, enrich public domain, and do many other things i cant think of right now. it is four in the morning.

    --
    philanthropists need to realize there is a need for philanthropy in the first place
    1. Re:how about... by PHP+$tud · · Score: 2, Informative
      [quote] ...disallowing corporations from holding copyrights of anything. reserve copyright for individuals only. that would protect the small time artist
      [/quote]


      The problem is that a "corporation" is not necessarily a faceless evil entity. Often *individual artists* make a personal choice to license their works to a "corporation" of some form, or make some other more complicated arrangement (artists' deals with record companies are often very complicated). Also, an "individual artist" make actually choose to be a "corporation" for tax or business reasons.


      So you see it's not quite that simple...

  12. What about by arvindn · · Score: 3, Interesting
    I would expect that there are a good number of artists who understand that (essentially) infinite copyright is stupid. I mean, if I were an author, I would like to release my works after say 5-10 years into PD in the hope of increasing hits to my website and get free advertising using something I probably can't sell anyway. Given this, how can we get more authors to adopt this approach?

    IANAL, but here's a suggestion. Consider what happened in the software world. Lot of people wanted to share their code, but for things really took off only due to the ease of adopting the GPL. In a similar vein, perhaps we should have a well-defined legal framework for artists to release their work into the PD after 5 years, and work towards getting it acceptance among publishers? (Essentially, the legal and technical details should be worked out and implemented by someone else instead of forcing the individual artists to deal with it). Sure the *AA can be counted out, but I can imagine several book publishers and smaller music groups being not averse to the idea. If disney wants to keep the mouse, let them, forget it. Let's do the best we can to ensure that content that is yet to be produced comes with a less draconian copyright.

    1. Re:What about by Remik · · Score: 2, Informative

      Take a look at Creative Commons.

      -R

    2. Re:What about by arvindn · · Score: 2, Insightful
      Take a look at Creative Commons
      It's a start, but it doesn't solve the problem. For two reasons. First, the nature of the author's contract with the publisher/distributor would in many (most?) cases prevent the artist from PD'ing their work. Surely, we want the artist to get royalties for a limited time-period at least, don't we? Second, it is still work for the artist. We don't want the artist to get involved at all after the moment that they first release their work. That's what I was implying by "legal framework". Standardize the process, sell the idea to a few publisers and make it dead simple for artists; and it could be a revolution in the content industry. And about time, too: the sooner we realize that the internet demands some adjustments to our notions of selling information, the better.
    3. Re:What about by vudujava · · Score: 2, Interesting
      if I were an author, I would like to release my works after say 5-10 years into PD in the hope of increasing hits to my website and get free advertising

      Based on the comment, I'd say you're not an author. Writing is a tough market and outside of journalists, only a handful of writers can make a living writing. When there's money involved, you don't turn your back on it and you deal with the terms you are given. You can write the great American novel, the greatest novel ever written and not be able to sell it. The best works in the world remain unpublished. If you are lucky enough to get an offer for the book, you (or your agent) wouldn't be able to get terms that put the work in the PD after 5-10 years. Right or wrong, that's the way it is.

      using something I probably can't sell anyway

      Tell the Tolkien estate that... tell Hubert Selby that, hell tell Stephen King that, and they'll all laugh.

      Consider what happened in the software world. Lot of people wanted to share their code, but for things really took off only due to the ease of adopting the GPL

      Again writing is a tough market, it isn't like writing software. If you can write C or C++ well, you have a job and make a good living. Most writing is done by writers after they finish their day job.

      The only way you retain or get your copyright back is by publishing in small independents that pay in copies. Speaking as an author, I'd kill to get a fat book deal, even if it means giving up a good portion of my rights. I don't know if there is a good way to solve the problem without burning the author, but that's the way it is. I suppose, as a writer, I could tell a publisher that I wanted digital rights after a period of x years, but that doesn't really solve the problem. Besides, what if I don't want my work in the PD? It is my work after all and should be my choice.

  13. What Lessig Wants by Remik · · Score: 5, Insightful

    Many of you are misguided about what Lessig plans to get out of the Eldred Act. He's given up on Mickey, and rightfully so. There is no way he can fight the money and power that is Disney. He is prepared to ceed the 2% of economically worthwhile copyrights that remain after the current term inorder to get access to the 98% that no longer have any protector. He's decided to compromise and accept the orphans, and that's what the Eldred Act gives him.

    Lessig's motivation has always been the flourishing of the commons, and while a win in Eldred v. Ashcroft would have give him 100% of what he wanted, passing the Eldred Act will still give him 98%...and that's close enough.

    -R

    1. Re:What Lessig Wants by petsounds · · Score: 2, Insightful

      From that report, it appears (though I may be interpreting it wrong) that 97% of the content under copyright by the studios et al is not being commercially exploited. But it is my understanding that the other 97% of content is still under control of these big studios. So how does implementing a plan where copyright holders pay for extensions help to free up that 97% of content? You don't think that the studios will pay to keep all their copyrights, even if they don't use the content? I think this will just enable the big content holders to keep dormant content under their control forever.

    2. Re:What Lessig Wants by Minna+Kirai · · Score: 2, Interesting

      One additional factor- just because a work isn't being commercially exploited (sold), doesn't mean no corporation has a profit motive to maintain it's copyright.

      Big media companies gain by keeping the public domain poor- especially by denying it modern media like film and television. If the Eldered case had won, then PD TV shows would begin to compete with newly produced paid ones.

      The new stuff will always have an advantage in FX technology and "bad language", but given how often Hollywood recycles old plots, some amount of sales cannibalization will occur (1947 Fox stealing sales from the 2003 company).

      I believe that the largest reason big IP companies want long copyrights is not so that they can keep collecting sales of old works, but so that old works won't compete with their shiny new merchandise.

  14. Sign of the impeding apocalpyse #768 by Watts+Martin · · Score: 5, Funny

    Steve Forbes takes a position I agree with.

  15. Why a token amount? by divide+overflow · · Score: 2, Interesting


    I believe that charging a steadily INCREASING amount would be a better idea. That way there is increasing incentive to allow the copyright to revert to the public domain.

    Recent changes to the timelines are clearly Faustian deals by politicians to sell out to copyright holders. In my mind the public clearly loses. The original idea of limiting the time one can claim intellectual property was sound and still has merit. The notion that ideas and information can permanently be surrounded by barbed wire and denied to all seems intuitively wrong. It should be clear that the institution of a fee to maintain the copyright amounts to another tax. So politicians would treat it as another endless source of funds to be milked to finance their pet projects. Perhaps you can see where this would lead.

    Ultimately, I think the better idea is to put heavy pressure on congress to roll back the copyright protection period. Then we need some working campaign finance reform.

  16. Charge em more and more by Anonymous Coward · · Score: 2, Interesting

    Why not make it a constantly increasing amount after 15 years. $1 the first year. $5 the second, and $25 the third. Keep up the multiples by 5 or whatever number you want and eventually everything passes into the public domain when its value is exceeded by the fees.

  17. Re:The proposed payment for extension is good, but by mrfrostee · · Score: 5, Interesting

    Sounds great, except why allow people other than the current rightholder to extend? For that matter, why allow anyone but the original author to extend?

    The first U.S. copyright laws restricted renewals to the original author. Going back to that idea would remove some of the "property" connotations that have appeared since then.

  18. Absolutely by Hollins · · Score: 3, Insightful

    Instead of paying lobbyists for copyright extension for everyone, Disney pays the government to only extend their own. This is stupid.

    How about instead of having time limits, we have profit limits? The copyright expires once your work has turned a 1,000% profit or after 50 years, whichever is less.

    The purpose of intellectual property protection should be to foster creativity, not maximize profit. Disney will still create the next Pocohantas movie if they 'only' expect a 10x return, as opposed to the drag-it-out-for-50-years -get-40x-return thing they've done with Snow White, and the consumers will be far better served.

    Copyright should be viewed as the minimum incentive necessary to maintain a productive, creative environment, no more.

    1. Re:Absolutely by JabberWokky · · Score: 2, Insightful
      How do you figure profit on an idea? A guy has an idea for a show about a female swordswoman dressed in black, yada yada. What is the cost to figure out profit? (And yes, that's Queen of Swords, which a court determined that the original creator still had copyright on after the network stole it).

      Or the profit on a painting... a woman I've been seeing takes less than $100 of canvas and paint and sells prints at a few thousand dollars a pop. That's her living... you'd kill her living (and the living of many other artists).

      --
      Evan

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
    2. Re:Absolutely by Cid+Highwind · · Score: 4, Insightful

      Instead of paying lobbyists for copyright extension for everyone, Disney pays the government to only extend their own. This is stupid.

      No, this is a work-around to a stupid political system. Currently Disney and AOL/TW and their ilk have enough money and influence to get their copyrights extended perpetually. This system would allow them to buy infinitely long copyrights for their own stuff (which they are doing anyway), but still allow other works to go into the public domain in a reasonable amount of time. Neither of us (or our grandchildren) will likely live long enough to see a Disney movie go into the public domain. With a system like the one proposed here, we might have the *other* 98% of copyrighted material that nobody is really making money from anymore reach the public domain.

      --
      0 1 - just my two bits
    3. Re:Absolutely by guacamolefoo · · Score: 2, Interesting

      How about instead of having time limits, we have profit limits? The copyright expires once your work has turned a 1,000% profit or after 50 years, whichever is less.

      You are obviously unfamiliar with accounting for motion pictures. In a nutshell, if you are ever a major motion picture star or agent for one, make sure that you get a piece of the gross and not the net. A system such as you propose would surely degenerate forthwith into something similar. "The Producers" would look innocently naive compared to the shenanigans you'd see if copyright depended upon not achieving a profit level of X%.

      GF.

    4. Re:Absolutely by 91degrees · · Score: 2, Interesting

      In a nutshell, if you are ever a major motion picture star or agent for one, make sure that you get a piece of the gross and not the net.

      Wise words. If only Stan Lee had heeded them, he would have been much richer.

      It's true. the majority of movies make a loss on paper. It's an impressive feat that a film that costs $100 million to make, $100 million to market, and makes $500 million in worldwide box office sales can break even, but apparently it does.

  19. Yes this would be a problem by jms · · Score: 4, Insightful

    Yes, but doesn't this spawn yet another "industry" of professional copyright maintainers? Sort of like domain name squatters?

    It wouldn't create freelance copyright squatters. If I were to pay the copyright fee on, for instance, Star Wars, that would not give me the right to the Star Wars copyright. It would merely extend George Lucas' copyright.

    However, it most certainly would create copyright fee maintenance companies, which is a problem.
    People would pay the initial copyright fee, but no one would want to run the risk of forgetting to renew a copyright on any non-trivial published work, so they would look to hire someone to do the job for them.

    For instance, let's say that copyright renewal costs $100 every 20 years, and there's 4 renewal periods. (80 year max) I could easily go into the business of submitting copyright renewals, and I could do it for $100 per copyright for the duration of the copyright (plus my up-front fee)

    I invest the $100 conservatively, and receive 5.75% interest, compounded annually. By the time 20 years rolls around, that $100 has become $205. Now I withdraw $100 of that, and pay the copyright fee to extend the copyright, leaving $105. Repeat every 20 years until the copyright reaches the statutory maximum.

    In other words, the company that produced the work could be out of business, the copyright ownership could be impossible to determine, but so long as the original copyright holder made arrangement with such a copyright renewal processing company, the unknown copyright would continue to be renewed decade after decade.

    The problem is that modern copyright terms are so incredibly long that even a large fee 80 or 100 years in the future translates to a small investment now. For instance, if the fee to renew a copyright will be $1,000 100 years from now, I can cover that now by investing $3.00 at 6%, compounded annually, and placing that investment in the hands of a corporation that contractually agrees to pay the copyright fee for me 100 years from now.

    In other words, regular renewal requirements don't necessarily solve the problem.

    1. Re:Yes this would be a problem by smallpaul · · Score: 4, Insightful

      For instance, let's say that copyright renewal costs $100 every 20 years, and there's 4 renewal periods. (80 year max) I could easily go into the business of submitting copyright renewals, and I could do it for $100 per copyright for the duration of the copyright (plus my up-front fee)

      This is actually a very risky business to be in. Presumably there will be competition in this business so profits will be moderate or slim. The problem is that if a future congress increases the fees, either the copyright holder or the copyright middleman gets screwed. If the middleman lives up to his side of the bargain, he could find himself losing money year after year on twenty year old contracts. If he doesn't renew the copyright then it expires and his whole business concept is useless. Neither party can predict the rates that some future congress will charge...and why wouldn't congress notice the millions or billions of dollars piling up in these services and get a little greedy?

      This all leads to another problem: if you really, really care about your copyright, you would need to really, really trust the company maintaining its copyright. By definition, you would need to trust them more then you trust yourself. It would need to be basically an insurance company or a bank (and even those go out of business sometimes).

      And anyhow, an easy way to prevent the business model you've described from developing is to require the signature of the copyright holder on the copyright renewel.

  20. Re:Congress' Obligation by BroncoInCalifornia · · Score: 3, Insightful

    >>>They[congress] have an obligation to pass laws for their paying constituents, but the highest law of the land (Constitution) says they can't do it.

    WTF

    Congress has no obligation to be corrupt and do what "paying constituents" want them to do. Their real obligation is to do what is right for the people of the USA.
    We have this problem with IP law out of control because congress is being corrupt instead of doing what is right.

    --

    Religion is the main cause of atheism.

  21. Problems With Fee For Copyright by Artagel · · Score: 5, Interesting

    First, one of the nice things about copyright, for the little guy, is that you do not have to register to be entitled to some copyright protection. You author something, and there is some protection you are entitled to without registration. Copyright registrations are inexpensive, and can usually be done without the assistance of an attorney. Requring a registration after 5, 10, or even 20 years to have a continuing copyright could make good sense -- the author would have a fair chance to assess what needed protecting versus what was not going to be worth paying a fee.

    Second, because of the Berne Convention, we cannot burden copyrights resulting from publications in foreign countries in certain ways. For example, you have to register a domestic work before you file a lawsuit in the U.S., but the foreign work does not have to file a U.S. registration prior to a lawsuit. If done in a way such that the effect were to be to force Disney and Hollywood to move to Canada or Mexico, I can't say it would be a victory.

    Third, is used in a way like present fee systems, the fees would not distinguish between big money works that pay for themselves in a year, and the rest is gravy, versus the smaller circulation works that need 10 or 20 years to gather a good income. In some ways a tax would work better -- it could be proportional to the financial value.

    I think that copyright should be easy and cheap for short periods, cost money to maintain for long periods (although shorter than the current limits), be consistent internationally, and have an easy way for the public to figure out what is or is not copyrighted (E.g. not having to figure out when Joe Obscure Author kicked the bucket).

  22. That was last year. by Cid+Highwind · · Score: 4, Funny

    Didn't you hear about the Disney amendment? Congress sold^H^H^H^H passed it last year!

    "Amendment 28: Article one, Section eight shall be amended to read as follows: To promote the profits of corporations, and to fight the evils of terrorism, the exclusive right of authors and inventors to their respective writings, recordings, video and audio discs, and discoveries shall be guaranteed in perpetuity.

    Additionally, article three, section three shall be amended as follows: " Treason against the United States shall consist only in levying war against them, or in adhering to their enemies, giving them aid and comfort, being a terrorist or drug dealer, or by violating the patents and copyrights of any corporation. No person shall be convicted of treason except upon the secret testimony of the Attorney General or his deputies."

    --
    0 1 - just my two bits
  23. The Constitution Is a Rule, Not a Guideline by LaCosaNostradamus · · Score: 5, Insightful
    Mr. Forbes at least has a very public forum and it is a pleasure to see him using it to set the horrible patent/trademark situation a bit more aright. But, there are two errors.

    Firstly, Congress has no authority to change the US Constitution. (Even if that does seem to be legislative fashion these days ... pass a law and wait to the cowering American sheep to summon the courage to strike it down in the courts.) Hence, it is silly to see him suggest that the Congress should declare trademarks to be eternal.

    Secondly, Lessig's compromise also violates the US Constitution. According to this link, the document says in Article I Section 8:

    To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
    Note it says "for limited Times". Allowing patent, copyright and trademark holders to retain their works as long as they pay for them, is not limited time.

    The only two fixes that are moral and legal are to either amend the Constitution to allow for unlimited works rights, or to never again extend such rights. In fact, the time limits should be reduced ... since life+70 years or 95 years is a long fucking time. I am 35 right now, and if I want to make use of the trademark or copyright of what a 20-year-old neighbor made, I'd have to wait until I was about 35+55+70=160 years old until I could use it legally. It can't be done. Hence, works rights that extend well beyond the Human lifetime seem unreasonable when faced with the word "limited".

    The remaining fix is to lob mortar shells at the US Capitol building until the Congresspeople begin to see the light. Myself, I prefer this option. The US Constitution is a body of rules, not guidelines, but the use of opinion and lassitude are making it a piece of paper. Is there any mystery as to why the populace has so little regard for the rule of law?
    --
    [You have a stable society when some nut guns down a schoolyard and the law doesn't change.]
    1. Re:The Constitution Is a Rule, Not a Guideline by stock · · Score: 2, Funny
      " I am 35 right now, and if I want to make use of the trademark or copyright of what a 20-year-old neighbor made, I'd have to wait until I was about 35+55+70=160 years old until I could use it legally. It can't be done. Hence, works rights that extend well beyond the Human lifetime seem unreasonable when faced with the word "limited". "

      Hey! all i can say is, Respect your neighbour ! So no go that you would fool him and snatch his stuff.

      Robert

  24. Laws should encourage innovation by seyfarth · · Score: 3, Interesting

    The purpose of intellectual property laws should be to encourage innovation, not to protect intellectual property forever. The Mickey Mouse character has been lots of fun for a long time. Disney has earned lots of money from the character. Disney should now create something new rather than trying to protect Mickey forever.

    What would happen to Disney without copyright protection continuing for Mickey? Would someone else start using a mouse character to promote a theme park? I doubt it. Would someone try to make some knock-off cartoons? Maybe, but would Disney suffer? I don't think Disney would lose much.

    20 years is a nice duration for a copyright. An author or artist could live off a creation for about 1/3 of a long adult life-span. During that time the artist could create some more copyrighted material and have a productive life.

    Our country has gone overboard with copyrights and patents. Extending patents and awarding patents for software do not encourage creativity. Instead they encourage defensive copyright/patent claims and litigation. We need to create an environment which encourages creativity rather than stifling it.

    --
    Ray Seyfarth, ray.seyfarth@gmail.com, http://rayseyfarth.blogspot.com
  25. If 95 years is limited then we must live to be 200 by Anonymous Coward · · Score: 2, Insightful

    As another AC pointed out, you missed that Forbes was showing some sarcasm, and it was nice to see Forbes Magazine, The Capitalist Tool come out and speak the truth about Disney and the Congress that falls over itself for them.

    But I didn't post to say "me too", I posted because you've mentioned something I personally think should have been the grounds for throwing out not just the DMCA, but most of the extensions.

    The notion that a "limited time" can exceed the human lifespan is a wild, baseless leap the Supreme Court should have not tolerated. It defies reason and common sense. If the founders intended copyright to span many decades (soon to be centuries), they would not have used the word "limited".

    By allowing this unconstitutional abuse to continue, the Supreme Court has disgracefully failed to fulfill it's obligations. Precedent set, is almost never undone.

  26. Seems like I've misunderstood by Adrian+Lopez · · Score: 2, Informative

    After searching google for the "Eldred Act" it seems that Lessig is not proposing that copyrights be renewable forever, as Forbes' statements seemed to suggest, but rather that copyrights should still be granted for limited times with the added restriction of an extension fee every so-many years. That's not as bad as I thought, although I still think it would do little to free up the most valuable works.

    --
    "In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
  27. Now I'm not so sure by deanc · · Score: 3, Funny

    Hm. Suddenly, the fact that Steve Forbes, of all people, supports more limited copyright laws makes me suspect that I might be wrong about my advocacy of Lessig's ideas.

    Kind of like how knowing that Pat Buchanan is against the war in Iraq makes me wonder whether it might actually be a good idea, after all. :)

  28. Um, amendments? by theCoder · · Score: 2, Informative
    Congress can't change the constitution?


    Article V

    The Congress, whenever two thirds of both houses shall deem it necessary, shall propose amendments to this Constitution, or, on the application of the legislatures of two thirds of the several states, shall call a convention for proposing amendments, which, in either case, shall be valid to all intents and purposes, as part of this Constitution, when ratified by the legislatures of three fourths of the several states, or by conventions in three fourths thereof, as the one or the other mode of ratification may be proposed by the Congress; provided that no amendment which may be made prior to the year one thousand eight hundred and eight shall in any manner affect the first and fourth clauses in the ninth section of the first article; and that no state, without its consent, shall be deprived of its equal suffrage in the Senate.


    Maybe not alone (they need 3/4 of the states to approve the change), but Congress ceratinly can try to change it. I do kind of wonder how well that would be received, since a lot of people I talk to don't even know what the public domain is. Not that I want an amendment like that tried, though :)

    Also, IMO (which doesn't count for squat legally :), Lessig's solution doesn't violate the constitution, especially considering the recent Eldred v. Ashcroft case. Congress would be securing for limited times (such as a year) each time the payment is paid. And paying for each limited time is no different than the current copyright extension going on, which the Supreme Court says it can't do anything about.

    I do agree with your assesment that the length of copyrights are way too long. I find it disturbing that nothing copyrighted today will ever enter the public domain within my lifetime. I agree that that's not right. I wish we could get some Congress-people to agree.
    --
    "Save the whales, feed the hungry, free the mallocs" -- author unknown
  29. you might be more sure than you think by zogger · · Score: 2, Insightful

    --or just perhaps, you have noticed that the old left/right paradigm is really a too-generic description to be used for automatic "I agree with such and such because they are left wing" or right wing, and etc? Perhaps ideas are inherently more "human" than a direction or geographical area and those pre conceived constructs are not relevant any longer? Like right and wrong might be a better way to look at things than right and left.

    I know you got a funny mod on it and it was funny, but it's funny because it's true. I frequently find myself agreeing with a point some pol made, after which I don't agree much with them, and it goes across the political spectrum.

    As I get older I am less enamored of labels-applied, as I am of consistenency and results and logic and reason as pertains individuals. I guess that means removing one's self from the herd more and being more independent in thinking, using the right tool rather than some clique's currently "popular" tool. Something like that anyway.

    Simpler, party labels or identifying as a political "side" or "wing" are forced and artificial, and usually promoted from places that have an agenda that is primarily designed to keep people in general from unifying around their common ground. For instance, the "left wing" lately is becoming alarmed over the first amendment, some strict traditional right wing have long been alarmed over the second and the 4th, both wings are alarmed over the 5th, both should be alarmed over the 10th and 13th, so there exists enough common ground to stop and for both sides to look around and see if perhaps there is a commonality of agreement to see where these threats come from,and to note that the "other side" has had a valid point all along,that a lot of the supposed differences were induced rather than naturally occuring, and maybe it's time to cooperate instead of squabble.

    What I like to term "the goons", those of whom really control the planet and adhere to no particular bloc or wing outside of power and profit outside of their virtual congame labels, love to continue the charade game of "divide and conquer" because it is so immensely profitable for them, and because it is so easy for them to perpetuate this congame.

    That "game" is why they have been so successful. Now, that means, the more people who can admit to a certain amount of personal fake-out,just accept it and deal with it rationally, and who can then step outside the box and stop playing that game with "the goons", the better off all of us who are being exploited will be, no matter language, race, nationality, etc.

    Just my O there, hope it makes some sense.

  30. Re:Flat tax? by shylock0 · · Score: 2, Interesting
    This is *way* off-topic. But it merits a response, because this is oft-misunderstood. In fact, this post is a good argument for making "The West Wing" mandatory viewing for all high school students. Anyway...

    So, the cons of a flat tax. First of all, there's a good reason that the flat tax makes sense on paper. In fact, it would've made great sense in practice about 160 years ago, when we were still an agrarian republic. All of the problems with the flat tax are mired in the fact that the distribution of income in this country is exponential, not linear. Let me explain the difference.

    A good way to think of a linear income distribution is as follows. To simplify things, let's just consider 4-person families with one working parent. Let's assume all such families have different incomes, and that the poorest makes $20,000/year. Now, if the distribution were linear, there would be a family making $20,010, one making $20,020, one making $20,030, and so in in even $10 increments, all the way up to, say, $1,000,000.

    But we don't live in a society with a linear income distribtion. Instead, the distribution of income is much more like a curve -- an essentially exponential bell curve. This means that there are exponentially more people clustered around lower and middle-income levels than there are around the $1,000,000 mark. Fortunately for us, however, the biggest cluster (top of the bell) is around the middle (not the bottom), and has been steadily rising since the turn of the century (though less in recent years).

    Okay, so back to the flat tax. Because of the exponential distribution of income, a flat tax places what is often called the "burden of taxation" on the middle class. This means that while the middle class might make up 60% of the population, they will pay more than 60% of total tax revenue. I won't go into the math (which is often disputed by proponents of the flat tax and constantly proven by leading economists, conservatives and liberals alike).

    There's also the idea of economic hardship. Let's say there's a 10% flat tax. That 10% is much harder on a guy earning 20,000 a year than on a guy earning 1,000,000 a year. Flat taxes also do away with most tax "incentives" (in an attept to simplify the tax code). Tax incentives can either be good or bad, depending on where you stand philisophically.

    In all honesty, that's primarily what it comes down to -- philosophy. The proponents of flat tax often say that a flat tax will "help the economy." Like the idea today that the tax rebate will help the economy, it simply isn't true. Anybody who has taken a basic college course in econonomics understands that -- in fact, almost all economists understand that (nearly all the ones who originally supported the Bush tax cuts have since backed off). Most economists feel the same way about the flat tax -- it doesn't really help the economy at all. The propaganda sounds good, but it's really propaganda.

    The truth about the tax debate is that, from an apolitical standpoint anyway, the flat tax doesn't have any pros -- but neither does the progressive tax. It's all philosophy: where do you want the tax burden? Should the top 2% of wage earners pay more than 2% of all taxes? Is it important for the rich to contribute a greater percentage of their income than the poor?

    I would be happy to answer this question in much more detail, with a run-down of the impact, on all economic classes of people, of each of the tax schemes (please respond to this post with your e-mail if you so desire). However, a good essay on it (not be me, but found through google) can be found here: http://www.wordwiz72.com/flattax.html

    I will add one last thing. The progressive tax is often mislabled, because only the "aggregate" percentage -- it is important to remember that, under today's progressive tax, somebody earning 200,000 pays the same percentage of the first 25,000 of their income as somebody earning only 25,000 -- it's only higher amount of income that is taxed at a higher percentage.

    --
    Statistically speaking, there's a 99.998% chance that my IQ is higher than yours. Get over it.