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The Fix Is In: Ardour Set For Summer Release

uprightcitizen writes "Good news for the open source audio recording world! Ardour creator Paul Davis has announced a feature-freeze and has set a binary release date for the now-famous GPL multitrack audio recording application. Ardour has recently been featured in Sound on Sound and has been mentioned on Slashdot many times (here(1), here(2), etc..). The feature freeze is effective as of May 4 and the binary release date is set for sometime in July or August. Good Job Paul!"

241 comments

  1. Sounds like they went through a real by Anonymous Coward · · Score: 4, Funny

    Ardourous process.

    1. Re:Sounds like they went through a real by Anonymous Coward · · Score: 0

      Yeah, that's pretty damn clever. I bet an ardourous process is something like these Slashdot mods go through while viewing a goatse.cx link.

      Don't be afraid to mod this up. It's only karma after all.

  2. more pro use of linux by Anonymous Coward · · Score: 5, Interesting

    One more pro use of linux to knock the proprietary big boys down. The article doesn't say it, so I will here. We're gaining on those markets where Apple and PC hardware have been used and how, simply because there were once the only solution. Where there was Photoshop, now there is GIMP. Where there was film editing, now there is Film Gimp. Where there were proprietary rendering, now movies like XMen2 use Linux. Where there was Pro Tools, now we have our own solution too.

    These may be relatively small markets compared to desktop users, but they are extremely solid ones. Once GPL software is usable there and the savings are being made (come on now, free software compared to over $14,000 for Pro Tools in audio) the hold will be unavoidable.

    It's a coming of age

    1. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Instead of poser, I can use...what?
      Instead of Cakewalk, I can use...what?

      You're bluffing with only a pair of threes to show for it, if even that.

    2. Re:more pro use of linux by Anonymous Coward · · Score: 0

      why do people insist on comparing gimp to photoshop... its more in between ms paint and paintshop pro.

    3. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Yes but most web grpahics aren't now made with photoshop or mspaint or paint shop pro but guess what?\

      Look at the signatures in .jpg images and you'll will find many or not most of them are made in THE GIMP BUT NOT THE OTHERS.

      Speak with your foot out of your mouth before you open it.

    4. Re:more pro use of linux by shaitand · · Score: 2, Interesting

      obviously the comment of a photoshop fanatic, I know I used to be one. Now you couldn't pry my gimp from my cold dead fingers ;) Sorry, photoshop has a couple points on gimp, but gimp has points back. Gimp also has another small advantage in that it's about $800 less expensive than photoshop.

    5. Re:more pro use of linux by Anonymous Coward · · Score: 0

      No, just the comments of someone who works in print.

    6. Re:more pro use of linux by Anonymous Coward · · Score: 0

      I'm sure the guys who used to write books with quill pens sneered at moveable type, too.

      Print is dying.

    7. Re:more pro use of linux by i_am_nitrogen · · Score: 1

      Photoshop is frequently used for other things beside print. Gimp is really slow at handling huge images (4kx4k pixels) with its default configuration (I don't know if increasing the tile cache to 1/2 the RAM size like Photoshop uses would improve that). But, Gimp doesn't suck. Patents on color spaces and color matching and color systems like Pantone are what suck.

      I understand people being defensive about software investments. However, I would love it if an Open Source package came along that could replace Acid Pro 4 and its Dolby Digital encoder (a rather large investment for someone who only writes music and makes movies as a hobby).

    8. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Let's not forget Gimp's awful brush system. (I like an idea of how much area is going to be affected by the current brush size vs. the current magnification level, something Photoshop does that Gimp didn't do last time I used it.)

      Of course, that was roughly a year ago that I last used Gimp. Has it changed any since then?

    9. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Has it changed any since then?

      Unfortunately no. I raised the issue of precise cursors with a GIMP developer at the end of last year. I was laughed at with the comment "do you know how fucking hard that would be?"

      Hey. make it easy for people to switch or stay forever in mediocrity.

    10. Re:more pro use of linux by shaitand · · Score: 1

      Alot changes in open source programs in the course of a year. If I'm understanding the feature you mean, then it's not the default behavior... but I've never really tried. I may not be understanding you at all though... sometimes it's hard to convey visual related features via text.

    11. Re:more pro use of linux by Cplus · · Score: 2, Insightful

      I agree, and I mean no offense to the users and developers in saying this, it's a wonderful product, can be great for non-professional use, but it's not even close to what a professional needs. Note that by professional I don't mean a web-designer, GIMP is ideal for web-designers.

      --
      "Share your knowledge. It's a way to achieve immortality." -- Dalai Lama
    12. Re:more pro use of linux by Anonymous Coward · · Score: 0

      I believe the key term was "pro use".

      Cakewalk is the kids toy DAW.

    13. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Dude, you need to login to karma whore.

    14. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Umm, from the mailing list archives, it looks like you came off as an arrogant asshole who was attempting to dictate the direction of the project. I don't feel sorry for you one bit.

    15. Re:more pro use of linux by Anonymous Coward · · Score: 0

      There's only one flaw in your post that I can see in my current semi-drunken state:

      A $14,000 ProTools system has assloads of audio hardware.

      A free(as in whatever) audio recording app has jack squat in the form of I/O. So it can use what? Audio line-in? The line-level mic? How do you expect it to record anything if there's no I/O? Trust me, even the highest-of-the-high-end Audigies and the like look like a toy compared to a pair of Digidesign 888 I/O's.

      Sure, it's a step in the right direction, but it's nowhere near a finished product.

      Oh, and don't count on being able to use those 888 I/O's with anything but ProTools, 'cause Digidesign has already had words with Apple about their de-proprietizing of audio hardware and effect plugins. MacOS X reads 888 I/O's as another sound source and output, meaning that you can use any software to access them. Newer I/O's seem to identify themselves as something other than audio hardware. Not everyone likes standards, much less open source.

      One more thing... if this is such wonderful software, they'd better make sure it has a wonderful interface. Something that holds to a standard. It doesn't matter what standard. Any standard will do. They need to just, for the love of god, make the interface not suck! *cough*protools*cough*

    16. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Man, post links when you "burn" somebody like that.

    17. Re:more pro use of linux by AusG4 · · Score: 5, Insightful

      This is just ridiculous.

      The ProTools software is FREE.
      $0. No money spent.

      The $14,000 you spend on ProTools hardware is for the very powerful (and very much worth the money) DSP cards that make ProTools -the- premier audio recording application among serious studios. I know that some people are going to respond with some justification as to why the MOTU 828 or the HammerFall is better then DigiDesign, and that's fine... we all have our preferences... but the DSP's offerred in addition to the audio interface in the ProTools TDM systems make them so much more powerful then CPU bound rigs for large projects.

      To compare what you get for $14,000 from DigiDesign to what you get for nothing in the OSS world is a very invalid, and very misinformed. There is simply no comparison between what you get.

      And don't even get me started on the rest of your examples. GIMP is cool, but Photoshop it ain't... Film Gimp is -really- cool, but it's not even close to Shake.

      Being part of the open source world, I'm so happy about the efforts and advances we're making in various places... but let's not get our heads stuck in the famous "reality distortion field"... there is a VERY LONG way to go before the projects discussed in this comment rival their commercially available conterparts.

      --
      bash-3.00$ uname -a
      SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
    18. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Your DICK is a KIDS TOY, or so you try to tell the KINDERGARTEN CLASS that you 'teach'.

    19. Re:more pro use of linux by questamor · · Score: 1, Funny

      They need to just, for the love of god, make the interface not suck!

      Oh. so it shouldn't be renamed "Sound Gimp"? :)

    20. Re:more pro use of linux by croddy · · Score: 2, Informative
      actually, ardour supports the RME hammerfall DSP, which (in its two incarnations) rivals the 001 and the 888 in most areas. that being said, you can do a hell of a lot of DSP with a dual 2.5 athlon. sure the audigy is a "toy" for *recording*, but if I'm just doing synthesis and processing, it makes a damn tolerable surround driver.

      honestly the best reason I can find to use the 888 is that it supports pro-tools.

    21. Re:more pro use of linux by i_am_nitrogen · · Score: 1

      I think you mean brush size cursors. Gimp already has precise cursors, though I don't recall enjoying them. Brush size cursors would require drawing a circle of the appropriate size and hiding or changing the X mouse cursor. It could probably be done in the same place the marching ants are drawn. In fact, if someone more familiar with the Gimp code base pointed me to the location of the X event loop, the code where current brush size is stored, and the marching ants drawing routine, I'd probably be able to pull off brush-size cursors for circular brushes in about an hour. Precise outlines for irregular brushes would be as easy as creating a temporary surface, scaling to the current zoom level if necessary, and using the marching ants code to trace the outline of the brush. That would require not more than a few hours from someone with lots of Gimp internals experience.

    22. Re:more pro use of linux by Zork+the+Almighty · · Score: 1

      PoseGimp and CakeGimp, what else ?

      --

      In Soviet America the banks rob you!
    23. Re:more pro use of linux by matvei · · Score: 5, Insightful
      Where there were proprietary rendering, now movies like XMen2 use Linux. Where there was Pro Tools, now we have our own solution too.

      Earth to AC, the software packages that the big boys are completely proprietary and often developed in-house. Not all software that runs on Linux is open source. For example, you can get Alias|Wavefront Maya for Linux but it certainly is not GPL'd.

      There are no open source tools that could come even close to Maya (or other high-end packages for that matter). With the insane budgets that Hollywood movies have I doubt that they will choose inadequate tools just because they are free, beer or speech.

    24. Re:more pro use of linux by Negatyfus · · Score: 1

      You echoed my thoughts.

      I'm very grateful for what open source has given me, but the open source community needs to get their heads out of the sand. There are some very decent applications, but-- like you said-- some just don't cut it compared to their proprietary (expensive) counterparts. In some situations, the open source product may suffice, or even be preferable, but that's not the same as an equivalent. Photoshop has its place. GIMP has its place. GIMP != Photoshop.

      What I'd like to see in The Gimp is a mouse pointer the size of the current brush. I'd like real-time scaling/rotation, so that I can see how big it will look and I won't have to guess. There are a bunch of other such (arguably) minor issues and some bigger. Fact is, improvements should still be made. There is still a long road to travel. I just wonder if we're persistent enough to pull it off. WILL we ever get there?

    25. Re:more pro use of linux by DF5JT · · Score: 1

      "The $14,000 you spend on ProTools hardware is for the very powerful (and very much worth the money) DSP cards that make ProTools -the- premier audio recording application among serious studios. I know that some people are going to respond with some justification as to why the MOTU 828 or the HammerFall is better then DigiDesign, and that's fine... we all have our preferences... but the DSP's offerred in addition to the audio interface in the ProTools TDM systems make them so much more powerful then CPU bound rigs for large projects."

      Correct me if I am wrong: The DSP-cards in a TDM based system have the sole function of delivering cascaded raw CPU-power for audio data processing. They have no hardware specific routines coded, which makes them replaceable.

      Compared to today's PC prices, these DSP-boards are ridiculiously overpriced for the deliverage of CPU power.

      With a Linux cluster you can easily replace the Pro Tools hardware in terms of processing power.

      What we are left with is the quality of the software. While Open Source projects can now equal the sheer performance, they only have one application for audio editing.

      And Pro Tools has a shitload of proprietary plug-ins that actually make Pro Tools Systems usable for deployment in a production environment.

      Unless the Open Source community manages to convince plug-in producers to let them use the closed source interface to the plug ins, all efforts to have Linux replace the actual editing and production environment of Pro Tools will fail.

    26. Re:more pro use of linux by Anonymous Coward · · Score: 1, Interesting

      afaik photoshop got a shitload of things that gimp hasnt, and at least to me they shorten the time i need to get my work done.

      1) a great text tool
      2) great bezier shape tools (totally own gimp - when you compare usability of the two apps in this regard)
      3) good aliasing (diagonal lines dont have strange aliasing effects)
      4) ability to group layers
      5) ability to add effects to layers that can be removed or changed on the fly
      6) the undo-brush (great for retouching images)
      7) slices (at first i thought i didn't need them but hey, its so easy now to turn a webdesign into lots of small images in a minute)

      etc.

    27. Re:more pro use of linux by frequnkn · · Score: 1

      I'm just as excited 'bout this as the next guy. I've tried audio on linux many times over the years, but it's never worked enough to leave the Mac platform. However, an audio software environment (DAW) is only a small portion of the software/hardware mix.

      Good, solid, pro hardware (audio, midi, video I/O) costs an order of magnitude more than software. Hell, most ProTools software comes free (as in beer) with most of their top hardware packages. Digital Performer is only a small upgrade-leap away from the free version that comes with their hardware.

      So, $13,999.99 of that pro setup goes into a nice computer rig, good converters, good harddisks, preamps, effects, cables, etc. This isn't even counting acoustic treatment of the rooms, or a nice mixing surface. Oh yeah, and we need linux drivers for all of this as well. I believe there are Delta series drivers for the M-Audio interfaces, and the Hammerfalls, but not much else in the pro realm.

      Let's show projects like Ardour some support and beat on hardware vendors to help with drivers!!! *grabs his hardware vendor beating stick*

    28. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Pro tools software is not free.
      Digi offer versions of PT that do not require the TDM farms. You can use an Mbox or audio media card, but you still have to buy the software.
      Also upgrades cost.

      Also, you can get real work done it Ardour. It's another microsoft office vs open office thing. 90% of the people use 10% of the features, even in the pro world, so Ardour is perfectly adequate.

    29. Re:more pro use of linux by Anonymous Coward · · Score: 0

      The problem is latency. The TDM farms have a latency max (without plugins) of 2-3 samples. That is 2/44100th of a second at 44.1k sample rate. Not much longer with plugins.

      Now imagine how long it would take to pipe that over a network, to another computer and back.
      It is impossible to achive that low level of latency without TDM. Even the best soundcard+host processing cannot achive it as the block size of PCI transfers is too large to send single samples to the sound card.

    30. Re:more pro use of linux by AusG4 · · Score: 1

      The ProTools Core Cards (which contain DSPS themselves anyways) are also multi-channel I/O cards that allow connection to external AD/DA convertor boxes.

      Linux cluster? This is just never going to happen. Ping a box over a quiet ethernet LAN and you'll see 1-2ms of latency. Add in the processing time for the sample you're routing, and you're looking at like 4-10 ms of latency.

      This is just NOT good enough for recording sound... not even close. The TDM hardware is unmatched because of the completely in-card path of the sound being processed. All the actual ProTools software does is give feedback to the user and allow the user to tell the ProTools cards what do with the sound they are processing... it doesn't actually do any of the lifting.

      --
      bash-3.00$ uname -a
      SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
    31. Re:more pro use of linux by Anonymous Coward · · Score: 0

      Tell that to the users of pro tools. Here's the simple reason why some Open Source software can't compare.

      1. Programmers do it in their free time. They aren't getting paid for it, so they don't alwayz like to work on the boring programs. Or boring parts of a program.
      2. Simply saying its better because its free is NOT a valid argument. You really need to get over that.
      3. Doing a comparison of 90% of people using only 10% of its features I would like for you to provide evidence for that statement.
      4. Pro Tools gots plugins for it up the wazoo. Most of them proprietary I believe.
      5. Advocating everything to be open source and not allowing anything proprietary to be installed will just end up putting you in a niche market for the desktop. Servers is fine because we got all the serving programs we need. Examples; apache, ftp serving, mysql, etc...
      6. Make it more user friendly damnit. You need people that aren't programmers that just give suggestions on better ways to improve how the user does things in the program. Companies hire people that do just that, the open source community needs people like that. And don't give excuses on why it shouldn't be easier. Example "the dumbing down of linux".
      7. Pick names for software that make sense. For example, GIMP, wtf kind of name is this for a program? Its a word you use to insult someone. Photoshop sounds alot nicer. Try to think like marketers instead of programmers when naming new software.
      8. When coming up with new features in software, instead of just adding it to the current version. Put it on the list of things to add to the next version. Upping the version number after the . should just be used for bug fixes. Although the linux kernel the way its developed could use an improvement in one way, get hackers to hack the code and fix the security bugs in it like the devlopers of freebsd did with version 5 and microsoft did with windows 2003 server.

      Well there ya go, enjoy trying to refute all this :)

    32. Re:more pro use of linux by FrankNputer · · Score: 1

      Sorry, but this is a strawman argument. The software is technically free - but it's useless without ProTools hardware. It won't run. So the cost is actually intertwined.

      (Plus, you're at the mercy of a proprietary lock-in. Doesn't matter if you like another interface better - it won't work either.)

      ProTools is not necessarily best, BTW - just first.

    33. Re:more pro use of linux by AusG4 · · Score: 1

      Dude, you missed my point.

      I was clear that you get the software -with- the hardware... and the typical OSS-geek retaliation of "proprietary lock-in" is, as usual, short-sighted.

      Most studios care about 2 things, in this order:

      1) Audio quality
      2) Ease of use

      They could give two s**ts about having to diddle with parameters and run a compiler in order to get their studio running, just to save some money. Given what most large studios charge per hour, the investment in "proprietary" gear doesn't sway them, as they get an ROI on that investment rather quickly anyways.

      ProTools on a PowerMac is basically a turn-key solution that doesn't require any kernel tweaking or compilation of device drivers in order to setup. This is the ONLY point that matters to most studio engineers.

      No amount of "Oh, but you're locked in and it costs a lot of money" whining will sway them on that.

      Until Linux and it's competitive offerings are -as- turn-key as Apple/Windows (and for the average USER, not someone who knows what the command "ls" does), they will remain the minority.

      OH, and Logic Audio, for example, has released their OS X version with support for TDM today... the "no matter if you like another interface" argument is misinformed.

      But here's looking to the future. :)

      --
      bash-3.00$ uname -a
      SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
    34. Re:more pro use of linux by FrankNputer · · Score: 1

      I didn't miss anything, dude. You say that ProTools is free, with the purchase of additional hardware. I pointed out that ProTools doesn't work without their hardware, so it's part and parcel of the equipment. End of story.

      It's like buying a PC and getting Windows "free". Take that disc & stick it in your Mac, or your Sun Server & what happens?

      And anyways - not that I MADE a point about OSS vs. ProTools - but not all of the audio apps for Linux are command-line operated. So bitching about the Is command is pointless. And you still have to know something about computers to tweak a system for real pro-level audio - unless you BUY a turnkey solution.

      BTW - you missed no. 1 on the list. Studios care about what they can book. A higher-quality product that doesn't draw clientele is not much use.

    35. Re:more pro use of linux by AusG4 · · Score: 1

      Of course you don't need to use command line to run linux audio apps.. wasn't what I was trying to say.

      At any rate, I give up.

      I don't understand you're last comment.... are you suggesting that Linux audio apps draw clientele?

      --
      bash-3.00$ uname -a
      SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
    36. Re:more pro use of linux by FrankNputer · · Score: 1

      Well, you brought up the difficulty of using Linux...but there's GUI apps for pretty much everything nowadays. So knowing ls is not required anymore than knowing the DIR command in DOS.

      The last comment means that ProTools is not necessarily the best - it's what people expect to be available. Engineers hopefully care about quality first, but studios are a business and generally have a bottom-line perspective. So if people were calling up & asking for Audacity, then the studios would put it in.

      Plus, suggesting that studios make huge $$, so that TCO is not important, is misguided. Professional studios have lost significant market share to the low cost of digital recording equipment & the resultant proliferation of small, bedroom studios. When I was an intern many years ago at a large studio, the card rate was about $125/hr. But now, there are far more places to go that charge 1/3 that amount - so the big studios have had to drop their rates over the years to stay competitive.

  3. Solid audio software is the breaking point by mao+che+minh · · Score: 5, Insightful
    Solid audio software is the breaking point for many Windows and Macintosh users that mix music. I have a few friends that happen to actually be successful in the music biz (on a very small scale, of course), and they all use Macintosh (one has worked with Puff Daddy before, no shit). A few DJ friends use Windows for simple mixing and burning. All of them show an interest in Linux, but are put off by it's lack of a really good audio application. If this proggie is as good as it's makers are claiming it is, then Linux will have about (let me count....) 11 new users real fast.

    This same scenario has to apply to many others out there. My small group of musically talented friends can't be the only ones.

    1. Re:Solid audio software is the breaking point by jdkincad · · Score: 4, Informative

      I'll second that. A musician buddy of mine is really interested in trying Linux, but until there's a replacement for Cool Edit Pro there's no point in him switching. Atfer all, what's the use of an OS that doesn't have the apps that caused you to get a computer in the first place?

      --
      The great advantage of having a reputation for being stupid: People are less suspicious of you.
    2. Re:Solid audio software is the breaking point by tshak · · Score: 1

      Read down for my post why this isn't a Pro Tools (or comparable products) replacement. And even if it was, that's only one tool. WAV editing tools are huge. Plugins are even bigger (generally costing several times more than the DAW software) and many people have already invested in them. Software synthesis (eg: Propellerheads "Reason") is rapdily growing and are used almost exlcusively for some productions.

      I don't see this making a difference to all but the very casual home music hobbyist. And even then, on Mac's or Windows you can get very powerful and not-so-aptly-named "light" versions of a lot of these tools for an affordable price or even for free.

      --

      There is no longer anything that can be done with computers that is nontrivial and clearly legal. -- Paul Phillips
    3. Re:Solid audio software is the breaking point by groomed · · Score: 1

      He might want to try GNUsound.

    4. Re:Solid audio software is the breaking point by xaaronx · · Score: 1

      Do you, or anyone else, have a list of some of these tools? I'm thinking specifically of ones in the "free" category. I don't necessarily need the best thing, but something easy to learn to use. I'm probably not going to use it to actually make the music, but as a writing tool. I can't be more specific, because I don't really know what the tools are or what they can do for me yet.

      --
      It's amazing how much "mature wisdom" resembles being too tired. - Robert Anson Heinlein
    5. Re:Solid audio software is the breaking point by Anonymous Coward · · Score: 0

      A word of advice... Never, EVER use the word "proggie" anywhere. The only people who do are likely paedophiles and faggots. Thank you. Slashdot Janitor #001

    6. Re:Solid audio software is the breaking point by Anonymous Coward · · Score: 0

      read down for my answer
      karma hor

    7. Re:Solid audio software is the breaking point by bhsx · · Score: 1

      I just modded 3 posts in this forum; all of which will probably be /dev/nul and void. You just hit the nail on the head with this statement:
      what's the use of an OS that doesn't have the apps that caused you to get a computer in the first place?

      I can't imagine a better way to describe why Linux addoption hasn't become the norm; and like the former owner of mp3.com, I have a vested intereset in seeing Linux used as a desktop OS.

      --
      put the what in the where?
    8. Re:Solid audio software is the breaking point by Anonymous Coward · · Score: 0

      www.csounds.com ;^)

    9. Re:Solid audio software is the breaking point by Sri+Lumpa · · Score: 1


      I have recently installed Redhat 9 to a friend's computer whose windows ME was totally dead (blue screen at start up even in safe mode) because they didn't have the Windows CD (already installed on computer when they bought it, pirated of course although I don't think they were aware of that then) and I refused to install an illegitimate copy of Windows so I installed Linux for them to surf the web and use Open Office.

      The problem is that their son is using Reason and knowing nothing about this domain I do not know if there is anything comparable on Linux and I haven't had the time yet to give it a hard try with Wine and WineX and was wondering if you may know of a Linux software similar to reason (or at least trying to do simething similar even if not cutting it, that would be a start).

      Thanks .

      --
      "The obvious mathematical breakthrough would be development of an easy way to factor large prime numbers." Bill Gates,
    10. Re:Solid audio software is the breaking point by greenguy · · Score: 1

      I've bee researching exactly that (a replacement for Cool Edit Pro). The best option seems to be Sweep.

      --
      What if I do the same thing, and I do get different results?
    11. Re:Solid audio software is the breaking point by Anonymous Coward · · Score: 0

      >>until there's a replacement for Cool Edit Pro [syntrillium.com] there's no point in him switching.

      Yup.

      And until my sound card is supported, I can't record either. No, not some gamer sound card. A sound card for RECORDING music. So far, no drivers. Makes Linux worthless as a recording platform for low-level musician types like me.

  4. Church audio recording setup with ardour by zzxc · · Score: 5, Interesting

    I recently set up an audio recording computer for a church. (433mhz, oss/free sound drivers, CMI8738 sound card) They were going to use windows, but I convinced them that Linux would be the better choice. I set it up so that recording is done from the command line, encoding ogg [vorbis.com] (ok, vorbis) or flac [sf.net] in realtime.

    For shorter tracks, ardour is used for more user friendly recording. (Audacity and sweep cause choppy audio in my experience)

    In addition, I have made command-line full duplex recording possible. (where the instrument track is done first, then vocals laid on top of it) However, be warned that you'll need to make a small program to write raw instructions to the soundcard if you want to turn off the audio loopback, as the CMI* OSS/free driver doesn't implement this for some reason. (I haven't checked if ALSA does this or not)

    One major bug that slowed it down was only recording .5 seconds for every second of audio, and thus it sounded like it was in fast forward. (44100hz 16bit) After reading the driver line by line, I fixed it with a one-line shell script.

    I have been getting extremely good sound out of it, however. In addition, I have only had to write about 50 lines of code. So if anyone has tried without success to record with a CMI8738 soundcard on linux - don't give up. If you want me to send you the fixes to the problems that I have created, contact me.

    1. Re:Church audio recording setup with ardour by CableModemSniper · · Score: 1
      If you want me to send you the fixes to the problems that I have created, contact me.

      I'm not even going to say anything else.

      --
      Why not fork?
    2. Re:Church audio recording setup with ardour by Yeroc · · Score: 5, Insightful

      Whoah...the fact that you had to jump through all those hoops including reading source code tells me that Linux has a ways to go before your average musician is going to find it the easy route to go for audio recording...

    3. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 1, Funny

      If you want me to send you the fixes to the problems that I have created, contact me

      Can you just not create the problems in the first place? I mean... that works for me

      (ok I couldn't resist. sorry. good points otherwise :)

    4. Re:Church audio recording setup with ardour by shaitand · · Score: 2, Informative

      His primary issues were with the sound driver/card he was using. It's best to go with linux friendly hardware to begin with.

    5. Re:Church audio recording setup with ardour by HappyPhunBall · · Score: 1, Interesting

      You convinced them that using a linux system with a CLI interface and custom code would be a better solution than Windows plus readily available and supported software? Nice job, hope you are proud of yourself. I am quite sure your church pals are only humouring you my friend, and probably regretting it already. Wanna bet any amount that as soon as you leave they will replace that box?

    6. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0

      Right, the software is free, you just need to buy a new machine to run it.

    7. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0

      can you email me about this? im in almost the same situation.
      - benj@monkey.sbay.org

    8. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0

      This moderation is bullshit. This isn't flamebait! The guy makes a perfectly vaild point, and I am sure he is correct in his assumption.

    9. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 1, Funny

      This moderation is bullshit.

      Translation: "I wish I had posted this AC"

      This isn't flamebait! The guy makes a perfectly vaild point, and I am sure he is correct in his assumption.

      Translation: "I knew what I meant when I wrote that, and I'm sure I was correct in my assumption"

    10. Re:Church audio recording setup with ardour by D+iz+a+n+k+Meister · · Score: 1

      I agree with this post. The Savior would have chosen a GUI.

      --

      He painted a unicorn in outer space. I'm askin' ya, what's it breathin'?
    11. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0
      Right, the software is free, you just need to buy a new machine to run it.

      Yeah, stupid Linux idiots, now can somebody help me install Windows XP on my 486DX4?!

    12. Re:Church audio recording setup with ardour by makapuf · · Score: 1

      You should check ecasound, it's perfect for that usage.

    13. Re:Church audio recording setup with ardour by FroMan · · Score: 1

      (Audacity and sweep cause choppy audio in my experience)

      I use the ALSA i810 (I think?) driver with a machine to record our church services. I was having trouble with audacity being choppy until I used some hdparm optimizations on the hard drive. With the laptop I was getting only 6.8m/s to the drive and after the hdparm opts I was getting 19m/s to the drive. That seemed to clear up the recording. My guess is that audacity was writing too large of blocks to the drive at a time hence strangling the CPU for those times.

      Perhaps the ardour writes smaller chunks to the drive at a time?

      Anyways, I have some questions about ardour here. Does it have some of the filters that audacity has? Specifically I am looking for the noise removal. We have far from the best equipment at church so it generates a lot of background fuzz that the noise removal in audacity cleans it up very well.

      --
      Norris/Palin 2012
      Fact: We deserve leaders who can kick your ass and field dress your carcass.
    14. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0

      (this is zzxc from a public computer)

      >until I used some hdparm optimizations on the hard drive
      We don't write raw audio to the harddisk - we pipe it into oggenc or flac on the fly.

      >Does it have some of the filters that audacity
      >has?
      It isn't audacity. It is strictly for recording. You can use audacity after you record with ardour.

      >We have far from the best equipment at church so
      >it generates a lot of background fuzz that the
      >noise removal in audacity cleans it up very
      >well.

      We run on all donated equipment, much of it not that great. However, with the equipment described above we get crystal clear audio. (a professional sound engineer was amazed) In fact, we hooked the computer to a faulty output the other day and blew the soundcard, so we had to buy a new one.

      BTW, what soundcard are you using?

    15. Re:Church audio recording setup with ardour by argStyopa · · Score: 1

      Me, I'm just thinking that "Ardour" and "Church" just don't go together.

      --
      -Styopa
    16. Re:Church audio recording setup with ardour by FroMan · · Score: 1

      We don't write raw audio to the harddisk - we pipe it into oggenc or flac on the fly.

      There's an idea, but I certainly need the noise filter before I can write to a lossy codec. And since I figured out the hdparm setttings things work fine, granted it take a ton of space (2gb for entire sermon).

      It isn't audacity. It is strictly for recording. You can use audacity after you record with ardour.

      Okey, my bad. It looked like it did recording and mixing, I assumed it could do the mixing/editing after the fact also.

      We run on all donated equipment, much of it not that great. However, with the equipment described above we get crystal clear audio. (a professional sound engineer was amazed) In fact, we hooked the computer to a faulty output the other day and blew the soundcard, so we had to buy a new one.


      Lucky. :-P I assume ours was donated since we are pretty much a small startup (~20 families). However, we still get a certain amount of fuzz in the background. It only seems to be on the output to tape and the aux output (which I record from) that has that fuzz though. To the speakers its very clear.

      BTW, what soundcard are you using?

      I am using the i810 soundcard in a sony laptop. Also using the ALSA drivers as the OSS driver does/did not support recording at the time I started playing with this.

      --
      Norris/Palin 2012
      Fact: We deserve leaders who can kick your ass and field dress your carcass.
    17. Re:Church audio recording setup with ardour by Anonymous Coward · · Score: 0

      What happens if you move? Your church is in trouble if they need to do any recording and the person who takes it over can't read a driver "line-by-line" to write a shell script.

      This is asinine.

    18. Re:Church audio recording setup with ardour by shaitand · · Score: 1

      It's by far and away easier to list the hardware linux has problems with than the hardware it doesn't. 99% of the time you can install a good linux distribution and have to install ZERO drivers, and ZERO... as I recall that has never happened to me with any version of windows. As for picking hardware that is linux friendly, the same thing is done for windows (all versions) if you build your own machines and know enough to be doing it you pick "friendly" motherboards and hardware... in the windows world you get used to equating windows friendly hardware as "good shit" and not windows friendly hardware as "bad shit" but 99% of the time the hardware that has issues on windows has a software issue that doesn't apply to linux. If you don't build your own computer then the techs at whereever you bought it put together friendly hardware, it's easier for them to work with and causes you less problems. Apply the same as above. If you buy proprietary pieces of crap such as... dell, gateway, compaq, hp, microtel (sorry guys), and pretty much anything with a logo on the front and the video connector in the same sideways row as the keyboard and mouse connectors, then be prepared for it to not perform reliably from the start.

  5. Won't replace Pro Tools anytime soon by tshak · · Score: 3, Interesting

    Pro Tools is not just software - you'll normally find it installed as a hardware/software combo. This is in part due to the fact that modern CPU's can not handle mulitple high quality real time effects for larger studio projects. The other big factor with Pro Tools (and comperable systems) is the Control Surface. Sure, there are incredible MIDI controllers out there, but the proprietary Pro Tools control surfaces are second to none.

    --

    There is no longer anything that can be done with computers that is nontrivial and clearly legal. -- Paul Phillips
    1. Re:Won't replace Pro Tools anytime soon by questamor · · Score: 5, Insightful

      One thing often mentioned with the 'big' apps compared to free software is the monetary cost. The software is minimal when it comes to the costs of an entire studio. For larger projects with big profit margins it's next to nothing. The embedded knowledge of thousands of Pro Tools users isn't going to go away just because a few thousand dollars can be saved on projects that are worth millions.

      Where inroads will be made for now, is in small productions that have no choice. Where once their project was impossible due to monetary constraints it will now be one step closer to reality.

    2. Re:Won't replace Pro Tools anytime soon by fishbowl · · Score: 4, Interesting

      The problem with ProTools, is that you don't need a golden ear to recognize something that was produced with it.

      I don't mean to make a value judgement on it, just that there are some subtle characteristics, especially in the vocal effects department, that scream out at me "yep, protools."

      --
      -fb Everything not expressly forbidden is now mandatory.
    3. Re:Won't replace Pro Tools anytime soon by tshak · · Score: 3, Insightful

      I don't dissagree, but I contend that this is practically impossible. You'd be amazed at what albums used Pro Tools. For example, many classical recordings use Pro Tools - but what they don't do is over-compress, over-EQ, or over-process the sound. What you're used to hearing has nothing to do with Pro Tools, and everything to do with the Pop Music Industry's production style.

      --

      There is no longer anything that can be done with computers that is nontrivial and clearly legal. -- Paul Phillips
    4. Re:Won't replace Pro Tools anytime soon by fishbowl · · Score: 1

      Agreed. But what's really annoying is when you hear the same effect that just says "I used the default setting of the vox flanger."

      --
      -fb Everything not expressly forbidden is now mandatory.
    5. Re:Won't replace Pro Tools anytime soon by cblood · · Score: 1

      There are many good alternatives to slow tools. But protools was first and because compatility with other studios was important, it became the defacto standard. I Record with SAWstudio because It is great. but there are many other systems that work fine.

      What is needed is a standard way to save edit lists, to allow interchange between diffrent packages.Don't expect any help or support from protools. But ardour should shake things up a bit.

    6. Re:Won't replace Pro Tools anytime soon by oscarcar · · Score: 5, Insightful

      I think you have to look beyond the imitation of what is already out there. With Open Source you get possbilities of a lot more creative people doing original things.

      Some Digital Audio Workstations (DAWs) do a pretty good job of being able to have effects and such act as controllers, filters, what have you. But with the source code, a lot of really, really interesting things could develop that haven't been thought of.

      Now you have a few companies that all try to copy each other in getting certain tools in the hand of their users. And that's great, but we're better off opening the ability to creating tools to a lot more creative people.

      Would we have the electric guitar or a saxaphone, if it wasn't for the common man taking a hack at building an instrument?

    7. Re:Won't replace Pro Tools anytime soon by EverDense · · Score: 1

      Agreed. But what's really annoying is when you hear the same effect that just says "I used
      the default setting of the vox flanger."


      Damn straight!
      Which you can bet is usually because...
      The singer they are working with has a voice that requires hiding behind effects.

      --
      http://jesus.everdense.com/
    8. Re:Won't replace Pro Tools anytime soon by Anonymous Coward · · Score: 0

      $14 kilobucks is =not= minimal for the vast majority of recording studios. For every Hit Factory or Power Station, there are hundreds of regional and project studios for which that kind of money is a Big Deal.

      And guess what, ProTools is =very= big in the world of the small studio.

    9. Re:Won't replace Pro Tools anytime soon by Anonymous Coward · · Score: 0

      dude, every studio i've been in (which isn't all of them, and not the super-high-profile ones, but some beautiful and highly respected ones anyway) has protools control surfaces.

      and none of them use them consistently... only when they absolutely have to. they hate 'em. the mouse and keyboard do the trick along with the rest of the gear they've got. i hear that (after attempting to get their money's worth out of them) they're mostly useful for impressing clients when scenes are loaded.... woooo motomix stylee.

    10. Re:Won't replace Pro Tools anytime soon by utahjazz · · Score: 2, Funny

      The singer they are working with has a voice that requires hiding behind effects.

      *cough* Kelly Osbourne *cough*

      On the flip side, I love listening to old Zeppelin albums and hearing the bleed between tracks. Ah, magnetic tape. What has the world come to. Oh baby baby, you're killing me.

    11. Re:Won't replace Pro Tools anytime soon by jred · · Score: 1

      Man, that was a good one. And I even *like* Kelly Osbourne :)

      --

      jred
      I'm not a mechanic but I play one in my garage...
    12. Re:Won't replace Pro Tools anytime soon by Anonymous Coward · · Score: 0

      the cost of the RME multiface is minimal when compared to the cost of an 888 IO. :-)

    13. Re:Won't replace Pro Tools anytime soon by TheFr00n · · Score: 1

      While Protools does represent a truly wonderful system, it's dated. It's fantastic in that, being hardware based, it doesn't require a monster machine to run, and it runs without falling over (with the possible exception of their shite win32 version).
      However, the playing field has changed tremendously since Protools came out. Significantly, CPUs are way more potent, to the point where I'd say that if you have a 2Ghz CPU, you can probably do more realtime FX than a Protools system can anyway.
      Now, by saying this, I'm not detracting from what Protools is - it's an excellent standalone system and it's beautiful to use. However, it's no longer a prerequisite to accessing that level of professionalism in recording.
      I totally disagree with your assumption that an ordinary PC CPU cannot match, if not outprocess, a Protools setup. I recently ran a mix for a cinema targeted advert, using 32 channels, with CPU-processed eqs and fx, on a very vanilla Intel 1.6a, without a problem.
      I'm not saying that this would have been my choice of equipment (I prefer Paris Ensoniq), but the point is that PC hardware has been steadily evolving, while Protools hasn't really (aside from the whole 24/96 thing).
      And with applications like Ardour available in Linux, the entry level price tag for pro-quality recording just fell through the floor.
      My only concern with the digital audio revolution remains what it was when this all started: We've made powerful music-making technology available to a huge population of tonedeaf idiots. Future generations will not thank us.

      --
      "By Grabthar's Hammer, what a savings."
    14. Re:Won't replace Pro Tools anytime soon by Niten · · Score: 1

      Excellent point... you hit the nail right on the head. I believe that the greatest opportunity for open-source systems, in general, lies not in the already-entrenched markets, but in markets that have yet to be explored due to current cost constraints.

      Why does Google use Linux on its machines? Linux did not become the best solution for high-end web servers overnight, taking large portions of that particular market share from proprietary rivals. Instead, by becoming the first* widely-used, affordable (read: free) clustered operating system, Linux found its way into Google when Google saw that Beowulf clusters, the new open-source alternative, would be the better route to go than the old way of traditional, monolithic servers.

      (*Correct me if I am wrong...)

      By the way, the parent post piqued my interest... for more information about the coming-about of the electric guitar, follow this link.

    15. Re:Won't replace Pro Tools anytime soon by makapuf · · Score: 1

      sure, what's interesting is the sub 5ms latency with a common soundcard/computer. HIGH uptimes. Reliability. Availability. Sample accurate sync with other software through JACK (jackit.sf.net). SUPPORT AND price, of course.

      Possibility to run remote via X might be interesting for noise.

      (but the ardour website has more points about that)

      On the downside, many people are trained to use protools. but they can learn.

      NOTE : many people tend to think about the big music software companies. Ahem. This market is tiny and paid usage of the software is even more tiny.

    16. Re:Won't replace Pro Tools anytime soon by lennart78 · · Score: 1

      In analogue studios, default settings on fx-units are also the way to go. Nobody who likes to spend his time in a productive way is going to try to tweak these babies into anything better than the manufacturer allready has achieved.

      Besides of that, if you hear the same effect come back over and over again, it strikes me as a creativity problem of the producer, and not as a problem that ProTools itself has. (Except, but that doesn't seem likely to me, if the "vox flanger" has only 1 setting, and is the only effect applicable...)

    17. Re:Won't replace Pro Tools anytime soon by Anonymous Coward · · Score: 0

      bullshit !! You maybe talking about the quality of the ad/da convertors,the microphone pre-amps or the microphone itself, but for the most part computer software doesn't sound like *anything*. In other words, most modern recording software adds almost no artifacts to the recorded material. Now of course the producer/engineer may add lots of compression, effects, etc...

      If i were you guys i would take many of these comments with a grain of salt. Many of them sound like rehashed conversation from rec.audio.pro from 7-10 years ago (when digital audio programs were just starting to become decent).

    18. Re:Won't replace Pro Tools anytime soon by SubtleNuance · · Score: 1

      ...there are alot of people that would like to do there own recording, who dont have $500 to spend on software. these are the same people who cant even dream of a $25000 studio in their own homes... what they can do is become proficient at Ardour and use it instead. There is room for Both ProTools and Ardour. I understand that Ardour cannot replace PTools in all situations -- that ProTools is feature rich in a nontrivial way when compared to Ardour, but what Ardrour CAN do is cut out the legs for smaller users. The same as Gimp vs. Photoshop, Ive used old unlicensed copies of PShop but have switched to GIMP for last 3yrs or so -- its good enough for what I need, and getting better.

  6. Just some thoughts on OSS. by the+uNF+cola · · Score: 0, Offtopic

    I've heard the argument that OSS doesn't inovate like MS and IBM closed source projects do. But software like this is the counter argument. With Linux and BSD, on the desktop, it's relatively close to a fresh start. From scratch. You get the idea.

    Before, we had to get sound up reliably, window managers etc.. all that chewy good stuff. Windows was ahead of "us" on that since the boom of unix on the desktop didn't happen 'till a little later.

    MS can only inovate so fast. Problem is, duplicating what is already out there... good desktop interfaces, some kick ass softare .. all as OSS is "easy".

    And btw, inovations are easy once you think how to solve a problem. mp3's and ogg aren't hard problems that required tons of scientists. Just a few good eggs working on something. Same with softupdates for FreeBSD and a lot of junk.

    --

    --
    "I'm not bright. Big words confuse me. But Wanda loves me and that should be enough for you." - Cosmo

    1. Re:Just some thoughts on OSS. by Anonymous Coward · · Score: 0

      I've heard the argument that OSS doesn't inovate like MS and IBM closed source projects do. But software like this is the counter argument. With Linux and BSD, on the desktop, it's relatively close to a fresh start. From scratch. You get the idea

      You're using an example of OSS software copying features of an existing market solution MS already dominate and have done so for years (professional audio recording) as an example of OSS innovation

      You trying to make a reality distortion field to rival isteve huh?

    2. Re:Just some thoughts on OSS. by Anonymous Coward · · Score: 0

      Your ignorant post aside:

      Read the guy's page. He says that this software was designed specifically for Linux. He even suggests people go install the low-latency kernel patches for Linux.

      Yeah, I'm sure it will run under FreeBSD, and it will probably also run under Solaris, but he does NOT mention BSD: you did, and noone cares.

      You BSD whiners never quit. Always trying to steal the thunder..

    3. Re:Just some thoughts on OSS. by Anonymous Coward · · Score: 0

      Actually if you want to see what BSD whining is, please read any BSD story at -1, and see what all the Linux folks have to say about BSD.

    4. Re:Just some thoughts on OSS. by Anonymous Coward · · Score: 0

      I never used to post anything about negative BSD until I became annoyed at the amount of noise the bsd trolls were making.

      Anyway, I don't mind BSD, but I mind those people posting here who are jealous of the success of Linux, who at the same time despise Linux because it is popular.

  7. ardour still not a "big boy" by Anonymous Coward · · Score: 1, Informative
    i like ardour. I use ardour. I've probably submitted 20 bugfixes through the years.

    However, it's still not ready for prime time. A couple more years and it could be.

    The DSP framework needs a complete rewrite to fix some limitations, and the phase vocoder is 2nd generation, when most commercial tools use 4th or 5th generation.

    1. Re:ardour still not a "big boy" by torpor · · Score: 1

      "Phase Vocoder is 2nd generation"?

      Boy, it sure sounds like you know what you're talking about here, but I'll bite.

      What is meant by a "2nd generation phase vocoder", please?

      --
      ; -- the corruption of government starts with its secrets. a truly free people keep no secrets. --
    2. Re:ardour still not a "big boy" by theno23 · · Score: 5, Informative

      Errr... you must be thinking of something else, ardour doesn't have a phase vocoder.

      FWIW I've also supplied a few patches to ardour and have written several phase vocoders for Linux.

      - Steve

    3. Re:ardour still not a "big boy" by Anonymous Coward · · Score: 0

      Who modded parent informative? It's a troll, dammit.

    4. Re:ardour still not a "big boy" by locarecords.com · · Score: 1
      I use Logic 6 professionally in a studio on a label that is dedicated to releasing Open Source music LOCA RECORDS and we have been waiting for something like this to come around...

      It would be cool to make the whole process Open Source.. we dabbled in LINUX before but, jesus is it complex for the average user....

      Open Source music is soon very soon...

      --
      ---- The Open Source Record Label : : LOCARECORDS.COM
    5. Re:ardour still not a "big boy" by SubtleNuance · · Score: 1

      ..I looked around your website (good design conscience btw, excellent graphics) -- where are the MP3/Oggs? I wouldnt mind having a listen..

    6. Re:ardour still not a "big boy" by Anonymous Coward · · Score: 0

      mate.. if you've submitted 20 bugfixes then great, but nobody in the devel group seems to know who you are.. so maybe you're merely a complete tosser.
      "second generation phase vocoder" indeed.. what a jerk.

    7. Re:ardour still not a "big boy" by locarecords.com · · Score: 1

      All the Ogg and MP3 tracks are located on the artist pages.. maybe not the most logical choice... hmmm.. maybe a slight redesign is needed...

      --
      ---- The Open Source Record Label : : LOCARECORDS.COM
  8. F/OSS: Conquering new markets! by exhilaration · · Score: 4, Insightful
    Woaw. This is pretty cool. Ardour might do for Linux and professional audio users what CinePaint (Film Gimp) did for Linux and movie studios.

    You know - I don't mean this as a troll - but I really have to wonder what the hell is going to happen to all the software developers working for closed source companies when mainstream users start adopting free products in droves.

    After all, if Microsoft's Palladium is successful, that could mean the end of software piracy - which probably accounts for a good chunk of the market. What will all those users do? Will they go out and spend $200 on Windows, $500 on Office, and $600 on Photoshop? No, they'll come running to Free and Open Source Software! And pretty soon, they'll be able to find replacements for EVERYTHING they need.

    (Sorry for jumping from topic to topic, it's late.)

    1. Re:F/OSS: Conquering new markets! by markov_chain · · Score: 2, Interesting

      How about a grant model? This already works pretty well for research, where the results are made available to the public. An agency (government, consortium of corporations who realize software is useful, but don't want to develop it alone, etc.) puts out a call for proposals for desired project, and funds one which seems best (by reputation, plan, etc.). The grant covers the developers' time, administrivia, etc.

      If this results in a smaller total number of employed software developers, does that mean the previous model was inefficient? Maybe eliminating that inefficiency is good in the long term-- the extra developers can now work on new challenges that will further increase our standard of living, instead of reinventing the wheel in all the proprietary software shops.

      --
      Tsunami -- You can't bring a good wave down!
    2. Re:F/OSS: Conquering new markets! by Anonymous Coward · · Score: 0

      No, you did mean to troll, because the vast majority of software developers work on custom in-house jobs, and not on software-as-product .

  9. please post the shell script fix and "Ard" version by Anonymous Coward · · Score: 0

    please

  10. Score -1 BULLSHIT by Anonymous Coward · · Score: 0

    you fooled the moderators at least

  11. Binary = stable in some many people's eyes by mao+che+minh · · Score: 5, Informative
    Because a stable binary release means that it will be taken more seriously by the "every man", and major distributions will be less apprehensive about including it with their distro (binary installs are easier to upgrade and manage in todays apt-get, RPM, ports world of open source operating systems).

    A potential Linux user that doesn't have the luxury of a hand-holding-Linux-guru friend to help them install their desired software would view an easy to install binary application as a "big plus".

    1. Re:Binary = stable in some many people's eyes by DaCool42 · · Score: 1

      binary installs are easier to upgrade and manage in todays apt-get, RPM, ports world of open source operating systems

      two words:

      emerge ardour-cvs

      --

      ----
      All of whose base are belong to the what-now?
  12. Sync? Timecode? by Anonymous Coward · · Score: 5, Insightful

    Well, it might be good for standalone audio-only projects with only a few tracks. One feature I do not see listed is timecode, and support for hardware sync clocks. Without that, you are out of the running for A/V production. In pro audio, media-independent sync is absolutely necessary.

    Ah but the people who won't understand this, are the same people who don't understand why the lack of CMYK support is such a limiting factor for Gimp.

  13. Re:please post the shell script fix and "Ard" vers by Anonymous Coward · · Score: 0

    The shell script for the .41 seconds of audio for every one second... dd if=/dev/dsp of=/dev/dsp bs=512 count=100 This is the easiest way to force the CMI8738 soundcard into full duplex mode. An alternative way would be to write a simple C program, like I did, to write raw bits to the soundcard. I have it writing bits to the soundcard to disable audio loopback and enable "full-duplex" mode all the time.

  14. My FAQ-fu is stronger than yours by Anonymous Coward · · Score: 0, Offtopic

    Science has NOT been able to explain everything.

    It's not science's job to "explain everything." Science, unlike religion, is a process rather than a product. No scientist will ever claim that his or her work is complete. (Similarly, no scientist will ever insist that you take his or her work on faith, lest your soul burn for all eternity in some 13th-century Italian dude's idea of a bad Quake level.)

    In addition, there are many open problems to evolution.

    Again, we're not the ones trying to sell you all the answers to your questions. (They're free, and many of them can be found here.

  15. Re:What the hell are you going to church for? by shaitand · · Score: 0, Offtopic

    Personally, I do believe in the concept of evolution, it has mounting RECENT evidence FOR it. As for the current man from ape garbage being spouted in some schools, nope, not buying it.

    And I most definately do not buy into the invisible man who will send plagues, famine, flood, sexual urges you can't act upon, and cast you into a pit of raging molten torture for all eternity if you piss him off... but loves you.

  16. Re:Sync? Timecode? by Anonymous Coward · · Score: 1, Insightful

    CMYK is only useful for legacy printing gear

    RGB works just fine for monitors, be they LCD or plasma or CRT or even projection, and it works well for RGB printers such as Durst Lambda or Fuji Pictrograph. Not only be RGB printing but continuous tone and hence without the bother of screening.

    The longer CMYK is supported as a legacy technology, the longer we'll be using outdated processes to provide inferior output.

  17. Re:What the hell are you going to church for? by Anonymous Coward · · Score: 0

    And I most definately do not buy into the invisible man who will send plagues, famine, flood, sexual urges you can't act upon, and cast you into a pit of raging molten torture for all eternity if you piss him off... but loves you.

    You know, if any woman had a boyfriend who acted like that but still professed to love them, everyone they know would be upon them to leave the psycho sonofabitch.

    I think that's the best advice regarding church n religion I've ever heard.

  18. Re:uhhh.... by Istealmymusic · · Score: 0
    could you possibly tell me where you acquired that cocaine?
    Afroman.
    --
    "The lesson to be learned is not to take the comments on slashdot too literally." --Vinnie Falco, BearShare
  19. Re:What the hell are you going to church for? by Anonymous Coward · · Score: 0

    Ever consider some intelligence in the process?

    How do you explain a worm/other primitive organism becoming a human over "millions of years" by white noise. ("millions of years" helps calm down much common sense... right?) We haven't discovered any transitionary species. ("missing links") It would take very percise environmental conditions... creation... to facilitate the formation of the diverse organisms on Earth.

    In my opinion, evolution requires a whole lot more faith than creationism.

  20. DId you know... by Anonymous Coward · · Score: 0

    This guy wrote the software with Linux in mind, not BSD. Actually, most successful large, Open Source projects are designed primarily for Linux (such as KDE and Samba.)

    Deal with it.

    1. Re:Did you know... by maverickbna · · Score: 1

      You make that sound like a bad thing.
      /me is confused.

      --
      You are great player! Present you with points!
    2. Re:Did you know... by twaltari · · Score: 1

      It is a bad thing; switching desktop over to Linux has no incencitive if the applications you use don't run on Linux. If there is a way to make non-geek computer users to convert into Linux, it is to first make 'em use cross-platform open source applications (Gimp, OpenOffice, Eclipse to name a few such, successful apps). There should also be more commercial applications on Linux (games, Photoshop, AutoCad etc.)

    3. Re:DId you know... by AusG4 · · Score: 1

      I guess MySQL is a small, unsucessful project then... designed on Solaris from the ground up. Mind, MySQL is so heavily multithreaded it has to be... LinuxThreads are just -not- Solaris Threads.

      --
      bash-3.00$ uname -a
      SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
  21. hmm by Anonymous Coward · · Score: 1, Insightful

    I'll be happy once my creamwear card is supported with asio 2.
    That's the problem .. drivers.
    Another is of course .. plugins and vst instruments.

    1. Re:hmm by Sri+Ramkrishna · · Score: 1

      "Creamwear", "asio", "drivers", "plugins", "instruments"..damn, Come out of the damn closet already! You're just being transparent now! :-) (j/k)

      Please don't hurt me.

      sri

    2. Re:hmm by Anonymous Coward · · Score: 0

      I really didn't read anything gay into the original poster's comment. Yours though...yeah, definately gay.

      Please don't hurt me.

      Like I just said, definately gay. j/k

      thx, bye

    3. Re:hmm by IamTheRealMike · · Score: 1
      ASIO isn't needed on Linux. CreamWare drivers are apparently being written by CreamWare themselves and VST plugin integration via Wine was working months ago (though I dunno about integration with the tools).

      VST instruments I'm not sure about, but I wouldn't be surprised if you could do the same trick as for VST plugins.

      Too bad there are no specs for the CreamWare cards, but I guess binary only drivers are better than none. Open hardware is clearly going to be another days battle.

  22. Interesting... by Anonymous Coward · · Score: 0

    To quote his page:

    "I am now a tireless advocate for Linux in the audio world, and work essentially full time writing free (as in beer and talk) software for electronic music composition and recording."

    Isn't it interesting how he said Linux and not BSD? Very interesting indeed. Most successful Open Source projects are licensed under the GPL, and are written specifically for Linux.

    The BSD crowd would have you believe this is due to some silly legal issues which predate many large successful Open Source projects, but they are just trying to make excuses for their favorite project's shortcoming: the license.

    They choose to believe that 95% of the Open Source world is ignorant and oblivious to the issues of licensing, instead of believing the truth.

    1. Re:Interesting... by Anonymous Coward · · Score: 0

      Mod parent up.
      He speaks the truth.

      The majority of Open source projects, written by many intelligent people who are capable of making informed decisions, are written specifically for Linux, and carry the GPL license. This isn't some cooincidence or random happening as the BSD crowd would want you to believe.

      The GPL puts power in the hands of the people, instead of the corporation. This makes people feel empowered, and it excites and inspires them. This is why people choose the GPL. Sure, some stale old projects some old licenses (like the X11 license) but this is changing with time (an example is the Wine project which switched to the GPL to prevent the raping of their project.)

    2. Re:Interesting... by Anonymous Coward · · Score: 0

      Amen. I'm not dissing BSD and saying it sucks or anything. But when something better like Linux comes along don't sit there bitching and whining that your OS is better and acting like hundreds of thousands of highly techincally literate people 'accidentally' chose Linux by some mistake. Just make the switch or fix the y2k shit in your old OS and deal with the lack of development.

    3. Re:Interesting... by Anonymous Coward · · Score: 0

      There is a lot of truth in those posts about BSD dying.
      Heck, *BSD is dying. It lost out big time. It is a bitty niche,
      a tiny dying niche.

    4. Re:Interesting... by Anonymous Coward · · Score: 0

      >>"I am now a tireless advocate for Linux in the audio world, and work essentially full time writing free (as in beer and talk) software for electronic music composition and recording."

      How does this guy pay his rent/mortgage? This pie-in-the-sky commie crap is only possible if you are wealthy. Good for him I guess.

  23. Evolution is proven by mao+che+minh · · Score: 0
    Evolution has long been proven. It can be demonstrated, tested, and replicated. The evidence for evolution is far beyond the theoretical realm. In my opinion, it should be made a law (A natural phenomenon that has been proven to occur invariably whenever certain conditions are met), since thus far it is an irrefutable observation of nature, whom's edicts have lead to the validation of many theories that were based upon it's (evolution's) observations.

    Don't be mislead by Creationist mumbo-jumbo. Only listen to real science. If you start believing what Christian "scientists" have to say concerning scientific topics, then you might as well take into consideration the declarations of Buddhists, Muslims, Hindus, and Wiccans concerning natural phenomenon.

    1. Re:Evolution is proven by Scaba · · Score: 1
      In my opinion, it should be made a law (A natural phenomenon that has been proven to occur invariably whenever certain conditions are met)...

      Laws are for mathematics. You mean it should be made a fact or a theory. Oh, wait - it's already both.

  24. Audacity, Freshmeat by bcrowell · · Score: 2, Interesting
    How does this software compare to Audacity? Any comments from people who've used both? Personally I've only used Audacity. One thing I really like about it is that it's cross-platform -- cross-platform apps are the best way to spread the word about open source.

    And was anybody else bugged by ... -- ?

    1. This belongs on Freshmeat, not Slashdot.
    2. If this was submitted to Freshmeat, they'd tone it down, since it's so obviously a marketing blurb.
    1. Re:Audacity, Freshmeat by bengoerz · · Score: 2, Informative

      I'm not exactly the type you requested comment from -- I have yet to use Ardour -- but I have used Audacity (and looked at Ardour heavily). In my eyes, having used several audio programs, the intent seems different. Each one is produced for a "target audience", if you will.

      Now Audacity is a decent multi-tracking program for beginners. However, there are many limitations to the control users innately have. For instance, the compressor in the latest release has absolutely no settings -- it just compresses according to presets written into the program. So, while your audio won't be clipping like an uncompressed signal would, but you also get zero control of the particularities of the sound that is produced. From my perspective, having mixed several multi-tracks in my day (most including vocals, drums, guitars, bass, and more), the more control I have the better.... and that's where Audacity falls short.... at least until you start downloading additional plug-ins.

      Ardour, on the other hand, looks to be a much more robust design out of the box. It seems intended for more professional usage. From what I've seen, it's got excellent control of just about every processor you could normally want in a studio recording app, and an interface that provides fast and comprehensive control to them all. It's almost like sitting at a real studio mixing board -- the same layout. However, its main drawback looks to be in its learning curve. Most people who just dabble with sound now and again will probably be lost in the complexity that the program offers. However, for my money (or lack thereof), it looks to be much closer to my needs than Audacity.

      So in essence, it's all about what you want to do with it and the complexity that you're willing to endure.

    2. Re:Audacity, Freshmeat by Wumpus · · Score: 4, Informative

      How does this software compare to Audacity?

      It doesn't. Or hardly doesn't, at least. Ardour is a full featured professional recording application, designed to tackle any audio recording task you can throw at it. Have two studio quality sound cards, giving you a total of 20 cannels in/out, at 96Khz/24bit? Want to record a rock show, with live drums, backing vocals, and enough microphone cables to make AOL's server room look tidy? Ardour can handle it, and then some.

      Want to take that 20 track show, and overdub the guitars in the studio, while the whole mess is mixed in real time? It can do that, too.

      Ardour is the open source equivalent of Pro Tools (mentioned on slashodot a few days ago). Audacity isn't.

      Now, if you're not interested in any of these things, Ardour is probably overkill for you.

      And if anyone deserves the marketing here, it's Paul. Ardour is a massive piece of code, that took years of uncompensated full time work to get to its current state. It's well designed and well coded. No corners were cut in the making of this piece of software. Go get it, and pay for it.

    3. Re:Audacity, Freshmeat by Anonymous Coward · · Score: 0

      Pay for it? hahahahah. ya, right.

      Is's GPL biatch what are you going to do sic the BSA on me?

      Pay for these nuts homo.

    4. Re:Audacity, Freshmeat by groomed · · Score: 3, Informative

      Ardour is a bit overkill for my needs, and Audacity is too slow for my taste, so I wrote GNUsound. You might want to give it a try.

    5. Re:Audacity, Freshmeat by CoughDropAddict · · Score: 2, Informative

      This is all true. But don't forget the other side of the coin: want to open two mp3s, glue them end-to-end with a crossfade, and export to mp3? Ardour doesn't do mp3, and the rest of the process is going to take twice as much work. And you'll have to read the manual and become familiar with concepts like "diskstream," "route," "playlist," and "region." And you'll have to tweak JACK until it runs under your kernel and soundcard without xruns.

      Ardour does what it's designed to do: studio recording in professional situations. But so does Audacity: soundfile editing and simple multitrack recording, all out-of-the-box and with minimal effort.

    6. Re:Audacity, Freshmeat by Hadlock · · Score: 1

      lol

      --
      moox. for a new generation.
    7. Re:Audacity, Freshmeat by Anonymous Coward · · Score: 0

      I use both Ardour and Audacity constantly. Ardour is a serious DAW. I use audacity for doing fadeouts on stereo tracks, quick fixes, and recording stereo from my phono (you remember, big black CDs). They're both fine applications they just have different uses. BTW, Ardour is, at present, a lot harder to set up but well worth it.

  25. Re:Sync? Timecode? by BJH · · Score: 2, Interesting

    Hate to tell you, but that 'legacy' CMYK technology is currently installed in just about every printer (think 'big book factory' rather than 'laser/inkjet/etc.') in the world. Not being able to submit graphic data in CMYK is a big limitation.

  26. Re:What the hell are you going to church for? by shaitand · · Score: 0, Offtopic

    Perhaps, but you get into a paradox that is unsolvable. You see if the creator could simply "always have been" and come from nowhere, then we could and all the other species could have as well. As I said, I don't buy into current evolution theory either. My own ideas include it but differ... our origins I don't have enough data to come to any real conclusions about, only speculation. I myself tend to think it's perfectly ok to accept NONE of the commonly accepted beliefs of human origin rather than settling for the one that comes closest. I believe in human evolution (not ape to human evolution) because I've seen evidence of it in my own lifetime. Humans are evolving more and more rapidly, the average IQ level of each generation is higher than the last. The number of perfect SAT scores grows despite a slacking interest in acedemics. This is in large part due to more readily available information. But readily available information can only go so far when your trying to explain away literally 3yr old computer programmers and 8yr old stock market gurus. (yes these really exist, google for yourself). That is why I believe in HUMAN evolution, if it exists in humans then it must exist in the other species as well. After all we are made of the same stuff and even share a great deal of DNA. Do I believe in one animal transitioning into another in terms of evolution? I've no hard evidence to support or dispute this and reserve judgement. Do I believe my own eyewitness testimony of evolution (or at the least adaptation) disproves a creator based beginning? Absolutely not, I believe we now adapt and evolve, whether we do so because of some invisible man in the sky's grand design, or perhaps we are the creation of yet another species via floating particles in that lingering odor left after he passed gas. Who can tell? At this point, I find the two conventional theories and that last equally likely. There is simply not enough data for me to believe otherwise.

  27. Like Christmas in July... by BadElf · · Score: 1

    Oh man! A binary?? I've been dying to try this piece of code, but was never successful compiling it from CVS. Ended up using ReZound and Audacity (which are both good in their own rights), but judging from the Ardour screenshots, I think I'll be switching once the binary comes out.

    I feel like a little kid waiting for Christmas. Hurry 'dem binaries, pleease!

  28. Re:What the hell are you going to church for? by shaitand · · Score: 1

    very precise enviornmental conditions... the various environmental conditions which exist/have existed/will exist in the universe are theoretically infinite. That makes the occurance not a longshot, but an inevitability. I think that is the strongest argument for evolution I've heard to date ;)

  29. all fine but you overlook one thing- by Anonymous Coward · · Score: 0

    it's garbage - in particular the audio drivers for linux that is. You only get any sort of MMIO with RME drivers (hammerfall dsp + alsa).
    For all you slashdorks elmmy translate:
    hardware audio is a good thing.

    Write effects libs that actually use the dsp chips on more audio hardware or don't even bother with this crap.

  30. This might get me to switch by bengoerz · · Score: 3, Interesting

    I've experimented with Linux and other open-source OSes for a while now, but I've never found one that can make a permanent home on my desktop. One major reason: No good multi-track recorder! Sure, there are options like Audacity, but there is nothing that can rival the mixing options of, say, Cool Edit Pro. For my mixing, I absolutely NEED features that I can control -- a good compressor, gain control, some decent effects, a reliable GUI, etc. Now, it looks like Ardour may offer that, and so I rejoice. This may be the last rail laid on my transitional track, and the golden spike is beautiful. So Ardour, I say bring it on. Lemme see what you got!

    1. Re:This might get me to switch by groomed · · Score: 1

      Well, Ardour definitely will meet your mixing needs. If you're looking for a simpler but also powerful editor that's more like Cool Edit you might want to try my program GNUsound as well.

    2. Re:This might get me to switch by jargonCCNA · · Score: 1

      Cool Edit?! You think that shit has mixing capabilities? Get some real editing software. Go find Acid Pro and Sound Forge. Absolutely unstoppable. Get away from that kiddie stuff. Think that's flamebait? I used Cool Edit for a long time and yes, I did swear by it. Then I used Acid and realised that Cool Edit is garbage. It is. It wretchedly incapable in comparison.

      --
      Matthew G P Coe
      http://mgpcoe.blogspot.com/
  31. Re:What the hell are you going to church for? by Anonymous Coward · · Score: 0

    *Takes a deep breath*

    Religion has had a long time to establish itself as a leader in science. Thousands of years of documentation. The potential to store scientific knowledge has been enormous. If religion were interested in how the world works, we'd be much further advanced than we are now. Here's an understatement for you: You had your chance! Sweet Jesus on a pogo stick, you had your chance!

  32. Wish it will be in Knoppix by Anonymous Coward · · Score: 0

    Wish it will be in Knoppix..

    -------
    Knoppix.ru - Knoppix is the best Linux !

  33. That's fine by J.+T.+MacLeod · · Score: 1

    Because those people don't matter.

    The people who do matter understand that CMYK is important. There's not much to be done about it, though, because it is patented technology.

    As long as we're not dealing with a standard that is patent encumbered, it will come in due time. (Due time being the time of those who feel like working on it. They aren't on anyone else's time table.)

  34. Re:What did he say? by Anonymous Coward · · Score: 0

    Egad, modded down by the *BSD boys again!

    God damnit, I need some fucking backup! Where the fuck are the rest of you when I need some goddamned backup!?

    I wanna see some fucking BSD IS DYING posts up in this bitch. Every other posts should explain, in detail, exactly why BSD is dying.

    I wanna see some fucking posts rubbing the BSD bitches noses in the dirt.. Remind them that the world is developing software for Linux, not BSD. The world is using the GPL, and not the whore BSD license.

    GET BUSY.

  35. But can you post on Slashdot with it? by Anonymous Coward · · Score: 0

    I guess you can!

    TROLL! TROLL! FLAME! TROLL!

    Lameness filter filler

    1. Re:But can you post on Slashdot with it? by Anonymous Coward · · Score: 0

      one good way to take up bandwidth is open up a bunch of tabs of Google Views and just search for stuff that will bring back a ton of results.

  36. Re:Sync? Timecode? by Anonymous Coward · · Score: 0

    Big time! RGB just doesn't translate to paper very well.

  37. Hey Sherlock! by Anonymous Coward · · Score: 0

    Hey Sherlock did ever consider since the offending IP is an open proxy that maybe the spammer was using it as a fucking proxy!

    God damn you are one stupid fucker.

  38. Re:What did he say? by Anonymous Coward · · Score: 0

    What? The world uses Windows, my friend.

  39. Re:What did he say? by Anonymous Coward · · Score: 0

    I'm sorry, but your post is incredibly insensitive. Beating up on *BSD fanboys is like beating up on crippled retards with cancer. Have a little bit of sympathy for people with cancer and be more sensitive to the plight of crippled retards. They don't need nasty posts like yours heaped on top of the insult and injury they're already suffering. jeez.

  40. Re:What did he say? by Anonymous Coward · · Score: 0

    Bitch!

    1% of Google Queries are done on Linux machines.
    Next year, that will rise to 2%. You get the idea.

    Anyway, back on track: GET BUSY YOU GOATSE FUCKER! I don't care if you don't use Linux. Start posting some anti-BSD shit right-fucking-now, and don't give me not fucking backtalk!

  41. Re:What did he say? by Anonymous Coward · · Score: 0

    Oh yeah, and I forgot: make plenty of typos!

  42. Re:What the hell are you going to church for? by shepd · · Score: 1

    You're are very right.

    BTW: The "intelligent designer" was an alien.

    If Christians believe what you say (intelligent design) then there's no reason why we weren't placed on earth by aliens.

    You see, here's the difference between your theory, and the truth:

    The process of science:

    Observation -> Hypothesis -> Testing -> Debate

    The process of religion (intelligent design, ie: Genesis, without God):

    Fiction -> Asserting -> Insisting -> Twisting Fact -> Torturing

    For a thoughtful debate on this, watch Penn & Teller's Bullshit! episode on creationism (why do these things keep popping up? do none of you watch thought provoking TV?) Actually, I'd swear you've watched it, because those sites you link to are exactly the bullshit they disprove.

    There may be debate as to wether evolution is the best scientific model, and if there are mistakes in it, it will be revised through the aforementioned scientific process. There, however, is positively no serious debate as to whether we were cherry picked by aliens or not.

    I have a question, though. Why does "intelligent design" require a Noah's Ark?

    Riddle me that, and riddle me why an alien with an awesome spaceship would use a shitty wooden boat to transport animals instead of some matter-energy transporter?

    Either that or tell me why it is impossible that the "intelligent designer" was an alien.

    If you can do neither, then your theory is really pathetic, because I am but a lowly slashdotter, and certainly not a scholar, yet I was able to disprove it.

    --
    If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
  43. Re:What did he say? by Anonymous Coward · · Score: 0
    Ask yourself, Why did *BSD fail? Once you get past the fact that *BSD is fragmented between a myriad of incompatible kernels, there is the historical record of failure and of failed operating systems. *BSD experienced moderate success about 15 years ago in academic circles. Since then it has been in steady decline. We all know *BSD keeps losing market share but why? Is it the problematic personalities of many of the key players? Or is it larger than their troubled personalities?

    The record is clear on one thing: no operating system has ever come back from the grave. Efforts to resuscitate *BSD are one step away from spiritualists wishing to communicate with the dead. As the situation grows more desperate for the adherents of this doomed OS, the sorrow takes hold. An unremitting gloom hangs like a death shroud over a once hopeful *BSD community. The hope is gone; a mournful nostalgia has settled in. Now is the end time for *BSD.

  44. Re:Sync? Timecode? by Anonymous Coward · · Score: 1, Informative

    Ardour supports MTC sync. From the FAQ at
    http://ardour.sourceforge.net/ardour_faq.txt :

    * functioning as a MIDI Timecode master (it generates MTC)
    * functioning as a MIDI Timecode slave (experimental; send reports!)

    From browsing the mailing list archives, i gather that ardour does not directly support true SMPTE (which is timecode encoded as an audio signal); but if you have a hardware MTCSMPTE box you might be able to use SMPTE.

  45. Re:What did he say? by Anonymous Coward · · Score: 0
    It is official; Netcraft now confirms: *BSD is dying

    One more crippling bombshell hit the already beleaguered *BSD community when IDC confirmed that *BSD market share has dropped yet again, now down to less than a fraction of 1 percent of all servers. Coming on the heels of a recent Netcraft survey which plainly states that *BSD has lost more market share, this news serves to reinforce what we've known all along. *BSD is collapsing in complete disarray, as fittingly exemplified by failing dead last in the recent Sys Admin comprehensive networking test.

    You don't need to be a Kreskin to predict *BSD's future. The hand writing is on the wall: *BSD faces a bleak future. In fact there won't be any future at all for *BSD because *BSD is dying. Things are looking very bad for *BSD. As many of us are already aware, *BSD continues to lose market share. Red ink flows like a river of blood.

    FreeBSD is the most endangered of them all, having lost 93% of its core developers. The sudden and unpleasant departures of long time FreeBSD developers Jordan Hubbard and Mike Smith only serve to underscore the point more clearly. There can no longer be any doubt: FreeBSD is dying.

    Let's keep to the facts and look at the numbers.

    OpenBSD leader Theo states that there are 7000 users of OpenBSD. How many users of NetBSD are there? Let's see. The number of OpenBSD versus NetBSD posts on Usenet is roughly in ratio of 5 to 1. Therefore there are about 7000/5 = 1400 NetBSD users. BSD/OS posts on Usenet are about half of the volume of NetBSD posts. Therefore there are about 700 users of BSD/OS. A recent article put FreeBSD at about 80 percent of the *BSD market. Therefore there are (7000+1400+700)*4 = 36400 FreeBSD users. This is consistent with the number of FreeBSD Usenet posts.

    Due to the troubles of Walnut Creek, abysmal sales and so on, FreeBSD went out of business and was taken over by BSDI who sell another troubled OS. Now BSDI is also dead, its corpse turned over to yet another charnel house.

    All major surveys show that *BSD has steadily declined in market share. *BSD is very sick and its long term survival prospects are very dim. If *BSD is to survive at all it will be among OS dilettante dabblers. *BSD continues to decay. Nothing short of a miracle could save it at this point in time. For all practical purposes, *BSD is dead.

    Fact: *BSD is dying

  46. Re:Revenge. It's what's for dinner! by Anonymous Coward · · Score: 0

    Please keep us updated on this as I am curious as to what happens to them. I'll keep an eye out for future updates in future articles. thx.

  47. Re:What did he say? by Anonymous Coward · · Score: 0

    Hell yeah!!!!

  48. Re:Revenge. It's what's for dinner! by Anonymous Coward · · Score: 0

    Yeah, I've heard White Castle is a haven of Software Piracy.

  49. Usability by SJ · · Score: 1

    OK, so this seems pretty cool...

    Does it "just work", like my Mac does?
    Does it interface perfectly with all my audio hardware?
    Can I export directly from it to a DVD editing package on the same machine?

    1. Re:Usability by Anonymous Coward · · Score: 0

      More importantly, does it run on Linux?

    2. Re:Usability by Anonymous Coward · · Score: 0
      there are two kinds of people who use DAWs.

      1. people who produce studio and live recordings; i.e. audio engineers
      2. people who write/compose music on computers & electronic instruments

      whether you fall into the first category or the second, you'd better know your hardware inside and out. in the first case you have an obligation to provide that knowledge as part of your technical skill. in the second case, fuck, man, that's your musical instrument. a good concert violinist understands his instrument; if you're composing on a computer you'd better know your shit.

      if you need protools/samplitude/ardour to "just work" you have no business running it.

  50. don't get your panties untwisted yet by Anonymous Coward · · Score: 0

    these companies - specialists like avid/digidesign, etc. - aren't generally too affected by what mainstream users do. or doo... as the case may be.

  51. Re:Sync? Timecode? by Anonymous Coward · · Score: 0

    just take a moment and think about what RGB and CMYK *mean* and the contexts in which they are used.

    light-reflecting displays will be represented most accurately by CMYK, just as light-producing displays are represented well by RGB. that's why most of those goofy backlight images in airports look like shit.

  52. Re:What did he say? by Anonymous Coward · · Score: 0

    We all know *BSD keeps losing market share but why? Is it the problematic personalities of many of the key players? Or is it larger than their troubled personalities?

    It's just that it's becoming irrelevant now that Linux has surpassed it. In a way they're fortunate that Apple jacked their code, because now, in a sense, *BSD will actually live on a couple more years. It might bother the *BSD fanboys a bit that their OS only lives on in an OS for the technically illiterate, but the beauty of it is that they can switch to Gentoo if they still want a power-user's OS, and they lose nothing in the process. Yes, change is hard. I feel especially bad for new *BSD users, the majority of which just switched from OS/2. Now they have to do it all over again. At least Linux does a nice job of making the transition easy for them.

  53. Have you even written a genetic algoritthm? by moogla · · Score: 2, Informative

    University of Maryland researchers were able to grow a checkers playing program out of nothing (it knew legal moves, that's it). Once they thought it had "cooked" enough, they turned it loose on yahoo games where it quickly reached an expert ranking.

    To claim that white noise guided solutions can't give rise to more complex systems is to say that the premise of annealing processees are false. Yet molten rock sometimes forms diamonds, so there must be something to it!

    --
    Black holes are where the Matrix raised SIGFPE
  54. road map by rtp405 · · Score: 5, Interesting

    Yes, an official feature freeze and subsequent binary release have been announced. However, the release date of the binary is june 13. This will be followed by four weeks of the main developers absence. The binary is a 1.0.rc1. All the c++ dependencies will remain statically linked so it's likely that Debian won't be including this binary in official releases. I think the objective of this release is to increase testing from users but not create an all out marketing assualt.

    Reguardless, the announcement is seriously encouraging.

    IMO, a commercial studio owner and engineer/producer, professional audio production in linux is close to being a reality. To prove the point to myself, about six months ago I produced a commercial album from start to finish in Ardour. At the time, it was a serious challange which I expected. Since then, Ardour and JACK have seen alot of serious developement.

    Unlike what one commentor stated, syncronization in the form of MTC and MMC does exist and it mostly works. You're probably well advised to inquire about syncronization on the mailing lists.

    Equally interesting to Ardour is JACK which is a low latency, high bandwidth audio server. It enables port connections between software applications which is serious stuff.

    While many linux audio solutions are not > 1.0 there are interesting solutions for preproduction, production and postproduction audio work.

    My partners and I have been in business for 19 years. We've had four major studio redesigns and without hesitation I will say that the linux based solution is more interesting than any of the others.

  55. Re:Sync? Timecode? by croddy · · Score: 2, Informative
    ardour currently supports MMC (to a degree) and a lot of development has been specifically targeted at the mackie d8b. I can't find info on time code on the SF page, but I do believe it's implemented or on its way eventually. I know it's fun to be a naysayer. but a feature freeze is the first step toward a stable release, which is the first step toward binaries, and a wider test base . . . you get the idea.

    honestly it's not all that hard to compile from CVS if you're familiar enough with GNU/automake-type source packages. I think the total number of external dependencies I had to compile was 7? give it a shot. if you're willing to pay digidesign $?,000 for a full-fledged protools rig then the time out of your day to donate a little testing to ardour is a drop in the bucket.

    and WTF, GIMP does CMYK just fine. *yes* the interface is a bit obfuscated, but it is there.

  56. Re:Gullable! Help! by Anonymous Coward · · Score: 0

    hi, you're freind is stupid. please shoot him in teh head.

  57. Libraries. by afidel · · Score: 1

    I like their stance on libraries. It makes a lot of sense to link to a private version of the libraries if your goal is stability. Sure it increases disk use some (nothing compared to the output of a multitracker though) and memory use some (again nothing compared to having buffers for multiple high quality PCM streams in ram). This is similar to the way XP and even moreso longhorn are going for criticial libraries, if the version is different from the system default then it gets placed either in a subdirectory under the application or in a special subdirectory of the system library location and called up when the associated program calls the library. This means that none of your core apps or the OS itself get hosed by and update and the other programs behave well because they get the library version they expect.

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  58. Nowhere close to ProTools by smilinggoat · · Score: 0, Flamebait

    Sure, Ardour does 24-bit, 96kHz recordings but that does not mean the sound is uncoloured. Hi-Fi recordings sound different on ProTools than they do on DAT than they do on Digital Performer than they do on Cubase. The algorhythms matter.

    Plus plug-in support is huge. I use Cubase for the awesome VST support. ProTools is all about Audio Suite. How many recordings are made with Antares plugins (Mic Modeler, AutoTune)? Almost everything you hear from a major label these days. Until someone comes up with VST, MAS, DirectX, and RTAS wrappers (or what have you) for linux, Ardour won't be too significant.

    Sure this is good for the home user, but what are you even going to record from? I tried getting my M-Audio Delta 44 audio interface to work with RedHat, but couldn't get a single bleep out of it. Hardware support is key.

    Yes this is a great step forward for Open Source. But anyone doing mission-critical professional work on this versus something tried and true would be crazy.

    1. Re:Nowhere close to ProTools by rhavyn · · Score: 1

      I don't know anything about audio software, but even I was able to go to the features page and see that all they need is permission from Steinberg to release VST plugin support. There was also a good amount about hardware support (both sound input and controlling the software).

      I know this whole reading thing is hard, but try it sometime.

    2. Re:Nowhere close to ProTools by KoolyM · · Score: 1

      Nope, they can simply grab the source from some public page on Steinberg's website and use it. All Steinberg demands is that you give them credit for using their VST technology.

    3. Re:Nowhere close to ProTools by Knos · · Score: 1

      They can't.

      The vst sdk comes with an include file that needs to be modified for gcc/linux .. And this happens to be
      forbidden by the vst license.

      --
      . . . . . . . .. . . . . . . .
      may u!sh 2 sm!le at dz!z bad nn.!m!tat!ion
    4. Re:Nowhere close to ProTools by KoolyM · · Score: 1

      My bad. I hadn't read the VST License Agreement in a while. It states

      The Licensee has no permission to sell, licence, give-away and/or distribute the VST PlugIn Interface technology or parts of it in anyway, on any medium, including the Internet, to any other person, including sub-licensors of the Licensee or companies where the Licensee has any involvement. This includes re-working this specification, or reverse-engineering any products based upon this specification.

      Still, I suppose they could ask Steinberg for permission to port the SDK to Linux.

    5. Re:Nowhere close to ProTools by Anonymous Coward · · Score: 0

      Why is this flamebait? I have the same hardware as this guy has and there is no way to get it to work with Linux.

      I need the hardware support, otherwise there is no reason to even try to use this software.

      No raw recording, no point.

    6. Re:Nowhere close to ProTools by detect · · Score: 1

      I agree, VST, Direct X plugin support and support for the M-Audio cards would have to all be in before I could even think about switching over. Since audio is the promary purpose of my PC, Linux hasn't been an option.

      The problem is that you have a huge market of audio engineers willing to spend big bucks on sequencers as it is. It will be tough to compete with the Steinbergs out there there.

      I also heard the OSX version of Nuendo was made on Linux and then ported to OSX. If only they'd release a linux version of Nuendo.. :)

      --
      // The fastest Alt-Tab in the West
    7. Re:Nowhere close to ProTools by Anonymous Coward · · Score: 0
      M audio cards are supported under ALSA, the hardware layer. Plugin support is handled by LADSPA. VST support is a copyright issue.

      Muso's without a great deal of money but heaps of time will like Ardour, Innovative muso's will like ardour. Muso's who work on colaborative project will love ardour.

      I started with logic and moved to ardour. For recording live audio ardour will allow you to have a more stable DAW platform than one based on a win dows and utilise more cpu power (i.e multiple cpu's) than is affordable on macintosh.

      because you have linux underneath the audio solution you can reach latency levels that win/mac platforms can only dream of.

      The difference between Pro-tools and Ardour is preparation. If you have $15000, buy Pro-tools, done. If you don't have $15000 build a machine, tune it, install Ardour and you have a solution that will be comparable to a medium/high level commercial solution, much more than a domestic solution, affordable and open. Updates btw are free.

      The fact that I can have the same wav's on my gutarist and bassist computers and then send them an edit list of a mix of a song we jammed is an overlooked production feature of Ardour. This would cost between $1500-$45000 to do with a commercial package, if you can share the edit lists.

      Sure, Ardour may not be as developed as protools but it has only just reached Version 1.0. As time and interest in Ardour/LADSPA progresses it will become more popular and developed. The ALSA/Jack sound architectures certainly provide the most advanced audio framework available, from an engineers perspective a solid foundation.

      I feel Ardour expects a certain level of innovation from the musician, and innovation still isn't available as a VST plugin.

  59. Sound cards by rf0 · · Score: 1

    This is all nice and everything however are there any sound cards thats can support Full-duplex or more than on channel as even with ALSA just can't getit working

    Rus

    1. Re:Sound cards by pnambic · · Score: 1

      There's quite a few, actually. RME cards are what Paul Davis recommends; if you can do without quite as many channels, the M-Audio Delta series (especially the PCI-based options) work quite nicely as well.

      I personally run MusE/Jack on an M-Audio Delta 1010LT (8 channels analog i/o + S/PDIF stereo i/o) at 24/96 and have yet to run into serious problems.

    2. Re:Sound cards by ratfynk · · Score: 1
      How do you get alsa and jack to do anthing usefull, when you can't use them because of library deps that are needed but can't be used because of your sound card config? (I've had screwy issues with Cakewalk in windows that are almost as bad) so I sold my copy to some other sucker. I have tried to install Rosegarden4, which seems to be a nicely thought out recording app, but always run into no config because alsa just won't config on my system.


      What would be really nice is if some company could come up with an embeded Linux 4 track hard disk recording device. I would even pay money for that! Like the Xbox hacks. Computer sound cards suck for a to d conversion anyway. Sound quality is not a PC priority, just look sound card analog inputs Hmmmmm... Why not just take the f'in things right out of the loop.


      For now I will just stick to using a two track dat machine, mixed down from a Sony r to r 4 channel off a Mackie 1202! Clumbsy, lots of wires, but quiet with good s/n ratios and it WORKS! I only record acoustic music so I don't need to mix 24 tracks with fade, flange and fudge anyway.

      --
      OH THE SHAME I fell off the wagon and use sigs again!
  60. Re:Sync? Timecode? by Anonymous Coward · · Score: 0

    CMY(K) is just a way of defining a specific color, just like RGB. They are theoretically interchangeable. But the imperfections of practical subtractive color mixing make the K in CMYK necessary in the first place. Also, in printing you need to overfill, for which you want control over the colors that are actually going to be used. But these problems have nothing to do with RGB being additive and CMY(K) being subtractive.

  61. Re:Sync? Timecode? by IamTheRealMike · · Score: 2, Insightful
    Ah but the people who won't understand this, are the same people who don't understand why the lack of CMYK support is such a limiting factor for Gimp.

    Ah, but it's not. How many people do you know that have done image manipulation at some point in their lives with a computer? Lots, I'd expect. I know I do. How many of them need support for professional printing equipment? None.

    You'd be totally amazed at the number of people out there who write music using their PC, keyboard, sample editor and guitar. I know several. For people like that, who actually care about not warezing VST or SoundForge, this sort of stuff is a dream come true.

    Of course, I am sceptical that anybody but those who do music professionally actually pay for that stuff, but hey. Here at work we all use the Gimp.

  62. Re:Sync? Timecode? by BJH · · Score: 1

    But these problems have nothing to do with RGB being additive and CMY(K) being subtractive.

    Er... who said they did?

  63. It's not summer everywhere ... by Anonymous Coward · · Score: 0

    you insensitive clod.

    Can you please use Q1, Q2, etc and not summer, autumn/fall, etc? Indeed, there are local variations in observences even when these seasons are "roughly in sync".

    And please spare me "this is an American web site", that argument died the day the first packet when international.

    1. Re:It's not summer everywhere ... by Anonymous Coward · · Score: 0

      Cry me a river.

      Isn't slashcode open? Why don't you start your own slashdot, where using named seasons isn't allowed?

      This website is based in the US, is edited by Americans, and is read, primarily, by Americans. If you don't like the fact that some things seem America-centric, then by all means, start your own slashdot.

  64. Mixing things, Freedom of Religion by Pelam · · Score: 2, Funny

    This whole thread makes me sad.

    Somebody mentions that he goes to church and
    instant flamefest (mostly about evolution)
    ignites?

    I hope most of you know that freedom of
    religion is right there among other basic human
    rights.

    Would you eg. not hire somebody, because
    you assume that he is stupid since he believes
    in Jesus? What if he is from different culture
    or perhaps physically different, but still fit
    for the job?

    Would you be friendly and polite to him?
    How about trying to feel what he feels like,
    or even helping him if he is abused somehow?

    As a christian I would like to add that christians
    are mostly just like everybody else. They come
    from every possible background etc.

    Naturally they have different explanations for
    things and different ways to structure the world.

    (If you ask me, I would say that Genesis happening
    exactly the way it was written is nowhere near
    the center of Christianity. I think many would
    agree. What exactly is in the center is too
    seldom discussed openly.)

  65. osx by Hadlock · · Score: 0

    Where's my OS X port?

    /snobbish mac user

    --
    moox. for a new generation.
    1. Re:osx by Anonymous Coward · · Score: 0

      OSX is closed software - if you want a closed OS, run Windows - and dont ask for Free(libre) software ports.

  66. I never knew... by Qbertino · · Score: 1

    I never knew about this one. This finally looks like some serious reference grade quality audio app in the OSS dept. Cinelerra, Gimp, Sodipodi and now this. It's another patch closing a wide gap in open source and it seems a damn good one.
    I'm more the 3D guy rather than a sound fiddler and helped buy Blender (www.blender.org) free, but this is so cool I'll think I'll donate a little here too.
    If you've got a paypal account allready, spare an Euro, Dollar or two, it's a good deed for the day.

    --
    We suffer more in our imagination than in reality. - Seneca
  67. Did you even look at what Ardour is? by Anonymous Coward · · Score: 0

    Ardour is a Multitrack Audio Recorder/Editor, similar to Pro-Tools but without the MIDI (it does have MTC though).

    Bose is a speaker/stereo manufacturer.

    I can't see how the two relate to one another at all (though I suppose you can play music made with ardour on a Bose stereo).

  68. Re:Interesting...Not really. by Anonymous Coward · · Score: 0

    Not really interesting at all!

    Its simply because Linux has ALSA, where as *BSD don't. Thus you can't run Jack.

  69. Pro Tools for free by evenprime · · Score: 1

    Here's a link to the

    free version of ProTools...I think it is cripple-ware, not a time limited demo. Don't know, though, since I've never used it, so YMMV.

    http://www.digidesign.com/ptfree

    --

    "Weapons should be hardy rather than decorative" - Miyamoto Musashi
    I think that goes for OS's too
    1. Re:Pro Tools for free by xaaronx · · Score: 1

      Kickass. Thanks man.

      --
      It's amazing how much "mature wisdom" resembles being too tired. - Robert Anson Heinlein
  70. Re:Sync? Timecode? by Anonymous Coward · · Score: 0
    How many of them need support for professional printing equipment?

    Ummm....anyone who's sending a 4-color job to a real printshop, with an offset press. This is not so uncommon, and if your print run is more than a couple thousand copies or so it's actually the cheapest way to go.

    Sure, you don't need it for your home photo album or departmental newsletter, but anyone who's actually publishing something to print has to have it if they want to publish in full color.

  71. Now Maybe by blinder · · Score: 1

    I'll be able to compile the darn thing!

    One thing I hope they do do is make it easier on us poor schlubs to satisfy all of the dependencies and get it up and running.

    I've been "working" with this on and off for the better part of 3 months and have yet to actually compile it completely.

    I may seem overly negative, but I firmly believe that Ardour has the potential to find its way into professional facilities, at least in B or C rooms.

    Also, hopefully this means that VST pluggin support can finally be added (without violating steinberg's license)

    All and all, this is good news!
    Now, if gear manufacturers would just adopt the same open source model as Ardour, I'd be all set

    "Uh yeah, I'll need that 56-channel Neve, and I'll take one of those Studer A827's... great thanks!"

  72. No, a law by Anonymous Coward · · Score: 0
    A scientific law, for example, is the three laws of Thermodynamics. Why they are laws can be gleaned from my original post. Evolution is a theory right now (wow you're brilliant for pointing that out) in scientific terms, meaning that for all practical purposes it works, but it can still be overturned given enough evidence. Like I said, I don't believe that it could ever be, though.

    Have you ever taken a science course? I mean damn dude, these are the basics.

    - mao

    1. Re:No, a law by Scaba · · Score: 1
      A scientific law, for example, is the three laws of Thermodynamics.

      Well, that's an example of three laws, but otherwise you are right. I was being flippant.

      Why they are laws can be gleaned from my original post.

      Not it can't. You gave an opinion, you made assertions, but opinions and assertions aren't proof of anything (unless you're George Bush), nor do they define the requirements of a scientific law.

      Evolution is a theory right now (wow you're brilliant for pointing that out) in scientific terms, meaning that for all practical purposes it works, but it can still be overturned given enough evidence.

      Right. That's what I said. Science is based on exactly this sort of thinking: "This is what we currently think is true, but will accept evidence to the contrary." However, you want to argue that your belief - that the mechanics of evolution (the theory part) are forever proven - is a better belief than the belief of Creationists - God made it all in seven days, all because you had a bad experience with the nuns in grade school, read too much Nietzsche or some other such nonsense. That's unscientific thinking.

      Like I said, I don't believe that it could ever be, though.

      Again: how is your belief different from the beliefs of Creationists?

  73. Ardour is the Diakatana of Linux audio software. by Anonymous Coward · · Score: 0

    Paul Davis does this about once every six months... Consider his other dead-end project, Quasimodo, and things don't look too good.

    Ardour is just a sandbox for the Linux Audio Developer folks. The only chance Linux will get a usable/installable multi-track digital audio application (*with* MIDI sequencing) is if a commercial company becomes interested.

  74. Re:Interesting...Not really. by Anonymous Coward · · Score: 0

    I'm sure someone will port it eventually, but why would he waste his time on a dying OS?

  75. Re:Sync? Timecode? by Anonymous Coward · · Score: 0

    The people who don't understand why lack of CMYK support in GIMP isn't such a big deal are the same people who don't understand their careers in print design are speeding toward the grave of obsolesence. Hang in there, GIMP fans... we get the last laugh.

  76. Re:What the hell are you going to church for? by Anonymous Coward · · Score: 0

    >We haven't discovered any transitionary species.
    >("missing links")

    Modern man is the missing link between apes and human beings

    (Mark Twain, IIRC)

  77. Much respect by Anonymous Coward · · Score: 0

    to paul and contributors, this is very cool. Can't beat Logic 6 or Pro-tools, but with a little help, I think Ardour (and Protux) may at least be competitive. Whats really needed is native VST support, which is not looking good. Running them under wine is probably not going to perform anywhere near as well as a native VST host or something like the AU adapter for Logic 6. But the novelty of it....
    If folks are going to make open source DAWs, where is the open plugin API? Maybe Im getting ahead of the game plan...

    1. Re:Much respect by nlago · · Score: 1

      If folks are going to make open source DAWs, where is the open plugin API?

      It's here. And it's around 2 years old, with lots of plugins available. Sure, there are more VST plugins out there, and some may be "better" that the equivalent LADSPA ones, but there's already a lot of interesting LADSPA plugins out there.

  78. More NON-Pro Use of Linux by KevinDumpsCore · · Score: 1

    It doesn't make sense for audio professionals to suddenly switch to Linux just to use a digital audio multi-track program. They're either locked into proprietary hardware (ProTools) or proprietary software (VST plug-ins).

    A free digital audio multi-track program makes better sense for price-sensitive users like songwriters, unsigned bands, churches, high school drama departments, college radio stations, etc. However, the ardour project has been hostile to such users in the past by insisting that they use an expensive soundcard like the Hammerfall. So we'll see what happens.

    1. Re:More NON-Pro Use of Linux by nlago · · Score: 1

      the ardour project has been hostile to such users in the past by insisting that they use an expensive soundcard like the Hammerfall.

      Ardour is a sophisticated piece of software, and needs adequate hardware and drivers to run. Right now, under linux this comes down to the Hammerfall, somewhat expensive, and the M-Audio Delta series, which is very reasonably priced (check out the Delta-44: 4 analog ins, 4 analog outs).

  79. Patents by yerricde · · Score: 1

    are the same people who don't understand why the lack of CMYK support is such a limiting factor for Gimp.

    Is timecode patented? The biggest things holding back CMYK support in GIMP are the patents on acceptable-quality conversions between RGB and CMYK color spaces.

    That said, does one need timecode for pop music production?

    --
    Will I retire or break 10K?
  80. But which church? by merriam · · Score: 1

    The joyful message you're spreading is that if we use free software, we'll have to labour for hours correcting it and extending it before it will work adequately.

    Own up -- you're really preaching for the Other Side.

  81. ProTools versions and prices by divbyzero · · Score: 2, Informative

    Kudos are definitely in order for Paul and the others working on Ardour. However, I'm not sure where people are getting the idea that ProTools is an unreachably expensive system. ProTools comes in multiple versions which have different levels of hardware acceleration. The more hardware acceleration, the more expensive the version.

    ProTools Free runs purely in software, using off-the-rack, home sound cards, and is free (beer, not speech). Nobody uses it for real work, but it makes for an okay functional demo.

    ProTools LE is targetted at home and small studios, and uses generic pro-level audio adapters. The software and hardware together come out in the $500 to $1000 range.

    ProTools TDM is what the big studios use. It requires proprietary hardware with extensive use of onboard DSP and dedicated control surfaces. This is the one for which the hardware and software together fall in the $10000 to $15000 range.

    The mid-level LE version is not a toy ... many professional albums are made on it. It competes directly with the likes of MOTU Performer, Emagic Logic, Steinberg Cubase, and Cakewalk Sonar.

    --
    But my grandest creation, as history will tell,
    Was Firefrorefiddle, the Fiend of the Fell.
  82. You need to recheck your facts by qortra · · Score: 1

    I'm afraid you are just wrong on a few of those points.

    The ProTools software is FREE. $0. No money spent.

    ProTools offers a severly scaled back version for free (that's "as in beer" folks. no open source, no guarantee that it will be free tommorow). And, did you mention, its for windows 9x kernels? I use Linux, but I'll even work with win 2k or XP if I have to. But not windows ME or 98. I no longer wish to reboot my computer every day.

    but the DSP's offerred in addition to the audio interface in the ProTools TDM systems make them so much more powerful then CPU bound rigs for large projects.

    If you read some of Paul Davis's documentation, you'll find he mentions this particular issue. PC (x86 and now x86-64) CPUs are rapidly increasing in power, and it turns out that a normal x86 CPU can do anything that any other computer can do with enough power. Stick a decent enough CPU and good D/A,A/D converters on a system (good ones do exist) and you could match if not emulate protools hardware. So don't tell me the hardware is superior. We have more than enough power in our desktops to do excellent audio production. The only advantage of ProTools is that it just has better third party support as of now.

    I haven't used GIMP or File Gimp very much, but I have the impression that they aren't production class yet. However, the topic is Ardour, and I think it is doing quite well, and might soon actually be appropriate as software for music production. This is especially the case if we can get third party developers behind it (doing effects and what not). In fact, third party support is probably the only really big obstacle stopping ardour from becoming mature very soon. But that isn't going to happen unless people like you can stop kissing DigiDesign's ass long enough to help out Mr. Davis and those like him.

  83. Re:Ardour is the Diakatana of Linux audio software by nlago · · Score: 1

    Paul Davis does this about once every six months... Consider his other dead-end project, Quasimodo, and things don't look too good.

    Please don't take this troll into account. Ardour has been under development for around 3 years now. The story with Quasimodo is that the CSound community created a "standard" way to do most of what Quasimodo aimed at, so he abandoned the project. jack and ardour, however, are here to stay; not only thanks to Paul's hard work, but also because they have gained enough "critical mass" with the community.

  84. No, -YOU- need to recheck -YOUR- facts by AusG4 · · Score: 1

    OMFG...

    ProTools TDM, the full version of the software, comes FREE with the appropriate DigiDesign hardware. ProTools LE, the light version of the software that does host-based auto processing, comes FREE with the appropriate hardware. ProTools FREE, which only works with 2 in/2 out on-board hardware (and is limited to 8 tracks) is just free for download (no purchase required).

    At any rate, more than 50% of DigiDesign sales (and their primary focus) is Macintosh systems, which is what most studios use anyways. At any rate, ProTools 6 runs on XP just fine, thanks.

    As for the rest of your bulls**t about running plugins on the CPU... it's barely worth commenting on, but I will.

    The TDM system is scalable .. if you run out of room on your CPU, what are you going to do? Buy a faster CPU? When you have a 3 ghz P4 in your machine and are trying to add one more AmpFarm (oh wait, Line 6 AmpFarm probably doesn't run on your CPU) plugin to your mix and you can't... you're kind of f**cked, aren't you? Start mixing down and rendering out (and thus locking your mix, which sucks, but hey). The Logic folks have noticed how bad this problem is, as you can "temproarily render" your tracks when you run out of power now. Cool, but limiting.

    Of course, had you gone the less troublesome route and used TDM, you could just buy another farm card and slap it in.

    Any argument that says that the CPU is good enough for higher end audio work is laughable... and clearly being issued by someone who hasn't had to work with EQ's, amp simulators, chorus and a decent sounding reverb across 3 or 4 dozen tracks of 24 bit audio. Hell, I was recording my band on 8 tracks and ran out of CPU power.

    With TDM, you're CPU power (and thus, the part of the equation that you can only wait for moores law as far as scalability goes) isn't an issue.

    Alas, most people are just going to record in their garages with a pair of microphones and a drum machine, so we're really splitting hairs at this point anyways, I guess.

    --
    bash-3.00$ uname -a
    SunOS panda 5.10 Generic sun4u sparc SUNW,Ultra-2
    1. Re:No, -YOU- need to recheck -YOUR- facts by nlago · · Score: 1

      ProTools TDM, [...]comes FREE with the appropriate DigiDesign hardware. ProTools LE [...]comes FREE with the appropriate hardware. ProTools FREE, which only works with 2 in/2 out[...]

      That is, you can only get a version of protools that is comparable to ardour if you spend serious money (even if it's buying specific hardware), as the parent post said.

      Of course, had you gone the less troublesome route and used TDM, you could just buy another farm card and slap it in.

      for the slight fee of US$4,000.00...

      Maybe it wouldn't be totally out of the question to buy a multiprocessed computer system for that money? Ardour doesn't benefit from more than 2 cpu's right now, but this may change in the future.

      [...]a decent sounding reverb across 3 or 4 dozen tracks of 24 bit audio

      I hope you use a single instance of the reverb plugin to do this, right?

      Many people won't abandon protools, much less overnight; still, ardour is great news for smaller studios, home studios, musicians and the free software radicals like me.

    2. Re:No, -YOU- need to recheck -YOUR- facts by qortra · · Score: 1

      I'm not sure that we're disagreeing as much as you think we are. I just think we should be giving Ardour our support because I do think it is the future.

      That being said, I don't know why you're taking issue with the fact that ProTools in most sane incarnations is not at all free. ProTools (which, of course, does run on any recent version of Windows or MacOS) is an expensive proposition for anyone; sometimes 5 digits, as you've mentioned. And it might be worth it. However, saying that ProTools software is FREE with the appropriate hardware is like saying that a Ferrari Engine is free with the purchase of the chassis (which is incidently the same price as the whole car). The only truly free version of Protools is, as you mentioned, ProTools Free. And its, as I've said, only available for windows 9x kernels, or Mac OS verions
      Now, I'll admit that TDM is a brilliant system. It tends to work pretty well for a lot of people. However, I still maintain that under certain circumstances, PCs should be able to run quite a few non-destructive effects on quite a few tracks if optimized. Sure, third party developers (like Line 6) would need to develope their products with an x86 or PPC instruction set in mind. If you run out of processing power on a workstation, you actually can get a faster processor, sometimes a cheaper proposition than buying a $400 farmcard. You can also buy multi-processor systems that would improve Ardour's performance quite nicely. Incidently, dual processor motherboards (and the cost of another processor) are also cheaper than $400 farmcards in some cases.

      I do believe you that most PCs right now (perhaps not any) can run full mixes (with dozens of tracks as you say you do) and many non-destructive effects. However, I do think that by the time Ardour matures (not this June, or perhaps the June after, but soon nevertheless), the processing power will be there, and then I think that host-processing based solutions will eclipse modular,proprietary solutions like ProTools TDM.

      regards, qortra

      also, feel free to email me about this; I would be interested to hear what you have to say, and doubtless, nobody on slashdot is watching anymore :-P