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Sell Your Music on iTunes Music Store

Photo_Designer writes "CD Baby is now accepting music to be sold via digital distibution through iTunes Music Store, Listen.com and others. Their cut is 9 percent. The artists get 91 percent of the sale and retain all the rights to their music. There is a $40 fee for each album submitted. It will be interesting to see how much indie music gets on and how it does. Imagine being a touring indie band and be able to tell people to go to iTunes and buy your songs; it seems this could be a huge boon to musicians wanting to circumvent/boycott/avoid/destroy the RIAA." Note that this is not an agreement to get on iTMS or any other service, only for CD Baby to be your distributor. iTMS can still reject your sorry attempt at fame.

19 of 432 comments (clear)

  1. Great for highschool bands by davisshaver · · Score: 5, Interesting

    This seems like a godsend for many of the bands my friends are in. For 40 dollars they have the chance to be distributed, instead of spending much more on CD's. What are the chances apple will accept them though? It seems like this is what they wanted from that conference they held with the Indie labels.

    --
    "What we have here is a failure to communicate"
    The Warden, Cool Hand Luke
    1. Re:Great for highschool bands by MarcQuadra · · Score: 5, Interesting

      Maybe a moderation system is in order?

      --
      "Sometimes, I think Trent just needs a cup of hot chocolate and a blankie." -Tori Amos on Nine Inch Nails
    2. Re:Great for highschool bands by Roark+Meets+Dent · · Score: 5, Interesting

      An easy solution would be to have a separate section for unsigned musicians. This would make it clear to paying customers whether they are shopping "mainstream" music or as-yet-unheard-of bands. I somehow doubt Apple would have any problems storing a few thousand CD's even if they didn't sell too well ... many people I know have that many on their personal hard drives thanks to P2P apps. Remember, Apple isn't selling CD images, they're selling compressed formats.

    3. Re:Great for highschool bands by SeanAhern · · Score: 4, Interesting

      I would certainly hope that any music moderation system would be more advanced and flexible than slashdot's. Taco would be one of the first to tell you that /.'s moderation system has shortcomings.

      Music would need many axes of moderation. Britney and Christina would certainly get moderated highly, as they are very popular. But only in their respective category.

      Different genres should have different moderation "tracks". I should be able to ask something like "What's the most highly moderated Celtic music this week?" or "People who liked Phish's latest album bought a number of other albums. What ones were the most popular?"

      If a moderation/rating system had that level of control, we'd have a effective and useful way of separating the wheat from the chaff, at a personal level.

    4. Re:Great for highschool bands by stonecypher · · Score: 4, Interesting

      I don't think it's that simple. You need a lot more infrastructure than just enclosures. You need somewhere to store the systems, power, cooling, someone to manage them, redundancy, especially if you're going to use IDE drives. And you've also got to contribute to the head office costs. It all adds up.

      Rackspace isn't that expensive. Power, granted, is a bit of an issue, but most drives can be spun down (just sort by frequency of file touch; then there can be these drives in a back corner - maybe the armageddon closet, as in nobody's downloading the Bran Van 3000 track until the armageddon.) Cooling, you're right.

      Someone to manage them? Pfah. RAID 5 pretty much manages itself. You need a monkey to swap the failed drive. Apple can afford both bananas and a pooper scooper. (Sure, you're right. Still.)

      So, okay. Let's assume triple redundant drives; that pushes my bareassed guess up from $9k to $27k. Throw on another 3k/y for electricity and cooling, and that's *way* too high. (At least, in PA. You californians and your power grids.) That's $30k/y.

      Where you get depreciation at all is beyond me; I suggest you ratify that. Where you get a depreciation of 1/3/y is so far beyond me that it's gone around the planet twice and is tapping on my back. Gross margins you don't need for a marketing ploy, and hosting music that nobody wants is a marketing ploy.

      Also, I notice that you've pulled the number 15% out of the thin air. Adding to my $30k/y figure another $25k/y for some college dropout to live his dream job sitting in apple's music farm watching blinkenlights, you start looking at $55k a year; that's not even a quarter the cost of a single national TV spot, and I'm willing to wager that the bands they'd tack on in the process would do a hell of a lot better job of advertising.

      "Thank you, this has been Angry Metal Fishnipple, goodnight! If you like our songs, go to iTunes!"

      That's gonna get heard for a quarter the cost of a TV spot in every dingy bar across the nation forever more? And it's all the small music enthusiats which make a vocal point of hating record stores and TV spots that are gonna hear it? I can't imagine a better marketing move. I'd like to pretend that I'm surprised I didn't think of it first, but frankly, anyone that can sell Macs is some kind of marketing ultragenius anyway, so . . .

      --
      StoneCypher is Full of BS
    5. Re:Great for highschool bands by darkov · · Score: 4, Interesting

      Where you get depreciation at all is beyond me

      Well, you have to factor the cost of your equipment into your expenses. Computers are considered to have a useful life of 3 years (in general, in Australia for tax purposes, probably in corporate America), so you have to add 33% of the cost of your equipment to the expense of delivering the service each year. It's accounting and it's a mysterious thing, I agree.

      Also, I notice that you've pulled the number 15% out of the thin air.

      Indeed. But this whole discussion is based on thin air figures if we're talking about how Apple would actually cost it.

      The more general point I'm trying to make is that corporate costings are way different to what most people would consider reasonable and it's mostly due to accounting, which is the result of many things that most people don't think of.

      A little story: I used to work for an investment bank. They had a tricky database optimisation problem and no time or budget to get a programmer (me) to do it. It was a 12 Gig database, so I said: buy another 12 Gig of memory and plop it in the server, allocate it as cache and your database will rush (reporting database, practically no updates). They told me it was impossible because the memory would cost $AUD30K (about $USD15K) a year! (This was only a couple of years ago) Why? Becuase the IT department factored in the cost of "support" for all hardware they sold. Go figure.

  2. $40 an album seems cheap by eoyount · · Score: 5, Interesting

    You'd only need to do $44 in sales to recoup your investment. Of course that assumes that you really get to keep 91% of revenue. What about Apple's cut, if you get on iTunes? Does that come out of their 9%?

    --
    To understand recursion,
    you must first understand recursion.
  3. What abount major artists by luzrek · · Score: 4, Interesting

    Forget about Joe (or Jill) Artist, what about middle grade artists that have been perpetually screwed by their RIAA contracts.

    --

    Galium Arsenide is the material of the future, and always will be.

  4. Brilliant. Absolutely brilliant. by thatguywhoiam · · Score: 5, Interesting
    This is it. The missing bridge.

    Now you can sell your own electronically encoded tunes on a gigantic global network that has a massive ad campaign behind it, for $40.

    Good for CD Baby. They negotiated the deal with Apple and seem to be happy to provide the connection. The terms are more than reasonable. Hell, for $40, I'd make an album just to *see* if I had any musical talent that anyone else appreciated. (er, I don't.)

    Now, what we need is some sort of powerful mechanism for allowing people to be introduced to music they'd like, but don't know the name of. I've often thought a moderation-style system similar to what Slashdot has would be useful. Of course, its ony a tiny hop from there to find all those wonderful demographics marketers crave.. you know.. the Volkswagen-Coke-Nintendo-Apple-Sony style connections...

    --
    If Jesus wants me it knows where to find me.
    1. Re:Brilliant. Absolutely brilliant. by medeii · · Score: 5, Interesting

      I'd love to mod this up, but I'll reply instead.

      CD Baby has that sort of mechanism, or at least something like it. Searching around the iTunes store didn't really help me much, because a lot of the music I listen to (Delerium, Balligomingo, Ceredwen, and assorted video game music) either isn't available, or really doesn't fall into any particular category. I went to read the article, then went to CD Baby and started browsing CDs. Their searching feature for something that "sounds like" a different artist caught my eye, and now I'm happily looking at different trance/tribal artists that, though certainly not mimicking Delerium, have a similar feel. I can't get that by going to a store, and this is the first time I've ever seen anyone give that sort of feature prominence.

      Anyone know of other online stores that feature this? CD Baby's got a good start, but I'm really not keen on the million albums that require RealPlayer for me to listen to them.

      --
      got standards? --- http://www.w3.org/
  5. Re:Go forth, but cautiously... by Anonymous Coward · · Score: 5, Interesting

    From the horse's mouth:

    * Our servers are running 100% OpenBSD - the world's most secure operating system. Powered by Apache, PHP, and MySQL.
    * No Microsoft products were used in the creation of this website.
    * We try to stay HTML 4.0 compliant. No special web browser needed. (I recommend the Opera and Mozilla web browsers for their speed and standards.)
    * CD Baby website (front end and back end) made by me - Derek Sivers. It's my favorite hobby.

    http://www.cdbaby.com/about

  6. Proper Job... Finally... by Capt_Troy · · Score: 4, Interesting

    I've been saying for some time that the record industry NEEDS to basically innovate or die. Use technology to boost their sales rather than fighting in a losing battle. They never heeded the words of the great Capt_Troy...

    Nice to see someone doing this. Too bad for those involved with the RIAA that it's not one of them. I give iTunes a year in which it will grow and prosper. Then, the recording industry will finally give up and begin their own knockoffs (which will be nowhere near as good). One year...

    Troy

  7. Fantastic! by DrWhizBang · · Score: 4, Interesting

    I find it very odd that a computer company (Apple) could be the driver being such a fundamental civil rights change. (aside: If artists can start to be compensated for their work, what's to stop us IT workers and software developers?)

    The music industry is one area where the big corporation have been allowed to force people into contract that would violate labour laws if they were proposed in other sectors. We have been waiting with baited breath for technology to break down the barriers that have stopped artists from being freed, yet the technology companies themselves hove mostly worked with the RIAA to perpetuate this arrangement.

    Bravo, Apple. I do understand that you are only interested in dollars like every other corporation, but you have shown that you do value creativeity and freedom as well, just like you keep telling us!

    --
    Schrodinger's cat is either dead or really pissed off...
  8. Re:Just Checking by feldsteins · · Score: 5, Interesting

    I think your problem is that you don't understand the difference between "draconian, treat-your-customers-like-criminals" DRM and fairly sensible, "hey-we-gotta-stay-in-business" DRM. Apple uses the latter. Pressplay, the former. From what I've seen of buymusic.com, they fall in the middle. If you don't understand the differences between the services, go read up on them.

    And, by the way, you can "hate DRM" all you want, but someone had to toss a bone to the RIAA for some music to get sold, man. If the Apple iTMS is innovative at all (and it is) then it is innovative solely because of the fairly decent customer rights that accompany the downloads. If you're holding out for the totally unrestricted, uncompressed downloads for $0.04 per song, like some folks here seem to be doing, I think you'll be hearing a lot of silence. Or using illegal services. The copyright holders for popular music (the big 5 labels, the RIAA, etc.) will never, never, go with a service who's restrictions on illegal redistribution amount to nothing more than "the honor system."

    Finally, I'm getting tired of the very vocal minority here at slashdot who insist, thread after thread, that Apple gets some sort of special privelaged treatment in these forums. Thier reputation here has risen above the likes of Microsoft in recent years, it's true, but they still take quite a few lumps around here. Some of them are even deserved! So if you say Apple is the slashdot darling, then I say "bullshit." It's rare enough that they get credited for what they do get right.

    --
    You like your Macintosh better than me, don't you Dave? Dave? Can you hear me Dave?
  9. CD Albums... by frission · · Score: 4, Interesting

    I don't know if anyone has posted this...but what i'd like to see is if I choose the option to buy the whole album, I should be able to download a CD image (bin/ccd/nrg/iso/something) of the entire CD (maybe including extras?). It'd be great for songs that seem to merge together (if you burn DAO, disc at once), instead of getting the 2 second gap from TAO (track at once) and messing up the song...of course if you wanted to buy one track at a time, it'd still be mp3/ogg/aac/whatever... :)

  10. Re:Not what it seems?... by clifyt · · Score: 4, Interesting

    A good friend of mine makes a little change through this company.

    He prints the liners with an inkjet printer and buys printable discs (about $0.30 as opposed to $0.10) and has a friend with a CD printer do them up for about $1 each...pretty much the cost of the ink. The cheapest CD Printer on the market is around $350.

    Past that, $3000 should get your album mastered and recorded and all that...quite a few popular indy rockers these days doing their entire recording on $5000 or less.

    If you can't afford to burn a few CDs and con a friend at a studio to print a few custom discs for you, ya shouldn't be waiting for anything like this because we aren't going to be buying your work anyways.

  11. Better deals abroad by poptones · · Score: 4, Interesting
    For forty dollars you can join the new label from Tom Misner and have an online distribution chain that carries over into a worldwide CD distribution system. CDBaby is cool, but this really seems more like you're paying them to broker a deal with the people who have, for the most part, completely fucked up the music industry for the last decade.

    Not only that, but since 301 is a label with an established global infrastructure, there's a mechanism there to support an act no matter how popular it becomes. This guy is no small potatos.

  12. Links to Tens of Thousands of Legal Music DwnLoads by MichaelCrawford · · Score: 4, Interesting
    Many unsigned musicians offer free downloads of their music as a way to attract more fans.

    I'm working on an article I hope to publish at Kuro5hin soon. You may find it helpful. In return, I would like your comments on how to improve it. I want to do the very best job I can so that it will be sure to get voted to the front page by the K5 moderators:

    If you're a musician who offers free music downloads, I will link to your website if you give my article a reciprocal link. Please read the instructions here.

    Send your comments to crawford@goingware.com

    Thanks for your help.

    --
    Request your free CD of my piano music.
  13. Apple: Read This by The-Perl-CD-Bookshel · · Score: 4, Interesting
    Why not take all of the bands that submit work that aren't chosen for iTunes and throw them up on something like indie.iTunes.com. You would get a wild indie following.

    Also, you could allow people who purchased an iPod to download one song for free off of each album on indie.iTunes.com. As it stands now, if you were going to fill a 30GB iPod the legit way, it would cost you about $7,500 (assuming that you only store music on your iPod). IPods would fly off of the shelves, as would some great music that needs a chance!

    --
    I don't keep a lid on my coffee so when I walk around I look busy -me