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Matrix Revolutions To Be Released On Imax
captain igor writes "IMAX.com is reporting that Matrix Revolutions is going to be released at select IMAX theatres on November 5th, with a wider range of theatres picking the movie up shortly thereafter. (Link includes list of IMAX theatres that will premier the movie.)" We mentioned earlier this year that the Matrix sequels would be Imax-sized.
It has been out on the Sony Metrion IMAX theatre in San Francisco for some time now. It is truley a different movie when seen on the big big screen. The action scenes are emersive and you really feel like part of the movie.
Probably does not translate as well to IMAX as some other films with more picturesque fly-by shots of detailed landscapes like say... LOTR, but still worth a second (or Nth) view
One thing will keep me from seeing this at my local IMAX.
Popcorn!
They don't allow food and beverages in the IMAX here. What's a movie without a $10 bucket of popcorn and a 7.50 keg of cherry coke!?!
How long before everything is IMAX since we can approximate the current movie setups with our wide screens and dvds?
Davak
Thats Great, I would love to see on an IMAX screen, too bad that movies for IMAX can't be longer then 120 minutes or so.. So it will have to be cut down from the regular version, as Reloaded was. Not to mention that it costs 12$ here in NYC.
Since the link from the original slashdot post is gone... here's the information on the conversion process.
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IMAX(R) DMR
From traveling back in time to the pre-historic age of the dinosaurs, to looking into the future on board the International Space Station, the unparalleled image and sound quality of the The IMAX ExperienceO transports audiences to places far beyond the reach of most people. Now, through the magic of IMAX(R) DMR(TM) (Digital Re-Mastering), movie-goers can also experience the larger than life adventure, drama and emotion of their favorite Hollywood films, such as "Apollo 13," which won two Academy AwardsO in 1995, and Star Wars: Episode II Attack of the Clones. Coming to IMAX theatres this Spring and Fall will be The Matrix Reloaded and The Matrix Revolutions, the second and third chapters in the Wachowski Brothers' revolutionary film trilogy. The release of The Matrix Revolutions on November 5, 2003 will mark the first time ever that a Hollywood live action event film is released concurrently in 35mm and in IMAX's format.
IMAX motion picture systems, invented and developed by IMAX Corporation (IMAX), are the most technically advanced motion picture systems in the world. Images of unsurpassed size, clarity and impact, enhanced by a superb specially-designed six-channel, multi-speaker sound system, are projected onto giant rectangular screens, up to eight stories high and 120 feet wide in IMAX(R) theatres, and in IMAX(R) Dome theatres, onto domes as large as 27m (88'-5") in diameter.
The film format used by IMAX (15/70) image is ten times larger than a conventional 35mm film and three times bigger than a standard 70mm film. The sheer size of a 15/70 film frame, combined with the unique IMAX projection technology, is the key to the extraordinary sharpness and clarity of films exhibited in IMAX theatres.
IMAX(R) DMR(TM)
IMAX Corporation has developed a total system to re-master 35mm live-action films into 15/70 film format for exhibition in IMAX theatres. Known as IMAX DMR this proprietary, patent pending technology digitally enhances the image quality of 35mm motion pictures for projection onto screens up to eight stories high and up to 120 feet wide. The resulting images are every bit as big, sharp and beautiful as those of the classic, visually stunning films originally produced in the 15/70 format.
The core of the IMAX DMR process is based on our in-depth knowledge and understanding of the 15/70 format and the projection environment in IMAX theatres.
There are no other systems available that can provide this degree of image enhancement. IMAX DMR is much more than just a software tool. It is a complete, purpose-built, end-to-end system designed to accommodate the high demands of day-and-date releases.
The Process
IMAX DMR starts by scanning, at the highest resolution possible, each individual frame of the 35mm film and converting them into digital images.
Next, proprietary image enhancement tools, developed and refined over many years, optimizes each image for printing onto 70mm film. The useful information contained within the small area of the 35mm format is analyzed. Some of the techniques used to enhance the digital image include sharpening, color correction, grain removal, and eliminating unsteadiness.
The enhanced digital signal is then recorded onto 15/70 film resulting in a visual presentation which, when projected on IMAX's state-of-the-art rolling loop projection system, is bright, crisp, steady and absolutely stunning.
The highly automated IMAX DMR system allows the process to meet rigorous film production schedules.
Sound
For IMAX DMR releases, the original soundtrack of the 35mm film will be re-mastered for IMAX's six-channel loudspeaker system. Unlike conventional theatre sound systems, IMAX sound systems are uncompressed, full fidelity and use proprietary l
1. A really blatant and horrible edit mistake during the big dance scene in Zion. For some reason, Trinity and Neo had sex, then met at the dance. Everything else was the same, and there were no other (noticable) edit problems.
2. Due to the high level of detail, I could fairly easily notice when CG was being used. This was most problematical during the big 100 Smiths battle.
What was good about it?
Totally immersive! The superbike sequence was awesome, much better than the small screen. It's true that some of the fight sequences were more difficult to digest visually, but that was more than made up for by the awesome display of enormous images.
As for your critiques:
1. or one, the movie's length exceeded the capacity of the reels for the projector
As you mentioned, this is no longer a problem.
2. More severe is the clipping of the sides.
As far as I could tell, there was no clipping. The film was shown in it's normal proportions, which meant that it did not take up the full height of the screen. Still, it was twice as large as the normal screen (4x the area).
3. The print just didn't look good.
I know what you mean by posterized. Yes, it was pretty obvious that some post production had taken place. But I wouldn't characterize it as not looking good. It was more than satisfactory.
4. Which leads me to the biggest point -- it was just overwhelming.
Yea, that's the idea. I like walking out of the theatre with my eyes moving in different directions!
I am definitely going to see the next installments of the Matrix and LOTRs on IMAX. I'm not even going to think about going to the regular theatre. Big, flashy, epic films look great on big, flashy, epic screens.
I realize the parent is in jest... but we should be supporting the little guys here.
For the independent fan-produced version of the matrix, you can download it here.
Obviously the graphics are not as sweet, but the story keeps the same feeling and theme...
Support these guys!
Davak
Y'all have electricity down there? I didn't know any third world countries had electricity, much less computers and imax. :)
;)
Damn Americans.
Oi Bruce, cut the power to Pine Gap and teach the Yanks a lesson.
http://jesus.everdense.com/
>However I don't reckon that we have IMAX cinemas over here in the good ol' U of K.
There are IMAX cinemas in London, Bristol, Bournemouth, Birmingham, Bradford, Manchester and Glasgow.
For some reason, they seem to be unusually heavily concentrated in cities beginning with B. Coincidence? I think not!
I saw Matrix Reloaded at the local IMAX. It was obvious the movie had not been shot for and IMAX screen. The aspect ratio seemed wrong. The resolution and focus also weren't that great in this movie, as there were a lot of scenes where the director wants you to look at a particular character so more focus is on them and not their surroundings. This is fine for the 16:9 cinema screen but when you are looking at a 3 story IMAX screen, your eyes want to wander and look at all the details. This, I thought, was a little disappointing. The smoother flowing scenes, such as scenes of Zion looked incredible.
You'll also be able to see Trinity's blond nose hairs a number of times. The fact that the prop cars on the freeway action scenes have no motors in them becomes very apparent. I could go on for an hour about the visual flaws with the Matrix series on IMAX, but I'll stop my complaining there. Oh okay, one more: the oracle's skin. EWWWWWWWW. Get that lady some scar cream, stat!
I'd say to go see the new one on IMAX, but not for the visual difference (it's just bigger, blurrier, and choppier looking), go for the audio. IMAX theaters tend to have very strong, very clear, sound systems that really add to action sequences. The can really feel the music when the fighting breaks out.
It also would have helped a lot if the movie had been shot at ~60 fps. I've seen movies shot for IMAX and they didn't appear to have such jagged motion when panning and, overall, more focus and attention to visual details. The focus seems clearer for a whole scene in an IMAX native film, too.