Message in a Battle
The WP has a tale titled The Messages in a Battle about the recent growth of computer-generated battle scenes in movies, now that you don't have to pay all those extras. RotK clearly wouldn't have been much of a movie if the battle scenes hadn't been so good.
While the battle scenes were very eye appealing, I think that all of the actors did a wonderful job. Sean Astin (not sure on the last name) was so convincing as Sam, it was breathtaking. Not to mention Magne....errrr Gandalf (portrayed by Sir Ian McKellan) really had the presence to convince me that he was both wise and powerful. Anyway, I just felt that yeah, the battles were pretty, and it would be hard to have the LotR without a war going on, I still don't think the movie was made by those sequences.
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How is it that both Matrix films were un-nominated for visual effects Oscars? While I can understand discriminating against them because of their relative unpopularity, I can't imagine that their visual effects were considered less spectacular. Yet another reason to hate awards shows, I suppose.
Despite how much work and how amazing these CG segments are for the current time period. I have yet to be impressed. I guess until I can actually not tell the difference, or at least only subtle differences, between real an fake. I'll be happy.
Really the biggest eyesore is CG people. I have yet to see something that really amazes me as it looks like a real person. To be honest, I found the closest being FF:Spirits Within. Crappy movie, but you have to admit the graphics were outstanding.
I guess my standards are just too high.
If they didn't have all of the ridiculously lame dwarf comedy ("nobody tosses a dwarf", "toss me", etc.) and if Legolas hadn't snowboarded down the stairs on his shield. For a movie with such a realistic look to it, those elements of the battles, especially Helms Deep, were totally unneccessary and really ruined the great ambience that the thousands of CG extras created so effectively.
Why must directors put such painfully lame moments in films, anyway? It's like in Minority Report, when Tom Cruise is fighting the other guy wearing a jet pack and they 'accidentally' cook the hamburgers on the grill to perfection... why? WHY???!
Read Pynchon.
Glad this got modded up as I was going to post the same thing. It seems that with the popularity of certain films here in America, story starts to get quite pointless to some film makers going for the quick buck. But it's always nice to see something stand strong, something that makes you laugh, cry, angered, and such. Actually, I'm happy to say that my mom gave me an early gift of the boxset. So soon I'll have finally read the books.
In my own personal opinion, I think the writer of the article didn't pay attention to the movies. (esp. LOTR: all three)
.02.
With that, I'll say his opinion is lame.
Thats my thought..er,
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Is a cgi woman doing sexy things to herself for the entertainment of others still exploitation of women, when no specific woman is being exploited?
Down this path are all sorts of questions...
Forget the CGI actors. Ignore (if you can) the comedy dwarf tossing. My biggest complaint about the battle sequences is the hideous lack of strategy the leaders seem to have. I don't care who you are: a cavalry charge against a huge rank of spearmen is not a smart idea, and we see it happen at least twice in the series. And charging headlong at rampaging Oliphaunts? You deserve to be crushed underfoot. Swing out and take them from the flank, perhaps?
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Elrond says "No.". Elrond gives you some lunch.
"Return of the King would not have been much of a movie without the battles." Bullshit! The amount of artistry put into all three movies has not been seen since the days of "Cleopatra." I am no blind Tolkien freak either. All three movies were beautiful all around. In terms of cost, ROTK cost only $95 million. Contrast that with the recently released "chick flick," "Mona Lisa Smile," what cost $65 million to make and "The Last Samurai" who's costs totalled almost $140 million dollars. The Last Samurai's battle scenes were rather bland and extremely pale in comparison to ROTK. ROTK was just more than the battles, it had a lot of shit going on everywhere in middle earth. I am amazed that Peter Jackson and Co. completed the movie in less than a year, no other Hollywood director or studio could have made ROTK better than WETA and Peter Jackson. Saying ROTK would have sucked without the battles, is like saying Jedi would have sucked without any space battles. Stupid thing to say.
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One thing I really give credit to the LotR trilogy for is their casting. There are virtually no "big-name" actors in any of the movies. While there are the better known stars, Sir Ian McKellan, Elijah Wood, Hugo Weaving, Cate Blanchett and even Liv Tyler and Sean Bean, none of them overpower the other cast members to the point of obscurity.
Furthermore, they found some actors from relative obscurity (Merry and Pippin come to mind) who perform remarkably well. Every single character in the LotR series is acted out almost flawlessly, and I for one can clearly relate their on screen portrayals to those characters from the book. And that's certainly what makes the battle scenes that much more *real* and closer to home. Someone watching the movie can really get a feel for the characters and sympathize with them. No character gets lost behind the face of some huge actor and no one actor steals the show from any other.
As for the CGI effects, I had no trouble believing that those oliphaunts and huge armies of Orcs were real, they might as well have been. The graphics were more than convincing enough and the fact that the movie is indeed in a fantasy setting allows for what Samuel Taylor Coleridge coined the "willful suspension of belief." I had a harder time believing that Tom Cruise's character could take out four or five samurai before even getting any samurai training.... not to mention he somehow managed to hold them off with a flagpole of all things...
What got me was all the parents bringing 5 year olds and younger to see the film despite it being a 12.
We're *not* talking Harry Potter or Peter Pan here, there's massive amounts of blood and guts but they seemed to think fantasy equals gentle fairy story. About half of them were led out in tears.
Government of the people, by corporate executives, for corporate profits.
is how it trys to portray LOTR as warmongering, which means he absoutely missed the point... "In those days, even if those days are set in an Oxford don's fantasy life, war was war, war was man's business, up was up, down was down, enemies were demons, and best of all, killing them was holy work about which no one had to be guilty. It's nice to deal with a war that, though rendered in color, still plays in moral black-and-white. Thus one hallmark of the modern old-fashioned war movie is a high body count, combined with moral righteousness. It's better that way, don't you think? It's certainly easier." Wrong. LOTR is all about how war can be forced upon a society and you MUST fight. But once the battle begins, noble intentions and ideals are thrown out the window. Neither the men, elves, dwarves, or orcs are any less brutal or more noble once the fighting begins. There comes a time when in order to preserve your freedom, you must become your enemy, you must embrace evil in order to defeat it. And then, victory or defeat, you will have lost something. They were all changed by the war, and none of them for the better. The scene at the end where the Hobbits were sitting in the old bar and give each other a look and a half-hearted toast...THAT is the point of the movies. You are forced into a battle you don't want, you have to become savage and do things you would never have imagined doing before, and then at the end of the day once you can return to your lives, you find that you can't. Your old life, the life you fought for, is gone. It isn't about black and white. It is about how what looks to be black and white is only a million shades of gray.
Was that night on the marge of Lake LaBarge I cremated Sam McGee...
It sure seems like he couldn't have been bothered to read it. The bulk of the article has next to nothing to do with CGI. It's mostly about the glut of current movies having large scale warfare in them, be they produced with computers or an army of extras.
Could the article have been more misleading?
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Tom Bombadil was a character of no consequence - a page-filling distraction. When you consider him within the entire scope of the epic, he really does not serve any true purpose.
Except that he was older than any other resident of Middle-Earth, and was the only character the One Ring (or any of its effects) held no power over. I think he serves as an important contrast to the immortality of the elves and the temporality of the humans involved in the last struggle of the Third Age.
My only response to your respected view of the movies is that the movies are an excellent gateway for a large audience into Tolkien's books. Hundred of thousands of people perhaps would never pick them up, simply because they use to be hidden away in the back with the rest of the Sci-Fi and Fantasy books at your popular bookstores. Now those same bookstores have several central displays dedicated to all of Tolkien's works. Jackson, if nothing else, succeeded in bringing a rebirth to Tolkien's vast world through an accesible representation.
I liked the movies, but I found it annoying that most of the battle scenes looked as if they were shot about 2 feet away from the action.
I would have rather scene some wider shots of the battle instead of two or people right in your face fighting it out. It all flashes by too fast then. It does help to relay the idea that war is chaos...makes you wonder how much "friendly fire" there is, but on screen it is just a blur.