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Two Blanks Against the Trend

skdffff writes "German band Eisbrecher has decided to make a statement for its fans and for music consumers in general and is releasing their album ("Eisbrecher") including a bonus DVD with 2 blank CD-Rs which have the same label as the CD itself. Alexx Wesselsky (singer and head of the group): 'We are of the opinion that the music buyers are criminalized enough and have been made responsible for the wretched state in the music industry. We are giving them the chance to make 2 legal copies for private use with "official blanks".'"

22 of 309 comments (clear)

  1. That's clever, but... by Anonymous Coward · · Score: 5, Interesting

    Whoever came up with this idea is clever. But, he/she similarly totally misunderstands the point of copyright laws by playing "bright lining" games (as do, in my experience, many slashdot readers).

    (the term "bright lining" means doing some activity with a full knowledge of where the law or regulation is and doing something right up to this regulation, this living up to the letter of the law, though, the implication is, not the spirit.)

    Copyright is a socially constructed concept. Basically, copyrightholders are entitled to a monopoly of sorts for a limited time on their work. most people agree that the primary reason for this is to encourage more creation of works.

    When people talk in terms of "it's legally okay to copy a song from the radio" or "it's legally okay to copy three pages, but not the whole book", then they are basically referring to PRAGMATIC copyright interpreations and rulings based on past technological and social circumstance. as technology and social circumstance change, it may become necessary to change (usually tighten) what is allowed in order to best preserve the spirit and intention of copyright, which, again, is to encourage authors.

    here's a really obvious sign of when the spirit of copyright is broken--i call it the "extrapolation" argument. basically, somebody takes an existing interpretation and tries to "scale it up":

    * sharing music with your kid sister is ok, so sharing music with everybody's kid sister is (Napster)
    * photocopying one page is ok, so let's set up a distributed system via amazon's new full-text thing by which everybody downloads one page and somehow they are combined again (slashdot/amazon)
    * MIT has a blanket license for analog music / copying music from existing analog sources of music is ok (radio - unscheduled recordings, includes ads, not complete songs), so let's play a clever trick by which people can get whatever they want in a high quality, but analog format (MIT)

    All three of these will work, in the short term. And all three will generate stricter interpretations and a clamp-down, because they are so clearly against the spirit of the socially beneficial copyright law (oh, shut up already, completely-anti-copyright anarcho-libertarians - go and do a little historical research about every attempt to do away with copyrights and patents completely). The end result of this will be stricted interpretations and more bitching and whining on slashdot. What is the root cause of this? The evil RIAA and MPAA? Yes, they occasionally go overboard (the mickey mouse extension act is pretty egregious), but generally they are in the right.

    The root cause is those who think that they're being clever by bright-lining copyright interpretations without realizing that they are interpretations that are subject to reasonable modification as circumstances warrant, not god-given cast-in-stone truths. or, in other words, more technological sense than social understanding.

    Disagree? reply, not mod down.

    1. Re:That's clever, but... by mivok · · Score: 4, Interesting

      While I agree with your comments, I don't understand how the group referred to in the story are playing 'bright lining games'.

      If a person wants to give every customer who buys their song a license to make 2 backups for private use that is their perogative. They're not saying 'here, take these blank cd-rs and make some "legal" backup copies of all your metallica albums', they're not saying 'make a copy and distribute it to your friends'. They're saying that music they produce should be able to be backed up as per fair use, and they're giving people a helping hand doing it.

      Perhaps I simply disagree with you that the spirit of copyright law should force those who have damaged media to have to pay twice. Or that the spirit of copyright law should forbid people to be able to transfer music between different media such as mp3/ogg/aac players. The extrapolation argument you said is okay, but nowhere do I see Eisbrecher advocating that people break the spirit of copyright law as you said.

    2. Re:That's clever, but... by quintessencesluglord · · Score: 3, Interesting

      Question: When the Smashing Pumpkins gave away their final album (against their record company's wishes), was this in the spirit of the law or the letter of the law?

      When another band I am fond of released a "bootleg" copy of an album that had gone out of print, was this in the spirit of the law or letter of the law?

      While most argue about the ability to profit from a piece of work, one aspect is overlooked: control.

      The other side of the coin is a manufacture who refuses to purchase rights from an individual, waits until the patient expires, and then proceeds to use said idea in their product (the case I'm thinking of dealt with sweeteners, but the details escape me now). The problem is the manufacturer would not have even known about sweetener without the patient. Why bother with a patent at all?

      It is to give the creator a reason to present the idea. Imagine I had created a cure for cancer and left it to rot on some dusty shelf. What good is a patent now?

      In the case with the Smashing Pumpkins and the other band, that is precisely what the copyright law has done; allowed the works to rot. By pushing the pragmatic aspect of the copyright, they have actually moved closer to the spirit of the law; they have maintained control of their work. The German band is no different.

      Stricter interpretations will only incite more flagrant violations: the more laws you have, the more criminals you have. The more egregious the law, the more egregious the crime. The current trespasses on copyrights should perhaps serve as a warning that the current laws are inappropriate instead of a reason to pass even stricter laws.

      More importantly, the creation of new works. It is hard to understand how stricter controls will somehow lead to a greater dissemination of an idea. The logical extrapolation is no access to any ideas. This is a dangerous precedent.

  2. Difference in laws between Germany and US by Mr+Guy · · Score: 5, Interesting

    While I applaud the effort, I still think this could promote the false notion that they have to give permission in order for private home listeners to make backup copies for their own use. This is the real source of debate, whether or not I can copy the CD I own onto my own mix CD and let a friend borrow it.

    The *AAs focus on the macro-scale because they know the argument is much more convincing if they try and say the average user is 'stealing' and 'distributing' to thousands of people. Instead, the average person is most likely willing to pay for a song if the price is right and the restrictions aren't too severe. iTunes seems to be doing fine, and the competitors are springing up.

    1. Re:Difference in laws between Germany and US by Anonymous Coward · · Score: 5, Interesting

      There is actually no debate whether I can copy a CD I own and give it away to (close) friends. I can even borrow a CD, copy it for me and a friend and return the original. This is explicitly allowed and the reason why we pay a surcharge on every blank (GEMA-Gebuehr). The number of copies is also not limited to two (but the audience is limited to relatives and close friends). On the other hand we are not allowed to circumvent copy protection, so the concept of "fair use" copies is quickly becoming a moot point.

  3. Comparing business models by shockwaverider · · Score: 5, Interesting

    You see this is exactly what is needed - A changing music business model, combined with a tolerant "lets not be evil" policy

    The trouble is that the business model of "Litigate until you show a profit" is somewhat self-perpetuating whereas this new one is risky...

    --
    Remember kids! Guns don't kill people - Americans kill people.
  4. Maybe I'm missing something by tsg · · Score: 5, Interesting

    but why don't they just give you two extra copies of album instead of CD-Rs?

    --
    People's desire to believe they are right is much stronger than their desire to be right.
  5. Legal? by Anonymous Coward · · Score: 5, Interesting

    IANAL, and I know this isn't happening in the US, but wouldn't the two blank discs intice a US consumer to break US laws? Aren't we allowed on one personal copy?

    What are Germany's laws in regards to this?

  6. Re:Hell, I'll buy it by Dr.+Evil · · Score: 5, Interesting

    I wonder if it will be subject to blank digital audio recordable media levies? You know, the ones which go into the hands of the enemy :-)

  7. Why bother with blanks? by dave-tx · · Score: 4, Interesting

    Wouldn't it have made more sense to just include two extra copies of the CD instead of two blanks? At least then you wouldn't end up using the blanks for something you REALLY want extras of, like Fedora Core or Led Zeppelin.

    --

    >> "What would the robut do? Frame someone!"

    1. Re:Why bother with blanks? by vidarh · · Score: 3, Interesting
      Of course pressing a music CD costs much less than 1 or 2 euros in reasonable volumes... As an example, for USD 1.45 - 0.77 per CD (in volumes of 1000 or 10,000 respectively) I found pressing + jewel cases, cover and distribution via Amazon and Barnes and Noble, or if you just want to press discs, $1.65 per disc for a volume of 250 to 0.65 at a volume of 1,000 and 0.40 for 10,000.

      Even in volume prices on CD-R's those prices are competitive.

  8. 2 official copies by NoGuffCheck · · Score: 2, Interesting

    Love the idea, and congratulate them on taking a stand. Its definately a step in the right direction. However if I buy this CD I own it, and can do what I want with it, copy it, destroy it, give it away, sell it, maybe even listen to it. If they want to sell me a product and tell me what I can and cannot do, then I'm not buying.

    but then again, if I buy a gun....

    --
    serenity now!
  9. Fantastic by Killjoy_NL · · Score: 2, Interesting

    Cool, so now I can burn my porn to their official cdr's and nobody will notice :)

    But seriously, I don't think this will have much effect on the music industry. If a big artist like Britney Spears (well, there's something big about her) would do this, then it would get a lot more media attention, in this case in the mainstream press and not on a backwater website like Slashdot (Joe Normal doesn't read this website)

    --
    This is the sig that says NI (again)
  10. Of course it is by AtlanticGiraffe · · Score: 2, Interesting

    Of course it is, but it's a good one at that.

  11. Re:bah by Saven+Marek · · Score: 5, Interesting

    I see it as a concept that may make people understand the idea of 'copyright'. It stuns me to see how many people DON'T understand the idea. A case is on my web site I have an area where people can download music. It's also copyrighted music.

    I've lost count of the number of times I've been emailed about it, from anonymous do gooders making sure that I know they know I'm serving copyrighted goods online, and that it's illegal, and that I could get in some great trouble. Even had one guy argue with me until he broke down into swearing and abuse insisting the RIAA would have my balls on a platter.

    The punchline? It's music I've written, I've recorded, I hold copyright over, but as part of that copyright I allow my music to be downloaded.

  12. This is hardly new by Anonymous Coward · · Score: 3, Interesting

    Over here in the UK, a socialist singer/songwriter called Billy Bragg did this with audio cassettes. He released an album that was entirely recorded on the 'A' side and the 'B' side left blank and unprotected with the label 'Confuse the enemy - bootleg the Bragg'.

    It seems to me all Eis-brecher are doing is the same thing, only brought up-to-date.

    Please remember socialist != communist.

  13. only first 5000 CDs with blanks by NoSuchGuy · · Score: 2, Interesting
    Eisbrecher's record label ZYX Music supports this action and will deliver the first 5000 albums of the group with 2 blanks each.

    What about the other CDs? No blanks?....
    --
    Grundgesetz * 23. Mai 1949 - 30. November 2007 - http://www.vorratsdatenspeicherung.de/
  14. Re:bah by swordboy · · Score: 5, Interesting

    this is just a publicity stunt.

    And it worked.

    I'm going to buy this album and I've never even heard of this band. Sooner or later, the music industry will realize that the old ways are dead. Pretty soon, McDonalds and Taco Bell will be record labels of their own, selling new releases with the purchase of a value meal.

    What did you think that those Wifi installations were for anyway? New cell phones will have WiFi and Bluetooth by the end of '05. It will be easy.

    --

    Life is the leading cause of death in America.
  15. Re:bah by ichimunki · · Score: 2, Interesting

    Sooner or later, the music industry will realize that the old ways are dead.

    If the old ways are dead, why are you buying a CD in the first place?

    If a band wants to impress me with how hip they are, they should include pre-ripped high bitrate MP3s or .oggs on their discs. Or, better yet, just sell me the mp3s off a web site using a service like Kagi.

    --
    I do not have a signature
  16. Re:bah by Snowdog668 · · Score: 4, Interesting

    I agree with you on this. I can take it one step further, I had on old host go in and totally erase my band's site back when the RIAA first started ramping up their attack on Napster. No phone call, no e-mail, no warning what-so-ever, the site just disappeared. Apparently they were afraid of being the next target so everyone that had any mp3's on their site was a pirate until proven otherwise. Once I sent them a fax of my copywrite I find out the damn fools didn't even have a backup of my site so I had to go back and re-upload everything. I wouldn't have minded so much because I keep a current version on my own computer but I'm on dialup so it took a couple of hours to recover. Needless to say I moved to a new host right quick.

    --
    I wouldn't say I'm a bad gambler but the last time I went to Vegas I even lost a buck on the soda machine.
  17. Why not just give them three regular CDs...? by thx1200 · · Score: 2, Interesting

    Why sell a CD and two blanks, instead of say... including three already-printed CDs? Sure, saying you let your consumers make two copies sounds great for headlines, but besides that, what's the point? They still say "make two copies for private use." To me, that means you are not supposed to give the copies away or sell them. You can actually legally make as many copies as you like for private use and backup (in the USA). It's only considered piracy when you give the copies away or try to sell the copies. Of course, some labels are trying to prevent even backup copies by "copy protecting" their CDs.

    This little stunt is just... silly. And expensive. One commercial CD and two blanks (with graphics) is generally a lot more expensive to produce than just triple the amount of commercial already-printed CDs.

    I guess they are trying sell the whole "STICKIN' IT TO THE MAN" aspect of this.

  18. Re:bah by Snowdog668 · · Score: 2, Interesting

    I'm sure they had some kind of 'cya' clause in their TOS, it's been a few years so I don't remember. Basically it wasn't worth fighting over for me. Whether they specifically had a 'terminate without warning' clause or not the damage was done. Since I don't make much money from the site it wasn't worth going to court over. The hosting was only costing me $20 a month. Plus, I was on a new host by the end of the week. So I basically voted with my checkbook. That's the nice thing about capitialism, if one company pisses me off I can easily switch to another. Of course now if I change hosts I contact the company ahead of time and let them know that I'm running a music site of songs that I hold the copywrite to and send them a copy if they request, so I consider it a cheap lesson.

    --
    I wouldn't say I'm a bad gambler but the last time I went to Vegas I even lost a buck on the soda machine.