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JibJab Sues for Fair Use of Right to Parody

An anonymous reader writes "A few days ago, Slashdot mentioned that JibJab was threatened by a copyright lawsuit. Well, it looks like JibJab decided to sue first with the help of the EFF. Lots more info here." (Here's the Bloomberg News article.) Update: 07/31 20:43 GMT by T : Seth Finkelstein has posted the court info on his website.

65 of 273 comments (clear)

  1. Good for them by raistphrk · · Score: 4, Interesting

    In intellectual property cases, a good offense is probably the best defense. At least this way, if they lose their declarative judgement, they can minimize the amount of damages. But I don't see that being a problem, in this case: the JibJab parody is grounded in the orignal work, not simply capitalizing off it. The criticism in the clip is that this land ISN'T your land AND my land, but just "my land", in that each candidate is saying "I deserve respect and you don't."

    But yeah. I think Woody is up in heaven, proud of JibJab for their work.

    1. Re:Good for them by Jayfar · · Score: 5, Funny
      And I think 'heaven' is sentimental, hopeful bullshit.

      You posted AC just in case there is a god and he reads slashdot?

    2. Re:Good for them by fcolari · · Score: 2, Funny

      The real question is, "Is Blaise Pascal in heaven?"

      --
      "The first rule of intelligent tinkering is to save all the pieces." --Aldo Leopold (Paraphrased)
  2. More political humor: by Futurepower(R) · · Score: 2, Funny


    More political humor: It's tough to be a Republican.

  3. Well by iamdrscience · · Score: 3, Interesting

    By the letter of the law, Jib Jab's use of the song is probably not parody. That said though, I feel that really, their use of the song should probably be allowed. So hopefully, this will come out favorably for Jib Jab and establish some nice legal precedent. I think that this is probably why the EFF has chosen to take this case in particular.

    Another thing though, I feel less inclined to protect the rights of the owner of a song or other work when the owner is not the person who actually wrote the song. In this case, it is not Woody Guthrie's family suing, it's a company.

    1. Re:Well by Jim+McCoy · · Score: 4, Informative

      A parody mocks the artist or composer. A satire mocks someone else using the work created by the artist or composer. Parody is protected by fair use (since it is a sort of review or statement about the work in question) while satire is not.

      JibJab is probably going to be ruled satire since it does not comment directly on Woody Guthrie or his works, but rather uses his works to make a statement about Kerry and Bush.

      The relevant case law here is Dr. Seuss Enterprises vs. Penguin Books (9th circuit)

    2. Re:Well by iamdrscience · · Score: 4, Informative

      Lawrence Lessig explains it well (and with examples) on his blog entry about it.

      I'll attempt to do an executive summary though. The video will probably not be considered a parody because it does not make fun of the song itself, it just uses the song in its parodying of George Bush and John Kerry.

    3. Re:Well by nudicle · · Score: 4, Informative
      The relevant case law here is Dr. Seuss Enterprises vs. Penguin Books (9th circuit)

      Interested people can read the decision here.

    4. Re:Well by jrockway · · Score: 4, Insightful

      Who cares anyway? Just put the damn flash file up on Freenet and the problem is solved. The message gets out and there's nobody to sue. Fuck the government's idiotic regulations. This is exactly why we have Freenet.

      --
      My other car is first.
    5. Re:Well by Veridium · · Score: 2, Insightful

      Excellent link. Thanks alot. Did you follow to read what Martin and Ernest had to say? I side with Ernest on this.

      While jibjab definetly incorporates political satire, the thing that makes it so funny and such genius(IMO) is that it is also making fun of the original song. That is clearly being done in my opinion. They took a song about seeing our country in an unselfish way and made it a song about seeing the country in a selfish way. That it happens to incorporate political satire at the same time, IMO, does not take away from the parody of the original.

      But again, I'm not a lawyer. Just my opinion.

      --
      Think for yourself, destroy your television.
    6. Re:Well by Veridium · · Score: 2, Insightful

      I disagree. There is definetly satire involved, but it is also parodying the original song. The message of the original song was one of viewing things in a non-self centered way. Their parody is about viewing it in a very self centered way. Parody and satire are not mutually exclusive.

      --
      Think for yourself, destroy your television.
    7. Re:Well by Veridium · · Score: 4, Insightful

      When you said this, you reminded me of an earlier version of a parody of that song:
      This land is their land,
      It isn't our land,
      From the Wall Street office
      To the Cadillac car-land;
      From the plush apartments
      To the Hollywood starland,
      This land is not for you and me.

      If this is our land,
      You'd never know it,
      So take your bullshit
      And kindly stow it,
      Let's get together
      And overthrow it,
      Then this land will be for you and me.

      --
      Think for yourself, destroy your television.
    8. Re:Well by Fancia · · Score: 2, Informative

      Weird Al gets permission from artists before making his parodies.

      --

      Bít, zabít, jen proto, ze su liska!
    9. Re:Well by Jeremy+Erwin · · Score: 2, Interesting
      I'm not sure that JibJab's case is that weak-- the accompanying video does mock some of the original lyrics.

      Guthrie's first verse

      This land is your land, this land is my land.
      From California to the New York Island
      From the redwood forest to the Gulf Stream Water
      This land was made for you and me.


      The court in Dr. Seuss Enterprises, L.P. v. Penguin Books USA, Inc. (109 F.3d 1394). used the following reasoning to deterine that The Cat NOT in the Hat! was not parody

      These stanzas and the illustrations simply retell the Simpson tale. Although The Cat NOT in the Hat! does broadly mimic Dr. Seuss' characteristic style, it does not hold his style up to ridicule. The stanzas have "no critical bearing on the substance or style of" The Cat in the Hat. Katz and Wrinn merely use the Cat's stove-pipe hat, the narrator ("Dr. Juice), and the title (The Cat NOT in the Hat! ) "to get attention" or maybe even "to avoid the drudgery in working up something fresh." Acuff-Rose, 114 S. Ct. at 1172. While Simpson is depicted 13 times in the Cat's distinctively scrunched and somewhat shabby red and white stove-pipe hat, the substance and content of The Cat in the Hat is not conjured up by the focus on the Brown-Goldman murders or the O.J. Simpson trial. Because there is no effort to create a transformative work with "new expression, meaning, or message," the infringing work's commercial use further cuts against the fair use defense.


      Despite the fourth ("Private property") and the sixth ("Relief Office") verses, which are less frequently reprinted in "patriotic" songbooks. the popular conception of "This land" is that it promotes national solidarity. Jubjub has penned one set of verses for Bush, and one set for Kerry. The theme of solidarity becomes one of divisiveness.

      Nevertheless, this transformation is not quite novel-- Cappy Israel wrote:
      This land is your land, but it once was my land
      Before we sold you Manhatten Island
      You pushed my people to the reservation
      This land was stole by you from me.


      Nor is Jubjub's cynicism novel.
      As I went walking the oil filled coastline
      Along the beaches fishes were choking
      The smog kept on rolling. the populations growing
      This land was made for you and me.
      --Country Joe McDonald


      In fact, there are a host of verses, written by dozens of folk singers, for a variety of political and artistic purposes. In 1971, Pete Seeger wrote of this phenomenon
      The publishers of this song, who have the difficult job of collecting royalties for its use and seeing that it is not misused are probably wincing by now. I am certainly not making their job any easier. Let me say simply that all of the verses printed in this article are copyrighted by the same company that copyrighted the original song. And I suggest that if you make more changed yourself, you should send them into the company so at least they'll have a complete list of all the good new verses. Here's their address...
    10. Re:Well by Jeremy+Erwin · · Score: 2, Informative

      The copyright on "This land" says "Words and Music (c) Woody Guthrie (1940), TRO (c) 1956 (renewed), 1958 (renewed) & 1970 Ludlow Music Inc.

      By the way, most of the royalties go to a charity, the Committee to Combat Huntington's Disease.

    11. Re:Well by geminidomino · · Score: 2, Informative

      He only does that as a courtesy though. A very nice guy, he is.

  4. It's not a parody by Billobob · · Score: 3, Interesting

    It's political satire - they are not making a parody of the song itself. This use of the song is not protected in courts.

    --
    If you have to ask, you'll never know.
    1. Re:It's not a parody by Billobob · · Score: 2, Interesting

      So anything of a political nature is protected under the first amendment and is special? Sorry, that just doesn't make any sense. There shouldn't be any difference between making a political statement and, say, a statement about how much you hate cheese.

      --
      If you have to ask, you'll never know.
    2. Re:It's not a parody by Tassach · · Score: 4, Insightful
      It's political satire - they are not making a parody of the song itself
      I don't know what planet you are living on. Parody and satire are not mutually exclusive. You can have satire which is not parody (EG any Dennis Miller routine) and you can have parody which is not satirical (EG any Wierd Al song). Or, as in this case, you can have something which is BOTH an amusing parody of a song AND a satirization of political candidates.

      --
      Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
    3. Re:It's not a parody by NaugaHunter · · Score: 2, Insightful

      and you can have parody which is not satirical (EG any Wierd Al song).

      I would like to point out that Weird Al pretty much does all three. Song's like Eat It and Yoda quite clearly are parodies, since his lyrics are completely unrelated to the originals. Some of his original songs, like Germs and Dare to be Stupid, satirize a particular musical style. However, songs like Achy Breaky Song and Smells Like Nirvana both satirize the very songs they are parodying.

      Of course, discussing satire vs. parody in regards to Weird Al would get a good deal more complicated when you bring in his videos. Suddenly you have a video of a parody that satirizes the original song's video. Pretty much ends discussion of Weird Al as a one way artist.

      (My favorite Weird Al song that blurs the line is Theme from Rocky XIII. Set to Eye of the Tiger it insinuates that Rocky is retired and running a deli. Brilliant!)

      --
      R: That voice. Where have I heard that voice before? B: In about 365 other episodes. But I don't know who it is either.
  5. Re:Its not about IP by ChipMonk · · Score: 2, Informative

    If it were "all Bush's fault" as you claim, then the FCC would be going after JibJab, not Guthrie's estate. And three men in black suits would be on your doorstep right now.

    Good thing for you I don't have any mod points at the moment, or you'd be a Troll immediately.

  6. Re:Its not about IP by cynic10508 · · Score: 3, Insightful

    Its really about dubya trying to hide anything that shows what a dumbass he is. It's repression of free speech under the guise of an IP squabble.

    As a Republican, I'm afraid I missed the Right Wing Conspiracy meeting on this one.

  7. These guys were on Leno this week by chcorey · · Score: 5, Interesting

    The brothers Gregg and Evan Spiridellis appeared on Jay Leno earlier this week talking about their website and how popular it has become over the past months.

    I give these guys Kudos for having the balls to try to make a living off of making these online cartoons.

    In the interview, they said that they make money off of donations and they joked that they'd just have enough money from this "Your land is my land" cartoon to pay one month's rent and maybe a few meals.

    I hope they are allowed to continue what they are doing but unfortunately, i'm not familiar with american copyright laws.

    --
    Dog for sale: eats anything and is fond of children
  8. The copyright isn't even valid. by laing · · Score: 5, Informative

    More info about this on EFF's site:

    http://www.eff.org/deeplinks/archives/001779.php

  9. Permission to use already given ? by dackroyd · · Score: 5, Informative

    From wikipedia Woody Guthrie has already given his permission.

    "This song is Copyrighted in U.S., under Seal of Copyright # 154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do."

    There is something wrong where the author of a work doesn't give a damn about people using his material but his descendants get to control it for almost a century after his death.

    --
    "Free software as in beer, copy protection as in racket" - Telsa Gwynne
    1. Re:Permission to use already given ? by Anonymous Coward · · Score: 2, Funny

      This song is my song, it is not your song
      I got a shotgun, and you don't got one
      This song is Private Property

    2. Re:Permission to use already given ? by kfg · · Score: 5, Informative

      A good many of Woody's songs were modifications of other songs. It's called "The Folk Process."

      Roll on Columbia and Ramblin' Round were both to the tune of Goodnight Irene by Huddie Ledbetter (that's Leadbelly to you and me).

      Woody was not a particular fan of the idea of "Intellectual Property" and violated it regularly and without compunction. All he really cared about was some sort of credit for what he himself had written. Folk music is the original "Open Source."

      This Land is Your Land he clearly intended by his own words to dedicate to the public domain.

      KFG

    3. Re:Permission to use already given ? by jc42 · · Score: 5, Insightful

      We should probably also note the nice irony that the original version of "This Land is Your Land" was a strongly anti-private-property song, and we now have people trying to block a parody that Woodie Guthrie would have loved by claiming that the song is their own private property.

      Of course, several of Woodie's original verses are very rarely heard these days, as people try hard to pervert it into a feel-good patriotic dittie. This is aided by the propensity of most people to learn only the first and sometimes second verses of songs.

      Now we will segue into another long thread on the meaning of the term "irony" ...

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    4. Re:Permission to use already given ? by daniel23 · · Score: 2, Interesting

      > A good many of Woody's songs were modifications of other songs. It's called "The Folk Process."

      Or even "the cultural process" since this is the way human cultural works and develops: taking existing material and repeat it, modify it and adapt it to the current situation while still keeping the basic form.

      Making this illegal is absurd.

      I think this story may be used as a kind of lackmus test for the current state of IP laws. Given the the known and aften cited intend of the creator, the length of time since it was published and all, I'd say the current state is perverted.

      --
      605413? Yes, it's a prime.
  10. Annoying! by aka-ed · · Score: 4, Informative
    A "registration-required" link.

    Posted on Sat, Jul. 31, 2004
    JibJab defends use of 'This Land'
    Bloomberg News

    ""This Land" was made for you and me, JibJab Media says in a lawsuit seeking the right to use the Woody Guthrie song This Land Is Your Land in an online parody of President Bush and Sen. John Kerry.

    JibJab, which creates cartoons and children's books, wants a court order saying the song's inclusion in an animated video that shows Bush and Kerry slinging insults is a fair use under copyright law. The song's copyright owner, Ludlow Music, has threatened to sue JibJab if the song isn't pulled from its Web site, JibJab claims.

    In the two-minute video, Bush's cartoon character declares that his Democratic opponent has "more waffles than a House of Pancakes," and Kerry counters that Bush "is a right-wing nut job." The video has been aired on shows including ABC World News Tonight, The Today Show and Larry King Live.

    Kathryn Ostien, director of copyright, licensing and royalties for New York-based Ludlow Music, didn't immediately return a call seeking comment.

    JibJab, which is run by brothers Gregg and Evan Spiridellis, says in its suit, filed Thursday in San Francisco federal court, that the video is a parody and doesn't infringe on Ludlow Music's copyrights."

    --
    I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
  11. Another case against copyright extension by iamdrscience · · Score: 5, Insightful

    I think this case is a prime example of how copyright terms have grown out of control. Woody Guthrie wrote the song almost 3/4 of a century ago and has been dead for over 35 years. The fact that this song is still covered by a copyright is absolutely ridiculous. And the kicker is, it's owned by a company that has nothing to do with Woody Guthrie or any of his descendants!

  12. Re:Its not about IP by Anonymous Coward · · Score: 5, Insightful

    I'd love to say "Rah rah, Bush Sucks," here, but it's not like the Republicans hold some sort of monopoly on bad IP law. Who was president when the DMCA went through? How about the "Sonny Bono Copyright Extension Act" that protected artists by giving the Disney Corporation intellectual control over Steamboat Willy until we're all dead and buried?
    This is not about politics. Someone wants to settle for half of some web site's T-Shirt sales and make a quick buck, because it's cheaper to hire a lawyer than it is to generate a Woody Guthrie Revivalist Movement.

  13. Re:Its not about IP by TykeClone · · Score: 3, Funny

    The Right Wing Conspiracy meetings are on Thursday nights at 7pm

    --
    A fine is a tax you pay for doing wrong and a tax is a fine you pay for doing all right.
  14. The value of a good sense of humor by Anonymous Coward · · Score: 2, Interesting

    I think one of the most scarry thing in this world is people taking things to serious.
    You must be able to make fun of, parody, joke with anything, especially the things that are very well known, like a president, etc.

    Religion is one of the things we people should start to take a little LESS serious!

    Don't make fun of Emacs, you will get a ^F^a^t^w^a and it will killall -9.

  15. Review: Definition of Parody & Link song lyric by Anonymous Coward · · Score: 5, Informative

    Just as Michael Jackson's Beat It is to Weird Al's Eat It, the music is not changing but the words are. Yes, Al got permission but he was not required to. If you look up the legal definition of what a parody is you'll find: According to law.com parody is "the humorous use of an existing song, play, or writing which changes the words to give farcical and ironic meaning." Given that JibJab's lyrics (Read them for yourself) did not use the song in it's original state, and unless the definition of a parody has changed, Jibjab should be in the clear.

  16. I'm curious by iamdrscience · · Score: 3, Insightful

    I'd like to know what Arlo Guthrie, Woody Guthrie's son, would have to say about this case.

    1. Re:I'm curious by dsanfte · · Score: 2, Insightful

      It shouldn't fucking matter what he has to say about it. He didn't write it. He didn't all but put it into the public domain (in writing!). He wasn't the one who lifted it from the Carter folk song.

      Decendents contribute nothing, inheritance should be taxed and copyrights should be non-transferrable, and expire on death.

      --
      occultae nullus est respectus musicae - originally a Greek proverb
    2. Re:I'm curious by Prof.+Pi · · Score: 2, Funny
      I'd like to know what Arlo Guthrie, Woody Guthrie's son, would have to say about this case.

      But it would take him 15 minutes to sing it to you.

    3. Re:I'm curious by Alsee · · Score: 2, Insightful

      Yeah, this could be a real money maker for the lawyers.
      Even if the JibJab guys win, I wonder what percent of the settlement will end up in their pockets


      First of all their laywers are the EFF.

      Secondly if they win they get $0, they are not suing for money. They are suing for a declaratory judgement of non-infringment.

      Third I don't think the EFF would accept a settlement at all, they want a court win and they want court precedent. When you've got a sympathetic defendant you use the opportunity to set prescedent and establish people's rights. That's why the EFF didn't push the 2600 DMCA case to the Supreme Court (unsympathetic defendant) and why the RIAA fought like hell to BLOCK courts from hearing the Felton DMCA case (very sympathetic defendant and quite likely to have gotten the DMCA stuck down as unconstitutional).

      Fourth, while either or both sides may call a settlement a "victory" you don't actually win in court AND get a settlement. You win or settle or lose.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  17. I wonder if this will weaken their case by Jim+McCoy · · Score: 2, Informative

    One of the claims that can be made regarding a parody or satire is that it is for non-commercial purposes. Having these two guys shilling their site on Leno and talking about how this animation has increased their commercial prospects is not really the sort of statements that a lawyer would advise them to make...

    1. Re:I wonder if this will weaken their case by chcorey · · Score: 3, Insightful

      Your post brings up an interesting question. Is setting up a site so that people can donate to your cause make it a commerical purpose?

      Correct me if I'm wrong, but when a presidential candidate is campaigning and receives a donation, nobody considers that as a commercial purpose. But is it any different when it comes to a parody or a satire?

      --
      Dog for sale: eats anything and is fond of children
    2. Re:I wonder if this will weaken their case by MourningBlade · · Score: 2, Interesting

      I wonder if the same strategy will work for prostitution.

      Funny you should mention it.

      There have been several cases where ticket scalpers have circumvented the law by doing things like selling $100 hot chocolate...with tickets to the event included for free.

      Gifts back and forth don't usually work because the litmus test is "are you expecting to exchange your work for money in this transaction."

      Prostitutes will rarely give away their product for free in the hopes that someone, sometime might donate to keep their services going, or in appreciation.

      We usually refer to those as "floozies," not prostitutes.

      In the science world, it is common to give an honorarium to a guest speaker. He speaks for free, in the interest of science, but you may choose to express your gratitude in the form of money. Not all places do this, and many scientists don't let the honorarium influence their decision. Tax-wise, I believe the honorarium falls under the "gift" category, but I'm not sure.

      Anyways, if you want to have sex with a prostitute legally, just bring along a camera.

  18. Barbie in a Blender Day by chatooya · · Score: 4, Interesting

    From FreeCulture.org, the student movement for free software, free speech, and free culture, comes: National Barbie in a Blender Day.

    It's a celebration of victory in a similar free speech / fair use case that finished recently. Mattel had sued a photographer for taking photographs of Barbie in a blender and other appliances. The ACLU took on his case and he not only won, but Mattel had to pay his $1.8 million in legal fees.

    The Barbie in a Blender gallery is pretty great.

  19. I hope they win by The+Tyro · · Score: 2, Interesting

    but it's for purely selfish reasons... I want them to keep making those little cartoons. I've gotten some real gut-busting laughs out of those guys. I watched the latest one over and over... Also, if you can find it, watch the old hip-hop one they did with Bush, Clinton, Gore, etc (I think it was called "Capitol Ill") that one was also an unqualified riot (Sorry... I googled, but couldn't find a link)

    It'd be a shame to have those guys muzzled; particularly when they do such nice work (there are a lot of terrible flash cartoons out there).

    --
    Even if a man chops off your hand with a sword, you still have two nice, sharp bones to stick in his eyes.
    1. Re:I hope they win by phats+garage · · Score: 5, Interesting
      Woody Guthry used to include a copyright notice on songbooks he would mail to his fans:
      • This song is Copyrighted in U.S., under Seal of Copyright # 154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do.

        (from www.woodyguthrie.com)

      I like to think that he'd approve of jibjabs outstanding version of one of his songs ;-)

    2. Re:I hope they win by srleffler · · Score: 2, Interesting

      Does anybody know if This Land was ever published with that notice? IANAL, but a smart attorney would probably argue that that notice constitutes a non-exclusive license to use the song.

    3. Re:I hope they win by sysjkb · · Score: 2, Informative
      Eugene Volokh, a law professor, has been blogged quite a bit about Jibjab lately. He wrote about the question of whether that implied license protects JibJab here. Surprisingly enough, he suggests that the answer is "no".

      To quote in part:

      To the best of my knowledge, though -- and I'm not an expert on the old pre-1976-Act rules related to renewals -- any such license would have disappeared with the end of the original 28-year-term of protection. Under the 1909 Copyright Act, copyrights endured only for 28 years, but the author or his heirs could renew them after the end of the original term; the new term would also last for 28 years, though that has been extended several times by Congress to the point that pre-1976 copyrights last for 95 years from publication. And the new term would be a fresh, clean copyright, free of any licenses or transfers that the author originally did as to the original term. (The whole point of the renewal was to give the author of a work that had proven its long-term value a chance to recapture some of the value, even if he sold his rights for cheap when he first wrote it, before the value of the work was clear.)

      This Land Is Your Land was written and, I infer, published in 1940; presumably the copyright was renewed in 1968 by Guthrie's heirs (Guthrie died in 1967); and this renewed copyright would, I think, not be governed by any licenses that Guthrie had originally granted (though perhaps if the heirs also republished Guthrie's notation, that might be seen as a new license).

      Sincerely yours,
      Jeffrey Boulier

  20. Re:Its not about IP by cynic10508 · · Score: 2, Interesting

    The parent post is definately trolling.

    Here, here.

    I thought the cartoon was funny and equally made light of both candidates.

    Glad somebody else realized that. It was pretty one-to-one. Although I realized that everything said about Bush has been said in the past four years while the Kerry stuff seems to be fairly new. I guess the only one-sided part is where Howard Dean goes insane on stage.

    But the parent is right about one thing: It's not about IP [it's really about money!]

    Very true. So is it a vast, right-wing conspiracy plotting to keep quiet opinions about their candidate that've already been voiced for years, or is it greed of an IP-owning company? I think Occam's Razor points to the latter.

  21. It's not redundant if you haven't seen it. by Futurepower(R) · · Score: 4, Informative


    It's not redundant if you haven't seen it. The Slashdot story makes no reference to the humor. Just because you have seen the movie, don't think that everyone has.

    So, here is the link again. Be sure to see the Flash Movie, This Land. It's very funny.

  22. Re:Its not about IP by Tassach · · Score: 3, Insightful
    As a Republican, I'm afraid I missed the Right Wing Conspiracy meeting on this one
    Silly peasant. Just being a registered supporter of the Republican party isn't going to get you invited to the V.R.W.C. meetings. Admission to the REAL Republican party requires at least one (and preferably more) of the following criteria:
    1. A net worth well in excess of $100,000,000. Bonus points if got your money from Daddy instead of earning it yourself, and even more if your daddy got it from HIS daddy.
    2. Your daddy (and, preferably, his daddy) held held a high political office. Elected office helps, but a high-level appointed position (cabinet-level, head of a major agency, or major embassadorship) is almost as good.
    3. Be the CEO or on the Board of Directors of a billion-dollar corporation. Earning that position by personal merit and hard work is marginally acceptable, but not nearly as good as having gotten it through nepotism.
    4. Daddy bought you a diploma from an Ivy League school. Any peasant with a brain can EARN one, so that's nothing special. Only the RIGHT kind of people have the money and political connections to actually BUY one. (Note that this generally requires requires a bribe^H^H^H^H^H donation at the name-a-building-after-granddad level)
    5. Membership in the Skull and Bones fraternity. Of course, admission to this select group is generally granted based on having met most or all of the preceding criteria.
    --
    Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
  23. Off-topic by foidulus · · Score: 4, Funny

    but in the same vein. If I had any artistic talent, I would set up a Alient vs. Predator website, "Election 2004, Bush vs. Kerry, regardless of who wins, we lose"-stolen from the Alien vs. Predator tv commercial.

  24. Not Original lyrics or performance by myc_holmes · · Score: 3, Insightful

    Funny - I don't remember ol' Woody singing the words "U.N. Pussy" or "Right-wing Nut Job" in any of his performances, nor does it appear to be in the copyrighted text of the lyrics.

    So the copyright violation is what, exactly?

    This is clearly a parody of a song used in satire.

    I hope they can get punitive damages in their preemptive suit.

  25. Parody v. Satire by commodoresloat · · Score: 4, Insightful
    A couple things are important here. First, the Dr. Seuss case is not a Supreme Court case. I think it is possible that any precedent from that case would be overturned at the Supreme Court but that really depends on what arguments the justices want to listen to. Nevertheless, it is the common law now, at least in the 9th.

    Second, the federal court made it clear in that case that "parody" and "satire" were not two discrete categories that did not overlap. Someone else quoted the decision itself -- the essence is that it is possible to make fun of the work as well as make fun of something outside the work (in this case, the election). In the jib jab case I think it's obvious the artist is doing both. Also, the very rationale for the distinction -- that the artist must actually have some reason to use this particular work to make his or her point rather than just picking it at random -- is clearly met in the jibjab case. The artist is making a comment about what is said in the lyrics when he or she changes them. I think bloggers have turned this into a more ironclad distinction than the decision merits.

    Also, a lot of slashdotters and apparently bloggers seem to think that the reason for the distinction is to protect an artist's right to make fun of another artist's work. It is not. The reason is to protect an artist's right to make a point. Insofar as the work in question is an essential part of that point, it is protected speech.

    Look at the 2LiveCrew case (which is Supreme Court precedent) -- the band didn't make a song making fun of Roy Orbison; they made a song making fun of a pretty woman. To make this point it was essential to use the lyrics of the song. Where Orbison had created a certain notion of the pretty woman, the 2livecrew created a different notion, and the contrast between the new song and the old song was very much part of their point. One can easily say the same about this land is your land.

    Finally I would add that I think this whole distinction is specious. The First Amendment does not protect your right to make a point in the most effective way possible; it protects your right to make a point. In this particular case the point being made is core political speech, which would give it even more protection. There is a first amendment defense in copyright cases quite apart from the definition of fair use and I think this would be a strong use of one.

    1. Re:Parody v. Satire by nudicle · · Score: 2, Insightful
      I agree that the issue is more subtle than it's being treated by blogs, but I think your capsule summary of Campbell v. Acuff Rose, stating "the band didn't make a song making fun of Roy Orbison; they made a song making fun of a pretty woman," is an overstatement. Quoting from the Supreme's decision :
      For the purposes of copyright law, the nub of the definitions, and the heart of any parodist's claim to quote from existing material, is the use of some elements of a prior author's composition to create a new one that, at least in part, comments on that author's works. See, e.g., Fisher v. Dees, supra, at 437; MCA, Inc. v. Wilson, 677 F.2d 180, 185 (CA2 1981). If, on the contrary, the commentary has no critical bearing on the substance or style of the original composition, which the alleged infringer merely uses to get attention or to avoid the drudgery in working up something fresh, the claim to fairness in borrowing from another's work diminishes accordingly (if it does not vanish), and other factors, like the extent of its commerciality, loom larger ... The threshold question when fair use is raised in defense of parody is whether a parodic character may reasonably be perceived. ...

      While we might not assign a high rank to the parodic element here, we think it fair to say that 2 Live Crew's song reasonably could be perceived as commenting on the original or criticizing it, to some degree. 2 Live Crew juxtaposes the romantic musings of a man whose fantasy comes true with degrading taunts, a bawdy demand for sex, and a sigh of relief from paternal responsibility. The later words can be taken as a comment on the naivete of the original of an earlier day, as a rejection of its sentiment that ignores the ugliness of street life and the debasement that it signifies. It is this joinder of reference and ridicule that marks off the author's choice of parody from the other types of comment and criticism that traditionally have had a [ CAMPBELL v. ACUFF-ROSE MUSIC, INC., ___ U.S. ___ (1994) , ,14] claim to fair use protection as transformative works.

      That said, it looks like before the EFF realized that the underlying song was itself a copy, it was relying on a multi-level parody defense like you articulate. I'd really like to quote it here but the EFF's web server seems to be borked. It's either here or easily findable from there, I forget offhand.

      A First Amendment defense is compelling. I wouldn't be surprised though if the EFF could win on just the four factors of section 107:

      Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include -

      (1)the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
      (2) the nature of the copyrighted work;
      (3)the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
      (4)the effect of the use upon the potential market for or value of the copyrighted work.

      But IANAL.

    2. Re:Parody v. Satire by Coral+Snake+USA · · Score: 2, Interesting

      I thank another case of importance here, (And in fact one that may have overturned the "Suess Estate v. Penguin Books" case) was the case of an African American Woman who wrote a novel called The Wind Done Gone that was essentially a SATIRE of Marret Mitchel's book Gone With the Wind. This woman's book used the charicters from Gone With the Wind to tell the story of such Gone with the Wind events as slavery, the burning of Atlanta, Sherman's subsequent "march to the sea" and emancipation from the point of the female slave charicter rather than the female slave owner charicter as Mitchel had done. I believe that she won her suit against Margret Mitchel's estate for the right to use Mitchel's charicters in this book which was obviously a SATIRE built around Mitchel's charicters and NOT around Mitchel herself.

  26. One more issue by commodoresloat · · Score: 4, Insightful
    The following is a quote from the Campbell v. Acuff-Rose case (again, Supreme Court precedent):

    "A parody that more loosely targets an original than the parody presented here may still be sufficiently aimed at an original work to come within our analysis of parody. if a parody whose wide dissemination in the market runs the risk of serving as a substitute for the original..., it is more incumbent on one claiming fair use to the original. By contrast, when there is little or no risk of market substitution, whether because of the large extent of transformation of the earlier work, the new work's minimal distribution in the market, the extent to which it borrows from the original, or other factors, taking parodic aim at an original is a less critical factor in the analysis, and looser forms of parody may be found to be fair use..."

    In other words, the Supreme Court does not at all indicate that just because "parody" is protected, somehow "satire" is not. In the above, the issue is the risk of market substitution -- if people start watching jib jab instead of listening to Guthrie, they might have a case. Frankly, I think this really renders the federal decision in the Seuss case especially problematic.

    Bottom line: the purpose of letting copyright holder's sue when others use their works is to protect the copyright holder's right to reap the fruits of their labor. It is not to give the copyright holder veto power over messages they don't like.

    1. Re:One more issue by shadowbearer · · Score: 4, Insightful

      Mod parent into the stratosphere.

      Very well put, especially your final point, which I think is really the reason why this whole snafu started in the first place:

      It is not to give the copyright holder veto power over messages they don't like.

      I don't know about anyone else, but I think the motive of the Richmond Organization here is pretty clear, and it sure as h*** isn't about copyright enforcement. (It's either that or their lawyers haven't done their homework.)

      SB

      --
      It's old. The more humans I meet, the more I like my cats. At least they are honest.
  27. Re:Its not about IP by Tassach · · Score: 2, Interesting
    So the same requirements as membership to the real Democratic party
    Nah, the Democrats will take people with a lower net worth, and aren't as biased against people who earned their money/position as opposed to inheriting it. In any case, the Democrats aren't the ones who are really in control of things. Even when the Dems have a majority in Congress and/or have thier puppet in the White house, it's painfully obvious who's REALLY running the show.
    --
    Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
  28. You miss the point by Yo_mama · · Score: 4, Insightful

    Putting it up on Freenet does NOT solve the problem the same way shooting a malnourished kid doesn't solve starvation. You don't solve the underlying issue.

    The point is, we shouldn't *HAVE* to use freenet!

    --
    Never understimate the power of human stupidity -Lazarus Long
  29. whatever by asscroft · · Score: 3, Funny

    We used to sing this song with jacked up lyrics back in grade school. The copyright owners can kiss my ass, I'm gonna sing this "illicit version" from now on, until I die, just cause they pissed me off with this lawsuit threat.

    This land is my land,
    It isn't your land,
    I've got a shotgun
    And you don't got one.
    If you don't get off,
    I'll blow your head off.
    This land is private proper-teeee.

    Or maybe this.

    This song is our song,
    It isn't your song,
    It wasn't intended
    to have an owner
    I don't care if you own it
    That doesn't mean you control it
    this song was made for you and me

    --
    because I have been enjoined by this Holy Office to abandon the false opinion which maintains that the Sun is the centre
  30. Hope EFF challenges constitutionality by swhalen · · Score: 2, Insightful

    I hope the EFF takes this opportunity to challenge the constitutionality of the copyright law as "amended" by Disney, et. al.

    All the constitution says about what we call copyright and patents is: "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;"

    Seems to me that "limited Times" has been greatly exceeded and thus the current law is unconstitutional because "To promote the Progress of Science and the useful Arts" has effectively become to "promote the profits of large corporate copyright holders forever", which is certainly not what the founding fathers had in mind.

    It also seems the current asymmetry of the law between what constitutes "limited Times" for a patent vs. a copyright make one or the other invalid. Either patents should last 100+ years or copyrights should go back to a term closer to patents (about one human "generation" (roughly 20 years) which seems more like the balance the founding fathers sought to strike between freedom to build on others works, and allowing the author/inventor to make a living and thus encourage people to write and invent).

    It would be nice if the courts would quit reading their own precedents for a while and go back and read the straightforward language of the constitution. I don't think any of the judges or lawmakers that have created the current IP mess are in the same league as our founding fathers who worked hard to strike a balance that made sense and worked well for over 150 years. (... sorry ... end of rant ...)

  31. Re:Its not about IP by Tassach · · Score: 2, Interesting
    What a stupid statement. If Bush was anything like a king he wouldn't be able to be voted out right?
    Call me cynical, but at this point I think the only reason we're having elections at all is that the polls are close enough that Bush's handlers think they can pull the same shenannigans they did in 2000 to ensure his victory. If the polls start show that he's got a serious chance of losing, I have a strong suspicion that there will be a convienient "terrorist" attack giving him an excuse to postpone the election indefinately.

    I hope I'm wrong. I really do. But I wouldn't put it past the Skull & Bones junta to try for a repeat of 1933 if they thought they could pull it off. The situation, and the personalities involved, are far too similar for any degree of comfort. Those who forget history are doomed to repeat it.

    --
    Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
  32. "This Song We Sing For You and Me" by davidwr · · Score: 5, Funny

    Tune: "This Land Was Made For You And Me"
    Tune (c) 1940, Woodie Guthrie
    As of 2004, the rights to Guthrie's tune are administered by The Richmond Organization, located in New York, NY.

    The following is a parody of the dispute between The Richmond Organization and Evan and Gregg Spiridellis of Jibjab.com surrounding JibJab's 2004 hit "This Land," which parodies the US Presidential Race between Republican candidate George W. Bush and Democratic candidate John Kerry and which uses Guthrie's tune "This Land Is Made For You and Me."

    "This Song We Sing For You and Me"
    Lyrics by David W. Richardson

    Chorus:
    This song is your song, this song is my song,
    From A. P. Carter, to his "Little Darling,"
    From the Babtist Hymnal, to the "Lovin' Brother,"
    This song we sing for you and me.

    A man named Guthrie, he had a vision.
    He wrote a folk song, and shared it with us.
    He sang a tune that was familiar, thinking
    "This song I sing for you and me."
    (Chorus)

    Two men named Evan and Gregg Spiridellis
    Sat down to write a song about Bush and Kerry.
    They borrowed music, from Woodie thinking
    "This song, he sang for you and me."
    (Chorus)

    "Stop!" said the Richmond Organization.
    They own the rights to Guthrie's music.
    Evan and Gregg, they called it humor, saying
    "This song, we sing for you and me."
    (Chorus)

    The two famous brothers, they filed a lawsuit
    To preserve our rights to use Guthrie's work.
    The judge will say that it is okay, saying
    "This song, you sing for you and me."
    (Chorus)

    But it may happen that they lose and then their song will die....
    Since this can happen, I put pen to paper
    And write these lyrics, daring them to sue me, for
    "This song, I write for you and me."
    (Chorus)

    These lyrics are copyright (c) 2004 David Richardson (davidwr.geo -at- yahoo.com), posted to Slashdot.org under the Creative Common License Attribution-NonCommercial 2.0, as found on http://creativecommons.org/licenses/by-nc/2.0/.
    P ublication date: July 31, 2004, on Slashdot.org
    Slashdot.org is not responsible for the content of this post.

    Sources:
    John Dowdell's commentary on this issue
    Woodie Guthrie Lyrics

    --
    Knowledge is how to play a game, intelligence is how to win, wisdom is knowing what game to play.
  33. Censorship by macdaddy357 · · Score: 2, Insightful
    Ludlow Music trying to muzzle JibJab is the clearest example in recent memory of copyright as censorship.

    Locking up ideas as property, whether works of art or in any other form, is ultimately no different than suppressing them. If JibJab doesn't have the right to keep this video on their servers, then they don't have freedom of speech, and guess what? Neither do we.

    The purpose of copyright was to prevent plagarists from passing off other people's work as their own for profit, not to censor similar expressions of ideas. It seems to me that a plagarist trying to pass off other people's works as their own (i.e. Woody Guthrie's) for profit is a perfect description of Ludlow Music.

    I propose that those wishing to possess "intellectual property" should keep their thoughts in their head.

    --
    How ya like dat?
  34. Woody took the melody from the Carter Family by crem_d_genes · · Score: 2, Informative

    From this link:

    "Turns out Woody Guthrie lifted the melody of "This Land is Your Land" essentially note-for-note from "When the World's on Fire," a song recorded by country/bluegrass legends, The Carter Family, ten years before Guthrie wrote his classic song. Here's a short snippet (380k mp3) of the song (the song can be found on the box set, The Carter Family: 1927-34). You don't need to be a musicologist to hear what we're talking about.

    Now we've got nothing against Woody's borrowing. In fact, it's a part of the "folk process" that Woody himself championed. I can't imagine that The Carter Family minded.

    But in the letter threatening copyright litigation over JibJab's animated political parody, "This Land," Ludlow's lawyer goes out of his way to attack JibJab for copying "the entire melody, harmony, rhythm and structure of the [sic] Mr. Guthrie's song."

    Er, sorry there Ludlow, but actually, the entire melody, harmony, rhythm, and structure of "This Land is Your Land" doesn't belong to you. And I'd like to think Mr. Guthrie would never have claimed credit for them, if he were still alive to ask."