BBC Begins Open-Source Streaming Challenge
bus_stopper copies and pastes: "The BBC is quietly preparing a challenge to Microsoft and other companies jostling to reap revenues from video streams. It is developing code-decode (codec) software called Dirac in an open-source project aimed at providing a royalty-free way to distribute video. The sums at stake are potentially huge because the software industry insists on payment per viewer, per hour of encoded content. This contrasts with TV technology, for which viewers and broadcasters alike make a one-off royalties payment when they buy their equipment." We've mentioned this project before but this story goes into a bit more depth about the goals and motivations of the developers.
It just proves that you get a hell of a lot for your 125 GBP license fee!
John
Another reason why I'm glad to be a UK citizen - every time I start to wonder if it's really worth having a 'public service' broadcaster the BBC goes and does something like this. I'm hoping they'll be able to make a stand when someone tries HDTV regulations over here.
Perhaps because they are attempting to develop a broadcast standard codec from the ground up, which I would speculate would require different goals and optimisations to the Ogg Theora project.
Sunday you're Thinking Different, Monday you're a huge tool, paying too much and waiting to think like everyone else.
The started with a clean slate with much attention paid to keeping the IP clean. I think this was necessary, any excuse for MS or Real or whoever to shut down or slow down the project should be avoided.
There's a green paper due on the BBC later in the year. A pre-report has already been critical of the BBC's online activities, suggesting it does too much itself.
o ns/arch ive_2004/BBC_Online_Review.htm
From an investigation in August 2003:
http://www.culture.gov.uk/global/publicati
You can bet MS (or Microsoft lobbyists the BSA) will try damn hard to kill this project.
I wish the BBC would stop dragging its feet and do it, start releasing the archive now with their codec, before the politicians kill.
As a non-Windows OS user, compatibility is extremely important for me. I'm sick of media contents that don't play but ask me to "update your browser/media player/codecs." Someone may think "proprietary technology" that locks in consumers is synonym to "business opportunity." Apparently BBC has a different opinion and doesn't want to swallow the pill.
Well, they said that Dirac is sticking to techniques published at least 20 years ago, so patents shouldn't be much of an issue.
Daniel
Hurry up and jump on the individualist bandwagon!
It's those 'wooly license fees' that *allow* the BBC to make such great shows. If they had to chase subscriptions and/or download fees, the BBC would just turn into ITV. In fact, you could make a good argument saying that ITV would get *even worse* if it didn't have the BBC raising standards and expectations.
The licence fee isn't free money for the Beeb. They take the cash on the condition that they provide quality programming *for the public good*. Do you see Sky One campaigning to save historic buildings? Does Channel 5 show programmes telling us how to reduce stress, or do their programmes induce it?
Divx gives reasonable quality at only around 1500kbps. If their quote is true then I'd expect Dirac to use about 4000kbps on broadcast video - so how does it compete with current codecs at all?
reasonable quality != broadcast quality.
If Dirac had a 'reasonable quality' mode, then you'd likely see it at 2000kbps which is getting close. They say they are still optimising it, so perhaps they can come to within a gnat's whisker of Divx compression.
Well, even if this was released, it's a real stretch saying that it's "only a matter of time" before it'll be widely used by US media companies. A codec is really only a small part of a digital media architecture. Some of the competitive factors that go into these choices include:
Compression efficiency
Cost of implementing decode in consumer electronics (read, what's the cheapest chip that can decode it)
Support for existing transport mechanisms (like MPEG-2 transport streams)
Existence of industrial grade encoders (like massive statically multiplexed encoder arrays)
License fee
The license fees do matter a little, but that's really a secondary issue. A more efficient but more expensive codec can actually be cheaper to implement, because the content provider can use less bandwidth per channel, enabling them to sell more channels over fixed bandwidth.
Today, the battle for the next generation "TV" codec is between Microsoft's VC-9 and MPEG-4 H.264. And that battle is already well underway. The BBC codec isn't far enough along to compete for the current generation of standardization efforts for technologies like HD DVD and digital cinema.
My video compression blog
I wonder how this project is affected by the recently announced sale of "BBC Technology" the BBC technology arm to Siemens. It is projects like this that seem to me to make the sale an extraodinary decision. Unless they are completely unrelated? Any insiders want to AC?
"The first thing to do when you find yourself in a hole is stop digging."
AFAIK, RealPlayer doesn't come with Windows, so the user has to go and download it, trying desperately to avoid paying for the non-free version.
If the user has already downloaded it, they can cope with downloading and installing a player, so I'm sure they'd be happy to download and install something like Winamp, with its less annoying installation procedure.
All the BBC need to do is provide a link to Winamp, or some other player that can deal with Ogg Vorbis.
I actually think they should stream Ogg Vorbis only and drop the RealAudio streams. Wouldn't that be cheaper in the long run? They can probably use the same hardware they used for encoding the RealAudio streams.
Rik
You're not wrong. But RealMedia is, unfortunately, a known quantity. Even people who don't like it at least know what it does and that it does what it's supposed to (albeit, historically, along with one or two things it wasn't supposed to), whereas many people simply won't have heard of Ogg. And I think this is what sways the decision. That and the fact that it's an all-in-one product. The codec and the software are linked, whereas there is no single official player that runs Ogg - and I do get the feeling that BBC Marketing/management/whoever might not be quite so keen on relying on Winamp or another MP3 player as it's main method of streaming.
I agree with you. I'm just not convinced that whoever is in charge of the decision-making at BBC would see it the same way any time soon. Plus there's the whole mutual-advertising thing. Real does list the BBC as being one of it's news sources in it's "Real Guide" section - or whatever it's called. So people browsing the site after installing it to get other content might see BBC's name there.
I think it simply hinges that people know "Real". People don't know "Ogg". And Real and BBC seem to have a deal which is mutually beneficial. I don't think the BBC (apart from R&D/Technical) would really benefit from a partnership with Xiph.
I don't like it, and I do agree that using Ogg would probably be better on several levels. Unfortunately for whatever reasons Real seems to do better on whatever criteria the decision-makers use.
Tiggs
"120 chars should be enough for everyone..."