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Largest Digital Photograph in the World

thrill12 writes "Dutch research institute TNO has unveiled what it believes is the largest digital photograph in the world. The image contains 2.5 gigapixels or 7.5 gigabyte worth of data. It is composed of 600 single images shot by a computer-controlled pan-tilt unit in 7 second intervals. Afterwards, all photos where stiched together (compare: panorama tools) using the capacity of 5 high-end pc's in about 24 hours time."

4 of 318 comments (clear)

  1. Mirror by RaymondInFinland · · Score: 3, Informative

    (not a very fast, but currently still working) mirror here: http://spider007.net/ext/tweakers.net/niews_35069. html

  2. For all non-photo geeks out there by xThinkx · · Score: 5, Informative

    I'd like to take this time to point out the lunacy of the 'megapixel' ratings for cameras

    A number determined from the multiplication of length and width in pixels of an image has about as much to do with the quality of a picture as the size of your passenger cabin has to do with the speed of your car. Yes, you can print larger pictures without seeing pixels if you have a higher megapixel count, but chances are it's not the resolution of your photos that you'll notice.

    A major factor in the quality of any image is the quality of the optics used to take it. That means the lens, the glass used to focus and point the image onto the sensor. Quality glass, such as low dispersion glass (I'm preferential to Canon's "L" glass) will create images with sharp edges, crisp focus, and good bokeh. Use cheap glass and you'll get the opposite. Effects like soft focus, purple halos, light leaking, and distortion will all still be present if you use poor optics, no matter what the MP rating. I wonder how many people have upgraded from a 3 mp to a 4, 6, or 8 mp camera and still found lackluster results.

    My point, a camera has many more features that determine quality than just the megapixel rating, when you choose one, consider these as well and you'll be happier. And here's a plug, dpreview.com does some awesome camera reviews (I'm in no way affiliated with them).

    --
    Let's get one thing perfectly clear, I did not vote for George W Bush, and I do not endorse what he does or says.
    "
  3. Um, no. by mapmaker · · Score: 4, Informative
    It would appear these people have never heard of aerial photography. Here at my job (local DC government) we work with a digital aerial orthophotograph of Washington DC that is over 20 gigapixels in size.

    It's true that the file size of our imagery is smaller than theirs, as we use Mr. Sid format for better compression, but our pixel count leaves them in the dust.

    I don't believe this image is in any way extraordinary or special - pretty much every local government across the country maintains digital imagery of their jurisdiction that is comparible in resolution.

  4. Canon-L fanboys who know nothing of optics by SuperBanana · · Score: 3, Informative
    Quality glass, such as low dispersion glass (I'm preferential to Canon's "L" glass) will create images with sharp edges, crisp focus, and good bokeh. Use cheap glass and you'll get the opposite.

    Bokeh comes from the number of aperture leaves and their shape(there are some non-straight-edged aperture leaves). It has -absolutely nothing to do with the quality of the glass-.

    Furthermore, Canon's $60 50mm/1.8 is plasticky, cheap, blah blah- but it's just as sharp as the faster, metal (heavier) L-series lens, and it doesn't suffer from the mild barrel distortion the L-series lens does. It has fewer aperture blades, so bokeh is not as great- which is pretty much the only reason pros buy the L version. Consumers buy it because they want a red ring around their lens and they don't want to be caught dead with a plastic lens.

    You can stare at lens charts until the cows come home and argue about image quality. The L-lenses are slightly better in most image quality categories since they do generally use the very best of Canon's technology, but their chief advantage is that they are built with stronger but heavier materials, aimed at professional users who don't mind that the body is thick metal. Phil Greenspun claims he's dropped his 70-210/2.8 IS on the floor and it worked fine. I'm not about to try with mine, but I can tell you that the thing is built like a goddamn tank, and designed to be modular for easy servicing. Even the tripod mount screw is replaceable...