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True Wide-Screen with Digital Video?
skyman8081 asks: "Have anyone had any luck getting DV footage to use a 2.35:1 Cinemascope aspect ratio? The wide-screen functions built into most video cameras are all 1.77:1, which is not what I am looking for. And the only anamorphic lenses for DV cameras are 1.85:1. Matting it out to make it fit 2.35:1 would not be an option as that would cause detail to be lost in the total image in the process, which would be very noticeable when you are working with Standard Definition of 720/480 and not the High Definition resolution of 1920/1080. So, how does one get the wider Cinemascope aspect ratio on a DV camera without sacrificing detail?"
The only thing I can think of is to use both an anamorphic 16:9 lens and the fake 16:9 camera mode.
720x480 interlaced is the normal (not HD) NTSC-DV. And as a DVD producer, you should know that ;)
Uhmmmmmmmmmmmmmmmm............ The only way you are going to get it is without sacrificing native resolution is to use an anamorphic lens as you stated. Therefore you're going to have to look harder for a 2.35:1 anamorphic lens.
Canon has a 2.35:1 lens in its HD-EC line, but it's made to work on a native 16:9 camera, as are most 2.35:1 lenses. Therefore, as another poster said, you're going to have to find a native 16:9 DV camera, or you're going to have to stack a 2.35:1 -> 16:9 converter onto a 16:9 -> 4:3 converter.
We're also working on project that would involve Large Format(LF) digital projection.
From what I understand the resolution just isn't there yet in the digital realm. It is though close, and I'd wager that in a year or so you'll see projection systems, if not cameras, that can handle widescreen or Imax formats in a reasonable fashion.
For instance, we're looking at LF presentation in a gallery setting for 10-20 people at a time. Can't do it right now, but by the time we're ready to launch we should have the technology in hand.
Three Squirrels
All 2.35:1 lenses that I know of only work with cameras that have native 16:9 CCDs. Most cameras do not. If your DV camera was expensive, refer to the manual about information regarding the CCDs.
Video works a little differently than film. Shooting 16:9 on a 4:3 CCD, the image is shrunk to fit the CCD horizontally, leaving the top portions of the CCD unused, thus decresing resolution. This will occur using 2.35:1 lenses on a 16:9 camera. You're going to lose quality either way.
Honestly the easiest thing to do WOULD be just to matte your video. Honestly it doesn't matter. The visible portion is still just as sharp as it would be otherwise. The best option in my opinion is to shoot 16:9 on a camera with native 16:9 CCDs, then crop the remaining portion to get to 2.35:1.
I was reading an article in CineFex on the production of SeaBiscut (Issue 95, October 2003, Matrix: Reloaded Cover Story), and that actually is what they did for the POV shots of the jockeys riding on the horses.
The biggest problem with that is then having to rotoscope out the parallax of each frame. A real PITA to do.Two Roommates and a Boyfriend, updates Monday, Wednesday, and Friday
" Why do people call short-screen formats wide-screen?"
Because cinema screens are (or at least used to be, before cheap-ass multiplexes ruined everything) fixed height, not fixed width. Therefore Widescreen is wider than Academy. The shape of your television is irrelevant.
"I Know You Are But What Am I?"
If I were in your shoes, I'd use some black tape and stick it carefully onto a part of the camcorder's viewfinder. This way, you can film in the max widescreen resolution it supports, then run it thru filters that give you the resolution you need.
At the end, you won't lose details in your movie 'cos you saw only what you wanted; NOT what was being filmed!
-- rxMx --
Love all, Trust few, Follow one.