Slashdot Mirror

← Back to Stories (view on slashdot.org)

Berkman Center Releases Digital Media Policy Paper

Posted by michael on from the falling-on-deaf-ears dept.

Copyfighter writes "Last year marked another messy chapter in the music and movie industries' transitions online. Legitimate offerings multiplied while the RIAA and MPAA continued their lawsuits against P2P systems and users, even as P2P traffic reached new heights. How -- if at all -- should policymakers attempt to resolve emerging digital media conflicts? The Berkman Center's Digital Media Project today released a new research study examining options for government action and how it could affect four different business models for the distribution of digital media. The authors caution that government intervention is currently premature because it is unlikely to strike an appropriate balance between the many competing interests at stake."

97 of 146 comments (clear)

  1. The government by numbski · · Score: 2, Insightful

    should, and should have from the beginning but(ted) out.

    The problem is that the DMCA screwed things up from the word go. Now the only way to fix things up is to keep bandaging them more and more...

    or repeal the DMCA. Use copyright law as it was intended.

    Less is more in this case. The more the government butts out, the more quickly a balance will be struck. :\

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

    1. Re:The government by Feynman · · Score: 3, Informative
      The problem is that the DMCA screwed things up from the word go . . . Use copyright law as it was intended.

      In the case of music, the DCMA hasn't "screwed things up." The intent of copyright law has always been to prevent activity such as the file sharing that many on this forum seem to see as some kind of inalienable right.

    2. Re:The government by numbski · · Score: 3, Insightful

      There is a sad level of redundancy that wasn't needed in the DMCA.

      Copyright law as it was covered the copying of music just fine. What it did was give content providers a rather unfair whip to threaten people without due process. THAT'S why the DMCA is evil. It's not the feeling that I have an inalienable right to "arr matey's shiver me timbers" when it comes to music (or any media for that matter), it's that I have a right to due process, and I have pretty clear rights when it comes to copyright law.

      The DMCA is bad on both counts.

      --

      Karma: Chameleon (mostly due to the fact that you come and go).

    3. Re:The government by rpdillon · · Score: 2, Insightful
      Incorrect.

      The primary goal of copyright law is to incentivize artists to release their work for the public good.

      Any extent to which this translates into making artists rich is purely a secondary effect of the law.

      And nowhere does copyright law say its intent is to prevent illegal distribution - on the contrary, it's goal is to *encourage* distribution. The idea that copyright is primarily an inhibitor is something that has been pounded into the public conscious by our friends at the RIAA and MPAA.

      No doubt many of you will find this surprising and inplausible. May I direct you to:

      Sony vs. Universal:

      Article I, Section 8, of the Constitution provides:

      "The Congress shall have Power . . . To Promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

      [p.429] The monopoly privileges that Congress may authorize are neither unlimited nor primarily designed to provide a special private benefit. Rather, the limited grant is a means by which an important public purpose may be achieved. It is intended to motivate the creative activity of authors and inventors by the provision of a special reward, and to allow the public access to the products of their genius after the limited period of exclusive control has expired.

      "The copyright law, like the patent statutes, makes reward to the owner a secondary consideration. In Fox Film Corp. v. Doyal, 286 U.S. 123, 127, Chief Justice Hughes spoke as follows respecting the copyright monopoly granted by Congress, 'The sole interest of the United States and the primary object in conferring the monopoly lie in the general benefits derived by the public from the labors of authors.' It is said that reward to the author or artist serves to induce release to the public of the products of his creative genius." United States v. Paramount Pictures, Inc., 334 U.S. 131, 158 (1948).

    4. Re:The government by iminplaya · · Score: 1

      Copyright law is as it was intended. It restricts the average person's access to high tech. It restricts a person's right to speak freely(See Scientology). It restricts access to wide distribution. It's very clear that the "Ancillary Products and Services" model is the only viable, durable, and fair business model, but the unpredictability mentioned in the paper may keep it from becoming the standard. It's unfortunate that people may go to jail for infringement just for the convenience of businesses to be able to predict its profits with less effort.

      --
      What?
    5. Re:The government by tacokill · · Score: 1

      Not to be nitpicky, but I think you mean file sharing OF UNAUTHORIZED WORKS.

      Contrary to what the xxAA's are telling you, file sharing in and of itself is NOT illegal. And yes, it *IS* a right to share files.

      It's not a right to share unauthorized files. The distinction is subtle but very very relevant.

    6. Re:The government by Alsee · · Score: 1

      the DCMA hasn't "screwed things up." The intent of copyright law has always been to prevent activity such as the file sharing

      You're high on crack if you think the original intent of copyright law was that people should be imprisoned for doing math, or for publishing mathematical equations. Both of which the DMCA criminalizes. And it criminalizes it even in the case of absolutely non-infringing innocent people.

      Actual commercial "pirates" simply do a raw copy of a DVD, encryption and all. They can press and sell millions of infringing copies, and it is NOT a violation of the DMCA. Infringement without circumvention.

      Someone sitting in their bedroom watching the DVD they BOUGHT and OWN on their computer using DeCSS is absolutely NOT commiting infringment, but he is a DMCA circumvention criminal and can go to prison. Circumvention crime, but non-infringing and genuinely innocent.

      No, the DMCA is one huge fuckup that has absolutely nothing to do with infringement, thus nothing to do with copyright. The DMCA is a DRM-enforcement law, not a copyright enforcement law. DRM restrictions do not equal copyright restrictions. Enforcing DRM does not equal enforcing copyright.

      Oh, and as for the actual original intent and function of copyright law, it was created to allow the copyright holder to sue to obtain any profits that were generated by that work. Copyright was not intended to guarantee there WOULD be profits, only to ensure those which were generated went to the right person.

      Copyright was not intended or expected to apply to non-commercial activities.

      In fact the current "problem" in copyright is that it simply falls apart when you attempt to extend it to were it was never intended to go, where it was never intended apply and never expected to function, the non-commercial activities of millions of individuals.

      There are no simple answers, but the DMCA and criminalizing innocent non-infringing people sure as hell isn't the answer. The DMCA is an abomination.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    7. Re:The government by Thing+1 · · Score: 1
      In fact the current "problem" in copyright is that it simply falls apart when you attempt to extend it to were it was never intended to go, where it was never intended apply and never expected to function, the non-commercial activities of millions of individuals.

      In fact, you could go even further and say that the current administration is attempting to bring scarcity back to a non-scarce world.

      With bits, digital works can be copied exactly, for "nothing", and the original owner still retains the original (so copying is not "theft" in any way). This is quite literally unheard of in generations past; all copying back then required a lot of time and effort (and therefore money, since time and effort are both expenses).

      Today, copying is simple, requires almost no cost (basically electricity, and if the media isn't local then you might want to purchase an Internet connection as well), and gives us a world of abundance.

      Books, music, movies, radio and TV shows are all freely available, if you know the right place to look and can manage to hide your presence from BayTSP et al. Every citizen should have both the ability and the right to download the entire Library of Congress for their perusal. It saddens me that we haven't yet achieved that.

      Libraries don't have to be physical places any more. It costs much money for inter-library loan, since they have to spend gas and people's time in packing and shipping and stocking. If library patrons could simply turn on their computer to download books from the library, it would save so much time and money, and we'd be a more efficient society.

      Sadly, efficiency in society is not what the current administration desires.

      --
      I feel fantastic, and I'm still alive.
    8. Re:The government by Pofy · · Score: 1

      Isn't one of the "problems" with the DMCA that it in fact adds a new right to the copyright holder? The right of access!! Access has never been an exclusive right to the copyright holder that one would need permission to do. But since the circumvention of protection for access is not allowed, it basically gives the copyright holder this new right.

      If it only had been circumvention of protections that deal with the copyright holders right only, it would not have been as bad. Looking at much of the DRM and systems on for example music CDs they are very often access controls, not copying prevention systems. The same applies to DeCSS and DVDs for example, it is about access, not about any right copyright holders have (encryption for example can never prevent copying, it is all about access).

  2. Simple by Quasar1999 · · Score: 3, Insightful

    Too much... stop it... this is starting to get excessive... Stop doing studies and wasting energy on this...

    The simple solution is to let the people decide what they want... no amount of government intervention will stop the inevitable... It might slow it down for a few years, or even decades... but eventually the people will revolt in such huge numbers the government can't do anything about it...

    Isn't our business model 'The strong survive, the weak parish?'

    --

    ---
    Programming is like sex... Make one mistake and support it the rest of your life.
    1. Re:Simple by numbski · · Score: 1

      Amen.

      I'm personally christian, but it's fair to say that at least most practicing religions have, for the sake of avoiding an argument of what faith is better, an 'ethical code' by which the whole believes correct behavior is. I'm not talking big controversial issues (abortion anyone?), but rather the simple things:

      Lying is bad.
      Helping others is good.
      Reading Slashdot at work, bad. (oops)

      What makes religion in the workplace problematic is that we're not of a mono-faith society. Bring in religion, and you're liable to get sued. :(

      I kinda like the stance that the St. Louis Rams football organization takes. They encourage employees to excercise their faith. They allow individuals to organize prayer meetings and such on company premises, and actively employ those who demonstrate ethical behavior. They've been burned a few times, but overal it makes for an easy-to-root-for team.

      Overall I agree with you, and once again I'm disappointed by our lawsuit-happy society (In the US anyway).

      --

      Karma: Chameleon (mostly due to the fact that you come and go).

    2. Re:Simple by Neil+Blender · · Score: 1

      The simple solution is to let the people decide what they want....no amount of government intervention will stop the inevitable... It might slow it down for a few years, or even decades... but eventually the people will revolt in such huge numbers the government can't do anything about it...

      I want to walk into a bank and walk out with a million dollars of someone else's money. I want to be able to walk into a grocery store, fill up my cart, and leave without paying. I want the house three doors up from mine. I also want their car. Give people what they want? Fucking please.

    3. Re:Simple by numbski · · Score: 1

      Makes perfect sense.

      *AA members could very well have built a superior p2p network, charged a REASONABLE amount for access, and fed the network with high quality content.

      Or given the blessing to a p2p network to distribute the content on an existing one. Granted, many people would choose free over a reasonable fee, but then, if they weren't DRM'ing content, limiting how and where it could be used, much of this would be moot.

      Content providers would prefer that CD's and DVD's couldn't be ripped and used as we please, but there it is. We like it that way. Rather than innovating and finding other things 'we like' and making money off it, they're finding a way to legally backlash the client base.

      The argument boils down to (in my eyes) that we've had this struggle since 99 (reasonably). It's now 2005.

      We're still having the same argument. Why? Because the *AA's STILL don't get it. They could have been milking this for the last 4 years. Instead, we're still fighting over the same BS, and we STILL don't have a music/content sharing app as good and feature-filled as Napster 1.0 (extended later by OpenNap). Where's my abillity to find one or two users that have the same taste in music as me and sample from their collection? Where's my way to find all this new music that I love, by finding stuff in those collections that I'd never heard? Where's my way to do that and still reward the artists?

      Simple. The RIAA could care less about rewarding the artists. They want to reward themselves and their shareholders. They've made a boatload of cash on their business model, and they're not about to let it go without a fight. Whey change when you can litigate?

      --

      Karma: Chameleon (mostly due to the fact that you come and go).

    4. Re:Simple by Qzukk · · Score: 1

      I want to walk into a bank and walk out with a million dollars of someone else's money. I want to be able to walk into a grocery store, fill up my cart, and leave without paying. I want the house three doors up from mine. I also want their car.

      As the anti-copyright people here have pointed out again and again, every single one of those involves taking something from someone else, who then must do without or obtain a new material good to replace it, as opposed to copying a song, which takes it from nobody unless you steal the master then beat the lyric writer, singer, and musicians dead.

      Not that I think copyright infringement is an appropriate way to combat a law that has gone far beyond what was intended, but you might as well come up with a decent argument against it if you want to think you're doing any good.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    5. Re:Simple by I8TheWorm · · Score: 1

      That's still such a weak arguement. It's true you didn't steal anything by removing it from someone's person. However, the person who bought it never removed it from the artist's person either. What you stole was the revenue the artist expected from the additional copy of their work that's now in your hands.

      --
      Saying Android is a family of phones is akin to saying Linux is a family of PCs.
    6. Re:Simple by GoofyBoy · · Score: 1

      >The simple solution is to let the people decide what they want...

      This is the simple solution.

      >but eventually the people will revolt in such huge numbers the government can't do anything about it...

      Um.. no? If everyone broke the speed limit, you can be the government would gladly do something about it, in tickets and fines. You want to have something? Fine, the government will just fine/tax/make it so difficult that it wouldn't be worth it.

      >Isn't our business model 'The strong survive, the weak parish?'

      Yes, but its money that makes you strong, not mass. Corporations are strong, people (in non-large amounts) are weak. Corporations have an interest in getting alot of money and feel they can do this my limiting P2P.

      --
      The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    7. Re:Simple by YrWrstNtmr · · Score: 1
      The simple solution is to let the people decide what they want...

      The 'people' have decided. They want the entire catalog, online, in straight mp3 (or other unencumbered format), for free.

      Now...tell me how that would actually work.

      Do you go to work every day and give your employer the fruits of your labor for free? I know I don't.

    8. Re:Simple by Spock+the+Baptist · · Score: 1

      "Now please explain how this is not taking somethign from someone else."

      Can do...

      x - x = 0
      This is what happens when you take something from somebody. A given set contains x, an operation is preformend the results of which is that x is removed from that set, and tranfered to another set.

      x * n = nx where n is a natural number
      This is what happens when you copy something. A given set contains x, an operation is preformend, and x remains in the orginal set, but is also placed in an additional set or sets.

      The difference is that it the former x is removed from the orginal set where in the latter x remains in the orginal set.

      --
      "Oh drat these computers, they're so naughty and so complex, I could pinch them." --Marvin the Martian
    9. Re:Simple by I8TheWorm · · Score: 1

      It doesn't matter if that person would have purchased it or not. The fact remains... that person now has a copy of it, and likewise should have paid for that copy (unless, of course, the artists wanted it freely distributed, which does happen). It's similar to describing kleptomania (aside from the physical theft arguement). That person might not have ordinarily paid for the item they stole, but it's now in their posession nonetheless.

      --
      Saying Android is a family of phones is akin to saying Linux is a family of PCs.
    10. Re:Simple by numbski · · Score: 1

      Um...

      #define CIVIL_DISOBEDIENCE

      ?

      While the term may not seem correct (perceived theft) there are enough people that are circumventing the business model because they don't like what's being given them, but it fits under that description IMHO.

      In time, either get it, or get out of the biz. Something is going to give.

      --

      Karma: Chameleon (mostly due to the fact that you come and go).

    11. Re:Simple by hermi · · Score: 1
      Do you go to work every day and give your employer the fruits of your labor for free? I know I don't.

      Do you see music as labor, and there's no way music can't be labor?

    12. Re:Simple by YrWrstNtmr · · Score: 1

      No. But it is a full time job for some. Pretty hard to actually eat if no one is paying you for that full time job.

    13. Re:Simple by hermi · · Score: 1
      No. But it is a fill time job for some

      true, but this has not to be.

    14. Re:Simple by YrWrstNtmr · · Score: 1
      What I wouldn't do, is this: keep showing up for work, and complain to the government when I don't get a paycheck.

      That is precisely what an awful lot of people do, through unions.

    15. Re:Simple by I8TheWorm · · Score: 1

      While I do agree with your comment

      The past century or so of history shows that the entertainment industry has a virtually unbroken track record of opposing any technological advances,

      I cannot at all agree with this one

      But this is very definitely not the situation he's talking about: instead,

      but specifically in the realm of professional musician, which I used to be.

      I'll start with the indie artists, which I support on a much larger scale than I do artists with major labels. An indie (or their producer) incurs all costs up front, and hopes to at least break even in cd sales to cover those costs. That doesn't always happen, but it's a good target. While cd's hopefully pay for themselves, the artists make their real income from live performances. Now, the majority of people that use P2P to download songs aren't downloading indie tunes, but rather tunes by bigger name performers who they hear on pop/hip hop/country radio (don't get me started on payola in the radio industry).

      Even with major labels, whose business model is deplorable with regards to profitability, incur all costs up front, and hope to make revenue off of cd sales. In their case, the typical run of cd's is 100,000 per (while indies typically run 4 - 10,000 per) so they do save in bulk. Of course, major labels do like to spend more money on artwork, promotion, but that's a different arguememtn, and one we could go on for hours about. So in the music industry, the loss is a situation where expenses exceed revenues. There isn't any cry regarding loss of additional expected revenues, but I can assure that most major labels are, in fact, coming out in the red over the last few years.

      I can't argue with you regarding the relation of your comments to the movie industry as, frankly, I don't pay much attention to Hollywood for a few reasons... the primary one being most movies suck IMHO, and I rarely see them other than on cable.

      --
      Saying Android is a family of phones is akin to saying Linux is a family of PCs.
    16. Re:Simple by Qzukk · · Score: 1

      the artist gets nothing. Now please explain how this is not taking somethign from someone else.

      Please explain how me sitting here at work and not buying anything is causing every single musician, author, programmer, and RIAA executive to starve to death.

      Because thats what that argument amounts to. If I'm not going to buy or listen to a Metallica CD ever again (I'm in the "Reload and Up sucks" group.) you're saying that I'm taking something from Metallica.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    17. Re:Simple by Spock+the+Baptist · · Score: 1

      First off I was talking about property, whereas you're discussing money. Money is not property, it is a medium of exchange. Also, property is not equivalent to profit$!

      Theft occurs when one is deprived of one's property. While money is not property, certainly if one is robed of money that is theft. Theft therefore occurs when one is deprived of property or of currency that one is currently in possession of. However, it is of more than passing import to make the distinction between *potential* profits, and property or currency that is currently in one's possession.

      [[[This is the difference between actual, and potential.]]]

      potential:

      1 : existing in possibility : capable of development into actuality
      2 : expressing possibility; specifically : of, relating to, or constituting a verb phrase expressing possibility, liberty, or power by the use of an auxiliary with the infinitive of the verb (as in "it may rain")
      synonym see LATENT

      actual:

      1 obsolete : ACTIVE
      2 a : existing in act and not merely potentially b : existing in fact or reality c : not false or apparent
      3 : existing or occurring at the time : CURRENT
      (Both definitions are from www.m-w.com)

      Theft occurs only when dealing with that which is actual, and can not occur with that which is just potential. Thus, one can not steal future or potential profits.

      --
      "Oh drat these computers, they're so naughty and so complex, I could pinch them." --Marvin the Martian
    18. Re:Simple by Spock+the+Baptist · · Score: 1

      "Now, can you explain how it is not taking something for nothing."

      You failed to understand the meaning of the word 'taking'.

      " A given set contains x, an operation is preformend the results of which is that x is removed from that set, and tranfered to another set."--this is taking. i.e. subtracting.

      " A given set contains x, an operation is preformend, and x remains in the orginal set, but is also placed in an additional set or sets."--this is copying. i.e. multiplying.

      Thus, nothing has been taken in the second case. So, nothing was taken for nothing.

      --
      "Oh drat these computers, they're so naughty and so complex, I could pinch them." --Marvin the Martian
    19. Re:Simple by Pofy · · Score: 1

      >When you download a song via a P2P application
      >the artist gets nothing. Now please explain how
      >this is not taking somethign from someone else.

      If I give away a CD or boonk to someone, the artists get nothing. When I invite home a friend to me and he listen to my CDs, the artist gets nothing. When someone sits outside my house and hear music through my open window, the artist gets nothing. When I sell my CD to someone, the artist gets nothing. I have not even started to discuss cases were in many countries you actualy can make copies not only to yourself (for example to have in your car without the artist getting money) but also to family and close friends, and the artost gets nothing!

      Copyright is NOT about the creator getting money. Copyright infringement does NOT occur when someone has or access the work without paying. Copyright and copyright infringment is about creating NEW copies when you are not alowed to (and usually only the copyright holder is allowed to). In addition it covers public performance, distribution (only first step, then that right is lost, hence why one can sell used CDs for example) and similar things.

      So using any argumentation based on lost revenues, similarities to theft and so on, is pretty pointless since that is not about copyright. That is what copyright makes possible, but that is another thing. Just because you can't make something you want, does not turn it illegal or wrong.

    20. Re:Simple by Mycroft_VIII · · Score: 1

      One: a bussiness model is not a law.
      Two: robbed implies theft, no theft is occuring (infringement yes, theft no).

      Mycroft

      --
      https://signup.leagueoflegends.com/?ref=4c3ed6600b6ea
    21. Re:Simple by Mycroft_VIII · · Score: 1

      Except with Kleptomania you go back to the fallacy of equating real goods with I.P..
      And compound it with all the issues involved in throwing in mental illness.

      Mycroft

      --
      https://signup.leagueoflegends.com/?ref=4c3ed6600b6ea
    22. Re:Simple by Mycroft_VIII · · Score: 1

      Simple, in the first case money and goods change hands (so to speak) several times. Money is taken from the buyer, and a cd is taken from the seller.
      In the second, since NOTHING (nothing physical that is*) changes hands, nothing is taken from anyone.

      Mycroft
      *I'm ignoring the electrons/photons involved in the tranfer of info here for simplification.

      --
      https://signup.leagueoflegends.com/?ref=4c3ed6600b6ea
  3. How? by nmb3000 · · Score: 2, Insightful

    How -- if at all -- should policymakers attempt to resolve emerging digital media conflicts?

    Perhaps the policy makers at the RIAA should realize people are tired of bending over for them. People are sick of spending $18 on a CD with only a single new track and a bunch of old-favorites-remixed-so-they-are-like-new tracks. Actually, I think people are sick of paying $18 for a CD period.

    Perhaps a little out of date, but Maddox still makes a good point.

    --
    "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
    /)
    1. Re:How? by Feynman · · Score: 2, Informative
      People are sick of spending $18 on a CD

      Then don't.

      This is how our economy is supposed to work. If you think it's overpriced, don't buy it. If you buy it, you're sending a signal to the retailer and the record label that the CD is worth $18.

    2. Re:How? by RailGunner · · Score: 1
      on a CD with only a single new track and a bunch of old-favorites-remixed-so-they-are-like-new tracks.

      So *THAT'S* how Tupac Shakur is able to keep releasing CD's from beyond the grave.

    3. Re:How? by goldspider · · Score: 1

      So what's wrong with iTunes? You don't pay $18 for a single song you want, you pay $.99

      --
      "Ask not what your country can do for you." --John F. Kennedy
    4. Re:How? by YrWrstNtmr · · Score: 1
      Actually, I think people are sick of paying $18 for a CD period.

      And the record companies are tired of people getting them for nothing.
      There's a middle point. We just haven't found it yet.

    5. Re:How? by nmb3000 · · Score: 2, Insightful

      Then don't.

      Traditionally I don't. I'll buy perhaps a single CD a year, if that.

      The issue is however that while like me many people have made the decision to boycott CDs to some extent, many of those same people still want access to new music. This means they download it - either legally or illegally - and the music industry has to understand that suing people is never going to fix the problem. When you have a product that can be easily reproduced and transmitted electronically then when people start boycotting the physical product it doesn't mean they won't acuire it through other means. It comes down to a decision: do they try fix the problem by lowing CD prices and attempting to offer better quality albums or continue to play the poor innocent victim by suing little Susie and Grandma May?

      This is how our economy is supposed to work. If you think it's overpriced, don't buy it.

      Indeed, in the physical world. But when it comes to soft-wares such as music, software, and movies new options have been opened up to people. Want to oppose the industry then don't buy their product, but that doesn't mean you can't still have it! If we could easily digitalize cars and then recreate them someplace else, the number of incidents involving grand theft auto would skyrocket.

      I don't necessarily agree with it, but that's how it is and there's no way to change it back to the good old days.

      --
      "What do you despise? By this are you truly known." --Princess Irulan, Manual of Muad'Dib
      /)
    6. Re:How? by Microlith · · Score: 1

      So protecting their copyrights is bad.

      Even if they offered them up for legitimate download, people still would violate their copyrights, as we can see today.

      Even if they increased the quality 100x, people would still violate their copyrights.

      This is because some people feel justified in not paying for anything they can download, and it's pathetic.

    7. Re:How? by Xebikr · · Score: 1

      Even if they increased the quality 100x, people would still violate their copyrights.

      Copyright is a system entirely supported by rule of law and the will of the people. If people no longer find value in supporting copyright, perhaps people aren't the problem.

    8. Re:How? by cthulhu11 · · Score: 1

      So *THAT'S* how Tupac Shakur is able to keep releasing CD's from beyond the grave. Ever seen a photo of Tupac and L. Ron Hubbard together? No? Hmmm, what does that tell you?

    9. Re:How? by cthulhu11 · · Score: 1
      People are sick of spending $18 on a CD with only a single new track and a bunch of old-favorites-remixed-so-they-are-like-new tracks

      Then they should stop electing to buy brand-new copies from storefront retailers.

      Actually, I think people are sick of paying $18 for a CD period.

      See above. How much of the blame for that $18 pricetag belongs with the RIAA, how much with the labels, and how much with the storefronts? I bought several original, legit CD's last night for 75 cents each.

      Also, it's interesting to note that many think nothing of forking out $18 for a single-use restaurant dinner, but paying the same for a CD that can be enjoyed repeatedly is an outrage.

    10. Re:How? by Feynman · · Score: 1
      Want to oppose the industry then don't buy their product, but that doesn't mean you can't still have it!

      Ahh...slashdot morals at their finest.

  4. Re:does /. really need politics? by numbski · · Score: 2, Insightful

    I dunno. It's kind of nice to have a place other than "Your Rights Online" to put political discussions over technology that may or may not cover 'rights' specifically.

    This one in particular probably could have gone under the header "Your Rights Online", but I've seen examples of content placed there that would have been more befitting of "Politics".

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

  5. Somethings wrong by spac3manspiff · · Score: 3, Insightful

    Approximately 500,000 to 1,000,000 CD copies must be sold before these costs are covered

    No wonder 'artists' like britney spears whore theirselves out so much.

    1. Re:Somethings wrong by abb3w · · Score: 1
      No wonder 'artists' like britney spears whore theirselves out so much.

      While that might help the revenue stream, such would mostly be limited to certain jurisdictions in Nevada.

      --
      //Information does not want to be free; it wants to breed.
    2. Re:Somethings wrong by philkerr · · Score: 1

      The thing is, this price-point is to a real extent set by the record companies themselves.

      It isn't in their collective interets to use new technologies to reduce costs (as often happens in other sectors) as this lowers the barriers for others to enter the marketplace.

    3. Re:Somethings wrong by Feynman · · Score: 1
      It isn't in their collective interets to use new technologies to reduce costs (as often happens in other sectors) as this lowers the barriers for others to enter the marketplace.

      Actually, it's in their interest to reduce their costs if they can keep prices the same.

      Can the record industry be considered an oligopoly? I'm not sure, but it seems likely.

    4. Re:Somethings wrong by swb · · Score: 1

      Approximately 500,000 to 1,000,000 CD copies must be sold before these costs are covered

      Isn't *anybody* asking why it "has" to cost $5-10 million dollars to record a pop record?

      An artist that's rehearsed their material and knows what they're doing should be able to knock off an album's worth of material in two days; even if they're rough about what they're doing, we'll assume they're in the studio for two weeks. Even if you're recording lavishly, does it really need to cost $250K per day?

      The problem with all aspects of the entertainment business is that there's just zero cost control. Outrageous spending, unbelievable salaries, and so on, and they expect to make it all up on the customer end.

  6. When Has Gov't Minded Being "Premature"? by kmactane · · Score: 1

    The poster summarizes that "government intervention is currently premature because it is unlikely to strike an appropriate balance between the many competing interests at stake."

    And this has historically stopped the government on exactly which occasions?

    (Not that I disagree. Sure, the government should wait. But I don't think they're gonna.)

    --
    Kai MacTane: Web developer for hire in San Francisco
  7. Re:It's here to stay. by numbski · · Score: 1

    Meh, clickbait or not, we all clicked.

    I'm a subscriber, and really don't mind the content in politics. At least sometimes.

    I wouldn't pay for it if I didn't like it, and if I didn't pay for it and still read, then they have every right to have advertisers.

    Honestly...I think you people read far too much into some consipiracy. Content providers are out there to make money. Slashdot is a content provider.

    Now the question is, who do you take issue with? Slashdot? The *AA? Who's got the more reasonable business model?

    ^^^ Flambait. >:)

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

  8. Why not let public libraries upload movies ? by zymano · · Score: 1

    Why not let them upload movies to your computer instead of renting a dvd in person? Have a program make sure there are no copies and will delete the downloaded material after check out time has expired.

    This could really help out BOTH sides. The libraries would need to upgrade their collection .

  9. On related news... by Spy+der+Mann · · Score: 2, Interesting

    today an article appeared on Technology Review about the LokiTorrent site fighting back in court after the MPAA sued the owner. $40K in donations from its users (for legal fees) so far.

  10. we can't even agree by BillFarber · · Score: 3, Insightful
    We, as a society, can't even agree on what "an appropriate balance" would be.

    Young technophiles (slashdotters) want free exchange. Content execs want everything locked down. I think the general public justs wants content at a reasonable price that they can use in multiple areas of their lives. It's gonna be tough to pass any balanced legislation until we have balanced discussions.

    1. Re:we can't even agree by MightyMartian · · Score: 1

      I think the key to this is price. The success of P2P music swapping is, in my opinion, in large part due to the outrageous amount of money that the entertainment industry charges for its products. Up here, I can't get a decent CD for under $18-20, and sometimes more.

      Piracy is bad, and I don't think there's any way to qualify that, but ripping off the consumer is bad too. Worse for RIAA is that the record industry has spent years screwing artists, so this sudden promotion to sainthood is particularly noxious.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    2. Re:we can't even agree by BillFarber · · Score: 1
      ripping off the consumer is bad too

      I don't really think you can rip off a consumer of something that is completely discretional. I have no interest in defending the music or movie industry, but it's not like gouging people for food. If the CD is not worth $18, don't buy it.

    3. Re:we can't even agree by MightyMartian · · Score: 1

      And I rarely do buy CDs any more (of course, this also has to do with the fact that most of the music released nowadays is, to my ears, utter crap). Most of the music released nowadays I wouldn't take for free (though they could try paying me!)

      My only worry now is that all my old audio tapes (of which I have many) are beginning to die, and I have basically been told that if I download a copy of Sgt. Pepper's Lonely Hearts Club Band off a P2P site for free, even though I have in my hands an actual cassette copy I bought eighteen years ago, I've just committed a crime.

      Am I really a thief if I bought Sgt. Pepper 18 years ago and now decide to download the same songs as MP3s? Is that really a crime? I don't think so, but apparently according to RIAA it is.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    4. Re:we can't even agree by BillFarber · · Score: 1
      Am I really a thief if I bought Sgt. Pepper 18 years ago and now decide to download the same songs as MP3s?

      That's a really good and important question. I agree with you. I also have a lot of old tapes and LPs and I downloaded MP3 versions of them because I felt it was a morally (if not legally) justifiable thing to do.

      On the other hand, when we bought those forms of the music, we knew they had a limited lifespan. That's one reason why people made tapes of their albums and only listened to the tapes. Part of the reason content companies charge more for CDs and DVDs is the longer useful lifespan.

      I think it is issues like these that make it so difficult to agree on a solution, much less legislate one.

    5. Re:we can't even agree by MightyMartian · · Score: 1

      > On the other hand, when we bought those forms of the music, we knew they had a limited lifespan.
      > That's one reason why people made tapes of their albums and only listened to the tapes. Part of the
      > reason content companies charge more for CDs and DVDs is the longer useful lifespan.

      That may have been the case even a decade ago, but I don't buy it any more. Producing DVDs and CDs is pretty damn cheap, though I suspect packaging adds quite a bit to the cost.

      The fact remains that I'm supposed to be allowed to make archival copies. Now maybe it is stretching it a bit to say that downloading an MP3 of a song I already paid for is an archival copy, but I don't think it's a big stretch. I mean, I bought the song on audio tape, because it was, at that point in time, all there was other than vinyl.

      Unfortunately it looks like even archival copies are evils in this new modern world. The movie studios and record companies have technologies to prevent me from even doing that. Basically the recording industry is violating my rights, so when they come whining that their rights are being violated, I'm afraid it's falling on deaf ears.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    6. Re:we can't even agree by melikamp · · Score: 1

      I think the general public justs wants content at a reasonable price that they can use in multiple areas of their lives.

      A reasonable price for making a copy of a publicly available work is zero. The general public is not going to fight and die for a right to pay. The only people who really want the information to be "reasonably priced", and in our case it actually means "commercially distributed with copying restrictions", are content holders. Everyone else is tired of paying for the distribution.

      There is one thing that costs money: organising the content. That is, providing the client with an interactive process which enables the client to obtain information he/she needs. Look at Google, Craigslist, Slashdot, etc. -- these sites thrive having virtually no content of their own. A Napster-like (the original one) music service offering tracks at a reasonable price of 5 cents would be able to thrive too, if only their music database was superbly organised and cross-referenced, because your vanilla P2P, albeit free, is a huge mess.

      Whoever does that best can make money in the world without copyright; moreover, these content organisers would be able to support the content providers (artists) and thus garner more support (yes, people have a good will!) from the consumers.

      This is not some anarchist bullshit; IMHO, I have described a viable business model for producing art, and it happens not to infringe on our right to speak whatever we want to whoever wants to listen. This is what a consumer wants -- easy and painless access to the information at the cheapest rate possible, without fear of landing in jail for sharing a song; and this is exactly what publishers should be doing today. Lowering CD prices won't cut it.

    7. Re:we can't even agree by tepples · · Score: 1

      There is one thing that costs money: organising the content.

      One problem is that a large part of "organising the content" consists of fixed costs that remain the same whether a site distributes one copy or a million. Who pays for the equipment that the recording artist uses? Who pays for checking to make sure that the underlying song doesn't infringe the copyright in any other existing song?

    8. Re:we can't even agree by RSwan · · Score: 1

      You just have one small problem. Their is no incentive for the content holder to make the content public. The content holder must be able to make a living. The conent holder should be the artist who created the work. But their is nothing in you business model for the artist to survive on.

    9. Re:we can't even agree by melikamp · · Score: 1

      Parent has a point. Moreover, for as long as there is demand, there will be supply. Do you enjoy art? Are you willing to pay for live performances? Are you willing to pay for original paintings directly to an artist? Are you willing to donate to the sources which keep producing the art which you really enjoy? If you are anything like me, you will say yes.

      But if you, and me, and millions of other people are willing to pay, copyright or not, how can we imagine art business ever going away, let alone art itself?

    10. Re:we can't even agree by melikamp · · Score: 1

      Starting from the end of your comment, what copyright? I described a business model that would survive with copyright law striken down. Of course it cannot work today for commercial art, because it presupposes that an organiser has zero overhead from dealing with the intellectual property rights - more or less like Google or Slashdot today.

      As for the equipment, let me surprise you: if there is demand for art (and there is such demand, regardless of the existence of the copyright law), people will pay money, and some of that money will go to the artist, who will spend them on equipment. No mystery here.

      I am not fighting for free art - that is silly. I am fighting for our right to speak, or, more generally, to publish information, as well as to freely access the information that has been published. As far as art is concerned, I want to ensure that arists have a right to create and to profit from the derivative works, so that the best artist can win in the market, regardless of who originally came up with the idea. Seems to work for science, does it not? A skillful utilizer gets rich, while a genius becomes famous.

      Just a thought: it could be that the stagnation of the modern Western art is partly due to the restrictions on creating derivative works. I am sure that there are people out there who could take Batman or that certain mouse to the next level, but we will not see that happening, because exploiting static cultural icons proved to be a better business strategy for a publisher - nevermind an artist (in case with the mouse the artist couldn't care less).

    11. Re:we can't even agree by Ohreally_factor · · Score: 1

      But if you, and me, and millions of other people are willing to pay, copyright or not, how can we imagine art business ever going away, let alone art itself?

      What's even more interesting is that we've had art and music for over a hundred thousand years before copyright. How could that be? How could people exist as artists and musicians without proper financial incentive? How can a culture exist if we can't bill the consumer for it?

      --
      It's not offtopic, dumbass. It's orthogonal.
  11. Who does P2P hurt? by el+Davo · · Score: 1, Insightful

    I would say that P2P only hurts labels. I don't think it hurts the musicians at all since they only get a small fraction of the album sales. The musicians have always just looked at album sales as advertising. Most of the money made is from concerts and shows. I heard David Bowie talk about this awhile ago. I know he's one of the richest but the future is a world of electronic music and the sharing of it. You can't fight it--if you do, your fans will hate you. Just ask Metallica :)

    1. Re:Who does P2P hurt? by cthulhu11 · · Score: 1

      Humans only use a small fraction of the oxygen in the air we breathe, so by your reasoning it they can do just fine without it.

    2. Re:Who does P2P hurt? by lachlan76 · · Score: 1

      If most of the oxygen that we actually used came from an alternate source, then yes, absolutely, we could.

  12. Irrelevant - whole discussion by jimbro2k · · Score: 3, Insightful

    The reason why this discussion is irrelevant is that congress will do what their constituents want.
    Realities don't matter. They never have.

    The only remaining question is who congress' constituents are: Is it those pesky damn voters, or is it the ones who made the biggest campaign contributions?

    If you were in congress and wanted to remain there (like they all do), to whom would you pledge your allegiance?

    --
    There is not nearly enough love in the world, but there is far too much trust.
    1. Re:Irrelevant - whole discussion by bill_kress · · Score: 1

      > If you were in congress and wanted to remain there (like they all do), to whom would you pledge your allegiance?

      That's an obvious one, you would serve the contributors! There is a direct relation between how much you spend on a campaign and how many votes you get.

      In the past 20 years or so I haven't observed a similar relationship between the issues a candidate believes in and his votes, or anything else.

      It's all money.

      Democracy is broken.

  13. Re:Why not let public libraries upload movies ? by t_allardyce · · Score: 1

    Im happy with this, I'll just burn it to CD and see how the program tries to delete that copy..

    --
    This comment does not represent the views or opinions of the user.
  14. Give the money back... by Simonetta · · Score: 1

    When the RIAA gives all the money back that they extorted (oh Hell, let's make it double all the money back for 'pain and suffering') from ordinary people, then we will begin to consider if and where they will fit in to the new digital world order.
    Until then we will continue to copy and distribute OUR CULTURAL HERITAGE freely to whoever asks for it.
    They stole the public domain by bribing legislators to pass laws indefinitely extending the old idea of copyright. By doing this, they have shown themselves to be cultural thieves of the highest order and they forfeit all claims to any copyrights that they 'possessed' before deciding to do this crime against the world's cultural resources.
    They need to beg for our mercy; we don't need to beg for theirs. They need us a lot more then we need them.
    The people here at Slashdot who don't understand this are simply misguided.

  15. govn policing? by demon411 · · Score: 1

    the govn't should be looking into why a cd cost the same as a dvd. you'd think it'd be cheaper to produce a bunch of audio tracks than it would a movie (ya i realize that movies get box office sales but artist get show sales too) The whole distribution model for music has to change and these guys realize they might lose their market hold and are fighting to keep it. The problems right now is even if someone comes up with a better solution current artists can't hop on. most are lockd into contracts forbidding them to sell any cds from non RIAA approved companies. the radio stations are all pretty much in on this too, only playing songs approved by these companies. rich ass artists need to band together and cut out the middle man and set somethign up for the little guys trying to make it the music biz.

  16. need for truely P2P network by ekeup1 · · Score: 1

    All the problems that exist stem from P2P networks have central servers. Most of the lawsuits are against those who operate the central servers. If these central servers weren't needed it'd be almost impossible for users to be singled out. Maybe I'm wrong, but are any of the P2P networks truely P2P?

  17. Resolve attitudes or accept them by t_allardyce · · Score: 1

    You cant legislate peoples morals. The reason most people don't go around killing each other isn't because its illegal but because they don't want to. It might sound stupid but just let people use P2P and see what happens, meanwhile make products better - e.g. put more things like music videos and multi-format tracks on CDs, make dual DVD-CDs that play in old CD-players but include much more on the DVD part. It costs nothing to just stick the existing music videos in decent quality in the disk. Most people can't be bothered to rip mp3's or wait for them to download so if you have mp3 versions on your CD they will see it as a time saver if they have an mp3 player. Carry rare music that people can't find in most stores or they will resort to Kazaa. Give away things with CDs that just can't be downloaded - lazy artists who spend most of their time miming and think they can just stick their generic voice on a crappy cover, how about you try personally signing some of your CDs? do more concerts, after all music was originally a live art until recording devices allowed people to get lazy. Get off your high horse and stop being so full of your 'IP' allot of music is treated by the label as worthless - its played over and over on radio, tv and in shops where people listen to it for free (ok the radio etc is actually paying but the listener is perceiving it as free) which means people get used to the idea of hearing your song for free, If i hear an entire song in a shop and on the radio several times, why in my mind would i figure i have to pay to hear it again? People download music because they really don't understand the concept of having to pay for it, it doesn't feel like stealing ergo people will do it and whatever 'law' is applied will be largely ignored.

    --
    This comment does not represent the views or opinions of the user.
  18. Initial thoughts... by e6003 · · Score: 2, Insightful
    A nice paper. It makes out from the start that "all" that is threatened are current business models - not the end of the world, as the pigopolists would have us believe. A nice quote: "The new technologies vitiating those practical barriers... are demonstrating just how empty those legal rights may be and how poorly matched they may be with cultural norms and practice. Consumers are exploiting the exciting potential for greater interactivity and involvement with content, and are thus finding themselves in conflict with many of those who make content possible." I haven't read the paper too deeply yet but I do take issue with the "make content possible" bit - the ones who make content possible are generally the ARTISTS, not the middlemen whose business model is being circumvented by P2P. Plenty of artists support P2P distribution.

    Also the paper's title touches on something that is rarely found in the mainstream media: control. There's some balance: "evidence that file sharing has caused losses to the music industry is controversial and film industry revenue is currently on the rise, online infringements reasonably can be expected to reduce revenues in the long run." Some core truths are expressed in an iron fist/velvet glove manner: "Many believe that DRM is an illusory barrier to piracy. Even if DRM were able to preclude most people from distributing a given work, even one unencrypted copy can quickly propagate through a P2P system. No DRM is uncrackable, and, even without circumventing, files can be re-encoded into an unencrypted format once burned to CD or as they are outputted in analog form."

    This looks like a very interesting paper and I shall enjoy reading it.

  19. General Piracy Comment by Eric+S+Raymond · · Score: 1

    Do you know why John Carmack never put protection
    in Doom, Doom2, etc...? It's because he knew it
    was futile, being a former hacker himself.
    Also, and this is my guess, he knew that giving
    Doom no protection or serial number would ensure
    that everyone everywhere would tryout the game
    with it completely unprotected. Then people
    would really be talking about it. "Hey dude
    you've gotta check out this game, is freakin'
    awesome, here just copy my disks"!

    It's the shareware concept, just taken further to
    a new and unspoken height. It's not anyone would
    come out and say it's ok to copy their software,
    but secretly or subconsciously they know that
    piracy is good, it helps spread awareness about
    software and word of mouth advertisement.

    --
    Bypass Compulsory Web Registration -- http://bugmenot.com/
    1. Re:General Piracy Comment by Internet_Communist · · Score: 1

      I tend to agree with you, recently the only games I've even been considering purchasing have been ID games, particularly because I respect ID, and their policies. The linux support is the icing on the cake...it's hard when you don't have much money to spare though.

      --

      If you don't want someone to copy something, don't give it to anyone.
  20. OH! I get it! by Striver · · Score: 1

    As the anti-copyright people here have pointed out again and again, every single one of those involves taking something from someone else, who then must do without or obtain a new material good to replace it, as opposed to copying a song, which takes it from nobody unless you steal the master then beat the lyric writer, singer, and musicians dead.

    Hey! I really like that logic. It means that it is ok for your employer to stop paying you because, since you don't have the money yet, you aren't "losing" anything. You're hired man! When can you start?

    --
    this is loaner...my sig is in the shop
    1. Re:OH! I get it! by Qzukk · · Score: 1

      It means that it is ok for your employer to stop paying you because, since you don't have the money yet, you aren't "losing" anything.

      Thats brilliant, Sherlock. You must have rubbed together both of your last two neurons to work that out.

      If my employer quits paying me, I'm not "losing" any money. Guess what, if an employer stops paying me, its not called "theft" its called either
      1) "You're fired/laid off"
      2) "Breach of Contract" (if I was a contract worker with a specified rate) or
      3) "Breach of minimum wage laws".
      (Optionally, add 4) Slavery, which is also illegal in our country)

      Try harder next time. You can at least state the truth, you just need a little work in understanding what it is you're saying.

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    2. Re:OH! I get it! by Striver · · Score: 1

      Thats brilliant, Sherlock. You must have rubbed together both of your last two neurons to work that out.

      If my employer quits paying me, I'm not "losing" any money. Guess what, if an employer stops paying me, its not called "theft" its called either
      1) "You're fired/laid off"
      2) "Breach of Contract" (if I was a contract worker with a specified rate) or
      3) "Breach of minimum wage laws". (Optionally, add 4) Slavery, which is also illegal in our country)

      Try harder next time. You can at least state the truth, you just need a little work in understanding what it is you're saying.

      Exactly! Now try following through and extending this logic to include the people creating the music. You can't have it both ways.

      --
      this is loaner...my sig is in the shop
  21. They should have BUTTED out 200 years ago by argoff · · Score: 1

    (the govt) should, and should have from the beginning but(ted) out.

    You're right! They should have butted out over 200 years ago and never imposed copy restrictions to begin with. Copyrights have nothing to do with incentive, or even worse "property rights". When you think about it, they don't even help many people except say Madonna. They are simply a government imposed regulation on how people can copy and share information. 200 years ago when the term was only 14 years and every information work was attached to a physical item it was small enough of a social burden not to rip society apart at the seams. Today it is not, even though I dearly understand that the US founding fathers could not have anticipated this.

    What we are seeing today is simply a poor belief system (copyrights) being brought to it's logical conclusion. It would have poped it's ugly head up one way or the other DMCA or not. You can't go telling people that they effectively have this "right" to restrict the free flow of information (which is what copyrights really are), and then expect them not to want to "secure" this "right" and bring it to it's logical end. Which is effectively what has happened.

    The only real solution is to bite the bullet and cut the thorny vine off at the root. Get rid of copyrights all together and the poor belief system that goes along with them. Any other solution is just not workable and is tanamount to wattering the vine that is choking us off.

  22. Loaded research by SilverspurG · · Score: 1
    From the .pdf at the linked article:

    Introduction ...
    The digital era threatens current <b>revenue models</b> by changing the environment in which copyright operates. To prevent unauthorized copying of their works, copyright holders have traditionally relied on practical barriers as well as their legal exclusive rights to control reporduction and distribution. The new technologies vitiating those practical barriers--peer-to-peer (P2P) services, digitial compression technologies, and others--are demonstrating just how empty those legal rights may be and how poorly matched they may be with cultural norms and practice.
    I quit reading the .pdf after that. There's no Constitutional right to protect a revenue stream. That the authors mention "compression technologies" in the same context as P2P, in hurting their revenue model, is disgusting. As for "cultural norms and practices"... sharing music and entertainment has been something our culture has done since prehistoric times.

    And, under the DMCA (and other existing laws), I probably just violated the copyright of the publishers of that .pdf by quoting it verbatim without their prior written consent. Screw 'em.
    --
    fast as fast can be. you'll never catch me.
  23. Legislating Social Change by Flooded77 · · Score: 1

    Unfortunately, I don't think it is really possible to legislate a social change. The lack of foresight on the part of the RIAA/MPAA is what created this mess in the first place. Instead of thinking ahead, they waited for companies like Apple to provide a product that consumers desired years before hand.

    If they had developed their business model to include the 'MP3 revolution' when it first began I don't think that p2p would be as engrained in our society as it is and thus we probably wouldn't be having this discussion. Now, the RIAA and MPAA want government help because they didn't develop their business model. Maybe the government should help all business that couldn't plan their way out of a wet paper bag.

  24. The Only Interests that Matter... by eno2001 · · Score: 1

    ...are those of the consumer. That's how capitalism works. The interests of the business, come last.

    --
    -"...bad old ideas look confusingly fresh when they are packaged as technology" - Jaron Lanier (Digital Maoism on Edge.o
  25. Re:Loaded research... loaded with good analysis =) by thpr · · Score: 1
    At the risk of feeding the trolls:

    I quit reading the .pdf after that. There's no Constitutional right to protect a revenue stream

    Too bad you stopped reading. It shows just how closed minds have become on this particular issue that when a simple statement of fact is made; it is interpreted as "loaded".

    It's actually a pretty good article, which is not limited to legal analysis. It shows they probably tapped some of the knowledge in their moderately good business school there at Harvard (yes, that's facetious).

    The article never said there was a constitutional right to protect the revenue stream, and actually brings up how different potential models may benefit the actual content creators while threatening the labels and industry associations. The point the article was making where you lost your interest was that P2P networks (by facilitating distribution) and compression (by reducing the size of files and therefore also facilitating distribution) threaten the existing revenue models (where the label's revenue is derived solely from the distribution of the copyrighted work). Whether the impact will cause problems is actually an issue left open by the article, it stresses that the behavior is a threat ([n.] One that is regarded as a possible danger - source www.dictionary.com; emphasis added), and we need to understand more about potential ways to deal with the danger if it arrives (or even sitestep the risks altogether) before government takes action.

  26. Reminder by Xebikr · · Score: 1

    Any comparison between physical property and intellectual property will fail.

  27. Re:Loaded research... loaded with good analysis =) by SilverspurG · · Score: 1

    After being labelled a "troll" I took the time out to read the remainder of the .pdf. I guess that makes you a troll because you used an insult to initiate an action.

    They discuss CBL and ancillary products and services. The paper is a collection of ideas to preserve a lucrative revenue stream. I see no reason why that lucrative revenue stream should be preserved. Remove the stops, remove the controls, remove the supports, and let the industry sink-or-swim the way the rest of us do.

    --
    fast as fast can be. you'll never catch me.
  28. Genre and policies joined at the hip? by tepples · · Score: 1

    I respect the policies of Id Software, but I'm just not that much a fan of first-person shooters. What should somebody like me do?

    1. Re:Genre and policies joined at the hip? by Eric+S+Raymond · · Score: 1
      Maybe something third person, top-down?

      Or The Underdogs might have something for you

      --
      Bypass Compulsory Web Registration -- http://bugmenot.com/
  29. To shut up the incumbent lobbyists by tepples · · Score: 1

    I see no reason why that lucrative revenue stream should be preserved.

    Ensuring that a new legal atmosphere would preserve incumbent businesses' revenue gives the incumbents less of an incentive to engage in dangerous rent seeking on Capitol Hill.

    1. Re:To shut up the incumbent lobbyists by SilverspurG · · Score: 1

      Do economists actually use this term? I like it but it sounds like it'd be making the pyramid scheme of the whole government system a little too obvious for their (usual) tastes.

      That's the first Wikipedia entry I've ever read that I actually enjoyed--ie. it wasn't loaded with subjective opinions. Thanks.

      --
      fast as fast can be. you'll never catch me.
  30. Consumers are confused by tepples · · Score: 1

    What makes you think consumers act rationally over the long term? Enough residential users of CD and DVD media prefer availability of a variety of works over freedom of speech that publishers find restrictive business models and rent-seeking profitable.

    1. Re:Consumers are confused by eno2001 · · Score: 1

      When did freedom of speech ever come into this? Oh wait, you meant 'speach'. ;P Sorry, but freedom of speech has nothing to do with putting the customers first.

      --
      -"...bad old ideas look confusingly fresh when they are packaged as technology" - Jaron Lanier (Digital Maoism on Edge.o
  31. Re:The government-Chicken or the egg? by numbski · · Score: 1

    Of course the problem is that the mere threat of a lawsuit is enough to coerce people to pay up, even if they aren't in the wrong. :(

    --

    Karma: Chameleon (mostly due to the fact that you come and go).

  32. Re:How?-Exiled. by Xebikr · · Score: 1

    Personally piracy would go away as an issue if all illegal P2P pirates, were simply exiled from society

    I would mod you up as funny, if I hadn't already posted on this discussion. Exile 60 million+ people! Good one! It'd be easier just to exile hollywood, though.

  33. Re:Irrelevant - whole discussion-IANA Congressman. by iminplaya · · Score: 1

    The laws coming out of congress document their allegiances very well. Anyone with any ability to read and understand them(the laws) can provide lots of advice as to what's happening.

    --
    What?