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2005 Hugo Nominations
COBOLgrrl writes " The 2005 Hugo Nominations have been announced. Books up for Best Novel include The Algebraist by Iain M. Banks, Iron Council by China Miéville , Iron Sunrise by Charles Stross, Jonathan Strange & Mr Norrell by Susanna Clarke, and River of Gods by Ian McDonald."
Maybe I'm just not, "in the loop", but I don't know of many online awards given. I don't like the concept of afew select people voting on who to give the prize to, I'd rather have open online voting. I'd also like to see more writing contests (again maybe I just missed them). By the way Ian McDonald is amazing.
Remember, popularity != quality. Just because something is popular doesn't prevent it from being, for example, pandering tripe.
And you know how english majors are.
In my opinion, China Melville is overrated as an author. His Perdido Street Station was the "it" book of 2001, but after I finished reading it, I couldn't help but wonder what the big deal was.
Granted, he has an excellent sense of the phantasmagoric and his worldbuilding skills are certainly impressive, but as an author, he just doesn't have the chops. His characters are almost too angst-ridden to move in a forward direction, and his plots read like a bad slasher flicks.
Take away his word processor and give him a job as a conceptual designer. Everyone will be happier in the long run.
Everybody who likes SciFi should read a bit of Iain M Banks (Iain Banks (same author without the 'M') writes pretty dark, non-genre books, very good, but nothing compared to his SciFi).
Most of his SciFi books are based on 'The Culture' which is basically the human race in a few thousand years. VCool tech. and Uber-Cool Space Ship names ('Meat Fucker') is the nick-name other ships have given to one particular ship, 'cause it likes to read the minds of humans.
If you're going to read any of his books, read 'The Player of Games'. Amazing read. (Tiny spoiler...) There is a bit where the lead finds out about a very dark side to the race who he is 'Playing' with. From that point, he stops talking. Then only when he has taken apart the next few players does he speak. Iain M Banks is truely a very great under-appreciated author. READ HIM.
From last summer's reading list
Finished:
Perdido Street Station - China Melville
Neverwhere - Neil Gaiman
The Golden Age - John C. Wright
Pattern Recognition - William Gibson
Cryptonomicon - Neal Stephenson
Manifold Series - Stephen Baxtor
Currently Reading:
King Rat - Neil Gaiman
Still to Go:
Oryx and Crake - Margaret Atwood
Some other Authors I follow
David Bin, Ben Bova, Larry Niven, Jerry Pournelle, Frederik Pohl.
I find the quality of my reading much better on average following Slashdot suggestions rather than randomly picking books by title and pretty covers at Barnes & Noble.
Didn't quite care for Pattern Recognition, so just one clunker for me -- maybe I just didn't get it, I wanted more of a well defined plot.
Taking inordinate pride in making through all 1130 pages of Cyrptonomicon, but after you make it past the first 300 pages you'll find yourself screaming through it.
Letter To Iran
I'm not done with Iron Sunrise yet, so I'll refrain (but it is really really good so far). I did finish Jonathan Strange & Mr Norrell, and found the core story was imaginative and the characters were pretty engaging. I thought Strange was actually more distant in terms of visualization than Norrell - for some reason I could picture the latter and hear his voice much more readily than the supposedly more approachable and contemporary Strange. She didn't rush the story (even at page 800) and there were not any useless passages: everything had a bearing on at least one aspect of each storyline.
One book that is not mentioned here that I highly recommend is Dan Simmons' Ilium. This was a 12-hour read - problem was, it was 12 straight hours because I couldn't put the damn thing down!!
when it rains, it gets real soggy. when it pours, i'm under the tap just _waiting_ for the joy
As an English major, I agree. With everything. Blindly. Because I have no idea what I'm talking about. But as a pretentious snob, if it's popular I say it has to be pandering tripe. I mean, most people want their books to be like TV. They want it to be a sort of entertainment that's passive; that is, they don't have to engage themselves with the work. Good books, independent of genre, are often overlooked because they don't appeal to a wide audience. Now, this isn't completely true. There are a lot of great books that are widely read and enjoyed, but for the msot part, the publishing industry is an entertainment industry no different from all the others. Now, since I've been repetitive and offtopic, I'll go RTFA.
I believe this year marks a significant milestone in SF history. Unless I am very mistaken, this is the very first year that none of the Best Novel nominees are American. All of them are from the UK and we have representatives from Scotland, England, and Ireland. I'd vote for either Susanna Clarke or China Mieville but any of those novels are more deserving than some of the garbage that has won in recent years. I'm looking at you, "Hominids".
This just reinforces my impression that American SF is stagnant while all the real action these days is taking place across the pond. Great stuff, and I hope American authors take this as a kick in the pants to stop rehashing the same old material and start showing a little imagination.
I also predict that the winner won't be American. Yeah, this is the first year that no American was nominated for best novel. Note that the Hugo is voted on by Worldcon members, and Worldcon is in Scotland this year. So a substantial portion of the voters will be able to travel to Scotland for the con, and I believe several of these nominees are more well-known in the UK. They're all really good--don't get me wrong--but location is probably a factor in this list.
Incidentally, here's a really good round-up of the best SF/Fantasy novels published last year: http://groups-beta.google.com/group/rec.arts.sf.wr itten/msg/4ab6c83b0b234305
we have representatives from Scotland, England, and Ireland.
All of those in one entrant: Ian McDonald. From his web site:
born in 1960 in Manchester, England by an Irish mother and a Scottish father. He moved with his family to Northern Ireland
Hearts, Hand and Voices (his second novel?) was one of my favourite sci-fi novels.
Couldn't agree more. US science fiction has degenerated into a set of seemingly endless soap operas. A good idea and some strong characters which are maybe good for three books are recycled again and again, each installment written to the same formula, each incidental character getting their own sub-plot, each story line stretched out endlessly with no conclusion in sight.
I'm not going to name names but, apropos of nothing, I miss the days when Weber was a type of carburettor, not an anti-insomnia treatment.
Compare with the 'Culture' novels; they might all be set in the same universe, but they can stand on their own and are all very different novels.
And how about the politics? If US writers are to be believed the only choice is between high-frontier Libertidiotanism or tree-hugging eco-bleeding-heartedness. Read some Iain Banks or Ken MacLeod and you'll see more political variety than just about all US science fiction put together.
It's a real shame, because US science fiction used to be the best in the world.
Sometimes it's not clear that the Hugos are for sci-fi in all forms, not just the written form. For example take the category Best Dramatic Presentation, Short Form Nominated are: Heroes Part 1 & 2 - Stargate SG-1 Not Fade Away - Angel Pilot Episode - Lost Smile Time - Angel 33 - Battlestar Galactica And of course, 33 will win, but don't get me started on being off topic.
Blessed are the pessimists, for they have made backups. -- 0 1 My two bits
The people who vote on the Hugos are self-selected. If you want to vote, all you need to do is buy a membership in that year's WorldCon (World Science Fiction Convention). No restrictions, other than coming up with the membership fee (cheaper if you're not actually attending the con).
Compare this with the Nebula, voted and awarded by members of SFWA (Science Fiction and Fantasy Writers of America), which requires proof that you've made paid sales of SF (or F). That's closer to the Oscars, which is nominated and voted on by members of the Academy of Motion Pictures.
What's the point of online awards? It's too easy to rig the voting, or for the utterly unqualified to vote.
-- Alastair
And there's more speculative future history by J.R. Mooneyham.
it's a blue bright blue Saturday hey hey
They are nominated & voted on in 2005, but the award is for works published in 2004.
Sure, The 'Code is no Dickens, but then again I don't need to read the entire works of Shakespeare to validate my personal literary insecurities, like those cunts who love telling people that they've read War And Peace.
I haven't yet read The Da Vinci Code, but it might interest you that both Dickens and Shakespeare wrote what amounts to pop culture in their time. They're considered classics because they were both great writers and their works have stood the test of time. But at the time that they wrote, they were both firmly a part of popular culture.
Without having read the 'Code, I'd take a wild guess that it's not destined to become a classic. But that doesn't matter if you enjoy it, nor if millions enjoy it. It is what it is, and after reading what you wrote, I'm actually interested in reading it.
BTW, I'm not the sort of cunt who loves telling people that I've read War And Peace. I look down on those cunts. I'm the sort of cunt that loves telling people I've read Gravity's Rainbow. But then there are the cunts who love to tell people they've read Ulysses, and they tend to look down on cunts like me.
It's not offtopic, dumbass. It's orthogonal.
I was eligible to nominate both for the Hugo and Nebula this year...but I only nominated a few stories from the preliminary Nebula ballot because I've been too busy to read much of the newer work. The Hugo and Nebula award periods are not exactly the same cycle. Here are the current Nebula best novel finalists:
Paladin of Souls, by Lois McMaster Bujold (Eos, Oct 2003)
Down and Out in the Magic Kingdom, by Cory Doctorow (Tor, Feb 2003)
Omega, by Jack McDevitt (Ace, Nov 2003)
Cloud Atlas: A Novel, by David Mitchell (Sceptre, Jan 2004)
Perfect Circle, by Sean Stewart (link to Private Edition) (Small Beer Press, Jun 2004)
The Knight, by Gene Wolfe (Tor, Jan 2004)
PALADIN OF SOULS won last year's Hugo, for instance.
SFWA also has a committee whose job is to read "less popular" books that may be great but overlooked and add one such book to the ballot. You don't get that with Hugos. I'm not sure such an added book has ever won, however, but I imagine it might helps sales a bit.
Professor of Astronomy, Author of Spider Star & Star Dragon (Tor)