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Jon Johansen Interviewed

wuzfuzzy writes "Depending on your point of view, Jon Lech Johansen is either your hero or adversary. To the copyright industry, Jon Lech Johansen has been a detriment to their policy of control since the advent of DeCSS (Decrypt Content Scrambling System.) To those who cherish freedom, he has been a pillar of hope in an age when DRM (Digital Rights Management) threatens to overtake mainstream media. After two trials, the courts finally ruled in Jon's favor. However, there is much more to Jon Lech Johansen than DeCSS. In this interview, Slyck hopes to bring to light the many facets of Mr. Johansen, and the numerous projects he is involved with."

80 of 370 comments (clear)

  1. Reasonable by n9uxu8 · · Score: 2, Interesting

    Seems a reasonable enough feller. I thought the university comment was quite interesting.

    1. Re:Reasonable by badasscat · · Score: 4, Funny

      "Arguing with unreasonable people who hide behind anonymity is a waste time, so I don't bother."

      Sounds like he's not a member of Slashdot.

  2. Ah yes... by Sanity · · Score: 4, Insightful

    ...I remember the days when everyone loved this guy, that was, of course, until he applied his skills to slashdot's favorite purveyor of DRM.

    1. Re:Ah yes... by Anonymous Coward · · Score: 3, Insightful

      User 1431 and you still haven't figured out that everybody on Slashdot is not the same person?

      What we have here is... failure to communicate!

      There's some people you just... can't... reach.

    2. Re:Ah yes... by Sanity · · Score: 2, Insightful
      User 1431 and you still haven't figured out that everybody on Slashdot is not the same person?
      Perhaps if you had been here longer you might have noticed that the moderation system clearly promotes some opinions over others and encourages a self-reinforcing groupthink.
    3. Re:Ah yes... by Golias · · Score: 3, Funny

      I'm at a loss as to how post #88766 about "slashdot groupthink" could possibly be, in any way, shape or form, insightful.

      We talked it over, and we all agree that you don't think as an individual enough. :)

      --

      Information wants to be anthropomorphized.

  3. Thanks Jon, I appreciate your work! by garcia · · Score: 5, Insightful

    When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    Exactly! When I buy a DVD (not rent) I expect to have complete control over how I view that content. My DVD player has no right to restrict me from fastfowarding through any part of that media.

    Any DVD I purchase that does not allow me to fastfoward any part is immediately ripped, stripped, and burned. That's my right. Thank you Jon!

    1. Re:Thanks Jon, I appreciate your work! by kevin_conaway · · Score: 2, Interesting

      Aren't you required to view the FBI copyright warning?

    2. Re:Thanks Jon, I appreciate your work! by Anonymous Coward · · Score: 2, Insightful

      Surely not out of their jurisdiction, e.g. non-US

    3. Re:Thanks Jon, I appreciate your work! by calibanDNS · · Score: 2, Insightful

      Of course not, you could always just close your eyes. Now, we just have a way to get straight to the movie.

    4. Re:Thanks Jon, I appreciate your work! by RedHat+Rocky · · Score: 3, Insightful

      I would really like to be charge for not watching the FBI notice, maybe then we could make it go away for good.

      --
      Anything is possible given time and money.
    5. Re:Thanks Jon, I appreciate your work! by nkh · · Score: 2, Interesting

      I'll go further: any DVD I buy is ripped and burned as a backup with menus and dubbing removed. Menus can actually be worse than advertisment when they are too long and prevents you from changing the settings while watching the movie.

    6. Re:Thanks Jon, I appreciate your work! by mindstrm · · Score: 3, Interesting

      Because it's not a feature, it's something that is specifically disabled.

      The point isn't that they should be required to or not, the point is that MY RIGHT to view the content how I want should be absolute. I shouldn't be committing a crime by not wanting to watch some segment of a video I BOUGHT.

    7. Re:Thanks Jon, I appreciate your work! by badfish99 · · Score: 4, Insightful

      If the law said you should help to gas the Jews, I'm sure you would work hard to get it changed. But would you obey it while waiting for that to happen?
      OK, that's an extreme example. But once you've said "no" to that, you've accepted the principle that you should break some laws because you don't like them. So the only remaining questions is: where do you draw the line?

    8. Re:Thanks Jon, I appreciate your work! by turnstyle · · Score: 5, Insightful
      "The market determines the features, if someone wants to try to sell a DVD player without FF, they are welcome to do so. Though I doubt it would sell very well without some other really really good feature."

      Wrong. The market isn't the only factor. Just look at the iTunes Music Store. If it was just about what the market wants, there wouldn't be DRM.

      It's not just about what the market wants -- it's about what the market wants in the context of world in which technology providers and media providers are struggling to find balance (or, to become dominant).


      "No one is advocating manufacturers be forced (as in, by law) to do anything."

      Wrong again, just look at the broadcast flag.

      --
      Here's what I do: Bitty Browser & Andromeda
    9. Re:Thanks Jon, I appreciate your work! by SoCalChris · · Score: 2, Insightful

      I've never understood the speed limiter on cars.

      Most kick in at around 150-155mph. That is double what the very highest legal speed limits in the US are, and any crash at 150mph in most street cars would likely be fatal.

      So what's the point at putting the limit at 150mph? If they are trying to control how fast we drive, why not put the limit at 80mph, or not have one at all? Having the limiter at 150mph is only going to piss off people who have bought a high end car, and are likely trying to drive it on a track.

    10. Re:Thanks Jon, I appreciate your work! by ifwm · · Score: 2, Insightful

      You mean like at the movies, right?

      Before you go off on me, yes they are similar, in that you buy a movie in a format that is chosen by someone else. You can't control the previews, nor can you control the commercials.

      Truthfully, your "right" to view SOMEONE ELSE'S movie in the form and fashion you choose has never existed. That fact that technology ALLOWS you to do something doesn't make it a right.

      One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for. If the manufacturer says no fast forwarding, you have no "right" to do otherwise. Instead, use the rights your wallet gives you and refuse to buy such movies.

    11. Re:Thanks Jon, I appreciate your work! by AceCaseOR · · Score: 4, Informative

      I can skip over it on my DVD player (a Daewoo). So I doubt that that is actually a law.

      --
      Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you in your sleep.
    12. Re:Thanks Jon, I appreciate your work! by mrogers · · Score: 5, Informative
      The market determines the features, if someone wants to try to sell a DVD player without FF, they are welcome to do so.

      Not true - to manufacture DVD players you need a license from the DVD Copy Control Association. If your player includes features that they don't like, such as skipping commercials, they won't give you a license for CSS.

    13. Re:Thanks Jon, I appreciate your work! by RedHat+Rocky · · Score: 3, Insightful

      "Wrong. The market isn't the only factor. Just look at the iTunes Music Store. If it was just about what the market wants, there wouldn't be DRM."

      No, you're wrong. The market supports iTunes. Now granted you and I would agree that DRM is bad and unwanted; however, obvisously we are the minority and the market just doesn't care. It's not about what the market WANTS, it's about what the market will bear. In the iTunes case, there is more than enough market willing to put up with the stupid DRM.

      "Wrong again, just look at the broadcast flag."

      I mispoke, that should have read 'No one HERE, ARGUING,IN THIS DISCUSSION is advocating....'. I don't think any of the Media Giants and others pushing this crap (broadcast flag and DRM) are participating in this discussion. But I could be wrong.

      --
      Anything is possible given time and money.
    14. Re:Thanks Jon, I appreciate your work! by i.r.id10t · · Score: 4, Informative

      Many times it is a RPM limiter on the engine. Speed = rpm x gearing (plus stuff about tire diameter, etc). For example, in one of my cars 3000 rpms in first gear is good for 12mph, in second it is good for 30mph, 45mph in 3rd, and 60mph in 4th (standard gearing for a '65 Porsche 356C). So assuming there was a limiter to keep it from going above 70mph, then you wouldn't be able to go above 15 in 1st because you'd have to limit the rpms.

      --
      Don't blame me, I voted for Kodos
    15. Re:Thanks Jon, I appreciate your work! by michrech · · Score: 5, Interesting

      Before you go off on me, yes they are similar, in that you buy a movie in a format that is chosen by someone else. You can't control the previews, nor can you control the commercials.

      This is where you are wrong.

      I can control them via not purchasing them. If enough of us had the self control/will power to do the same, things WILL change. Especially if you voice your view/position to those that own the theater.

      I have not been to a movie theater in around a year because of the forced previews and commercials (well, mainly the commercials -- I like seeing what movies are coming up, but some people may not).

      As for your rant about purchasing a license to view a movie, not the movie itself. There is no written agreement in the packaging or displayed on screen (even accessable via the DVD's menu!) that states what my rights are with regards to how I view the movie. The ONLY agreement displayed is that I may not rent it out myself, charge others to see it, or copy and distribute it to anyone. PERIOD.

      --
      bork bork bork!
    16. Re:Thanks Jon, I appreciate your work! by Koyaanisqatsi · · Score: 2, Interesting

      You're doing it wrong. It's not the media that's preventing you from fast-forwarding, it's the player.

      The media tells the player "you *should* not allow FF here", but it's up to the player to comply or not - thou I haven't seen one that allows you not to comply, I know my current sony won't, and it's a PITA!

    17. Re:Thanks Jon, I appreciate your work! by CrashPoint · · Score: 2, Insightful
      Apples and oranges.

      When you buy a movie ticket, you are paying for the privilege of attending a single viewing of someone else's copy of a movie. It is therefore reasonable to assume the owners of that copy have the right to control the presentation (by showing previews, commmercials, MPAA propaganda, etc). Their house, their rules.

      When you buy a DVD, you are paying for the copy of that movie. As you are now the owner of said copy, it is reasonable to assume you have the right to control the presentation- whether by skipping commercials, repeating your favorite scene, or format-shifting for use in a different type of player (say, a Linux machine). Your house, your rules.

    18. Re:Thanks Jon, I appreciate your work! by mindstrm · · Score: 2, Insightful

      And you do have these rights.

      Unfortunately, anyone who distributes the knowledge about how to modify your DVD player to let you exercise these rights is breaking the law (DMCA).

    19. Re:Thanks Jon, I appreciate your work! by Anonymous Coward · · Score: 4, Funny

      FBI should stick to what they do best: chasing aliens.

    20. Re:Thanks Jon, I appreciate your work! by cayenne8 · · Score: 2, Insightful
      "One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for. If the manufacturer says no fast forwarding, you have no "right" to do otherwise. Instead, use the rights your wallet gives you and refuse to buy such movies."

      This really is interesting...if something is stated long enough, it starts to become 'an accepted fact'.

      This sure, to me, seems to be a really new point of view as far as purchased media goes. Back in the day, if you bought an album, cassette, 8 track, VHS or beta....you considered yourself to have BOUGHT that particular copy of the music or movie...and that you could do with it as you wished as long as you didn't violate the copyright laws regarding redistribution for profit...etc. Howerver, short of that, you bought it, and could copy it (make mixed tapes?), loan it to a friend, and even resell your copy to a used record/video store. And I pretty much thought, that the laws concerning 'first sale', etc, pretty much insinuated that you in fact bought a copy of the media....not a license.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    21. Re:Thanks Jon, I appreciate your work! by angle_slam · · Score: 3, Informative

      See this article for an explanation of the speed governor. Reasons: 1) tires not rated past 155 mph; 2) to prevent a speed war among car manufacturers.

    22. Re:Thanks Jon, I appreciate your work! by angle_slam · · Score: 2, Informative
      I've never had a car I own cut out on me at any speeds I've been at...and I've pushed the limits on most of my cars well over 120+....

      That's because speed governors kick in at 155 mph.

    23. Re:Thanks Jon, I appreciate your work! by angle_slam · · Score: 2, Informative

      Mercedes and BMW speed govern their cars at 155. Other car manufacturers may be different or may not have a speed governor at all.

    24. Re:Thanks Jon, I appreciate your work! by Ulrich+Hobelmann · · Score: 2, Insightful

      I can control them via not purchasing them. If enough of us had the self control/will power to do the same, things WILL change.

      Unfortunately, no. While I boycott buying DVDs (I will rent them once in a while, though), most people out there don't even know what DRM is or what's up with the CSS stuff.

      Even if we all stop buying DVDs, the industry will give a shit.

      The only possibility is to fight for fair use on the legal front and to actively circumvent DRM and advertise that (and to advertise that circumventing "protection" doesn't mean you copy/steal content).

    25. Re:Thanks Jon, I appreciate your work! by lullabud · · Score: 2, Interesting

      If you're required to view it I assume you're also required to read it and understand it, but if that's the case how come they won't let you pause on it?

    26. Re:Thanks Jon, I appreciate your work! by nathanh · · Score: 2, Insightful
      Truthfully, your "right" to view SOMEONE ELSE'S movie in the form and fashion you choose has never existed.

      Huh? Where did you get that idea from.

      Copyright specifially grants the general public certain rights for fair use. Viewing the movie in the form and fashion you prefer is one of those rights. Copyright also limits the copyright holder's rights; they don't have the rights you seem to think they do. Here is a list of rights granted by copyright, the list is from bitlaw.

      • the right to reproduce the copyrighted work;
      • the right to prepare derivative works based upon the work;
      • the right to distribute copies of the work to the public;
      • the right to perform the copyrighted work publicly; and
      • the right to display the copyrighted work publicly.

      Where in that list does it say that the copyright holder can take away my right to choose the form and fashion with which I view the movie? It says I can't use the copyrighted material in a public display or performance, but there is no restriction on form and fashion at all.

      One last thing. You don't own a movie, you own a copy of the movie that you have purchased viewing (and in a small way, copying) PRIVILEGES for.

      Sure, I don't own the movie... BUT THE COPYRIGHT HOLDER DOESN'T OWN THE MOVIE EITHER. There is no ownership with copyright; there are only certain rights that the copyright holder can exclusively use for a limited time. When the copyright expires, even those exclusive rights cease to matter. There is no ownership by ANY party. Society has graciously granted a copying and performance monopoly to the movie studios for a limited time, but society NEVER gave the movie studio an ownership of the movie.

  4. I interviewed him, badly by Anonymous Coward · · Score: 2, Funny

    I thought we had a great Ivy League candidate, since he said he want to Yale. Then he told me his name was Yon Yohansen.

  5. Re:I'm dumb, help me by gowen · · Score: 2, Funny

    Oh, wow. How did I screw that up. Jesus, where's my "Take that post back and never let anyone else see it" button.

    I think this would not be a good time to reveal I've a higher degree in Mathematics.

    --
    Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
  6. Re:I'm dumb, help me by WillerZ · · Score: 4, Informative

    5 bytes covers 1,099,511,627,776 possibilities, which is a little harder.

    It rather depends on how difficult it is to test each possibility.

    --
    I guess today is a passable day to die.
  7. A pertinent quote! by Pants75 · · Score: 5, Insightful
    When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    Right On Jon! I already paid for the DVD I don't see why I should be forced to sit though adverts after that.

    Just let me navigate the content of my new DVD in the manner I choose thanks very much!

    It is just a pity that the studios/player manufacturers are not going to listen to the public on this matter.

    1. Re:A pertinent quote! by garcia · · Score: 4, Insightful

      It is just a pity that the studios/player manufacturers are not going to listen to the public on this matter.

      They aren't going to listen to the minority. The MPAA and RIAA have the power of nearly limitless funding for FUD campaigns against fair-use. Sadly, it's already working.

      People accept that DRM will be on digital TV content. "Oh, I don't see why I should be able to timeshift my shows outside of a predetermined timeslot!" "Oh, copying DVDs is wrong!" "Oh, listening to my music on more than three different computers and devices is unncessary!" "I don't need to burn music more than 5 times!"

      This is where the road is leading. People will continue to be told that fair-use doesn't exist and they will continue to accept it because there really is no other way (in their eyes).

      So the public is going to listen to them on this matter.

  8. If the page gets Slashdotted.. by a3217055 · · Score: 4, Informative

    Slyck.com Interviews Jon Lech Johansen
    April 4, 2005
    Thomas Mennecke


    Depending on your point of view, Jon Lech Johansen is either your hero or adversary. To the copyright industry, Jon Lech Johansen has been a detriment to their policy of control since the advent of DeCSS (Decrypt Content Scrambling System.) To those who cherish freedom, he has been a pillar of hope in an age when DRM (Digital Rights Management) threatens to overtake mainstream media.
    Jon Lech Johansen became well known for his role in the development of DeCSS. Jon spent 3 long years in the Norwegian courts proving his innocence. The American movie industry pressured the Norwegian Economic Crime Unit to press charges against Jon Lech Johansen in 2000 for allegedly bypassing the CSS copy protection on DVDs.

    After two trials, the courts finally ruled in Jon's favor. However, there is much more to Jon Lech Johansen than DeCSS. In this interview, Slyck hopes to bring to light the many facets of Mr. Johansen, and the numerous projects he is involved with.

    Describe your role in the development of DeCSS. Was is a group effort or were you the mastermind behind it?

    DeCSS was written by 3 people: a German developer, a Dutch developer and myself. The reverse engineering was done by the German.

    From time to time I see people repeat the claim that DeCSS was only made possible because a DVD player manufacturer forgot to "protect" their DVD player. This is a myth that is perpetuated by people who don't understand how computers work. Code obfuscation only slows down reverse engineering, it doesn't block it.

    What was the motivation behind creating DeCSS?

    The motivation was being able to play DVDs the way we want to. I don't like being forced to use a specific operating system or a specific player to watch movies (or listen to music.) Nor do I like being forced to watch commercials. When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    Did you ever expect the level of legal entanglements; and for it to become as popular as it is today?

    No and no.

    How difficult was it do break the CSS encryption? What did it take to break the encryption?

    Technically DeCSS didn't break CSS. Breaking a crypto algorithm requires revealing and/or exploiting a method that's faster than brute force. DeCSS simply implemented CSS the same way as a normal DVD player.

    CSS was however broken by Frank Andrew Stevenson: http://www-2.cs.cmu.edu/~dst/DeCSS/FrankStevenson/ index.html. Many DVD decryption tools today exploit the weaknesses in CSS that he revealed.

    Another myth is that DeCSS is illegal because it uses a "stolen" key. A CSS key is 5 bytes. How anyone can think that it's possible to "steal" 5 bytes is beyond me. 5 bytes do not have any protection under copyright law because it's not an original work. It's probably possible for 5 bytes to be protected under trade secret law, but CSS hasn't been a trade secret since DeCSS was released and mirrored all over the net. Is someone who names their child "Frank" (5 bytes) stealing Frank's name? It's absurd.

    Was there at any point during the DeCSS trials when you felt you were in serious trouble, or were you confident throughout that you would emerge victorious?

    I was confident throughout.

    What was the expression(s) on the face of the movie industry when you were finally acquitted?

    The MPAA's (or rather, the MPA, which is the international arm of the MPAA) Norwegian lawyer was present for most of the first trial. I don't remember if he was present when the judgment was handed down, but if he was, he was probably wearing his standard grumpy look.

    For the acquitt

  9. Re:I'm dumb, help me by gowen · · Score: 2, Funny

    OK. You can stop replying to this now.

    I'm a cretin.

    OP

    --
    Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
  10. Re:I don't know which Jon I love more by wheany · · Score: 2, Funny

    Of course, being Finnish, I'd have a greater chance of getting to first base with the latter.

  11. Turn up the heat gently by Realistic_Dragon · · Score: 5, Interesting

    From the interview:

    People who claim that the iTMS DRM is a "good compromise" have naively bought into the impending doom propaganda.

    He has a point - the DRM that comes with iTunes is already creeping up in restrictions from the point at which you first agreed to it. Perhaps you should take another look and think again if it is really worth it to you?

    I remember all the comments here about how no one would buy anything with DRM attached... but then it turns out that yes, most of Slashdot indeed would buy it willingly. How very dissapointing.

    --
    Beep beep.
    1. Re:Turn up the heat gently by calibanDNS · · Score: 5, Interesting

      Just to be clear, a lot of us who use iTMS do remove the DRM from the files. There have been numerous projects that have popped up to do this since iTMS launched and there probably will continue to be. If Apple ever manages to implement a DRM scheme that no one can get around losslessly then you can be damn sure I'll stop buying from them. Is what I'm doing a violation of the TOS? Absolutely. But I am not pirating music; I am buying a license to listen to a song and upholding my right to listen to it when, where, and how I want. So long as I'm not distributing the material, I don't see a problem with that.

    2. Re:Turn up the heat gently by Otter · · Score: 2, Interesting
      He has a point - the DRM that comes with iTunes is already creeping up in restrictions from the point at which you first agreed to it. Perhaps you should take another look and think again if it is really worth it to you?

      The initial versions of iTunes and iTMS had the barest minimum of DRM required to keep the RIAA happy. It was all trivially breakable and Apple's attitude was essentially "We're trying to make it easy on you, so try to behave, huh?" And every 1337 h4xor like Johansen instantly broke everything they could, and Apple has been tightening and tightening ever since.

      Now the "turn up the heat gently" crowd will tell me that that was Apple's plan all along, that Johansen and the other dipshits had nothing to do it and that they've heroically saved me from a lifetime of servitude in Steve's wine cellar. Maybe. But we'll never know now, right?

    3. Re:Turn up the heat gently by arkhan_jg · · Score: 2, Insightful

      The problem is, you're effectively telling apple you like their DRM. They don't know you're removing it - they just add you to the big list of customers they can present to the record companies and say
      'See? people are accepting our DRM, and if any nasty people manage to buy your music without DRM, or listen to the music they paid for on too many computers, we can lock it down harder and people will still accept it!'

      DRM won't get lighter, or less restrictive, only more so. And you buying it under those conditions just lets them get away with tightening it for the vast majority of people who don't know who to remove it.

      Give it 20 years, and people won't remember they used to be able to play records or CDs how and where they liked. They'll have forgotten they used to be able to resell old CD's once they were tired of them. They'll have forgotten that they could make backup copies of what they owned.

      Some of those things are already going, like the ability to play it on your OS/device of choice without jumping through hoops. Some have gone already, like being able to resell your copies.

      Buy iTMS music if you like their DRM, but don't remove it and then kid yourself you're beating them. You're just paving the road to greater restrictions later. And by the time we can't crack the DRM (or it becomes so legally dangerous to do so) it'll be too late to complain, lobby and change it, because most people will think that's how it's always been.

      --
      Remember kids, it's all fun and games until someone commits wholesale galactic genocide.
  12. hmm by Sv-Manowar · · Score: 5, Interesting

    the most interesting thing he's done recently in my opinion was hacking the VC-1 codec from SMPTE into VLC. Something that provides real hope for linux and mac users trying to view WMV9 encoded video content

    not to belittle the rest of his accomplishments, but I feel this one has the greatest possible advantage in legitimate terms

  13. Re:Prediction by disposable60 · · Score: 3, Insightful

    #1 Lets nominated him for sainthood in the house of GNU. #2 Lets string him up high. Or both? Saints are usually dead, after all.

    --
    You're looking for quotes? See my journal.
  14. Re:Melodrama in submission? by Ironsides · · Score: 3, Insightful

    In my personal opinion, he isn't a freedom fighter. He's a guy whose making it harder to get the record labels to embrace online downloading as their business model.

    Why should tracks I buy from an online music store be more restrictive in what I can do with them than ones that come on red book Audio CDs?

    --
    Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
  15. Stolen CCS key ? by amanox · · Score: 5, Insightful

    This paragraph struck me as odd:
    "Another myth is that DeCSS is illegal because it uses a "stolen" key. A CSS key is 5 bytes. How anyone can think that it's possible to "steal" 5 bytes is beyond me. 5 bytes do not have any protection under copyright law because it's not an original work. It's probably possible for 5 bytes to be protected under trade secret law, but CSS hasn't been a trade secret since DeCSS was released and mirrored all over the net. Is someone who names their child "Frank" (5 bytes) stealing Frank's name? It's absurd."

    If those 5 bytes are a key to unlock something.. ehm.. I think comparing that to someones first name is a bit weird. If someone has my credit-card code, I would say they stole my code.

    For the record, as I do not want this thing to be flooded with "Great , go ahead and support DRM", I'm 100% against DRM. They have been spending a thousand times more on DRM-development than what they claim they have lost by illegal copies. DRM is only good if you want to finance the legal department and throw money out of the window, because no DRM will be 100% safe, and all DRM-schemes that I've seen passing by were broken, sometimes even before their official release. Not to mention they cause enormous headaches with their paying customers, and I don't think paying customers are the kind of people they want to piss off.

    1. Re:Stolen CCS key ? by hey! · · Score: 4, Interesting

      Well, I think the question he is asking is if we are going to use the word "stealing", then this brings in the concept of "property". Well, Ok, if it's property -- what kind of property is it?

      Is the key an invention, that could be covered by a patent? No.

      Is the key an expression, that could be covered by copyright? No.

      What the key is, is a secret. Unless there is some specific law, secrets can be "stolen" in a vernacular sense but it's not legally theft. Secrets are not property. Trade secerts are sometimes referred to as "intellectual property", but they aren't really treated as property except by those who contractually agree to treat them so.

      That said, this is in part because the law hasn't caught up to the last century, much less this one. For example most people believe that individuals have a kind of proprietary interest to confidential information about themselves. The idea of people trafficking in confidential information about them without their knowledge or consent seems to them a violation of privacy rights. But there is, at least in the US, no legal recognition of any such rights, which makes identity "theft" so easy. It's sophistry to say that because something is legally not property, that it cannot be stolen. When people say "stealing" in this situation, they are talking about misappropriating or misusing something that you have no moral right to.

      Personally, I think that a person who duly pays for a DVD should be able to play any place he wants and any time he wants. It's like my old leftie uncle Ivan used to say years and years ago: "Kid, nobody really believes in capitalism, nobody believes in socialism. It's socialism for me, capitalism for you." The replace "capitalism" and "socialism" with "free trade", and it's still true. If workers have to compete in the global market for wages, they should benefit from price competition too.

      So, I think that breaking CSS is the right thing to do. But not because you can't steal what isn't legally property. It's because accessing something that is completely within your rights isn't stealing in any sense of the word.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    2. Re:Stolen CCS key ? by bleckywelcky · · Score: 4, Insightful

      I think you missed the point. The number inherently has no protection with it. If your CC number is 1234 5678 9101 1121 and I have that number written down on a piece of paper, then I have done nothing wrong. The number itself is not something that can be stolen. The number is not copyrighted. It is not patented. It is not trademarked. And if I wanted to use that number as a transaction identifier for my own purchases, I have done nothing wrong. However, the moment I use that number to access your financial assets, then I have done something wrong. But not because I used that number, but because I accessed your financial assets without your permission.

      So the number thing is straight. But the grey area is once you have a piece of software or hardware that you have bought, and you use that key to do something with either, is that wrong?

      Personally, I would say no. Because I believe in having total and complete access to everything in your possession. And I believe in the individual's ability to reverse-engineer anything that they can understand. A good analogy would be the differential on a RWD vehicle. Let's say all we had was limited-slip differentials on the market (no locking diffs), and someone came around to developing a locking diff and sold it. But they were the only ones that knew how to build a locking diff, so they sealed the diff inside a casing that required a key to open. If the end user found the key, they should be able to use it to open up the diff. Then they can look inside to see how it works, and build their own if they so choose. And they should be able to share that information with whomever they choose.

      However, the protection for the company comes with their patent on the locking diff ... so the moment anyone tries to start selling locking diffs instead of just building them for personal use, they can hit them with patent infringment and collect royalties (or shut them down, whatever).

      Tinkering should never be outlawed ... it is basically a suppression of one's freedom, their freedom to think anything they want and to learn anything they choose. The laws should start at redistributing the content for financial gain.

  16. Re:Prediction by Daravon · · Score: 2, Insightful

    Which was covered by the first sentance of the summary....... "Depending on your point of view, Jon Lech Johansen is either your hero or adversary."

    --
    I traded all my mod points for these magic beans.
  17. Hero or adversary? by Anonymous Coward · · Score: 5, Insightful

    Why do things have to be so black and white? I don't care one way or the other. DeCSS Jon is marginally better than Mitnick, because Jon actually produces something and is Fighting the Power (TM) and Sticking it to the Man (TM)... and that's a good thing. I don't agree with all that he does, but at least he's out there in the proverbial trenches doing what he thinks is right rather than just stealing music (or credit card numbers, like Mitnick) just because he can. He's also not a famewhore like Mitnick, trying to turn a moment of dubious fame into 3) profit!!! Mitnick proves that Scott Adams is right: people get promoted because management knows their name, and one only gets one's name known when it's attached to some disaster. Thus, companies hire criminals like Mitnick as "security experts" because they've heard the man's name.
    I put Jon into the same category as Linus... someone pushing the boundaries of the electronic world, and our rights therein. Someone has to be the pioneer, if mainstream society is to struggle with the issues brought up by the envelope-pusher.

  18. Eh by worst_name_ever · · Score: 3, Insightful
    Depending on your point of view, Jon Lech Johansen is either your hero or adversary.

    Or you might think he's just some guy, you know?

    --

    In Soviet Rush, today's Tom Sawyer gets high on you.
  19. Freedom? by kirkb · · Score: 5, Funny

    To those who cherish freedom, he has been a pillar of hope
    Since when did George Bush's writers start submitting slashdot articles?

    --
    Slashdot: come for the pedantry, stay for the condescension.
  20. Master and Commander by Mr_Silver · · Score: 4, Informative
    When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    The best example of this is the DVD of "Master and Commander". It forces you sit through 10 minutes of advertising of other films before you get to the main menu!

    I found this requirement to be shockingly obnoxious.

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
    1. Re:Master and Commander by Rude+Turnip · · Score: 2, Informative

      Although you can't get to the main menu by using the "menu" button in that situation, you might be able to press the stop button, which takes you to the logo screen on your DVD player. Then, pressing the play button would dump you into the main menu.

  21. You've summed up the problem nicely by Weaselmancer · · Score: 4, Insightful

    But DRM like iTunes' is the most liberal there is

    And that's the problem. People don't balk at iTunes DRM. They simply say that it's the best out there, so they're happy. Kind of like saying having a brick dropped on your foot is better than having a bowling ball dropped on your head. People keep forgetting the fact that both options suck.

    --
    Weaselmancer
    rediculous.
    1. Re:You've summed up the problem nicely by Weaselmancer · · Score: 2, Insightful

      So why would they want to sidestep fair use?

      Greed. The model where the user controls the media they purchase produces less revenue than the model where the industry controls the media the user purchases.

      More to the point, would you agree that the primary reason for DRM was to (try to) keep people from copying and distributing their product en masse?

      No, I'll still go with greed. These companies exist to make money. All the noise you hear about "protecting artist's rights" is the legislative equivalent of bible-thumping.

      If a DRM scheme materialized that perfectly protected copyright - but somehow cost the industry more than they're currently losing on piracy...they wouldn't go with it. They're a business, a big one, and to ascribe humanitarian qualities to a profit-minded entity is probably incorrect.

      --
      Weaselmancer
      rediculous.
    2. Re:You've summed up the problem nicely by Ulrich+Hobelmann · · Score: 2, Insightful

      If I may join the discussion...

      DRM was definitely *not* created to keep people from copying and distributing content, since DRM (like CSS or iTunes FairPlay) doesn't prevent that.

      I can crack an iTunes AAC and put in on Kazaa; I can *copy* or rip a DVD without touching the encryption. Only to *play* the movie do I need to touch and decrypt the data!

      That's why I don't like the term copy protection. It's more of a play protection to me, just like region codes. I'm in the US right now, but can't rent or buy US DVDs, since then I couldn't watch my German DVDs anymore. Sucks, doesn't it?

      Actually, you can't prevent copying and mass distribution at all, and you don't need to. You also can't prevent people from stabbing each other with a kitchen knife. But the MI could compete, meaning that it started offering a decent product (unencumbered downloads in multiple formats and bitrates; backup included in case you fry your hard drive; fair price, 99c is ok to me) instead of refusing to acknowledge that we live in the 21st century now.

      At $15 I hardly buy any CDs at all -- only the best of the best. At $8-$12 I buy lots of CDs. A slight modification in price can vastly change the profits made on music, but the MI doesn't even understand (or refuses to) basic business and pricing decisions.

  22. Re:quit high school by tomstdenis · · Score: 5, Insightful

    For me the paper was largely useless to start with. The point is people really are asshats and will simply stroke you off for not being comformant with "the list".

    I have companies like IBM, Sony, BitMover, etc... using my software and yet I'm unfit to work for them... That basically tells you that the people who "do work" and the people who "do hiring" are not the same and don't talk.

    Not trying to ride on JJ but if he's trying to be hip by saying "school is useless" ... well it proves how immature he is. School is as useful as you make it. If you just treat it as a 9-5 it can be very ineffective. But if you treat is as playground of knowledge and use the time to learn as much as possible you leave school with the ability to pick up new things, etc, etc, etc..

    Tom

    --
    Someday, I'll have a real sig.
  23. Re:Melodrama in submission? by grasshoppa · · Score: 4, Insightful

    You paint a picture of an evil corporate-controlled society with black helicopters and spotlights swarming in the night to take away your cherished freedoms.

    Have you even been paying attention to the crap congress is up to?

    Sure, no black helicopters and spotlights, but only because it's not as effective as passing laws in congress.

    --
    Mod me down with all of your hatred and your journey towards the dark side will be complete!
  24. Re:Melodrama in submission? by MORTAR_COMBAT! · · Score: 2, Interesting

    Why should tracks I buy from an online music store be more restrictive in what I can do with them than ones that come on red book Audio CDs?

    That's a good question. Perhaps you would like to start an online business offering just that. Tell us how that negotiation with the RIAA goes.

    --
    MORTAR COMBAT!
  25. Re:Melodrama in submission? by gurutechanimal · · Score: 5, Insightful

    You paint a picture of an evil corporate-controlled society with black helicopters and spotlights swarming in the night to take away your cherished freedoms. But DRM like iTunes' is the most liberal there is, and you can easily use its loopholes for things like infinite CD burning (just recreate the playlist).

    You might have said that sarcastically, but a lot of people think this way. This kind of worldview emerges if you follow the current trend of relentless corporate-goverment culture restrictions policies to their logical conclusion.

    Separately, I offer two analogies based on the last sentence in your comment:

    He's a guy whose making it harder to get the record labels to embrace online downloading as their business model.

    1) The fact that record labels will not consider selling music online without onerous restrictions underscores Jons point.

    2) Saying that iTMS has the least restrictive DRM scheme is a lot like the difference between the Minimum Security wing of a prison (iTMS), and the Maximum Security wing of a prison (the goal of the labels); in the end, you're still in prison.

    --
    Governments are not necessary.
  26. Misguided Youth... by skribble · · Score: 2, Insightful

    Ok, this guy may have some valid ideas about DRM, but I feel that a artist/musician/owner/company... whoever, has the right to protect/use/distribute thier product however they see fit and if someone doesn't like it then they have every right not to purchase it. Wresting control of a item away from it's owner is not a nobal pursuit.

    BTW normal consumer actions often police the worst sorts of DRM and Meida lock. Example... Disney once released a DVD were you couldn't skip the previews, they did this once, got slammed by the consumers and stopped doing it. If you want to change something you can do it with dollars.

    If this guy is so smart about DRM and the finances of Media Companies, then I suggest he start his own media company and see how long it takes for himto go out of business.

    --
    --- Nothing To See Here ---
  27. can you blame him? by Stalyn · · Score: 2, Insightful

    He's definitely a very talented kid, I mean he wrote DeCSS when he was around 16. Did any of his teachers notice his talents? Of course not. So he takes his skills underground where he meets people like himself. These people are tossed aside by an uncaring system, of course he thinks the way he does. He hates the system because it created him.

    --
    The best education consists in immunizing people against systematic attempts at education. - Paul Feyerabend
    1. Re:can you blame him? by tomstdenis · · Score: 4, Interesting

      So what. I wrote an entire BBS when I was 12 [going on 13 at the time] in pascal while teaching myself C, I was reading TAOCP and understanding quite a bit at age 17 ...

      By 2002 [when I hit 20] my LibTomCrypt library had already international attention behind it. I've since traveled the to europe twice, been to california twice on various work related contracts because of the attention I got.

      He's not the only kid with "neato hobbies".

      What makes him so special is he got sued. I'm sure if RSA or something tried to sue me that would make me "uber slashdot cool" and you know what... I'd still go to college.

      Cuz despite all the bitching and moaning you do learn things. Sure a good 30% or so of my teachers were clueless, but you still pick up things you wouldn't on your own in an unstructured environment.

      Does JJ know calculus? Alegbra? Chemistry? Literature? ... these are all things you do in high school and college.

      Sure you can teach yourself math [for instance] but the likelyhood of missing key concepts is much higher [and it takes longer to learn the basics in my experience with crypto for instance...].

      If anything he should have leveraged his fame to get scholarships or something. At least that would be productive...

      Tom

      --
      Someday, I'll have a real sig.
    2. Re:can you blame him? by Billly+Gates · · Score: 2, Insightful

      So he found a niche. Does everyone need college? No.

      I am 28 and back at school after the .com crunch.

      I am glad I gained real world experience and going back to school later teaches maturity and also humility.

      Maybe by my age Jon may go back to school and get his degree when he is ready.

      We all dont need to go to school fresh out of highschool. I would encourage my future kids to do the same unless they are very driven.

  28. the write-up by monkease · · Score: 4, Insightful

    To those who cherish freedom, he has been a pillar of hope in an age when DRM (Digital Rights Management) threatens to overtake mainstream media.

    Okay, this is bad.

    Have we degenerated to the level of the government that we must use overblown rhetoric, that we don't question such rhetoric?

    This is classic Loyalty Oath type stuff--"You Love Freedom, Yes?" "Um.. yeah..." "Then You Love Senator McCarthy."

    I have the highest respect for those whom I can view as "pillars of hope", but I also have the highest respect for our language, and shit like this is, at best, abuse, at worst, propoganda.

  29. Agreed by bogie · · Score: 4, Insightful

    Drives me nuts. I especially can't stand the Apple DRM fanboys. Oh how I disklike them. Thank God for people like Jon.

    The music industry survived for years and years with NO copy restrictions at all. Tapes and CD's could be copied at will. And best of all at the height of "Copyright infringement" and P2P, the record companies are making record profits.

    Any yet now we are supposed to accept these lockdowns and be grateful at all for their services? Because as the parent pointed out that's already happening. Let's look at what Apple has done with the power of DRM to brainwash users. Restrict from Internet streaming to local streaming. Restrict from unlimited Lan to 5 users a day. Restrict from 10 burns of a playlist to 7(IIRC), and finally as someone else had pointed out disabled features on Itunes and the Ipod to lock out competitors.

    And still Apple DRM fanboys and people ignorant of how damaging DRM can be talk about how great it is . Well from here it sure as heck looks like real world DRM implementation suck and are only getting worse. Itunes 5.0 is going to be locked down so tight you can only listen to your songs in a locked room in the presense of an authorized Apple Rep.

    btw I should mention I have no problem with Itunes and besides the Ipod being expensive have no problem with it either. This prasing of DRM and accepting your software being locked down has to stop.

    --
    If you wanna get rich, you know that payback is a bitch
  30. Re:I'm dumb, help me by LanMan04 · · Score: 2, Insightful

    Beyond a certain point, key length doesn't really matter. It's the alrogithm that produces those keys that will get cracked.

    --
    With the first link, the chain is forged.
  31. My view on DRM by BytePusher · · Score: 4, Insightful

    Ok, I've kept pretty silent about the whole DRM issue for a long time, because it doesn't really affect me. Since when was the "right to be entertained" a fundimental human right? I'm tired of hearing people whine, "I should be able to do whatever I want with my DVD." You bought a liscense, because that is what was sold to you. Just because I buy a book does not mean I can "do whatever I want with it." I can't copy it 50,000 times and sell it. I can't distribute it all over the internet. If you don't like what you're buying, stop buying it. Stop it with the childish ranting which is really rooted in your inability to break the entertainment-addiction.
    most of you sound something like this, "my entertainment dealer won't let me steal entertainment(drugs) from him for myself or to give to my friends. So, I'm really mad at him and I'm gonna find all sorts of creative ways to steal from him anyway."
    Whew, that said, I'm all for the freedom to develop and test new technologies. I just think there are better ways to stop DRM. Don't buy their liscenses. Don't buy anything from them until they sell exactly what you want. Otherwise, don't whine.

    1. Re:My view on DRM by ediron2 · · Score: 2, Insightful

      Since when was the 'Right to be entertained...'

      In the US, let's start with unenumerated rights, contract under duress (since you go wankin' off on the whole license thing next) and glance for a moment at the right to Life, Liberty, and the Pursuit of Happiness. Of those 3, 2 fit into my doing anything I want on a DVD. In Norway, reverse-engineering for compatibility is also protected, per the article.

      Then you lost most of us completely at 'you bought a license.' Nope. We are buying stuff. CD's and DVD's are tangible goods, not an oddly-shaped contract. This is one time a jury would eat your freakin' lunch: I defy you to find a roomful of jurors that say that the commonly-held notion is that a DVD is a license.

  32. Another interesting facet by Anonymous Coward · · Score: 3, Interesting

    Is this. Now what do you think about him? An asshole? That's what I thought.

    Joe Connard

  33. Devil's Advocate... by CrazyWingman · · Score: 3, Insightful

    So I was sitting here thinking about how I like to fast forward through commercials, and use adblock, and such, when I had a strange thought. So, I thought I would play a little Devil's Advocate, and toss it out here for comment.

    Think about how it is when you buy a magazine. The publication is chock full of advertisements. You can cut them out, but probably not without ruining at least one part of text. Fast forwarding a DVD is kind of like flipping past an ad page without reading it, but being as the technologies are different, I'm not quite sure how to compare them. So, what makes the magazine scenario different from the DVD one?

    In addition to the comment above, I offer another idea that makes some bit of sense: What would it cost to buy the same magazine without advertisements? I'm thinking quite a bit more, and I doubt I would pay for a magazine that cost $20-$50 (depending on content, of course). There are conflicting ideas about what a DVD "actually" costs to make, but if you think about how it would probably cost more if there were no advertisements, I think you can kind of see why they make you watch those advertisements.

    To me, it all boils down to the fact that a business is a business, and the only purpose of a business is to make money. If, in order to make money, a business has to agree that it will make a consumer watch someone else's add, then the business will do it in a heartbeat. It may suck for the user, but as long as they buy it anyway, it doesn't matter.

    Anyway, just thoughts. Respond if you wish, but I'd rather hear interesting arguments than rehashed, tired quotes and flames. :)

  34. You can always skip the intro stuff.... by Rageon · · Score: 5, Interesting

    1. Put in movie, wait until it queues up 2. Press Stop 3. Wait 3 seconds 4. Press Stop again 5. Press Play 6. Movie will begin at 00:00:00 Problem solved. Seriously, try it.

  35. Re:quit high school by karnal · · Score: 2, Informative

    I didn't see that jj said "school is useless" in this interview.

    It plainly states in the interview --> "Actually...I haven't attended university. I quit high school to work in the computer industry. "

    I can see how you read into that, but you're possibly incorrect.

    --
    Karnal
  36. Reap what you sow by gosand · · Score: 3, Insightful
    The best example of this is the DVD of "Master and Commander". It forces you sit through 10 minutes of advertising of other films before you get to the main menu!

    This just shows how the MPAA has brought this on themselves. When DVDs first came out, what was the point of CSS? Average people couldn't make copies of DVDs until pretty recently. Was it forethought regarding the copying capability of the public? Hardly. It was about control. They wanted to be able to control the format. They wanted to be able to sell licenses of their product to DVD player manufacturers. They are still doing this today, but their grip is slipping.

    Look at WHY DeCSS was created:

    The motivation was being able to play DVDs the way we want to. I don't like being forced to use a specific operating system or a specific player to watch movies (or listen to music.) Nor do I like being forced to watch commercials. When your DVD player tells you "This operation is not allowed" when you try to skip commercials, it becomes pretty clear that DRM really stands for Digital Restrictions Management.

    The MPAA and their cronies pushed the boundaries of good business, and got called on it. They thought nobody could do anything about it, so they didn't even consider backing down. I don't know of ANYONE who likes to sit through the crap they are forced to sit through on DVDs. The problem is, people are willing to put up with the inconvenience because there are no other options. Now there are, so MPAA - reap what you sow motherfuckers.

    --

    My beliefs do not require that you agree with them.

  37. arguing with unreasonable people a waste of time?! by javaxman · · Score: 2, Funny
    I can't believe someone in an article linked to from slashdot actually stated that arguing with unreasonable people who hide behind anonymity is a waste of time.

    I mean, sure, we knew that to be true... but to put it right out there like that kinda hurts when you realize it's probably the main activity going on around here...

  38. Re:Frank by rpdillon · · Score: 2, Informative

    It's not the notes that are copyrighted...it's her performance of those notes contained on whatever medium, which is going to be a hell of a lot more than 5 bytes.

    Besides, it's not the CSS source code that's copyrighted, Jon was talking about the actual numerical code used by the CSS algorithm to decrypt a DVD. The algorithm might be patentable, and the code for the algorithm may be copyrightable, but the code used to unlock a DVD is not.

    It is this last code that I think he was referring to, and no one could deem that copyrightable. I've probably got a sequence of bytes in this post that has been used to decrypt a DVD...no one in their right mind would try to call me out on copyright infringement.