DMCA Prevents Photoshop Support of Nikon Camera
Will writes "PhotoshopNews.com reports that the risk of getting sued under the DMCA prevents Adobe from fully supporting the raw file format of Nikon's top professional camera Nikon D2X. The file format contains encrypted white balance information that is necessary to render the image correctly and while the encryption can and has been broken, Adobe fears getting sued under the DMCA if they decrypt the data."
Adobe is a large company with deep pockets (unlike Bibble), and it is unlikely we would run the legal risk of breaking the white balance encryption unless we can get some assurance from Nikon that they will not sue Adobe for doing so. Since Nikon clearly does not want third party raw converters reading their files (they would much rather sell you a copy of Nikon Capture), the likelihood of Nikon providing such an assurance to Adobe is not very high.
People who would be purchasing a high-end camera like the D2X and D2H would probably only be doing so to use a high-end piece of software to manipulate the 12+MP digital images.
When a potential buyer looks at Photoshop and sees that it isn't supporting the D2X/H fully because of some retarded move by Nikon to try and make money they are likely going to find another camera. People interested in the D2X/H cameras are going to be shopping around looking for the one that best fits their needs and aren't going to be impulse buying a $5000 camera.
Really dumb move Nikon.
So I wonder if Adobe feels there's a lesson to be learned here... In other news, Dmitry chuckles softly.
Make sure everyone's vote counts: Verified Voting
Nikon, to the best of my understanding, is a camera manufacturer. I have no clue if they do stuff in the whiz-bang imaging market, like Kodak, or Agfa, but it would seem that their business model depends on selling cameras, lenses and other nice gizmos, ideally loads of them.
Assume I'm a Fotografer. Since the times of silver plates and baryt paper (which sure as hell still has it's niche, but I digress) seem somewhat outdated I like to process my digital images with what can be considered the major photo processing application; pretty much the standard in my trade.
And the good burgers from Nikon intend to prevent direct access to crucial parts of the raw data of my images?
I think I buy a Canon!
ich bin der musikant
mit taschenrechner in der hand
kraftwerk
This is exactly what the DMCA was intended to do. I can't remember their being much corporate oppostition to the DMCA when it was being introduced.
Stick Men
The DMCA is having very far-reaching effects, all of which I'm sure were not contemplated or foreseen by the people who drafted the DMCA.
The thing I hate about this sort of legislation, is that once it's on the books, it's very difficult to get repealed.
Other than calling and writing to our representatives, how else do we make our concern known?
"With sufficient thrust, pigs fly just fine." -- RFC 1925
The term "raw" refers to the fact that the data is straight off of the camera sensor. The encrypted data contains the white balance settings that tell a program how to interperate the single color pixel information to interpolate it in to an RGB (or possibly CYMK) image.
They went after a Russian dude who broke their encryption, and he even did it in Russia where it was entirely legal. They only threw him in the can when he entered the US.
So FUCK THEM. Karma has bitten their asses, and I don't feel sorry at all.
Fascism trolls keeping me up every night. When I starts a preachin', he HITS ME WITH HIS REICH!
Dilbert is a reality show.
" -- Hmm... I know! Let's radically decrease the usefulness of our flagship camera by making it incompatible with the program that probably 90+% of professionals use!
-- Yes, great idea! And if they try to go around it, we'll sue them under DMCA!"
Kaa
Kaa's Law: In any sufficiently large group of people most are idiots.
(I personally think that would be a bogus interpretation of the DMCA, since I think the copyrighted information inside the NEF file belongs to the photographer, not Nikon. But Nikon apparently thinks they own the information inside the NEF).
This is a little strange, isn't it? If a photographer takes a picture, it's pretty clear that the photog owns the copyright to that photo. Nikon couldn't possibly claim any rights on photos taken with their camera, least of all because it would make it impossible for professionals to use that equipment. And with $5K cameras, you're really only looking at the professional market.
So if the white balance information (the encrypted stuff) is a part of the photograph, the photographer owns the copyright on that data, too, right? That seems pretty straightforward, but I could be wrong...
Can the DMCA be applied to prevent you from decrypting something that you own the copyright on? This isn't even like owning a DVD and wanting to decrypt the data, because in that case the movie company owns the copyright.
If the DMCA can be applied that way, that's some fucked-up shit. It's just absurd.
There's a difference in principle between encryption to protect content owned by the corporation and encryption simply created to extract money from third-party vendors.
If I take a picture with a Nikon camera, I own the content. Shouldn't I be able to do what I want with it?
Furthermore, what grounds would Nikon have for suing Adobe based on Adobe's violation of encryption that is protecting my copyrighted works? IANALY, but isn't there a "standing" issue here?
Nikon is going to take the hit for this one. Adobe is basically a monopoly when it comes to image processing. If they leave support for Nikon out of their product they won't sufffer a bit, but Nikon will.
Because it always makes my hemerroids itch, when a manufacturer demands a toll in order for me to access my data.
I hope this helps.
ich bin der musikant
mit taschenrechner in der hand
kraftwerk
As a professional photographer, i frankly prefer Nikons own RAW filter, its definately better at processing RAW files than Adobes. i had never assumed that the DMCA had anything to do with the RAW processing, as most camera manufacturers have thir own proprietary RAW formats. In the print/prepress world proprietary software and hardware is the norm, not the exception. Having to spend money on an inexpensive plugin is hardly a major inconvenience. (Not to mention that i got the software bundled with my camera)
Adobe should get on the horn with Nikon's legal dept. and inform them that there will be a sticker on Adobe's packages and full disclosure on their website about Nikon support.
Truly no issue here. Let Nikon make their own Photoshop if they want, but I think this is going to be 'case closed'.
"...Well, there's egg and bacon; egg sausage and bacon; egg and spam; egg bacon and spam; egg bacon sausage and spam..."
Once you're getting into the "pro" bracket of digital photo investment, serious users are much more inclined to use secondary software solutions that work with photoshop...regardless of cost. While photoshop edits great images and most photoprinters put out some fantastic pictures, serious digital image makers regularly use printer RIPs that cost more then the actual printer.
Furthermore, several high-end photographers are extolling the virtues of stand-alone raw processors as an addition to their photoshop workflow.
I'm not saying that it's morally acceptable for Nikon to lock part of their RAW format, I'm just saying that the impact of this upon the pro photo world is far less significant then it would appear.
:::: the insomniac's digest
When I was growing up, I was a Nikon guy. I liked the all-mechanical purity of their high-end cameras such as the F2. There is a certain satisfaction in seeing shutters CLUNK that just doesn't exist in the fully electronic cameras Canon sold.
... yet.
But now electronics is vital, and there's little doubt that Canon has the high ground in all things electronic. Their cameras are far superior in design than Nikon's.
However, I still think Nikon lenses are better made and smoother to use, which I appreciate. Of course this might be simply because I haven't seen Canon's more expensive lenses. My D30 has the low-end 28-135 zoom which works great for me but isn't as silkly smooth as Nikon's 17-85 offering.
I almost switched back to Nikon with the D100 but a last minute financial crisis kept me in the Canon camp. In retrospect, that looks like the right decision in view of Canon's newer cameras, and especially now with Nikon trying to pull this on customers.
Pity Canon still doesn't have a low-end HD camcorder to compete with the Sony FX1 and upcoming Panasonic models. That's my next planned purchase and Canon's doesn't even exist in the market
D
Here's what probably happened here:
Dear Adobe,
Please be advised that some aspects of our new RAW file format will be stored in an encrypted format. If you wish to support our new format, we are happy to license the decryption mechanism to you for $5 for every copy of Photoshop you sell or that you upgrade to allow to process our format. Please note that, under the terms of the DCMA, you are required to license our technology if you wish to support the thousands of Nikon customers in your customer base. We hope you agree that this is a small price to pay to continue to support our cameras.
Sincerely,
Nikon.
Dear Nikon,
Fuck you.
Sincerely,
Adobe.
Photoshop's RAW converter is considered by many in the industry to be mediocre. Nikon wants images from their flagship camera to be processed well, reflecting the quality of their product.
[More Realistic Angle]
Nikon wants to sell more copies of its Nikon Capture software, which is a superior RAW converter, hands down. $100 for a copy of NC is penuts to a pro, and the savings in their time will be significant.
As Adobe themselves state, they expect to have preliminary support for the D2X in May ( http://www.adobe.com/products/photoshop/cameraraw. html )
As the article itself mentions, it's not really that big a deal. It is the white balance parameters as set on the camera when the image was shot that is encrypted. The RAW data isn't directly affected by this, and picking a white-balance preset or performing manual/auto whitebalacing on the RAW data gives you the same/similar/better results (that's partly the point of shooting RAW, no?)
What could be worse is if they encrypted the data as well. This is what SONY does on the F828 and V3, for example.
However, both are supported by Photoshop's RAW support, so I take it they simply licensed or SONY gave them a thumbs up for supporting it. No idea why they encrypt it, though.
Regardless.. that's what would have to happen with any future encrypted formats.. I doubt we've seen the last of them anyway.
If all else fails, get the dcraw utils ( http://www.cybercom.net/~dcoffin/dcraw/ ) and convert from one raw to another. That's where the SONY decryptor is also hosted.
Speaking of dcraw... has Adobe given the author credit yet ?
Furthermore, several high-end photographers are extolling the virtues of stand-alone raw processors as an addition to their photoshop workflow.
Unfortunately, no standalone raw processors can support Nikon's encrypted format
I'm not saying that it's morally acceptable for Nikon to lock part of their RAW format, I'm just saying that the impact of this upon the pro photo world is far less significant then it would appear.
Only if what you are saying is that having only one raw converter, Nikon's, is not significant.
This is truely significant. What Nikon is saying is that Nikon owns the file and that the photographer does not.
SteveM
Author of Photoshop Thomas Knoll, said "I think the copyrighted information inside the NEF file belongs to the photographer, not Nikon. But Nikon apparently thinks they own the information inside the NEF."
I believe your question cuts to the heart of the matter.
I'm imagining Nikon makes a presentation to Adobe about their products, "we need Adobe's support" blah blah blah. And then when Nikon gets to the specifics of their high-end camera they tell Adobe, "Nikon is giving Adobe a wonderful opportunity to license our RAW technology for use in Adobe products!"
After Nikon buys Adobe people an expensive lunch, Adobe is indignant that they must license the RAW import technology. They are ADOBE SYSTEMS for gosh's sake. Adobe Engineering can hack their way into it, but Nikon's smart and is leaving the litigation door open.
Adobe then attempts to reassert their dominance by making Nikon/DMCA out to be the bad guys (which IMHO they are not.)in the press in an attempt to get industry/public opinion on their side.
I give Adobe kudos for doing whatever it takes to get a lower price/free technology. It takes real talent to make customers feel good while they take it up the a**. I'd be much better off if I could do it as well as they do.
http://www.maxineudall.com/2010/02/should-economists-be-sued-for-malpractice.html
Well, more and more people are switching over to Canon. Nikon is starting to fall behind. Though their bodies are a bit cheaper, Canon has a better line up of lenses. (I hope Nikon steps it up a bit. Competition is good for all of us.)
Yes, Canon RAW is supported in Photoshop with the Camera RAW plugin. Photoshop CS2 is coming out very soon and should have some major improvements over PS CS.
Very few people use GIMP professionally I've found. Photography is the sole reason I've switched back from Linux. Try as it might, digikam and GIMP just can't keep up with professional grade RAW Converters such as Capture One Pro. GIMP supports RAW with the appropriate plugin, but sorry, it's just not Photoshop.
I can't say I have any sympathy for the company that imprisoned a programmer because he broke their encryption so the visually impaired could read their file format. Companies like Adobe are part of the reason the DMCA exists. It's nice to see them bleeding on their double-edged sword every now and again.
Yes, my only tool is a hammer. And you're starting to look like a nail.
Personally, I don't want the camera manufacturer telling me what software I can use to read my photographs. Would you accept it if Nikon told you you were only allowed to get prints using Fuji labs?
I also don't want my photo library to depend on some secret file format that may end up being completely unsupported and unreadable in ten years' time. What if Linux takes over the desktop, but Nikon decide not to bother with a file format reader for Linux? What if Nikon go out of business, and Windows 2010 can't run the plugin to read your library of thousands of images?
I absolutely demand that all my photos be in an open, documented file format. And I think you're being foolhardy not to demand likewise.
Sure, you can use the RAW converter on each image as you take them, convert to a sensible format like PNG, and store that--but you're losing information by doing so, making the Nikon a much less appealing and less professional camera.
The really professional companies like Hasselblad understand this, and have committed to Adobe's open DNG raw format. I wouldn't buy any camera that pretended to be "professional" but didn't support DNG or some other open file format.
GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
Breaking encryption is not a DMCA violation.
Breaking encryption that controls access to a copyrighted work is what is against the DMCA.
Unless nikon is claiming copyright protection on their white balance information, it woudln't have much of a chance of winning (and it's hardly an original or creative work)
as a professional photographer, ive encounted maybe one or two people who shot jpeg, and thats because they did on-demand printing at events - they carried a printer with them and sold the pics they just took to attendees.
Everyone else shoots raw because you get all 12 bits of dynamic range which is necessary for quality cast corrections, you can perfect white balance later (or experiment with it), and you dont have to deal with compression and sharpening artifacts that shooting jpeg does, you can do better tonal curves... the reasons are numerous.
In sum, the only people who should ever shoot jpeg are snapshooters and professionals who must do instant turnaround.
-
I've got a Nikon Coolscan slide scanner. It's a wonderful unit that does excellent high-quality scans.
One day I brought it into work to scan some work-related slides. Since I use Vuescan instead of the Nikon software, I just needed the drivers. The original CDs were in a box somewhere from a recent move so I figured I'd just download the drivers off their web site and I'd be good to go.
Simple, right? Nope. I visited their web site and found they don't offer drivers. What modern peripherals company does not offer drivers online? Instead I had to register, provide proof that I owned the NikonScan software, and download an upgrade to it. Half an hour later I found out the upgrade wouldn't install without the original being present. If it won't install without the original present, why did I have to provide proof that I owned the original? Furthermore, it was packaged in such a way that you couldn't extract just the drivers.
I ended up going to some third party website which required I register, give a working email address, and opt out of a ton of mailing lists. 10kB and a virus scan later, I had the drivers installed.
Clue for Nikon: If someone wants drivers for your hardware, it's reasonable to assume they have the physical hardware present, which means they probably already paid for it. You don't have to make them jump through hoops with the original bundled CDs just to download hardware drivers.
From a completely ruthless business point of view, Nikon has made a monumentally stupid decision. Really, this is one for the text books. If they don't about face immediately, they will lose the professional market entirely. Though more conservative than the typical slashdot reader, pro photographers are even more jealous of their rights. And no matter how you spin it, Nikon appears to be encrypting some of my information for the sole purpose of selling me software to decrypt it. That's extortion.
But that's not the monumentally stupid part. The once-in-a-lifetime blunder is in the numbers. In order to pull a few million in software sales, they are throwing away a billion dollars in brand value. Value that took 50 years to build. Value they will likely never be able to reclaim. That brand recognition gets them shelf space in stores, and ensures their cameras are reviewed by journalists, and gets their products support from companies like Adobe. The annual worth of those benefits is probably 10x the revenue they could hope to pull from their software. Unbelievable.