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Classic Cartoons Marred by Digital Restoration
Carl Bialik from the WSJ writes "When classic animated films undergo digital restoration, key features can get lost in translation. The Wall Street Journal reports that the process meant to smooth over scratches and dirt specks on old film "can also remove some of the lines that make up the animation -- for example, blurring Tom's face in a Tom and Jerry cartoon, or erasing lines in Woody Woodpecker's fast-moving beak." "
Walt Disney Co. has largely avoided criticism of its cartoon restorations. For most of its projects, Disney doesn't use digital noise reduction, relying instead on artists to inspect each frame of film and remove defects either manually or with proprietary software. "If you just take a film and throw it through a noise-reduction system, you're never going to get the same standard of quality," says Jeff Miller, president for world-wide post-production and operations.
Although I'm not surprised, I'm disappointed that this isn't part of the standard process. To me, just running the film through DNR is lazy and indicative of a company just trying to make a quick buck. If you want to use a DNR machine, you gotta get a real person to check the work. Period.
Clearly, those responsible have no excuse for it. Again, FTFA:
Craig Hoffman, a spokesman for Time Warner Inc.'s Warner Bros., which released the Looney Tunes DVDs last fall, declines to comment on the complaints about the restored cartoons. "There's a wide audience: children, collectors, people who grew up loving them," he adds.
What exactly does a wide audience, or people who grew up loving [Looney Tunes] have to do with your quality control? Is passing a shoddy product off to some members of that wide audience acceptable? I can understand that young kids may not know the difference, but if you're targeting a wide audience, you gotta account for more than young kids.
>> "What would the robut do? Frame someone!"
A number of the old cartoons are kept in a closet of dirty secrets because they had racist themes in them. They're no longer being broadcast, which I suppose is fine as no one should have to put up with watching them, but the flipside of this is that they're being flushed down the memory hole, enabling us to sanitize our memory and pretend that we've always been a right and just society. I'd much rather lose a line or two in a digital restoration than to have these hideous examples lost to history.
You see? You see? Your stupid minds! Stupid! Stupid!
We all watched the cartoons, with their dirt and specks and the occasional hair. I never felt there was anything wrong with that stuff. It was just part of the animation and broadcast processes. It doesn't detract from the cartoons. Going back and "fixing" these minor defects would be like filling in the cracks in the paint on the Mona Lisa. It was art before it was perfect. Now, I'm not so sure.
This space for rent.
That has changed over the past 5-6 years. At first I thought it was just me outgrowing the charm of cartoons (I'm 27). But then I realized it wasn't me or my tastes that were changing. It was the quality of the new productions that was sadly deteriorating.
This applies to most of the cartoons produced by the major animation houses in Hollywood - WB, Disney, etc. The new Tom and Jerry cartoons are a joke compared to their witty and charming predecessors. It seems that most of the focus now is on better animation and special effects through computer animation, and less focus on the *wit* and everyday humor that made them so popular in the first place.
Take any old Tom and Jerry cartoon (directed by Fred Quimby) - you'll see it based on a cat and mouse chase in the familiar settings of a house or backyard. Fastforward to their newer counterparts (incidentally directed by Chuck Jones) and you'll see a sophisticated setting like a Spaceship or France, with better graphics, but almost *no* wit or simple but *clever* plots that were common in the episodes of old.
The same holds for the Bugs Bunny, Daffy Duck, Mickey Mouse and other classics. The trend seems to be towards slicker animation, with little or *no* emphasis to creative wit/humor. The newer cartoons are all rehashes or remakes of the successful plots with smaller "Tiny Toon" versions of the characters.
I prefer completely new (and independently produced, I think) cartoons like Johnny Bravo, Courage the Cowardly Dog, etc better to these incredibly non-creative rehased versions of the classics, that the studios seem to want to cash in on.
An Indian-American Hindu committed to non-violent thought/speech/action alarmed by the global explosion of radical Islam
half assed restoration'. But no, gotta blame the Digits. Where's the personal responsibility. The Digits had nothing to do with this. I think what happened is they took a stab at restoring Popeye in the Land of the Goons and are now being, for all intents and purposes, blackballed. It was thought that all copies had been destroyed. Cultural sensitivity trumps culture, you know. Can't portray cargo cult and head hunters in a negative light.
If anyone has a pointer to a copy of 'Popeye in the Land of the Goons', I have been looking for years...
I wonder what you would say about Itchy and Scratchy!
:)
I would say that they are a parody of how violent Tom and Jerry were.
/. ++
Well, "Tom & Jerry" ain't exactly "Gone With the Wind" is it?
No kidding. Tom & Jerry is WAY more important!
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