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Kodak To Stop Making Black and White Paper
Swirsky writes "For those of us who remember spending quality time in a dark room with Kodak Rapid RC paper and a bottle of Dektol, here's some bad news - Kodak will stop making black and white photographic paper. Black and white photo work (especially because you can use a safelight!) is a wonderful way of introducing someone to photography. I guess if we want to do it, we'll have to use home-made emulsions on paper. As a pro photographer, I'm bothered by this, though admittedly I haven't done b/w darkroom work in years."
Black and white pr0n sucks. And we all know pr0n is the only useful application of photography.
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I'm bothered by this, though admittedly I haven't done b/w darkroom work in years.
This is exactly the reason why they are stopping the product. The poster is probably representative of alot of photographers (and people in general) with a "Hey that's a great thing to start people on this, but I no longer use it myself"
It's economics 101 if you don't make a profit out of something then don't sell it. Yes I know about loss leaders, but this couldn't be described as one of them. I'm sure there will always be a market for black and white photography, but so much is going digital that I think b&w specific film and paper are past their sell by dates
Although I expect to see about a 100:1 ratio of B&W is dead to not dead, here's the thing. B&W is hardly dead, it's simply being moved into the realm of art rather than production photography. When was the last time you went to a major gallery and didn't see silver based prints? True, digital is overtaking, if it hasn't already overtaken, typical every day photography. But, silver halide is anywhere but dead. Remember platinum prints? Go to a high end gallery and you'll see lots of them. Not practical in any way for every day use, and even possibly for a lot of typical fine art work, but it's not going anywhere.
Other than in a classroom, you don't find all that many people printing on Kodak B&W papers anyway, and it's been that way for a long time. I'm a phto student/beginning pro photographer and the only time I've printed on Kodak is when it's been given to me. There are other papers that are cheaper and work as well, if not better.
Call it trolling, or flamebait, or whatever, but the biggest thing you have to understand is that the fine art world of photography is not going to die no matter what becomes popular. Hell, there are still people shooting tintype, because they can, and because that's the nature of art. Not what's popular, but what they create and what sells.
Kodak can sit and spin, they aren't the only supplier of B&W paper. It'd be worse if they got rid of their chemicals, which I do use, but also wouldn't be the end of the world. There are many alternatives besides Kodak.
Ranting maybe, but this has been a major topic on many photo boards (it's not new news really), and life goes on.
This is as stupid as arguing that RC paper is better than fiber base, or visa vie. It all depends on what you're doing.
And yes, I do shoot digital too. And large format. I won't give up any of them, they all have teir place, and each have their strong points and weak points.
well.. yes... you are... you are missing out on ALOT... I am a simi-pro photographer.. I grew up with a camera in my hands... I have had several years of professional schooling.. but I still don't call myself pro.. I don't know everything..
I have used digital and manual... I have used 1hour processing and I have processed by hand.. I have worked in digital dark rooms and real life dark rooms... all of these tools have a time and a place... their pro's and their cons.. but I still think my best work is done in a dark room...
the dark room is one of the few places that magic still occurs... there is something amazing about placeing a piece of blank paper and shining a light on it.. dipping it in a chemical and seeing an image appear before you...
This is very sad news that they are working on taking this away from us... This is litterally a dying art form... this is the difference between a hand woven tapistry and mass produced articals... this process is still young in so many respects.. photography hasn't even been around for 200 years...
I will agree with other posters that said that there are still other companies.. but how long until they follow suit?
Even with colored paper, the black crayon is usually the first color to run out. Then I have to use the purple crayon to finish drawing Bruce Wayne's "other" car.
I introduced my daughter to photography the same way I learnt. I gave her a Pentax K1000 with a few lenses and an extension tube set, a good supply of ilford b/w 400 and a book on the Zone System. There's so much to learn that starting with the basics is mandatory. Taking pics by point and shoot is to photography what using Windows and using a mouse to point and click is to computer literacy.
"Academicians are more likely to share each other's toothbrush than each other's nomenclature."
Cohen
The beauty of photochemical work is that it fails in interesting ways...
This sig intentionally left justified.
As a photographer for 21 years, from 1957 to 1978, where lots of my work came out of a B&W darkroom (and where I did the work with my own little hands), Illford was popular but crap compared to the control one had with Kodak Polycontrast papers (although the Illford filters worked better with Pollycontrast).
I taught photography and darkroom technique as well as working in advertizing, technical and photojournalism photography. Perhaps your pictures were muddy on Kodak paper because you didn't know how to make a good negative. The extra gamma (contrast) of Illford papers was often a crutch for bad photographers.
And the only way to let your photo speak for itself instead of being pseudo art was to use a glossy paper (matte and semi-matte was for the photo clubs) although ferrotyping was silly.
So, now my dream of an exibit of my old work (including the first Woodstock Festival as well as the Vietnam anti-war protests in DC and NYC and Berkeley) in 16x20 and larger is dead?
I've probably made thousands of black and white prints and I have never printed on kodak black and white paper. Although I do like their color papers when I print color.
I shoot digital as well as traditional film and I do my own printing for color and black and white as well as color and I also send stuff out to digital printers as well. Traditional film printing, especially from larger negatives can be a lot nicer than digital. Especially when it comes to black and white. A nice hand printed black and white print on fiber paper has a certain depth and richness that you can't achive on dye based papers.
There's no need to start making your own emulsions. There are still plenty of other options.
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