BBC Comedy Show to Debut Online
Phil John writes "According to BBC News, the second series of "The Mighty Boosh" will be available to stream from the 19th of July, A full week before starting its run on BBC 3. Quoth the Article: 'It is one of a number of pilots that BBC Television will be undertaking over the next few months, exploiting the opportunities that new technologies offer to look at how programmes might be delivered beyond the traditional linear broadcast.'"
Is it me or is BBC simply the, how can I put this, 'coolest' media corperation on the planet? They already have a massive online presence, they do have podcasts and the list goes on .. and I am not british.
Anyway, I'm thinking about going to watch BBC Food now.
hugbunadur.is
"The Mighty Boosh, eh?" Odd that they'd base a new show around the current American President.
The higher the technology, the sharper that two-edged sword.
This just in. Reports are comming in that the BBC has just went completely bankrupt after letting people download a TV show for free.
This just helps cement my positive opinions of the BBC...I'm not usually very patriotic, but the BBC makes me want to start running around singing Rule Britannia at the top of my voice and hitting Welshmen with Union Jacks.
By summer it was all gone...now shesmovedon. --
You're right -- TV series in the UK tend to be lower budget than US shows. You can explain most of this just by noting that the UK is a much smaller market than the US (population of 60 million vs. 260 million), and that the UK's much more likely to buy US programming for the main channels than the US is to buy UK programming. We also have a much smaller number of channels. Ignoring the minor satellite channels, only have four networks: the BBC, ITV, Channel 4, and Five. The main satellite network, Sky, are responsible for a small amount of original content, but almost all the material they show are US imports. Less competition means less need to spend millions of pounds on a show to differentiate it from its competitors. On the other hand, the smaller number of networks means that they tend to stick with shows, even if the first few episodes aren't particularly popular. It's very rare to see the sort of mid-season show cancellation common in the US.
So, you have to realise that the TV landscape in the UK is very different from that in the US. TV is also not the be-all and end-all in the UK: thanks to the BBC we have a flourishing radio network, which commissions new drama, comedy, and quizzes. Many popular TV shows are adaptations of shows which first appeared on radio.
We also traditionally have much shorter series lengths: it's quite typical for a series to only have 6 programmes long, or 12/13 for a longer run, compared to the 22/24 episodes in a typical season of a US show. There are several reasons for this, one of which is that in the UK TV shows are typically written by a very small number of people, compared to the committee-based script writing common in the US.
-- Help Digitise the Public Domain at DP.
Production Values are something that are often over-valued - similar to Graphics in games.
Take Red Dwarf, for example - a successful Sci-Fi comedy. It started on a very low budget, but it didn't matter, because the scripts were excellent. In fact, it actually went downhill after they started adding fancy CGI because part of the appeal was its "low budgetness".
If the story is good, you don't need a $2 million an episode budget to tell it - people will watch it for the story.