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Can iTunes Resurrect Old Time TV?

An anonymous reader writes "With iTunes selling a couple of popular TV shows now there has been significant hesitation from other television producers to follow suit and put their content on the Web. It has also sparked activity from the actors unions who want additional compensation for what appears online. But there is also existing content that stands to be revived in this new context, older television shows from the 50's and 60's that have been squeezed out of the traditional broadcast by popular shows of more recent vintage. It was suggested to a producer who is presently digitizing 27 episodes of a 1950's show called Captain Zero to offer it up on iTunes for a buck an episode. Is this an opportunity for these old shows to strike while the iron is hot and while the owners of more contemporary content are caught like deers in a headlight? As the Captain Zero article points out purveyors of old time radio programs have enjoyed a significant revival by embracing web-based technology. Why not old time TV?"

47 of 214 comments (clear)

  1. Public domain, et al by Eric(b0mb)Dennis · · Score: 4, Informative

    Have you seen the bargain DVD rack at your local Wal-Mart?

    You can get entire seasons of old TV for a buck....

    --
    Excuse me, I don't mean to impose, but I am the ocean
    1. Re:Public domain, et al by Seumas · · Score: 3, Interesting

      Have you seen the bargain DVD rack at your local Wal-Mart?

      No, I've never actually been inside of a Wal-Mart.

      However, even at bargain bin prices, it's not worth it. $5+ for a movie that's 20, 30, 40, 50 or even 60+ years old is not worth it.

    2. Re:Public domain, et al by Alex+P+Keaton+in+da · · Score: 4, Insightful

      However, even at bargain bin prices, it's not worth it. $5+ for a movie that's 20, 30, 40, 50 or even 60+ years old is not worth it.
      Actually, that is so on topic that it isn't even funny- That is why the online distro is such a good idea. You aren't paying 5$ for the movie. You are paying 50 cents for the movie, and then You are paying for the freight to get it to the store, to heat the store, pay the staff, buy shopping carts, advertise, press the DVD, the DVD case, the shrink wrap and on and on etc etc etc.... With the online distro, you cut out so much of that expense....

      --
      And All I Ask is a Tall Ship And a Star to Steer Her By
    3. Re:Public domain, et al by kannibal_klown · · Score: 2, Insightful

      Yes, but not everything.

      There's a lot out there I'd pay good money to get on DVD, like Get Smart. Unfortunately they won't make DVDs of that series (though 1 or 2 Get Smart movies are printed and some series bootlegs exist).

      I wish that just about everything was available on non-VHS media. Even some shows SciFi series from around 1999 or 2000 are being held back.

    4. Re:Public domain, et al by slackmaster2000 · · Score: 2, Interesting

      Yeah, but at $5 I'd say it is worth it when you factor in online distribution means you have to wait for the dang thing to download. Then if you're going to burn a DVD (if you're not blocked by DRM) you have to factor in the time and expense of that, *especially* if you have to transcode. Plus you don't get a nice case or get the durability/playability benefits of a pressed DVD.

      On the flipside, buying a DVD and getting it onto your iPod might prove pretty challenging, so the opposite might be true (that is, the benefits of online distribution specifically for iPod might be greater).

      It depends on what you're going to watch the show on, how much trouble you're willing to go through, and whether the packaging is worth something to you.

      For me, I prefer watching movies on DVD and on my TV. Seeing as how I can rent a movie for a few bucks or buy a movie second hand for a few bucks more, I'd never want to go through the hassle of downloading and burning. Been there, done that, *hated* it.

      Off topic: I don't buy anything from Walmart unless there is no alternative (rare).

    5. Re:Public domain, et al by laffer1 · · Score: 3, Interesting

      And you lose more quality than the DVD. Why? Apple uses an incredibly small resolution for ipod videos.. 320 x 240 or so (from memory). My first computer did 640 x 480 for christ sake. I bought a music video on iTunes adn when i went full screen on my iBook it looked worse than the quicktime file i made from an old vhs of u2 videos. Apple needs to offer a high quality version at higher resolution. I'd even be willing to pay more for it.

    6. Re:Public domain, et al by Anonymous Coward · · Score: 5, Insightful

      > However, even at bargain bin prices, it's not worth it. $5+ for a movie that's 20, 30, 40, 50 or even 60+ years old is not worth it.

      Woow. That's an impressive statement.

      25+ years old: http://www.imdb.com/title/tt0079944/
      30+ years old: http://us.imdb.com/title/tt0068646/
      40+ years old: http://us.imdb.com/title/tt0059578/
      50 years old http://us.imdb.com/title/tt0038650/
      60+ years old http://us.imdb.com/title/tt0022100/

      Saying that any of those movies are not worth 5$ bucks just shows the world what a moron you are.

      Cheers,

      --fred

    7. Re:Public domain, et al by Blondie-Wan · · Score: 3, Insightful
      $5+ for a movie that's 20, 30, 40, 50 or even 60+ years old is not worth it.

      I'll charitably assume you're speaking from the POV held by many here that copyrights ought to not last as long as they do, and this stuff should enter the public domain and be freely downloadable by this age, rather than the incredibly moronic POV that movies that old aren't worth watching.

      I think if I were to put together a list of my all-time favorite movies, the overwhelming majority of them would be more than 20 years old, and I'm sure the same would be true of any credible list of all-time greatest movies.

    8. Re:Public domain, et al by womby · · Score: 2, Interesting
      And you lose more quality than the DVD.

      Just because Apple are the only company selling RIAA music videos online currently, does not mean that 320x240 == download quality. Apple chose that size for their service, others can (and do) offer larger or smaller files

      I bought a music video on iTunes adn when i went full screen on my iBook it looked worse than the quicktime file i made from an old vhs of u2 videos.

      No it didn't, your U2 VHS original was interlaced, distorted, discoloured AND only 240 lines, there is no way it could look better than the video you bought from Apple.
      --
      **** lying is wrong even for sleeping dogs
  2. ipod... by Brilleklar · · Score: 2, Informative

    I really hope they strike when the iron is hot. I would enjoy watching some old shows again, especially those from before my birth.

    1. Re:ipod... by SYFer · · Score: 5, Insightful

      Could not agree more with the premise. In a world where content is king, it continually amazes me that the vast piles of old TV programming out there can't find a market. Online delivery at low prices strikes me as the perfect delivery channel.

      I assume the overhead is low and, in an era where new, expensive HD content is raising the bandwidth bar, these old 4:3 shows would be light on the pipes and relatively easy and cheap to deliver.

      I for one would happily pay to see old episodes of shows like The Saint or The Prisoner without having to pay for a whole additional tier of cable TV service just so I can get channels like BBC America (and then hope they run the shows).

      Listening to Podcasts like "Soap Detectives" has gotten me into listening to old radio shows lately and I'm amazed by how entertaining they are.

      On demand, online delivery of old TV content sounds like a sure winner to me.

      --
      "...all the labours of the ages, all the devotion, all the inspiration, all the noonday brightness..." yada yada
  3. Well by Billly+Gates · · Score: 5, Insightful

    Programmers are not compensated for every copy of their software they develop for their employers. Actors are no different.

    Dennis Ritchie and Ken Thompson got paid an average engineer salary to develop unix, yet only Bell Labs and now the open group make money off of every copy sold. They agreed to work for x amount a year.

    1. Re:Well by CrankyFool · · Score: 2, Insightful

      It's a free market. If a programmer can negotiate some sort of royalty/residuals deal, I'm sure we'd applaud her (especially if the software's good). That programmers don't get terms that are as favorable is about as relevant to actors as it should be to us that your average hourly janitor doesn't get health benefits -- it's unfortunate, maybe, but shouldn't mean we should give up our own benefits.

      Plus, in the end, actors' names do have an obvious impact on the financial success of movies (please, lets assume that a horde of geeks have responded to this and said "I don't care who's in a movie as long as it's good" or "I boycott mass-market movies" and move on). Who knows the programmers responsible for a title? Are their names on the box? Does their name recognition add any actual financial value to the producers?

    2. Re:Well by cgenman · · Score: 4, Informative

      In the old studio system it was different. You were an actor, you did your schtick, you got a check. If your movie turned out to be the next Casablanca, you got maybe a token bonus. If your movie was a flop, you still drew a nice salary.

      And then that changed, and actors were willing to accept less guaranteed pay for more points. And studios were happy to offer points because it mitigates their risk. This has three effects 1: more and more expensive movies get made, as the risk is artificially spread out over multiple parties, 2: the median actor salary goes down, and 3: actors take a more active role in the production.

      I'm still not sure whether the points system makes movies better, like tipping makes service in resturants better, or if it just means that most actors starve. Either way, the actor's guild is just looking for the same types of income stream with shows online that they get from syndication and overseas views.

    3. Re:Well by rollingcalf · · Score: 4, Insightful

      "I'm still not sure whether the points system makes movies better, like tipping makes service in resturants better, or if it just means that most actors starve."

      Tipping doesn't make service better. Go visit a restaurant in a country where tipping isn't done (i.e. most countries outside the US) and you'll see.

      Tips are expected by the staff merely for showing up, so they're not a motivation for better service. Tipping is only insurance against getting deliberately bad service the next time you visit.

      --
      ---------
      There is inferior bacteria on the interior of your posterior.
    4. Re:Well by servognome · · Score: 2, Informative

      So, in other words, since people who create software were dumb enough not ot form unions, actors deserve the same treatment, despite the fact that they do have unions?

      The average actor in the union makes $7500 a year acting, the average programmer makes several times that. This has less to do with unions and more to do with standard contract of the industry. Programmers tend to go towards salary (+ maybe stock options) which is a much safer bet than royalty based pay scales.

      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
  4. What I want: by Seumas · · Score: 4, Interesting


    If you want me to be a customer, you need to offer me several things:

    + I don't want to view it just on my ipod.

    + I don't want to be able to view it only with Quicktime.

    + I don't want to have severe DRM limits that hamper my ability to store and watch the content any time I want on any device I want.

    + I don't want to pay through the nose for the content.

    + If I watch it on a non-iPod device, I want higher quality downloads available.

    + You should have at least the selection that Netflix does. Even if you're just the "Netflix of television".

    I'm one of those consumers who is not opposed to paying for information/entertainment/data on any real basis other than I want it to be affordable and flexible. Don't place silly restrictions on me that hamper my enjoyment and don't charge me so much that I have to seriously think if each download is worth it.

    Also, isn't most of the content they're talking about already public domain? Hell, some of it can be downloaded from the Internet Archive already.

    1. Re:What I want: by Alex+P+Keaton+in+da · · Score: 2, Insightful

      May I play devil's advocate? Think about the majority of the TV watching public. Many don't care about the things you mentioned.
      If you want me to be a customer, you need to offer me several things:
      That's great, and good points, but if 240 million boobs in the the US don't care, and 10 million educated people like who who understand the issues with DRM do care, I think the 240 million will rule the market.
      Sort of like, If WalMart wants me as a customer they need to offer X Y and Z... WalMart doesn't give a shit what I want- they have their customers....
      So If you want me to be a customer, you need to offer me several things:, they will tell you to shove it up your ass, and don't watch TV, and sell it the 100s of millions of people... It sucks, but it is capitalism at its finest....

      --
      And All I Ask is a Tall Ship And a Star to Steer Her By
    2. Re:What I want: by antifoidulus · · Score: 3, Insightful

      Meh, drop the elitist attitude. Some people just don't care about the DRM. Don't call me dumb, don't call me a slave. I saw what was out there, and I decided to go with iTunes. Just because you don't like it does not make my choice any less valid. People on this site can't seem to realize that perfectly intelligent people have opinions and priorities that differ from theirs and then proceed to call anyone whose opinion differ from there "the unwashed masses".

    3. Re:What I want: by Dan+Up+Baby · · Score: 2, Insightful

      I hate to break it to you, but not every person "interested in tech" expects to be able to buy things completely without DRM. I, for one, couldn't care less--so long as the license is no more restrictive than the typical iTunes one, or something similar, it's fine with me. I don't expect to be able to burn things designed for an iPod onto DVD--I'll just buy the DVD if that's what I want.

      Oh, and I doubt the obesity rate is higher at Wal-Mart than it is on Slashdot. Let's be honest, here.

    4. Re:What I want: by nine-times · · Score: 2, Interesting
      1. You can view it on your computer also. Or you can play it on your TV by hooking your iPod up to the TV.
      2. The only reason you have to is the DRM. Sorry. But you aren't going to get a store right now that has no DRM-- which leads us to...
      3. Apple can try to be fair about their DRM, but no media company, whether they be music, movie, or TV, is going to agree to online stores with no DRM. Not right now. Of course, it's arguable the DRM doesn't really protect the content from replication, but good luck convincing these companies of that. On the other hand, digital distribution allows for new avenues of competition with these large companies, so acceptance of reasonable DRM in the short-term may lead to new distribution models by companies that don't require such tight control. In other words, it might be worth it to put up with some DRM if it gets this stuff online.
      4. How about paying through the credit card?
      5. Higher quality doesn't really make much sense for what Apple's looking for. It's not just an issue of these movies being designed to play on the iPod, but there are bandwidth considerations, and the fact that many customers just won't want to wait 10 hours while the thing downloads (on a broadband connection). The truth is, the quality they provide is watchable. It's far from perfect, but it's generally good enough for catching up on an episode you've missed. I would bet, though, that they are working on long-term plans for higher quality downloads, should it become appropriate.
      6. Huh? This one, strangely, doesn't make much sense to me. They're just starting with video, and you're complaining that you won't use them until they have a big selection. Why? What does it benefit you to have a large selection if they still don't have what you want, and what does it hurt you for them to have a small collection if they have a show you want to see? Netflix needs a big catalogue, but that's because they run a subscription model. iTMS doesn't cost you a thing until you want something they're offering. I agree that it'd be nice if they had more shows, but that's only so there'd be a greater chance of having what I want. They could have the same number of shows, but better shows, and I'd be happier.
  5. Public Domain TV by Jonathan · · Score: 5, Informative

    Also, isn't most of the content they're talking about already public domain? Hell, some of it can be downloaded from the Internet Archive already.

    Not in general. No TV is old enough to enter the public domain naturally. What happened with some programs and movies (even such famous movies as the original "Night of the Living Dead") is that they were never officially copyrighted or were incorrectly copywrited during the time when copyright was not automatically granted.

  6. Bandwidth by Bones3D_mac · · Score: 5, Insightful

    The interesting thing with doing this, is that the amount of bandwidth needed for these older shows is far lower than that of the modern programs, such as Lost. Many of these older television shows only need to be encoded in greyscale and given a mono soundtrack. This could be a great, yet, inexpensive way to give the itunes video store some credibility.

    --


    8==8 Bones 8==8
    1. Re:Bandwidth by NanoGator · · Score: 2, Interesting

      " Many of these older television shows only need to be encoded in greyscale and given a mono soundtrack. This could be a great, yet, inexpensive way to give the itunes video store some credibility."

      Hmm... I have a concern about that. Those old B&W shows were also noisy. Noise is the worst thing to encode. (not just video noise, but depending on the period they used film etc...) They may actually have a hard time encoding those shows at a lower data rate because of the added artifacts that the technology of that era added to the video.

      My first thought when you mentioned monochrome encoding was that they'd shave off 2/3rds of the video data right away. But now that I think about it, I'm not so sure. As I understand it, MPEG'ish encoding starts with the green channel and tries to retain as much of the data it can for it since that's where most of the luminance of the data occurs. Red is less important, so it often gets pixelated. Blue is destroyed the worst in the process. Since monochrome data is just luminance, the bulk of the data needed to generate the image is still there.

      That said, I've never tried to encode monochrome footage. I don't know that either of the codecs supported by the iPod have a special B&W mode that would encode it with significantly less data. If somebody knows more about this, I'd love to hear from them.

      --
      "Derp de derp."
    2. Re:Bandwidth by iroll · · Score: 2, Interesting

      Interesting but cryptic comment. Care to explain to us how a black and white TV with monochromatic phosphores could have display anything more than "grey colors"?

      I'm not saying this to troll; I wouldn't be surprised if you could teach me something.

      --
      Repetition does not transform a lie into the truth. - FDR
  7. Re:I'm down- by Alex+P+Keaton+in+da · · Score: 4, Informative

    It will be interesting to see however, considering the grumbling of the music execs about the 99cent fixed price, whether we will see an ownership type system like iTunes (I understand the vagaries of the copy protection on iTunes- I am being general) or a subscription system like Yahoo Music. With the subscription, I would be like cable I guess, with different levels and channels available, i.e. subscribe to HBO and get to watch movies whenever (sort of like Adelphia in demand), or subscribe to TBS and get the whole Segal and Dirty Harry catolg etc....
    When you stand back and think about it, we live in amazing times consumer-technologically. 5 years ago I thought burning my own CDs was awesome- now I have my iPod with thousands of songs hooked up to my car....

    --
    And All I Ask is a Tall Ship And a Star to Steer Her By
  8. At $1 a pop, no chance by Jameth · · Score: 3, Insightful

    They need to realize that, with those old shows, they have a very different market. The amount of people who desperately want their old shows to the point that they'll pay what they would for a recent one is very low, while the amount of people who will say, "Hey that was a kinda cool show. I'd like to have a copy of that for a couple of cents," is very high. And, since the entire show has already had its run and made its money, selling them at $0.25 or $0.50 a show instead of $1 per episode is still making a profit.

    Naturally, I'd consider paying a half-dollar an episode for one of the good slightly old shows, like The Prisoner or The Six Million Dollar Man.

  9. Another example of The Long Tail by The+Mutant · · Score: 3, Interesting

    I see a market for this, driven by the need of someone, somewhere, who wants to see an episode of some older TV show, or even a current TV show that doesn't have mass appeal. Appeal that's in the upper 20% of overall demand that is.

    iTunes is a very effective distribution medium, and has helped the careers of many a smaller label / band, and even moved significant amount of back catalog.

    Currently the networks are marketing to the top 20% in terms of demand, and ignoring the remaining 80% because they don't have the broadcast capacity.

    Teaming up with iTunes they do. Another example of The Long Tail .

    I see this working.

  10. Don't Care by Jerry+Rivers · · Score: 2, Interesting

    I don't care if it's Quicktime only. I don't care if I can't make a "backup" copy to give to my friends. I don't really even care about the quality all that much because the quality of 50's and 60's tv shows was generally pretty bad over the air anyway. As long as the price is right (under a dollar) and I can get a wide variety of old shows such as Ripcord, The Man From Uncle, Fireball XL5, or even old kids shows such as The Junior Forest Rangers or Razzle Dazzle, I will buy them. Package sets would also be nice.

    --
    The pursuit of absolute tolerance leads to the most rigorous and ludicrous intolerance. - REX MURPHY
  11. Let me know when by Fahrvergnuugen · · Score: 3, Interesting

    I can download all of the Wile E. Coyote episodes uncensored. It kills me that they see a need to hack the shit out of the classic looney tunes cartoons to protect kids from viewing violence. It was okay for a whole generation of children and adults alike and now suddenly it's not okay, so they need to censor them.

    --
    Kiteboarding Gear Mention slashdot and get 10% off!
    1. Re:Let me know when by Manchot · · Score: 2, Informative

      Some of those old Looney Tunes episodes are extremely racist. The censoring's not just to protect kids: it's to remove offensive material.

    2. Re:Let me know when by jizmonkey · · Score: 2, Insightful
      Some of those old Looney Tunes episodes are extremely racist. The censoring's not just to protect kids: it's to remove offensive material.

      Boy, howdie, you said it. Huckleberry Finn, the Revised Expurgated Edition is so much better than the original. And Harriet Bowdler did such a fantastic job of cleaning up Shakespeare. I also limit my movie-viewing to trans-continental airline flights, because they boil down the movie to the good parts and I don't have to watch the "director's vision" filth.

      I'm sorry I don't have more time to reminisce with you, but early tomorrow I'm heading off to Alabama and Mississippi to help clean out the government archives. There's a lot of junk from the 1950s and 1960s that makes them look bad, and it's all water under the bridge now, so hey. We're trying to project a more modern image now.

      --
      With great power comes great fan noise.
  12. the big problem is getting the rights... by Anonymous Coward · · Score: 2, Interesting

    The big problem is getting the rights from the copyright holder (and finding the copyright holder!). These old shows were made in a time when broadcast on TV was the only distribution option, and the only thing covered in the contract. To sell by another method you need to get the rights & make a new contract, otherwise you're opening yourself up to a big fat lawsuit.

    Even today, to release recent (1970s) TV shows on DVD, the hardest part is getting the rights to the music used in the TV show.

    Since everyone in the entertainment business is aware of the fiction of "net profits" they want to have a share of the gross.

    1. Re:the big problem is getting the rights... by Waffle+Iron · · Score: 2, Insightful

      This should have been a non-issue. If copyright laws were still in compliance with the US constitution, these old shows would have entered the public domain years ago.

  13. Where the money is. by jcr · · Score: 4, Insightful

    Just like with the music store, the big money is in the back-catalog sales. There are hundreds of thousands of TV shows from the 20th century, and only a few of them live on in syndication the way that the Andy Griffith Show or I Love Lucy have. There's only so much room in broadcast and even satellite TV schedules, so most of those old shows just sit on a shelf, making no money at all for their owners.

    I know there are hundreds of episodes of old cartoons I'd love to get, for a start.

    -jcr

    --
    The only title of honor that a tyrant can grant is "Enemy of the State."
  14. Re:M*A*S*H by henni16 · · Score: 3, Interesting

    if I could buy the whole seriese sands canned laugh.
    Having the seasons 1-8 (9 will be released in Dec, IIRC) on DVD behind me on the shelf:
    you can have that right now.
    I don't know about the RC1 release, but for the RC2s (1 or 2 seasons of mine are the German DVDs, most are from the UK) I can assure you that they all contain a "laughless" audio track.

    Each RC2- season box contains 3 discs with 8 episodes each (sadly, no bonus materials) and sell (at amazon) around 25 pounds(UK) or 20-27 Euro (German, also cotaining laughterless English track).
    Judging from the comments at amazon.com (20$ a season) you can turn off the laughter on the RC1s too; at least on the early ones (I checked season 1,2 and 7; BUT 7 didn't list two english tracks so you might want to take a closer look).

    So you can get them already for 0.85$-2$ per episode,.

  15. Re:eyeteeth by spisska · · Score: 4, Informative

    For what it's worth, my local library (Arlington, VA) has complete collections of the old Avengers, Secret Agent, and I Spy (the one with Bill Cosby) on DVD, plus a lot of other BBC stuff -- Poirot Mysteries, Monty Python, various mini-series, etc -- some HBO series, and quite a few old (and not so old) films. My point is that it's worth checking out libraries in your area before looking into cosmetic dentistry.

  16. You mean a bootleg OTR revival, right? by MoNickels · · Score: 2, Insightful

    Sure, there's been a great resurgence of old-time radio. I love the stuff and I have a bunch of it. But let's be fair here: most of it is bootlegged. The original creators are not the ones posting it online, streaming it online, selling it online. It's other people either giving it away or making money only for themselves, with no licensing fees at all being paid to or by anyone. The original creators or performers aren't seeing a dime. So to paint that as the ideal model for old-time television isn't quite right, although it's a great example of what *will* happen if the TV people don't starting putting up a lot of content, and quick, on services like iTunes. The bootleg market for online OTTV (to coin an acronym for old-time television) will soon be so huge there will be no room for legitimate producers--just like happened with today's television, too.

    --

    Wordnik, a dictionary project which aims to collect

    1. Re:You mean a bootleg OTR revival, right? by soapdetective · · Score: 2, Informative

      I am the guy who runs the Soap Detectives http://soapdetectives.com/ podcast.
      All of the material I podcast is in the public domain as is almost everything OTR that's available online. Nobody is being ripped off, simply because there's nobody to rip off in the first place.

      I started putting video online, specifically encoded for the iPod, but the cost of bandwidth is pretty high. I finance Soap Detectives by asking for donations, but with, on average, less than 2% of users donating anything that's not a workable business model.

  17. There is No "Natural" by fm6 · · Score: 2, Informative
    No TV is old enough to enter the public domain naturally.
    Or ever will be. Despite the Consitution's insistence that IP be protected for a "limited time" (Section 8, clause 8) we keep seeing retroactive extensions of copyright. Before 1919, the "natural" expiration of copyright occurred after 28 years, with a possible 14 year extension. Since then, we've seen a series of retroactive extensions of old copyrights. Works for hire (which would cover most TV shows) were extended to 75 years in 1976 and to 95 years in 1998 — just in time to keep all the Hollywood 30s classics from entering the public domain.

    If the current term stands, we'll start to see 50s TV shows enter the public domain 40 years from now. But of course it won't. Not unless Congress magically finds the backbone to stand up to the media monopolies. Or until the Supreme Court realizes that allowing retroactive extensions makes a joke of clause 8 and reserves itself on this issue.

  18. Here's an Older TV show I'd love to see on iTunes: by Anonymous Coward · · Score: 2, Interesting

    Looney Tunes. They're old, and I don't think they are regularly broadcast anywhere. Furthermore, they are short, so you can toss a bunch on your iPod due to smaller file sizes, and actually watch a big number of them before your battery runs out due to their short run time.

  19. Absolutely. by jotaeleemeese · · Score: 2, Informative

    We all know that the best movies evar have all been made the last 10 years.

    Kurosawa, Tarkowski, Wells, Hitchcock.

    Seven Samurai, Solaris, Citizen Kane, Psycho.

    They are old!

    Burn them!

    --
    IANAL but write like a drunk one.
  20. why Apple doesn't care by Scudsucker · · Score: 2, Insightful

    They don't care because they are in business to make money, not to meet every billeted list of everyone in the "me" generation. Several items on your unreasonable list are direct impediments to making money, such as having files without DRM, or making them playable on anything other than Mac's, iPods or PC's.

    And as far as viewing the files goes, if you have a computer capable of running iTunes, you have a computer capable of playing these videos.

  21. Re:I Hope They Bring Back Johnny Nuance by andreMA · · Score: 2, Funny
    From the shores of Martha's Vineyard he rode his horse out West,
    No wonder it only lasted 13 episodes. Martha's Vineyard is an island off the Massachusetts coast; the damned horse and rider drowned!
  22. Looney Tunes DVDs by meehawl · · Score: 2, Informative

    Looney Tunes. They're old, and I don't think they are regularly broadcast anywhere.

    Funny thing about Looney Tunes, they have been available for years on DVD. So it was a simple job over the last few years to rip them to a video Archos and enjoy them, Or on a Treo. Or a phone. Or a PSP. I'm sorry for so many people that it's taken the iPod so long to finally get some kind of video playback. Portable cartoons rule. It's nice having complete runs of Simpsons and Futurama ready to go at the click of a button...

    --

    Da Blog
  23. in due time, perhaps. by adamgeek · · Score: 2, Insightful

    honestly, the lack of resolution is one of the few things that i think will coax the [entertainment] industry into licensing it's content. i'm a filmmaker, and we are currently negotiating a distribution deal for our latest film. we were approached by a large company (as recognizable as, say, "disney") and one of this company's pitches was an online distribution model (video ringtones, ipod style downloads, etc). my business partner had a lot of hesitance about selling our film online in an ipod-style format at such a large discount, especially when it might be easily pirated. then i told him it was 320x240 .. which was mostly greeted by silence on the other end of the line. then i explained that 320x240 is "webcam" quality, and he was all for the idea. zero real cost to us, lots of potential profit. when you look at the fact that the final retailer (i.e. Best Buy, etc) actually gets the largest slice of the sale price, there isn't actually that much difference in my profitshare of a $2 download online, and a $19.99 DVD, assuming the online download has fewer "middle-men" taking percentage points. and, with the online download being "inferior" to our DVD product, it won't hurt DVD sales with buyers that actually care about content.. hell, some buyers may buy both (look at guys like George Lucas.. the friggin' master of getting nerds to buy the same 3 movies several times over in different 'box set' form).

    so, if you WANT to actually see good content available at a reasonable price online.. don't push for VGA+ resolution so quickly haha. let the mainstream content start appearing, and then let the indie producers eventually start offering a VGA+ resolution option, and ultimately the mainstream content will follow suit. expecting mainstream studios to immediately offer up DVD quality downloads of their movies at a reasonable price without some VERY strict piracy safegaurds in place.. is unreasonable, imo. no way the bean-counters will do it, heh.

    my $.02*

    *disclaimer: i didn't proof read.. i hope this was semi-coherent.

  24. IPTV by cybpunks3 · · Score: 3, Insightful

    I think ultimately what we need for IPTV is for the internet to become everyone's video collection, everyone's DVR timeshifter. The technology is ripe for that.

    There are many shows that are so voluminous that the only practical way to consume them is with an all-in-one jukebox with a beefy search engine behind it (think google video indexing closed captioning).

    Think of these long-running shows:

    The Simpsons
    Married with Children
    Bonanza
    Gunsmoke
    Doctor Who
    Cheers

    Imagine also being able to dig into old news shows, like every episode of 60 Minutes, 20/20, or Nightline.

    Imagine being able to watch any old airing of the Tonight Show back to the earliest B&W days based on a search for a celebrity guest. For instance, you could line up all of Tom Hanks' appearances and watch his fro shrink and his hairline recede.

    DVD is fine, but it is just not practical to reserve the shelfspace to own it all. And DVDs do little to help you get from "gee, I wish I could see the episode where Ricardo Montalban guested on Gunsmoke" to it actually playing on the screen. You have to go figure out the episode number online, then find the right disc, pop it in, wait through the ads, navigate through the menus, and go. The convenience at the macro level is not there, just as maintaining a large audio CD collection is a drag.

    So much of our content viewing habits these days is a result of search results. That's the whole idea of web surfing. So the ideal video viewing experience, to me, is to sit down casually and just improvise search terms until you come up with interesting enough results. You won't know what you want to watch until you see what comes up. Or you have the preference engine (ala Amazon) do it for you.

    Instead of using the web to index information about media, it could index the media directly and let you jump right into it.

    For instance, let's say you typed in a particular line or phrase like "Do'h" and every instance where Homer says "Do'h" pops up with the timecode right in there. You might even be able to set up in/out playlists for custom highlights reels.

    Really, this stuff is all doable technically. Google video is a good proof of concept. It's purely a matter of working out the DRM and the business side of things.