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The Adobe Photoshop Elements Crafts Book
Sdurham writes "Adobe Photoshop and its many siblings have long been a staple of artists, photographers, and programmers interested in doing serious image manipulation. Increasingly, Photoshop's younger sister Photoshop Elements comes prepackaged with digital cameras. Yet many of the users of these cameras lack the time or patience to tackle the steep learning curve of the Photoshop family and are left asking "How do I do ... ?". Elizabeth Bulger's The Adobe Photoshop Elements Crafts Book attempts to bridge the gap between Photoshop skill level and personal creativity by stepping the reader through 14 different craft projects. In doing so, Bulger tries to provide the basic Photoshop Elements skills necessary for readers to pursue their own projects after finishing the book." Read the rest of Sdurham's review.
The Adobe Photoshop Elements Crafts Book
author
Elizabeth Bulger
pages
156
publisher
Peachpit Press
rating
6
reviewer
Sdurham
ISBN
0321368967
summary
Crafts is a small book, and will not appear overwhelming to casual computer users. At 156 pages, its 17 chapters range from six to 15 pages each. The book can be divided into two general sections. In the first section, comprising chapters one through three, Bulger introduces Photoshop Elements and progressively works through image manipulation from opening files to selecting and editing portions of images. These chapters can be skimmed or skipped by those users familiar with the majority of tools and commands in the many flavors of Photoshop. For the uninitiated, which will probably be most of Bulger's target audience, these chapters provide an important foundation to completing the projects later in the book. In the first of these, "Photoshop Elements Basics," the author starts by discussing the Toolbox and provides a nice full-page reference that clearly labels each tool. This comes in handy for beginners later on when Bulger instructs readers to use particular tools. However, she is careful to include the Toolbox icon along with each command she uses during the projects, so readers should be able to reference this page less and less as they move through the book. In addition to the different dialogue boxes discussed here (Palettes, Options bar, Photo Bin), Bulger also spends a little time explaining different image file formats and a summary of image resolution basics. It should be noted, however, that these are BASIC explanations. She attempts to give just enough information to get an inexperienced user moving.
In "Working with Layers" the reader is introduced to what can be a frustrating subject for Adobe beginners. Bulger does a nice job of working through the process of layer manipulation by using, you guessed it, a pizza as an example. Unfortunately, what would normally be an important introduction to the topic is marred by the fact that Bulger fails to adequately explain how to obtain the sample image (no disc is included with the book). Her only mention of it is "If you want to use this pizza image to learn how to work with layers," (and if I'm a beginner following the book, I do want the image, "you can download it from www.photoshopcrafts.com Web site." But for readers only vaguely familiar with using computers to do image work (i.e. some soccer moms or grandparents) this may be too little information to get the image. Even worse, those users who do visit the site and click on the pizza image thumbnail are presented with a JPEG file. No PSD file is available, and using the JPEG file prevents readers from following the chapter because no layers are available.
The final introductory chapter tackles another challenging subject for beginners, the many selection tools found in Photoshop Elements. This chapter feels like a good refresher for someone who is only moderately familiar with the differences between the different lasso selection tools. Again, however, Bulger may confuse her target audience by using terms without explanation. When showing readers the Inverse Selection function, she uses the term "ghosting." For experienced users this does not give pause for thought, but since these first three chapters are primarily for users with little experience, readers may be confused by the term. No glossary is included, but by using the Index the term "ghosting" can be found over seventy pages later. Oddly, it is this later entry where Bulger gives a good explanation of the term. While insignificant in itself, small errors like this do prevent inexperienced users from building confidence with the software prior to beginning the projects.
Of course, The Adobe Photoshop Elements Crafts Book is not primarily an introduction to Elements in general but instead is meant to allow users of varying levels to jump right in and start being creative. This is where the book becomes interesting. Creating Gingham giftboxes, garden journals, aprons, placemats, pillows, and Parisian tiles are some of the projects covered. In this review I have worked through creating the Travel Photo CD cover (because of personal need and lack of workspace to varnish or paint...), but every project chapter follows the same format. The introductory page of each project chapter has a picture whatever the reader will create and a summary of the skills that will be used to make it. A list of "Stuff You Will Need" is given next, and then each page of the chapter is divided into two columns, the left for photos of each step and the right for explanations on how to move along. The photos are crisp, and whenever they display a menu option a red circle surrounds where to click. This works well for those more inclined to see things done rather than read them.
Working through the Travel CD cover project, a few problems cropped up. First, the book is targeted at Elements 4.0, and for users of older versions (I have 2.0) the placement of commands and general variation is different enough to cause confusion. In addition, many of the steps do not clearly articulate what should be occurring on screen. This is where the nice images really come in handy. The greatest complaint, however, is that each step does a fair enough job of telling the reader what to do, but lacks any real explanation of why to do it. A beginner will have trouble transferring the specific steps in one project to their own creations (speaking to Photoshop commands here, not generalities like creating a tile).
Ultimately, The Adobe Photoshop Elements Crafts Book is a slick, well designed book with interesting projects. It is weakened from a lack of clarity and minimal explanations of why? that would greatly increase its utility in transferring the lessons to other ventures. It is a book well-suited to someone who already has a basic understanding of the Photoshop family, but perhaps one that may be a little unclear for real beginners. It will definitely appeal to readers with an independent spirit for creating or personalizing their surroundings."
You can purchase The Adobe Photoshop Elements Crafts Book from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Crafts is a small book, and will not appear overwhelming to casual computer users. At 156 pages, its 17 chapters range from six to 15 pages each. The book can be divided into two general sections. In the first section, comprising chapters one through three, Bulger introduces Photoshop Elements and progressively works through image manipulation from opening files to selecting and editing portions of images. These chapters can be skimmed or skipped by those users familiar with the majority of tools and commands in the many flavors of Photoshop. For the uninitiated, which will probably be most of Bulger's target audience, these chapters provide an important foundation to completing the projects later in the book. In the first of these, "Photoshop Elements Basics," the author starts by discussing the Toolbox and provides a nice full-page reference that clearly labels each tool. This comes in handy for beginners later on when Bulger instructs readers to use particular tools. However, she is careful to include the Toolbox icon along with each command she uses during the projects, so readers should be able to reference this page less and less as they move through the book. In addition to the different dialogue boxes discussed here (Palettes, Options bar, Photo Bin), Bulger also spends a little time explaining different image file formats and a summary of image resolution basics. It should be noted, however, that these are BASIC explanations. She attempts to give just enough information to get an inexperienced user moving.
In "Working with Layers" the reader is introduced to what can be a frustrating subject for Adobe beginners. Bulger does a nice job of working through the process of layer manipulation by using, you guessed it, a pizza as an example. Unfortunately, what would normally be an important introduction to the topic is marred by the fact that Bulger fails to adequately explain how to obtain the sample image (no disc is included with the book). Her only mention of it is "If you want to use this pizza image to learn how to work with layers," (and if I'm a beginner following the book, I do want the image, "you can download it from www.photoshopcrafts.com Web site." But for readers only vaguely familiar with using computers to do image work (i.e. some soccer moms or grandparents) this may be too little information to get the image. Even worse, those users who do visit the site and click on the pizza image thumbnail are presented with a JPEG file. No PSD file is available, and using the JPEG file prevents readers from following the chapter because no layers are available.
The final introductory chapter tackles another challenging subject for beginners, the many selection tools found in Photoshop Elements. This chapter feels like a good refresher for someone who is only moderately familiar with the differences between the different lasso selection tools. Again, however, Bulger may confuse her target audience by using terms without explanation. When showing readers the Inverse Selection function, she uses the term "ghosting." For experienced users this does not give pause for thought, but since these first three chapters are primarily for users with little experience, readers may be confused by the term. No glossary is included, but by using the Index the term "ghosting" can be found over seventy pages later. Oddly, it is this later entry where Bulger gives a good explanation of the term. While insignificant in itself, small errors like this do prevent inexperienced users from building confidence with the software prior to beginning the projects.
Of course, The Adobe Photoshop Elements Crafts Book is not primarily an introduction to Elements in general but instead is meant to allow users of varying levels to jump right in and start being creative. This is where the book becomes interesting. Creating Gingham giftboxes, garden journals, aprons, placemats, pillows, and Parisian tiles are some of the projects covered. In this review I have worked through creating the Travel Photo CD cover (because of personal need and lack of workspace to varnish or paint...), but every project chapter follows the same format. The introductory page of each project chapter has a picture whatever the reader will create and a summary of the skills that will be used to make it. A list of "Stuff You Will Need" is given next, and then each page of the chapter is divided into two columns, the left for photos of each step and the right for explanations on how to move along. The photos are crisp, and whenever they display a menu option a red circle surrounds where to click. This works well for those more inclined to see things done rather than read them.
Working through the Travel CD cover project, a few problems cropped up. First, the book is targeted at Elements 4.0, and for users of older versions (I have 2.0) the placement of commands and general variation is different enough to cause confusion. In addition, many of the steps do not clearly articulate what should be occurring on screen. This is where the nice images really come in handy. The greatest complaint, however, is that each step does a fair enough job of telling the reader what to do, but lacks any real explanation of why to do it. A beginner will have trouble transferring the specific steps in one project to their own creations (speaking to Photoshop commands here, not generalities like creating a tile).
Ultimately, The Adobe Photoshop Elements Crafts Book is a slick, well designed book with interesting projects. It is weakened from a lack of clarity and minimal explanations of why? that would greatly increase its utility in transferring the lessons to other ventures. It is a book well-suited to someone who already has a basic understanding of the Photoshop family, but perhaps one that may be a little unclear for real beginners. It will definitely appeal to readers with an independent spirit for creating or personalizing their surroundings."
You can purchase The Adobe Photoshop Elements Crafts Book from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Nuff Said.
[Fuck Beta]
o0t!
I agree. I do a lot of graphic work and have to say that the GIMP is capable of everything that Photoshop is. Sometimes it may take longer, sometimes it is shorter. They're very different creatures. I used Photoshop for two years. I've been using GIMP for two years.
I really hope I don't ever have to go back to Photoshop.
If you actually believe that The GIMP can compete with Photoshop, then you've never used either one it seems. GIMP lacks many of the powerful features that make Photoshop what it is. A list of what is in each app will immediately show vital tools missing from GIMP. In fact, with the exception of paths and a few scripting abilities, you can get the same results out of Photoshop Elements, which is the stripped down version of Photoshop. Great for linux users, and people who can't afford the $800+ Price tag of Adobe products, however for a real power-user in the gfx field, it's a tinker toy. ---- Now as far as the book above goes... They're really interesting things for beginners to do, but more advanced users would find the content a bit "below their skill range".
I Lost My Virginity While Waiting for BSD to Compile.
I'm a professional graphic designer and have been for 6 years now, with over 10 years experience in Photoshop. GIMP cannot compare at the professional level. It lacks the extensive layer manipulation tools, channels, filters, etc. found in Photoshop. GIMP is a wonderful open source program that will work for 95% of the population, and work well doing what they need. But to mistake it with the professional calibre of Photoshop is folly.
GIMP in its current incarnation doesn't compare to Photoshop. I'd say that GIMP 1.2 is roughly equivalent to Photoshop 3.0 (though a little bit better in many ways), but later versions of Photoshop have left GIMP far behind. Comparing the most current versions to each other, Photoshop absolutely slays GIMP in most areas - it was made as a professional tool for professional photographers, not as a generic image manipulation program (Yes I know the G stands for GNU). I actually use GIMP extensively - see my free binary porn wallpaper as an example of things that can be done entirely within the GIMP using the tools it has available. And as insane as it may sound, I prefer GIMP's interface to Photoshop's.
But one more thing I do have to say in this GIMP vs. Photoshop debate is this: GIMP really is a powerful image manipulation program, probably the best one that is freely available. And for most of my imaging work GIMP is more than adequate. But if you need the big guns and professional power, you need Photoshop.
1.Netcraft confirms:In Soviet Russia all your base welcomes a beowolf cluster of CowboyNeal overlords. 2.? 3.Profit!!1!
GIMP can't even work with CMYK. For anything that's printed, GIMP is pretty much useless for professionals. Its JPEG export function sucks too. Whenever I design something for the web in GIMP, I end up exporting it to its final form in Photoshop anyway.
sigfault. core dumped.