Genius Requires Just the Right Mix
An anonymous reader writes "LiveScience has an interesting piece taking a look at how genius is rarely developed in a vacuum. From the article: 'The reality is that behind many scientific geniuses, there is at least one other genius, and often a number of them.' It takes much more than a genius pal or predecessor, however, to do great science, according to Simmons. Scientific advances emerge from social, economic and political conditions."
Really brilliant people (not just scientifically, but in any discipline or industry) surround themselves with other brilliant people. They enjoy being challenged by peers. They are secure in their abilities and know that other brilliant people will not threaten their place but help to elevate it.
I am finding, early in my business career, that working with other talented people makes me work harder and aspire to greater things. The constant challenges put a perspective on the obstacles I used to face - ones I now overcome easily.
I'm beginning to believe that "genius" is just a frame of mind.
However, I think all the article was talking about was really clever people who are secure and confident about their knowledge. People tend to equate "genius" with "will discover something to change the world any day now", but geniuses might simply offer a fresh view or point out something that no one has noticed before on a day to day basis. In other words, think smaller than Kuhn!
And I completely agree with you, science definitely doesn't have a monopoly on geniuses. But from a very early age, no matter where we grow up, we tend to be exposed to the stereotype of the mad scientist and the odd poster of Einstein. How many 8th graders know what relativity is in really simple terms, rather than Einstein "was a really smart scientist".
An old-timer with old-timey ideas.
> As for the conditions necessary for "genius" things to happen in science, that's called a "paradigm shift". Read Kuhn's "The Structure of Scientific Revolution".
Kuhn's paradigm [yuk,yuk], even if correct, hasn't got anything to do with 'genius'.
Sheesh, evil *and* a jerk. -- Jade
> So if it takes more than one genius to produce another genius, does that mean we could be looking at a genius shortage in the future?
It takes more than one stray cat to make a stray kitten, and yet we don't seem to have any shortage.
Sheesh, evil *and* a jerk. -- Jade
No, I enjoy squashing them. As if a genius can have a "peer". True genius has no equal, and quite simply cannot have peers. In other words, true geniuses don't need to be around other people to convince themselves that they are "smart": they KNOW that they are smart.
Not sure what qualifies you as a genious. Anyways your approach of "squashing" will not get you far in the real world. Most geniouses will acknowlege they were not the first, nor the last. Perhaps you are familiar with the phrase "standing on the shoulders of giants"?
The 1800's boom in geniuses was the result of greater opportunity for self-advancement, not greater opportunity for sloth and Oprah-watching.
There's no way to know. Every /. user knows that he's the only intelligent person there.
...but is it art?
Not everybody who does well on an IQ test is a genius, but everybody who does not do well on an IQ test is not a genius.
...but is it art?
no correlation, hum? does that mean it has a p-value of +.05? does good grammar--"IQ and SAT has..." "correlate" with intelligence? is the data set parametric? what measurements are we using? note the repeated usage of "no correlation" without any data whatsoever. which school of thought? where is this school of thought that thinks IQ and SAT are the end all and be all of genius? where is this strawperson? yes, we might be moving beyond a single "q" factor for intelligence, but don't you think we should look at the evidence first, rather than asserting the recieved wisdom, which in this of all cases should be questioned?
The sociologist Howard Becker has written extensively, most clearly in his book "Art Worlds," that to understand creation the locus should be the entire world of the artist, not the artist. We're making a mistake if we try to understand Beethoven's 9th without reference to the culture of Vienna, the rising role of the publishing house, the people who let him live the unfettered (if tortured) life of a creative artist, all play a role alongside the musicians, the promoters, his students, and composers who preceeded him and worked alongside him. That Viennese world, with Beethoven in it, Becker would argue, is the actual producer of the work.
The same holds true for science and other creative endeavors. It's not an airtight thesis, by any means, but it is provocative and gets people thinking along different lines than the unitary individual acting alone as we are so prone to do in the West...
Genius is a BS concept. IQ is crap. Results are what count. Do you make things better or worse? Are you an asset or a liability? Only fools strut around hoping to have their genius recognized.
Check this site out for a breakdown of IQ
http://www.wilderdom.com/intelligence/IQWhatScore
Genius is generally considered to be above 145.
The difference between "someone who excels at a subject" and someone who is a "genius" is that a genius may be able to excel at (m)any subjects.
The smarter you are, the greater your ability to comprehend, understand, analyze, etc. Raw intelligence will generally trump training.
The Rand Corp recently released a study involving soldiers, fresh out of advanced individual training courses. They told them to troubleshoot faulty communications gear. The smart ones had a 97% success rate. The dumbest... 25% of them managed to find the two problems.
http://www.ocnus.net/artman/publish/article_22323
The fact that you don't know what a genius is, tends to suggest that you aren't one. Most people will know genius when they see it.
[Fuck Beta]
o0t!
One of biggest problems a "genius thinker" often faces is his own intelligence. He is on a much higher level and being surrounded by "normal people" often leaves him unchallenged, he doesn't have to work at anything, and then his discontent could squash the ideas right out of him. But as soon as you put him in a room with another on his level, he will quickly find himself challenged, and will respond with genius, as will his counterpart, leading to truly amazing things. As a general rule, I've found that people don't excel unless they have a reason to. 99% of the time, its competition
Hendrix came along at the right time in the curve (also, speaking as a long time professional guitar player, he had the ... uh ... genius to back it up (and really big hands)).
/.) but across musical history you see 'genius' arriving when the technology and or culture move (I'm resisting the phrase 'paradigm shift' for semantic reasons). The first ones to speak the knew language get to invent it, and the rest sit around analyzing Bach / Beethoven / Beatles / Bird et al.
The technology of the solid body electric guitar interfacing with the tube amplifier had reached a level where you (he) could lean on the vibrato arm and stay in tune (3rd Stone), the tubes were together enough to control feedback for long periods of time without the amplifier blowing out, PA systems had recently reached a point where you could play that loud and sing on top of the amps. Add to this a technological arms race going on with tape bandwidth and multitrack fueled by an enormous amount of money flowing into the music business. Read the studio logs, he gets his hands on the latest gear as it arrives. For the rest of the century devices are created that allow any kid in a garage to appx the amp sounds, tuners to take the first two years off of waiting to play out.
A better right place right time example from 60s pop music is Dylan (because he doesn't require the sheer mysterious hand-tone and control that Hendrix does). He arrives right as old school protest folk and Ginsberg are colliding, gets a head of steam and invents a language - having invented it his accent is usually more perfect than most. He's also granted unlimited carte blanc by the 'Zeigeist' to go where ever his beat poetry leads him, including rock and roll.
I can't speak for the science guys as I'm not qualified (though that statement doesn't make much sense on
Your statement about
> quiet, reserved, socially inept, introverts.
Is probably only partially true. Hendrix was definitely wierd by the standards of his time, but he wasn't socially inept.
> im fucking 16, and public school
Keep your head up. Highschool sucks. Learn shit. Join a band (or whatever you kids are calling it) and hit on chicks. It gets better at 18 (or so they say)
Physics is like sex: sure, it may give some practical results, but that's not why we do it.
However, surrounding one's self with excellence at work is only part of the equation, surrounding one's self with a nurturing and supportive family environment (good nutrition and well-balanced life experiences) at an early age further assists your development. Then there are the other relevant social, cultural, and other environmental factors that would go along with this.
Like wild sex with a naked bitchin' ho.
Just for balance.
Being an idiot and being crazy are complete different things. A genius can be an idiot, because he has a very special talent and might have deficits in other important areas. But being a bit crazy is probably connected to being a genius. A genius tends to think out of the frame other people have around their minds. So, it's likely they think out of the frame in other areas as well, not just there, where they are famous for.
Ramanujan is one of the biggest mathematical geniuses ever, and taught himself these things in a vacuum.