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France To Force iTunes to Open to Other Players?

JordanL writes "It appears that France is pushing through a law that some feel may force Apple to open iTunes to other players. From the article: 'Under a draft law expected to be voted in parliament on Thursday, consumers would be able to legally use software that converts digital content into any format. It would no longer be illegal to crack digital rights management -- the codes that protect music, films and other content -- if it is to enable to the conversion from one format to another.'"

68 of 325 comments (clear)

  1. Journalism at its finest by Phroggy · · Score: 4, Insightful

    Music downloaded from Apple's iTunes online music store currently can only be played on iPods. ...and Macs and Windows PCs using any application that uses QuickTime, including iTunes and (I believe) recent versions of RealPlayer.

    The law, if enacted, could prompt Apple to shut its iTunes store in France, some industry observers say, to keep from making songs vulnerable to conversion outside France, too.

    If Apple had to shut down iTMS in France, its competition would have to shut down for the same reason.

    "The person who will have converted iTunes songs will be able to make it available elsewhere," Marc Guez, head of the French Collecting Society for Music Producers rights (SCPP) told Reuters.

    Not legally. The music is still protected by copyright law. Currently, the DRM can be removed illegally, and then the music can be illegally shared. Making the first step legal doesn't make the second step legal.

    The law would also mean that other online French music retailers such as Fnac, part of PPR, would have to make iTunes songs available on their Web sites.

    Can anyone translate this from journalist-speak to tech-speak for me? What exactly would Fnac have to make available?

    Police agents can monitor music exchange Web sites and trace back the email address of beneficiaries by asking the Internet service provider for it through a court order.

    Presumably they meant they can ask the ISP for the billing information of the customer who was using a particular IP address (not e-mail address), which the police agents obtained through monitoring P2P services (not Web sites).

    --
    $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
    $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
    1. Re:Journalism at its finest by Anonymous Coward · · Score: 5, Funny

      I would have made some kind of retort here, but I was blindsided by your three digit number.

      So, ah, don't you have 8-tracks to convert?

    2. Re:Journalism at its finest by hashbrownie · · Score: 2
      "The person who will have converted iTunes songs will be able to make it available elsewhere," Marc Guez, head of the French Collecting Society for Music Producers rights (SCPP) told Reuters.

      [comment] Not legally. The music is still protected by copyright law. Currently, the DRM can be removed illegally, and then the music can be illegally shared. Making the first step legal doesn't make the second step legal.[/comment]

      You're misunderstanding Mr. Guez. He is against the law (note his affiliation), and he is arguing that if this law is passed, ordinary people will have the ability to illegally send the non-DRM'd content around the world, and thus Apple would close its French iTunes store. To him, this is a reason why the law should not be passed. In the original story, the previous paragraph explained this.

      Short quotes from wire stories should not be taken out of context to criticize the story's author.

      --
      Fax Baba!
    3. Re:Journalism at its finest by Anonymous Coward · · Score: 4, Informative

      No no, you're totaly wrong with this. I'm french so i know what i'm talking about. The law which is about to be voted is the inverse. I will be now ILLEGAL to crack drm, and even conturn the protection of the dvd to read it on a linux for example could be consider as illegal too.
      This law is as strict as the american one.

      The truth is that the french government want the online music store to open themselves to all the mp3 player but with the drm not without. They want them to use the same type of drm( I really don't think apple and microsoft care about France ...), but use drm become an obligation. I repeat conturn them will now be stricly forbidden.

      If you understand french, go there http://eucd.info/. You will understand France is no longer freedom's country ...

    4. Re:Journalism at its finest by Phroggy · · Score: 2, Interesting

      You're misunderstanding Mr. Guez. He is against the law (note his affiliation), and he is arguing that if this law is passed, ordinary people will have the ability to illegally send the non-DRM'd content around the world, and thus Apple would close its French iTunes store. To him, this is a reason why the law should not be passed. In the original story, the previous paragraph explained this.

      Alright, yes, if this law passes, it will become easier to remove DRM encryption, because the tools to do so will become legal and therefore the tools will become more readily available. So, sure, it would become easier to illegally redistribute copyrighted materials. I can't see why Apple would close the French iTMS for this reason, though. If France actually made it legal to redistribute the songs, then Apple might have a problem.

      Short quotes from wire stories should not be taken out of context to criticize the story's author.

      I don't believe I took anything out of context. I did quote the previous paragraph as well.

      --
      $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
      $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
    5. Re:Journalism at its finest by erik_norgaard · · Score: 2, Insightful
      Police agents can monitor music exchange Web sites and trace back the email address of beneficiaries by asking the Internet service provider for it through a court order.
      Presumably they meant they can ask the ISP for the billing information of the customer who was using a particular IP address (not e-mail address), which the police agents obtained through monitoring P2P services (not Web sites).

      Given the recent data retention directive passed by the European Commision and parlairment and required to be ratified in national laws by mid 2007, police will have access to far more data than just billing information.

      See this link on data retention directive.

    6. Re:Journalism at its finest by lovebyte · · Score: 3, Insightful

      but to drive Apple and iTMS and its foreign cultural influences out of France
      Total BS. itunes sells exactly the same music in France as all the other online providers (in France). There is no "foreign cultural influence" there. Secondly, Vivendi is French and is the largest music publisher in the world. Thirdly it would be the first time the French government is interested in the consumers and not doing wathever the music lobbies want it to do.

      --

      I'll do it for cheesy poofs.

    7. Re:Journalism at its finest by Pieroxy · · Score: 3, Interesting

      Actually, you're not even close to what it is. This is an amendment (dunno if it's an english word) to a law they are trying to pass, very close to the DMCA. This is there to shut up the people so they look quite positive overall with the entire thing. They they'll remove it just before getting it voted and it'll pass without the crap you're talking about.

      Don't be mistaken, the music industry has a big influence in France as well, and they'll not give up on that one. Proof is the damn thing was supposed to be voted in December but the parliament is opposing much more resistance than the majors suspected.
      --
      XviD review

    8. Re:Journalism at its finest by Captain+Hook · · Score: 3, Insightful
      Under a draft law expected to be voted in parliament on Thursday, consumers would be able to legally use software that converts digital content into any format.
      Apple can still sell songs with Fairplay encryption present.

      It's just that the end user would now have a legal right to break the DRM and convert the file into what ever format he needs which of course renders the DRM pointless but Apple would not be breaking their contract if this law was enacted.

      --
      These comments are my personal opinions and do not necessarily reflect the opinions of the other voices in my head.
    9. Re:Journalism at its finest by Eccles · · Score: 5, Funny

      I would have made some kind of retort here, but I was blindsided by your three digit number.

      The groupies are the best part.

      Now if you'll excuse me, I have some wax cylinders to rip...

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    10. Re:Journalism at its finest by paving-slab · · Score: 2, Informative
      ...you dont make that much from playing live...

      Some may disagree.

      The top twenty grossing tours from 2005

      1. The Rolling Stones, $162 million
      2. U2, $138.9 million
      3. Celine Dion, $81.3 million
      4. Paul McCartney, $77.3 million
      5. Eagles, $76.8 million
      6. Elton John, $65.8 million
      7. Kenny Chesney, $61.8 million
      8. Dave Matthews Band, $57 million
      9. Neil Diamond, $47.3 million
      10. Jimmy Buffett, $41 million
      11. Mötley Crüe, $39.9 million
      12. Green Day, $34.8 million
      13. Toby Keith, $31.6 million
      14. Rascal Flatts, $28.2 million
      15. Bruce Springsteen, $26.3 million
      16. Gwen Stefani, $24.2 million
      17. Coldplay, $24.1 million
      18. Tom Petty & The Heartbreakers, $23.6 million
      19. Barry Manilow, $22.7 million
      20. Anger Management 3 Tour, $21.6 million

      I know this is Gross, but I'm sure there was a bit left over.

      At the other end of the scale there are thousands of bands, without recording contracts, playing local venues. They dont make any money at all except from playing live and merchandise.

    11. Re:Journalism at its finest by leoxx · · Score: 4, Funny

      The natives are getting restless.

    12. Re:Journalism at its finest by Golias · · Score: 2, Funny

      I thought you guys were the natives here.

      That is, assuming you didn't buy your UID on eBay or something.

      --

      Information wants to be anthropomorphized.

  2. L'iPod by liangzai · · Score: 4, Funny

    L'iPod est mortes, vive l'iPod!

    1. Re:L'iPod by this+great+guy · · Score: 5, Informative

      There is a grammatical error, the correct writing is: L'iPod est mort, vive l'iPod.

      See ? Being French is advantageous. Anytime someone tries to write something in french on /. you can be sure to find an error. So just do like me:
      1- Reply to fix the error.
      2- Wait for the nice "+5, Informative" mod.
      3- ???
      4- Karma increased !

    2. Re:L'iPod by protomala · · Score: 5, Funny

      Now if only more people write in bad brazilian portuguese I could get some karma bonus also...

      Wait... I'm the one who writes in bad portuguese and bad english. Minus karma to me!

    3. Re:L'iPod by utexaspunk · · Score: 2, Funny

      See ? Being French is advantageous. Anytime someone tries to write something in french on /. you can be sure to find an error.

      Dude, that's nothing- anytime someone tries to write something in English on /. you can be sure to find an error.

      (For example, you didn't capitalize the second French!)

    4. Re:L'iPod by Aranwe+Haldaloke · · Score: 2, Funny

      You newbie. I can write wrong in more languages than you can possibly imagine.

  3. Seen it coming by macadamia_harold · · Score: 5, Interesting

    It appears that France is pushing through a law that some feel may force Apple to open iTunes to other players.

    French = Freedom. I think that's already been established by the US Congress.

    1. Re:Seen it coming by zoeblade · · Score: 2, Funny

      French = Freedom. I think that's already been established by the US Congress.

      That's the reason US eateries serve "freedom" fries instead of French fries now? I did wonder... That sounds a bit petty though. Let's hope France doesn't take back the statue of liberty in retaliation!

    2. Re:Seen it coming by rsidd · · Score: 3, Interesting
      Actually the guy who forced that name change had second thoughts... about two years late.

      What do we know today that we didn't know in November 2004?

  4. Under what justification? by phorm · · Score: 3, Insightful

    Look, iTunes is popular, as are ipods. First, one could easily enough say they are independantly popular. They do feed off each other a bit, but both were pioneers that succeeded in their own right.

    Secondly, while I could definately seen reasoning that you should be able to format-shift, I don't see why people have an automatic 'right' to conversion. I mean, it shouldn't be illegal to format-shift, but neither should Apple be required to put a sytem in place to do so. There are plenty of ways for me to move to a different format. Generally, some quality loss is involved, but no more than format-shifting between physical mediums had (such as tape to CD, CD to mp3, etc).

    1. Re:Under what justification? by top_down · · Score: 5, Insightful

      Why do we need a justification? France is a democracy which means that the people are the boss. It is clearly in their interest to be able to format-shift and it is also of interest for the economy as a whole to be able to format shift. So why not do it? There are only positives.

      And no, Apple isn't required to do anything. They can take it or leave it. It's their choice to sell stuff in France.

      --
      Anyone who generalizes about slashdotters is a typical slashdotter.
    2. Re:Under what justification? by babbling · · Score: 5, Insightful

      Yeah, well, currently Apple have been changing what you can do with the music you have ALREADY PURCHASED. They have been doing this via iTunes software updates. They changed the number of CDs you are "allowed" to burn for each song, and the number of computers you are "allowed" to have each song on.

      I think in most countries, that would/should be regarded a very direct violation of consumers' rights. In Australia, you are supposed to get the product you paid for, not something different. By changing how you can "use" each song, Apple have essentially switched the product that people have.

      Apple probably justify this by some stupid clause in their Terms & Conditions that states you don't really own the songs at all, or something. I'm sure they also have one of those "we reserve the right to change anything in the terms & conditions without notice" clauses, too.

    3. Re:Under what justification? by Anonymous Coward · · Score: 3, Interesting

      France is a democracy which means that the people are the boss.

      Actually France is a republic (the "Fifth Republic", to be exact), though many would argue the goverment is actually socialist (less so now than fifteen years ago, but much more so than the U.S.)

      Yes, I'm nitpicking. But France and the U.S. are not democracies and the people do make the laws. (if it were to go to a public vote, sharing copyrighted mp3's as well as many other vices would most likely be legalized in any democracy.)

      BTW, France is certainly not a "free" country, in that citizens don't have guaranteed rights that Americans supposedly have (like rights to a fair trial and freedom of speech.) Of course that's purely on paper, in actual practice the French have much more latitude to "go against the grain" and act out against the government (both foreign and domestic) as well as multinational corporations than their American counterparts... Which speaks more to national character than government policy. The French see themselves as rebels, and that's a good thing.

    4. Re:Under what justification? by shutdown+-p+now · · Score: 2, Insightful
      France is a democratic republic. There is no contradiction in a country being both a republic and a democracy. That's why we have the clarifying terms such as "representative democracy" (which France as well as the USA both are) and "direct democracy".

      And yes, I'm nitpicking... ;)

    5. Re:Under what justification? by v1 · · Score: 2, Insightful

      The basic problem is this "IP" thing. When it all settles down, what it's alll about is creative people making things and then doing everything they can to maximize the money they get as a result. Nothing wrong with wanting to maximize proffits, but the problem here is they use a law that was ostensibly/originally designed to insure "just compensation" to the artist, and twist and squeeze it for every last penny they can. The problem is that laws are usually designed (originally) to protect someone weak from someone powerful, and in doing so they tend to be overbearing, and rely somewhat on the courts and the police etc to exercise them in a fair way to insure the balance the law was meant to enforce.

      In the case of IP, we have gone from starving artists in studios trying to make a buck on their art, to starving artists in studios with these "middlemen" called record labels, taking fistfulls of money from the consumer and handing the artists a pittance. That's where the greed factors in, and we suddenly start seeing the laws squeezed and pulled for every dime they're worth. So it's no longer the law trying to insure fair treatment of the little guy, but it's big hammer is now being swung as hard as possible to wring money out of the consumer.

      To this end, they impose truly ridiculous rules on what you can do with the art once you PAY for it. I am not a big fan of leasing/licensing, but I recognize it is necessary in some form to insure artists are compensated for their work. Unfortunately, when you get the labels in the middle, taking a massive cut, there is simply too much greed. And the laws being initially tilted to favor the poor artists, are now used by the major labels in ways the laws were never meant to be used. Laws that already put the consumer on the short end of the stick. If it were not for the fact that a few artists still benefit from the protection of copyright laws, I would say scrap the whole thing. Laws should be evaluated periodiucally to determine if they are still serving the purpose for which they were drafted, that no serious abuse of them is taking place (indicating they need some overhauling), and that there is still a need for the privleges they grant to the "weak". As of now, copyright laws are only minorly serving their original purpose and are being seriously abused, but unfortunately there is still a need for them for the numeric majority/financial minority in the industry.

      The artists needed protecting. The labels DO NOT. They are already plenty cut-throat as it is, they're not starving artists by anyone's description, they don't need any more help.

      --
      I work for the Department of Redundancy Department.
    6. Re:Under what justification? by utexaspunk · · Score: 3, Insightful

      A Republic is a form of Democracy- It's called a Democratic Republic. Only fucktards make a point of disputing that Republics aren't Democracies when the author's point (that the government represents the people) is clear, and the fact that it's Socialist has no relation to either. You can have Socialist Democratic Republics, Socialist Direct Democracies, or whatever else one wants.

  5. Microsoft as well? by TimCapulet · · Score: 5, Interesting

    The article only mentions that Apple would have to allow people to convert their songs into other formats. Does that also apply to Microsoft and other companies? If it applies to all digital media, then this law will effectively end all digital rights management!

    1. Re:Microsoft as well? by babbling · · Score: 2, Informative

      Actually, if I read correctly, the law would only make it legal for people to break the DRM and convert their files to a different format. I'm not sure that it would force companies to provide tools to convert the bastardised files into a different format. It's more of a correction to a very broken law, where people are currently not allowed to convert DRM files to a different format. (French DMCA equivalent)

    2. Re:Microsoft as well? by Technician · · Score: 2, Interesting

      then this law will effectively end all digital rights management!

      Oh boy I hope so. With tight DRM there is a lot of good music I would have never been introduced to. For example I was impressed with the christmas light show that made the rounds on the net last year. If the copyright owner was super anal about the distribution of the song, then I neve would have found about the Trans Siberian Orchestra. As it turns out, the guy with the light show was invited to one of the concerts while they were on tour and praised for his excellent work.

      Tell me again why the media companies want to keep me from finding good music?

      Most of the stuff on the radio isn't worth going out and buying. This is especialy true when it comes with restrictions and viruses built in.

      To make sure I get a real copy, I always look for the Compact Disk logo showing the title meets Philips specification for an audio recording. There is so very little on the shelf at the music store with the compatibility logo. It's no longer worth the effor to try to find good music with the logo anymore. I quit trying.

      --
      The truth shall set you free!
  6. Vive la France! by eclectro · · Score: 5, Funny

    I vote to change our "freedom fries" to "french fries"!

    I also think that whole "fance surrenders" thing was silly too.

    --
    Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
  7. Consumer rights and IP by ajdlinux · · Score: 5, Informative

    It seems to me that the French government is protecting consumer rights from music companies who just want to force their ways of protecting 'Intellectual Property'. Slashdot last year had a story about the Australian government introducing copyright amendment laws to make private copying of videos and TV shows (only for private purposes of course) legal.

  8. Some explanations ... by Anonymous Coward · · Score: 4, Informative

    "The law would also mean that other online French music retailers such as Fnac, part of PPR, would have to make iTunes songs available on their Web sites."

    Fnac is a quite powerfull culture oriented retail group that has setup their own music file format. The point is that FNAC is one of the biggest music product seller in France. It has been proven by testers that Fnac salespersons were "not pushing at all" the Apple products and trying to push the products that were compatible with the online Fnac music store !

    The law is just adding more anti-trust principles on digital music, so that corporate trust can not force people to by their own product and can not force the the people to by only at their shop.

    1. Re:Some explanations ... by Phroggy · · Score: 3, Interesting

      Fnac is a quite powerfull culture oriented retail group that has setup their own music file format. The point is that FNAC is one of the biggest music product seller in France. It has been proven by testers that Fnac salespersons were "not pushing at all" the Apple products and trying to push the products that were compatible with the online Fnac music store !

      The law is just adding more anti-trust principles on digital music, so that corporate trust can not force people to by their own product and can not force the the people to by only at their shop.


      Thanks for the background info. The intent here sounds good, but I'm still confused as to what Fnac would be forced to do. Offer non-DRM AAC or MP3 versions of songs customers purchase from Fnac, which the copyright holders won't let them do? Offer FairPlay-encrypted DRM versions, which Apple won't let them do? Link to the iTMS?

      --
      $x='S24;r)>63/* h@<5+oZ)32"5cz';$me='phroggy'x$];
      $x=~y+ -xz+\0-Tx+;print$_^chop$me for split'',$x;
    2. Re:Some explanations ... by lovebyte · · Score: 5, Insightful

      Fnac is a quite powerfull culture oriented retail group that has setup their own music file format.

      They don't use their own format, they use Windows Media Audio with MS DRM. Like everyone except Apple.

      --

      I'll do it for cheesy poofs.

    3. Re:Some explanations ... by Saint+Fnordius · · Score: 4, Interesting

      From my (admittedly weak) understanding of the law, it means that Fnac would have to offer their songs in a format that iPods can play as well, since iPods don't support the WMA format. Since Apple won't let them have FairPlay, that means a nonencrypted MP3 or AAC format.

      There seems to be some confusion in the article between iTunes and the iPod. The law would not affect just Apple, but all online music retailers and digital music players. But since Apple is the leader in both, it gets singled out.

      My guess is that Apple may be forced by the recording industry to close iTMS France (after all, Steve Jobs has gone on record as saying that DRM isn't the answer), but eventually returning after a backlash from French artists and music purchasers.

    4. Re:Some explanations ... by Anonymous Coward · · Score: 3, Informative

      Steve Jobs has gone on record as saying that DRM isn't the answer).

      Where? Jobs is 100% in favour of DRM... as can be seen by the design (DRM in hardware) of the new Intel Macs designed to provide a means for music and video to be completely tied to one machine. You might also like to consider that DRM refers to "digital information"... which is a lot more than just music and video. Among other things (such as emails, spreadsheet, word processing documents)... it also controls computer code -- something that Apple supports openly.

    5. Re:Some explanations ... by lovebyte · · Score: 4, Informative

      Which highly successful companies are you talking about?
      With the exception of Apple using its own system and a few small companies selling straight mp3 files, all the big online music distributors use MS DRM. Do you real need me to mention names? Napster, EMI, Vivendi Universal, Virgin and many others. Are they succesful? I don't know and I never implied that they were!

      And why should Apple use WMA? And MS DRM?
      I never say Apple should use WMA!

      The online music market is divided in 3:
      Apple and its FairPlay DRM
      All the other big distributors and their MS DRM
      Some small distributors use MP3 or OGG

      --

      I'll do it for cheesy poofs.

    6. Re:Some explanations ... by TheGavster · · Score: 3, Insightful

      You're confusing technical barriers with arbitrary barriers. There are technical differences between an XBox and a Gamecube that prevent easy exchange between them. In the case of digital music, however, there is the technical restriction limiting play to devices that support M4A audio encoding being overshadowed by an arbitrary restriction that the device also support Fairplay DRM. The situation is not that Apple is refusing to expend the effort to release the tracks in another format, but that they are expending *extra* effort to make otherwise compatible files unplayable in some devices.

      It is arbitrary barriers that make me most angry as a consumer. Because all costs of development are in the end borne by the consumer, I am effectively paying extra to make the product less useful. Where the R&D dollars could have gone into researching a better audio codec or (heaven forbid) a stop button in iTunes, they instead went into developing Fairplay and preventing me from using purchased files in some ways.

      --
      "Because Science" is one step from "Because old book". Try "Because of my experiment testing my falsifiable assertion".
  9. Would pulling out iTMS France be enough? by Yaztromo · · Score: 4, Interesting

    I wish I had access to the draft of the bill in question (along with a good English translation) -- the article suggests several things which may or may not be true.

    One of these suggestions is that Apple may have to stop running iTMS France in order to avoid compliance. However, it also states that other online stores would have to provide songs in a form that allows them to be played on the iPod.

    Now I'm assuming that the primary music labels from outside of France would prefer to simply no longer license their works for digital download in France than allow providers to distribute music in an unencumbered format (such as MP3). Which would mean that the only way French law could permit other online music stores to provide music in iPod format would be for them to be allowed to use Fairplay.

    This would mean that either Apple would be forced to license Fairplay to any online music store in France, or these companies will be permitted to reverse-engineer it. They would likewise need to be able to access a users Fairplay key.

    In which case, the only way Apple may be able to avoid this whole mess would be to pull not only iTMS out of France, but the iPod as well. And I don't see Apple doing this.

    The only way I see around this would be for all of the online music stores in France -- Apple's iTMS included -- to come up with a common, France-specific music DRM format. And while the added flexability would be of benefit to French digital music consumers, I'm not sure if having nation-specific DRM formats is going to be all that great of an idea.

    Yaz.

    1. Re:Would pulling out iTMS France be enough? by SilentMobius · · Score: 2, Interesting

      I dont see anything there that suggests that fairplay needs to be opened. Remenber that an ipod can play mp3's and non drm aac. So to offer 'ipod compatable' music you dont need access to fairplay. personally I think this is 'a good thing' the law is there to protect our rights not to protect someones business model.

      --
      Loop, twist and loop again.
    2. Re:Would pulling out iTMS France be enough? by Yaztromo · · Score: 3, Interesting
      I dont see anything there that suggests that fairplay needs to be opened. Remenber that an ipod can play mp3's and non drm aac. So to offer 'ipod compatable' music you dont need access to fairplay.

      I think you need to read what I posted again, because I did indeed deal with this.

      What incentive would, say, Sony BMG have to license music to any French digital music retailer, if that retailer wnated to sell their music in a non-DRM'ed format? Sony BMG (just as an example) could simply decide to get out of online digital music sales in France altogether, rather than have their music sold in MP3 or unprotected AAC format. And with no music to sell, the online stores will simply dry up and go away in France.

      The only way the French government can get this to work is to allow the other vendors to reverse engineer Fairplay, and/or require Apple to license Fairplay to these other companies. The aim of this law doesn't appear to be to force online music stores out of business, and in order to work with Fairplay other online stores will need access to a users iTMS key. Because as I see it, every music company would rather stop selling all online digital music than permit legal, unprotected music downloads in France.

      This is why, as I said, having access to the proposed text of this law would help clarify such issues.

      Yaz.

    3. Re:Would pulling out iTMS France be enough? by Herve5 · · Score: 2, Insightful

      Nobody will pull iTMS out. Indeed, the only thing this (very long and complex) law may do, is to legally allow one person to change a document format, which for instance in the case of music would mean that when I convert an Apple's DRMed file to mp3 for personal use on my third-party mp3 reader, I would'nt do something illegal any more.

      And I say *may* do.
      Because in the end, the law may even be amended to allow this only to institutions (libraries...) --originally in this very same law, converters themselves were explicitly illegal!

      But I am still hopeful, because the story of this laws' vote has been funny enough (at one point in time, there was one article that would have legalized P2P exchanges provided one would pay an extra monthly fee!).
      The resulting mess (government illegally removing that already voted article, then putting it back one day at midnight in the hope that it will be legally removed later once the majority's deputies have been aligned...) is so large that almost everyone is conscious there is something bad happening for young, supposedly "mp3-lover" electors.

      As a consequence, the final removal of that "P2P legalized" article may well push the positive couterpart that the article about format translation (ie, removal of DRM) be accepted, as a sort of compensation.

      This, is what I hope.

      And there is absolutely nothing in the law about Fnac, Apple, or anyone else, and no obligation at all to them. It's only DRM fans that say Apple may close ITMS volutarily by fear that lots of french user would de-DRM ITMS songs. Which is, of course, ridiculous.

      --
      Herve S.
  10. iTunes or Napster? by FidelCatsro · · Score: 2, Interesting

    This will more seriously affect services like Napster that work on the subscription basis.
    Why keep up your subscription if you can download all the music you want and then keep it .

    --
    The only things certain in war are Propaganda and Death. You can never be sure which is which though
  11. Re:Well, this would be absolutely terrible by digismack · · Score: 5, Insightful

    I mean, poor little Apple has not got its share by illegal means unlike some but by making better products, so its entitled to it.

    Apple is a large corporation, just like any other, they are concerned about their bottom line.

    Who would want to run an iTune on anything other than an iPod anyway, it would be like putting a lawnmower engine in a Ferrari.

    I think you have your analogy backwards. You're saying that taking an iTune, converting it and playing it on another player is better than playing it in an iPod.

    We don't want choice of what machines to play music on, we just want one good machine.

    Speak for yourself, I want to have a choice as to what hardware I play my music on.

    The unique selling point is the integrated experience, its the whole system, the iPod, the iMac, the iTunes, its not any one of them, its the whole thing.

    I can see your point, but then, why does Apple have iTunes for Windows?

    They are no more expensive than comparably equipped competitive products, its just that they sell for more because they give you more.

    If they are "no more expensive than comparbly equipped competitive products", then why did you say they "sell for more"? They have a higher price tag because iPod is the most popular brand name portable MP3 player.

    Anyway, you can play them on other machines if you really really want to, though why you would is beyond me.

    Thanks for your approval. ;)

    Well, now someone got all that out of the way, maybe we could have a discussion...? Because the implications are quite serious, not just for music. For the whole lockin approach. Once one country adopts this, first, it will be impossible to contain within its borders. Second, it will be impossible to contain it to music. It could get real interesting.

    Finally something we agree on. It could get realllly interesting.

    --
    http://www.hollowdepth.com
  12. Re:Well, this would be absolutely terrible by krouic · · Score: 2, Insightful

    Sorry to enter your RDF, but there are other players than iPods on the market, some are better, most are worse. Why iPods are so popular is more due to the formidable Apple marketing machine and hype than their sheer qualities.

    What you call "integrated experience" (as in Windows XP :) I would call lock-in. Music bought on iTunes can only be played at full quality on iPods, so when it will be time to buy another player, you will have too buy it from Apple in order to listen (in full quality) to the music you bought.

  13. Misleading article by romain+wartel · · Score: 5, Informative

    I'm afraid the article does not relate *at all* what happens in France at the moment, regarding DRM and "Internet piracy".

    The French parliament is currently discussing new laws, that will implement the EUCD directive, by forbidding and severly punishing any attempt to circumvent DRM protection and copyrighted material downloads. This project is called DADvSI.
    Some MPs are even pushing to forbid the development, diffusion and the use of P2P software.

    Lots of (artits, users, musicians, etc.) communities are opposed to all this.
    MPs first voted against this project and adopted a global licence (monthtly fee for unrestricted private downloads), but the French minister of Culture said it was not acceptable and he had the parliament to re-discuss the project again.

    More information (all in French) at:

    http://fr.news.yahoo.com/10032006/7/projet-dadvsi- la-licence-globale-repasse-la-trappe.html
    http://eucd.info/
    http://lestelechargements.fr/
    http://www.odebi.org/new/theme/
    http://www.adami.fr/

    1. Re:Misleading article by saberwarthog · · Score: 2, Interesting

      I can add to this that the DADSVI is making very angry open source supporters, most of little artists, consumers association, ect.. out here in France, as it's would make DRM protections impossible to circumvent without the risk of an infringment of about 750 Euros (users of VLC or any media players using DevCSS would have some serious problems...).
      But it also aim to permit interoperability (and you see here the problem : how can we make DRMised contents to be interoperable, as DRMs are made to stop interoperability ? )
      At first vote in december, an amendment was passed to permit P2P use but the government had forced the parliement to discuss it again, and now this part of the law is totaly 6 feets under... But now, use of P2P to download copyrighted music/films/whatever could cost you 38 euros.
      Last but not least, copy exceptions for research and teaching wouldn't be totally permitted...

      Added to this the fact that the minister Donnedieu de Vabre (nicknamed "launderer minister", "the sinister of inculture" or "Ptipimousse") want this law to pass without been discussed correctly and tried to make a propaganda site (lestelechargements.com, using Dotclear but at a cost of... 180000 euros, and no real possibility to comment or discuss !), and you could understand why some of us are very angry here...

      (sorry for the possible fault, but I'm french and mad about all of this, so it doesn't help ^^)

  14. Re:Well, this would be absolutely terrible by famebait · · Score: 3, Insightful

    Who would want to run an iTune on anything other than an iPod anyway, it would be like putting a lawnmower engine in a Ferrari.

    Some of us plan to hang on to the music we buy for many years to come. iPod may be your favourite player right now, but already the are a couple of serious contestants, and who knows when a competitor shows up that you just have to have, or when apple is once again taken over by idiots and start selling cappy players, o you move into a different maret segment than they prefer to serve. Do you really want to be unable to play your accumulated collection on anything else than official apple hardware or software?

    --
    sudo ergo sum
  15. Interesting experiment by frinsore · · Score: 4, Insightful

    From what I can glean from the article it would be legal or required to have a program that converts one DRM format to another, but I don't see how this would require an unencrypted version of the media.
    Most likely all the DRM companies would come together to make a program that converts from each DRM to another, and probably impose a time on the key to ensure if company X's DRM is broken that doesn't allow a hole that all other DRM media can be drained out through.
    I digress.
    What this would do economically is allow all digital media to compete on an equal footing. Don't like the price of a song on Napster? try iTunes. Want the latest MS Plays for Sure device but have a backlog of iTunes media? just convert it over. This would give consumers choice in their digital media and break the lock in that currently exists.
    From what I know of Apple is that they make almost no money on iTunes but a huge amount on hardware, so in theory this would allow them to use their iTunes's competitors to seel iPods. And from the MS side this would break the stranglehold that Apple currently has on the portable media market. In theory this looks like a win-win for everyone. But I don't expect anyone to go for this, in business if your competitor is winning that usually means you're losing. And what multi-billion dollar company wants to take that chance?

  16. Not a bad idea by ajs318 · · Score: 5, Insightful

    What is really required is for the law to state unequivocally, once and for all that, as long as you own a recording on a legitimately-acquired medium sanctioned by the copyright holder, your "fair dealing" rights include the right to make an unlimited number of copies of that recording in alternative formats for your own use, and to perform any necessary step in the process: copyright would not be infringed unless you used a copy you had made in some way that you would not be permitted to use the original.

    What would be even better would be a ban on DRM systems that prevent absolutely the exercise of Fair Dealing rights and/or copying under Special Licence {e.g., I have permission from the band Ocean Colour Scene to make copies of any of their work for my own use; any DRM system that does not take this into account, perhaps by requiring a password to enable copying, should be illegal}.

    --
    Je fume. Tu fumes. Nous fûmes!
  17. It's a false claim. by Tulka$ · · Score: 2, Informative

    This law is not for French customers but for the majors.
    The goal was to force DRM everywhere event if the content was a free WebRadio with free content.
    The second goal was to allow justice actions against every software that could be used to break copyright laws. (aka : remove DRM, exchange files, etc, etc.)
    The third goal was to track users who share and download files to make sanctions.

    BUT

    They tryed to vote the law the 23 december 2005 at 23h pm so nobody is at the parlement to oppose the law.
    They declared this law "urgent" so no consultation is needed.
    French associations mobilised and include an amandement to make file sharing LEGAL.
    So the law project was blocked for a while.

    Now, discussions in the parlement has come back again and the debate is ridiculous : some want DRM and sanctions and others want free filesharing with taxes.

    I think this law project will be completely removed, but who knows ?

    Wait the vote if you really want to know what my country will do about file sharing. For now, everything and it's contrary has been told.

    Greatings
    A French observer. (sorry for my english)

  18. Socialist France with a right wing president by jchuillier · · Score: 5, Insightful

    It's funny that all the "socialist-consumer friendly" laws happening in France right now are being enacted by the conservative government of our beloved leader Jacques "the great" Chirac.

    Last fall we had a law making it easy for customers to get out of phone and tv contracts where it was not possible to cancel the contract before the renewal period (usually 12 months).

    Keep in mind that elections are due next year and that for those unaware of French politics (although VERY funny) Chirac has been elected last time with 82% of the votes because he was facing our local facist Le Pen, so the left voters HAD to vote for Chirac in the second round of the presidential election of 2002.

    Then Chirac promised he would not "forget" this and make a government for "everybody" and not just for his "side". Of course this was quickly forgotten and now with the elections coming he has to steer a little bit to the left after 5 years of "shut up I've been elected and I do what I want".

    Additionally I work with Czech people and in Czech "Curak" pronouced "shurak" is very close to "sheerak" and means "Asshole", languages are great aren't they ? And Bush is pronounced like "bouche" in French which means "mouth" and also "liar" if you use it in "c'est une bouche" translated as "he's full of mouth"...

    Bottom line is that France is rediscovering freedom for consumers instead of corporations because elections are coming up, but it's a good time to grab things...

  19. Re:Well gee by lisaparratt · · Score: 2, Insightful

    Um, I hate to break it to you, but music isn't unitary. It's not like other products. If I get a bad deal from one company buying 3 units of music, I can't go to another non-cartel company and buy another 3 units, because it won't be the same product I wanted in the first place.

    If I went looking for a copy of PPS Project - AC vs DC and came home with The Greatest Country And Western Album Evar!!!11, I'd be a deeply unhappy bunny. If you, on the other hand, have no great passion for music, then by all means go and buy no name music from pretentious indie labels.

  20. In related news.. by hyfe · · Score: 4, Informative
    To the ones wondering if France is big enough a market to force change;

    The same thing has been happening in both sweden and Norway.
    And atleast for Norways case, I don't actually think there's any doubt iTunes are breaking Norwegian law. I mean, seriously.. retro-actively changing the terms of a deal, and claiming the other party has no right to reject or get out the deal is as silly as it gets.

    As it stands, if the iTunes EULA was legal and enforcable they could just add a clause saying 'Give us all your money!', and you'd be legally bound to do it.

    --
    "" How about taking the safety labels off everything, and let the stupidity-problem solve itself? """
  21. Re:Well, this would be absolutely terrible by soliptic · · Score: 2, Insightful
    They are no more expensive than comparably equipped competitive products, its just that they sell for more because they give you more.

    Uh huh. That's why the MP3 player I'm listening to right now has:

    - proper gapless playback - fm radio
    - built in microphone
    - ability to record from either radio or microphone
    - ability to take media files off it, as well as put them onto it
    - UK and EU power adapter included

    None of which is true for the nearest ipod. And it cost about 80 quid less.

    RDF indeed.

  22. More "Nanny State" Nonsense by pandrijeczko · · Score: 2, Interesting
    I hate DRM as much as the music/movie/MP3 lover but I don't think it's up to any government to legislate on this.

    If people want iPods and their DRM'ed music format, then I say good luck to all parties concerned - Apple have identified a marketplace for such products & customers are prepared to pay for them.

    Personally, although I use an MP3 player quite regularly, I won't buy an iPod because I won't be locked into using a proprietary music format using proprietary software on Windows only - I'd much rather have a less-featured MP3/OGG player that I can mount as a new drive in either Windows or Linux and copy across the tracks I rip from my music CDs.

    The point I'm trying to make is that this is entirely a consumer decision, not legislative. It's up to the potential customer to keep him/herself informed before making any purchases and if you don't like certain aspects of a product, then don't buy it - it's that simple.

    At this moment in time, I can rip any DVD or CD I currently own to play on whatever device I like and I'm therefore perfectly happy with the "fair use" I get from my movies & CDs - if what I am doing is against the law by circumventing DRM then so be it; if & when I'm caught doing it, I'll happily fight my case but my personal feeling is that it would never stand up in court where I own a legal copy of the original media.

    By allowing governments to take control of this kind of issue leaves them open, at a later stage, to corporate lobbying & bribery. Plus I don't want the "Nanny State" removing me of even more of my own decision-making process as a well-informed, intelligent citizen.

    --
    Gentoo Linux - another day, another USE flag.
    1. Re:More "Nanny State" Nonsense by MrMickS · · Score: 2, Informative
      Personally, although I use an MP3 player quite regularly, I won't buy an iPod because I won't be locked into using a proprietary music format using proprietary software on Windows only - I'd much rather have a less-featured MP3/OGG player that I can mount as a new drive in either Windows or Linux and copy across the tracks I rip from my music CDs.

      FUD. When launched the iPod was an MP3 player. It still plays MP3s. I rip everything as MP3 because that is the most portable format. Yes Ogg has better quality but you are limited in what you can play it back on. That you need a piece a free software to drop the music on shouldn't be an issue really. In case you didn't know iTunes is quite happy to let you store the MP3's wherever and however you want to. Nothing is forced on you.

      --
      You may think me a tired, old, cynic. I'd have to disagree about the tired bit.
    2. Re:More "Nanny State" Nonsense by tomstdenis · · Score: 2, Informative

      Um? First off I play AAC files I ripped from CDs on my ipod. Second I don't use itunes at all [it's shit].

      Go look up "Gnupod". It's a command line set of tools for dealing with the ipod. ... Seriously people it's like you've never heard of a search engine.

      The iPod is not locked to DRM controlled music. You can basically play any mp3/aac (low profile) audio. Heck I used ffmpeg to encode movies to fit on it just fine even.

      On an unrelated topic [but usefull if you're considering buying an ipod]. The one big downside to the iPod is it relies on spinning down the HD for most of it's power saving features. This means if you have say 9 songs in your playlist it will buffer half or more of them to memory which involves a lot of reading. Then shut off the disk and play from buffer.

      This works great. Except if you're like me and like jumping around in the tracks. The iPod doesn't have a "don't buffer mode" so each time you skip tracks it reads ~25MB of data off disk then spins down. Spinning up again when you change tracks.

      In my primitive tests I found it could play straight for about 2 hours before going down a "tick" on the battery meter. Now if you swap songs every ~6-10 mins or so it goes down the same tick in about 45 mins. So if you want an iPod I suggest you invest in a second spare battery (external works best). I've flown over the Atlantic with mine and a spare battery... :-)

      Tom

      --
      Someday, I'll have a real sig.
  23. Re:Well gee by ajs318 · · Score: 2, Insightful
    And therein lies the problem.

    Back in the day, only a minority of people could afford recording equipment. They soon found that they couldn't make enough money out of charging artists to record albums which would then become the artist's property that they could sell to the public, so they came up with another model: get the artist to sign over their rights -- in exchange for a one-off payment -- to the recording company, who would take care of the whole business of selling records and arrange for the artist to be paid a cut from each one sold.

    It's this exclusivity that's the beginning and end of the problem -- the fact that once an artist is having their recordings distributed by one label, no other label can distribute their recordings.

    Most other things are available from several sources. For instance, I can buy a loaf of bread baked by Sunblest, Kingsmill or Warburtons; or I can buy flour and yeast and bake my own. There is, in principle, no artificial barrier to a new player entering the market; if their product offers value, as judged by those who buy it, then it will be successful. "Value" is of course a nebulous concept, and so it should be; but in this case it is likely to mean a loaf of bread that tastes better, or costs less than what is already available.

    The same holds true for things such as standardised industrial components. If I'm buying M4 x 20 steel bolts with a raised Posidriv head, or 4.7k ohm 0.25 watt resistors, or 80 gsm A4 paper in packs of 500 sheets, or 15mm. end-feed plumbers' tee-pieces, I still have a choice of suppliers; but there is no subjective assessment of value, and anyone's part will do the same job as anyone else's.

    I think there is a market about to emerge for a new way of running a record label. The steps would be as follows:
    1. Artist obtains a loan, using the rights over their work as collateral.
    2. Record company manufactures CDs for a fee, which Artist pays using part of loan -- Lender has a lien over CDs.
    3. Artist uses remainder of loan to promote CD.
    4. Until loan is repaid, Lender can exercise control over certain uses of recording.
    5. As soon as loan is repaid, rights in recording revert to Artist.

    There's no reason in principle why an artist shouldn't have the same album available on different labels, possibly even selling at different RRPs, at the same time; they would be competing with one another strictly on the basis of the services they offered {studio facilities, in-house producers and session musicians, pressing capacity and so forth}. Some labels would specialise in quick turnaround at a slight premium. Supermarkets probably would have their own record pressing operations, but no studio facilities -- they would work strictly from masters.
    --
    Je fume. Tu fumes. Nous fûmes!
  24. Misinformation and French DMCA by jeremie_z_ · · Score: 3, Informative
    The Law project is the transposition of the EUCD (European Union Copyright Directive) that is the DMCA's sibling, both descending from the WIPO treaty of 1996.

    The main objective of this project it the legal protection of the "technical protection measures" (DRM) and the outlawing of their circumvention.

    The french project though, goes much further in that direction than what the directive imposes, it is, in its current state, the most restrictive DMCA in the world!

    The activists of the Free Software Foundation France founded the EUCD.INFO initiative to fight against those legal restriction that endengers the interoperability and the will of Free Software developpers.

    This Vanneste guy is the "rapporteur", which means he is the one who wrote the law, and he is very unpleased that some of the EUCD.INFO amendements may be included in his project, rendering it an inoffensive version of the DMCA, comparable to the US one with some of the recent exceptions.

    There is a long list of incredible things done by Vanneste (including being recognized guilty in his trial for homophobic declarations, protesting against a pacifist movie about the Algerian decolonization war with extreme-right folks, passing a law which recognize the positive role of colonization, etc...), and by the government (propaganda about "unlawful downloading" being the point of all this law project, opening a propaganda website about it which censors a so-called "democratic debate" where 95% of the comments are against that law project, removing amendements voted by the parliament which are in the opposite direction of the general restrictive axis, pushing amendments written by Vivendi-Universal, etc.)

    I think you'll hear again about this DADVSI (the short name for "author's right and neighbour's right in the information society) law project, whatever the outcome may be!

  25. How is this any different by Soothh · · Score: 2, Interesting

    How is this any different from any other closed proprietary system?
    Im not saying im against it, im all for it. But if they do this, shouldnt they
    also say MS must allow office for example to run on any OS?

    --
    We have seen that living things are too improbable and too beautifully "designed" to have come into existence by chance.
  26. Re:You can love France. by Fear+the+Clam · · Score: 3, Funny

    Hate is always a matter of fear and ignorance.

    I guess that means I'm fearful and ignorant of brussels sprouts.

  27. Re:Well gee by Anonymous Coward · · Score: 3, Insightful

    That's not entirely true. EU uses a Social Capitalism mode, that is... you must compete to obtain profit but not at all cost. You can't override citizens' rights to obtain your profit... and freedom of cultural access is a right for EU citizens. Currently there is a hard dispute in some EU countries between those that see content media as a pure, industrial fact (so companies must protect their products at all cost), and those that are fighting to ensure full and free (as in speech) access to culture. So, the question here isn't 'If you don't like it, don't buy it' but 'Don't offer it if you don't want people to share it' instead. Of course there are lot's of companies lobying EU politicians to make harder copyright laws in order to achieve some of the kind of 'If you didn't purchased it, it's not legal' motto that is present in other countries, specially USA.

  28. DMCA _is_ useless in France by grimJester · · Score: 4, Insightful

    After all, from what I can imagine, this would in fact render DMCA useless in France.

    Despite what you may think, US law is not global in nature. Recent IP law "upgrades" are in effect global because the same companies buy the same laws all over the world.

  29. Re:Seems like it will be legally shared by Eivind+Eklund · · Score: 5, Insightful
    Speaking as both a creator (maybe half the money I've earned is from copyrights) and somebody that's looked closely at these issues: Charging consumers for a work isn't a right - it is a privilege, a trade between me and society, ultimately enforced by using guns to remove other people's ability to produce things.

    It's fairly clear that I have a moral right to keep my work secret. The moment I make it public and people start reading or viewing or using it, however, it becomes part of the heritage of the society, it influences and changes - and, if it is widely consumed, society end up with a much larger investment in it than I had.

    Presently, society grants me the privilege of restricting copying - using its guns or the threat of them to punish those that defy my wishes. This is, however, not something I can demand. It is something that society grants.

    Eivind.

    --
    Doubting the existence of evolution is like doubting the existence of China: It just shows that you're uninformed.
  30. Re:What a complete muddle! by grimJester · · Score: 2, Insightful

    The conclusion is that the copyright owner cartel of Warner-Sony-Universal-EMI wil not allow Apple to sell music in a country where it is legal to crack DRM for format shifting.

    Format shifting is legal everywhere. Distributing copyrighted material without permission is illegal everywhere. Any existing DRM can easily be cracked, making legal format shifting easy. This means one customer will only buy the same content once.

    The only way for the copyright cartel to prevent the customer from using his music on any player, software or hardware, any time, forever, is to make format shifting de facto illegal. The current way of doing this is a combination of DRM and laws prohibiting cracking of said DRM and distribution of tools and information relevant to cracking DRM. If any part of this chain fails, customers can de facto legally do what they can de jure legally do.