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Download-to-own Films Coming Soon

riflemann writes "CNN is reporting that Universal Pictures will soon launch a service whereby films can be downloaded legally to own, i.e. non time-limited digital downloads. Currently most legally downloaded movies are time limited. Buyers will also receive a DVD version in the post. Is the movie industry finally listening? And how will they define 'own?'"

18 of 335 comments (clear)

  1. 40$ for Kong? by mrpotato · · Score: 5, Insightful

    That's way to expensive. These guys still don't get it. Designed to fail.

    --

    cheers
    1. Re:40$ for Kong? by ScrewMaster · · Score: 5, Insightful

      Yes, but in the process of failing they appear progressive, with the intent of deflecting criticism.

      "You see, Mr. Congressman? We tried the newfangled approach and it just doesn't work, you can't sell things on the Intarweb, so we're going back to our old-fashioned screw-the-consumer oligopoly. We know we can make money with that."

      --
      The higher the technology, the sharper that two-edged sword.
    2. Re:40$ for Kong? by tinkertim · · Score: 3, Insightful

      Ah no, they had to anticipate the new tier AT&T / Verizon surcharges into consideration when setting their pricing. I'm sure 'ma bell is going to want her cut of this too .. can't be making money off their network with 'cheap servers' like Google does, that would be simply unacceptable.

      It is bad enough the average parent can't afford to take a family of 3 - 4 to see a movie. Now they've gone and done this. Nimrods.

      What next, do I have to go buy my nachos at a cinema before I can watch the movie at home? Screw DRM, and screw them for gouging. Just wait till all of the torrent networks start forwarding traffic directly to them to let them know just what they think of the idea. You thought the slashdot effect baked a CPU .. heh. Ever try to reach an abuse contact in China?

      Bad move on that thar MS network guys. Bad Move.

      Jackasses.

      Off my soapbox.

    3. Re:40$ for Kong? by billcopc · · Score: 5, Insightful

      Man can I borrow your soapbox ? Looks like yours has a big built-in amplifier :)

      Torrent networks don't "attack" things.. while it might be possible to add someone's IP to the list of tracked peers and generate bogus SYN traffic, it wouldn't accomplish much as Bittorrent clients are designed to initiate a connection less than once every 5 minutes to any given host or tracker.

      Rewinding to the main topic, the only way to communicate to these media conglomerates isn't whining on /. or threatening to pirate their movies. We are dealing with business.. big business. The only language businesses speak is the language of money. Don't buy their stuff.. any of their stuff! Stop buying DVD movies, stop going to the cinemas, tell little Nicky he can shove his Harry Potter up his ass. Now I'm not saying this will hurt the company, but their bean counters will notice and those bean counters are the ones in power. They won't listen to our voice, but they will listen to our dollars.

      The day common people understand the democratic power of money, is the day democracy will start working for everyone.

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      -Billco, Fnarg.com
    4. Re:40$ for Kong? by mix4pix · · Score: 5, Insightful

      "Certain types of customers would love that sort of thing." Yeah, the ones with RAID arrays in their living rooms and time to watch hours and hours of un-color-corrected, noisy, botched takes. Hint: that footage didn't make it into the movie for a reason. While "providing all the original uncut footage" might be a wet dream for some fans, it would be horrible PR for the actors and director, and a total invasion of their privacy, not to mention COMPLETELY discounting the work of the editors, sound editors, visual effects guys, and music guys. The ONLY purpose of something like this would be to give the public an appreciation of what goes into making a film . . . something you seem to be lacking in as well.

  2. Security Measures? by eMartin · · Score: 4, Insightful

    "Security measures will make it impossible to e-mail the film to somebody else."

    What else will they prevent us from doing?

    1. Re:Security Measures? by ScrewMaster · · Score: 4, Insightful

      What else will they prevent us from doing?

      Well, given how quickly every protection scheme that has come down the pike so far has been cracked, I'd have to say ... not much.

      --
      The higher the technology, the sharper that two-edged sword.
    2. Re:Security Measures? by Amouth · · Score: 4, Insightful

      I think the file size alone will prevent "e-mail" ing the film to anyone..

      if i got a full length movie sent via e-mail to me and the mail server accepted it i would first fix the mail server then beat the person who sent it to me

      --
      '...if only "Jumping to a Conclusion" was an event in the Olympics.'
    3. Re:Security Measures? by Doppler00 · · Score: 3, Insightful

      What it essentially means is that these movies are not "download to own". They are probably only functional as long as your PC's generated key is properly validated against their servers. Once this mechanism no longer functions, you will not be able to watch the movies. Download to own this isn't.

  3. Still too much by paiute · · Score: 5, Insightful

    $35? It won't take off until it goes below $20.

    --
    If Slashdot were chemistry it would look like this:Cadaverine
  4. Sounds good to me by MBCook · · Score: 3, Insightful
    This sounds like a fine system to me. But there is always a catch. So...
    • The downloads will not be full resolution
    • This will only work on Windows
    • The DRM (which we all know is there) will be over the top (must use their player with no other open applications)
    • The compression will be bad
    • It will be in a hard to use format (i.e., can't put on your iPod or transcode it for that purpose)
    • etc.

    I predict at least two of those, probably 3. The second on the list (Windows only) is almost a certainty. Good luck to them, this sounds very good, but my experience tells me there are some major catches in there that we can't see yet.

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
  5. More expensive than normal DVD's. by O'Laochdha · · Score: 5, Insightful

    Let's face it, most downloaders aren't in it for the convenience. Whether it's an ideological beef with the MPAA, lack of funds, or just plain stinginess, most people don't want to pay for these movies. This might catch on among people who don't feel like going out to the store or waiting for it to come via online stores, but it's not going to curb illegal downloading.

  6. Has potential, for sure... by DerGeist · · Score: 4, Insightful
    This is definitely something that could be very powerful -- like iTunes, except you get the CD in the mail as well. My guess for the "ownership" part of the movie would be it only works on the computer you downloaded it to initially and is, of course, bogged down with DRM that requires you to authenticate each time you use the media.

    This service could really be huge if they implemented something vaguely similar to FairPlay in the sense that you can put it on a few other computers, and instead of putting it on your iPod, you could have a 30 day "timeout" -- if you don't connect to the internet in 30 days and reauthenticate your DRM'ed movie, you can't play it. This way it'll still work if you go on vacation or whatnot.

    The big issue here is we're talking about a movie -- a multi-million dollar venue, corporations don't lightly toss around the idea of letting you put a $500 million production on five other computers for nothing. Hopefully this is a step in the right direction and not just some kind of sick ploy, like if they load it with horrible DRM that eats your soul and then afterwards (when the service rightfully bombs) they just say "eh, there's no market for this kind of service" and never try again. Anyway here's hoping.

  7. $35 each, sign me up! by sakusha · · Score: 3, Insightful

    This is so obscenely overpriced at $35 per movie, hell, you could buy 2 or 3 DVDs for that price. Do the studios not realize that they are driving customers away by price-gouging? This is the same crap we heard from the music companies when vinyl records were going up to $9 and CDs came out, they were supposed to be cheaper than LPs because they were cheaper to manufacture. But music CDs are still way more than $9 (even accounting for inflation).
    The media companies look at every new format as an opportunity to raise prices, even when the cost of manufacturing and distribution drops significantly.

  8. No thanks by mark-t · · Score: 3, Insightful

    My bandwidth is too valuable to waste on stuff I can just go and buy at a video store for about the same price (and considering I could be back from the video store in about 10 minutes, I'd have the movie a lot faster getting it myself too).

  9. On Apple and iTunes...music and film by Y-Crate · · Score: 4, Insightful

    Apple is widely rumored to be in negotiations with the studios to add feature films to the iTunes Store, but the major hangup seems to be that the studios are insisting on a $9.99 a month subscription to keep a constant flow of cash coming their way, with an extra $13 or so on top of the monthly fee to keep movies after the term of the subscription ends. Jobs is having none of this, insisting on a $9.99 per movie fee with no monthly charge. You pay $10 and it's yours forever, and you don't have to keep spending money every month to maintain access to your files. The iTunes Music Store has had an enormous amount of success with this compared to the subscription models offered by other services, and it is more compatible with the existing customer mentality that when you pay for a film, it becomes part of your collection forever.

    The service proposed in the article is a perfect example of what we would get if the music industry got their way with iTunes music pricing. The labels are insisting they be allowed to charge more for newer, and more popular music (driving the prices of digital content closer to that of physical media) while offering "lower" prices for older content (Steve Jobs is resisting the increases). The Universal movie service will charge you $35 for new releases, and offer an "incredible" 50% discount on older films, which brings the price for the back catalog down to what you would pay for a physical DVD.

    Economics dictates that they can charge whatever the market will bear, but I think the past few years has proven that the market simply will not bear what the conglomerates are demanding. They have this fantasy that if online stores offer the same products that they aren't selling enough of in brick-and-mortar stores at the same, or a higher price than the brick-and-mortar stores, that sales will increase.

    The prevalence of file sharing had a lot to do with the convenience, but it was also much more a direct rebellion against the pricing schemes that the cartels had shoved down our throats for decades. iTunes killed two birds with one stone and took away the incredible premium they were demanding in retail stores, and adopted the convenience of the file sharing networks. Sales rebounded, and now they feel as if their original methodology was somehow correct and they can begin maximizing their profits by demanding more money for less product.

    They are unable to accept the notion that they have been wrong all of these years, and are terrified that Apple is increasingly making them irrelevant in the marketplace. They are not producing any physical product, the overhead and media itself is being paid for out of Apple's tiny cut (they've only recently passed break-even on the store) and they are collecting a lionshare of the proceeds for doing nothing but allowing Apple to reproduce the content they did not make. It's a zero-risk, zero-investment game with high returns for them and them alone. With fewer bands (even established ones) getting any attention from the marketing departments at major labels, the day is coming when they will be cut out of the arrangement altogether and bands upload their music on their own (as they can do right now when they lack a big-label contract prohibiting such things). If you're not getting any airplay, the only thing you need is GarageBand, a tour promoter and an iTunes merchant account. The 90% take the labels claim on each sale, and the indentured servitude they put bands in for the ridiculous expenses they charge to each group just isn't getting anyone but a few main artists any kind of return.

    The film studios are well-aware of the trap the music labels walked into, and want to ensure that any movie service has no room in it for the individual copyright holder and is arranged so if the movie studios are the only source for content, they get a monthly cut and there is no ability for individuals to upload their own films, as there is no way for them to tap into the monthly revenue stream going back to Hollywood.

  10. Are they nuts? by Pedrito · · Score: 3, Insightful

    $35 for new releases, $17.50 for older movies? What a bunch of crap. For the less popular new releases, you can buy the DVD for less than $20 and you still get the extra scenes and other junk that comes on the DVD. Why am I going to pay MORE for a lower quality version when I can go buy it cheaper and then rip it to whatever quality I want.

    I suspect their argument will go something like this: "See, nobody is buying them. Selling online doesn't work because everyone is pirating it." When I saw the headline I was surprised and optimistic, but then I read the fine print and it all made perfect sense.

    Oh well, the MPAA and RIAA are just putting themselves out of business. Too bad for them.

  11. Re:So when... by ozmanjusri · · Score: 5, Insightful
    So when should we expect to see download-to-own software?

    Now. http://www.fsf.org/

    --
    "I've got more toys than Teruhisa Kitahara."