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First HD-DVD Disc Reviews - Mixed Marks

An anonymous reader writes "As the first HD-DVD players and discs hit store shelves nationwide today, the new site High-Def DVD Digest has posted extraordinarily detailed reviews of the HD-DVD disc releases of 'Serenity' and 'The Last Samurai,' with more reviews to come later today. The site gives both discs mixed marks, with the Tom Cruise flick edging out the Whedon-fest for demonstrating more pure high-def eye-candy appeal. Also worth a look-see: a detailed account of their 'review reference system' (ie: their gear)."

41 of 262 comments (clear)

  1. plays in Peoria?, redux by yagu · · Score: 5, Interesting

    The more I read and hear about this stuff, the less interested I become. If it were just about the difference in quality and that difference were BIG, I'd be thinking about going for some equipment, and some new DVDs. But, toss in all the other BS, this one's going nowhere. I'll wait until there's one format, or both play compatibility everywhere, DRM goes away, and a player costs less than $150.

    The differences in quality as described aren't blowing me away, and I love upgrades in technology. The improvements I'm reading sound much like some digital camera reviews where they describe the difference between 8 megapixel and 3 megapixel, which unless you're blowing up to side-of-a-building size, or doing mega-cropping isn't noticeable to the casual consumer.

    I posted on this yesterday. I guess I haven't changed my mind, I'll go and look for a demo somewhere where they've got it set up correctly (heh, good luck with that!), but this is going to be a non-starter for a while.

    In the meantime, to the industry, please:

    • make it easier
    • make it compatible
    • don't DRM it (translation, show a little faith in the customers' integrity, assholes!)
    • make it cheaper
    • make it durable
    • and set it up for my friends and family, I'm tired of coming in and fixing what you're not getting right in the first place.
    • consolidate the technology... I know it's complex, but the learning curve is just too darned steep for this to be a breakout technology (though I would agree this is "disruptive" in a different sense)... For those who care, here is a partial list of the technical terms and acronyms from just one of the review:
      1. TrueHD
      2. HDTV
      3. HD-DVD
      4. 720i/720p/1080i/1080p
      5. Dol by/Dolby Digital 5.1/7.1 Surround
      6. DD+
      7. VHS
      8. HD-A1/(and it's snazzier cousin HD-XA1)
      9. D-VHS HD
      10. HDMI
      11. ICT
      12. Component outs
      For the record, I thought I was up to speed and I had to look up a couple of these. Sigh.
    1. Re:plays in Peoria?, redux by btmark · · Score: 2, Funny

      I can't wait for my copy of Debby Does Dallas in HD. /.ers are going to be spending a tad more time in front of their tv's now

    2. Re:plays in Peoria?, redux by QuantumPion · · Score: 4, Interesting
      I for one am really looking forward to HD DVD's. I am not going to rush out and buy a player until someone comes out with a dual format player, the prices drop to the ~$200-300 range, and enough good movies come out. But when they do, I won't be able to whip out my check book fast enough. If you can't tell the difference between a 480i DVD and 1080i HD on a decent sized screen then you need to have your eyes examined. Or check your TV's manual on how to correctly set up your system.

      This is not a troll. I seriously don't understand how people can claim to not be able to tell the difference. Regular DVD's just look like trash on a large HD sceen, even with a good up-converting player. Ever since I read about the development of high-dev DVD's several years ago, I have ceased buying regular DVD movies in anticipation of buying their higher resolution versions in the near future.

      My only concern is that high-def DVD's will go the way of high-def audio with the DVD-A/SACD format war, with neither gaining acceptance and both dying out.

    3. Re:plays in Peoria?, redux by hal2814 · · Score: 2, Insightful

      "I seriously don't understand how people can claim to not be able to tell the difference."

      I'm with you there. I really think the difference is noticeable but at the same time I don't think there are a whole lot of people who care about that noticable difference. What they have is good enough right now to not justify spending the extra money on HD. HDTV still isn't quite cheap enough yet, especially considering the sheer number of people who bought a big screen a few years ago during the big screen TV boom.

      "Regular DVD's just look like trash on a large HD sceen"

      That's usually because any NTSC signal looks like trash on an HDTV screen. Most manufacturers don't take the time to get a non-HD signal looking good on their TVs, which is unfortunate considering low-def video isn't going to just disappear any time soon. Upconverters on DVD players is a decent idea but the TV should be doing a good enough job of conversion that it's not neccessary.

    4. Re:plays in Peoria?, redux by westlake · · Score: 2, Interesting
      Serenity is #178 on the Amazon DVD sales chart. (Noon EDT)

      Interesting as well are Amazon's prices, $20-$25 for HD DVD. Netflix has said it won't be charging a premium for HD rentals.

      There are mass market titles on the releae schedule. Apollo 13 next week. Ice Age, Harry Potter, Bravehart, The Lord of the Rings, not that far down the road. This technology could take off a lot faster than Slashdot's skeptics may be willing to admit.

      DRM may not even be a speed-bump.

    5. Re:plays in Peoria?, redux by dindi · · Score: 2, Interesting

      Agree as well, however I know some people, who really do not get the difference.

      I know people who would hook up 2 pairs of extra speakers to their STEREO system, and claim that they have the same surround as me (produced by 6 speakers on a DTS system) .....

      They also do not notice if the local pirate DVD rental store completely misses the aspect ratio of movies when "burning subtitles" permanently onto movies.

      They also really do not care when there is a quality problem, and think that I am a snobbish asshole when I stand up and leave refusing to watch.

      OK, in Costa Rica at some particualr video rentals they actually use copies of DVDs.

      While most of the time it is a copy of the original DVD (single layer, so special features and some audio tracks are stripped) , at other times they release unacceptable quality screeners, or some digital format release before the actual
      DVD (usually messing with aspect ratio when they subtitle it, but sometimes with 5.1 digital audio at the same time)....

      Just for the record: I do not like renting from there and I do not agree with what they are doing, but sometimes a movie or two somehow makes it to my player (e.g. friends drop by, or I am really desperate to see something and it is not in the decent rentals at all (e.g. asian horror))

      Now anyway, when people do not notice that they are looking at a screener, with dull colors and echoed audio, I doubt that they actually notice the difference between HD and non-hd

    6. Re:plays in Peoria?, redux by ottothecow · · Score: 3, Funny

      How long do we have to wait for an HD-DVD torrent of serenity? ;)

      --
      Bottles.
  2. Serenity on HD-DVD ?? by Entropy · · Score: 4, Funny

    I'll be in my bunk ..

    --
    The sea changes color, but the sea does not change.
    1. Re:Serenity on HD-DVD ?? by DarthStrydre · · Score: 2, Funny

      I'm trying to think of a way for you to be cruder. It's just not coming.

    2. Re:Serenity on HD-DVD ?? by gjyoung · · Score: 2

      This must be what going mad feels like.

    3. Re:Serenity on HD-DVD ?? by Spytap · · Score: 2, Funny

      Had I modpoints, I would mod you in a manly fashion.
      Cause I'm pretty?
      Cause you're pretty.

    4. Re:Serenity on HD-DVD ?? by gjyoung · · Score: 2

      We are just too pretty for God to let us die.

  3. Neat by slashbob22 · · Score: 2, Funny

    I would love to try this out on my own - but I have to get back to work. Another 5-6 years of overtime should help me afford the reference system.

    --
    Proof by very large bribes. QED.
  4. Something else to consider... by TobyWong · · Score: 4, Insightful

    Something else to consider... if you are disinterested in this new technology because the difference isn't that noticable and from the looks of things you seem to be technically fluent, how is the average joe going to react? I'm talking about those people who watch standard def contents on their HDTV sets without even realizing it/knowing the difference.

    --
    - Toby
    1. Re:Something else to consider... by yagu · · Score: 4, Interesting

      You make a most excellent point. I find it more likely than not when I'm at someone's house, they have a first-generation HDTV (720p), and they have it all out of whack in how it's set up. Typically (and this is where it really gets weird) they have become SO adapted to the distortion that if and when I correct it for them, they are uncomfortable with the undistorted pictures, and want it switched back! OMG!

      And this is all further compounded by the mostly inferior quality of anything claiming to be "high-def" for the sake of selling product, for example, Dish, Echo, Comcast, etc., all boast some flavor of "digital", with hints and sometimes outright bogus claims of HD too. But in the final anaylsis, lots of it looks not so great, and when the consumers starts stretching it and skewing it trying to get the "HD" out their no-bang-for-the-buck investment, it is most surreal.

      Just shoot me now.

    2. Re:Something else to consider... by TobyWong · · Score: 2, Insightful

      The transition from cassette tape to CD and from VHS to DVD offered dramatic and obvious improvements, even to the untrained eye/ear. Aside from P & S quality, you also had the ability to jump around to random places on the discs and you didn't have to rewind those damn tapes(!!!). Even the neophyte can appreciate these improvements.

      Now compare this to the DVD -> HD-DVD/Blu-Ray transition. For starters, they essentially look the same. So whats the difference again? Oh yeah, the picture looks a little better. How many Joe 6-packs do you know who complain about DVD image quality (assuming a properly done transfer)? Not many.

      --
      - Toby
    3. Re:Something else to consider... by Pieroxy · · Score: 2, Insightful

      Firstly, digital is superior to analog, at least where there isn't overcompression

      I haven't read something that dumb in a while. Digital and Analog are two different ways to store/transmit data, nothing more. The quality of each is bound to be the quality that it was designed to hold, nothing more, nothing less. The ONE property digital data has over analog, is that it _can_ be duplicated without loss.

      A 8KHz PCM (no compression) stereo file will sound worse than a LP or a cassette, you can be sure of that.

    4. Re:Something else to consider... by Pieroxy · · Score: 2, Interesting

      It's not compression, it's sampling. Sampling is always going to remove information. Taking a scene and digitizing it at 720x480 is sampling, not compression. Even if you could have done it at 1920x1080. It all depends on the resolution of your eyes and the size of the screen you're going to view it on. There are no absolutes when it comes to that.

    5. Re:Something else to consider... by hackstraw · · Score: 2, Interesting


      Yeah, its like the "digital" boom in the 80s. Marketing started selling digital analog speakers, and then changed it to "digital ready".

      I like HD content. I've got a really nice fully upscaled 1920x1080p setup, and let me tell you, DVDs just don't cut it anymore. I watched some horrible movie the other day on my set, and I asked my friend how old the movie was, I was guessing 10+ years. It was only a couple of years ago, 2002 to be exact.

      HD/HDTV is an absolute mess. HDMI, DVI, component, DRM, DD, stereo, stereo hacked to be Dolby Surround, 2.0, 2.1, 5.1, 6.1, 7.1, DD, DTS, analog, digital, upscaling, upsampling. I know all this stuff, and its still difficult to convince a surround processor to do the right thing. Its next to impossible to get anamorphic, 4:3, letterbox, and whatnot correct. I have a $1,200 surround processor, a $2k 7 channel amp, a $2k upscaler, and in my opinion the negotiation between the analog and digital formats and getting them right is trial and error at best. At the UI level, its alpha or beta quality for the user. Honestly, if I weren't a geek and knew and cared about this stuff, I would be very disappointed dropping 1/3 of what I have invested in my equipment as far as an end user experience.

      If I knew someone that had X million of VC money, I would start my own electronics company that integrated this crap and made it work right so that the average joe can just buy it and enjoy the content.

      To me stretching a 4:3 640x480 interlaced picture to a 1920x1080 resolution with crappy interpolation and making the faces and bodies almost 2x their width is almost a crime. But for years, people though that is what HD is all about. If I were to show them real HD content, they might cry.

    6. Re:Something else to consider... by AdmiralWeirdbeard · · Score: 2, Funny

      Average joe will probably be working out with vince vaughn, or possibly stephen root, and as such will probably not care about HD.

      --
      Come read my stupid blagablog. Rants and Giggles
    7. Re:Something else to consider... by trix7117 · · Score: 2, Informative

      As for screwing with people's display, of course they don't like it. Many people have their sets set to stretch 4:3 images to fill the screen to avoid uneven burn on their display, something that drives the fiddlers nuts. Colour balance is subjective with the environment, and everyone thinks their particular tweaks are correct. Detail is completely subjective as well, as to what is most asthetically pleasing. Don't screw with people's sets.

      I'm sure there are some people who stretch their picture to avoid burn, but the majority of people stretching their image are doing it because they want to watch everything "widescreen". When my roommate moved in with his HD set, the first thing I did was turn off the stretching so the picture wasn't distorted. His immediate response was "Why did I pay for a widescreen if you aren't using the whole picture?" He doesn't care about burn, he just doesn't want to waste one inch of his screen, even if that means that all non-widescreen content is distorted. After two years, the screen is still on either stretch or zoom whenever he has been watching non-HD channels, and his argument has never had anything to do with burn.

      This is far from an isolated incident as I have visited several friends who stretch their picture (many are so used to stretching that they stretch widescreen content too). The response from all of them when I asked why they stretched their picture was that they paid for 47 (or whatever their screen size is) inches of screen and they aren't going to waste any of it with black or gray bars.

    8. Re:Something else to consider... by Firehed · · Score: 2, Insightful
      the resolution of your eyes
      I do life at 100 terapixels. How 'bout you?

      Compression is a BIG factor too. I can fit a seven-hour movie on a DVD-5 disc, but it'll look like ass. I can fit a two-hour movie on that same disc and it'll actally look decent. It varies by content quite a bit when you get any sort of lossy video format (which is used by both DVDs and both high-def formats) - some two-hour movies will fit on a DVD-5 with no compression from the orignal with room to spare while some 1.5-hour movies need to be shrunk to 70%. Take something like Saving Private Ryan - that thing looks absolutely horriffic shrunk even to a DVD-5 disc because of the content and how the algorithms run. When I Xvid my collection, I use "lossless" settings (100% quality, original ac3 audio), and while most movies are about 2-2.5GB in size, that puppy weighed in at over five gigs.

      Yeah, ideally we'd have had movies shot on oversized ISO1 film (which would be crazy sharp) and then digitized at some equivalent resolution, probably well over ten times 1080i in both dimensions (IIRC, standard movie film equates to something like 5000 lines of resolution). It would be as lifelike as it could be without being there in person. But that's not going to happen any time soon As it is, the increase to HD from SD isn't that noticible, especially when compared to the numerous differences between VHS and DVD, most notably a much crisper picture.

      I personally never touch the bonus content, and at least on most two-disc movies, that's true of most people. As it is, when I make backup copies of my movie so I don't damage the original somehow, I take out everything but the movie - I put it in, it starts playing, no previews or sitting at a menu while you're searching for the remote to hit enter because they couldn't have been smart enough to put that button on the player itself. I think it's safe to say that most people aren't looking for more interactivity, and I can safely say that most people wouldn't benefit from the quality increase right now unless someone hands them the equipment. I'd estimate at least 70% of people prefer fullscreen, since widescreen "cuts off the top and bottom of the original" (yes, they really think that. Of course, that would make perfect sense - remove picture and make it not fit most TVs).

      --
      How are sites slashdotted when nobody reads TFAs?
    9. Re:Something else to consider... by elrous0 · · Score: 3, Insightful
      I remember people making the same point when DVD first came out.

      I was an early adopter (still have my original Phillips 400AT player from 1997). And I wish I had a nickel for every naysayer back then who said "Joe Sixpack will never buy into DVD. He's already perfectly happy with his VHS. He's not going to notice the quality difference and doesn't care about the extras."

      -Eric

      --
      SJW: Someone who has run out of real oppression, and has to fake it.
    10. Re:Something else to consider... by stuktongue · · Score: 2, Interesting

      "... the 35mm film used for movies, and then the duplication of the same for projection, really isn't that high of resolution. It could be that one of the reasons the new HD formats don't show the promised advantage is simply because the source material doesn't have much more additional information."

      I would like to respond to this comment, because there are some people, who don't know any better, that may light on what you've said and develop incorrect understanding.

      The fact is, 35 mm film is a very high resolution medium. I'm speaking of original camera negative (OCN) here. Yes, by the time you get to distribution prints the resolution has been reduced--moreso for optical workflows, less so for digital intermediate (DI) workflows--but this isn't really relevant to, for instance, home video production, since both standard definition (SD) and high definition (HD) video masters won't typically be derived from distribution prints (or at least they shouldn't be, IMO). Such masters are typically derived through a telecine process from first-generation color-timed prints made from the cut OCN (this is assuming the producer cares about quality at all). Digital intermediate workflows can, in theory, produce video masters as a by-product of the main theatrical release print production process, or at least derive the master from a first-generation inter-negative that avoids inter-positives and inter-negatives associated with optical workflows. This has the potential to greatly increase end product resolution.

      A high-end DI workflow using a film scanner such as a Northlight might involve scanning at 6K resolution, then downconverting to either 4K or 2K, depending on the producer's needs. 4K has typically been used for demanding effects shots, while 2K has usually been deemed sufficient for non-effects work. (4K may be used more as DCI comes online--see below.) As you may know, 2K is 2048x1556, which is more or less equivalent to 1080 resolution, so you can see that the film itself actually offers much higher intrinsic resolution.

      Now, of course, there are other factors. First, as hinted at, there may be compromises that result in suboptimal workflows (to save money) that result in reduced-quality end product. Also, the condition of the film plays a large role. What I've been talking about relates to modern emulsions that have been handled carefully. Obviously, poorly-handled film from days of yore won't offer the same results.

      There is one other factor to consider here. For recent work like the two films cited in this article, and given a serious effort, there's no real reason the HD product shouldn't look very good. Using a high-quality telecine master, they should be able to produce good looking HD. (That said, clearly different qualities exist in the SD DVD mastering world owing to various compromises, both intentional and unintentional, so this is likely to continue into the HD realm.) But for older content, where rescanning is not deemed worthwhile or where original media is unavailable, then what I'm guessing might happen is they will upconvert SD content to HD. Frankly, I don't know if this would be better than a good quality SD version, but marketing concerns might drive folks down this path, for better or for worse. For instance, five years from now, will anyone want to buy SD DVDs, even for shows that were shot in SD? I don't know. If not, then if owners of profitable catalogs want to cash in on their holdings, they'll need to decide how to get to HD from their original assets. Upconverting SD to HD can be done with reasonable quality, but it will never be a good basis for judging HD quality. In this situation, though, I wouldn't blame the film.

      Finally, I'd like to comment just a little on the promise of HD. I'm not at all sure that most people really understand what HD's promise really is. I think most people think (as I once thought) that the purpose of HD is to look "sharper" or "clearer," in general. This isn't really quite true. The real purpose of HD is to allow

  5. HD-DVD gives "Serenity" mixed marks? by Z1NG · · Score: 2, Funny

    Damn your cruel, but inevitable betrayal HD-DVD. Mine is an evil laugh.

  6. all nice by rocket97 · · Score: 3, Interesting

    That's all nice and dandy... but when do the writers come out?

    --
    "The two most abundant elements in the universe are hydrogen and stupidity." -Harlan Ellison
    1. Re:all nice by az_bont · · Score: 2, Informative

      The HD-DVD format allows you to burn high-definition content onto standard DVD-R discs. A single dual-layered disc will hold around 135 minutes of 1080p24 content, and that is the method Warner Brothers are choosing for their upcoming HD-DVD releases.

      The latest version of Final Cut Pro has allowed you to burn perfectly valid HD-DVDs for months, and they have been tested to work perfectly with the just-released HD-DVD players.

      It really surprises me that this is not a well known or much talked-about fact. It seems to me to be the single largest difference between the two formats, and the one which puts HD-DVD in a far superior position in my mind.

  7. It's Just Beginning by WebHostingGuy · · Score: 5, Insightful

    Well, I hope you are not tired of reading; because the media hype is just going to get worse.

    When both formats are up and running you will not be able to go anywhere and not read about this stuff. There is too much cash involved just to leave the decision up to the consumer. The companies backing the standards simply are not going to trust you to make the choice--they are going to let you know what to think. And the way they are going to do that is by running thousands of ads; ghost writing reviews, etc.

    It's just beginning and you haven't heard nothing yet.

    --
    Quality Hosting e3 Servers
  8. Reference System by msaulters · · Score: 4, Informative
    The core of our system is the HP Pavilion MD6580N 65" Widescreen Rear-Projection DLP display device. It is currently the only consumer monitor that can accept full 1080p via its HDMI inputs, allowing it to display every last line of high-definition's maximum resolution of 1920x1080.


    Uh, nope, not right... Westinghouse makes a very nice 42" LCD with 1080p resolution. (on both DVI and HDMI connectors) http://www.westinghousedigital.com/c-7-1080p-monit ors.aspx Maybe the HP is the only 65" monitor with 1080p? I have the 37" Westinghouse, and it's a GREAT 1080p monitor for a decent price.
    --
    These people looked deep into my soul and assigned me a number based on the order in which I joined.
  9. Why? by jawtheshark · · Score: 3, Insightful
    Why do I need HD-DVD or Blu-Ray? DVD does just fine everything I need. I'm probably not in the market, because two years and a half ago my old TV died and I bought a new one. A CRT, simply because anything Plasma/LCD was pretty much over 4000€. I got a nice 83cm (~32inch) 16:9 TV for 900€ and it works fine. No, it's not HD-Ready (not that I'm aware of), but I don't care.

    My wife would like me to replace it with a Plasma or LCD because the current one looks bulky, but I cannot think of any reason to "throw away" such an investment. It has to stay at least another 6 years. After that, we'll see.

    --
    Ahhh...the great dumpster continuum. Many a free computer will be found there. -- sowth (748135)
    1. Re:Why? by radish · · Score: 2, Insightful

      Simple. If you don't have an HDTV you don't need HD-DVD or BluRay.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

  10. Will NetFlix speed adoption? by GGardner · · Score: 4, Insightful

    Netflix (and competitors, I assume) claim they will have HD-DVDs available when they are released. To the degree that people use these companies to rent media, instead of owning it, I wonder if that will speed adoption. Sure, HD-DVD and BlueRay players will be backward compatible with my existing DVDs, but if I've got a stack of plain-old DVDs next to the player, I think I'm less likely to upgrade.

  11. cracked ? by Adult+film+producer · · Score: 3, Interesting

    Have the DRM schemes on either blu-ray or HD-DVD been cracked yet?

    1. Re:cracked ? by Jeremy+Erwin · · Score: 2, Informative

      No, but hdcp (the encryption regime used on dvi/hdmi video signals) is known to be insecure

  12. lack of early adopters ? by GodWasAnAlien · · Score: 4, Interesting

    I bought a DVD player early on, partly because I knew it was standard mpeg2, and there were DVD-ROMS becoming available (but I didn't know about DRM then). I suspect there are many other early tech. adopters here. I will not be buying HD-DVD until the DRM is overcome. I wonder where the rest of slashdot is on this.

    Perhaps a slashdot poll is needed.

    I will buy HD-DVD/Bluray:

    1) As soon as one of them is sold.
    2) When one of these formats wins
    3) When the DRM is removed or overcome
    4) When the price drops
    5) When the HDDVD-ROM/RW is available.
    6) 1-5
    7) When Hell exists and is frozen

  13. Re:cracked ? The key to adoption by Overzeetop · · Score: 4, Insightful

    No, seriously. The parent may well be trolling, but the point is actually insightful in a roundabout way. I don't think the format will take off until you can make a copy for yourself. Do you really think Netfix would be where it is today if you couldn't rip and burn DVDs? Of course not. A cracked format will be the doorway to universal accptance of the new format. Otherwise, it will just sit next to DAT on the shelf of technology that could have been big.

    --
    Is it just my observation, or are there way too many stupid people in the world?
  14. 1080i vs 1080p for film-source content irrelevant by Anonymous Coward · · Score: 3, Interesting

    Key phrase: Inverse Telecine.

    1080p purists, please stop whining. 1080i vs 1080p for film-source content is irrelevant.

    Films are filmed at 24 frames per second. They're stored on the HD disks as 1080p24.

    1080i is displayed at 60 fields per second, 30 full-frames per second.

    The player performs a telecine operation on the material to convert from 1080p24 to 1080i60 and then outputs it to the TV.

    There is this nifty techinque called inverse telecine that lets your 1080p-capable TV reconstruct the progressive frames from the interlaced output of the player. Ignoring additional image processing happening inside the TV, it will be displayed as bit-identical to the stored content on the disk, as 24 progressive frames per second, 1920x1080. Please set your TV to "film" mode and get over it.

    The only place 1080p is going to matter is for video-source material with 30 or 60 progressive frames per second, like sports, live events, and pr0n. There isn't going to be a lot of that released on discs, at least at first. IIRC most HD production trucks aren't even capturing in 1080p30 or 1080p60, and it certainly isn't being delivered in 1080p by ANY consumer solution at the moment.

    So please, stop whining about 1080p. There's nothing being produced to watch with it yet.

  15. Well... maybe... by DG · · Score: 4, Interesting

    This XMas, Niner Domestic and I treated ourselves to a Samsung DLP 50" 720p rear-projection TV.

    This replaced the 27" JVC CRT we'd had for well on 13 years.

    We have a JVC DVD player that will output 480p (aka "progressive scan") and we updated our digital cable box to the HD-capable + built in DVR box provided by the cable company (Cogeco) with an upgrade to HD service.

    And for grins, I picked up a calibration DVD (Digital Video Essentials) to set the screen settings on the TV. I wasn't able to get them reference-perfect, but got pretty close.

    The old CRT TV had a really good tube for its size, so the primary benefits would be the bigger screen size, the increased resolution on DVDs (480p vs 480i) and the occasional HD broadcast (720p vs 480i).

    We're running component inputs switched through the sound system, but I hooked up the SVideo cables in parallel for debugging and comparison purposes.

    My take on it is this:

    1) DVDs are much nicer in 480p full widescreen than in 480i over SVideo. An SVideo signal blown up that big starts to show pixelization and other scaling artifacts. 480p adds enough extra information to eliminate most artifacts and lets you concentrate on the movie. Superbit transfers that increase picture bitrate at the expense of extra fluff are the best.

    2) Standard TV depends a lot on the quality of the source material. Stuff filmed with a 480i NTSC camera is a little blocky, and sometimes (like on animated shows like the Simpsons) you can see visible ringing. It's not horrible, but it is there.

    3) HD TV also depends a lot on the source material, and a LOT of "HD" is really upconverted NTSC stuff; most network TV in particular. Quality is a little bit better than standard TV (I assume the networks have better upconverters than I do) but you can still tell that you're looking at an upconverted NTSC signal. Sometimes, I'm pretty sure that "HD" movies, as shown on "Movie Network HD" are 480p DVD signals upconverted.

    4) But real HD, shot with a real HD signal, is INCREDIBLE. Like, WOW, is that ever pretty. Amazingly, PBS-HD usually has the best/most real HD content, with the sports networks coming in second. Watching the Super Bowl in HD was just amazing, and to my mind, justified the purchase.

    Summing up, on my system, I rate standard TV as "acceptable" (the increased picture size is slightly offset by reduced quality, with the size increase winning out by a noze) DVD is "good" to "very good" depending on the bitrate of the transfer (the big win is getting a good quality picture all the way out to the borders of the screen) and real HD signals are "outstanding".

    Now, assume that somebody dropped a free HD-DVD player on me. Would I go out and re-purchase all my current flicks in HD?

    I suspect not - there's a real step up in quality on a real HD signal when compared to a 480p signal; it's totally there. But that's not enough for me to go out and re-spend all that money. But I *would* get all my new purchases in HD, for sure.

    How about early adopting? No bloody way - not until the industry sorts out which format is the standard, and until DRM is eliminated. The pain of choosing the wrong standard and having to deal with brain-dead DRM greatly exceeds the happiness of getting real HD content.

    DG

    --
    Want to learn about race cars? Read my Book
  16. there's plenty of 1080p displays out there... by YesIAmAScript · · Score: 2, Informative

    I didn't think the Westinghouse was one of them though. I thought it only accepted 1080i input (same as a Sony SXRD), despite having 1920x1080 resolution.

    Note that although the HP accepts 1080p, it isn't true progressive display. There is no such thing as a true 1080p DLP, as 1080-res DLPs use wobleration and thus are inherently interlaced.

    Sharp has sold a couple 1080p-inputting, 1080-res, true 1080p output flat panels for a while now, long before the woblerating DLPs came out. These are available affordably up to 45" ($3K), and up to 65" if you can sport $20K for one.

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    http://lkml.org/lkml/2005/8/20/95
  17. Thanks, I'll wait for Blu-Ray by Gadzinka · · Score: 2, Funny

    No, thanks, I'll wait for Blu-Ray. After all, Sony has such a great track record with media formats: Beta, MD, MemoryStick, SACD, UMD.

    I just can't wait to lay my hands on this blu-ray goodness, there's just no chance that HD-DVD might win!

    Robert

    PS ;)

    PPS For me, both formats look like crap from the consumer's point of view... I'll just stick to PAL upconverted to 720p, thankyouverymuch.

    --
    Bastard Operator From 193.219.28.162
  18. Serenity HD quality by Bluude · · Score: 2, Insightful

    Yeah, Joss Wheadon just couldn't keep those spaceships in focus. The guys floating around in space filming it must have had too much to think about besides camera focus. :)

    I am just tired of everyone saying Serenity had bad cinematography. Joss intentionally did zoom focus shots and motion blur shots to make it look like there was a camera guy right there filming the action. But of course since all the action is usually done against a green screen, or no screen at all, these affects were purposefully added later just like the space ships that were zoom focused on. It was a creative decision, and while it might not have been the best one, it has nothing to do with crappy cinematography. In fact after watching the making of on the dvd, I realized he went to great effort to make those effects happen.

    Making everything look crisp and clear is easy today. He wanted the old spaghetti western camera shots for his space western movie. Show some respect for his genius even if you are too ignorant to appreciate it.