Should freedb's Data Be Public Domain?
Horar asks: "There's been a lot of recent fuss over freedb. My position is that freedb was just not free enough, and I would like to find a way to bring all the data into the public domain, just as MusicBrainz has done with much of their data. I had not thought that this would be possible until I received advice from various parties suggesting that it was. So now I ask Slashdot if this is true? Can the freedb data legally be brought into the public domain at this time, and if so how? Most importantly, would it be 'The Right Thing To Do'?"
Good Idea: asking a lawyer for legal advice /. for legal advice
Bad Idea: asking
Philosophy.
Here's the wikipedia link..
http://en.wikipedia.org/wiki/Freedb
FWIW, my position is that I felt really F'd over, years ago when CDDB decided to start selling the info I had helped them collect. I thought the whole idea of FreeDB was to correct the mistakes of the past so that this could never be done again.
So yeah, I think this data should be public domain, and I'm not entirely convinced that databases-- collections of facts-- should be able to be protected as intellectual property at all.
The RIAA will soon assert that the information is their IP and therefore using FreeDB will give them all the information they need to sue you.
And in this country you can sue anyone for anything, provided you can pay for your lawyers' fees. In the RIAA's case, they're betting (usually correctly, by making sure they sue people who can't afford to defend themselves) that you can't, and therefore will have to do whatever they demand.
Never underestimate the power of stupid people in large groups.
Note: I am most certainly not a lawyer.
freedb.org claims the data is licensed under the GPL; therefore, you should have the right to distribute it as you see fit, provided you comply with the GPL.
As far as whether you can free it from the GPL, I believe the answer is no. While the data is arguably merely facts, and therefore not protected by copyright law, I think there was a copyright amendment recently that made a particular compilation of data subject to copyright. I don't know whether it passed or not.
Here's the Slashdot article on the subject. Unfortunately, TFA it links to is gone.
If you "place" it into the Public Domain, no one may control it. This means a proprietary program may use it and extended it, and restrict it use like cddb.com !!! See wikipedia http://en.wikipedia.org/wiki/Public_domain
Never trust a man wearing a coat and tie!
Yeah. There was a guy who used to hang out on rec.aviation.military that wrote just like you. We couldn't understand him either.
They supply copies of their databases via BitTorrent - http://tracker.freedb.org/
(which arguably is more valuable than the server side software).
First, it looks like the database files are already GPL'd. I'm not sure what you would want to do with the data that isn't allowed by the GPL.
Second, if you want to do something with the database that isn't allowed by the GPL (however the GPL applies to databases), you might want to ask your lawyer whether the freedb database files contain any copyrightable expression, given that the titles themselves are not copyrightable and much of their arrangement may be functional. I haven't looked closely at the files, but it would be worth investigating if for some reason you really wanted to make a derivative work of the database files without GPLing the result.
IAAL, but this is definitely not legal advice.
Considering the poor state of many of the Freedb entries, is that data really useful? I've been volunteering with the MusicBrainz project since October and I've found the data at Freedb to be a complete mess. MusicBrainz users can use Freedb to import albums so that we don't have to re-enter things into MusicBrainz by hand, but with so many duplicate and poorly edited entries (typos, etc) I'm wondering if it's worth it to even keep the data.
MusicBrainz is a better designed system. It's not limited to the archaic interface and design of the old CDDB system. It has interfaces that programmers can use to retrieve the same kind of data that they get from Freedb. The site also has a system in place for editing of entries and peer review of changes. I think it's a better solution, although I'm biased because of my involvement and interest with the project.
Slashdot: Failed Car Analogies. Amateur Lawyering. Anecdote Battles.
Since Slashdot users aren't lawyers, here are some selected sections from Feist, the most prominent on-topic case on this issue, decided by the Supreme Court holding that telephone book was not copyrightable. The CDDB and FreeDB databases are very similar to the telephone books in Feist: a compilation of facts, no selection criteria (anything they get, they put in, it's not a database of someone's subjective evaluation of the best CDs), no originality in arrangement.
The more interesting issue is to what extent contracts can modify the background rules of copyright and allow someone to exert copyright-like control over non-copyrightable works. See ProCD. Since the GPL purports to be a license, rather than a contract, it is only enforceable if the underlying work is copyrightable.
FEIST PUBLICATIONS, INC. v. RURAL TELEPHONE SERVICE CO., 499 U.S. 340 (1991)
[11] Originality is a constitutional requirement. The source of Congress' power to enact copyright laws is Article I, 8, cl. 8, of the Constitution, which authorizes Congress to "secure for limited Times to Authors . . . the exclusive Right to their respective Writings." In two decisions from the late 19th Century -- The Trade-Mark Cases, 100 U.S. 82 (1879); and Burrow-Giles Lithographic Co. v. Sarony, 111 U.S. 53 (1884) -- this Court defined the crucial terms "authors" and "writings." In so doing, the Court made it unmistakably clear that these terms presuppose a degree of originality.
[16]Factual compilations, on the other hand, may possess the requisite originality. The compilation author typically chooses which facts to include, in what order to place them, and how to arrange the collected data so that they may be used effectively by readers. These choices as to selection and arrangement, so long as they are made independently by the compiler and entail a minimal degree of creativity, are sufficiently original that Congress may protect such compilations through the copyright laws. Nimmer 2.11[D], 3.03; Denicola 523, n. 38. Thus, even a directory that contains absolutely no protectible written expression, only facts, meets the constitutional minimum for copyright protection if it features an original selection or arrangement.
[17] This protection is subject to an important limitation. The mere fact that a work is copyrighted does not mean that every element of the work may be protected. Originality remains the sine qua non of copyright; accordingly, copyright protection may extend only to those components of a work that are original to the author. Patterson & Joyce 800-802; Ginsburg, Creation and Commercial Value: Copyright Protection of Works of Information, 90 Colum. L. Rev. 1865, 1868, and n. 12 (1990) (hereinafter Ginsburg). Thus, if the compilation author clothes facts with an original collocation of words, he or she may be able to claim a copyright in this written expression. Others may copy the underlying facts from the publication, but not the precise words used to present them. In Harper & Row, for example, we explained that President Ford could not prevent others from copying bare historical facts from his autobiography, see 471 U.S., at 556-557, but that he could prevent others from copying his "subjective descriptions and portraits of public figures." [p*349] Id., at 563. Where the compilation author adds no written expression but rather lets the facts speak for themselves, the expressive element is more elusive. The only conceivable expression is the manner in which the compiler has selected and arranged the facts. Thus, if the selection and arrangement are original, these elements of the work are eligible for copyright protection. See Patry, Copyright in Compilations of Facts (or Why the "White Pages" Are Not Copyrightable), 12 Com. & Law 37, 64 (Dec. 1990) (hereinafter Patry). No matter how original the format, however, the facts themselves do not become original through association. See Patterson & Joyce 776.
[18] This inevitably means that the copyri
Please note that Horar (the submitter) is the one who effectivly let freedb.org die. He worked with them for two years but didn't release any useful code. Now he is activly promoting his own project freedb2.org, promising to release the source but it is still not available.
I wonder why he should care about the data not being public domain, if his software is to be supposed GPL licensed? Unless well... think for your self.
I can't belive he just got more advertising on slashdot.
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You are totally right. He's clearly managed to destroy cooperation within FreeDB, set the contributors against each other, and now it looks like he's planning to rip off the whole contribution. Something has to be done to stop it. I've contributed to FreeDB; My entries involved careful choice and selection of how to lay out and present the titles. I believe that they are copyright protectable and they were put in purely on the GPL License.
Further, I believe that the heavy level of mistakes and different representations of the same data in the FreeDB database actually helps us in this case. It's clearly an original work and not just a factual representation.
I'd like to get a group of people in a similar situation together to put up a class action suit against Horar. The primary aim will be to restrain him from further license infringement, but I'll put any money recovered from damages awarded towards
We'd need
* some money
* a lawyer
* a good place to organise.
To begin with, we'd try to get him to settle out of court; something like
* ceases to work on FreeDB2 or any related projects
* pays some compensation to the FreeDB project people
But we would have to be willing to go the whole way. Who would be up for joining? Can anyone set up a site for this. It would be a good chance to test the limits of copyright and also to set an example of GPL enforcement.
1. Get an agreement to write code for freedb
2. Don't release the source code
3. Let the admins of freedb quit
4. Make the freedb contents public domain
5. Incoperate the public domain code in a new (closed) solution
6. ?????
7. Profit!
Hi, I was running a freedb mirror for a few years, and had lots of contacts with the team during that period. The demise of freedb was not a pleasant surprise for me. I also must admit that it was the first time that the nickname Kaiser has shown up anywhere for me. I also submitted over 1000 entries over the last few years, mainly for local artists.
I am a bit surprised of the discussion I see here. I fail to see the added-value to anyone of putting the database in the free domain. In my opinion, the only ones who would gain from this are the commercial services like Gracenote (remember that their data used to be free as well), who could integrate it in their engine without giving anything back. I also have the feeling that it will spur a serie of clones, some free, some not, which will grow their own database, probably without sharing that with the others (and with a big fat EULA).
The principal strenghts of freedb are the size of it's database, and it's licence. I do think that a large part of the reason why it got as big, is because of it's licence. Also the commitment that the GPL gives, that is to make sure that any modification stays under the GPL, is great for a database, as it ensures that any update stays open.
For those reasons, i DO NOT agree that my efforts ne put in the public domain.