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Laser TV — the Death of Plasma?

spoco2 writes, "As reported in major news outlets yesterday in Australia (The Age, the Herald Sun), a new television technology has been developed which is touted (by the developers) as far and away superior to both plasma and LCD. From The Age: 'With a worldwide launch date scheduled for Christmas 2007, under recognisable brands like Mitsubishi and Samsung, Novalux chief executive Jean-Michel Pelaprat is so bold as to predict the death of plasma. "If you look at any screen today, the color content is roughly about 30-35 per cent of what the eye can see," he said. "But for the very first time with a laser TV we'll be able to see 90 per cent of what the eye can see. All of a sudden what you see is a lifelike image on display."' The developing company, Arasor International, is said to be listing on the Australian stock exchange shortly."

24 of 351 comments (clear)

  1. DANGER DANGER by LiquidCoooled · · Score: 5, Funny

    Do not stare into laser with remaining eye!

    Oh, errrrr damn but I'll miss battlestar :(

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    liqbase :: faster than paper
  2. CRT by tsa · · Score: 5, Insightful

    I must say I'm not too impressed with the picture quality of the plasma- and LCD TV's we can buy here in the Netherlands. Especially if you take the price into account. I'm glad I've bought one of the last CRT widescreen TV's a few years back. My old CRT IIyama monitor is also better than most LCD flat monitors you can buy today. Hopefully this new technology will deliver the colours and the viewing angles we have become accustomed to from CRT's!

    --

    -- Cheers!

    1. Re:CRT by hey! · · Score: 4, Interesting

      I agree. The best CRTs are very very good, at least until the CRT starts to have problems. However it's rare to see a good CRT these days. I have some old Apple CRT monitors that are exceptionally good, but for every one of those, there were probably a thousand ghastly low end monitors with 60Hz refresh rate, greenish tint, and a convex surface guaranteed to turn any light source into glare no matter how you position them.

      The thing about LCDs and plasma is that they are consistent. There's less art to making a decent one or scaling it up in size, its simply a matter of cost.

      Cheap but consistent mediocrity is usually an engineering win. If it can be marketed as "high end", it spells big margins. Think SUV.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
  3. Re:This line says it all... by Anonymous Coward · · Score: 5, Funny

    Yeah, I got an email just like that today

    'this company's stock is about to explode, buy now'

  4. Re:That's intense by Ginger+Unicorn · · Score: 4, Informative

    the brilliance of the light emitted has little to do with the range of colours the TV can produce. Seeing more shades of red isnt going to blind you.

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    (1.21 gigawatts) / (88 miles per hour) = 30 757 874 newtons
  5. Re:This line says it all... by $RANDOMLUSER · · Score: 5, Funny
    >I'll believe that it's the 'death of plasma' when I see it, not when the company touting the technology is just trying to pump up their pending IPO.

    ...it will be half the price, twice as good, and use a quarter of the electricity of conventional plasma and LCD TVs.

    Combine that with energy efficiency, price advantage and the fact that the laser TVs will be half the weight and depth of plasma TVS, and Mr Pelaprat says "plasma is now something of the past".
    You're just a cynic. Obviously this isn't hype.
    --
    No folly is more costly than the folly of intolerant idealism. - Winston Churchill
  6. Re:That's intense by Anonymous Coward · · Score: 5, Funny

    Ah, a true geek. Considering "almost like stepping outside from a dark room" to be "quite dangerous".

  7. What we want in a TV by pr0nbot · · Score: 4, Insightful

    Yep, that's what I've always felt was lacking in TVs.

    Not higher frame rates, so it doesn't turn into a blur whenever something moves.

    Not more pixels, so it doesn't look like a blur whenever something doesn't move.

    Not better content, so I'd actually watch it.

    No, what I've always wanted, is more bits per pixel.

  8. Success of new Display Technologies by neoangin · · Score: 5, Insightful

    Price and formfactor is what matters.

    Even though Plasma looks far better than LCD, the average consumer cannot really distinguish image quality (many consumers prefer a overly color saturated SD display over a well-calibrated HD display).

    They plan for this next year, SED has been planning to enter the market for several years, too.
    The problem for all of them is that some companies like Panasonic are able through mass-production and new factories to really push the price down for Plasma displays.

    If they can make screens even flatter and brighter and at a low price, it might have a chance to succeed.

    If it is just an expensive, better looking device, it can only survive in a fringe market.

  9. Speckle problem by DomesticatedOnion · · Score: 5, Informative

    One of the major problems with using lasers for displays is speckle, the random interference patterns that develop as the highly coherent laser beam hits the display screen (whose surface is far from smooth when compared to the wavelengths of laser used). This greatly diminishes the quality of display and more importantly, anyone sitting in front of this for extended period is likely to get headache and temporary vision problems.

    Extended field trails on psychophysical effects are needed before such technology is approved by FDA or equivalent regulatory organizaiton.

    1. Re:Speckle problem by thogard · · Score: 4, Informative

      The FDA has control of 21 CFR 1040 which is the US law that controls lasers. The basic test assumes that the laser emits its light out of a
      single small aperture and that the collimated beam expands. The cop speed lasers found a trivial way around that test even though optics that give an equivalent beam at 100 meters wouldn't be allowed. Some lasers are allowed for use in public but only for about 20 minutes according to that finely worded law.

  10. Colour gamut by troon · · Score: 5, Interesting

    The problem with the extended colour gamut of the new system is that existing source material is based on the sRGB colour space, which encompasses roughly 35% of the eye's gamut. Anything shorter wavelength than blue, such as spectral violet; many saturated greens and oranges, and most cyans are not available, and the nearest colour is used.

    We're all used to this, so when a violet flower is shown as purple (red + blue) on our displays, we don't question it. But try putting a vase of violets next to your TV and you'll see the difference.

    Some proper digital photography setups try to improve on the situation using colour profiles, which is simply a lookup table to transform the RGB colours in the file to absolute colour values.

    Digital cameras can record colours outside sRGB, so if you ensure your workflow never enforces that constraint, you can end up with a file that can be printed using colours your monitor can't see.

    Typically, the input file (usually a raw camera file) is transformed via a device profile (representing the camera's actual spectral response) into a working space (a device-independent space for editing). Whilst editing, the image is viewed using a transform to sRGB (or your display's output profile, if you've calibrated it), but this restriction is for viewing only and doesn't change the file. Then, when you print, the image is converted via a device profile for your printer to print to the extremes of its capabilities - which may exceed sRGB in some colours (e.g. cyan), and be even worse in others (e.g. pure blue).

    To make use of this new TV system, we'd need something similar - wide-gamut source material, and device profiles for each set (or simply assume sRGB as default, for backwards-compatibility). Otherwise, it's like listening to music mixed for cheap portable radios (i.e. most current CDs) on a real hi-fi system.

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    Ydco co ,df C erb-y go. a Ekrpat t.fxrapev
    1. Re:Colour gamut by olman · · Score: 4, Informative

      Digital cameras can record colours outside sRGB, so if you ensure your workflow never enforces that constraint, you can end up with a file that can be printed using colours your monitor can't see.

      Typically, the input file (usually a raw camera file) is transformed via a device profile (representing the camera's actual spectral response) into a working space (a device-independent space for editing). Whilst editing, the image is viewed using a transform to sRGB (or your display's output profile, if you've calibrated it), but this restriction is for viewing only and doesn't change the file. Then, when you print, the image is converted via a device profile for your printer to print to the extremes of its capabilities - which may exceed sRGB in some colours (e.g. cyan), and be even worse in others (e.g. pure blue).


      Most 6 or 7 component inkjets can go well beyond sRGB gamut.

      Life stops being simple and nice once you take that step, thought. With AdobeRGB for example, you cannot share any of your images with your friends or print them in commercial shops unless the recipient can handle color profiles properly. XP image preview actually can, but none of the browsers do.

      True, you can change the profile but unless you've got full photoshop, it's more conversion steps as the freeware utilities that I'm aware of can only do TIFF and JPG.

      2nd hurdle is actually getting the photos to print. You have to be able to bypass all windows color management (which uses sRGB) and use photoshop (or photoshop elements) to print, which needs to have the profile for your printer AND photo paper for things to work right.

      As an end result, you *may* get images of a lagoon or something that has deeper hues your commercial print shop would print. But how many of images like that "ordinary" people have in the 1st place?

      There are even wider gamuts as AdobeRGB still doesn't surpass what you can see. I think PhotoPro will show all the colors (reference) eye can see and in fact quite a lot it can't, since color vision is not nice and linear.

      Bottom line is, unless you're absolutely sure what you're doing, stick with the sRGB! Going with AdobeRGB or similar will make your photos look WORSE unless the rest of the cain supports it.

  11. Re:This line says it all... by Tony+Hoyle · · Score: 5, Insightful

    No, but it's entirely possible to configure a plasma to look worse than the TV next to it.

    Look at the TVs in shops - they look awful, but it's the same technology, just setup poorly.

  12. Re:This line says it all... by Lazerf4rt · · Score: 5, Insightful

    Apparently, this guy already saw the TV in action and was pretty impressed:

    The laser TV made the plasma look like an old console colour TV. It was so good, the only way i could describe it was that it looked like a wet photo in a developer tray - if you haven't done photography, that may not mean alot. But the colour depth and contrast, especially the space shuttle shots where space was REALLY black, and you could see the gold foil crinkles in the cargo bay, was amazing.

    His post is a comment on another news story about the technology. Of course, take it with a grain of salt since nothing stops a company's marketing guy from posting as Joe Internet.

  13. Mitsubishi demoed this in February by zero_offset · · Score: 4, Interesting

    For example, a Feb-16 article in Engadget...

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    Slashdot quality declines as the number of hot grits posts decreases. - Provolt's Law, Apr-09-2005

  14. Re:That's intense by ByteSlicer · · Score: 4, Insightful
    The new laser tv display is different because each pixel is created by light from a tunable laser
    I strongly doubt that. The laser frequency depends mostly on the laser medium. This is why most tunable lasers are dye lasers, because here they can replace the dye (solution) with a different one that gives a different laser frequency. And you can't replace the dye within the few ms that it takes to light a pixel.
    Probably they use 3 laser diodes here in primary colors in to create an RGB image on a white phosphor screen. The lasers can be modulated in an analogue way, so it will have better intensity dynamics than LCD.
    Also, the pixels will be sharper, because you don't need 3 phosphor colors and a mask (one pixel instead of RGB pixels). Using mirrors, they can fold the path of the screen and create thin TVs.
  15. Re:This line says it all... by svunt · · Score: 5, Funny

    Hype, shmype - I saw this on last night's news, and watching the plasma vs laser demo on a standard def tv, I could see a noticeable improvement in colour and clarity. They've got a definitely promising product, and the manufacturers getting behind them aren't the idiots who buy shares of free, clean unlimited plasma/fusion/dark matter energy providers, for instance.

  16. "Laser" TV by artemis67 · · Score: 4, Funny

    Does it have any fricken sharks in it?

  17. Re:This line says it all... by Walt+Dismal · · Score: 5, Insightful

    If they were completely phony, I doubt they'd be presenting at all the major display technology industry conferences http://www.novalux.com/company/events.php) because their exposure to hype-killing doubters would open them to a lot of attacks. And Mitsubishi is really big in projection TV, so is a clear choice of manufacturing partner to use the laser modules Novalux produces. As for the cost issues, clearly the quickest time to market way to go is to replace conventional display components with this optical front end, and modify existing electronics - ie, Mitsubishi chassis - to handle the increased bandwidth. It all sounds feasible. Note they are demoing at the SMPTE conference next week; it's not like some Gizmondo handwaving. SMPTE attendees would smell phony a mile off.

  18. Re:This line says it all... by Walt+Dismal · · Score: 4, Interesting
    Followup: They appear to be very real, and doing significant hiring in the semi industry for serious engineering and production work: http://www.careerjet.com/jobs_novalux_inc.html

    I'd rate them as not vapor.

  19. Re:This line says it all... by Turken · · Score: 4, Insightful

    I dunno... It sounds pretty reasonable to me. The only difference between Laser and DLP technology is the source of colored light. DLP uses white light through a color wheel to produce the RGB colors. Lasers produce the colors directly, and lasers in all three colors are now commercially available, although expensive (been to ThinkGeek lately?).

    Laser TV technology is definitely NOT vaporware. The technology is already here. Now, the claims of quality may be a bit hyped at this moment, but given the intensity possible with laser light, I fully expect the laser tv to be an amazing display when all the bugs get worked out.

  20. Re:This line says it all... by Brickwall · · Score: 4, Interesting
    It may have been a poorly configured Plasma beside a new Plasma giving off the appearance of a new TV technology.

    Yes, some entrepeneurs will push the envelope when trying to introduce something new. I used to work at Mitel Corp, which made business telephone systems. After much pre-announcement, we were supposed to roll out our SX-200 at a major trade show. Unfortunately, the software wasn't fully debugged, and so the thing didn't work properly. So Terry Matthews (that's Sir Terry now, of course) went out, bought a NorTel SL-1, and installed it at the back of the booth behind a curtain. They ran cables out to the SX-200, which was to all intents and purposes an empty shell. Everyone thought the SX-200 was fantastic, we got a lot of pre-orders, and when the software was debugged just a few months later, the SX-200 became one of the most successful PBX's of all time.

    So there's certainly precedent for the idea of presenting something as a "done deal" while it's still in development. The question is, will the Laser TV actually appear in the market, as the SX-200 did?

    And will we need goggles to watch it? The goggles.. they do nothing!

    --
    What was once true, is no longer so
  21. The Blue DPSS Laser Power? by su-geek · · Score: 5, Informative

    Laser TV has existed for a long time using Argon (blue, green) and Krypton (red) lasers as a white light source (either mixed gas or two lasers) The color is chosen using an AOM or a PCAOM (see a patent for laser TV at: http://www.freepatentsonline.com/6426781.html ).

    The new breakthrough is that we have solid state Diode Pumped Solid State lasers (specifically high power DPSS), you should be familiar with the 532nm green laser pointers. The green is achived through frequency doubling 1064nm infared DPSS lasers. Red lasers need not be frequency doubled because they can manufacture Diode lasers to that frequency and is available in higher power ranges. Blue DPSS lasers were developed, usign 808nm infared lasers frequency doubled, the power available is still really low, (and I can't wait to rip apart a blue ray drive to get the laser out!) and the lasers are extremely expensive. Hopefully with greater production of blue lasers the prices will go down.

    The next issue to deal with in the U.S. (I don't know austrailian law) lasers are regulated by the FDA and any laser over the power of 5mw that exposes radiation to the public has to have an FDA varience to legally operate. I am wondering how this TV would be classified. I really would prefer a solid state DPSS laser projector to replace easily broken, expensive to maintain, LCD projectors. If you need more information about this technology sam's laser faq, and the guys at alt.lasers are nice and answer questions.

    Peace,
    Adam