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Universal and MySpace Square Off Over DMCA

moore.dustin writes "Universal and MySpace look to be on a collision course that could shape the future of media companies and the internet. The article discusses the DMCA's impact on their case, and talks ways in which the law lags behind the realities of technology." From the article: "Yet, as lawyers prepare for battle, they do so on uncertain legal ground. The legislation at the heart of the debate, the Digital Millennium Copyright Act, was written years before social networking sites such as MySpace even existed. That fact has injected considerable uncertainty into the matter, according to copyright experts, and helps explain why lawyers from both sides are proclaiming that the DMCA, as it is known, is on their side."

35 of 110 comments (clear)

  1. Both sides claming the DMCA by transporter_ii · · Score: 4, Insightful

    And they are probably right that it is on both of their sides, because it sure the hell isn't on OUR side.

    Transporter_ii

    --
    Doctors destroy health, lawyers destroy justice, universities destroy knowledge, religion destroys spirituality
  2. The Universally Flawed Argument by Slipgrid · · Score: 5, Insightful
    Last month Universal accused MySpace of infringing its copyrights by allowing its customers to post music videos from artists such as Jay-Z on the site without permission.


    The basis of their argument is that they are allowing users to post Jay-Z videos, just like I'm sure they allow Universal to request there deletion. The gun manufactures tried this argument before. Guns allow people to kill each other. They also allow people to protect themselves. Allowing a crime is far from facilitating it. Myspace, sucks as it does, provides many with legal entertainment. Just because a few are able to abuse the system, doesn't mean that Rupt owes Univ a tax.
    1. Re:The Universally Flawed Argument by quanticle · · Score: 4, Interesting

      Seriously, wasn't this settled during the Betamax case? If I recall correctly, the movie industry tried the same argument there — i.e. video cassette recorders encourage copying of intellectual property. The Supreme Court there ruled that videocassette recorders were legal because of the many legal uses they had, and the fact that they could be used for illegal purposes did not diminish this.

      How is that situation different from this one?

      --
      We all know what to do, but we don't know how to get re-elected once we have done it
    2. Re:The Universally Flawed Argument by Duds · · Score: 4, Interesting

      The obvious different is that Myspace are specifically storing the copyrighted material on their site.

      If Sony were allowing people to store all their betamax tapes of copied films in a Sony warehouse the case may have had a different outcome.

      A better similie to that case would be if myspace was displaying videos playing off my server, at which point they would be protected.

      The other difference is of course the laws were different back then.

    3. Re:The Universally Flawed Argument by Gription · · Score: 2, Interesting

      The difference is the DCMA basically tries to specify that anything that that can be used to subvert copyright protection is illegal. Remember the bit where the copy protection on certain CDs could be circumvented by using a magic marker to blank it out? It was pointed out that the verbiage of the DCMA would then make magic markers illegal.

      This is all about law. It isn't supposed to make sense and it rarely relates to the real world.

    4. Re:The Universally Flawed Argument by The+Great+Pretender · · Score: 2, Insightful

      One could question whether Universal owes MySpace advertising revenues...just a thought

      --
      A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort.
  3. The case by Rob+T+Firefly · · Score: 5, Informative

    For the lazy, the case in TFA involves Universal accusing MySpace of copyright infringement based on the ability of its users to post copyrighted music videos to the site without permission.

  4. The only winners are the lawyers by Anonymous Coward · · Score: 4, Insightful

    Considering that CBS has already said that clips on YouTube are helping their business you wonder why Universal bothers. Do they rally think they can earn revenue from users watching some pre-teen lip sync to one nof their hits? Their win in the Supreme Court certainly did not slow the growth of file sharing. In the end it just means lots of billable hours for legal teams.

  5. The DMCA does cover this by 91degrees · · Score: 4, Informative

    MySpace is not fundamentally different from offering generic webspace. The safe harbor provisions cover this. It's hard to argue that MySpace is not an ISP under the terms of the DMCA.

    The fact that to deny responsibility, the ISP is better off not policing their network is hardly the ISP's fault. It's a badly drafted law. Perhaps Universal should have thought about thiswhen lobbying for it.

    1. Re:The DMCA does cover this by tuxlove · · Score: 2, Interesting

      While I think the DMCA is a giant steamer, it does appear that it protects myspace if they qualify as a service provider. The wording of the DMCA defines a "service provider" as "...a provider of online services...". That is rather ironic, isn't it? Though the DMCA says they can't have profited from the copyrighted material in order to be protected; while they are obviously not selling music directly, music is one of the big things that draws in people and gives myspace its value. So Universal may have some argument there.

  6. I can't wait by Digital+Vomit · · Score: 2, Insightful

    I *so* can't wait until our culture gets past the "intellectual property" dark age. I just hope I'm still alive to see the incredible social, cultural, and technological advancements that will come once the notion of "owning" ideas and information has finally passed away.

    --
    Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    1. Re:I can't wait by Rob+T+Firefly · · Score: 2, Funny

      Hey! I made a copyrighted post very much like this one once. You'll be hearing from my lawyer!

    2. Re:I can't wait by MMC+Monster · · Score: 3, Interesting

      How are content creators supposed to support themselves? I mean writers, actors, singers.

      I know the current system is useless, but how do we replace it and still have content be worth something so that creators can make a living?

      --
      Help! I'm a slashdot refugee.
    3. Re:I can't wait by mrchaotica · · Score: 2, Informative

      There are many possibilities:

      • Patronage
      • Performances
      • Merchandising
      • Government grants
      • Private charity

      Then, of course, there's also the final possibility: they don't. After all, what makes you so sure content has to be "worth something?" Who says that having people "make a living" doing this stuff is necessary? Isn't it possible that making people keep their day job and do this stuff in their free time if they want to is good enough?

      These sorts of models are working for Free Software, after all...

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    4. Re:I can't wait by balsy2001 · · Score: 2, Informative

      My brother has a full time engineering job and still makes and releases CDs on the side with his band because he likes it. In my book you can't beat a live performance. So, maybe the future of music professionals is to make all of their money on tour...Oh right that is how it works today except Sony et. al. don't rake in the millions. Then you would jsut give away your music for free on the internet as promotion for your concert.

      --
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    5. Re:I can't wait by kmac06 · · Score: 2, Insightful

      Yeah, who needs any of the stuff that's been patented through a private research lab. Like anyone ever uses a transistor.

    6. Re:I can't wait by tkrotchko · · Score: 2, Informative

      "How are content creators supposed to support themselves? I mean writers, actors, singers."

      Well, apparently the first thing is to avoid being associated with record companies that belong to the RIAA:

      http://www.usatoday.com/life/music/news/2002-09-15 -artists-rights_x.htm

      That's probably 90% of the battle right there.

      --
      You were mistaken. Which is odd, since memory shouldn't be a problem for you
    7. Re:I can't wait by teh_chrizzle · · Score: 2, Interesting

      well, seeing as how the concept is nearly 500 years old i would imagine maybe another 500 years will finally see it's demise.

      --
      sarcasm:
      -noun
      1. harsh or bitter derision or irony.
    8. Re:I can't wait by owlnation · · Score: 2, Informative
      How are content creators supposed to support themselves? I mean writers, actors, singers. I know the current system is useless, but how do we replace it and still have content be worth something so that creators can make a living?
      It's not about the creatives, it's about their agents. Perhaps a better question is, why are some content creatives more protected than others - how can we generate income for artists without parasites skimming their pound of flesh?

      For example, most painters and sculptors cannot expect to make a decent living in their lifetimes, nor can many classical composers and musicians, and nor poets nor authors. What makes the agents of pop and rock musicians and film and TV actors and producers so special that that they can bully and threaten others to protect their (sometimes dubious quality) work. Most signed bands are in debt to their agencies for years, most of their money goes to people who have no talent and have never contributed one single thing to the creative advancement of humanity.

      I have no objection to artists being paid fairly for their talent. I have every objection to the agency vermin that feed from us all.
    9. Re:I can't wait by remmelt · · Score: 2, Insightful

      It would be great if everyone who could write songs well would make money with it. Regrettably, this is not reality today. Yes, it costs money to buy guitars, computers, software, amps, turntables, whatever you need. Renting practice space (especially for more serious bands) can be troublesome and expensive as well. These musicians hope to break even. Why do they do it? Because it's fun. Do they dream of making it big? Who doesn't! I dream of making it big and I write webpages! Come on. The reality of today is that most musicians have a regular job. Only the high profile guys make enough to buy fifteen powermacs to store in their underground private studio und run non-cracked versions of whatever on it. A lot of really amazing music is made in damp basement rooms between two jobs. I totally agree with your last statement. It would be nice indeed if the music industry was about providing musicians with money so they can make music. This is not the case.

    10. Re:I can't wait by arminw · · Score: 2, Insightful

      .....Isn't it possible that making people keep their day job and do this stuff in their free time.......

      The problem is that manufacturing of non-tangible products of the mind IS the day job of many people in our modern world. I would they even are the majority. In our modern world, people are not paid for what they do, but for what the KNOW. Very few here on /. are making physical things such as building cars and houses. If the carpenters get paid for building a house, should the ones who drew up the plans of that house not get paid for their efforts? If you pay for the physical computer, should you not also pay for the software therein, without which that computer is a very expensive boat anchor? Reading stuff here on /. makes it most likely that you do not make your living by making or dealing primarily with a physical things. Maybe you should give your computer knowledge away for free and get a day job as a truck driver for Walmart.

      --
      All theory is gray
  7. Not MySpace by aliendisaster · · Score: 3, Insightful

    I hate MySpace and refuse to go to the site, however, it seems to me that since 99% of the people who actually use MySpace know shite about FTP, HTML or the internet for that matter, I'd wager that the alleged Jay-Z video was linked from another site. If this is the case, since the video is actually not hosted on MySpace's servers, how would this be their fault in the first place?

    --
    Freedom is a state of mind. A mind is a state of being. Stay the fuck out of my mind and my being. - Corporate Avenger
    1. Re:Not MySpace by Rob+T+Firefly · · Score: 2, Informative

      It is on MySpace's servers since MySpace implemented its own video-posting functionality similar to YouTube and all the rest. The feature was MySpace's response to the YouTube boxes that were springing up on all its users' pages. It's fairly idiot-proof, you don't need to know a thing about HTML coding to use it.

  8. Precisely what the DMCA was enacted for by michaelmalak · · Score: 5, Insightful
    Contrary to what the analysts and lawyers in the ft.com article are blathering about, this is precisely the motivation behind the DMCA. In 1998, four years after the start of the Internet's meteroic rise, the media publishers had a vague fear that the Internet would bring new ways for people to make perfect copies of their publications. Thus they attacked preemptively by paying Congress to enact the DMCA. The media companies of course did not know P2P and "social networking" by name, but they knew from the Internet's growth (in size and technology) that such then-unknown things would come about. Heck, the violations were already occurring via UseNet.

    While a lot of aspects of copyright are detestable -- such as the DMCA's prohibition against format shifting and the extension into perpetuity of copyrights, if the DMCA makes a special exemption for "common carriers" like MySpace (whose main purpose is social networking, not copyright infringement), then that is a good provision of the DMCA -- and it would be a farsighted one based on then-existing technologies such as UseNet, not a provision created in the "different world of 1998" as the ft.com article asserts.

  9. If Universal wins, /. closes by Per+Abrahamsen · · Score: 5, Insightful

    If universal wins, a "get rich fast" scheme would be:

    1) Create and sell copyrightable junk on e.g. www.lulu.com for an inflated price.
    2) Post it as an Anonymous Coward on /.
    3) Sue /. for copyright infrigement for profit!

    A win for Universal would mean all user generated content on all sites would have to be pre-approved, which would be economically infeasible for most hobbyist or ad-based sites. Control of the information stream would fall back in the hands of a few large media companies, and most of the democratic potential of the Internet would be lost.

  10. merchants vs. creatives (s vs. n) by drDugan · · Score: 2, Informative

    I've written on this point exactly: here.

    FTA - "Its part of the continuing struggle between content owners and developers of technology, he said. People are trying to find out where the line is."

    This is a very basic concept - the same people who invent technology are the types that create content. Broad-thinking creative types. The other type of people are the merchants: traditional business owners.

    The battle between these SAME two factions drove founding of America. It was the traditional merchants who did not have enough power in 'old culture' Europe - so they left and came to the new world. They have been running things, yoking and squeezing the creative types ever since.

    It is the same factors that drive the Shiite and Sunni conflict. It has lead to the most significant ideological gaps in human history.

    Interestingly, the tide turned in the USA in November 2006. No longer is there any need for the small-minded, traditional merchants to run the system. Global communication, Web 2.0-mentality, and the empowering of the individual are all working together to eliminate the entrenched foothold by the merchants.

    It will be great to see if the courts follow suit.

  11. Forward-looking legislators by Col.+Klink+(retired) · · Score: 2, Insightful

    I find it hilarious that a new law had to be passed "for the new millennium" that couldn't even account for changes in less than a decade.

    --

    -- Don't Tase me, bro!

  12. What's changed. by Kadin2048 · · Score: 4, Interesting

    How is that situation different from this one?

    I think the major difference is that the movie/music/"content" industry has, since the Betamax case, spent probably close to a billion dollars lobbying Congress and getting laws passed which together change the dynamic of the playing field from what it was like in the 1980s.

    They learned from where Jack Valenti failed (from their perspective) and are now a lot smarter when it comes to using the government as a cudgel against their own customers.

    In short, the industry is smarter now, and they have had 20-odd years to make the environment more politically receptive to their point of view, on all levels.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    1. Re:What's changed. by Total_Wimp · · Score: 4, Interesting
      They learned from where Jack Valenti failed (from their perspective) and are now a lot smarter when it comes to using the government as a cudgel against their own customers.

      I just walked in from the car where I was listening to NPR. They had a guy from Youtube and another guy from NBC. During this call-in program (The Diane Ream Show) they were actually quite civil and seemed like they wanted to work together. The NBC guy said they don't want "vast quantities" of their music on Youtube without compensatino, but said they eagerly look forward to haveing some kind of revenue sharing agreement. He pointed to the iTunes deal as a great success and said $1.99 per movie worked great for them. Additionally he pointed out that some of NBC's shows are put online directly on the NBC site. They Youtube guy said they're working with NBC right now and hope they can put together a deal

      The bottom line is that it sounded a whole hell of a lot like NBC wasn't purposely trying to be evil. They're not just trying to get politicians to do their biddnig to screw everyone over. They're working with distribution outlets to get their material out there. They just want to get paid for their very expensive programming.

      Now I know there's still a lot of badness out there. Copy protection sucks, as well as the fact that it's not like their whole library is available for you to pick and choose from. They still want the broadcast flag so they can force us to pay and then make content disapear.

      But at least it looks like they're trying to resolve some of the basics, like giving consumers the choice of ad supported, or pay-to-watch content ("Lost" is available one way on the ABC site and the other way on iTunes, not to mention DVD) and generaly making more material available to watch, without making you pay a bunch of times for the same thing.

      We should still fight the bad stuff, but, damn, they're at least starting to come to terms with the fact that consumers need some level of control over the process. They're a little smarter, also, in the sense that they realize they have to move into the internet era. Unlike the record industry, they know that they cant force consumers to keep using the same old business model. For that, at least, I do give them credit.

      TW
    2. Re:What's changed. by trudyscousin · · Score: 2

      "...[the industry is] now a lot smarter when it comes to using the government as a cudgel against their own customers.

      In short, the industry is smarter now..."


      How does using "a cudgel against their own customers" make them smarter? It sounds mind-bogglingly stupid to me.

      They can buy all the laws they want, but it still remains up to each of us to vote with our locale's currency units.

      --
      Those who can, do. Those who can't, write technology blogs.
    3. Re:What's changed. by syousef · · Score: 2, Insightful

      What are you smoking man. They want to control how long the product lives and force us to constantly rebuy it. They don't care if their copy protection screws us over for any form of "fair use" so long as they get their cut. They've used tactics like trying to sue random people and even children into oblivion and you still think they're okay because they have people that sound reasonable and pretend to want to work with us on the radio. Credit? The only credit of yours they want comes out of your bank account.

      --
      These posts express my own personal views, not those of my employer
  13. Are you sure about that? by msobkow · · Score: 4, Insightful
    the Digital Millennium Copyright Act, was written years before social networking sites such as MySpace even existed.

    Oh, and what of sites like Slashdot? What is the fundamental difference between MySpace and a forum?

    Near as I can tell, a Blog is nothing more than a personal forum that allows some media attachments.

    --
    I do not fail; I succeed at finding out what does not work.
  14. uninventing the printing press by openright · · Score: 2, Interesting

    The new printing press, the internet, came and provided a means of great information freedom.
    But for the companies that used a business model based on controlling media, the freedom of information was a threat to profits.
    So these companies paid/lobbied/bribed the government to get some new laws passed. One that extended the copyright to 95-120 years. And another specifically written to control publishing digital information and override past "fair use" clauses that allowed things like VCR's and Tivo's.
    But even with all of this, the public still expects to have more freedom and innovation that internet had promised.
    Companies and web sites come up for sometime short times that offer a glimpse of what could be. Then the controlling media companies try to shut them down, pointing to the laws that were legally paid for.
    The media companies may be successful in suppressing information for a time, perhaps in some countries. But a country that manage to fight this control, and manage to allow a level of information freedom that really promotes innovation; This country will have a great advantage.

  15. Why Universal Bothers by Kadin2048 · · Score: 2, Interesting

    Considering that CBS has already said that clips on YouTube are helping their business you wonder why Universal bothers.

    CBS and Universal operate in fundamentally different modes within the entertainment/'content' business. CBS basically responds to consumer and viewer demand -- delivering news and less-than-cutting-edge television entertainment -- while Universal has made a killing by staying on the bleeding edge. Universal doesn't follow demand, they manufacture it.

    Thus while CBS is perfectly fine having YouTube create a market for their stuff, Universal is far more controlling. Their success depends on complete control of distribution and publicity; they want to micromanage everything, playing with artifically-induced scarcity so as to maximize the effect and appeal of their brands and products. Anything that relinquishes any amount of control over media distribution to the public is a Bad Thing to them.

    If you think of 'the curve' of public interest, CBS is a fairly conservative organization and basically stays just behind it, while Universal wants to be out front. This requires a far more aggressive and controlling attitude when it comes to their content.

    I think eventually you're going to see a schism in the entertainment business, between companies that are responsive to demand, and basically look at what's popular and try to respond to it, without a whole lot of risk (and who are basically receptive to any new technology that reduces costs), and companies that try to project themselves ahead of demand and actually manufacture popularity, a fundamentally riskier (but potentially more profitable) endeavor that lends itself to maximizing control over the entire process, from creation to viewing. For many years, these two business models have coexisted -- companies owning movie studios and record labels also owning television networks -- but I'm not sure it's as natural an alliance as it appears.

    --
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  16. Different models, different attitudes. by Kadin2048 · · Score: 2, Interesting

    You might be interested in reading another comment I posted in this same discussion. Basically, I think there is a fundamental and growing difference in the entertainment industry between companies (the news companies, most major TV networks) who are responsive to consumer demand and try to follow/track demand as closely as possible and tailor their offerings to it, and companies like Universal that want to manufacture demand itself. Currently there are many organizations (like GE's NBC Universal) that do both, but I think that just masks the conflict, it doesn't mean it's not there.

    I think this is why you get TV networks that are much less restrictive and controlling about their content than the movie studios are; the studios have a business model that relies on control and engineered 'supply shortages' to create demand, while the networks exist to push as much content out (along with ads) as they possibly can, at the lowest possible cost.

    At the extremes, it's a 'manufacturing' versus 'service' industry conflict. Broadcasting, as exemplified by the 24-hour news channels, are a service. The value is in the continued stream of information, not in discrete copies of a particular recording (except for special cirumstances, e.g. recording of a particular event, or if the anchor does something embarrassing). Music and movie companies, on the other hand, are "IP factories." They design, produce, market, and profit from the sale of 'media widgets,' discrete quantities of content that have a measurable value, separate from their value as part of a service or stream of information.

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