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Don't Believe What You See at the Movies

MattSparkes writes "Many images you see in a magazine are Photoshopped, and it's getting less and less likely that what you see at the cinema is any more genuine. In the film 'Blood Diamond', tears were added to Jennifer Connolly's face after a scene was shot. According to The Times, digital effects artists can even change actors' expressions. 'Opening or closing eyes; making a limp more convincing; removing breathing signs; eradicating blinking eyelids from a lingering gaze; or splicing together different takes of an unsuccessful love scene to produce one in which both parties look like they are enjoying themselves.' The article mentions the moral qualms digital effects people have over performing these manipulations, and the steps actors are taking to protect their digital assets."

35 of 441 comments (clear)

  1. not sure I get the controversy by yagu · · Score: 5, Insightful

    Isn't a director's responsibility to convey exactly what he (she) wants to say? Isn't movie-making mostly about suspending belief? Isn't this all make believe (not including documentaries, etc.)?

    It seems to me (and IANAD) directors have the ulimate creative say so in movie creation. I find the manipulation in magazines offensive, because ostensibly a picture of a model represents reasonable facsimiles of that model, often in some context of cause and effect of some beauty products. Distortions and manipulations there are dishonest, and brush up against fraud.

    But movies are supposed to be about make believe. Heck, most movies these days are rife with computer graphics and openly so. What is the nuance and difference with doctoring an actors performance?

    Most actors are what (famous, popular) they are because they were at the right place at the right time. Directors have a tougher case to prove... they are ultimately responsible for the entire package and the effects, emotions, stories, etc., their movies bring. Their palette is more complex. I don't begrudge them their creative license.

    Actors who think otherwise, as stated in the article, can stipulate contractually their work be preserved, but there are few actors who warrant that honor. (I have to laugh that Tom Cruise would stipulate that "manipulation" to make him look better is okay, but else it's not... especially ironic from coming from a Scientologist who interprets a world of "datagrams".)

    Do I feel deceived Jennifer C.'s tears were fake? Hmmmmm.... had she "acted" them, what would have made them any more real?

    1. Re:not sure I get the controversy by AKAImBatman · · Score: 5, Insightful

      There's no difference between marketing print ads and movies. They're both fake, and as long as we know this there is no harm, or "fraud" as you put it.

      His point is that using an air-brushed girl to advertise Avon skin care products is borderline fraudulent. No woman is ever going to look that good using those products. Heck, the woman in the magazine doesn't even look that good!

      Using fake tears to make J-Lo (or whoever it was) cry is fine tuning a dramatic scene of a movie. The director isn't trying to get you to purchase any products with his changes. He's only attempting to bring the performances closer to his vision for the entertainment product. In many respects, it's like adding a coat of paint or polish before declaring the product ready for market.

      There is a difference.
    2. Re:not sure I get the controversy by jfengel · · Score: 4, Insightful

      I suspect that the problem actors have is with the fact that as the effects people get better, will they be necessary at all? If the effects department can make better appearance of tears than Jennifer can why not just skip her entirely?

    3. Re:not sure I get the controversy by nametaken · · Score: 4, Funny

      Meh. Not surprised.

      "The Internet is a communication tool used the world over where people can come together to bitch about movies and share pornography with one another."

    4. Re:not sure I get the controversy by spun · · Score: 4, Insightful

      Do I feel deceived Jennifer C.'s tears were fake? Hmmmmm.... had she "acted" them, what would have made them any more real?

      It all depends on how good the digital effects artist is. Humans have very good emotional BS detectors. That is what made really good actors rare, it takes a very skilled individual to convincingly fake emotions. Now it takes a different kind of skilled individual. I haven't seen Blood Diamond so I have no idea if the tears looked fake or not. If they looked fake, they were fake. If they didn't, they were still "fake" but that's not the point.

      My wife is an actress, and a very good one, and I can tell you she will NOT be happy about this. Fortunately, she is primarily a stage actress, so her skills can't be faked. I imagine people who could paint very realistic paintings were quite upset when cameras were invented. No one enjoys having one's skills made obsolete.

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    5. Re:not sure I get the controversy by Thagg · · Score: 4, Informative

      On the other hand, there is a certain well-known actress, somewhat getting on in years it's true, who has her own personal digital retouch artist. Any movie she is in, she hires this guy to retouch all of her scenes. He knows her face intimately, knows just what to highlight, what the diminish, what to blur, what to sharpen.

      I do visual effects for a living, I've never met anybody with any qualms whatsoever about making a shot better. It's what we do!

      Do cinematographers object to putting softening filters in front of camera lenses when shooting the female talent, because it's "not real?" No.

      My friend Lance Williams said it best when accepting his Sci-Tech award -- "It doesn't matter if it's real, it matters if it's true."

      Thad

      --
      I love Mondays. On a Monday, anything is possible.
    6. Re:not sure I get the controversy by acroyear · · Score: 4, Insightful

      Depends on "before/after". Does the director decide not to get the "tear" out of Jennifer *because* he can add it later?

      Or was it a case of the Director was happy with the shot in the dailies, but in editing decided it needed something else?

      The latter is where the flexibility comes in along with a price-tag trade off. Is it cheaper to get Jennifer in, amidst an insane schedule that may have her on the other side of the world filming another movie, to do the one closeup? Or just turn the 48 frame (2 seconds on screen) to a computer department to fill it in.

      It used to be that adding a computer effect for a scene that had no CGI was very expensive. The whole scene would have had to have been computer-scanned. Today, with digital color correction being the norm, everything's in the computer anyways so getting the 48 frames to add the feature into costs nothing.

      --
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      -- Joe
    7. Re:not sure I get the controversy by Achromatic1978 · · Score: 5, Funny

      Using fake tears to make J-Lo (or whoever it was) cry

      Holy fuck. I can't believe you just confused J-Ho - one half of the Bennifer travesty, not to mention Gigli - with Jennifer Connelly, who plenty of us have had a thing for ever since Labyrinth (and don't even start me on Requiem For A Dream's "ASS TO ASS!" scene).

      Gah, it burns!

    8. Re:not sure I get the controversy by AKAImBatman · · Score: 5, Funny

      Your response confirms what I've suspected for a long while now: There's not much hope remaining for the human race. :-/

    9. Re:not sure I get the controversy by jimhill · · Score: 4, Funny

      "My wife is an actress, and a very good one..."

      Mine's not. Those orgasms are real, yo!

      --
      Learn to spell: nickel, missile, lose, solely, amendment, speech, kernel, probably, ridiculous, deity, hierarchy, versus
    10. Re:not sure I get the controversy by flyingsquid · · Score: 4, Insightful
      And it's not as if deceptive use of images (still and film) was invented with Photoshop and other digital image manipulation tools. All Photoshop does is make image manipulation faster and easier.


      I do a lot of photography, and I can radically change the image by changing the position of the camera, the lighting, the composition of my shot, the lens I use, F-stop(aperture), exposure, ISO settings(sensitivity), and soforth... it goes on and on. And you can put some makeup on the model to make her skin look better. And obviously, choose a model with really great skin, and not an average user of your skin-care product. As for post-processing, I learned photography with a digital camera, but my understanding is that the entire reason it's called "Photoshop" is that many of the image manipulation techniques are the same kind of thing you could do in a darkroom if you were a competent developer. You could make the image lighter, or darker, or selectively brighten certain areas, so on and soforth. Before there was the digital Airbrush tool in Adobe, there was the physical airbrush. And how is adding a digital tear more "fake" than putting a little water on the actor's cheek?

      It's faster and easier to manipulate imagery these days, but it's always been possible to manipulate images, and images have always been human creations, rather than unbiased recordings of reality.

    11. Re:not sure I get the controversy by mobby_6kl · · Score: 5, Funny

      I would bet Angelina Jolie looks 1000% better than 99.99999% /. readers significant others before makeup.

      I'm not gonna argue against your main point, but I don't think it's fair to make a percentile estimations based on a population of five.
    12. Re:not sure I get the controversy by Megajim · · Score: 4, Insightful

      Actually, the fact that it was modded to a +5 Informative is what seals it for me. Yikes.

    13. Re:not sure I get the controversy by swillden · · Score: 4, Informative

      I do a lot of photography, and I can radically change the image by changing the position of the camera, the lighting, the composition of my shot, the lens I use, F-stop(aperture), exposure, ISO settings(sensitivity),

      I just want to amplify a little on what you've said here, because I'm sure a lot of people read it and thought "Yeah, but it's still a picture of what was in front of the camera".

      A good photographer (I am not one, but I'm learning) can dramatically alter a scene by the way he chooses to capture it -- so much so that two different photographs of the same scene can seem completely different.

      Some examples:

      Camera view. The obvious way that camera angle changes the shot is by altering what is in front of the camera. From one angle, you may see a stern, impassive face, while from another you may catch the tearing eye. Sometimes, you can choose an angle that completely excludes key parts of the background or subject -- a scruffy teen violently grabbing an old woman's purse-holding hand might look very different if you can see the out-of-control truck bearing down on her.

      Camera angle. More subtly, camera angle can significantly alter the emotion of a shot. Shooting portraits from an angle a little below the subject's line of sight makes the subject look larger, stronger, more confident. Shooting at a downward angle does the opposite. Profile shots can make the subject look pensive, or serene. Shooting from one side and behind, adjusting the camera angle can change the apparent set of a shoulder, changing the subject's apparent attitude. With landscapes, shooting from low on the ground emphasizes foreground space, while shooting from above emphasizes the background.

      Lighting. Lighting is what photography is all about. The color, intensity, direction, tone, diffusion/flatness change everything. Shadows can obscure or emphasize elements, or even create them out of thin air. Light direction, intensity and color can do the same, hiding or applying emphasis to elements (one trick is that powerful, very diffuse lighting fills in shadows, hiding wrinkles, pimples and other blemishes), and even more importantly can dramatically alter the emotional content of the image.

      Composition. Composition is about directing the viewer's eye and about creating balance or the lack thereof. The viewer's eye tends to naturally fall first on the left or right of the image, and shapes and edges in the image can then lead the eye on the path the photographer wants it to take, highlighting details the photographer wants to emphasize and completely passing by elements the photographer wants to obscure. They're there, and if you take time to study the image you'll see them, but a more casual view won't generally spot them.

      Beyond directing the eye, composition has a lot to do with the overall beauty or ugliness of the image. A nicely composed image that has balance, beautiful shape and form, laid out where the eye wants to find it, appropriate use and location of open space, comfortable grounding, etc., can be beautiful independent of what is actually in the image. A photo that deliberately violates these rules can be ugly or disconcerting. Images with beautiful composition tend therefore to highlight the positive aspects of an image, while bad composition highlights the negative aspects of an image -- making an ugly scene uglier, for example.

      I'll stop here, but sharpness, depth of field, adjusting filters, lens choice, film choice, camera choice, etc., etc., etc., all can have an effect on highlighting or obscuring details and on changing the emotional tone of the image. Don't underestimate the importance of the tone, either. A smoothly textured shot of a horrific war scene, carefully soft-focused to obscure gory details and artfully composed with a beautiful balance that guides the eye away from the horror can leave the viewer with the impression that the horrors of war have their redeeming

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  2. Don't believe Live TV either! by ArcherB · · Score: 4, Interesting

    Watch a sporting event such as football or especially baseball. You will see the ads placed around the stadium change. I'm not talking about those "scrolling" signs, those are real, but computer generated signs that are not really at the stadium.

    Also, how do they move that yellow line so fast in football?

    --
    There is no "I disagree" mod for a reason. Flamebait, Troll, and Overrated are not substitutes.
    1. Re:Don't believe Live TV either! by ryry · · Score: 4, Informative

      Ars Technica explains the "yellow line" technology (and other related football tech) in this article: http://arstechnica.com/articles/culture/firstandte n.ars

      --
      -ryry
      ::insert witty .sig here::
  3. Even Baby Jesus cried... by TheRealMindChild · · Score: 4, Funny

    Do you know how devistated I was when I found out that Lieutenant Dan really did have both of his legs???

    --

    "When life gives you lemons, don't make lemonade. Make life take the lemons back!" -- Cave Johnson
  4. Good acting by ArcherB · · Score: 4, Funny

    Maybe now when Lucas re-remakes the Star Wars movies, we'll see some good acting!

    --
    There is no "I disagree" mod for a reason. Flamebait, Troll, and Overrated are not substitutes.
  5. splicing together different takes ?? by 93,000 · · Score: 4, Funny

    They do this in movies? Actually take different 'clips' and put them together to convey some sort of story? Bastards! I have played the fool for the last time.

    From now on I will only view movies shot in one take.

  6. Wait... what? by Rimbo · · Score: 4, Funny

    You mean... the movies aren't real???

  7. Entertainment Anyone? by Gates82 · · Score: 5, Funny
    It was no big deal the dinosaurs were added to several scenes in Jurassic Park, or that that a liquid metal man can walk through steel bars in terminator, but now the CGI has gotten so good at blending with live action it is no a moral problem. I don't know about you but I go to the movies (rarely) for entertainment. I expect to see the best possible image and scene. I really have no concern about how the images were created as long as the blend and I can't tell were the CG is. Now if I am watching the news or a documentary I might want to know about these changes. This seems more like the actors complaining that their performance was good enough as is. They have a makeup artist for their face why not a graphics person in post production. This is lame and BS.

    --
    So who is hotter? Ali or Ali's Sister?

  8. Morals? by Quiet_Desperation · · Score: 4, Insightful

    Anyone that has deep moral qualms over digital movie effects has absolutely no sense of perspective.

  9. Animatronics are the way to go by Peter+Trepan · · Score: 4, Funny

    Remember how cheesy the CGI Jabba the Hutt looked compared to the original puppet? Remember how convincingly real the original Star Wars spaceship models looked compared to more modern computer animations? Remember how the makers of Forrest Gump tried and failed to Photoshop words into the mouths of George Wallace and JFK, finally opting instead to exhume their bodies and stuff them with animatronics?

    --

    Step into a huge movement. Don't Tread In Me.

  10. It won't be long.... by Radon360 · · Score: 4, Interesting

    So at what point do the actor's/actress' talents become obsolete? Could the break point be when it's less expensive to pay someone to clean up bad acting versus shelling out uber-bucks for a good actor? Maybe Pixar (et al) are the pioneers on what is to come, in which everything is essentially generated virtually.

    The bright side that I can see is that perhaps not having to put up with so many dumb, uneducated actors as public role models and political activists.

  11. Next step by rlp · · Score: 4, Insightful

    Yeah, that's why they're called special effects. Next comes replacing the actors with CGI and synthesized voices. In many cases it will be obvious because the quality of the acting will improve.

    --
    [Insert pithy quote here]
  12. Re:Go rent LOOKER by Quiet_Desperation · · Score: 5, Funny

    Looker is an old movie about digitizing actors and then killing them. It is finally becoming technically possible.

    Nonsense. It's been possible to kill actors for years.

  13. What a coincidence! by L.+VeGas · · Score: 5, Funny

    I, too, photoshopped liquid onto Jennifer Connely's face.

  14. Re:Evidence by 93,000 · · Score: 4, Funny

    This always makes me wonder about the courtroom. How do they prove that pictures and video are genuine?

    They probably use a handsome, wet behind the ears lawyer who is very talented yet still plagued with some self doubt (usually due to some type of father issue), and who makes up for his lack of experience with heart and swagger. He typically validates or disproves said pictures/video in a moving 8 minute monologue to the jury.

    At least that's what movies have taught me.

  15. No Post-Edit Clause by ashitaka · · Score: 5, Informative

    I have more respect for an actors that insists on a "No-post editing" clause and can proudly let everyone know that is the case.

    I re-watched Castaway the other day.

    Yes, Tom Hanks wasn't on an island when he goes to the top of the hill and looks around at an endless expanse of ocean (he was in a hollywood backlot) but the expression on his face made you believe he was.

    --
    If you don't want to repeat the past, stop living in it.
  16. And the winner is... by GrayCalx · · Score: 4, Funny

    The award for Best Actress goes too... Jennifer_Connelly_Face_4 + Jennifer_Connelly_Body_3 + Emotions_Tears_Female_2.

  17. Nice Tag... by DaedalusLogic · · Score: 5, Funny

    <!JOKETYPE humor PUBIC "-//W3C//DTD YOURMOTHERML 1.0 Sarcastic//EN" "http://www.wtf.org/TR/yourmotherml1/DTD/yourmothe rml1-sarcastic.dtd">
    <attitude>
      <zinger>Learn to terminate a tag, jackass!</zinger>
      <ps>j/k</ps>
    </attitude>

  18. Do you mean.... by Philip+K+Dickhead · · Score: 4, Funny

    Do you mean to tell me that Paris Hilton did not blow me in a motel room?!!!?!

    Why was I left out?

    --
    "Speaking the Truth in times of universal deceit is a revolutionary act." -- George Orwell
    1. Re:Do you mean.... by CHacker · · Score: 5, Funny

      She hasn't got to D yet.

  19. Commoditization of Art by Deagol · · Score: 4, Interesting
    Take a glance at this video. My wife and I watched this, and the other related videos, last night after I found the link on Plastic.com in a discussion of Michelle Manhar's Playboy vs real-life appearance.

    Certainly, I've known that images have been doctored in various media for a looong time. We've shown many such photo retouching samples to our 11-year-old daughter, as she's now starting to be aware of her perceived beauty.

    It's no surprise that such digital manipulation is being used on the big screen.

    While I don't have problems with such retouching, I do think that it makes it tough to consider films and photographs that have been doctored genuine art forms anymore. Certainly, much of anything that comes out of Hollywood cannot be taken at face value, but it's become even less genuine over the past 20 years. Before the 80's, if you saw a buxom, beautiful woman (or man, for you ladies out there), you could be much more certain that her hair color, bust size, and other features tied to "beauty" were more or less genuine. Sure, some makeup and soft lighting/focus made the ladies of that era slightly more attractive than they'd appear on the street, but damn, of most of them weren't drop-dead beautiful to begin with.

    These days, with hair dyes and wigs, plastic surguery, and now digital manipulation, you can take the cannonical 300-lb fugly plumber, and whip him into a G.Q. model in under an hour with Photoshop. There's a fine line (in my mind, anyway) between the art of making people look good with some makeup, lights, and *good* photography/cinematography and just simply taking any old person, filming them by any old schmuck w/ a camera and then *converting* them to an entirely new person via post-production.

    I don't know. It's hard to argue with the industry being at fault for these things, but I feel that imperfections (say, Jewel's crooked tooth) lend personality and uniqueness to a person. Erasing them from the record robs us of the *person* that's behind the image.

    Wholesale digital creations, on the other hand, are slightly different than digital effects or enhancements. The Final Fantasy movie a few years back (or that first film from the Matrix shorts collection) was digital art. The T-Rex in Jurassic Park, while cool, was a special effect.

    Another example. While I appreciate the digital eye candy of Star Wars: 1-3, I don't think they hold a candle to the *artwork* of Episodes 4-6. One example I always trot out is the asteroid flight/fight scenes in Empire vs Clones. The flight of the Millennium Falcon through the asteroids in Empire made me sway in my seat when I watched it on the big screen as a kid. The scene with Obi-Wan and Fett in Clones had nowhere near the same impact, though it may have been visually more "clean".

    Surely there must be others out there who have make the same distinction as I do, and who are bothered by a cheapening of cinema?

  20. If it sounds good.... by Kadin2048 · · Score: 4, Insightful

    Why does it matter?

    People seem to have this obsession over "authenticity," as if it matters apart from the quality of the output that they actually witness. I've seen it a lot in music, too, where it's even more ridiculous.

    The mantra of an old sound engineer I used to know seem appropriate: "If it sounds good, it is good."

    The 'process' is only important to other people engaged in the Art, and to yourself if you're the artist, so you know what you did right (if the output is good), or wrong (if it's crap). The audience doesn't, and shouldn't, really care. Does it matter what kind of microphone the engineer used on the kick drum, if what's on the tape sounds good? Of course not. Hell, it doesn't matter if there was a kick drum. Maybe it was just a drum machine, or a sampled sound. The only important thing is the finished composition. If it sounds good, then the process worked; if it sounds like crap, then it doesn't matter how much effort went into it, it's still crap. Likewise, it shouldn't matter whether the vocalist really hit that note, or whether they were pushed with an auto-tuner. Does the ultimate effect work? That's the real question.

    Likewise, I don't particularly care whether Jennifer Connelly's tears were real or not, because I don't care whether she can actually act or not. I only care whether it appears that she can act, insofar as she does a good job in the role, and the movie is good. If the movie is good, then the process was good; if the movie sucked, I don't care whether she was a good actress or not, I still will have wasted $9.50 and two hours of my life.

    The only reason why we ought to care, or pay any attention at all, to where the "quality" comes from, is so we can award credit and compensation correctly. When I listen to a song, I don't give a damn whether the musicians "can actually play," so long as what's coming out of my speakers sounds pleasant. It's completely academic to me whether that 'pleasantness' was produced by the musician on the guitar, or by the guy at the mastering house in postproduction. However, I'd prefer, if the actual artistry and skill that makes the music nice to listen to, occurs at the mixing board rather than at the guitar, that the guy at the mixing console get his name listed at the top of the CD's label (if only so I can see what else he did and find it easily).

    Modern entertainment-art is not a product of any one person; it's almost always collaborative. A movie is made not just by the actors, but by the actors, writers, director, editors ... everyone all the way down to the gaffers and lighting people. It's silly to try and pick out what's a product of the actor him- or herself; the important thing is the quality and enjoyability of the finished product. If it looks good, it is good. Nothing else matters.

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