Internet Radio May Stream North to Canada
An anonymous reader writes "With U.S. copyright royalties threatening to kill Internet radio in the U.S., Michael Geist explains why webcasters considering a move to Canada will find that the legal framework for Internet radio trades costs for complexity. There are two main areas of concern from a Canadian perspective — broadcast regulation and copyright fees. The broadcast side is surprisingly regulation-free, but there are at least three Canadian copyright collectives lining up to collect from Internet radio stations."
My internet radio station will be broadcasting from Nigeria... just think of the fund-raising possibilities!
You can't talk about Wikipedia's flaws on Wikipedia
About 3 years ago the shoutcast stream i'm affiliated with ETN.FM moved everything up to Canada, and got ourselves declared as a not for profit organization. Since this is just a hobby and no one is making cash from it, it afforded us a greater ammount of legal protection than we could ever hope to receive inside the US. There was some problems gaining the non-profit status, but it wasn't too difficult.
Moving to Canada, an offshore rig or Timbuktu is not a solution.
Let's stop this madness.
Write your Congressional representative.
Save the Streams.
What? Regulation free? Haven't the Commission for Regulations and Thought Control got anything to say on this matter? Will Americans be happy with receiving minimum Canadian content? Well, I guess they were kind enough to liberate us of Celine Dion (big thanks there guys, it was an honourable sacrifice).
...There are two main areas of concern from a Canadian perspective -- broadcast regulation and copyright fees. The broadcast side is surprisingly regulation-free ...
Actually it's quite unregulated because the Canadian Radio-Television and Telecommunications Commission (CRTC) chose to not regulate Internet broadcasting... back in 1999.
Then again, we're also allowed to say "fuck" on the radio, unlike our American cousins....
Three Squirrels
Actually, it's a sliding scale depending on the genre. While jazz and classical might have to keep over 40% of the content Canadian, pseudo-American pop music by Canadian artists need take up only 25% of the valuable airtime otheriwse devoted to truly American pop pseudo-music.
Ahem.
Avante-garde Brazilian elevator music, to take another example, has a special exemption that requires only 2% of the material aired be produced or mixed in Canada. John Cage performances are required to have only an 8% Canadian quality to the street noise that fills in the silences.
Also, for some reason, Hip Hop from Quebec counts.
These stories are free but worth money.