Vudu Set-Top Box Weds Legal P2P and HD Movies
prostoalex writes "The New York Times is running a story on a Silicon Valley company that is planning to revolutionize the movie business. It's no secret that the movie-going experience has been deteriorating, while the number of HDTVs sold has been rising steadily. A company called Vudu, run by a guy who started TiVo, is now building a box for peer-to-peer download of movies straight from the studios. That could enables the movie studios to make movies securely available to viewers on the day of release, and improves on the download experience offered by other shops, like Amazon Unbox, MovieLink and others: 'DVD sales began to stagnate because studios had finally plowed through their entire backlog of movies that could be released on the shiny discs. The success of iTunes was also proving that the digital transition was inevitable and that one powerful player, Apple, could control the market if Hollywood did not find other viable partners. And outlaw services like the pirate Web sites that use BitTorrent technology demonstrated that digital piracy, which had consumed the music business first, now posed a real problem for Hollywood.'"
It's revolutionary because this time the DRM is going to work.
From TFA: "It has built a small Internet-ready movie box that connects to the television and allows couch potatoes to rent or buy any of the 5,000 films now in Vudu's growing collection. The box's biggest asset is raw speed: the company says the films will begin playing immediately after a customer makes a selection." Two points. One, the article also makes note of the rise in HDTV sets - if that's indeed the case, wouldn't one selling point be the opportunity to offer movies in some fairly high-definition format (at LEAST DVD-quality)? Even for folks with broadband, most won't have the bandwith to pull down a DVD-or-better quality movie quickly enough to watch in real-time. The other point is the "rent or buy" verbiage - what defines 'renting' or 'buying' (normally I'd only have to ask what defines renting, but considering how the major movie/music studios have handled DRM, one must include buying in that request)? When the article says renting, do they mean along similar lines to what you might receive from a movie store, 3 days and then it goes away? Or do they mean something like purchasing a single viewing, along the lines of what you'd get in a movie theater - if the latter's the case, why the heck would I want to "rent" a new movie for almost the same price as going to see it in theaters? Even the best home setups really just can't compare to watching a movie at the theater, especially with some films being available at IMAX theaters and the like. This brings to light the question of the pricing scheme - new movies more costly than old? More popular movies have floating costs that increment with every X number of downloads? These are things I wouldn't put it past the MPAA to try and implement, and they'd spell a DOA right out of the gate for a service that's trying to supplant internet piracy. After all, you still just can't beat $Free.99 for price.
//How long is the piece of string?
;)
From one end to another...
"an experienced, industrious, ambitious, and often, quite often, picturesque liar" - Mark Twain
And outlaw services like the pirate Web sites that use BitTorrent technology demonstrated that digital piracy, which had consumed the music business first, now posed a real problem for Hollywood.
Which is crap on both fronts. Peer-to-peer has hardly "consumed" the music business, last I heard they were still in business and making money. Unless he means that P2P has consumed an unreasonable amount of attorney's fees lately. I'd agree with that.
This guy is just trying to make this appear to be a proactive solution to a problem the movie houses really aren't experiencing yet, hoping that one or more of them will jump on the bandwagon.
The success of iTunes was also proving that the digital transition was inevitable and that one powerful player, Apple, could control the market if Hollywood did not find other viable partners.
No, the success of iTunes has, if anything, taught the movie industry that the very last thing it wants is content distribution run by a high-powered technology company with both the money and the balls to tell the studios "here's the deal - take it or leave it."
Both the music and the movie industries have long shown themselves to be anti-technology control freaks. Unless they can own this technology they'll never go for it, and if they did own it they'd lock it down so tightly that we would never go for it.
I can't argue that the DVD was a phenomenal success, but that was because the average user wasn't left feeling too restricted. The reason he felt that way was because he generally just played his movies on his living room TV, and never needed to rip his data to some other format. That's changing, not to the level that music reproduction has changed but it's happening, and when enough people can't legally or practically move their movies to other devices the same problems will arise.
The higher the technology, the sharper that two-edged sword.