Explaining the Special Effects Behind Transformers
ntmokey writes "Popular Mechanics has an in-depth look at the special effects behind the Transformers movie, including some exclusive shots from Paramount Pictures. Apparently, using real cars as models presented some interesting problems for the folks at Industrial Light and Magic, who had to figure out how a recognizable chunk of steel can fold into robot. In the end, the solution was the development team getting hands-on in the auto shop. And lots of grease."
Go see the movie that we talk about.
They could explain how that movie could be any shittier. What a let down. On the same level as AVP. I'm just glad I didn't have to pay for it. What the hell was with them spending so much time on random crap; 20 minutes devoted to finding the glasses in the house; another 30 minutes devoted to bringing this expert hacker into the picture, as well as the unnecessary Sector 7 with that dumbass leader (although he's good in other movies). All that time could've been spent on actually having some sort of mission and goals, and more kick ass fight sequences (almost all the action shots are already in the trailers).
It's like the director had a general idea of where they were going to shoot a scene, and who would be in the scene, but they didn't have anything for the characters to do or say. "Go that way! Go up to the top of that building and give the cube to the military! Who the fuck knows why, it's just something to do!" No motivation for anything that was done or said.
The autobots only get one line of character development each, and I still thought they were more developed than any of the other people in the movie.
Even the action scenes were crap; not even an attempt to do the usual "good guy starts out ahead, bad get gets upper hand, then good guy comes back finally to win". Just random punches spliced between clips of Shia LaBeouf running away.
I saw it last night. All action and no plot. The star of the movie is basically this kid that is as close to Wesley Crusher as you can come (it's similar to a limit at a vertical asymptote--if you actually get Wesley Crusher, you get a divide by zero error)--so if you see it, beware!
It's basically chock full of explosions and transformations that make no sense, but at least for what storyline it has, it follows the original line pretty close.
By the way, the story really revolves around a shallow girl that they made just unattractive enough that you would actually want to pay attention to all of the minor details of the movie. It's cool, though!
..simply hired the guys who did the Citroen adverts.
Donte Alistair Anderson Roberts - hi son!
Karma: Chameleon
Sure, you can explain the special effects, but can you explain that anguished feeling of betrayal after discovering that Bumblebee is a Chevy Camaro? Can you!? Rest in peace, my childhood...
Ceci n'est pas une sig.
To miss. Much like all the rest of the cack out just now.
Deleted
Too much computer generated crap, too little plot and real drama. Any questions?
Et tu anonymous blogging internet marketoids?
Was it as "in depth" as their twin towers crap? PM sucks, I learned a lot about physics from their site in the 90's and haven't been back since.
Apparently, using real cars as models presented some interesting problems for the folks at Industrial Light and Magic, who had to figure out how a recognizable chunk of steel can fold into robot
Believe it or not, I think they used some sort of "computer" at some point to actually do the special effects.
Special effects are the part Hollywood loves to explain, because they can show off about how many flops they have. What I'd like to know is how a movie with a budget of hundreds of millions of dollars can have a worse script than a lot of the content on YouTube.
I haven't seen Transformers, but I can bet that the script will rank alongside such fetid, barftastic tripe as Star Wars, the later X-Men and Spiderman movies and various other whizz-bang blockbusters. Most of the time I'd rather listen to my brain atrophy than what the characters have to say.
Don't even get me started about the carbon cost of sending the actors around the world to whore out their product, practising their sincerity as they pretend they thought the movie was challenging and inspiring, rather than just a paycheck larger than most of us will make in a lifetime.
The world sucks. Somebody shoot me.
Peter
http://youtube.com/watch?v=bf1IP8qrsyM This is when Hollywood fails. If you into dancing and ice skating cars - who really needs to see a film , btw these are shown as tv adverts in europe.
I was expecting some major breakthrough in our fundamental understanding of how electromagnetics (Namely transformers) works.
:-(
No free energy today then I guess
....that they are going to elaborate on the electrical device?
*shrug*
I guess that identifies me as a geek, then?
Powerful is he who overpowers his temptations.
I thought the movie was superb. One of the few movies I've been too that got a ovation from the audience at the end.
It was a mindless action movie and there is nothing wrong with that. Certain "critics" act like every movie needs to have some deep philosophical meaning.
I wanted to see giant space alien robots beat the crap out of each other and the movie delivered in spades. You claim that most of the action shots are already in trailers. Nothing could be further from the truth. Apparently you missed the last half of the entire movie.
To me it's as if you went to a fireworks show and are now complaining that they didn't take the time to explain the type and origin of each and every shell that was ignited.
Myself, I prefer to just enjoy the show. If I want the meaning of life I'll pick up Kant.
All they needed to do was to :
1) go into a toys'r'us
2) buy any old transformers toy thats been around for years
3) copy.
or in a slant on good old Slashdot speak :
1) tell your manager at ILM you're working on methods of building the new transformers
2) but the old thing from Toys'r'us (or dig it out from your attic), copy it, bill manager for the endless hours of "research".
3) PROFIT!
Jobs a good un.
Steorm Free-energy Device Demo today!!!
I didn't suggest a CitroenBot Transformer, just using the guys who made the ads.
Anyway, I wouldn't call a Camaro beautiful. Brutal & unsubtle maybe, but then that fits in with the Transformers ethos.
Donte Alistair Anderson Roberts - hi son!
Karma: Chameleon
I thought the story for Transformers was pure dreck. Most of it made little sense. It felt like the story was written by a 13 year old. It's sad when a cartoon makes more sense than a live action movie. Huge portions were pointless and completely irrelevant to the main storyline. It was pure Michael Bay crapola. He even managed to squeeze in hints of a goofy love story.
That said, anything with the Transformers was awesome. It was immensely entertaining watching them transform and battle. It was good enough that I came away satisfied despite all the crap.
I generally liked the robot designs, although not so much Megatron. And the small Transformer was obnoxious. Why they couldn't have Rumble or something is beyond me. My main problem with all the Transformers is that they were far too complicated. They all had these tiny moving parts and coupled with Michael Bay's penchant for twitchy cameras it made it difficult to sometimes follow the action. There were times where I couldn't tell if I was watching an arm, a leg or a head. And when the robots were intertwined it was even worse. This was particularly bad for the Decepticons because they were so monochromatic.
I thought it was funny when the small robot, made up of a good deal of very resilient steel of some sort transforms into a small stereo and this woman carries him around like it's no big deal.
The Popular Science article does little more than serve as an advertisement for this movie. "The Best Special Effects Ever?" That's what they imply every time they have an article on some new effects-laden movie. I agree, the effects were very good, except when an actor occassionally wasn't looking in right the quite direction or really acting at the right moment. But they were great.
However, for me, the best special effects are those that don't remind me they're special effects. And for that I'd probably have to go back to the earlier Star Wars movies, or perhaps 2001. Nevertheless, I did enjoy Transformers. I do think the story would have been far better had they just followed the story in the cartoons more closely.
Two words: Michael Bay.
You see? You see? Your stupid minds! Stupid! Stupid!
Transformers - The Return with new characters like Soundwave (all cheer now!). And when we're through with all this crap we'll be presenting the next 80's cartoon: M.A.S.K., this should be a breeze now that we got the transforming routines all setup.
"Let the quest for more money begin!".
One annoyed animation fan who gets sick and tired of $$$ companies (usually:) raping the memories of very good cartoons because they sunk to a level where they can only copy hits from the past.
When I first read the headline, I thought "Hmmm...did somebody find a neat trick to do with all those laptop, phone charger, and LAN switch power supplies?"
Then I thought "Oh, the Transformers MOVIE. Duh. It should have said that."
I think an article about the first would have been more interesting.
Not sure what happened but your link got butchered by Slashdot. Here's the correction: http://youtube.com/watch?v=bf1IP8qrsyM.
-Kijori (Posted anonymously)
Okay, so I thought this was pretty cool.
Long B&W version
Short color version
When it came to breathing life into characters such as Bumblebee, the protective Autobot, ILM needed to think backwards to fill in the blanks (and the junk in the drunk) between finished robot sketches and real-life GM cars.
Oh noble Bumblebee, how I thought I knew you!
It happens after every big fx movie.
"Effects like these would be impossible 2 years ago".
"It took us hundreds of people to make".
"One frame renders in a week on a supercomputer".
"Each robot is made out of a milliard of unique polygons and pixels".
"It was very hard for actors to talk to nothing".
But actually we know all this. Yes it was complex. Maybe this is why they took something like 100 million dollars for it.
I prefer to enjoy the work they did, versus read the same retired "look at how complex it was" tirade they publish every time.
a transformers porno
Basically, what you said applies not only to Transformers, but to a whole lot of movies that came out recently (read: within the last 10 or so years). Great effects, great stunts, great eye candy... and a script that consists of the producer's napkin scribbles at his last business meeting.
But it gets worse over the years, it seems. Another thing you said is a big problem of today's movies: All the good scenes are already in the trailers. You almost get the feeling that movies today consist of a handful of good (and expensive) scenes, with boring, pointless and cheap fillers wrapped around them.
The movie contains "nearly 50 transformation". NEARLY 50? The average cartoon show had more in 30 minutes! And it didn't even try to pretend it was telling a story. It was selling action figures, dammit!
By that development, I'd not be surprised if a movie of the future runs akin to this:
1. Opener. The hero and his pal stand around somewhere in a studio. Why a studio? Because it's cheap to film a studio in a studio.
2. Filler. They talk about something, weather, general banter, maybe a bit of bickering (if it's an action comedy) or one laments about his lost wife (for an action film or chick flick).
3. Action (for the trailer). Someone comes around the corner in a car, tons of bullets fly around, some cars get blown up, hero's buddy dies. Should be good for 5 minutes or so.
4. More filler. Hero is shown walking down the streets for about 30 minutes, randomly meeting old friends that can't or don't want to help him, or maybe he picks up a new sidekick. This would have the beneficial side effect of allowing to fill another 15-30 minutes pointlessly with a pathetic attempt at creating some sort of background for his new best friend. And he tells him about a drug operation just 'round the corner.
5. A bit more action, to wake the viewers and to create something more for the trailers. Hero and buddy blast down the druggies, turn the house into a pile of sawdust and exchange lame wisecracker comments.
6. Hero and buddy are arrested because some shyster gets them for unnecessary brutality. And to prove that it's unnecessary, the next 30 minutes contain none. Instead, hero and buddy try to escape from the prison to prove their innocence (don't ask, it's not supposed to make sense, it's supposed to be cheap, ok?).
7. Big action, with the buddy saving the hero from the drop to death by risking his own life.
8. Another filler with the hero telling his new buddy constantly that he'll get back for that and buddy trying to shut him up.
9. Grand finale. Dunno what should happen, just make everything blow up with the rest of the budget.
I hope I just didn't give the plot for Die Hard 5 away.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
...that it would've been more interesting, most likely.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
This movie just zapped me away. It had high potential, but as it was based on an 80's cartoon I thought it wouldn't be that current.
But the movie took my expectations and reversed them!
# select * from fuck where userid = 'me' and action = 'give'.
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I can't go to "special effects" movies anymore. With the advance of digital technology it seems there is no gimmick that gets left out of a movie. "Whiz Bang" movies today reminds me of a 13 year old girl starting to using make-up and who just packs all sorts of junk on her face. It was Michelangeo who said its not what gets put into a work of art that makes it great but what gets left out. Too many movies pack on layers of audio visual junk that cause the sum of the film to be less than its parts. The more "real" they try to make things look the phonier they look too me. The gimmicks stand out on their own as if in relief, and they dont even blend into scene or movie quite often. So much money gets spent making scenes with these gimmicks that I think people get reluctant to leave them out and they just over-inflate the films run times. Scenes of secondary import to the story become too long because there is some special effect. The worst for me are the sound effects. I never heard so much excessive, synthetic noise pollution in my life. I don't know how people can spend money at theaters anymore all things considered. First a patron gets pelted with 20 minutes of ads and trailers and then (if its a FX movie) get assaulted with over-cooked AV. Thank God for DVDs with a remote.
Special Effects are on set. Visual Effects are post production CGI, compositing, etc.
A special effect is a car being rigged to explode on set. A visual effect is a giant 4 story CG robot kicking that car.
We're two entirely seperate industries. Thanks for your interest however!
www.GrenadeHop.com
Some years ago, when morphing was new, I was over at Pacific Data Images. An unhappy young woman was seated at a display, with a picture of a car's front in one window and a tiger's face in another. She was trying to come up with a set of control points for the morph. It just wasn't working.
You can morph anything to anything; no matter what points you pick, the start and end states will be the input images. Keeping it from looking stupid is the hard part.
The trend today is to do the tough morphs behind the scenes; the parts in front are moving around without too much distortion, while the stuff that's changing in blatantly unrealistic ways is obscured. This is a cheat, but that's how Hollywood works.
Right now, effects technology is ahead of screenwriting. With a big enough budget, you really can do anything on screen. But look at the action movies coming out: Spiderman 3. Pirates 3. Shrek 3. Die Hard 4. Harry Potter 5. And last year's Rocky 6. Not much originality there.
and in my mind all I could think was "sit on my face, bitch!"
While oogling Megan Fox throughout the movie, this is all I could think of, too.
"All great wisdom is contained in .signature files"
"It may look just as good as CG in the theater, and you might never be able to tell the difference, but seeing the cars explode and fly everywhere really put me in the mood to want to see the movie, and I think the director really has the right idea in mind: mindless carnage."
GTA III: The movie.
I was waiting for Megan Fox to transform into a naked chick but never saw it. Were there supposed to be transformers in the movie? If so I never noticed them. I may have to watch the DVD in slow motion to find them. Of course, slow motion just extends the time Megan Fox is hanging over the open hood of that car....um..I gotta go relieve some uh, stress, yes, that's it, stress.
this nation, under God, shall have a new birth of freedom. -- Lincoln, Gettysburg Address
There's a primary winding, a secondary winding, and occasionally several additional secondary windings. The only effects are all electromagnetic. I guess the eddy currents could be termed to be 'special effects.'
Or are we talking about some children's television programming?
Transformers was a decent movie, period.
If you want a good "behind the scenes" documentary, the one on The Last Starfighter is easily the best. CGI was in its infancy then - these days, it's just "bigger and more" of techniques that were pioneered with movies like TLS and Tron. The TLS documentary (which is on the TLS DVD) includes some great stories about the tricks they pulled and breakthroughs they managed in order to get the thing done - even more impressive when they tell you that the rendering hardware (which was, truly, a supercomputer) was so overtaxed that they could either preview the renders or output to film, but not both.
Oh, and there's a brief clip of some X-wings. They pitched the idea of CGI spaceships to Lucas between Star Wars and ESB - and Lucas scoffed at them.
A guy who was ahead of the curve with motion control had a chance to stay ahead of the curve with CGI and instead waited twenty years to wade back in doing the exact same thing everyone else is, only bigger and more of it. Ha.
You forgot something:
1.5, 2.5, up to n.5: Blatant product placement.
"By that development, I'd not be surprised if a movie of the future runs akin to this"
Don't be. Lars (Von) Trier does shit like this and calls it "Dogma". Other shitheads call it "art" or "culture" (mainly euro child-molesting film "critics"). Only Lars takes out the bullets and anything fun.
Well, I guess it depends on how we defined effects but I think at the next Siggraph there will be far more techincal papers on the problems solved by Pixar for Ratatouille than there will for whoever made Transformers.
I liked both movies but the CG in Ratatoullie was on a whole other level above Transformers.
I was getting worried for a minute there, but to your credit you did seem to get the hang of them towards the end.
Would you like a slice of toast?
Well, I don't even pay for the movie yet. I only saw the trailers.
So I stopped complaining about having to sit through trailers for 5 movies whenever I go to watch one. For the price of one, I get to see six!
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
> It's a fun movie. It has cars, robots, boobs, car chase & explosions. What more could you want.
OMG, PONIES!!!!
(j/k, I like unicorns WAY better, fer shure...)