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Warner Bros. to Turn All 15 Oz Books Into Movies
Lucas123 writes "After purchasing the rights to the Oz books from Ted Turner Warner Bros., along with Village Roadshow Pictures, will be taking Spawn creator Todd McFarlane's idea to produce movies based on the Oz books. They've obtained the rights to the 14 titles written by 'The Wizard of Oz' author L. Frank Baum, as well as the the fifteenth book ('The Royal Book of Oz'), written by Ruth Plumly Thompson. Screen Writer John Olson's 'vision is of a bit tamer PG movie and hopefully the two can find some middle ground of compromise that will please them both and not hurt the final product.'"
Correct me if I am wrong, but all 14 original Oz books and the MGM movie are all public domain. As long as you only base you canon on this material, you can make whatever movie you want, and you don't have to pay anyone a dime. Now, the characters name are another matter. Many of those are still trademarked by various corporations.
...En að Besta Sem Guð Hefur Skapað Er Nýr Dagur
All 15 ounce books? I have no idea how many movies that would be?
Weight discrimination again!
Engineering is the art of compromise.
Why make books that weigh almost one pound into movies?
Is that Hollywood is preparing to shit all over another part of my childhood? 13 times?
Great.
Man, Return to Oz was such a bastardization of "Marvelous Land" and "Ozma" - still, it had more Baum to it than the old MGM "all singing, all dancing" all vomiting wreck.
"Flyin' in just a sweet place,
Never been known to fail..."
After purchasing the rights to the Oz books from Ted Turner Warner Bros., along with Village Roadshow Pictures, will be taking Spawn creator Todd McFarlane's idea to produce movies based on the Oz books.
Excellent! And perhaps they might even be able to get Uwe Boll to direct!
The theory of relativity doesn't work right in Arkansas.
L. Frank Baum's books have been in the public domain for quite some time now. They're available in Project Gutenberg, on Wikisource and everywhere.
cpghost at Cordula's Web.
If you're going to include Thompson, then there are more than 15. Here's wikipedia's list of the "famous forty"
http://en.wikipedia.org/wiki/The_Oz_books
Just because they've bought the rights, that doesn't mean they'll actually make the movies. It's extremely common for a studio to buy rights to a book, then never make the movie.
The quality of the Oz books is very uneven. Some of the later ones have long, extremely tedious sections that serve no purpose except to bring back a long list of favorite characters like Jack Pumpkinhead. A lot of the plots revolve around lame puns.
Find free books.
Everyone in the US has the right to make any of those books into a movie.
the Oz books were published between 1900 and 1920. Works published before 1923 are in the public domain. (Mickey was born circa 1928).
Here's my vote that they do Tik-Tok first. My mom had first editions of all the books when I was a kid, that was my favorite.
"National Security is the chief cause of national insecurity." - Celine's First Law
Olson's vision is of a bit tamer PG movie and hopefully the two can find some middle ground of compromise that will please them both and not hurt the final product. This was missing from the end:
McFarlane and Olson are also planning on releasing a new hip, edgy version of the Care Bears based mostly on Sin City. The "Care Bear Stare" will be reimagined as beam weapons mounted on the bears heads that melt off peoples faces. A sequel of "Milo and Otis" set twenty years later is also scheduled as the newest spin on "Pet Cemetary."
While nothing else is really complete, these two want to assure you that the plan to replace every warm, fuzzy childhood story with nightmarish tales so that you'll lose all sense of past and therefore be willing to watch anything is proceeding according to plan and scheduled to be complete by the year 2015.
Mod me down and I will become more powerful than you can possibly imagine!
"... hopefully the two can ... compromise ... and not hurt the final product.'"
That they can even say this with a straight face is why movies suck.
That's correct, enjoy them at Project Gutenberg or the Online Books Project at U Penn. Unfortunately, I can't seem to find the one by Plumly ...
My work here is dung.
Given that the title includes the word Oz, that is unlikely to be much of a barrier.
... look like Oz, but would be more like the original typeface that more resembled a zero plus Z.
They could always call it 0Z (chr(13)) instead and it would
-- Tigger warning: This post may contain tiggers! --
"Dorothy as some bondage queen isn't something I want to do," Olson told Fleming.
He can speak for himself. Red thigh-high stiletto boots work magic for me!
Blank until
I'd think the development of an "Open" movie - much like Blender's Elephant's Dream and Project Peach - only more ambitious, would be more interesting to Slashdot readers.
Do you think they can get Pink Floyd for the sound track?
qz
American McGee is supposed to be doing a film version of his video game American McGee's Alice.
There is some info about it here.
How will these versions compare? American's was very dark and twisted, with Alice emotionally disturbed and borderline insane. Characters were murdered and gruesome experiments were performed on the inhabitants of Wonderland.
Except he never mentions that, ever. Most of that speculation comes from the style of drawing, say that they were the same style that appeared in political cartoons; however they fail to mention that the reason that style was used in political cartoons because it was there style at the time. almost any drawing from that periods will look similar.
really, it's a case of finding pattern because you are looking for a pattern. Just because you interpret a pattern doesn't mean that pattern was intentional.
The Kruger Dunning explains most post on
The Oz books are not very cinematic.
The 1939 movie The Wizard of Oz was almost an original creation. It was a success, not because of L. Frank Baum's story, but because of its wonderful performers, wonderful music, wonderful art direction, and interesting script. At least half of the cherished elements of the movie have no parallels in the original.
OK, so they have the Oz books, but have they got a Harold Arlen and a Ray Bolger and a Judy Garland?
Great material doesn't guarantee a great movie. Don't forget, there was also a Ralph Bakshi Lord of the Rings.
"How to Do Nothing," kids activities, back in print!
I'd love to see an authentic depiction of the story rated at least PG-13. I want see the woodsman get hacked to pieces with his enchanted axe (cursed by the Wicked Witch of the East) before being rebuilt as the Tin Man. I want to see the Lion fight off the tiger-bear beasts and kill the giant spider. I want to see the Tin Man slaughter the 40 wolves of the Witch, and the Scarecrow wring the necks of the 40 crows. It would have been cool to see Tim Burton make this. Johnny Depp could have played one of the flying monkeys.
This is my signature. soid st egr.hyTa rsiugm usnin Any questions?
They found the forest very thick on this side, and it looked dark and gloomy. After the Lion had rested they started along the road of yellow brick, silently wondering, each in his own mind, if ever they would come to the end of the woods and reach the bright sunshine again. To add to their discomfort, they soon heard strange noises in the depths of the forest, and the Lion whispered to them that it was in this part of the country that the Kalidahs lived.
"What are the Kalidahs?" asked the girl.
"They are monstrous beasts with bodies like bears and heads like tigers," replied the Lion, "and with claws so long and sharp that they could tear me in two as easily as I could kill Toto. I'm terribly afraid of the Kalidahs."
"I'm not surprised that you are," returned Dorothy. "They must be dreadful beasts."
The Lion was about to reply when suddenly they came to another gulf across the road. But this one was so broad and deep that the Lion knew at once he could not leap across it.
So they sat down to consider what they should do, and after serious thought the Scarecrow said:
"Here is a great tree, standing close to the ditch. If the Tin Woodman can chop it down, so that it will fall to the other side, we can walk across it easily."
"That is a first-rate idea," said the Lion. "One would almost suspect you had brains in your head, instead of straw."
The Woodman set to work at once, and so sharp was his axe that the tree was soon chopped nearly through. Then the Lion put his strong front legs against the tree and pushed with all his might, and slowly the big tree tipped and fell with a crash across the ditch, with its top branches on the other side.
They had just started to cross this queer bridge when a sharp growl made them all look up, and to their horror they saw running toward them two great beasts with bodies like bears and heads like tigers.
"They are the Kalidahs!" said the Cowardly Lion, beginning to tremble.
"Quick!" cried the Scarecrow. "Let us cross over."
So Dorothy went first, holding Toto in her arms, the Tin Woodman followed, and the Scarecrow came next. The Lion, although he was certainly afraid, turned to face the Kalidahs, and then he gave so loud and terrible a roar that Dorothy screamed and the Scarecrow fell over backward, while even the fierce beasts stopped short and looked at him in surprise.
But, seeing they were bigger than the Lion, and remembering that there were two of them and only one of him, the Kalidahs again rushed forward, and the Lion crossed over the tree and turned to see what they would do next. Without stopping an instant the fierce beasts also began to cross the tree. And the Lion said to Dorothy:
"We are lost, for they will surely tear us to pieces with their sharp claws. But stand close behind me, and I will fight them as long as I am alive."
"Wait a minute!" called the Scarecrow. He had been thinking what was best to be done, and now he asked the Woodman to chop away the end of the tree that rested on their side of the ditch. The Tin Woodman began to use his axe at once, and, just as the two Kalidahs were nearly across, the tree fell with a crash into the gulf, carrying the ugly, snarling brutes with it, and both were dashed to pieces on the sharp rocks at the bottom.
"Well," said the Cowardly Lion, drawing a long breath of relief, "I see we are going to live a little while longer, and I am glad of it, for it must be a very uncomfortable thing not to be alive. Those creatures frightened me so badly that my heart is beating yet."
"Ah," said the Tin Woodman sadly, "I wish I had a heart to beat."
I was definitely confused as to what the books' weights had to do with anything...
Aikon-