Wachowski Brothers and the Speed Racer Movie
Steven Weintraub writes "Susan Sarandon talks about the Wachowski Brothers Speed Racer movie and confirms the revolutionary way the brothers are making the film — the entire frame will be in focus like a cartoon."
Focussing on an object draws the people attention to it. It's used as an artistic tool. If everything is in focus, then the public will most likely not even notice (unless they specifically check for this).
I hope they don't spend a lot of money/effort on this "feature", the way they did on the game-quality 3D graphics of the Burly Brawl (ref: Matrix 2).
Does anybody still pay attention to these guys? I mean, okay, people seemed to like The Matrix (although I never understood why) but everything since then has been uniformly awful. It seems like hitting on some lottery numbers and then playing those same numbers every day for the rest of your life in the misguided belief that they have some special odds of hitting again.
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I'll reserve a judgment until I at least see a trailer of the movie.
the difference is they add the words 'like a cartoon' at the end, instantly making it both revolutionary and really cool.
What if Tetris was invented by Nazis?
The difference is that Welles used deep focus because of his overarching artistic vision for Kane. The Wachowskis use it because they're talentless hacks who really, really like visual gimmicks. (Note how bad the Matrix sequels got once the original gimmick had got a bit repetitive).
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How substantive do you think a movie with a girl who flys a helicopter whilst wearing a mini skirt and go-go boots can be? Don't even get me started on the kid and his pet monkey.
Yeah, but too bad it's for a cartoon that nobody under 40 remembers. Jesus, why not do a Mr. Magoo or Magilla(sp) Gorilla movie while you're at it?
Wait, I think they did a Mr. Magoo actually... nevermind.
He's saying they're both the same thing because they both involve multiple still cameras. This, of course, means that the field of special effects has had no innovations whatsoever since the end of the 19th century, when motion pictures were invented. Anyone who thought Birth of a Nation, Citizen Kane, 2001, Star Wars, Blade Runner, The Matrix, et al, were in any way different to anything produced before them clearly was just imagining it because some of the technology they used had something in common with technology that had previously been invented.
You are not alone. This is not normal. None of this is normal.
I'm getting a huge kick out of these heated debates over such a tiny bit of crappy information. Sarandon says she doesn't understand it, then proceeds to give a really crappy description which amounts to "everything is in focus" ... and suddenly the /. readership are experts on the subject (and why it has been done before, and how they'd do it better, and why one of the Wachowski brothers chopping his nuts off makes him a sister, etc etc etc).
Personally I couldn't glean almost anything useful from the article.
Slashdot quality declines as the number of hot grits posts decreases. - Provolt's Law, Apr-09-2005
Also. The point being that it's part of our makeup to create significance, whether there is any or not and whether we can rationally explain something or not.
In fact, as one of the other posters pointed out about the pigeons, it may well be a feature of the way brains work. We may well find out that any life which uses something like a neural network to generate consciousness will be prone to superstition and religion.... Which becomes interesting when you start building big neural networks into machines.
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>In the end, they probably decided that "deep focus" wasn't enough. They want absolutely pristine shots that defy reality,
>to try and distinguish this film from the countless other cartoon adaptations that have all sucked in immeasurable ways.
>In brief, they're trying to do it different than everyone else, and hopefully better.
I think you're relying too much on your premise that the Wachowski Brothers aren't retarded.
They did one thing well. The Matrix. Reloaded was on the fence, and could have been saved by Revolutions. But it wasn't. It crashed, burned, and died way faster than Trinity did. Then they did V for Vendetta. Cool story, but they didn't write the story. They shaved Natalie Portman's head. It wasn't a terrible movie, but it was an unremarkable movie. Only the broad overtones of the story had merit, and they didn't invent those.
No, I'm still pissed at them for ruining the Matrix. If they would have just left it as it was, they would have been known simply as the people who created one of the most amazing sci-fi movies ever, instead of the people who ruined one of the most promising sci-fi trilogies ever.
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Wouldn't a Mr Magoo film need the exact opposite effect? Everything out of focus?