New EMI Boss Says 'Downloads May Be Good'
warrior_s writes "Douglas Merrill was just installed as CIO of EMI (one of the big four that forms the RIAA). The ex-Googler recently stated it is a 'poor business model to sue your customers. I don't think that's a sustainable strategy.' Quoted by the Guardian, he was referring to Warner Music, EMI, Vivendi Universal and Sony BMG's current practice of trying to use legal systems around the world to force their customers into buying products rather than using the free P2P networks and independent music sites and services. 'Previously, the music industry has rubbished studies that claim file sharing can have a positive effect on music sales. "I think people will pay," Merrill said. "There is evidence that people we think are not buying music are buying music. They're just not buying it in formats we can measure."'"
poor business model to sue your customers
It's sad that has taken this long for "insight" like that to surface in the industry. You would think that would be an important topic in business 101, but I guess not.
I got a catholic block.
Wow, the music industry decides fighting the inevitable isn't a viable business strategy, and only a decade too late!
Prediction: The real iPhone killer is going to be sex robots from Japan. Think about it.
Unfortunately, this was not how the music industry reacted to this same method of magical delivery. I realize the analogy has flaws but one would think that this would be a gift to marketing and profits. Instead, they've reacted in possibly the poorest way possible. Ignore its existence and sue the hell out of anyone doing it.
My work here is dung.
Something that even this executive hasn't received a clue about: Where do you and your corporation fit into a distribution system that you do not own, can't control, and add no value to?
Maybe I'm giving this bozo too much credit - since iTunes is currently the number one music retailer, then even this clown could figure out that music downloads "may have some value". I suspect the concept that their target market will obtain their music from the vendor that offers the most convenient product at the lowest price will completely elude him. They'll continue to turn out a substandard product, cripple it with intrusive DRM, and try to sell the digital version at the same price as a physical CD (or even higher).
The record companies need to take a look at the past to see their future. Much as the producers of buggy whips, button hooks, electron tubes (and many more) have had to either find another product to produce or go out of business, the record industry is rapidly sliding into irrelevance. "Record company" - their fate is in their name. Who produces, sells, or buys records these days?
Film companies like Kodak and Fuji faced exactly that challenge. Imagine a world where no one has to buy film to put in their camera and no one has to pay for film processing to print their photos. Less than 15 years ago, Kodak made most of its money from camera film and photo processing supplies, chemicals and equipment. That market has all but disappeared and yes, Kodak has had to lay off staff and close plants, but overall the company is still doing well. How? Rather than fearing the new digital technology or trying to sue or legislate it away, they have embraced it. The music industry could learn from that.
Support Right To Repair Legislation.
... It's 95%. At least. I don't know anyone that is going ever pay $0.10 for a recording ever again. Do you have a source for this other then your ass? Mind citing it please? You may want to take note that the largest music retailer is now Apples music store which last I looked, was selling tracks at $0.99 cents each. This begs the question, How many people do you know?I couldn't disagree more. I use allofmp3.com as an example because people were spending substantial aggregate money there en masse in order to use a convenient, non-crippled, reasonably-priced, easy-to-use service. If the industry could manage to open a store exactly like it, they would make plenty of money from the moral majority who don't mind paying for things. But they expect market forces to answer to their demands.
~ I am logged on, therefore I am.
Come on, do you know anyone that would actually pay for music today? Someone that uses the Internet? Naa, I didn't think so.
Honestly, I don't know anyone that still does get their music through file sharing unless they have absolutely no extra money. It stopped being convenient years ago. It's not worth dealing with the fake songs, mislabeled stuff, and crappy rips.
Besides, once you get a full time job you tend to value your time higher and your money lower. It also tends to make people appreciate the work put into making the music.
Maybe I am retarded or something, but I use the internet, *and* I still by CDs... and I don't really see a problem with that...
If I'm wrong, please correct me ; learning is better than being right.
Amazon doesn't really require you to sign up beyond just having an account with them already, which most people tend to for books and such. As far as the service itself, you click a link, it asks are you sure, and you download an MP3 file, eliminating any dependence on any device.
Also, to download albums, and insure that you don't lose the file if your internet connection craps out, they provide a download program that opens a '.amz' file you download. Note that the client is available for Windows, OSX, and yes, many flavors of linux. The Ubuntu 7.10 deb they provide worked fine for me.
The one proviso for them is that its a one time purchase, if you lose the file somehow you can't redownload it. If you can deal with that I definitely recommend it, its easy and so far problem free. Also the lossy quality isn't enough that I notice, and while I'm no audiophile I still hate anything below about 192kbs mp3.
"I couldn't disagree more. I use allofmp3.com as an example because people were spending substantial aggregate money there en masse in order to use a convenient, non-crippled, reasonably-priced, easy-to-use service. If the industry could manage to open a store exactly like it, they would make plenty of money from the moral majority who don't mind paying for things. But they expect market forces to answer to their demands."
We're running into a zeitgeist conflict here.
As you know, by law, each track includes mechanical royalties of about eight cents each for the lyricist and composer; this doesn't include the royalties for the perfomer or, of course, the overhead in producing the music.
You'll recall that a few months ago, the record labels were trying to get the law changed so that mechanical royalties are a percentage of the sale price, rather than fixed at eight cents. Their rationale, of course, was that this would allow them to better address a market where prices are falling.
Naturally, this notion didn't go over well on Slashdot at all. If we have our way, the law will go unchanged, and tracks will continue to have royalties of anywhere between $0.08 and $0.25.
Yet we're fond of pointing out that if the record companies were to just sell tracks for a dime each, all their problems would be solved.
Sitting in my day care, the art is decopainted.