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MySpace Teams With Record Companies To Create Music Site

The New York Times reports on a deal between MySpace and three of the four major music labels to develop a new music website. Users will be able to stream songs for free, purchase downloadable tracks, and (possibly) pay a flat monthly fee for unlimited access. From the Times: "Exact terms of the deal and details about the new site, like prices for downloaded music tracks, were not disclosed. But MySpace did say the site would offer songs free of digital rights management software or D.R.M., which is used to prevent illicit copying but can create technical hurdles for buyers. The songs would be playable on any portable music device, including Apple's iPod. For the music industry, the deal is partly born of desperation. In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."

147 comments

  1. Oh yeah that sounds great by Anonymous Coward · · Score: 0, Insightful

    just put an "i" in front of whatever this thing is, and it will be the coolest.

    1. Re:Oh yeah that sounds great by TobyRush · · Score: 1

      MySpace in bed with the Recording Industry? What could possibly go wrong?

      --
      Sam! If you will let me be,
      I will try them.
      You will see.
  2. More power to them by Anonymous Coward · · Score: 2, Insightful

    It almost sounds as if they are considering treating their customers as *gasp* customers!

  3. Because of iTunes? by trawg · · Score: 4, Interesting

    There's a few things like this and I've seen several people attribute them to the iTunes 'stranglehold' on the market.

    I think its sort of awesome; we're seeing more variety and more competition in the market now than ever before. Of course that's not saying much when before was more or less == 0, but hey - it's a start.

    While I have long been skeptical of the record industries ability to do anything other than try to ream consumers, the fact that they seem finally willing to ditch DRM en masse is certainly giving me some hope for the future.

    1. Re:Because of iTunes? by Slashdot+Suxxors · · Score: 2, Interesting

      I like it to.

      I just hope they don't stick glittery shit all over my MP3's.

    2. Re:Because of iTunes? by Anonymous Coward · · Score: 0

      Didn't Real player try this with the Rhapsody service.
      I used to work in Hifi, and this would pair up with the Sonos home audio system. Provided you had the bandwith available, it was a great union...

    3. Re:Because of iTunes? by Anonymous Coward · · Score: 5, Funny

      While I have long been skeptical of MySpace's ability to do anything other than try to cause seizures in people, the fact that they seem finally willing to do something useful en masse is certainly giving me some hope for the future.

      Unfortunately, I am not looking forward to the auditory equivalent of MySpace.

    4. Re:Because of iTunes? by samkass · · Score: 5, Insightful

      iTunes is the only thing standing between the consumer and the record labels desire to charge $2.99 per track. The illusion of competition evaporates when you realize that all the popular music is owned by a couple of companies. They have the monopoly. If iTunes "stranglehold" on distribution is broken, it will become the consumer against the record labels directly, without Apple to stand in the way. That's why other sites are able to offer such deals-- the record labels are intentionally trying to break Apple's control of distribution not out of altruism but because they think that it will lead to increased profits (ie. higher prices) down the line.

      --
      E pluribus unum
    5. Re:Because of iTunes? by yotto · · Score: 4, Funny

      Yeah! If there's competition between iTunes and MySpace, and MySpace charges $2.99 per track like the RIAA wants, Whatever will Apple do? They'll be forced to raise their prices to $2.99 just to compete!

    6. Re:Because of iTunes? by Draek · · Score: 2, Insightful

      You know things are fucked up when you have to depend on a monopoly to keep another monopoly within bounds.

      Though personally I'd still take the extra competition, the RIAA is going under no matter what, and I'm willing to put up with a bit more trashing if it means we won't end up with another Microsoft.

      --
      No problem is insoluble in all conceivable circumstances.
    7. Re:Because of iTunes? by Anonymous Coward · · Score: 0

      I really think you're overstating things. $2.99 per track simply wouldn't sell and, while the iPod and iPhone give Apple an ability to have a huge marketshare of digital sales, if iTunes disappeared tomorrow another name would take over - perhaps Amazon. Like with any business venture, corporations are profit hungry and will want to raise prices as much as they can but market forces will come into play and slap a little bit of common sense into them. Even with the record label cabal firmly in control for the lifetime of CDs in the marketplace, I'll pay about the same for a CD now (in dollar amount, not adjusted for inflation) as I would have back when I got my first 7 CDs for Christmas '91; I believe they were all around $15 apiece. The main difference is we don't get longboxes on single CDs anymore.

    8. Re:Because of iTunes? by Jah-Wren+Ryel · · Score: 4, Insightful

      Yeah! If there's competition between iTunes and MySpace, and MySpace charges $2.99 per track like the RIAA wants, Whatever will Apple do? They'll be forced to raise their prices to $2.99 just to compete! I guess it is not obvious.

      The competition between itunes and myspace is not for the consumer dollar, it is for the music industry's product. If myspace gets enough traction with consumers the MAFIAA can tell Jobs to stick that 99 cents up his ass, because they are going to stop supplying music to itunes for sale - instead they will switch over all of their product to myspace and it's $2.99 prices.

      Apple is left with no songs to sell, and the music industry gets to start raping and pillaging again with the help of their old buddy, Rupert Murdoch.
      --
      When information is power, privacy is freedom.
    9. Re:Because of iTunes? by MoriaOrc · · Score: 4, Interesting

      1) iTunes charges $.99 per song.
      2) RIAA licenses MySpace/Amazon/Microsoft/etc to also provide the same or a wider selection of music. (This is where we are now.)
      2a) If [New Competitor] has more restrictive DRM or offers a worse deal, or more likely when it doesn't work with their iPods, it fails to gain traction and eventually closes shop. (This has happened several times.)
      3) Consumers flock to [new competitor] thanks to their clear advantage over the iTunes store. (warning: entering extremely hypothetical territory)
      4) Record companies "tell Jobs where he can stick that 99 cents," call up [new competitor] and tell them its time to up the price to 2.99 a track!
      4a) If [new competitor] complies, consumers flock out in droves quicker then they came in, [new competitor] closes up shop. Record companies better renegotiate to (1) before things get even worse for them.
      5) More likely, [new competitor] realizes that a price hike of just about any size (let alone a 200% increase) will cause (4a) and tells the record companies where it can stick it's 2.99.

      Record companies decision time:
      Deal with the new monopoly and it's improved (from a consumer perspective) standards: goto (1), replacing iTunes with [new competitor].
      Attempt to break the new monopoly by driving consumers to a new store, where prices can be raised: goto (2), and probably to (2a) not long after.

      Seriously, consumers have had $.99 songs for too long now to accept a price hike with no justification. This theory someone always pops up when a new store is announced, that once they get a big enough market share iTunes will get the boot and prices will go through the roof. It's crazier than the RIAA litigation strategy.

      We've seen countless new online music stores fail to grab more then a tiny segment of the market from Apple. This one doesn't seem to offer much that hasn't been tried better before, including name-brand recognition.

    10. Re:Because of iTunes? by danielsfca2 · · Score: 1, Insightful

      Well, i'm glad somebody gets it besides just me.

      The Apple-haters can't seem to fathom that Apple's market power in this particular industry is good for us all even if you hate Apple, iPods, iTunes, MP4AAC, and DRM. The reason being, while Apple may piss you off sometimes, they ARE the only ones selling major-label music today who aren't 100% the RIAA labels' bitch.

      As more and more of this DRM-Free-Elsewhere-But-Still-Insisting-on-DRM-in-iTunes shit keeps going down it gets more and more clear what their #1 goal is: "Kill iTunes because they don't play ball with us."

      Followed by "switch over to variable pricing" which will mean the 2 good songs on the album will be $4 apiece and the other 10 are 49c.

      Followed by re-introduction of DRM on these sites in order to "curb rampant piracy." This is definitely a goal, since you can't seriously believe that these cocksuckers WANT to do away with DRM. Now in order to get DRM back they need to hope to god the Zune or something catches on, though, since an iPod-dominated market of course means you have to work with Apple or go DRM-free.

    11. Re:Because of iTunes? by loganrapp · · Score: 1
      Just because you really really want the RIAA to go under, doesn't mean it's going to happen.


      The **AA isn't going to die until it's dead.

    12. Re:Because of iTunes? by electrictroy · · Score: 1

      >>>"MAFIAA can tell Jobs to stick that 99 cents up his ass, because they are going to stop supplying music to itunes for sale - instead they will switch over all of their product to myspace and it's $2.99 prices."

      Wouldn't such an action violate several anti-trust and anti-cartel laws with both the U.S. and the E.U.?

      (just curious)

      BTW $3.00 for a music datafile is ridiculous. I used to buy 45s or Cassettesingles, and they cost about $3.00 which made logical sense because they were made of plastic (which costs money) and had to be shipped cross-country (also costs money). But a music datafile has No physicality, therefore no material or shipping cost. The only cost required is to pay the wages of the producer & engineers behind the product. About 50 cents per datafile. And that's it.

      $3.00 is a 600% markup. Nuts.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    13. Re:Because of iTunes? by electrictroy · · Score: 1

      DRM is easily defeated by dumping it to a Type IV Metal cassette recorder (like the one I've used the last 20 years). Or a Hi-Fi VCR for that matter.

      Perhaps that's why companies are deliberately yanking these old analog devices off the market.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
    14. Re:Because of iTunes? by Miseph · · Score: 1

      "Wouldn't such an action violate several anti-trust and anti-cartel laws with both the U.S. and the E.U.?"

      In the words of our ever thoughtful VP: So? They write the laws and hire the prosecutors, so what incentive do they really have to follow the laws. These are massive companies which have dominated mass media for a century, if you're banking on politicians to break them up, you've got the wrong ideas about who has who in their pocket. If you thought the efforts to penalize Microsoft were pathetic and spineless, then just wait until you see what they don't do to these scumbags.

      --
      Try not to take me more seriously than I take myself.
    15. Re:Because of iTunes? by Jah-Wren+Ryel · · Score: 1

      4a) If [new competitor] complies, consumers flock out in droves quicker then they came in, Where do you propose that they "flock out" to?
      They've been trained to buy online and if the only places to buy are overpriced, then that's where they will buy. After all, they've been buying overpriced CDs forever and the MAFIAA's marketing is relentless.

      Seriously, consumers have had $.99 songs for too long now to accept a price hike with no justification. This theory someone always pops up when a new store is announced, that once they get a big enough market share iTunes will get the boot and prices will go through the roof. It's crazier than the RIAA litigation strategy. Sorry, I really don't think you've shown any plausible supporting evidence or reasoning for that claim. Weren't you paying attention to all the news reports a year ago that were 'leaked' by the MAFIAA about how they were trying to renegotiate with Jobs to allow for variable pricing on itunes? Do you think those were made up? Do you think that the MAFIAA isn't looking for any opportunity it can to increase the average selling price?
      --
      When information is power, privacy is freedom.
    16. Re:Because of iTunes? by Anonymous Coward · · Score: 0

      They will go back to piracy. I think everyone has a 14 year old cousin with the latest P2P software or Bittorrent running. Or they will go to the shady sites like allofmp3, mp3sparks, mp3fiesta and buy the songs for a fraction of the cost. Given the economy, consumer spending, a stupid arbitrary price hike won't settle well with people these days.

    17. Re:Because of iTunes? by Poltras · · Score: 1

      Right now, I'm using iTMS to get my music (almost all of it). I'm sometimes looking for alternative services (if they are cheaper or have tunes I can't get on iTMS). I would gladly go back to Piracy if the price of a song increases more than the inflation. Or just more than the value I'd give it. On any shop, iTMS included.

    18. Re:Because of iTunes? by MoriaOrc · · Score: 1
      My main complaint with this line of reasoning is this:

      If they can't muscle around one company who sells online music (Apple) to get higher prices, what makes you think they're going to be able to do it with the next hypothetical "Online Music Monopoly" (assuming they can even create a new one while destroying Apple's)?

      Where do you propose that they "flock out" to? A couple of other people have already given you the most obvious answer: consumers can always go back to piracy to some degree. If the recording companies do somehow manage to triple the cost of music downloads overnight, it will mean that most people will buy 1/3 as many songs and pirate the other 2 they would have bought (or not get them anywhere). Increasing the cost isn't going to increase the disposable income people have to spend on it.

      Besides that, there are other places to go. You mention physical media like going back to format-shifting isn't an option. If you're going to claim all CDs are also going up to $30 an album, I think you should check some sources (and good luck getting any of them to raise prices if you can't even muscle around a newcomer like Apple). If I have a choice between 3 or 4 songs from an online store, or an album with 10-15 songs for the same price or better, even if I only want those 3-4 songs the album is obviously a better deal. The industry probably doesn't want that, since anything that plays on a CD player has just about the weakest DRM imaginable.

      One further possibility (the most likely, I think) is that the online music market will just become fragmented, with different consumers buying from different venues. Amazon would probably grab enough to set the standard price (heck, they're already better then iTunes in almost every way), and they will never sell an mp3 album for more then a physical. The variety of more specialized online stores will grab others.

      Of course, all this is extremely hypothetical anyway. I don't expect the record companies are willing to make an offer good enough that they can drive enough people away from iTunes (assuming that's even their goal).

      Do you think that the MAFIAA isn't looking for any opportunity it can to increase the average selling price? This is just a given, along with the fact that they will always be pushing for stronger DRM. Its what they do. It doesn't mean it's going to work. I look at iTunes, and I see the same $.99 for a song that it's always been. The point is, unless they have some justification for a huge price hike (and they don't), it will never happen.
    19. Re:Because of iTunes? by Jah-Wren+Ryel · · Score: 1

      If they can't muscle around one company who sells online music (Apple) to get higher prices, what makes you think they're going to be able to do it with the next hypothetical "Online Music Monopoly" (assuming they can even create a new one while destroying Apple's)? 1) Myspace is Rupert Murdoch's toy - aka it is part of the MAFIAA already
      2) Contractual agreements. The only reason itunes isn't contractually bound to the MAFIAA's will was their single-minded focus on DRM to the exclusion of all else. Bit them in the ass it did, they won't let that happen again.

      A couple of other people have already given you the most obvious answer: consumers can always go back to piracy to some degree. Yeah, and frankly those couple of other people are dumbshits. I laid out what I thought was an obvious explanation for why piracy wouldn't happen - because piracy of CDs wasn't enough to kill them and even at $2.99 a song, its still easier for the itunes using but bittorrent illiterate to acquire a song here and there as they do today.

      I don't expect the record companies are willing to make an offer good enough that they can drive enough people away from iTunes (assuming that's even their goal). When their marginal cost is effectively nothing, they can give away music for a year and then up the prices later once the monopoly is wrested away from apple. How many songs were given away free through itunes near the start? Millions? Tens of millions?

      If you're going to claim all CDs are also going up to $30 an album Nope, I claim they won't go up. And furthermore, I don't claim that the MAFIAA would raise prices across the board. They'd price the hit singles at $2.99+ and leave the filler at 99 cents or less - after all their mantra has been variable pricing. When the choice is instant gratification for the latest ultra-hyped song or waiting until the weekend to go the mall or for amazon to ship the full CD, plenty are just going to suck it up and buy the one ultra-hyped, over-priced song.
      --
      When information is power, privacy is freedom.
    20. Re:Because of iTunes? by MoriaOrc · · Score: 1
      I'm just going to throw a couple things out there at random and be done with this conversation, since I've made my point (twice) and we clearly don't agree.

      1) The monopoly entry strategy of "in the red until there's no more competition, then jack up the price" isn't going to work on the current online music store market. The market already has too many choices, many of them offering the same content.

      2) At the very least, no one is unseating iTunes in the next several years. They're too entrenched. They have momentum, a decent product compared to most online stores, and as long as DRM is involved they own a good chunk of the hardware. Any theory that doesn't have iTunes still a heavy hitter (actually, according to a recent press release they just became the heaviest) in the online music market isn't going to happen in the foreseeable future.

      3) Most of this is actually irrelevant to the article, as MySpace is proposing a subscription service. Individual songs won't have costs.
       

      How many songs were given away free through itunes near the start? Millions? Tens of millions? Actually hundreds of millions (available, not claimed though) according to the promotion section on wikipedia. But the landscape of online music downloads was a little different back then, don't you think?

      When the choice is instant gratification for the latest ultra-hyped song or waiting until the weekend to go the mall or for amazon to ship the full CD, plenty are just going to suck it up and buy the one ultra-hyped, over-priced song. You are proposing that people will pay $3 a song for "Hyped songs" at this hypothetical new monopoly, when the kind of people that will pay ridiculous prices just to be trendy are the ones buying Apple for the most part.

      Myspace is Rupert Murdoch's toy - aka it is part of the MAFIAA already News Corp has very almost no interests in the music industry. They're mostly a print, TV, and movie outfit. (HINT: the MPAA and RIAA are actually separate organizations, contrary to popular belief)
    21. Re:Because of iTunes? by Jah-Wren+Ryel · · Score: 1

      The market already has too many choices, many of them offering the same content. Not online. Its just as easy for the MAFIAA to halt distribution through any company it doesn't like.

      At the very least, no one is unseating iTunes in the next several years. Totally irrelevant to the conversation. The MAFIAA does not just 'give up' because they don't like the current situation.

      when the kind of people that will pay ridiculous prices just to be trendy are the ones buying Apple for the most part. Poor understanding of basic set theory -- ipods are ubiquitous - I even bought one because my car came with an ipod interface - it sits in the glove compartment and no one even knows its there, ipod owners are not the same set as commercial-driven teens. Poor understanding of what monopoly means - the prices won't be ridiculous until the other sites have had their supply turned off.

      News Corp has very almost no interests in the music industry. Even more reason for them to scratch fellow MAFIAAOSA's backs, they've got nothing to lose. But they certainly can benefit from a few favors in the other oligopolies under MAFIAA control.

      (HINT: the MPAA and RIAA are actually separate organizations, contrary to popular belief) HINT no fucking duh, that you would feel the need to point out baseline knowledge as if it were some sort of coup of insults just means you are way out of your league.

      --
      When information is power, privacy is freedom.
    22. Re:Because of iTunes? by Jah-Wren+Ryel · · Score: 1

      You are a minority in the market, your anecdote does not represent proof of anything relevant.

      --
      When information is power, privacy is freedom.
    23. Re:Because of iTunes? by alicquynh · · Score: 1

      you can try it http://lavabeat.net/

  4. This could be kind of cool by Eli+Gottlieb · · Score: 2, Interesting

    I'd like to see if they let independent artists who haven't signed with a label for a record deal yet sell their music on MySpace. TFA provides too little information, but this could end up as a good way for starving artists to stop starving.

    1. Re:This could be kind of cool by mweather · · Score: 1

      I'd like to see if they let independent artists who haven't signed with a label for a record deal yet sell their music on MySpace. They already do.
  5. Gee, the wheels came off! by clifffton · · Score: 0

    The music industry is getting it's due. Musicians (what few there are left recording for the big 4) have gotten the shaft for 100 years. Sadly there isn't even anything new that an old dude like me would even steal. I support the bands I love when they come to town, you should too. That's how they get paid! Becker & Fagen (Steelydan.com) get my $$ and so do The Tubes (thetubes.com the most fun live shows.... ever!). I'm not in the target demo for the music companies, but I'd spend if I heard anything I liked.

  6. last.fm? by Anonymous Coward · · Score: 3, Interesting

    Doesn't last.fm already offer this, save the monthly fee?

    1. Re:last.fm? by Anonymous Coward · · Score: 0

      And before last.fm imeem was doing it, and before imeem was doing it deezer was doing it.

      but myspace wants to kill all of those

    2. Re:last.fm? by joeljkp · · Score: 1

      You're talking about free full-length streams?

      Right now (supposedly) there's free.napster.com, last.fm, and lala.com, but I've only had success with the first. The other two don't seem to have much of a selection. When I try to stream an album, they'll give me a couple songs from it, or 30s samples only, or something like that.

      --
      WeRelate.org - wiki-based genealogy
  7. Now if they'd just get the prices down by rastoboy29 · · Score: 4, Interesting

    Ten years ago I predicted .04 cents per song to be the natural price for an mp3, and that's all they need to do to get me to pay.

    Who wants to keep track of all this crap on your hard drive?  I'll pay four cents every time I want to hear most songs.

    And if, for some reason, I want to save it as an mp3, I expect to be able to do so, with no arguments.

    You serve me, RIAA bitches, not the other way around.  Maybe you're starting to understand this you stupid fucking bastards.

    1. Re:Now if they'd just get the prices down by Anonymous Coward · · Score: 0

      Hey your right. They don't serve anyone. Just know someone in the business who just let go six of her acts. Can't make music whilst working at Wal Mart. Sort of sad.

    2. Re:Now if they'd just get the prices down by Anonymous Coward · · Score: 4, Funny

      If you insist on using that font, I must mark you as "foe".

    3. Re:Now if they'd just get the prices down by CSMatt · · Score: 1

      I'm sorry, but I just can't buy into the argument that $1 per-track is too expensive or that CDs in general are overpriced. Not when video games are $60 each.

    4. Re:Now if they'd just get the prices down by zenkonami · · Score: 2, Interesting

      I'm sorry, but I just can't buy into the argument that $1 per-track is too expensive or that CDs in general are overpriced. Not when video games are $60 each. Starbucks charges more than $1.50 for a plain cup of coffee.

      At the Ralphs Grocery Store down the street (they are an average, Kroger owned supermarket), the generic loaf of white bread cost $2.00.

      At the pump, regular unleaded gasoline was $3.69 a gallon two days ago.

      Mass Market Paperback books range from $5.99 to $9.99.

      New Release DVDs have been between $2.00 to $6.00 for several years now...to RENT

      At this point, you can have most songs a la carte, without the baggage of songs you dislike. If we can open up more avenues for new music to be heard without buying it, then we can buy what we like with confidence.

      I have to agree with the parent. A dollar for a song (especially a DRM free song) that we are going to listen to over and over again is very reasonable considering the amount of work that often goes into creating and producing a song. Perhaps the production chain is not as massive as many video games have become, but I dare say in most cases the replay value is higher.

      And just in case anyone suggests that all those items mentioned above are physical objects and thus have more value than the ethereal song, consider any time you may have spent working in retail, or a service industry, where you produced nothing of "value." We don't consider that work worthless in our society.
      --

      Do You Experiment?
    5. Re:Now if they'd just get the prices down by mdenham · · Score: 1

      And just in case anyone suggests that all those items mentioned above are physical objects and thus have more value than the ethereal song, consider any time you may have spent working in retail, or a service industry, where you produced nothing of "value." We don't consider that work worthless in our society. The way I got treated back then, you coulda fooled me that we, and our work, weren't considered worthless. This is why I have a manufacturing job that pays, instead of $7.90/hr, $13.22/hr.

      It's not much of an improvement, but at least it is one.

    6. Re:Now if they'd just get the prices down by Omestes · · Score: 1

      I'll pay four cents every time I want to hear most songs.

      Ouch. Some days I have music playing 24/7, that would add up DAMN fast. Until I reset last.fm was telling me I played 15,000 songs in the last year, this is a sum of money FAR beyond my means.

      I know you suffixed this with being able to save to MP3 at will. Which makes more sense. But is a pipe dream. The only way I ever see 4c being a viable sum is if we completely removed the middle man (both on retail, distro, and RIAA), and even then it would be rather hard to justify that. If it was a popular band 4c might be able to clear the production costs (and hosting, etc...) and leave some profit for the band, but for any smaller act this would be impossible. With smaller acts they sell less, and thus have less revenue, also they need more promotion, meaning more overhead.

      Nine Inch Nails and Radiohead (to name the two latest huge self-distributors) might have no problem with offering songs for 4c, and still pull off a profit. they don't even need to promote anymore, they have a fan base, and free publicity (fan sites). A small or middling band isn't this free though.

      10-25c sounds fair to me, given independence of the artists. Low enough for a good impulse buy, but high enough to recoup costs. 50c with the current scheme is also pretty fair. 5.00 a CD is the point to shoot for.

      As for the RIAA serving you... Your right. Subpoenas are on special today.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    7. Re:Now if they'd just get the prices down by SCHecklerX · · Score: 1

      A video game takes a bit more than an hour, and definitely takes more effort to produce.

    8. Re:Now if they'd just get the prices down by monxrtr · · Score: 1

      consider any time you may have spent working in retail, or a service industry, where you produced nothing of "value." We don't consider that work worthless in our society. We also don't pay retail workers in perpetuity for service work they did helping the customer twenty years ago. And billions of occurrences of "theft" of the phrase "Hi. Can I help you?" have deprived the first retail helper to invent helping the customer by asking and answering questions of his alleged just compensation from his "property". Let musicians be hired by music corporations to produce music at an hourly salary. If they don't produce, they get fired. Then they can have nine to five jobs with salaries, benefits, and retirement plans. Schedule their time into practice, production, autographing, performing. And subject them to drug tests. If you fail a drug test, or show up for work drunk, you lose your copyright protection, since they are after all government employees working for the societal "advancement of the arts" and shielded from distribution competition. How'd that be?
      --
      "From DNA to P2P, we are all Copycats now. Go Go Copycat Power! Copycat Powers activate! Form of, a Copycat." --monxrtr
    9. Re:Now if they'd just get the prices down by rastoboy29 · · Score: 1

      Hmm, first you say 4 cents is too expensive, but then you say 10-25c is fair?

      hehe I mean this constructively...

      However, I think 4 cents a song is fair for at-will downloading.  Streaming radio will be much less, or more likely free, I think, in the end.

    10. Re:Now if they'd just get the prices down by Anonymous Coward · · Score: 0

      .04 cents == .0004 dollars != 4 cents. Learn from Verizon :P

    11. Re:Now if they'd just get the prices down by Omestes · · Score: 1

      Sorry, a little semantic tangling and beer was involved in the confusion.

      I meant 4c would be too much for a pay-to-play model, like you described in your first paragraph, on the customer end.

      But for an iTunes Music Store like business model, or direct downloads from independent band sites, 10-25c is fair.

      Streaming radio should remain free to listeners, agreed.

      Sorry again.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
  8. Prices of other things by kermit1221 · · Score: 2, Interesting

    Ya, it's piracy's fault that music sales dropped 3.5 billion in seven years.

    I'm sure that the cost of gasoline doubling in that same time had nothing to do with people buying fewer CDs.

    1. Re:Prices of other things by mkiwi · · Score: 1
      The recording industry can blame itself for its crappy music. People don't want to buy their music because all the music that comes out now is a terrible combination of Pop, Funk, and Rap.

      Just think of how well Britney Spears was doing at that time, then look now. That is the look of the recoding industry.

    2. Re:Prices of other things by CSMatt · · Score: 4, Insightful

      Or you could look at it as the target audience diversifying far more than they ever did before.

      From the inception of vinyl until the turn of the century, most people just bought pop music, because that was the only music they could hear at the time. There was nothing to compare contemporary music to, so people bought it out of ignorance. Generation gaps, outdated and worn out audio formats, scarcity due to albums going out of print, and a general lack of interest or time/money to sample, kept the majority of listeners from experiencing music's rich history.

      Once Napster came about, people suddenly had instantaneous access to almost the entire back catalog of all prerecorded music (or at least all music that was released on CDs). This allowed for a rebirth of older music and genres that hadn't seen as many fans since their industry-granted 15 minutes of fame expired, as well as the diversification and maturing of musical taste in the majority of listeners. Lots of people I know like older music as well as new music, and have a far more diverse set of musical ascetics than any of the generations past. The success of the Guitar Hero franchise is an excellent example of this. Most of the soundtrack is either indie music or music that's at least 20 years old, yet it sells because people have heard a decent amount of the soundtrack before and found that they liked it much better than what plays on today's top 40 radio or what's in the CD racks at Wal-Mart.

      The industry is dying primarily because their business model relied on music being disposable and the audience being fickle and spontaneous. Since P2P emerged, tastes have become more engraved in the general populace, and it's usually difficult to get people to stop liking the really good artists just because something new has come out. Now that they can't get people to throw out their old albums anymore for new ones, the industry has lost its moneymaker. Yes, people are now more used to the idea of music being "free," but the real cause of sales slippage is because the industry has failed to diversify as fast as its populace has. It's still trying to market pop idols as if these were the days of old. Not anymore.

    3. Re:Prices of other things by Anonymous Coward · · Score: 0

      Perhaps the reason sales are falling is that consumers are beginning to realise that labels put out a continuous stream of tat which isn't even worth listening to - in the uk this is especially apparent with the 'instant hits' (just add water) which are big sellers but have the quality of a squashed lemon.

      The state of the music industry is dire, entirely focussed on making the largest return.

      Let the netlabels take over with their free high quality music - the bedroom artists are here!

    4. Re:Prices of other things by mgblst · · Score: 1

      I don't find this too hard to believe. In the old days, if you wanted to listen to a particular song, you could request it on the radio, buy it at the shop, or copy it from a friend. If you were copying it from a friend, then it was reasonable for you to have something to copy, so maybe not everbody had the original, but each person had a few originals, and lots of copies. And of course, people who had no friends had all originals.

      Now, you don't need friends. Music is easily available to download. How can you honestly say that this hasn't changed things??

    5. Re:Prices of other things by steveo777 · · Score: 1
      I agree completely. Napster exploded right about the time when I hit college (and bandwidth greater than dial-up). I had been so frusterated with music as all I ever heard was top 40 stations. A friend was listening to something I liked and showed me how Napster worked. I started finding artists and, get this, saving up to buy their albums. That's when I started importing music and buying from independent labels.

      Before that, all I had was the used book store that sold bargain CD's. $2-$6 per CD wasn't so bad a premium to pay for something I might enjoy. And they were more than happy to buy it back for $.25-$1.00. So more of a rental service.

      I'm waiting for digital radio to really fly. Stations can now afford to start dedicating air time to music that the labels wouldn't allow on the air (due to promoting the current flavor of the week) and hopefully that means a lot of experimentation or even better, an acute departure from top 40 radio. On a side, I've been absolutely loving TPT's soundstage which doesn't always play something I like, but it's enough for me to start supporting public TV. (I currently contribute to a local Christian station and a local Jazz station)

      --
      This sig isn't original enough, it's time to come up with something witty...
  9. Let me fix that for you ... by tomhudson · · Score: 5, Insightful

    In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."
    In the face of imploding pop-tarts like Britney Speares, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."

    There, fixed it for you.

    1. Re:Let me fix that for you ... by Trogre · · Score: 2

      No, no, and a hundred more times NO!

      There was at least as much crap music in the 90s as there is now. And the 80s. And the 70s.

      I have my theories, but I don't really know the reason for declining album sales, save that poor music isn't it. It appears the RIAA doesn't know the reason either.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    2. Re:Let me fix that for you ... by loganrapp · · Score: 1
      Yes, but the difference is - with the proliferation of the Internet, people began to realize that, hey, this music actually sucks, because look over there! That music is way better.


      In the 90s you were rock, metal, or a pussy. Now? Standards of music amongst the music hounds are way higher. Genres are much more diversified.

      Britney Spears and her ilk are long gone. "Fergie" being the one exception, but note how quickly she transitioned from "musician" to just a brand, lending her name to everything. Her last album came in 2006.

      The new faces of pop? Recently it's been British. Well, you've got Lily Allen (Capitol), Kate Nash (Interscope), Amy Winehouse (Republic), and then the one American KT Tunstall (Virgin). These are the leading ladies being shown on VH1. Throw Justin Timberlake out there on the male side and the field of up-and-coming pop music ain't so bad.

      Perhaps the reason why the recording industry is allegedly losing money is because the amount of money they're pumping into touching up the voices and instruments of corporate hacks while the people above have never needed that, and they're starting to realize it. The problem is that for many of these new artists, they're also the predominant songwriters (Allen, Nash and Winehouse, I know, Tunstall I'm unsure), which means the labels aren't getting money for writing those songs, and the artists have a bit more power to say what the label can and cannot do with their songs.

      As a show, I hate American Idol almost as much as I hate The Da Vinci Code as a book, but both are doing solid things for their prospective industries - getting audiences to think about the industry's inner workings. I certainly know a lot of people who had no idea the amount of money that gets pumped into a single artist by a major label until after they watched Idol and got to thinking about it. "And they still sound like that? Lame." It brings a smile to my face.

    3. Re:Let me fix that for you ... by mutube · · Score: 1

      ...and then the one American KT Tunstall (Virgin).
      KT Tunstall is American? You've just earned yourself a beating from some very proud Scots.
    4. Re:Let me fix that for you ... by Graff · · Score: 1

      Recently it's been British. Well, you've got Lily Allen (Capitol), Kate Nash (Interscope), Amy Winehouse (Republic), and then the one American KT Tunstall (Virgin). I'm not sure how KT Tunstall qualifies as being American since she is from Scotland. She did spend a few years of her life going to school in the United States, but I'd hardly say that qualifiers her as "American". Virgin Records is a British company, so I can't see the connection that way either.

      The problem is that for many of these new artists, they're also the predominant songwriters (Allen, Nash and Winehouse, I know, Tunstall I'm unsure) As far as I know KT Tunstall writes at least a good portion of her own music. She has a lot of stuff which she wrote way before a major label was interested in her. That might have changed on her most recent album but I don't think it has, the new album has a very similar style to her older stuff and it sounds like she's writing it.
    5. Re:Let me fix that for you ... by tomhudson · · Score: 1

      Sure there was crap in the 90's, and 80's, and 70's, but, unlike the current pap put out by the music industry, there was a lot more wheat amongst the chaff back then.

      ... and that's ONE reason why the RIAA sales numbers are down overall.

      The other reason? The groups that drove the big numbers are no more. The Beatles are 2 bullets away from their next reunion concert, the Stones are so mainstream its not funny, Elvis is STILL dead, Pink Floyd has become just another brick in the wall, Madonna no longer stands out from the crowd, etc ... So now you have groups that produce a few albums and then fade away. For example, Red Hot Chili Peppers peaked with Californication a decade ago.

      If you already have everything you like, you're not going to buy any more stuff. Music isn't like donuts - the really good stuff doesn't have a "best before" date, after which you have to replace it.

    6. Re:Let me fix that for you ... by Anonymous Coward · · Score: 0

      I have my theories, but I don't really know the reason for declining album sales, save that poor music isn't it. It appears the RIAA doesn't know the reason either.


      Everyone has theories. I'd be surprised if anyone really knows. I wouldn't be surprised if the reality of the situation was a combination of various theories.

      I would expect that "piracy" had some impact. But it's not the driver that the RIAA would like to have everyone believe. There's something to the idea that record sales growth can't continue forever... especially in the face of an economic shift where a large demographic that had been popping down $20 spots for albums like they were picking up their morning latte suddenly found themselves short on $20 bills. Add to that the idea that this time also saw exposure to unfettered distribution - largely done by those the RIAA can't (or don't) track and you've got more black holes popping up in the RIAA radar.

      These all work together. What is the easiest way to get the latest example of RIAA backed industry flash? How does that change when you have more time than money? How does it change when a friend or community lets you in on something that didn't come from RIAA members (which challenges the whole desire to get that RIAA flash to begin with)? What if that something-new costs less without any of the restrictions or guilt associated with an illicit copy of RIAA flash?
  10. Hopefully With The Same Great Quality of Service by Anonymous Coward · · Score: 2, Insightful

    I expect great things in audio streaming from a company that can't get all of the pictures on even the most meager of its pages to load, and has a typical page load time of minutes for what it is able to show. I'm guessing they'll be strong proponent of glitch techno music.

  11. Piracy's Not to Blame by Doomstalk · · Score: 3, Insightful

    I don't know about anyone else, but I don't think piracy is to blame. Its the music industry's inexplicable urge to present themselves as greedy, morally bankrupt fat cats who don't care about the artists, or anyone other than themselves really. I just can't bring myself to financially support those assholes, so I don't buy music.

    1. Re:Piracy's Not to Blame by Trogre · · Score: 2, Informative

      There is still plenty of music you can buy without supporting those fat cats.

      Of course there's a chance none of it will be your cup of tea.

      Just sayin'

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    2. Re:Piracy's Not to Blame by zotz · · Score: 1

      Here let me offer up a lame theory... just for fun...

      The music industry has primarily sold rebellion and sex, drugs, and rock and roll. They have sold defiance of authority.

      So they tried to mold their target audience into rebellious lifestyles.

      Let's just pretend their "plans" worked.

      Oops. Unintended problem.

      "OK, kids, we know we told you not to respect laws, but there is one exception. Copyright laws. You need to respect those. Mmk, thx, now go out and steal something and hock it and come buy some music. it's good for you."

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    3. Re:Piracy's Not to Blame by Anonymous Coward · · Score: 0

      There is still plenty of music you can buy without supporting those fat cats. Mod parent up!
    4. Re:Piracy's Not to Blame by monxrtr · · Score: 1

      Exactly. Musicians and actors did more than any other group to forge a defiance of authority attitude. They still try to do this rampantly even today. And when they complain about "piracy" it makes the artists images look w~e~a~k. Metallica becomes whiny New Kids on the Block. Rappers lose all their "stop snitching" anti-police street credibility. Were talking about pop marketing, and the music industry has lost tons of street credibility and artists are guilty by association.

      This is also a huge reason why the music industry has no moral credibility with which to complain about piracy. They've been pushing a pirate attitude and a pirate image for decades. Hence, Fuck the RIAA. The consumers are now more bad ass than the artists. So sad, lol. And now even the likes of Snoop Doggy Dogg need to try to sing like Neo with offering like "Sensual Seduction". It's effen vodka marketing hilarious.

      --
      "From DNA to P2P, we are all Copycats now. Go Go Copycat Power! Copycat Powers activate! Form of, a Copycat." --monxrtr
  12. Screw that. by teamhasnoi · · Score: 4, Interesting
    In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."


    Cry me a river 'industry'. If there was an objective way to measure the quality of music coming from the big labels, I'm sure it would be would be in the red as well. The only good music I'm hearing is odd little acts going it alone, and mostly by choice.

    The new indie is no record. Just free tracks, and an invitation to come to a show. Sadly, even doing this is a incredible money sink. Driving an hour to shows is ridiculously spendy; my drummer lives over one hundred miles away as well! Since we don't play covers, we draw less than your AC/DC/Zepplin/80's/Classic/Rock band. A crap economy, DVDs, PS3s, and other distractions don't help either.

    I say, ignore this site - why again would I make someone buy a track, or put any obstacle in the way of more people hearing my music? Since it's a label partnership, the 'names' are going to get pushed, and get preferential placement anyway.

    Support your local band and buy a t-shirt! It's pretty much the only business model left. :)

    1. Re:Screw that. by Tau+Neutrino · · Score: 1

      You must be new to this here intar-web thing here. Your link is broken, and even after I fixed it, I couldn't find no steenkeeng t-shirts. The RIAA's one thing, but you don't have to make it even harder for people to find/support you.

      --
      Lemmings are silly; dinosaurs are extinct.
    2. Re:Screw that. by teamhasnoi · · Score: 1

      I just fired myself. If only there was a group of people that would take care of marketing and promotion for bands, so bands could concentrate on making music, rather than the drudgery of the business side of things. *sigh*

      Here they are! The Schmoejoes Shirts! Don't forget to come to small town Minnesota and see us - or use the tubes!

      youtube.com/theschmoejoes
      myspace.com/theschmoejoes

      (I obviously need the link-makin' practice)

    3. Re:Screw that. by Anonymous Coward · · Score: 0

      Hey.. normally when people on Slashdot talk about their indie band and then link to it, I check out their music and its so horrible its obvious why no one goes to their shows. Your band actually doesn't completely suck.

    4. Re:Screw that. by mgblst · · Score: 1

      You are just getting older and more discerning, and popular music isn't targetted at you so much. Compared to teenagers, we are such a small section of the market (and no, I don't care if you buy 50 cds a week, you alone do not a market make).

      Do you remember when your parents shouted at you to turn the music down?? That is because when the music was targetted at you, and not at your parents. New popular music is not targetted at you, so just like your parents, you think it is shit. Hate to break it to you, but there was crap music in the 60s, 70s, 80s, 90s, and yes now.

  13. Last.fm Beat Tom To The Punch by Nitroadict · · Score: 4, Insightful

    I think this is too little, too late on the part of MySpace. Their site fell out of fad (in favor for Facebook, but Facebook will eventually be a fad too), and was and still has a terrible site design.

    Last.Fm will be a tough competitor to face off against, especially if the same "brilliant" minds behind the MySpace site layout try to crack Last.Fm's bread & butter.

    1. Re:Last.fm Beat Tom To The Punch by Anonymous Coward · · Score: 0

      Gah one minute later than you. I feel so slow. Although I like my subject better.

    2. Re:Last.fm Beat Tom To The Punch by illectro · · Score: 1

      And last.fm was beaten to the punch by imeem.com, and imeem doesn't have that annoying 3 listen limit that last.fm does.

    3. Re:Last.fm Beat Tom To The Punch by British · · Score: 1

      Have you tried Last.fm's music player? That was quite possibly the absolute worst application ever devised.

      Myspace has one important asset to this: Eyes. Teen eyes.

    4. Re:Last.fm Beat Tom To The Punch by leoofborg · · Score: 1

      Funny. Seeing as I just nuked my MyS account, and pretty much have abandoned Facebook due to all the beacon shizzle this is very apropo.

      Pretty much MyS and FB have munged into what I call 'Sleaze API'.. I was getting tired of the constant deluge of 'Status' 'Bulletin' and of course Flash. Honestly I can't tell MyS from FB now.

      Flash. The animated gif / midi sound of this age. If there's one thing that's making MyS and FB clunky, there it is.

      I'm pretty much at the point where I don't want to 'interact' with FB / MyS or any other 'Spam push' site or technology.

      --
      --- See you at the Tannhäuser Gate.
    5. Re:Last.fm Beat Tom To The Punch by Virtual_Raider · · Score: 1

      And last.fm was beaten to the punch by imeem.com, and imeem doesn't have that annoying 3 listen limit that last.fm does.

      Dude, that site is repulsive... it's plagued by those annoying scamvertisements disguised as system windows, "You have one message, click the OK button before time runs out!"

      I can't wait for ad-block to be updated to FF3b5 :'(

      --
      +Raider of the lost BBS
  14. Reestarded by Anonymous Coward · · Score: 0

    A group of outmoded companies struggling to keep their business going teams up with the company who can't get their main site running in anything approaching a professional manner. Two great tastes that taste great together this is not.

  15. Piracy caused billions in damage? by Anonymous Coward · · Score: 4, Interesting

    The statement in the article seeks sympathy for an industry that needs none. Read enough books about the business aspects of record deals and it's clear Major Labels are scumbags.

      When the industry thinks of the billions lost do they even take into account the amount of independent artists that are booming right now? Their website says "RIAA members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States" which is pure malarkey. Independents have a bigger slice of the pie and this also doesn't take into account many international artists. These self-produced, sometimes even self distributed, artists gain respect all around because they know some jerk with a ponytail didn't tamper with the creative talent that makes good bands, amazing. This is the age where you can spend a couple thousands of dollars or less, in recording equipment, to produce a semi-professional album. Kids don't need to beg Record companies to back them financially for studio recording sessions, they do it themselves, drop $900 to manufacture 1000 professional CDs, and sell em for $8-$10.

    Maybe the fact that MP3's are cheaper than CD's period? iTunes has destroyed the album, people only spend $3 for 3 songs instead of $13 for the album. Maybe they'd buy the whole album if many mainstreams bands sucked at creating strong albums. No one wants to pay $17 for a brand new CD anymore because the scam has gone on far too long, everyone knows better, produce a bad album iTunes enforces it and makes you pay.

    I'm sure there's a lot of discrepancy in those numbers because of the declining Used CD market as well.

    More money is thrown around nowadays but the music market is complicated compared to yesterday. RIAA is just getting hammered because people are spending their money elsewhere and many artists can survive without standing under the RIAA umbrella.

    INTERESTING FACTS:
    If you are not an artist that pays royalties to the RIAA your money from records sold is not counted in this figure AND if you do not join the RIAA you are incapable of obtaining a Gold or Platinum record, true story.

    -AKA

  16. Whoever came up with that idea... by Jurily · · Score: 3, Insightful

    ...deserves his MBA revoked. Cut the middlemen. Cut DRM. Team up with a bunch of garage bands, make them famous. They have the popularity to do that, which is precisely what all those unseen talents need...

    3 of the 4 major music labels? Make your own!

    And give us some GOOD music, ferchrissake!

  17. In the face of piracy? by Anonymous Coward · · Score: 2, Informative

    "In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."

    Misleading at best. Why are we supposed to automatically assume that piracy is the sole cause of the flatlining record industry profits? Digital distribution methods have increased exponentially, and they offer music at a far greater convenience and far cheaper price than physical media. Perhaps the mass exodus to cheaper digital downloads -- rather than ponying up 20 and 30 dollars for CDs -- has something to do with it? Maybe?

  18. EULA? by Anonymous Coward · · Score: 1, Interesting

    "It's the first service that offers a full catalog of music to be streamed for free, with full community features, to be shared with all of your friends."

    No offense but the Music industry has been so far behind the eight ball this is a load of bs.

    www.soundclick.com already did it.

    What concerns me the most is this:
    ""They have a huge community that wants to talk, share and learn about music."

    They want to tap into all the other artists on myspace music. Effectively tapping the same market as soundclick and others do. But what the hell will the end user license look like for a musician submitting their music on this website. "All your rights to your music you have just signed away by uploading your song to our distribution website".. effectively.. this will stop their website from being of any use other than serving up all the old hits we love and all the new stuff we hate.

    1. Re:EULA? by illectro · · Score: 1

      Yeah I think myspace is fixated on major label music, but even then it puts them in third place behind imeem and last.fm.

  19. I have a solution! by johosaphats · · Score: 0

    Maybe the RIAA should sue Exxon...I bet they're stealing money from the people who would otherwise be buying music!

  20. I think the falling sales are the industry's fault by Futurepower(R) · · Score: 4, Insightful

    "It almost sounds as if they are considering treating their customers as *gasp* customers!"

    Quote from the Slashdot story: "In the face of widespread, escalating online piracy, music sales dropped..."

    To me, that sounds like the music industry saying, "If something bad happens, it must be someone else's fault."

    I think the falling sales are the industry's fault. I was supposed to by a Britney Spears CD to hear her singing something about abusing men? If the music industry wants strong sales, it can be kind to the customer and produce something valuable.

  21. Consumers are escaping traditional boundries by Anonymous Coward · · Score: 2, Interesting

    Music sales administered by the litigious middlemen and self proclaimed gatekeepers of music dropped to $11.5 billion.

    If you include sales from independent entities distributing by themselves for themselves (i.e. ignore the vacuous wailing of sidestepped middlemen) overall music sales where actually up 14%

  22. Real figures would be nice by hyades1 · · Score: 2, Insightful

    I'd love to know how much of the drop in sales is due to "escalating on-line piracy", and how much is due to the fact that people no longer have to accept a bunch of crap being shoved down their throats so they can get the one or two songs on a CD that are worth listening to. If I like even three songs, it's a pretty safe bet that I'll be forking out the cash. One or two songs? Not so much.

    Wouldn't it be interesting to have every song on a particular CD available on a site like this, then track how much money each had made after a year, or how many times it had been downloaded. There'd certainly be some tunes that caught on slowly and eventually overtook the initial hit tune. "Ball and a Biscuit" off the same White Stripes CD as "Seven Nation Army" would be an example in my particular case. But those are the exception. Finally, we'd finally get a chance to see objective proof of just how much filler there is on your basic $20 CD.

    --
    I've calculated my velocity with such exquisite precision that I have no idea where I am.
  23. or maybe by shadowkiller137 · · Score: 1

    RIAASpace

    1. Re:or maybe by Vectronic · · Score: 1

      Nah, it would be a little more subtle...

      RySpace... and they would say it stands for "Record Your Space" or something...

  24. Fixed link by Anonymous Coward · · Score: 0

    Here's the local band.

  25. Some Eeerie Similarity With imeem.com by illectro · · Score: 3, Insightful
    So, until myspace music launches the biggest web2.0 music site will be imeem.com and you only have to look at their site to get a feeling of deja vu. imeem has been operating a 'youtube for music' for a few years now, needless to say this was very popular and last year they were sued by a record label and everyone was sad and predicted the end for imeem. But them imeem came out of the legal proceedings with a deal that let them stream music on their site in exchange for revenue sharing with the label.

    So now you have imeem as this monster service where you can essentially listen to any tune ever recorded, and it's all paid for by advertising.

    Similarly, myspace has been in litigation with the record labels and has taken a page from the imeem playbook, copying the deal making, the business model and everything else. Only this isn't some tiny startup, this is Fox Interactive with it's massive pockets.

    I really hope myspace loses this time.

    1. Re:Some Eeerie Similarity With imeem.com by Skreems · · Score: 1

      So now you have imeem as this monster service where you can essentially listen to any tune ever recorded

      I tried it out on your recommendation, and I'm not impressed. I've been meaning to buy Nick Cave's album "Henry's Dream", so I searched for tracks. Only 3, and none of them the well known songs of the album.
      --
      Slashdot needs a "-1, Wrong" moderation option.
      The Urban Hippie
  26. You work for Verizon? by d4nowar · · Score: 3, Funny

    .04 dollars or .04 cents?

    1. Re:You work for Verizon? by nwogoldberg99 · · Score: 1

      Damn, you beat me to it.

    2. Re:You work for Verizon? by xant · · Score: 1

      GP actually does seem to be saying .04 cents i.e. $0.0004, because he oddly seems to be advocating a pay-per-play model. $4 for a track I play 1000 times sounds about right to me too, but I certainly dont' want to get the printed paper bill for THAT service.

      --
      It's rare that you're presented with a knob whose only two positions are Make History and Flee Your Glorious Destiny.
    3. Re:You work for Verizon? by xant · · Score: 1

      Whoops, funny math. I guess that's 40 cents per thousand. That seems a bit low.

      Anyway, I've always said $0.25 per song, and no damn DRM, is my sweet spot. Apple's $1 per track can blow me.. that's basically what I was paying the music industry for albums, back when I gave a shit about buying music.

      --
      It's rare that you're presented with a knob whose only two positions are Make History and Flee Your Glorious Destiny.
  27. Re:I think the falling sales are the industry's fa by Merusdraconis · · Score: 4, Funny

    "In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."

    This has got less to do with piracy and more to do with Amy Winehouse's crack bill.

  28. I hope to god it's set up and coded better... by DaveCBio · · Score: 1

    than mypsace. That place is an abortion of epic proportions. The only times I even go there is to check out some band that has sample tunes up on the site. Even that's hit and miss with their crappy and inconsistent streaming and useless player.

  29. As good as an idea as this is.. by Zekasu · · Score: 1

    ... I'm fairly certain MySpace's targeted age group (teenagers and adolescents) already know about Lemonwire and are learning fairly quickly about toUrrent.

    (Note: Names of certain programs have been changed in order to protect their identities.)

    On a latter note, will downloading music require age verification, or will it just bee censored like the CDs at Walmart are?

    1. Re:As good as an idea as this is.. by wish+bot · · Score: 1

      Lemonstring? bitRent?

      --
      lemonade was a popular drink and it still is
  30. What about uploading our own tracks? by elucido · · Score: 1

    Maybe we don't want to be consumers. Maybe we want to upload our own tracks and not deal with Myspaces "music" site. Maybe Myspace should just let users sell their own tracks and stop kissing the music cartels asses.

    1. Re:What about uploading our own tracks? by dontmakemethink · · Score: 1

      Actually, I gotta give kudos to MySpace. The big labels have billions invested in their talent, and they needed the means to integrate into the internet better. MySpace is cashing in on that. They'll be the only ones left smiling in the end, but it's still a good move for them.

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
  31. Re:I think the falling sales are the industry's fa by CSMatt · · Score: 1

    I was supposed to by a Britney Spears CD to hear her singing something about abusing men? Britney Spears songs objectify men?

    I'm sure the femanazis are pleased.
  32. MySpace and Big Labels - Great Idea! by myspace-cn · · Score: 1

    I think it's a good idea.

    But they should ALSO make CD's and DVD's on the shelves lower priced.

    Remember the Bush administration and the economy thieves have made the dollar worth 70 cents. It's probably less after we figure out what is going on with the corrupt federal reserve and how much they have been printing. Sort of an invisible divide by two on your retirement accounts.

    They should also build more venues. If outdoors then lot's of shade. The last warped tour was too fucking hot, to the point of heatstroke--not fun like it could have been. I could be wrong but it seems like the sun is brighter and hotter now and with the ozone there's less protection from it. And if they build indoors clubs make them all ages venues! Come on what the fuck?!

    As gas and everything starts going up, people are not going to want to drive 100 miles to see a show. And if people stop going to shows the bands are not going to make money, and if they don't make money there will be no music. If there's more venues there would be less distance. And lets face it, the crap this administration has done to our country makes us want to "get away" if anything just to relax.

    Lot's of parks could do event's right now and already have shade trees, if the RIAA want's to lobby something they should lobby the stupid red tape it takes to hold public events. The dual side of this is they could also be used to hold political events, social causes and bypass the fascist media--who let's face it is driving up the cost of advertising and ruining the 4th estate.

    I don't look forward to HDTV. Thousands of dollars for a bunch of new black boxes I don't need. I am fine with SD, and widescreen. Even the video cameras cost too much. It all COSTS too much! Look at Blueray, why do the disks cost so damn much. It's plastic just like DVD's, I just got all the stuff I need for DVD's now you want to change it to some new crap that costs too much.

    Okay the quality of HD -- granted. But that's fuckin luxury man. Like buying a Jaguar or a McMansion (large fucking house.)

    As far as piracy goes, there's lot's of reasons for it. It doesn't mean that one reason is true.
    It doesn't mean it's funding terrorism. The heroin is doing that..eh liars! The only terrorism I seen lately is the Bush administration terrorizing the constitution, the economy and the right to seek happiness.

    I am glad the Big Labels and MySpace teamed up. It's all the way around, for the small band that is a rising star, the big labels have the muscle to put the quality, props, and production crew into their videos and mixing. For the small guy really the only place to go was apple last fm or magnatune. Most small bands only website IS MySpace anyway! The one thing that MySpace should do that would greatly enhance the experience is get rid of all those stupid ass sections and blocks and fields and have one giant block you paste plain fucking html or xhtml code into. that way you don't need to buy a freaking book to understand how the fuck they use CSS. Frame the site and ban those that delete the frame. Pretty simple. That's not going to change though. It's crazy what some myspace accounts have to do to get a half ass good looking site. look at centurymedia for an example of a well thought out way to deal with dogcrap to begin with.

    People that buy music don't want to see dogcrap. They want flash, they want video, they want free mp3's. You got to give to get.

    But all of this will never end piracy for those that don't have money to begin with and want something they can't get. They will steal the CD if they have to. (Look at all my missing cd's!!! Fucking little thieves.)

  33. Market balancing by Anonymous Coward · · Score: 0

    For the music industry, the deal is partly born of desperation. In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion." I have a feeling that the "music industry" doesn't really need that many billions of dollars to operate. Surely technology has dropped the actual cost of production and distribution of music to a fraction of what it was a decade ago. Perhaps the drop in sales is just normal market balancing as when the cost of an item exceeds the cost of manufacture.
  34. Like a Resse's peanut butter cup of suck! by Anonymous Coward · · Score: 0

    The web site that will probably be the downfall of western civilization meets the number one reason western civilization has it coming.

    Chocolate and peanut butter it isn't.

  35. Elvis Presley is dead, please let him rot by dontmakemethink · · Score: 2, Interesting

    This is hardly progress. This is just another attempt to keep alive one of the most archaic and outdated marketing models still in widespread use. They say "before anyone did anything, Elvis Presley did everything" but in reality his unprecidented success screwed everything. Music marketeers have been blindly flogging the same horse ever since, despite the endless painfully obvious indicators that a paradigm shift is imperative to their survival.

    The fundamental flaw in the Elvis marketing model is that the product is not the music, it's the idols. To the labels, the artists aren't considered the purveyors of the music, they're just the packaging. They create idolization of the artist among consumers and then cash in on it. Music is only barely relevant to the process. Look at Paris Hilton... what does she do again?

    That's why there are so few major labels. It's not a matter of signing the right talent, it's an incredibly cut-throat competition to manufacture the most influential icons. Making cars is far more expensive and complicated, yet there are 10 international auto makers for every major music label.

    But now consumers can access anyone's music just as freely as the radio spewing out any big label's next wannabe hit. So traditional mass media is losing its dominance over the preferences of consumers to the internet, which by definition cannot be bought or controled. As a result, idols have less influence these days, and are becoming increasingly expensive to create.

    So what's the next step? If I knew I sure wouldn't post it to a public forum! But what I will say is that the next successful music marketing model will not generate its profits from selling "music units", be they albums, songs, subscriptions, etc.

    As a touring musician, live/studio engineer, and producer, I can assure you that there is a powerful motivational force between musical performers and their audiences that has never been engaged for profit to even a fraction of its potential. A bar owner paying a band 10% of sales to pack his bar and sell $12k in booze in one night makes much more sense than a label spending $5M on promotions hoping it holds a candle to the other label's $5M promotions.

    But as long as labels treat their talent like packaging, they will continue to falter with repeated "innovations" on the same old game. Consumers have free access to all the content they could ever desire. Fancy packaging simply isn't enough to sell ice to eskimos.

    --

    War as we knew it was obsolete
    Nothing could beat complete denial
    - Emily Haines
    1. Re:Elvis Presley is dead, please let him rot by Anonymous Coward · · Score: 0

      The next step is the RIAA and MAFIAA teaming up with the Telecomms and Cable Companies to trash Net Neutrality. The theory being that they'll be putting the cork back in the genie's bottle, and then be able to tell us what we'll see and hear (think Bud TV, the Home Shopping Network, and Britney) instead of us deciding. So if you're an independent musician/producer, you better hook up with the Rock the Net folks and keep the Net free.

  36. Have you no faith? by Anonymous Coward · · Score: 2, Insightful

    With the site design prowess of MySpace and the customer care and business ethics of the RIAA, how can they fail?

  37. No record? by dontmakemethink · · Score: 1

    I disagree that indies are not selling albums. Stage-side sales are at least 30% of our touring revenue. The farther you get from home, the more likely folks are to buy your CD, not knowing when you'll be back.

    And free tracks doesn't make much sense either. It's pretty easy to make your music available for net stream and make it tricky to keep the MP3 (note I didn't say make it impossible).

    What we have done is record shows with just a pair of mics and pass CD's around letting everyone know it's ok to copy and give to others. We act like our own "tapers" (and I happen to be very good at it). It's a good promotional tool and people still buy the studio CD of the same songs.

    And you complain about driving one hour to a show? Got three words for you: TRY TOURING CANADA! Last tour we drove 8500mi and played 26 shows in 25 days, that's an average of 340mi per day crammed into a minivan for almost a month. We also made decent money, renewed interest from the venues in those 26 towns, added a few hundred to the facebook group, and each tour we get better media support.

    It's completely worth it, but not without an album to sell. No album = no media = nobody knows you're coming. With media support, you can draw and get paid better than cover bands.

    I agree, support your local bands, but support the touring ones too! Gas is our biggest expense, and it's not looking to get any cheaper anytime soon...

    --

    War as we knew it was obsolete
    Nothing could beat complete denial
    - Emily Haines
    1. Re:No record? by Omestes · · Score: 2, Insightful

      And free tracks doesn't make much sense either

      I disagree. I know a couple of emerging (and kick ass) bands in the Phoenix area, and I always tell them to have at least one or two free tracks (as in downloadable) so people can put them on their iPods or such. It keeps things fresh between shows (especially if they tour), and reminds them that the band exists as more than an anomalous myspace friend or such. Say you have 5 recorded tracks, that one you give away isn't going to harm you, but will be a nice nod to your fans.

      One of the bands I know are releasing a studio CD soon (indie), I told them to release a free track on their page. Free is a good draw, it makes people more willing to buy (social psych 101 there), also it gives the music time to grow on people who are not convinced they want to part with $10-15 bucks for an obscure indie band.

      Granted I never say "give it all away for free", I want my friends to succeed, meaning they need profits. And the more albums they sell, the more rounds are on them.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    2. Re:No record? by loganrapp · · Score: 1

      It works for Trent Reznor with Ghosts, does it not?

    3. Re:No record? by TheRaven64 · · Score: 1
      I agree on selling recorded music. I'm not a huge fan of most live music performances, because you end up somewhere where a band puts so much electronics between you and them that you may as well just listen to a recording at home and end up with better quality. The big exception is small performances with singers and instruments that don't need amplification to fill the room.

      Much as I would like to employ a few hundred musicians to play music for me all of the time, this isn't really feasible, and so I listen to recorded music most of the time. If I listen to recorded music 99% of the time and live music 1% of the time, it doesn't make sense to me that the creators of the music should earn more from the live music than from the recordings.

      As to free tracks, I think you might be missing something here. If you give me a few free tracks (ideally an album or an EP, since I find listening to individual tracks without context slightly jarring) then I'll put it in my playlist. If I don't like it, eventually I'll remove it. If I do, then I'll start to look for other albums of yours.

      I will probably never go to a live show of yours, but if you make it easy for me download it then I may end up buying more from you.

      --
      I am TheRaven on Soylent News
    4. Re:No record? by bitingduck · · Score: 1

      I agree on selling recorded music. I'm not a huge fan of most live music performances, because you end up somewhere where a band puts so much electronics between you and them that you may as well just listen to a recording at home and end up with better quality. You need to get out more. There are tons of acts that sound great live, even with full PA systems etc. Venues bigger than a few thousand people suck, because you really don't get much feel for the act, and the act has a harder time playing off the audience, but theaters and small clubs are awesome.

      I know bands that sound live pretty close to how they sound recorded, but with more energy. There are bands that use really different arrangements live and recorderd, or even from live show to live show-- sometimes playing stuff that was recorded acoustic with a full band, sometimes the other way around. And everything in between.

      I've known a few bands that never sounded as good recorded as they did live. Birdsongs of the Mesozoic was one of those. I saw them bunches of times live in Boston and the live show was amazing, but the recordings never captured it.
    5. Re:No record? by dontmakemethink · · Score: 1

      The OP said no album and only give away free tracks. I suggested free live recordings, meaning a 45 minute set. They can check out the quality of the studio recording online, that's as far as I'm willing to go. We're pleading a similar case, just in different ways.

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
    6. Re:No record? by dontmakemethink · · Score: 1

      Trent Reznor doesn't drive his own van, lug his own gear, and book his own gigs. If you're suggesting you can get from indie to icon giving away your music, you're sadly mistaken.

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
  38. Screw Myspace and the RIAA! by Anonymous Coward · · Score: 0

    The future of music is SellaBand (http://sellaband.com/) and others like them. DRM free music and for $10 I get a CD plus a piece of the action!

  39. Re:I think the falling sales are the industry's fa by Myopic · · Score: 1

    Are you saying you have pirated copies of Britney Spears? Golly, you have terrible taste in music! When I pirate music, I choose some of the vast amounts of excellent music also put out by the record industry. You should look into it, there's a ton of it.

  40. Re:I think the falling sales are the industry's fa by Anonymous Coward · · Score: 0

    Of course, the fact that the average price per song dropped from ~3$ (1999, CD) to ~1$ (2008, online) has nothing to do with it.

  41. Re:Off topic, but important. by wish+bot · · Score: 2, Insightful

    That's right. Someone who doesn't know the first thing about tall structures and engineering failures thinks it was a controlled demolition. Great.

    --
    lemonade was a popular drink and it still is
  42. MySpace - Murdoch by peas_n_carrots · · Score: 1

    The title should actually read:
    "News Corp Teams With Record Companies To Create Music Site"

    After all, MySpace is a corporate sellout owned by media mogul Rupert Murdoch. No surprise that the labels want to make a deal with him.

  43. A bit more respect is due. by Futurepower(R) · · Score: 0, Offtopic

    Former Minnesota Governor Jesse Ventura was a Navy Seal, trained in demolition. If you listen to the interview, you will hear his reasons.

    1. Re:A bit more respect is due. by memorycardfull · · Score: 0, Offtopic

      Respectfully, he was trained to blow things up underwater. Ventura makes it clear that he knows nothing about controlled demolitions, even going so far as to say his expertise boils down to throwing more C4 on something if you don't get the job done the first time. He is using the same approach to sell his new book through this radio interview, except he is substituting 9/11 conspiracy for C4.

    2. Re:A bit more respect is due. by electrictroy · · Score: 1

      Being an expert in demolition does NOT make you an expert in building collapses. In truth there really aren't that many experts in Trade Center-style collapses, since it happens so rarely. However engineering computer simulations show exactly what happens when 30 floors of a building suddenly "drop" onto the bottom part of a building. i.e. Pancaking.

      --
      The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
  44. That, too. by Futurepower(R) · · Score: 1

    Good point.

  45. The industry is experiencing a slump of creativity by Futurepower(R) · · Score: 1

    "Are you saying you have pirated copies of Britney Spears?"

    Yuck. Certainly not. And I'm not a pirate. I was saying that I didn't hear much that I felt was worth buying. The industry is experiencing a slump of creativity.

  46. Cocaine is one hell of a drug... by Chineseyes · · Score: 1

    I'm sure if we look back historically there was a similar dip in revenue around the time Rick James first became popular.

    --
    I think the invisible hand of the market has its middle finger extended

    --A wise old fart named SC0RN
  47. Little too late by BountyX · · Score: 1

    sounds exactly like imeem.com

    --
    Trying to install linux on my microwave, but keep getting a kernel panic...
  48. For the music industry, by meskk · · Score: 0

    "the deal is partly born of desperation."

    The music business has always been a desperate business; if a music artist can't make it to the top for some time, need that 9 to 5 no matter what. As for the big 5, the days of recorded media sales are over. Even though these companies' marketing structures have been revamped by removing the old goats with younger-- open-minded staff, the same caketard execs and board are still at the helm-- ensuing them (young marketing staff) the task of creating any "desperate" form of selling crap.

    "music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."

    Again, the music industry (at the commercial level), is a desperate industry. With the above quote, one can easily gather the level of rationale these jokers portray. If they were kicking that shit to me, I'd smack them on the back of the head and show them a gas station price sign, a picture of Britney Spears just for shits and giggles, and make them watch 5 minutes of CNBC (so the word recession can sink in).

  49. Fallacious statement by oDDmON+oUT · · Score: 1

    "In the face of widespread, escalating online piracy,..."

    Why is the same hokum being gussied up and trotted out yet again to cover up the fact that the major labels all, each and every swingin' dick one of them, missed the boat on the internet business model and now are scrambling to save their wrinkled white asses from a just deserved demise?

    --
    Some days it's just not worth
    chewing through my restraints.
  50. Re:SLASHDOT SUX0RZ by cloakable · · Score: 1

    Hey, that's accurate!

    Goatse is the best thing on myspace!

    --
    No tyrant thrives when every subject says no.
  51. Re:I think the falling sales are the industry's fa by electrictroy · · Score: 1

    >>>Quote from the Slashdot story: "In the face of widespread, escalating online piracy, music sales dropped..."

    Funny, but let's examine this seriously. Have music sales dropped? Yes. And no.

    - CD sales have dropped. That's true.

    - But Single sales have soared to the highest level EVER experienced by record companies. Single sales on Itunes and other online stores have sold more units than any time in history. (Funny how the record companies conveniently forgot to mention that fact. What's that old saying? "Lying with statistics"?)

    --
    The government is not your daddy. Its purpose is not to raid middle-class neighbors' wallets and give it to you.
  52. I'd pay to make my current music legal by joshuao3 · · Score: 1

    You know, this may sound like I'm giving in, but I'd gladly buy into an unlimited download service if by signing up for a year would make all (or at least the music from those labels who are participating) of my current music collection legal.

    --
    Monitor bandwidth usage on IIS6 in real-time: http://www.waetech.com/services/iisbm/
  53. Two services enter... by theghost · · Score: 1

    MyTunes vs. iTunes - who will emerge victorious? Just as long as my downloads stay cheap and it plays nice with my music player of choice, i don't really care.

    --
    The only thing necessary for the triumph of evil is that good men do nothing.
  54. Re:I think the falling sales are the industry's fa by theghost · · Score: 1

    "We only hurt the ones we love."

    --
    The only thing necessary for the triumph of evil is that good men do nothing.
  55. Contradictions much? by MilesAttacca · · Score: 1

    "...an independent joint venture in partnership with..."?

    Just how does that work?

    --
    98% of America's teens drink alcohol, smoke, and have sex. Put this in your sig if you like bagels.
  56. Re:Hopefully With The Same Great Quality of Servic by MilesAttacca · · Score: 1

    I'm not sure whether you should be modded funny or insightful. (I don't have any points to spare in any case, so we'll leave that to fellow slashdotters.)


    But seriously, it's always annoyed me that while MySpace is never *totally* down, one out of every five pages I load gives me a "unexpected error" page, which somehow still manages to load an advertisement. I can never even tell if my MySpace messages are being sent or not. Somebody should start counting uptime in terms of successfully, fully delivered page and not just "does the page load at all?"

    --
    98% of America's teens drink alcohol, smoke, and have sex. Put this in your sig if you like bagels.
  57. Don't pay them one penny!!!! by blast3r · · Score: 1

    Well, it seems suing our customers isn't working. Anyone have any ideas? Hey, lets use Myspace and let them actually purchase music that way. They should have come up with this idea a LONG time ago. After seeing the way they ruin their own customer's lives and wrongfully targetted students (AND even had a bill in Congress pass based on bogus data) they can just go get f'd. They are starting to see that their tactics in court are becoming less profitable and are trying to save their asses. In fact, just listen to free music like garageband.com has on it. Most of those can be downloaded in MP3 format for free or streamed right from your web browser.

  58. Re:I think the falling sales are the industry's fa by NtroP · · Score: 1

    >>>Quote from the Slashdot story: "In the face of widespread, escalating online piracy, music sales dropped..." Funny, but let's examine this seriously. Have music sales dropped? Yes. And no. - CD sales have dropped. That's true. - But Single sales have soared to the highest level EVER experienced by record companies. Single sales on Itunes and other online stores have sold more units than any time in history. (Funny how the record companies conveniently forgot to mention that fact. What's that old saying? "Lying with statistics"?)

    I agree. I also think there is another major reason for the change: People consume media in general and music specifically in a much different way these days. In the "olde days", if you wanted to listen to music you either schlepped a tape-player (and all your tapes) or your CD player (and all your CDs) which was a pain. So generally you'd maybe pop a tape or CD in your walkman and just take that. So, in essence you had a hand-full of your favorite songs with you and then you got bored. So you'd listen to the radio and get introduced to new bands and albums.

    Now, I can take thousands of my favorite songs from my collection with me and have my own virtual radio station. I don't feel the need to tune in to Clear Channel. I hear about new talent from my friends and content online. I can be at a mall or movie theater, hear a song I like, and download it to my iPhone on the spot. My daughter twitters me with a link to some cool new sound she heard from a band that played at her coffee house. My brother emails me a link to the latest indie artist he's recorded and mixed on iTMS. Frankly, if I tune into the radio at all any more, it's to listen to the news or 'All things considered". The RIAA no longer controls my listening habits. Frankly, I couldn't tell you who the latest hot bands (of any genre) are.

    I've also ripped my entire CD collection and purchased any gems I'd missed out on and have them in my pocket at all times. I'm getting older and, frankly the new pop-rap-crap I do hear is not for me. My music buying has flattened out. I rarely buy entire albums any more. That last song I bought was a tune that caught my attention while watching previews in a movie theater (and I bought it right then). I'm more likely to buy an Audible book than new music. And if I buy new music it's almost guaranteed to be from an indie band.

    The consumption model has changed. The distribution model has changed. There are no longer a controlling few dictating taste to the controlled masses. Just like the internet changed the face of news, it's changing the face of music and video. The music cartel's days have ended. They've lost their tight grip on the masses. They just don't want to admit it. That, more than rampant piracy, is the cause of the decline in "their" music being sold. Indie bands and musicians aren't factored into any of their sales figures (how would they know?) so, music in general is diversifying and growing, it's just the cartel's music sales that're drying up.

    --
    "terrorism" and "pedophilia" are the root passwords to the Constitution
  59. Myspace = tired by Anonymous Coward · · Score: 0

    Imeem was there first. /oldnews'd

    Myspace = tired

  60. Oh noes! by TripleE78 · · Score: 1

    DO NOT WANT!!!

  61. No evidence of the very strong inner metal columns by Futurepower(R) · · Score: 1

    I understand the pancaking. What bothers me is that there was no evidence of the very strong inner metal columns. Everything fell to dust. Only a controlled demolition causes that kind of destruction.

  62. this is TERRIBLE by robfixmycomputer · · Score: 1

    now there is no reason for personal americans to fight for copyright reform in the court system. we have lost our one common goal to defeat disney and revive the public domain. ive always prayed that drm was the final straw on the camels back, but it looks like the mafiaa camel will continue to ride on unfair and unbalanced copyright laws.

  63. Font and Foe by hicksw · · Score: 1

    Go easy on the poor fellow. His CAPS LOCK finally wore out.