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Record Labels Sue Spanish P2P Pioneer For $20M

elguillelmo writes "Promusicae, the Spanish record industry association, has sued MP2P Technologies and its founder, P2P pioneer Pablo Soto, for $20 million, citing unfair competition. Soto is behind the recently launched Omemo, an open source social media storage platform that allows users to share files anonymously, and the MP2P protocol, among other developments. Soto announced the organization's intention to defend itself in a statement published on his blog (in Spanish, Google translation)." TomTheGeek notes related news that Warner Brothers has admitted it employed one of the investigators in the case against the Pirate Bay founders. We discussed initial reports of this controversy last month.

69 comments

  1. Stupid legal system by mrbluze · · Score: 4, Insightful

    It matters not whether you're in the right or not, but if you get sued it ruins your year.

    --
    Do it yourself, because no one else will do it yourself. [beta blockade 10-17 Feb]
    1. Re:Stupid legal system by Anonymous Coward · · Score: 0

      Being right or wrong matters less in Spain, too, because litigations are a lottery, and because music industries have enough weight on the ruling party that they can tailor their laws.

    2. Re:Stupid legal system by ObsessiveMathsFreak · · Score: 1

      Not if you're in a loser pays legal system!

      --
      May the Maths Be with you!
    3. Re:Stupid legal system by AuMatar · · Score: 3, Interesting

      Loser pays just changes the strategies slightly. They still have the advantage.

      Lets say I'm on the right side of the case. Lets further say that I have a 90% chance to win. However, their legal fees total to 1 million dollars. That would bankrupt me. I won't fight the case, because even though the law and probability are on my side, I can't afford to lose that money. My upside is I win $0, my downside is -$1m, my average is -$100K.

      Loser pays alone is not enough. You have to cap losses, or you have the situation where a little guy can never afford to pursue justice.

      --
      I still have more fans than freaks. WTF is wrong with you people?
    4. Re:Stupid legal system by jacquesm · · Score: 2, Interesting

      The legal system is a lottery anywhere in the world.

      Incidentally, John Walker pretty much foresaw this whole business in his 2003 document the digital imprimatur.

      It makes interesting reading to say the least and if his future view of the headwind for 'p2p' is correct this is really only just beginning.

  2. Unfair Competition by NoobixCube · · Score: 4, Insightful

    The wording of that seems to have nothing to do with the legality of sharing files. Promusicae just don't like competing. At least there's one such organisation that says what it means.

    --
    Admit it. You post strawman arguments as AC so you get modded Insightful for refuting them, rather than Troll
    1. Re:Unfair Competition by Anonymous Coward · · Score: 0

      It seems that Warner Brothers has no limit in its tyranny...even abusing its subsidiaries in developing countries. Already they have stripped our people of pride, of freedom, of decency.
      What more are they after?

    2. Re:Unfair Competition by fletch44 · · Score: 3, Insightful

      Since when has Spain been a developing country? It's part of Western Europe, and an incredible place to visit.

    3. Re:Unfair Competition by Anonymous Coward · · Score: 0

      Compared to other countries in western Europe, Spain *is* developing, but yeah - I know what you mean, and I agree. To characterise it as a developing country totally misses it.

      That being said, what does being an incredible place to visit have to do with it?

    4. Re:Unfair Competition by Beriaru · · Score: 5, Informative

      Well, the thing is, in spain is legal download music. We're being extorted with a private tax (the 'canon') for the concept of 'private copy'.

      When you buy recordable CDs you pay that 'canon' (which is more expensive than the CD). That way, you are free to have private copies of records.

      The record industry associations have tested the legality of download music, and have lost. So they are testing new ways of being an asshole.

    5. Re:Unfair Competition by Weedlekin · · Score: 3, Insightful

      "The wording of that seems to have nothing to do with the legality of sharing files."

      That's because non-commercial copying is legal is Spain, so their media industry failed when they tried to claim it wasn't in court.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    6. Re:Unfair Competition by Anonymous Coward · · Score: 0

      Spain is a little slower than the rest of western Europe because of their culture. They've got the whole siesta thing, and it's barely possible to get people to do any work besides. It shouldn't come as a big surprise. But maybe they're onto something.

    7. Re:Unfair Competition by Anonymous Coward · · Score: 0

      People in Spain only take siesta on weekends.

      It's like the myth of the ignorant american, but without being true.

    8. Re:Unfair Competition by mstahl · · Score: 1

      Ok. When you've run empires in the past and fought wars with the British and the United States hundreds of years ago, you get the title of "developed" country no matter what your economy is like nowadays.

  3. bucket full of crazy by ILuvRamen · · Score: 3, Insightful

    I assume this is like oh no, it's unfair competition that they're giving away their music for free. Okay time to play judge. Here's what I've got to say: "Sir, this company's product is software, not music. Case dismissed" *bangs gavel*

    --
    Google's Super Secret Search Algorithm: SELECT @search_results FROM internet WHERE @search_results = 'good'
    1. Re:bucket full of crazy by Psychotria · · Score: 1

      Do you really think a judge is going to say "Sir, this company's product is software..."? While I agree with what you're saying I do not have the same faith in the legal system. We can say "yeah it's not the gun manufacturers" fault, but guns have a longer history.

  4. Yeah sure by MR+LOLALOT · · Score: 1

    The recording industry sues someone who records nothing for unfair competition. Sounds almost right. The judge must be LOLING A LOT!

    1. Re:Yeah sure by Ethanol-fueled · · Score: 2, Funny

      They should just sue the human race for wanting something for nothing. They'd end up suing themselves, too.

    2. Re:Yeah sure by Dan541 · · Score: 3, Insightful

      What the hell is unfair competition and how can you sue for it?

      Seems pretty messed up that you can sue someone for being better than you.

      --
      An SQL query goes to a bar, walks up to a table and asks, "Mind if I join you?"
    3. Re:Yeah sure by MR+LOLALOT · · Score: 4, Informative

      The funny about this is here http://en.wikipedia.org/wiki/European_Community_competition_law

      The unfair competition from the Competition Law of the EU only applies to big companies and/or monopolistic companies. MP2P is neither. They don't even play in the market PROMUSICAE does.

    4. Re:Yeah sure by TFer_Atvar · · Score: 1

      Well, I was going to type out a long, insightful piece about unfair competition, but I'm lazy. So I'll just link to Wikipedia instead.

  5. Re:Huh? by iminplaya · · Score: 1

    I do! You insensitive clod!

    --
    What?
  6. Um hypocritical much? by aceofspades1217 · · Score: 2, Funny

    unfair competition? That is like Microsoft suing Novell for competing with them. I mean what do have against them. "We feel it is immoral and highly harmful to standardized business practices to provide an alternative to standard more expansive forms of distribution." ...

    WHATDAFUX

  7. What next? by aceofspades1217 · · Score: 3, Interesting

    I mean what the heck you can't sue someone simply for providing software which "might hurt your business". Lets wait for Microsoft to start suing download managers for having the possibility of being used to download Microsoft :P

    1. Re:What next? by Kalriath · · Score: 1

      Yeah, wait for it... "In the matter of Microsoft Corporation vs Microsoft Corporation, we find the defendant guilty of unfair competition through defendant's production of Internet Explorer, a hacker tool used to locate and download unauthorised copies of Windows, among other things..."

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
    2. Re:What next? by aceofspades1217 · · Score: 1

      LOL that would epic. And the defendant Microsoft pays the plaintiff Microsoft 20 M dollars.

      Sorry little Timmy you ain't getting any Christmas presents :(

    3. Re:What next? by Kalriath · · Score: 1

      My local city council has actually done that before. Sued themselves I mean. They apparently built something without a resource consent, so they took themselves to court, fining themselves $6M for violating the Resource Management Act. Sometimes, The Onion gets it right apparently.

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
    4. Re:What next? by aceofspades1217 · · Score: 1

      LOL I would love to see how that panned out. Um city writes a check to itself for 6 million dollars.

      The only person who benefits...the paper company who makes the darn check.

  8. Bizaro World by rossz · · Score: 1, Redundant

    In the odd little world of the Mafi*AA, _any_ competition == unfair competition.

    --
    -- Will program for bandwidth
  9. The opposite side of the "entitlement society"... by plasmacutter · · Score: 4, Insightful

    This particular lawsuit cannot hide behind the evil copyright infringers.

    Reaganites in the us (im sure every nation has their version of them in one extreme or another) wail on endlessly about the freeloaders who think they are "entitled" to welfare, while conveniently ignoring the elephant in the room.

    Today's corporate controllers feel their companies not only have the right to exist, and therefore receive massive tax-payer bailouts the magnitude of entire state budgets, but think they have the right to profit. This is particularly blatant with the music and film industries world wide, who count a person's refusal to buy as "stealing" and characterize emerging business models as murderous.

    oh snap! that home depot across the street just stole the revenue lowes was entitled from everyone who turns left off the exit instead of coming down the oncoming lane from the opposite side of the bridge!

    A more convenient location for northbound and westbound travelers is an unfair competitive advantage! where is my anti-trust council!

    --
    VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  10. Now that WE are controlling music distribution, by Simonetta · · Score: 3, Insightful

    Now that WE are controlling music distribution, we should give some thought over what exactly we are going to do with the situation.

        There appears to be a great struggle going on between the four global music/film corporations and the thousands of technically advanced internet applications programmers over the ability to control (or to be more precise, the ability to remove controls) over the distribution of recordings of music and films.

        Incredibly, the internet applications programmers appear to be winning. Otherwise the big four companies wouldn't be going to such extreme legal measures to stop them.

        Now would be a good time to ask ourselves whether we really want this. We should consider the long-term ramifications of destroying the music/film distribution industries. Remember that ancient Chinese curse: be careful about what you ask for, since you just might get it.

        Basically what the technical elite want is to have free or nearly free access to all the media recorded products currently offered for sale by the big four. The real question here is whether they want this access for themselves only or for everyone. Or whether the technical elite want to be able to control who gets access to free media product and how much free media product the technical elite (those people who write the P2P programs) plan to distribute.

        The big four media companies fear that the P2P programmers are going to attempt to make all commercial media product free to everyone, and put them out of business. But this is absurd. Because there are billions of people who depend on the big four for their continued access to new product, and the technical elite (those who write and to a limited extent, control the P2P environment) don't have the interest or the ability to supply all these people with a continuous stream of new media product. They are programmers, not media distribution executives.

        If the big four CEOs were smart and seriously wanted to crush the P2P community, they would cut back on product development and releases and blame it on the P2P programmers. Instead they make exciting ads telling people that it is illegal to get free media product by using P2P programs. Which is the same thing as educating people who weren't aware that it was possible to get free music and films by using P2P. Which is really dumb on their part.

        Because the big four won't consider cutting back on product release in order to crush the P2P community, then it must be that the revenue streams that they are getting from new product is far, far greater than the revenue that they are losing through the P2P programs enabling of free access to media product. So this anti-P2P vendetta is just a personal thing between the big four executives and the P2P developers; a 'my dick is bigger' contest between these two small groups.

        The big four executives and the P2P developers would be wise just to sit down and work out a 'cap and trade' agreement that would give the P2P developers free access to media product in return for the P2P developers agreeing to limit the distribution of this product to only the people whom they consider to be 'cool'. Since this is what is going to happen eventually anyway, they should formalize the situation before someone (someone important) gets hurt by allowing the lawyers to run amok.

        How come Slashdaughters don't think like this and talk like this whenever this topic comes up for discussion?

    1. Re:Now that WE are controlling music distribution, by NoobixCube · · Score: 1

      I'll start off by saying that I do download music and movies. There would be very few on Slashdot who don't. I also like to think I have a little bit of ethical rationale for it. When it comes to music, I only download it if it's not available in any local music stores. You try getting obscure Norwegian neoclassical metal in North Queensland, and you'll see why about 40% of my music is "illegally" downloaded. If they don't sell it here, they don't want my money, anyway. About 50% is from OC Remix, VG Mix and other similar sites, so free. The other 10% is what I've bought. Music can be produced for next to nothing these days. Software and hardware are almost trivial to obtain now, and the original purpose of the record labels is entirely obsolete. Digital distribution is virtually free, unless you host it on your own web space. Movies, however, I feel differently about. I rarely download them to keep, but I figure streaming a movie once is no different to borrowing it from a friend. Movies cost millions of dollars to create, or at least the big budget Hollywood movies do, so I don't feel right pirating them. Of course, if a movie is awful, that feeling immediately disappears.

      --
      Admit it. You post strawman arguments as AC so you get modded Insightful for refuting them, rather than Troll
    2. Re:Now that WE are controlling music distribution, by tepples · · Score: 1

      About 50% is from OC Remix, VG Mix and other similar sites, so free. Don't these sites technically infringe musical composition copyrights owned by Activision Blizzard, EA, Nintendo, and other major publishers of proprietary video games?
    3. Re:Now that WE are controlling music distribution, by mstahl · · Score: 1

      Basically what the technical elite want is to have free or nearly free access to all the media recorded products currently offered for sale by the big four.

      That's not what I want at all. I want the music industry to keep operating, and I want it to be successful enough that the industry can take chances on indie artists and so there can be a wider variety of stuff available than there is now.

      I want a return to the time when I could pay for a recording or for a movie and do whatever I want with it as long as I wasn't charging people to view it at my apartment or something like that. I want to be able to rip CDs and rip DVDs for personal use with no fear whatsoever of legal repercussions. I don't use file sharing programs; I object to the audacity of them trying to pervert the legal system to attempt to tell me what I can do with my own technology.

    4. Re:Now that WE are controlling music distribution, by NoobixCube · · Score: 1

      I think it's like how anyone can do a cover of someone else's song. It's not just a bunch of people rehashing other peoples' songs, either. Jeremy Soule, noteworthy composer who's done a lot of games, has even submitted a mix. I'm not sure, but I think Uematsu, of Final Fantasy fame, has said he likes OC Remix too.

      --
      Admit it. You post strawman arguments as AC so you get modded Insightful for refuting them, rather than Troll
    5. Re:Now that WE are controlling music distribution, by MacWiz · · Score: 1

      Because the big four won't consider cutting back on product release in order to crush the P2P community

      Do you have any facts to support this? I was under the impression that releases had been cut to a third of what they were in 2000.

      give the P2P developers free access to media product in return for the P2P developers agreeing to limit the distribution of this product to only the people whom they consider to be 'cool'.

      Uh, how about finding 'product' made by 'cool' people who won't sue you and not worrying about who takes it?

      How come Slashdaughters don't think like this and talk like this whenever this topic comes up for discussion?

      Because the cartel demands DRM and/or filtering. DRM is not acceptable; filtering just doesn't work. They're dealbreakers. It's much, much easier to simply find "legal" music and ignore the RIAA.

  11. Double attack on P2P by the Spanish RIAA by Patatoffel · · Score: 5, Informative

    In Spain, SGAE, Promusicae and others (spanish RIAAs) are paid a percentage ('canon') of the price of storage devices: CDs, DVDs, printers, hard drives, cameras... in compensation for their hypothetical losses because of P2P. But now they are showing that they also want to adopt the US way to 'defend' their copyrighted media, so we'll end up being f*cked twice. And our ruling party, the PSOE, calls itself leftish. Contradictory, isn't it?

    1. Re:Double attack on P2P by the Spanish RIAA by BlueParrot · · Score: 1

      Well the US denies it , but controlling media distribution through government sanctioned monopolies is pretty fucking far from a capitalist free market. What Adam Smith argued was that governments should take a "hands off" approach to markets, only using a minimal amount of regulation as necessary to enable a semi-free market to exist in the first place.

      I dunno what definition of capitalism you have been given, but draconian copyright laws, government sponsored monopolies and harsh penalties for copying music is about as capitalist as a 5 year plan for production imposed by a central authority.

    2. Re:Double attack on P2P by the Spanish RIAA by Patatoffel · · Score: 1

      True, but the political situation is a bit different in Europe. In Spain, we haven't pure liberal parties; the other big party is the PP, which is mainly conservative; and the PSOE, as a leftish party, is supposed to be in the side of the people, not the corporations (or at least this is their propaganda). In economic terms, both parties are quite similar.

    3. Re:Double attack on P2P by the Spanish RIAA by Just+Some+Guy · · Score: 1

      In Spain, SGAE, Promusicae and others (spanish RIAAs) are paid a percentage ('canon') of the price of storage devices: CDs, DVDs, printers, hard drives, cameras... in compensation for their hypothetical losses because of P2P.

      Are cameras and printers commonly used for copyright violation? That to me says much: that they're really trying to prevent anyone who's not already in the content-creation industry from being able to enter.

      Up next for taxation: paintbrushes and guitar strings.

      --
      Dewey, what part of this looks like authorities should be involved?
    4. Re:Double attack on P2P by the Spanish RIAA by Alphasite · · Score: 1
      Yeah they are. It's supossed to compesate for book printing (so it's completely legal to download and print a pdf book from) in the case of printers.

      And for the cameras ... I didn't even know anything about it... anyway .. here is a list so you can make an idea of how mucho money this people make ... even if you don't use the cd, dvd or whatever to make private copys of copyrighted content.

      • Scanners - 10 €
      • Scanner with copy capabilities (less than 10 copies/minute) - 16,67 €
      • Scanner (or similar) with copy capabilities (from 10 to 29 copies/minute) - 114,95 €
      • Scanner (...) (from 30 to 49 copies/minute) - 153,28 €
      • CD, DVD - 0,16 € every 525,38 MB (that makes you pay about 1 â for every DVD you buy)
      • Video playback devices - 6,61 €
  12. Living in Spain myself, by faragon · · Score: 3, Interesting

    Spanish RIAA-like associations (SGAE and subsidiaries like Promusicae, etc.), are being investigated right now because of lack of transparency, illegal politic finantiation, blackmail ("chantaje").

    The prosecution is nonsense and will result in a null case, but their intention is to stop actions not by legal reason, but by legal intimidation (in Spain there is *fear* about speaking against the SGAE in public media, because of you can be sued easily). Many people do google bombing refering "http://www.sgae.es/?ladrones" as a measure to protest against these "kind and polite organizations", so when you look for "ladrones", they appear in the first place.

  13. If the legal fees cost 1m by Anonymous Coward · · Score: 0

    You can't afford to play in court even if it's not a loser pays system.

    I fail therefore to see the change.

    PS: how can there be unfair competition when copyright is a state mandated monopoly???

    1. Re:If the legal fees cost 1m by mdmkolbe · · Score: 1

      He means the other guy has legal costs of 1m.

  14. Big hard drives = Piracy War Over! by Adeptus_Luminati · · Score: 4, Insightful
    The piracy war will ultimately be won by pirates. So all these law suites are kind of pointless in the end. Even if they manage to kill P2P somehow, I can still go to my buddies house and swap movies with a portable HD. And eventually, in the not too distant future, we'll be able to swap the ENTIRE collection of every movie and song EVER made via snicker-net!

    Check it out:

    Assuming 1 aXXo movie = 700 MB, the average MP3 = 5 MB, and a $200 hard drive increases in capacity every 1.5 years (not unreasonable), then:

    -5 years (2012) - Weâ(TM)ll have 7 Terabyte hard drives costing $200, capable of storing 9,643 Movies or 1.3 Million songs!!

    -10 years (2017) - Weâ(TM)ll have 51 Terabyte hard drives costing $200, capable of storing 73,225 movies or 10.3 MILLION songs

    -15 years (2022) - Weâ(TM)ll have a 389 Terabyte hard drive costing $200, that can store 556,000 Movies!!! or 77.8 Million songs (Is there even that many songs in the history of the world?!?!?)

    -20 years (2027) - Weâ(TM)ll have a 2956 TERABYTE hard drive, costing $200, that can store 4.2 MILLION MOVIES or 590 MILLION MP3s!

    ==================
    GAME *UCKING OVER!
    ===================

    By 2030, we will have every movie and song in the world stored on our freaking wrist watches.

    --
    No trees were killed in the making of this post; however, many trillions of electrons were horribly inconvenienced.
    1. Re:Big hard drives = Piracy War Over! by BlueParrot · · Score: 4, Insightful

      Lets say a song is about 5 minutes long

      20 songs an hour
      480 songs per day
      175.200 songs per year
      17.520.000 songs per century.

      That is assuming you don't sleep, that you never listen to the same song twice, and that you never do anything but listen to songs. For music it has been game over for a long time... Movies probably have a decade or so left, but then they are fucked too.

    2. Re:Big hard drives = Piracy War Over! by Kjella · · Score: 1

      'Which is not to say they couldn't make money off convienience. Is there any pirate service where I could search for a song and have it instantly start streaming to me while downloading in the background? I don't think so. Where there's only high-quality, properly ID3 tagged and consistently named songs? No. Where it'll give me good tips on music I might like based on my ratings, old or new? No. Like you point out, getting the songs is not the problem as I could have them coming in faster than I'd ever care to listen through them. But there's a lot that could be done about the process between there and a highly personalized, organized and instantly available experience.

      --
      Live today, because you never know what tomorrow brings
    3. Re:Big hard drives = Piracy War Over! by msormune · · Score: 1

      So you show up at your buddies house in 2015 with a hard drive full of copyrighted material? With the cops waiting? GAME *UCKING OVER for you.

    4. Re:Big hard drives = Piracy War Over! by Anonymous Coward · · Score: 0

      Man, I'm jealous of your world with 100-minute hours!

    5. Re:Big hard drives = Piracy War Over! by Adeptus_Luminati · · Score: 1
      One word - TrueCrypt


      (and you don't even have to wait 15 years) :P

      --
      No trees were killed in the making of this post; however, many trillions of electrons were horribly inconvenienced.
    6. Re:Big hard drives = Piracy War Over! by turing_m · · Score: 1

      The move to lossless codecs (audio and video) will slow that down somewhat, since the sizes of the files will be inherently larger than 5MB for a song and 700MB for a movie. So will a move to higher definition video. I suspect that games will be the last holdout, since an experience that is different each time according to a player's input can be recorded but is not interesting to watch. If all calculations are done server side and kept secure, you can't crack it.

      But yeah, you're right.

      --
      If I have seen further it is by stealing the Intellectual Property of giants.
  15. On the Warner/TPB side note by catxk · · Score: 2, Interesting

    The police officer who flipped from the force to Warner has allegedly flopped back and is again in uniform.

    Swedish newspaper Sydsvenskan on the matter:

    http://translate.google.com/translate?u=http%3A%2F%2Fsydsvenskan.se%2Fnojen%2Farticle331913.ece&hl=en&ie=UTF8&sl=sv&tl=en

    --
    Don't be crazy anymore!
  16. ladrones == thiefs by Anonymous Coward · · Score: 0

    The meaning of "ladrones" is needed to understand the parents post.

    1. Re:ladrones == thiefs by faragon · · Score: 1

      Thief plural is thieves, you insensitive clod!

  17. Re:The opposite side of the "entitlement society". by Stanislav_J · · Score: 4, Insightful

    Today's corporate controllers feel their companies not only have the right to exist, and therefore receive massive tax-payer bailouts the magnitude of entire state budgets, but think they have the right to profit. This is particularly blatant with the music and film industries world wide, who count a person's refusal to buy as "stealing" and characterize emerging business models as murderous.

    Not just the right to make a profit, but the right to ever-increasing profits. Used to be if a company's profit dropped, there would be soul-searching to see how they could change and adapt their methods and products to better suit the current economic situation, to more accurately meet consumers' needs, or to effectively compete against other companies. That has changed -- now, if the bottom line starts dropping, it's never the company's problem, it's all those outside forces that must be bullied, threatened, lobbied, bribed, or regulated into submission. "We've been doing it this way for X number of years, and we want to make sure that we can still do everything the same way, only keep making more and more money."

    It's not just the record and film industries that see the Internet as a threat. Newspapers, magazines and other traditional media are running scared. Governments fear the notion of people actually forming and sharing their own opinions instead of being told what to believe, and corrupt governments and politicians fear their carefully obfuscated dirty laundry being hung out on the Net for all to see. As the Net grew in popularity, the initial corporate attitude was, "aw...how cute." Then it became, "hmmm.....how can we make a profit off this thing?" If they failed to do so, it then became "the Internet is evil and must be killed, or at least molded and shaped to serve OUR needs."

    --
    "Every great cause begins as a movement, becomes a business, and eventually degenerates into a racket." -- Eric Hoffer
  18. Re:The opposite side of the "entitlement society". by Ox0065 · · Score: 1

    I assume that by EVIL copyright infringers you mean media companies who release content in trade secret packages, willfully and knowingly refusing to meet their end of the copyright agreement.
    The copyright system as I understand it is that, in exchange for publishing media into the public domain, you receive an exclusive right to distribute what you publish, protected under copyright law.

    --
    thx e
  19. Re:The opposite side of the "entitlement society". by Ox0065 · · Score: 1

    you receive an exclusive right to distribute what you publish, protected under copyright law. obviously I mean an exclusive right for a fixed period, after which it becomes public domain. sorry badly worded
    --
    thx e
  20. Sonny Bono owns you by tepples · · Score: 2, Insightful

    The copyright system as I understand it is that, in exchange for publishing media into the public domain, you receive an exclusive right to distribute what you publish, protected under copyright law. "Public domain"? It appears you misunderstand it. Nothing first published after the mid-1920s (US) or whose last surviving author died after the mid-1950s (Europe, Japan, Australia, and many other developed countries) will ever enter the public domain through expiration of copyright. The reason for this is successive legislative extensions of copyright, such as the Copyright Act of 1976 followed by the Sonny Bono Copyright Term Extension Act of 1998 and the Chastity Bono Copyright Term Extension Act of 2018. And eventually, all possible combinations will be owned.
  21. fat chance by unity100 · · Score: 1

    those cases are probably gonna be settled in brussels, and the french speaking eu judges and bureaucrats there are probably gonna make a mincemeat out of riaa.

    1. Re:fat chance by Larryish · · Score: 0

      wouldn't mind it

  22. I will be called a troll, but it's true! by Anonymous Coward · · Score: 0

    The maxim of leftism is that you don't have to produce, but you still benefit from the work of others, and that's rigurously followed by PSOE, UGT, SGAE, and millions of government employees put there by their ideology and not merits. Both PP and PSOE are quite similar, but for PSOE is the second time in a round that manages to bankrupt the country, so in economic terms, PSOE is the worst party Spain has ever had.

  23. Intellectual property is fluid by Simonetta · · Score: 1

    Thanks for the reply. My point is not that whatever reasons people have for downloading free media product, it's that the digital revolution has taken the concept of physical property off the media product (music and film recordings). The media companies need to come to a realization that their products are not physical boxes that can be bought, sold, and moved. These products are much more fluid now. Some people are going to pay a high price and many people won't pay a high price for their product. Having the consumers determine the price that they will pay for the individual title of media product being offered is concept that the media companies completely detest, but one that they are going to have to adjust to. Digital technology has destroyed the 'one price for all' model. The companies that can adjust to this will survive during the great coming 21st century crash, and the others won't continue to be around.
        Since the media companies have become so dependent on the tech community to create and deliver their products, they should accept that the people who work in the tech community are going to consume their products for free (by downloading them). The media companies could encourage young people to go into technology careers by granting free legal downloads to everyone who graduates from college with an engineering or computer science degree. Since these are the very people who are creating the P2P programs that are wrecking havoc on their industry, it would be in the interests of the media companies to buy the techies off so cheaply.
        But they don't seem to realize this.

  24. The solution by Digital+Vomit · · Score: 1

    The solution? All legal work should be pro bono. Laywers should be publicly salaried employees like any other civil servant. Exposing the Justice System to for-profit desires is just asking for corruption.

    --
    Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    1. Re:The solution by Anonymous Coward · · Score: 0

      The problem with making lawyers work pro bono is that they still vary in skill.

      Also, people can act as their own lawyers; this is necessary. Why, then, can't they have someone else help in their defense? It's hard to do, but it seems a little too random if the lawyers are all randomly selected.

  25. The situation is fine as-is by Digital+Vomit · · Score: 1

    The current situation is perfectly fine: people pay for experiences (e.g. movies, concerts) and physical copies (DVDs and CDs) whereas all shared digital information distributed over the internet or on disl or whatever is free. It's been this way for decades and has worked out just fine. Content producers just need to stop wasting their music fighting movie/music sharing and just accept it. There's nothing wrong with sharing.

    The music, movie, video game, and book industries (to name a few) have not disappeared and are in no danger of disappearing -- or even being harmed -- because of P2P. That's simply the reality of the situation. This war against P2P is about money and control, nothing more.

    --
    Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
  26. The real difference of digital property by Simonetta · · Score: 1

    The real difference between digital intellectal property and real physical property is that with digital intellectual property, the more you pay for it, the less control you have over it. With real property, the more that you pay,and the greater of the percentage of the property that you own, the more control you have over its use.

        The only way to control intellectual property in a digital format in the ways that you have described is to obtain it for free. The fact that this is illegal puts the category of digital intellectual property outside the parameters of the legal system. Nearly all digital property is possessed by people illegally. Very few of the pieces of intellectual property like the MP3 files on most people's PCs and iPods are actually owned legally. Since possession is 9/10s of the law (and 100% for drug offences), then the fact that most digital intellectual property is owned illegally means that the concept behind digital property law is flawed and unworkable, not that all the people with MP3s on their PCs are criminals. It can be realistically determined that digital intellectual property is not property at all, and therefore can't be stolen.

    1. Re:The real difference of digital property by mstahl · · Score: 1

      For the time being, the only way to control intellectual property in a digital format in the ways that you have described is to obtain it for free.

      There. Fixed that for ya. We're winning, and we're gonna keep winning until the other side decides to abandon their antiquated business practices.

      I'm not file sharing really, but I want those who are to not be prosecuted the way they are. I want the legal system to not be tampered with. I want the courts and the companies to both acknowledge that none of us are criminals.

  27. Royalty for mechanical licensing by tepples · · Score: 2, Insightful

    I think it's like how anyone can do a cover of someone else's song. The original music publisher is still allowed to charge a royalty of up to 9 cents per copy. Sites that offer free downloads can't recoup this royalty.