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Review: Crysis Warhead
- Title: Crysis Warhead
- Developer: Crytek Budapest
- Publisher: Electronic Arts
- System: Windows
- Reviewer: Soulskill
- Score: 4/5
In the original Crysis, a team of American soldiers was dropped into combat on an island controlled by the North Korean Army. The game followed one of the soldiers, call sign "Nomad," as he made his way across the island to complete his objectives. In Warhead you control another member of the team, Michael "Psycho" Sykes, as he attempts to retrieve some cargo thought to be a nuclear warhead. While Psycho assisted Nomad throughout the first game, there is very little interaction with Nomad in this offering.
What differentiates Warhead from typical first-person shooters is the "Nano Muscle Suit," which provides limited protection and a number of enhanced abilities. You can only use one at a time, and you toggle the suit between the various enhancements through a very simple interface. It's similar to the interface used in Crysis, but slightly improved. The suit has an energy tank which runs dry quickly, but regenerates quickly as well. As a result, it's not feasible to just turn on all the goodies and annihilate everything in your path; each mode has an energy budget, which forces you to be creative, picking the right tool for the job. Armor mode will allow you to take extra hits, the damage coming out of your energy bar rather than your health bar. It drains quickly, though. It'll give you extra seconds to get to cover, but it won't let you take on a dozen guys. Strength mode will let you jump really high, throw things extra far, and land punches that would drop a buffalo. Speed mode makes you run a bit faster and gives you the ability to sprint incredibly fast for very short periods of time. Between Speed and Strength modes, you can get to a lot of interesting places. Dash up behind a building, jump to the roof, and smash your way through the ceiling to surprise the enemies inside. You also get Stealth mode, which is reminiscent of the Predator. You're camouflaged well, but not perfectly, so enemies who get close enough will still see you. Don't get caught running out of energy in the middle of sneaking through a battlefield. Through the same interface, you can add attachments to your weapon, such as a flashlight, a silencer, or different sights.
The different suit modes add a great deal of replayability to Warhead. If you want, you can literally sneak through the majority of the game, dropping out only to recharge your energy and fire your weapon. You can also just blitz your way though on Speed mode, dodging enemies and beelining from one obstacle to another for cover. Sometimes you do have to stop and shoot the roses, though. The modes combine in interesting ways. You can stealth from vantage point to vantage point, then use your Strength mode to steady your aim for sniping. You can dash past a group of enemy soldiers and get them to follow you to a group of aliens, then disappear. The two forces will lose you, see each other, and start shooting.
The AI in Warhead is definitely a step up. When you're spotted, enemy soldiers will converge on your position, calling over their friends to help. They'll flank you and use cover quite well to avoid your fire. They'll even duck behind a corner to reload. You can use stealth mode to get out of a lot of sticky situations, but even then, they'll continue to shoot at and around where you were last seen, knowing that if you're low on energy, you can't move very far without being revealed. I felt that the overall difficulty of the game was often hit-or-miss. Warhead was done in the (fairly common) style that strives for realistic aiming. In other words, holding down the trigger increases the spray radius, and headshots do more damage than shots to the center mass. It leads to fairly inconsistent encounters; sometimes you'll drop a group of three or four enemies without getting hit, and sometimes they'll absolutely demolish you. You'll also run into vehicles carrying more powerful guns that can pick you off from far away after a couple of lucky hits, and you may not have any recourse. It doesn't happen often enough that it's a major problem, but you'll almost certainly die a few frustrating deaths where you just didn't have time to cloak yourself or dive for cover. Occasionally, you'll run into opponents wearing their own version of your suit, and it can be annoying to (seemingly) pump 20 rounds into somebody and have them still kill you.
Vehicle use is a bit better, too. You get a couple new toys to ride around in, and they're easier to handle than in the original game. It's not perfect, but it's awfully entertaining once you have the hang of blazing down a road while taking out everything along the sides. The rides vary in maneuverability and firepower, but they're all useful for something. You can zoom around in an unarmed hovercraft, or putter along in a large truck. As with the normal combat, your durability usually depends on how lucky you are. Sometimes you'll feel invincible running over enemy soldiers while taking potshots at passing helicopters, and other times it seems like you have to find a new ride every hundred yards. There's nothing stopping you from taking out the gunner and driver of another vehicle and stealing it. I was a bit disappointed that you can't drop inside enemy-controlled tanks, though. It was hard enough to get on top of one. Make sure to keep an eye on your vehicle's damage meter; if they explode while you're inside, you die.
The story itself is simultaneously an upside and a downside of the game. Depending on your playstyle, you'll make it through Warhead in 5-7 hours. That said, the game is an expansion, and it's priced as such, so with the replayability and multiplayer options, the length isn't a gripe. Part of the reason the game clocks in where it does is that the pacing is excellent. The missions objectives are thrown at you quickly, and your military contacts are constantly checking in with new problems or to provide motivation. The game is designed to make you want to see what's over the next metaphorical hill, reward you for getting there with a battle or a visual "holy crap" moment, and then pointing you towards the next hill. The music contributes greatly to this with a driving, energetic, and dramatic score. In fact, it's some of the most appropriate music I've ever heard in a game. Another factor that mitigates the game's brevity is the options for replayability mentioned earlier. There's a great driving mission partway through that has you following a comrade through a hostile zone, taking a ton of heat from roadside stations and patrols. You can follow him and shoot your way to the objective on your first time through the game, and then ditch the vehicle and sneak safely through the next time. Or take the time to clear out all the enemy stations on your way. Crytek does a good job of offering you options without requiring that you take them, and pushing you toward your objectives without insisting on particular tactics.
Warhead, much like Crysis, is a very visually impressive game. The artwork is stunning, but not obtrusive; it only served to deepen the immersion for me. I found myself rubbernecking when I made an enemy vehicle crash or knocked an alien out of the sky. When I had spare moments to collect my thoughts, I was torn between watching the scenery and keeping an eye out for the next Big Thing so I wouldn't miss it. Fortunately, Crytek has us covered; they consistently give you some warning or do something to draw your eye to the big, impressive sights. The graphic settings for Warhead are either intuitive or stupid, depending on whom you ask. The minor settings (for textures, shadows, etc.) have four options: Minimum, Mainstream, Gamer, and Enthusiast. The default is Mainstream, and that's what I used my first time through the game. On a middle-of-the-road PC, it was completely smooth. I bumped it up to Gamer and noticed a performance hit, but it was still playable. At Enthusiast, the game got very choppy in graphically intense sequences. It was borderline playable — I wouldn't use it for anything but exploring or showing somebody else the game. Sure looked good, though. TechSpot did a more in-depth analysis on the relation between hardware and framerate.
Warhead's multiplayer system, Crysis Wars, is basically a refined version of what was offered in the original Crysis. There are three different types of games: Instant Action (a basic free-for-all deathmatch), Team Instant Action (team deathmatch), and Power Struggle. The latter divides players between two teams and gives them a variety of buildings to capture and vehicles to unlock on their way to destroying the enemy's headquarters. The use of vehicles adds to the gameplay without dominating it. Given the option, I was happy to hop into a truck, but it was always to get somewhere so I could hop out again. I had trouble finding servers with enough people to make Power Struggle interesting, but if you get a lot of people involved, it could be quite fun. The other, more traditional game types are well-done, but a matter of personal preference. I tend to prefer Quake-style games rather than the ones more dedicated to realism. In Crysis Wars, encounters with enemies players are often over in seconds, with very little ability to break off an encounter that's not going well, or to overcome bad odds. I enjoyed the team version more, because having teammates is synonymous with having some target dummies scouting ahead to draw enemy fire. That said, having access to your suit puts a nice spin on an old concept. Players who make full use of them are incredibly dangerous. If that style of combat is your preference, you'll enjoy it. The maps are well crafted and provide many opportunities for unique interactions, and they make good use of all three dimensions.
Crytek is a great example of a developer who produced something good and then turned around and produced something better. That's the kind of progression I like to see in a company, but so rarely do. Warhead is an improvement on Crysis in almost every way. Fans of the original will be fans of the expansion, and the price tag is appropriate for the amount of content the game provides (even more so if the multiplayer community takes off). This time around, the hardware situation is much less of an issue. The streamlining of the graphics engine is evident, and technology has had some time to catch up as well. Be aware that Warhead ships with the same DRM as Spore, which we've discussed at length recently, so if that's a deal-breaker for you, give it a pass. The game itself, however, plays quite well, and its flaws are minor. I'm definitely looking forward to the next parts of the proposed Crysis trilogy.
Crysis was known for excellent gameplay? When did that happen?
Murphey's fighting Occam, and we're in the stands.
Aah, yes. The good ol' Slashdot way!
"I disagree with your business model, but rather than just do without your product and deprive you of a sale, I'd rather stea... err, share your product at no cost to myself and therefore give you more justification to continue using that exact same business model with no incentive to change."
Slashdot - where if it's digital, it's FREE!
Honestly, I don't get what's so impressive about these graphics. Yeah, they're "improved", but they're still rough around the edges. Look at that first screenshot, for example. The spare tire rim on the back of the jeep has 10 sides. 10. You'd think they'd spend some time working on making round things *round*. There's got to be somebody at nVidia or ATI that can figure out how to accelerate more than just triangles... Hell, the math for curves is *easier* in some ways. Everything we see in these screens is still a flat surface with a picture slapped on it to give it "texture"... Sharp intersections, and the approximation of curves....
The particle effects, etc, are fantastic, but I wouldn't call them "graphical" improvements. And the lighting effects are nice, but every game seems to overuse them.
We need people to be pushing realistic graphics in the right direction, so I appreciate a game like this, but as things stand now I'd still rather play a game with stylized graphics than be constantly distracted by all the ways they got "realistic" wrong. I prefer PS2 graphics to these screens... I certainly won't be spending hundreds of dollars to get my hardware to run this.
It's not really crysis unless you can use the mere fact your system can run it at 1+ fps on full "all the way to 11" settings to put down someone else's rig. Wasn't that the point of the game?
Glad to hear it, Captain Superior. Too bad you're a fucking retard.
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GameSpot awarded Crysis Best Shooter in its Best of 2007 awards, saying that "It was this open-ended, emergent gameplay--the ability to let us tackle our challenges in whatever way we wished." They also awarded it with Best Graphics: Technical and Best PC Game stating that "The firefights in the game are beautiful to look at, but extremely intense affairs that force you to think quickly--and reward you for doing so. It's a dynamic game, one that you can play several times to discover new things and to experiment with different approaches."
PC Gamer awarded Crysis Game Of The Year and Action Game Of The Year in its March 2008, Games of the Year Awards issue. PC Gamer also remarked that "Crysis has pushed PC gaming to a new plateau, marrying the most advanced graphics engine ever created with phenomenal gameplay. From the cinematic opening to credits to its cliffhanger ending, Crysis is mesmerizing."
Gamereactor â" who gave Crysis a perfect ten â" awarded Crysis Best Action Game of 2007, saying that "the action genre is forever changed."
IGN awarded Crysis its Editor's Choice Award, saying that "the Halo 2 type ending...wasnâ(TM)t enough to deter me from heartily recommending action fans pick this one up."
Sales
As of June 27, 2008, Crysis has beaten EA's expectations and sold 1.5 million copies worldwide, according to a gamesradar article.
It doesn't matter how good the game is, with the insultingly restrictive DRM and Securom malware it has, I won't be buying it.
I hope enough people comment loudly in every forum and vote with their $$$ so much that EA will HAVE to notice how much they are losing in sales because of DRM.
I'm sorry, but I cleared this game within 3 hours the first night I turned it on. Length is not my only criticism though.
Not only was the game shorter over all, but the level design was much poorer than the original; not nearly as much attention to detail. The cutscenes were overly long (one being almost 45 seconds of watching a character half-off camera fiddle with something also off camera, no dialogue, uninteresting shot, completely unnecessary cutscene entirely). The cutscenes in particular screamed the desire to superficially lengthen the game, and in some sequences were so absurd, or took themselves so seriously that they just felt more like dark comedy.
What hit me the hardest was the complete lack of new content. Same bosses, same enemies, a few new environment models and situations, but overall this game felt like a massive cop-out, or a sub-par addition to an ongoing episodic series, both which make it completely not worth the price of purchase.
As usual the imagery was beautiful, even at its lowest settings, which ran fluidly on my machine. Very nice that they seem to have streamlined some of the engine, but overall the most disappointing game I've played this year. I felt the first Crysis was "pretty okay", and not once did this sequel match the first in ANY category, with the sole exception of performance.
It may have had it kept going and introduced new ideas, content and gameplay, but just as the game was wrapping up what I felt was a great ramp up intro-sequence, the credits rolled. Seriously, wtf?
So yeah, just pass on this very disappointing pseudo-sequel. If Crytek wants to make sales, they need to do better than this, instead of just blaming things on piracy this time around.
but the activation requirement is a deal breaker for me. DRM doesn't bother me - along the lines of the original Crysis - but having a limited number of activations is just WRONG.
In the 'pirating spore' topic I brought up how I bought Spore and also downloaded in order to play it properly. In that post I also stated that in the future, I'm just going to do without the game, and EA can do without my money.
Install/activation limitations are ultimately going to kill PC gaming. The few PC games that I'm interested in playing - Stalker CS, Crysis redux.. (I'm sure there will be a few others) I just don't trust buying now. From now on, my only real gaming consideration will be for the console.
Apparently the Steam version also carries the same install activation/limitation, and apparently a lot of recently released Steam games are doing the same thing. I own no less than 5 copies of Half Life 2 (original PC, original Ep1, orange box, original xbox and now 360 orange box - kinda love the game - also the HL1: Source). But I'll be damned if I spend another dime on a boxed PC game or a Steam game. I bought all of those out of 1) my choice, and 2) the upgrades or additional playability provided. I will never buy another game simply because I ran out of installs and need to 'refresh'.
RANT: Why don't activation schemes use MAC addresses, or CPU serial #s, or any of the completely unique identifiers (a la dongles)? Those I could live with. I've had too many failures/reformats/upgrades over the years, hell - over the months, to risk these crap activations.
(just a little pissed at the state of things :) )
When you hide it deep inside 12 kilobytes of text, you can be pretty certain that very few will see it. People here can't be arsed to read five lines of text, so several hundred is more than just pushing it.