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Warner Music Pulls Videos Off YouTube

iammani writes with this excerpt from Reuters: "Warner Music Group ordered YouTube on Saturday to remove all music videos by its artists from the popular online video-sharing site after contract negotiations broke down. ... The talks fell apart early on Saturday because Warner wants a bigger share of the huge revenue potential of YouTube's massive visitor traffic. There were no reports on what Warner was seeking. 'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,' Warner said in a statement." Warner's deal with YouTube to make those videos available came just prior to YouTube's acquisition by Google.

237 comments

  1. What? Did you get that gem? by Opportunist · · Score: 5, Insightful

    "We simply cannot accept terms that fail to appropriately and fairly compensate recording artists"

    So Warner thinks all the contracts they have with the signed artists are unfair and should be void?

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    1. Re:What? Did you get that gem? by sribe · · Score: 2, Insightful

      So Warner thinks all the contracts they have with the signed artists are unfair and should be void?

      Of course not. "We simply cannot accept..." in no way whatsoever implies "we will never provide..." The two are not even remotely related.

    2. Re:What? Did you get that gem? by Anonymous Coward · · Score: 0, Redundant

      Where's the usual /. argument that artists don't deserve compensation because they're producing something that's easily copied?

    3. Re:What? Did you get that gem? by beckerist · · Score: 2, Insightful

      1. Warner made a deal with YouTube to allow YT to show Warners videos.
      2. Warner decides it doesn't like the deal anymore so they pull their videos, against the terms of the deal.
      3. God kills a baby

      I don't see how this is shocking to anyone.

    4. Re:What? Did you get that gem? by Kleen13 · · Score: 1

      "We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers" I thought it was funny that they listed themselves last on that list..... because everyone knows that it's the artists and songwriters that they are REALLY concerned about.

      --
      That sinking feeling deep in your gut when you KNOW you screwed up bad summed up with: {head desk} {head desk}
    5. Re:What? Did you get that gem? by Joce640k · · Score: 2, Funny

      The only one that needs removing is Rick Astley's "Never gonna give you up".

      --
      No sig today...
    6. Re:What? Did you get that gem? by mfnickster · · Score: 0, Troll

      "We simply cannot accept terms that fail to appropriately and fairly compensate recording artists"

      So instead, for all practical purposes, they're accepting terms in which both the company AND the artists get: nothing... zero... nada... zilch.

      But the videos will still be on YouTube!

      --
      "Slow down, Cowboy! It has been 3 years, 7 months and 26 days since you last successfully posted a comment."
    7. Re:What? Did you get that gem? by Opportunist · · Score: 2, Interesting

      Shocking? No, I just found the wording amusing. Do as I say, don't do as I do, it's almost like a religion.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    8. Re:What? Did you get that gem? by Opportunist · · Score: 2, Insightful

      What usual argument? I can't remember that being the argument widely used when criticizing the practices of the music industry.

      Artists deserve the money for their work. I doubt there are many people who question that, even less so on grounds that it's easy to copy it. What most people don't accept is the greed of studios who try to rip off not only the customers but also the artists.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    9. Re:What? Did you get that gem? by node+3 · · Score: 3, Interesting

      Where's the usual /. argument that artists don't deserve compensation because they're producing something that's easily copied?

      I've never seen it stated on slashdot (or anywhere, really), that artists don't deserve compensation.

      Displeasure with a specific economic model does not mean displeasure with economics itself. I buy all my music off of iTunes. I don't *want* more physical crap, I don't *want* the disc, I want the music.

      For those artists and labels that don't want to sell via iTunes (or Amazon, in a pinch), there are other ways to acquire their music without buying a disc. I *want* to buy their music. I *do* believe they deserve to be paid. If they don't want to show up to the party, it's their own damned fault.

      As for the labels themselves. They are outmoded business models, and must either evolve or die. Artists really don't need them like they used to. Their remaining relevance going forward is their catalog of copyrighted material which, unfortunately, looks like it will never go out of copyright.

    10. Re:What? Did you get that gem? by node+3 · · Score: 1

      Here's a link to the video.

      Hahaha! Oh, wait...

    11. Re:What? Did you get that gem? by lysergic.acid · · Score: 1

      lol, thanks for bringing that site to my attention. the Skeptic's Annotated Bible is a pretty good biblical reference, but the Brick Testament brings so much more to the scriptures than just skeptical analysis.

      it truly breathes life into the stories of the bible (go to the next page).

    12. Re:What? Did you get that gem? by Anonymous Coward · · Score: 0

      Where's the usual /. argument that artists don't deserve compensation because they're producing something that's easily copied?

      Who modded this troll Insightful?

    13. Re:What? Did you get that gem? by Neop2Lemus · · Score: 1

      That Brick Testament is one of the best (and funniest) things I've seen this year, at least. Great Link:D

      --
      Needle Nardle Noo
    14. Re:What? Did you get that gem? by Runaway1956 · · Score: 1, Insightful

      That is not an arguement that I've seen used. Artists do deserve compensation. The more common argument I've seen, is that the labels compensate the artists unfairly, while at the same time ripping off the public. IMHO, it's time for the labels to go under. What they provide is worth less than 1/10th of what they demand, in prices. But, don't worry people. IF the labels all went bankrupt tomorrow, and were sold off for the value of their assets, the artists would STILL be around, they would STILL make music, and it would STILL be published. And, most likely, the artists would get a "fairer" return on their work.

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    15. Re:What? Did you get that gem? by daturan · · Score: 1

      beat me to it, thanks,, btw I had a deal with WB back in 1992,, they didn't seem very interested in compensating my band or myself.

    16. Re:What? Did you get that gem? by theaveng · · Score: 1

      You always put the most important item last, so that it sticks in the minds of the readers. So yeah "publishers" is clearly WB's most important concern.

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    17. Re:What? Did you get that gem? by theaveng · · Score: 1

      >>>I buy all my music off of iTunes. I don't *want* more physical crap, I don't *want* the disc

      You'll regret that decision when your hard drive crashes & you lose all you purchased music. I like to buy the CDs as they work as a great backup that is near-indestructible. I feel "secure" knowing my investment will last, whereas downloads rest on the fine line of eraseability ("oops I pressed delete").

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    18. Re:What? Did you get that gem? by theaveng · · Score: 1

      What do you mean? You worked without pay?

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    19. Re:What? Did you get that gem? by theaveng · · Score: 1

      While studios are definitely greedy, they do provide one valuable service - radio airplay.

      Without that, you're a nobody selling next-to-nothing.

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    20. Re:What? Did you get that gem? by mfnickster · · Score: 1

      How the fuck is this a troll???

      --
      "Slow down, Cowboy! It has been 3 years, 7 months and 26 days since you last successfully posted a comment."
    21. Re:What? Did you get that gem? by saintsfan · · Score: 1

      hmm, warner was a part of this-
      http://en.wikipedia.org/wiki/2007_Writers_Guild_of_America_strike
      "Every issue that matters to writers, including Internet reuse, original writing for new media, DVDs, and jurisdiction, has been ignored. This is completely unacceptable. --WGA Negotiating Committee"

      and may be a part of others-
      http://en.wikipedia.org/wiki/2007_Writers_Guild_of_America_strike#Other_2008_industry-wide_strike_threats

    22. Re:What? Did you get that gem? by Anonymous Coward · · Score: 0

      Artists do not deserve compensation. Culture is not something to be sold, but to be shared.

    23. Re:What? Did you get that gem? by node+3 · · Score: 1

      You'll regret that decision when your hard drive crashes & you lose all you purchased music.

      I have a Time Machine backup. If both my main iTunes library, and my Time Machine backup (and my iPhone, etc) all get blown to hell, then two things come to mind.

      First is, I'll have to repurchase all my music. Life is full of risks. The risk, which I've mitigated, is worth the convenience.

      Second, for that to happen, odds are good I've got more significant things to worry about than a few thousand songs.

    24. Re:What? Did you get that gem? by Opportunist · · Score: 1

      I've said it time and again, the labels have their place. If there's one thing they can do, it's PR and Marketing. They have the "connections", they know how the business works, they know their beancounting, they know how, when and where to advertize and bribe, they know how to "sell" your music, they know how to get you into the various music TV and radio channels, they know how your video has to look like and so on.

      A business model I can clearly see for them is to be just that: A service for artists. You want a number one? We make your song number one! Yes, that costs. Be prepared to have a number one hit that doesn't really make you rich. But so be it.

      That would immediately also eliminate their need to hunt down people who copy music. It's no longer their problem. It's the artist's problem. And THEN we can start arguing that copying music rips off artists. Currently, most artists couldn't care less whether you copy their songs or buy them, they don't see a lot of the money their music makes anyway.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    25. Re:What? Did you get that gem? by BuckaBooBob · · Score: 1

      But the real question is.. When they do a Radio Spot for a new Album and use Music off that Album do the artists get any royalties for their music being used in that Radio Spot?

      --
      Who needs WiFi when we can have Packet Over Sheep! http://datacomm.org/PoS-InternetDraft.txt
  2. fairly compensate recording artists, songwriters, by similar_name · · Score: 5, Insightful

    We all know how much they care about fairly compensating the people who actually made the music.

  3. Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 5, Insightful

    I've bought literally dozens of albums after my friends and/or girlfriend have shared youtube video links. Does Youtube get a cut of those sales?

    TimeWarner is shooting themselves in the foot here. Youtube gives them free exposure. The labels don't mind paying MTV to play their videos, but they want Youtube to pay them?

    Once again, the record industry just doesn't get it.

    1. Re:Does Youtube get a cut of the sales? by Waffle+Iron · · Score: 5, Funny

      The labels don't mind paying MTV to play their videos

      It looks like the labels are doubly incompetent: MTV takes their money, but then it doesn't bother to play any music videos at all.

    2. Re:Does Youtube get a cut of the sales? by Darundal · · Score: 3, Funny

      Actually, I would consider MTV to be doing a public service there...

    3. Re:Does Youtube get a cut of the sales? by hedwards · · Score: 1

      Now if only they could have banished Carson Daily to Mtv1592, we'd be set.

    4. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      just doesn't get it.

      ESR, is that you?!

    5. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      You're obviously lying. There's no way you can post on Slashdot and have a girlfriend.

    6. Re:Does Youtube get a cut of the sales? by Aranykai · · Score: 1

      http://www.google.com/trends?q=youtube,+radio,+mtv&ctab=0&geo=all&date=all&sort=0

      Its quite obvious they are failing to see where the interest is. Their options are to provide free access to music video's and put them in front of literally millions of people, or they can stick to radio and mtv...

      --
      If sharing a song makes you a pirate, what do I have to share to be a ninja?
    7. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      There's no way you can post on Slashdot and have a girlfriend.

      Yeah. The "a" word is wrong.

    8. Re:Does Youtube get a cut of the sales? by symbolic · · Score: 1

      I totally agree - I've gotten exposure to artists I may never have known about if it weren't for hearing them in a YouTube video. I've purchased the music I've liked. That's what they want, isn't it? Warner Music ought to be paying YouTube, not the other way around. It's free advertising.

    9. Re:Does Youtube get a cut of the sales? by ContractualObligatio · · Score: 1

      And you consider yourself representative even thought you've bought literally dozens of albums? Does it really make sense to use your comparatively unusual example as an argument?

      It's strange to me that we're talking about a YouTube as if it were just a TV channel. Surely we can handle the concept of new business models as well as new technologies here. I sometimes "tune in" to YouTube to listen to my choice of music, not what the major labels are pushing that week. Clearly this is a change; an artist can't post material to YouTube and expect a return in the way that heavy exposure on MTV will (or used to).

      If the ad revenue from having a catalog on demand is worth more to YouTube than it is to Warner, then what should happen is that YouTube starts paying the artists via whatever commercial entity they've signed up with. As CD sales decline and things move to online models, and MTV moves to reality shows rather than music, it becomes even more likely that the old model of paying for time on MTV to generate CD sales is less viable.

      I don't have any numbers, but that's precisely why I prefer to think about it rather than summarily dismissing a different perspective because of my own personal buying habits. Doesn't it make sense to move to generating revenue through online ads? It has worked for other companies, I believe.

    10. Re:Does Youtube get a cut of the sales? by cdrguru · · Score: 1

      Let's see here, you click on a link and are shown a page full of ads with a video on it. You ignore the ads, but the people that think you might click on an ad pay to have it there. YouTube rakes in the money each time you click one of those links.

      Free exposure? I don't think so. Those ads are paid for and are bid up to the maximum the market will bear. So where is the money in this game? It all belongs to Google and they don't feel like sharing.

    11. Re:Does Youtube get a cut of the sales? by Insightfill · · Score: 4, Insightful

      It looks like the labels are doubly incompetent: MTV takes their money, but then it doesn't bother to play any music videos at all.

      Parent got modded funny, but many of us remember the 80s when MTV started, and they truly ran the same model as the radio - 10-12 random songs per hour, interspersed with "VJ" dialog and commercials.

      Slowly, slowly, they began to add "shows", usually 30 minutes in length. Some were heavily music-oriented such as the 'unplugged' series, while others were lighter such as "Remote Control". However, they all gave the ADVERTISERS what they were seeking: an easily labeled audience.

      You see: since MTV was the first and largest of its kind, its audience was also pretty vague. "College student" was about all you could say and be close. But advertisers like narrower demographics: rich/poor, black/white, male/female. In its early days, when ad dollars were cheaper, they were willing to take a chance. As MTV got bigger and more expensive, they couldn't take such chances.

      MTV splintered. "Yo, MTV Raps!" and other shows were aimed at smaller and clearer groups. Advertisers were largely happy, and viewers who didn't know better were also happy. We lost that random hour of music, though. I miss that opportunity that came when I could flip on a channel and discover a new rap song I would never have seen, or country, or any one of dozens of genres that I would have never 'picked' but was suddenly exposed to.

      So: I put it to the /. masses. What is the current, best channel of media for opening one's horizons? Is it Pandora? Is it still Youtube? Or is there some other place that one can be 'fed' a steady flow of music from a wide net of types? Is there a venue where the music is more international? Where can I find Bollywood followed by rap?

    12. Re:Does Youtube get a cut of the sales? by sfbiker · · Score: 1

      And you consider yourself representative even thought you've bought literally dozens of albums? Does it really make sense to use your comparatively unusual example as an argument?

      Yes I do consider my example to be relevant.

      I'm a consumer, and Youtube facilitates me finding new music. I'm not one to go and seek out new music on my own, but if a friend sends me a link to some hot new band, I'm going to watch it, and if I like it, I'll buy it. I'm old enough and have enough income that I don't want to search out free music, if I like it I don't mind paying for it -- if it's an unencumbered MP3, I don't want to pay for DRM restricted music.

      I don't think I'm that unusual as a consumer though I may be atypical for the Slashdot crowd.

      It's strange to me that we're talking about a YouTube as if it were just a TV channel

      But that's what it is - another "TV channel"! It's not where I go to find new music, that's better suited to true social networking sites like Facebook and Myspace. The labels need to adapt to this new model.

      If people in my age group aren't finding new music on MTV (late 30's), I doubt that MTV is very relevant in the college age group either. Youtube is a great legitimate way to find music videos, if the labels make it too hard to find legitimate sources, then people will just trade them underground and instead of sending me links to Youtube videos, my friends will send me the video and/or audio files, then I'll have no need to buy anything.

      I'm still upset over them shutting down mp3.com years ago -- that was a great way to buy music, I'd buy an album and download the MP3's and a week later the CD itself would show up in the mail. Plus I could listen to my entire music collection at home or at work. Great for the labels, and great for me. It's when they do stuff like that that drives people to music piracy.

    13. Re:Does Youtube get a cut of the sales? by ContractualObligatio · · Score: 1

      Why is your behaviour as a consumer relevant if most other consumers behaviour is different? (I should say *particularly* relevant, I don't mean to say people like us who buy a lot music shouldn't be taken in account)

      Why should YouTube be considered exactly the same as a TV channel in face of overwhelming evidence that the internet is a different beast altogether?

      How on earth is the interests of the people in their late 30's a good indication of the college age group?

      How does it follow that because YouTube is a great way to find music, Warner has no right no negotiate terms?

      I'm not saying Warner is perfect, just that you're not making sense.

    14. Re:Does Youtube get a cut of the sales? by sfbiker · · Score: 1

      Why do you say that most consumer's behavior is different? I've given a specific example of how Youtube increases music sales, do you have any data (even anecdotal evidence) to the contrary? I'm saying that people that are exposed to music end up buying more music. Youtube is just another outlet where people can be exposed to music and it's hard to believe that more exposure doesn't lead to more sales. I'd be quite interested to see any data you have that links lost sales to exposure on Youtube or any other media outlet. Certainly there will be people that refuse to pay any money at all for music...well this Youtube deal is irrelevant to them - it's not like they will suddenly stop pirating music just because they can't see videos on Youtube. I'm referring only to those consumers that actually are willing to pay money for music.

      Of course Youtube isn't exactly the same as a TV channel, it's better (for the consumer) and more directed, I can watch what I want when I want it (well I could if more media outlets would post their content).

      If people in their 30's are embracing new media, then you can be certain that the college age group (traditionally heavy music consumers) is already farther along that path.

      Of course TW has the right to do to anything they want with their content, but that doesn't mean that it's the smartest thing for them to do. Look at RIAA's recent about-face on suing music industry customers. The industry can either embrace how people want to find and consume music and find ways to monetize it, or simply drive consumers underground. Maybe people are willing to pay for music if it's available the way they want it.

      Trying to force a legitimate music outlet to pay an unreasonable fee seems counter productive. Of course, I don't know what terms they are seeking, but based on the payout the industry was seeking from online broadcasters, it was likely exorbitant.

    15. Re:Does Youtube get a cut of the sales? by ContractualObligatio · · Score: 1

      CD sales are flatlined, YouTube popularity is growing, and yet I'm supposed to think your behaviour is representative? I reckon the guy with the more self-centred argument should be the one to find data to support his case, not the one challenging it.

      Here's my anecdote: I buy music, I buy it after seeing acts on YouTube, and now I don't go to record stores as much as I used to. My patterns have changed but my expenditure has changed only due to changes to disposable income, not internet exposure. I've never encountered this effect whereby digital media provides more exposure to music than the radio, friend's mix tapes, watching TV, going to gigs, music press, references in books, receiving presents, etc.

      this Youtube deal is irrelevant to them - it's not like they will suddenly stop pirating music just because they can't see videos on Youtube. I'm referring only to those consumers that actually are willing to pay money for music.

      You really should stop focusing on yourself. Of course people who refuse to pay are relevant. If they go to YouTube, which is popular and free, then Warner could get money.

      The industry can either embrace how people want to find and consume music and find ways to monetize it, or simply drive consumers underground. Maybe people are willing to pay for music if it's available the way they want it.

      Here's an idea - provide access via sites such as YouTube and negotiate a split of the ad revenue. Sounds good to me!

      Of course, I don't know what terms they are seeking, but based on the payout the industry was seeking from online broadcasters, it was likely exorbitant.

      Excellent point, but not one that supports your argument that Warner should just aim for free exposure. Are you changing your position?

    16. Re:Does Youtube get a cut of the sales? by sfbiker · · Score: 1

      I've never encountered this effect whereby digital media provides more exposure to music than the radio, friend's mix tapes, watching TV, going to gigs, music press, references in books, receiving presents, etc.

      You may have never encountered it, but thats where the market is heading -- as digital media gains more traction, it pushes traditional media to the side. I don't even listen to live music in my car anymore, why bother when I can pop a USB stick into my car stereo and listen to my favorite podcasts, or my favorite playlists.

      Excellent point, but not one that supports your argument that Warner should just aim for free exposure. Are you changing your position?

      Of course not, I never claimed that they should receive *no* compensation. As it says in the article:

      ...The talks fell apart early on Saturday because Warner wants a bigger share of the huge revenue potential of YouTube's massive visitor traffic. There were no reports on what Warner was seeking...

      So somehow, a revenue share that was fine for them for 2 years is no longer acceptable. Even though they benefit from it.

    17. Re:Does Youtube get a cut of the sales? by ContractualObligatio · · Score: 1

      as digital media gains more traction, it pushes traditional media to the side.

      In other words, it does not provide more exposure, it is simply replacing exposure that already exists. And if you're listening to your favourite playlists, you're being exposed to less new music than just sticking on the radio.

      Of course not, I never claimed that they should receive *no* compensation

      Yes you did:

      The labels don't mind paying MTV to play their videos, but they want Youtube to pay them?
      Once again, the record industry just doesn't get it.

      If what you said only minutes ago doesn't count, you can hardly blame a re-negotiation after 2 years. How on earth did you make it to your late 30's thinking that every deal is perfect first time?!

    18. Re:Does Youtube get a cut of the sales? by Tokerat · · Score: 1

      None.

      Even those "shuffle" radio stations are falling by the wayside, and it's not because no one listened to them. I hate to say it, but the problem is the advertisers. They want to target specific groups SO BADLY that they won't give a dime to anyone who can't guarantee a certain type of viewer/listener.

      The real problem is they see these "shuffle" type services as reaching no one, instead of reaching everyone.

      --
      CAn'T CompreHend SARcaSm?
    19. Re:Does Youtube get a cut of the sales? by kenjay · · Score: 1
    20. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      There's no way you can post on Slashdot and have a girlfriend.

      Ha! I have posted to slashdot with my girlfriend looking over my shoulder! Good thing my wife didn't find out.

    21. Re:Does Youtube get a cut of the sales? by Insightfill · · Score: 1

      KEXP? I've heard of them and thanks for the link - I had forgotten about them. Their playlist is really pretty diverse. Your sibling post indicated/confirmed that advertisers are what 'happened' to shuffle. Looks like free/non-profit is where we'll see it.

      I also see that they offer Windows, Real, and two bitrates of MP3. Pretty forward-thinking of them. I'll be there tomorrow.

    22. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      As we all know, they (labels) act like they don't understand what is free advertising... but again That Guy With The Glasses explains it better

    23. Re:Does Youtube get a cut of the sales? by sfbiker · · Score: 1

      In other words, it does not provide more exposure, it is simply replacing exposure that already exists. And if you're listening to your favourite playlists, you're being exposed to less new music than just sticking on the radio.

      No, in your words. In my words, Youtube gives me more exposure because friends are sending me new videos hosted on Youtube.

      If what you said only minutes ago doesn't count, you can hardly blame a re-negotiation after 2 years. How on earth did you make it to your late 30's thinking that every deal is perfect first time?!

      Sorry, that was a little hyperbole on my part, I assumed (poor assumption on Slashdot, I know) that everyone read the article and would realize the the labels are already getting a cut of the profits.

    24. Re:Does Youtube get a cut of the sales? by Znork · · Score: 1

      Perhaps you could use last.fm and listen to the radio of users with a highly eclectic taste.

    25. Re:Does Youtube get a cut of the sales? by ContractualObligatio · · Score: 1

      Your words were "pushes traditional media aside", which neither means nor implies "more exposure". "Pushes aside" is synonymous with "replaces", so my paraphrasing is perfectly valid. Try taking responsibility for what you write.

      I assumed (poor assumption on Slashdot, I know) that everyone read the article and would realize the the labels are already getting a cut of the profits.

      An even poorer assumption is that tired attempts at sarcasm are a good substitute for rational thinking. Yes, they were already getting a cut. You're simply assuming that Warner is wrong to assert that it was "staggeringly low", and this particular point might remind you that reading is not the same as comprehending. Perhaps like your buying anecdote, you are inclined to see your own opinions as carrying serious weight. Get over yourself.

      Negotiating a bigger split is not inherently wrong. I'm not inclined to give a free pass to either side of a multinational corporate dispute. Effectively asserting that a deal should never be re-negotiated is naive. The question remains: how did you get to your late 30s thinking that every deal is perfect first time?

    26. Re:Does Youtube get a cut of the sales? by Anonymous Coward · · Score: 0

      BBC Radio 1 is pretty good, as long as you don't listen during the day (UK time, obviously) when they play the same top 40 crap as every other station. The later it gets, the better it gets.

      John Peel was the master of bundling diverse genres/ eras of little-heard music together. Since he died, Zane Lowe has taken up most of his evening slots, and he has a real passion for music that is truly infectious. SOme good stuff played there.

    27. Re:Does Youtube get a cut of the sales? by DeskLazer · · Score: 1

      I agree that it's free advertising for the artists and this is stupid, but warner has a problem with youtube making money off of ads/banners and probably aren't giving them "big enough" of a cut of what they think is rightfully theirs. ironically, they probably are paying for bandwidth.

      good, another reason to not buy from warner or its subsidiaries.

  4. Tempest in a teapot by baomike · · Score: 2

    This is going to so ruin my next nansecound.

    1. Re:Tempest in a teapot by ColdWetDog · · Score: 3, Funny

      Glad your feeling better now.

      --
      Faster! Faster! Faster would be better!
    2. Re:Tempest in a teapot by cheftw · · Score: 0

      Glad your feeling better now.

      Glad his.

      (Even Grammar Nazis have a sense of humour.)

      --
      Always back up, never back down. ---- Think you're cool 'cos your uid is prime? Take mine, modulo the one digit integers
    3. Re:Tempest in a teapot by baomike · · Score: 1

      want to take a shot at "he's" .
      I feel feel rather possessive of "his".

  5. Fair for artists? by Chris_Jefferson · · Score: 4, Insightful

    'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters.... Having seen the most recent agreements, appropriate compensation for artists from these kind of things seems to be zero, so I think they are already getting a fair deal.

    --
    Combination - fun iPhone puzzling
    1. Re:Fair for artists? by ContractualObligatio · · Score: 1

      Really? I thought the business was heading towards these 360 deals where everything counts.

      So what kind of terms and conditions have been agreed to recently?

  6. What is the percentage of Zero? by Anonymous Coward · · Score: 1, Interesting

    Warner Music's talks said the amounts it has been receiving from YouTube were "staggeringly low".

    So Warner's solution is to make the amount received $0? Makes sense.

    1. Re:What is the percentage of Zero? by Tokerat · · Score: 1

      Warner Music pays radio stations to play their releases through independent promotion.

      Warner Music pays MTV to play videos by their artists (which they obviously do none of anymore, but I'm sure it exists somewhere on MTV58 or something)

      Warner Music wants YouTube to PAY THEM for exposure on the fastest growing, most widely availible and most preferred medium out there today?

      YouTube should tell them to suck a wet bag of dicks and then promote whatever videos they have from other record labels on the front page for a week. I think Warner Music will change their tune pretty quickly.

      --
      CAn'T CompreHend SARcaSm?
  7. Thank goodness... by notdotcom.com · · Score: 2, Informative

    Rick Astley is under Sony/BMG. Let the Rick-rolling continue!

    --
    Grandpa: My Homer is not a communist. He may be a liar, a pig, an idiot, a communist, but he is not a porn star.
    1. Re:Thank goodness... by Enderandrew · · Score: 4, Funny

      Instead of a take-down notice, is there any chance that Google will Rick-roll all the Warner links? Please make this happen.

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    2. Re:Thank goodness... by RazZziel · · Score: 1

      1. Ask XKCD to make a strip about it
      2. Wait a week
      3. ???
      4. Profit!

      --
      for geeks. from geeks. out of geeks_ http://www.freewear.org
  8. Warner wants free advertising by Anonymous Coward · · Score: 1, Insightful

    Aren't music videos essentially advertisements for record albums anyways? So Warner wants free advertising on Youtube? (or rather they want to be paid when Youtube runs their ads?)

    1. Re:Warner wants free advertising by hedwards · · Score: 1

      Indeed they are, which is why I've always wondered why the labels don't provide them for free. You can't watch them in many places and as such that doesn't really remove the incentive to purchase the CD, but even a decent web only place to watch would have been a great marketing approach. Or just bundle them with the disc.

    2. Re:Warner wants free advertising by perlchild · · Score: 1

      It's only advertising if you can't decide when they play, or if they have some annoying feature that reminds you their ads.

      Otherwise, they're entertainment.

      That's why you see advertisements inside video retrospectives. They're not "That" redundant, mostly because you know you're going to like the videos.

      You can also embed links from youtube, bypassing some of the ads, and basically repurposing them under some circumstances.

      I'm not disagreeing with you, I do think Warner should pay to show most of them. But I think your post failed the "ad test".

    3. Re:Warner wants free advertising by Anonymous Coward · · Score: 0

      Actually, unless there is some mega star like Madonna involved, they have to pay to the music TV to get their artists aired.

      They cancel free bandwidth, advertising and most important of all, Google in one step.

    4. Re:Warner wants free advertising by Reziac · · Score: 1

      Advertising is mainly about name recognition, and that can be quite unobtrusive -- such as reasonable product placements in a movie (Our Hero drinks Coke, not Pepsi).

      Music artists depend a LOT on name recognition, otherwise how are you supposed to locate and buy 'em??

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    5. Re:Warner wants free advertising by perlchild · · Score: 1

      I'm talking about the advertising of the songs, by the label, not the artists(because if you're signing a label, you've already promoted your name yourself, to a degree). It's a critique of the whole "music radio stations are massive advertisement machines", not of advertisement in general.

      As for buying albums solely on name recognition, I'd say there's a reason some artists want the ITMS to not offer every songs on their albums individually, wanting to force people to buy 10 songs a pack...

    6. Re:Warner wants free advertising by Reziac · · Score: 1

      Ha, I have to agree with that. It's a rare album that thrills me all the way through, and then it's usually someone nobody ever heard of... one suspects there's more incentive to be consistently good if your name recognition is still zilch!

      As to the radio/MTV/etc. advertising engine, true, that's entirely the labels' thing. Tho some of the internet radio stations only play royalty-free music, which implies a lack of label interference with that artist's career. (Which in some cases, it IS, rather than promotion.)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  9. It's so unfair.... by Finallyjoined!!! · · Score: 1

    To have to pay artists, it severely reduces their coke & whores budget.

    It's about time these leeches were kicked into touch.

    --
    If I had an Ass, I'd call it Fanny Bottom, then I could slap my Ass; Fanny Bottom, on the Arse.
    1. Re:It's so unfair.... by spazdor · · Score: 1

      Gimme gimme gimme!
      I need some more!
      Gimme gimme gimme!
      Don't ask what for!

      --
      DRM: Terminator crops for your mind!
    2. Re:It's so unfair.... by Anonymous Coward · · Score: 0

      wait, are we talking about record execs or musicians?

  10. Remember the good ol' days? by Mononoke · · Score: 5, Insightful
    I remember when music videos were essential promotional tools. That's one of the reasons artists spend their own money making them.

    Now get off my lawn.

    --
    NetInfo connection failed for server 127.0.0.1/local
    1. Re:Remember the good ol' days? by El+Yanqui · · Score: 1

      What are music videos today if they aren't promotional tools to sell albums?

      Please, God, let no one say 'art'.

      --
      Well, thanks to the Internet, I'm now bored with sex.
    2. Re:Remember the good ol' days? by houstonbofh · · Score: 1

      Some were... A person named Skidvid put together a list of the "Top 30 Most Famous Music Videos Ever" and it is quite a lot of real art, not just the music. You can find almost all of them on Youtube, but perhaps some Warner property will start dropping off. Anyone know of a different place to watch them? I wonder what Google says...

      Nope. They still don't get it.

    3. Re:Remember the good ol' days? by Anonymous Coward · · Score: 0

      Yes, exactly! They're just harming themselves in the end. By having their videos on youtube, they're getting free advertising! In fact, why don't they exploit this free advertising by including a link to buy the track off Amazon or one of the other online digital music sellers? That's what I'd do if I were them. But we already know these guys don't think like normal people do. The recording industry has to have some of the most paranoid and narrow minded people in the entire world!

    4. Re:Remember the good ol' days? by RiotingPacifist · · Score: 1

      At youtube quality there's not even a chance that somebody rips the audio to avoid paying for a single.

      All i can image these idiots are thinking is that if they make music videos is value you get from buying the CD they might sell more, they are of course forgetting the sakes they would have otherwise got from the free advertising.

      --
      IranAir Flight 655 never forget!
    5. Re:Remember the good ol' days? by Tokerat · · Score: 1

      They started to go that way for a while. Artists began realizing that adding a visual element to their musical work could create a fascinating new experience for their fans. This had the convenient side-effect of extra promotion, while still having value other than being a throw-away ad.

      Unfortunately, the '90s are over and we're back to bullshit.

      --
      CAn'T CompreHend SARcaSm?
    6. Re:Remember the good ol' days? by Draek · · Score: 1

      Judging from this, yet another product to sell.

      --
      No problem is insoluble in all conceivable circumstances.
  11. In the Geocities Days by Enderandrew · · Score: 5, Interesting

    In the early dark days of the internet, big companies sued small fan sites because they infringed on logos and copyrights. How dare you run a Star Wars fan site, or an X-Files fan site with racy pictures of Scully?

    Then SLOWLY over the years, companies seemed to realize that fans on the internet increased buzz, visibility and mindshare for their products. Now they cater directly to the fan base by pandering at Comic-Con and such.

    Warner wants a bigger piece of revenue for the videos being shown, but they're not thinking long term. It isn't just direct revenue of showing the videos, but the hype that comes along with it. If someone forwards a video to another person (or rather a link to the video) they are advertising that artist to their friends.

    Monty Python has it right. They are posting clips on YouTube for people to watch for free (fans would post them anyways, only to have them taken offline) but Monty Python now has direct control over the portal, and can include links to purchase Monty Python material on Amazon.

    Warner needs to wake up and pay attention.

    --
    http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    1. Re:In the Geocities Days by panoptical2 · · Score: 2, Insightful

      You are absolutely right. Here's the problem:

      Getting execs of any sort to change their business model is one of the hardest things to do in any business. For the most part, you have to replace the execs to get the business to change. For example, Microsoft is finally beginning to change their business model, right after Gates left. Apple changed their business model when they brought Jobs back in. Warner Music (as well as the rest of the labels that the RIAA represents) has yet to change its business model, and it may take some time, and some board replacements, to get the change to happen.

    2. Re:In the Geocities Days by Dutch+Gun · · Score: 1

      Then SLOWLY over the years, companies seemed to realize that fans on the internet increased buzz, visibility and mindshare for their products. Now they cater directly to the fan base by pandering at Comic-Con and such.

      Yep, you've got it exactly right.

      I work for a video game company, and our fan community is something that's actively promoted. We provide kits with official artwork, music tracks & sound effects, links to popular community sites from ours, etc. We employ a full-time community manager to provide a communication link between our fans and our development team. This is all outside the scope of our more traditional marketing department or customer support systems. I don't feel this effort is wasted. It's important to make a connection to your customers - that will help ensure your long-term success, along with the obvious: producing fun, high-quality games.

      The music biz is part of the old, pre-net generation that's big on control. They fear the Internet because it's something they can't explicitly control (or at least manage) like traditional media. If someone else is using their property, then they should be paying for rights, correct? Then at the same time, they actively pay for promotion of that same property elsewhere. It's this same schizophrenic logic that prompted Toyota to demand fansites cease using company-produced images of their vehicles in wallpapers. At least they eventually figured out it was idiotic to pass up free advertising, especially when they need all the help they can get right now too.

      --
      Irony: Agile development has too much intertia to be abandoned now.
    3. Re:In the Geocities Days by Dionysus · · Score: 2

      Warner wants a bigger piece of revenue for the videos being shown, but they're not thinking long term. It isn't just direct revenue of showing the videos, but the hype that comes along with it. If someone forwards a video to another person (or rather a link to the video) they are advertising that artist to their friends.

      The "problem" is, the labels saw how much money companies like MTV made. They see places like Youtube as the next MTV and they absolutely wants a piece (or the whole pie) of it. Basically, MTV made videos valuable. Instead of seeing it like a promotional vehicle, they are valuable by themselves, and anything of value will not be given away for free, even if it breaks the industry (but that's the next CEO's problem)

      --
      Je ne parle pas francais.
    4. Re:In the Geocities Days by ContractualObligatio · · Score: 1

      I don't see how your argument makes sense.

      YouTube, part of a huge multinational corporation, is comparable to a fan club?

      Wanting to supply content is the same as wanting to shut down sites to prevent content being supplied?

      People watching videos for free is different from people watching videos for free?

      I mean, where's the logic?

    5. Re:In the Geocities Days by Enderandrew · · Score: 1

      Pulling videos from YouTube isn't helping or protecting Warner, especially when I can find videos from other artists and other companies on YouTube.

      Warner wants a cut of revenue, and Google is offering a cut. By fighting over percentages, Warner is losing out on free advertising.

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    6. Re:In the Geocities Days by ContractualObligatio · · Score: 1

      If advertising has value, then there's nothing wrong in principle for one corporation to negotiate with another over the appropriate split. This is even more relevant given that online revenues from advertising are expected to be part of the entertainment business model in future.

      What actual numbers do you have to know that it is Warner making the bigger mistake?

    7. Re:In the Geocities Days by Enderandrew · · Score: 1

      I said asking for a revenue split is fair. However, enough businesses are deciding they make enough from YouTube exposure to allow their content on YouTube for free, yet Warner wants to pull all their content unless they get a HIGHER cut?

      Not having your content out there is stupid.

      --
      http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
    8. Re:In the Geocities Days by ContractualObligatio · · Score: 1

      Actually, according to the article other companies are *not* allowing their content for free.

      You didn't say asking for a split is fair, you said Warner was losing out on free advertising by not simply accepting whatever Google chooses to give them, which is an interesting approach to negotiation. The notion of "free advertising" makes no sense under one particular assumption, namely that online distribution via YouTube is in fact one of the products they see a market for. Whether it will prove true I don't know, but it seems an entirely reasonable assumption to me.

      Not getting compensated by one of the biggest distributors of your product in the world is stupid.

    9. Re:In the Geocities Days by RiotingPacifist · · Score: 1

      The content is still provided by the fans. Youtube is very comparable to a fan club, sure Google pay for the hosting but the content is still provided by fans.

      Would you say stargate.wikia.com is not a fanclub because its also hosted by a large corporation.

      --
      IranAir Flight 655 never forget!
    10. Re:In the Geocities Days by ContractualObligatio · · Score: 1

      The content is still provided by the fans

      Oh really? Wrote and performed the songs in question did they? If your argument is that copyright shouldn't exist, that's one argument. Is that the one you're making, or are you disputing who is in fact producing the content?

      stargate.wikia.com is not a fanclub because its also hosted by a large corporation.

      Bad example. Are any of the articles actually written by an employee of the hosting corporation? Is the website itself owned by a large corporate? Do the people that run the website also get the ad revenue? Would a court see the substantial work that has gone into writing the articles, and its not-for-profit nature, as granting fair use of the Stargate content? Etc.

  12. spite everyone at own expense by Sjobeck · · Score: 1

    Hey, I got a great idea, let's spite ourselves, the artists, their fans, and ultimately sell less albums in the end because of it, because the business that we are in depends upon the free broadcast of the audio to the planet, but then turn-around & say hey, wait, you cant keep that free audio broadcast to the world. This is a non-starter. They can not logically, nor metaphysically, nor audiologically, nor experiencially, nor economically, nor any other way, broadcast audio in to the atmosphere then take it back later. I got an idea, stop broadcasting it. There you go, now you guys dont have to worry about having it both ways, which you are trying to do, just stop broadcasting music. Good luck with that.

  13. Warner music pulls videos on youtube... by kramerd · · Score: 4, Insightful

    ...and nothing of value was lost.

    1. Re:Warner music pulls videos on youtube... by pandrijeczko · · Score: 1

      Good music stands up on its own without the need for accompanying pretty pictures.

      --
      Gentoo Linux - another day, another USE flag.
  14. ban the internet by jasonbrown · · Score: 3, Funny

    I think Warner should make a bill for congress to pass banning the internet as it has been terribly harmful to the recording industries CD/retail store distribution model. Look at all the harm the internet has done to the recording industry executives . And while we are discussing these serious problems - non-label music is really infringing on their profitability as well - also the internet's fault. So I say we all write our representatives and ask them to support banning the internet so we can go back to a more fair and industry friendly music distribution model. Thank you for your time. You may now go back to your regularly scheduled program.

    --

    "Congress shall make no law... abridging the freedom of speech, or of the press"
    1. Re:ban the internet by Anonymous Coward · · Score: 0

      You, sir, are a god.

  15. Misunderstood by T+Murphy · · Score: 1

    When I read the beginning of the quote: "We simply cannot accept terms that fail to appropriately and fairly compensate recording artists", I was expecting to see the quote attributed to Youtube reps, not Warner.

  16. also ban printers by jasonbrown · · Score: 1

    because we probably shouldn't allow just ANYONE to be able to publish a book or write a paper. Perhaps we could allow Warner to control the printers too so that they could supervise and approve only those who should be allowed to write books or publish papers. just food for thought. i'm full of good ideas like this just ask me.

    --

    "Congress shall make no law... abridging the freedom of speech, or of the press"
  17. Saving face at T-W by Anonymous Coward · · Score: 3, Interesting

    Time-Warner is just trying to save face with Wall Street analysts. This is actually funny because on Friday Google started pulling T-W video's way before the T-W announcement. Google's news release is basically "sometimes you can't reach an agreement with a vendor and you simply stop doing business with them (Time-Warner)".

    Next Year's T-W News Release: Music sales are down due to the recession, not the fact that we no longer are hosted on YouTube.

    1. Re:Saving face at T-W by Anonymous Coward · · Score: 1, Insightful

      Next Year's T-W News Release: Music sales are down due to piracy, not the fact that we no longer are hosted on YouTube.

      Fixed.

  18. Greed & Stupidity & Lies by Nom+du+Keyboard · · Score: 4, Insightful

    It's all greed and stupidity and lies.

    Greed that Warners thinks they deserve more and more and more.

    Stupidity that Warners thinks that YouTube and everyone else will have to cave into them and their terms (like any alleged filesharer sued by the RIAA) in the mistaken belief that: 1) Everyone needs their product; and 2) That they still have a monopoly on that product.

    Lies that any of this additional money would actually go to the artists. (Think of the children<<<<<<<< artists!)

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  19. Artist compensation? by DodgeRules · · Score: 1

    It would be interesting to hear from the songwriters and artists how much they actually get from these deals. I suspect that the percentage of each dollar that the artist receives by the Warner Music Group for their songs in a deal like this is very low. Why not cut out the fat and give the artists a larger chunk of the proceeds?

  20. Another failure to capitalize by Anonymous Coward · · Score: 4, Interesting

    And now Warner will receive exactly $0, while the users will simply p2p the videos that they -really- want to watch.

    Warner took the potential offerings and threw them away, and now they will complain that their IP is being pirated.

    So before the RIAA even asks: there should be no gov't bailout for mismanaged companies that piss on legitimate opportunities to -earn- revenue.

    Hell, they don't even have to do anything other than put a stamp of approval on the deal. The music and videos are already made, the site and bandwidth is hosted by a third party. All they have to do is sit back and count money. This move is just plain irresponsible. They think they are holding out for more value -- from where? Who is going to pay more?

  21. business model by wideBlueSkies · · Score: 4, Insightful

    >> 'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,' Warner said in a statement."

    Hey warner, so your videos get pulled. Good for you, and all the best.

    To borrow from the Soup Nazi, if I may: "NO EXPOSURE FOR YOU".

    I was just watching a couple of concert videos the other day from an old prog band called Wishbone Ash (they sound like old 70's Rush). I'd never heard of these guys before, but I really liked the sound, and I went right over to Amazon and I bought 2 CD's.

    If I hadn't seen the vids on You Tube, I don't think I'd have ever known about this band. So they now have a new fan, and on Christmas eve, I'm going to introduce them to some other guys who like the same type of music.

    It's like the modern equivalent of trading records... But hey, if Warner wants to pull the vids, then let them. There's lots of other music out there...

    --
    Huh?
    1. Re:business model by wideBlueSkies · · Score: 1

      Just as a followup: At least 3 more Wishbone Ash CD's and downloaded albums sold, thansk to my little 'listening party' over Christmas Eve.

      Eat _that_ Warner.

      Yeah, it's only 5 albums sold. But the point is this is how word of mouth gets started and works.

      --
      Huh?
  22. But... who cares? by Anonymous Coward · · Score: 0

    Who cares, really?

    Music videos are just meta-advertisement to sell itself.

    Often, if you can spend time and effort to make a music video in the first place, it's a good sign that the "music" is nothing more than a carefully researched product, a mere commodity to sell.

    Do you really like that kind of music? Maybe you do.

    But did you know that you can come up with your own music videos, simply by closing your eyes while listening and letting your mind wander?

  23. Hmmm. I wonder who will take it in the shorts? by WindBourne · · Score: 1

    Somehow, I have a feeling that Youtube/Google may turn around and help make smaller groups produce their own music sans labels. At this time, Google has NOT thrown anything into hurting the labels and actually was helping them. But I could see Google creating software and website that is designed to help them record and market their own stuff. If that happens, who has a better understanding of the net; Time Warner/Sony/EMI or Google?
    TWI's bad management and greed may actually kill them dead within 5 years.

    --
    I prefer the "u" in honour as it seems to be missing these days.
  24. More shortsighted greed. by contra_mundi · · Score: 1

    Good going, Warner. Free advertisement is always a bad thing. Certainly not a god-send.

    1. Re:More shortsighted greed. by Anonymous Coward · · Score: 0

      everything free is crap ~

    2. Re:More shortsighted greed. by Anonymous Coward · · Score: 0

      Sex is crap.

    3. Re:More shortsighted greed. by Anonymous Coward · · Score: 0

      Your sense of humor too, it seems

  25. control by Beer_Smurf · · Score: 1

    I though videos were a promotional tool to promote record sales.
    Seems to be wanting to control what gets promoted and what doesn't.

  26. They're just hurting themselves. by bjdevil66 · · Score: 1

    I found out about quite a few artists that I would've NEVER otherwise known about because of Youtube.

    I found Kanye West's "Stronger" there, and that introduced me to Daft Punk, of which I'm a huge fan now. I have since purchased 2 Daft Punk CDs and a DVD.

    If Daft Punk's videos had been removed before I saw them, I would've never put any money in their pockets.

    I also found a lot of old and obscure Rush videos I'd never seen or heard of before. Now all of those videos are gone. I may not have bought them, but it kept Rush in my mind, and motivates me to buy more Rush albums, etc.

    The record companies are shooting themselves in the foot, and they are too closed-minded and/or greedy to see it.

    1. Re:They're just hurting themselves. by ContractualObligatio · · Score: 1

      CDs sales are declining, yet your argument is that because you as an individual still buy CDs at a rate much greater than the average person, it is only YouTube that should financially benefit from Warner's content attracting visitors to the site. I don't follow the logic.

      The idea that the punter has free access to the catalogue, for which the label is compensated for by the site - that is a new business model that makes sense to me if the business parties can work out a deal. Once the quality is high enough, why buy a CD at all?

  27. I think I see the problem by Alterion · · Score: 1

    'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,' there is the problem. You see only one of those groups deserves compensation for their work from youtube, the rest should at best, be paid for their "work" by the artists at an agreed fee. A business model built around leeching money you don't deserve dose not travel well.

    1. Re:I think I see the problem by cdrguru · · Score: 2, Insightful

      And how exactly does Google deserve millions of dollars revenue from showing these videos and the creators and owners deserve nothing? Talk about leeching!

    2. Re:I think I see the problem by Draek · · Score: 1

      Simple: they're the ones paying for the bandwidth and the infrastructure necessary for showing those videos.

      --
      No problem is insoluble in all conceivable circumstances.
    3. Re:I think I see the problem by Anonymous Coward · · Score: 0

      And how exactly does *MTV* deserve millions of dollars revenue from showing these videos and the creators and owners deserve nothing?

      Read some of the other comments on here, it's all about advertising, and especially on social-networking sites, about word-of-mouth advertising. Very stupid move of Warner music indeed, expect their sales to drop.

  28. I'm not sure they have the power to do this by smwoflson · · Score: 1

    Now, I don't know much about how Warner "ordered" youtube to pull the videos, but whatever the case, I'm not sure they have the authority to do so. One of youtube's legal defenses to having copyrighted materials on youtube is that they don't know who posts videos. Indeed, it could be the copyright holder. If any of Warner's artists have a contract where they have any distribution rights over their videos, they have a right to post their own videos, and warner cannot pull them off. Indeed, depending on what authority Warner is using, this could potentially be a DMCA violation and against the law for Warner to make such a demand. Now, that's speculation on my part, but it is almost certainly true that Warner cannot make a blanket order to remove all videos of their artists.

    1. Re:I'm not sure they have the power to do this by Anonymous Coward · · Score: 0

      Warner has its own channel where they post offical videos. They also had an agreement with YouTube where they would allow fans to post music videos. Warner would get a cut of the advertising revenue on their own channel and others. With the agreement in tatters, Warner pulled the plug on their own channel. They will also start to send DMCA notices on music videos posted by fans.

  29. Warner Music Group pulls their product.. by nurb432 · · Score: 1

    And except for the press release, no one even noticed.

    --
    ---- Booth was a patriot ----
  30. Is Rick Astin with Warner? by cylcyl · · Score: 1

    I hope not, or it would be end of Rick-Rolling ;-;

  31. Wait... MTV plays music videos? by RexDevious · · Score: 1, Funny

    I know they used to play music videos, but I also know that my 486 66Mhz computer used to play cutting edge video games. At around the same period in history if I'm not mistaken.

    I would venture to guess that YouTube is by far the most prominent way of distributing the multi-million dollar music videos that record companies make to promote the sale of albums. I'd also venture to guess that Warner never bothered to find out one way or the other. More likely, they just got the idea in their heads that "TV = Spend Money to Make Money" and "Internet = Loose Money Unless Google is Involved" and left it at that.

    Let's just all agree now not to give them a government bailout when thinking like this drives them to the brink of bankruptcy, OK?

    1. Re:Wait... MTV plays music videos? by houstonbofh · · Score: 1

      Let's just all agree now not to give them a government bailout when thinking like this drives them to the brink of bankruptcy, OK?

      They are too big to be allowed to fail. They employ too many people, and drive the economy. They provide a vital cultural contribution.

      They are getting a bailout. Them, the software industry, insurance companies... Anyone big and clueless can count on government money now. Still think those libertarians are a bunch of nuts?

    2. Re:Wait... MTV plays music videos? by ion.simon.c · · Score: 1

      Still think those libertarians are a bunch of nuts?

      A little bit, yes.
      Completely unregulated markets *would* be all bailout, all the time... for the rich and powerful. A likely outcome of Libertarian market policies would be a world of overpriced goods where the state of the art hasn't advanced in decades. :( People suck.

  32. Slid in another bonehead move before year end! by BAM0027 · · Score: 1

    Not to beat a dead horse, but way back at the start of the year, Warner Brothers chose Blu-ray over HD-DVD. I thought that totally blew chunks. Thankfully, I still have the Looney Tunes Golden Collections to temper my hatred for this company.

  33. Incoming tide... by owlnation · · Score: 3, Insightful

    I wonder if someone called King Canute works for Warner Brothers.

    Admittedly, there is an upside to this, if it removes the many thousands of "video" slideshows from Youtube. You know the ones: lots of pics of a celebrity, unrelated music track, and tagged spammed into oblivion. You click on it thinking it's what you are looking for and... no...

    Video is video. Slideshows aren't. Someone should set up Powerpointtube. Ken Burns has a lot to answer for.

  34. 3 words by Anonymous Coward · · Score: 0

    Greed, Greed, Greed!

  35. Think of the artists! by Anonymous Coward · · Score: 0

    'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,' Warner said in a statement

    I wish someone of high standing would call the labels on the bullshit of listing the artists first, when they're the last in the chain to get paid: songwriters and publishers have guaranteed royalties, and the labels control the rest of the money. The artists only get paid what's left after the label cooks the books as best they can, unless a court orders them to pay more.

  36. jump to conclusions mat in effect by YesIAmAScript · · Score: 1

    I rather expected to see this host of posts on here.

    Same as when NBC pulls their shows from YouTube. The internets immediately surmised that NBC didn't know what they were doing, didn't understand the importance of internet viewing and only YouTube can deliver video over the internets.

    The pundits (including slashdot pundits) did a great job of making a straw man, but were very wrong on what NBC understood and where they were headed. Hulu has been a huge success and most importantly to NBC Universal, it delivers them revenue.

    It's very possible that people on slashdot are jumping to the wrong conclusions again.

    --
    http://lkml.org/lkml/2005/8/20/95
    1. Re:jump to conclusions mat in effect by Aranykai · · Score: 1

      wtf is hulu? I just started using bittorrent with a rss feed, so much easier...

      --
      If sharing a song makes you a pirate, what do I have to share to be a ninja?
    2. Re:jump to conclusions mat in effect by YesIAmAScript · · Score: 1

      That's easy, but not easier.

      For hulu you just go there, click about 3 times and you're watching in your browser.

      With bittorrent, you have to install a couple programs, a couple codecs and then still once in a while it turns out the program you downloaded was a crappy encode and you have to go get another one.

      I do agree the bittorrent route is pretty easy and it has the advantage that you have the file forever instead of having to stream it again, but it's not the easiest method, which is why hulu has taken off.

      --
      http://lkml.org/lkml/2005/8/20/95
    3. Re:jump to conclusions mat in effect by Aranykai · · Score: 1

      Thats funny, cause I just put utorrent in my startup, then whenever I want to watch a show I just double click the one I want. The whole initial setup took literally minutes thanks to utorrent, k-lite codec pack and tvrss.net

      Sounds like your doing it the hard way.

      --
      If sharing a song makes you a pirate, what do I have to share to be a ninja?
    4. Re:jump to conclusions mat in effect by Ilgaz · · Score: 2, Informative

      Look to this site/page:
      http://www.vuze.com/ , WB is participating too. Also there is Miro ( http://www.getmiro.com/ ) which will do lot better than Hulu.

      If Hulu shows me "Sorry, currently our video library can only be streamed from within the United States", I can't really care about them. They didn't understand the Internet's 101. If their market is USA, there is something called Tivo and TV on/off button :)

    5. Re:jump to conclusions mat in effect by Vexorian · · Score: 1
      Hmnn, you know what I did the other day? I watched a video from an NBC video in youtube... wtf is hulu?

      Same as when NBC pulls their shows from YouTube. The internets immediately surmised that NBC didn't know what they were doing, didn't understand the importance of internet viewing and only YouTube can deliver video over the internets.

      Yeah, and the internet was sooo wrong...

      --

      Copyright infringement is "piracy" in the same way DRM is "consumer rape"
    6. Re:jump to conclusions mat in effect by YesIAmAScript · · Score: 1

      Oh, so you say you can watch them at any time after they come out?

      Wow, you can do so on Hulu too. Because unlike Bittorrent, it downloads it in order and you can watch it within a few seconds of the stream starting.

      And all this without installing codec packs or putting utorrent in your startup folder! And the encodes are always good because the network makes them themselves.

      You have a method you like. Great. There's no need to spread bullshit about other methods like Hulu.

      They're both good methods. Hulu is slightly simpler and it's legal, but unfortunately, unlike using bittorrent, you never have the file to keep, so you have to stream it again later (and it may not be there later). Also, of course, on hulu, you have to watch ads too.

      But if someone else wants to watch it in hulu, what's it to you? Why do you have to misrepresent other methods as being tougher than yours?

      --
      http://lkml.org/lkml/2005/8/20/95
    7. Re:jump to conclusions mat in effect by YesIAmAScript · · Score: 2, Insightful

      Ah, there we go again. Just because hulu isn't available in your area, that means that the people putting their content on it (NBC Universal) don't "understand the internet".

      The fact is that NBC is out to make money. They can put stuff on Hulu in the US and make money. But overseas, they already sold the rights to someone else (for money), and thus they don't have the option of offering the content on the internet in those countries.

      So, if the content you want isn't available in your country on the internet (or any given site), bitch at the company that owns the rights in your country as not getting it.

      I am in the US and I use my PVR to get my content. But that's because it's higher quality (relatively high rate HD quality). It isn't simpler. Hulu is simpler than setting your PVR. For example, if you have a DirecTV PVR, and you set a season pass for Survivor, it didn't record the finale last week because it wasn't listed as part of the season. Yeah, you can go back and fix the recording ahead of time (I did), but if you didn't, you missed it. But with Hulu, regardless of whether you figured this out ahead of time, the program is there to watch when you're ready to watch it.

      --
      http://lkml.org/lkml/2005/8/20/95
    8. Re:jump to conclusions mat in effect by WiiVault · · Score: 1

      I think the verdict is still out on Hulu, though I agree it seems that they have done well, its just too early. Still a great counter example is iTunes. NBC figured out that mistake pretty quick and came running back after losing millions of dollars and the goodwill of the rabid Mac fanboy. I would argue that Hulu is an anomaly because it is one of the few things they have done right. I hardly blame the average /.er for calling them dopes on this one.

    9. Re:jump to conclusions mat in effect by FSWKU · · Score: 2, Interesting

      Hulu has been a huge success

      Not quite. Hulu still has yet to grasp the concept to its full extent. Certain shows (notably House and Battlestar Galactica) are not posted on Hulu until AFTER the following episode airs. If I miss an episode and want to catch up, I'm still one behind. Of course, people complain about this, and they either delete the comments, or trot out the apologists to try and make the complainers feel guilty about wanting what was originally provided (new episodes for all shows used to be posted as soon as they got done airing in Hawaii. The delays came later). And I have no idea what they're smoking, but 480p is NOT "high-def".

      Before the BS, I used to use Hulu to catch back episodes of my favorite shows. The ads were short, unubtrusive, and they SEEMED to be going about things the right way. Now, however, I hit my favorite torrent site and grab the new episodes in higher quality less than 4 hours after they air. Much easier, and no buffering if I want to watch again later.

      --
      "So after all this, you make my case for me. To end this stalemate, you must die..."
    10. Re:jump to conclusions mat in effect by old+and+new+again · · Score: 1

      but hulu is us only and watching a video in a browser sucks big time bit torrent is easy, shows are available about 10 minutes after they air and downaod takes minutes for SD and like 30 minutes for 720p with vlc there is no codecs to install at all

    11. Re:jump to conclusions mat in effect by skeeto · · Score: 1

      I have found that this little known website tends to get them up within a couple hours of the episode airing, works in any country, higher quality, aren't DRM crippled (i.e. you can watch them with pretty much any media player), and I guess they made some sort of really sweet deal with all of the television studios because they don't even have commercials. These guys must be better at negotiating than Hulu.

      </sarcasm>

  37. YouTube thoughtfully provide... by ciderVisor · · Score: 4, Funny

    YouTube thoughtfully provide a facility to replace the audio track on your uploaded video with another public domain/Creative Commons track. I was asked to either remove my home-made video to Rainbow's 'Eyes Of The World' completely, or to replace the copyrighted audio with something else from their library. I chose Tiny Tim singing 'Tiptoe Through The Tulips'. Somewhat surreal. I don't think it will reflect well on Rainbow's hired bull terriers, and ultimately it will not reflect well on Rainbow, either.

    --
    Squirrel!
    1. Re:YouTube thoughtfully provide... by Anonymous Coward · · Score: 0

      http://www.youtube.com/watch?v=5aH5_1uC2TQ

      Missing link supplied! :)

  38. Warner should pay up for bandwidth... by w0mprat · · Score: 1

    You tube should respond that Warner music's content is taking up a significant slice f their bandwidth bill, pay up. YouTube is a carrier service like public TV and Warner is a content provider getting millions of dollars of free airtime, they should pay for their airtime.

    How exactly are music videos piracy anyway, they are a promotional tool for the labels - always have been. They are all over broadcast TV, music channels, it's the labels own fault for doing this as consumers have become used to not paying for the privileged of accessing content.

    --
    After logging in slashdot still does not take you back to the page you were on. It's been that way for 20 years.
  39. Re: fairly compensate recording artists, songwrite by dontmakemethink · · Score: 5, Insightful

    We all know how much they care about fairly compensating the people who actually made the music.

    What's worse is that videos were never intended to generate revenue on their own, they are advertising for the artist. No record label ever had a problem with MTV making money from commercials in between videos. No doubt there are absolutely no provisions in the artists' contracts for revenues generated by videos either, and no doubt we'll start to see YouTube clips of signed artists protesting this, which the RIAA can't yank.

    Massive fail.

    --

    War as we knew it was obsolete
    Nothing could beat complete denial
    - Emily Haines
  40. Why Warner et al? by bogaboga · · Score: 1

    I have always wondered why as a successful artist, I must go through companies like Warner Music and the like? Do I need a "middle man?" Can't I just go it alone? What would happen?

  41. Good luck with that by alvinrod · · Score: 1

    Whether it's morally right or not is completely irrelevant because there's no way to stop it. People will continue to place content for which Warner holds the copyright on YouTube, and Warner will have to spend money to have people check for that content and have it removed. Even if they do have marginal success with removing the content from YouTube it will only pop up on other video websites.

    Some of these websites will not fall under the jurisdiction of the United States and can politely tell Warner to piss off. At that point they're completely screwed and at best they can whine to the government in which the website's servers are located and hope that the that country's government actually gives a damn. They probably won't.

    If I really want to find some content it's not difficult at all. For example, pick an arbitrary popular television show and I can find three websites that will have the most recent episode of that show within a hour or so of its broadcast.

    There's no way to stop this at all. For middle men, they should be damned glad to take whatever they can get and start investing it in alternative methods of generating a profit because their current business model is screwed. It's only a matter of time before it completely fails and something else takes its place. If they're interested in existing in the next twenty years, they should definitely look towards shifting their business strategy towards something useful instead of pissing money away trying to fight something that's impossible to stop.

    1. Re:Good luck with that by cdrguru · · Score: 1

      It has nothing to do with "business model", it has to do with the entire business.

      If it is permitted for Google/YouTube to post content without compensating the content owner and make millions of dollars off of it through advertising revenue, what possible hope does the content owner have anyway?

      Someone is going to make money off the content, but it sure isn't going to be the producers/owners of that content. It is going to be Google.

      The only reasonable thing to do is to immediately stop providing free content to Google for Google to make money from. Find something that people will pay for, because it certainly isn't going to be any sort of digital content, or anything that can be distributed in digital form.

  42. Meanwhile... by miruku · · Score: 1

    "In an interview with CNET News this week, Rio Caraeff, executive vice president of Universal Music Group's eLabs, said the largest of the top recording companies is bringing in "tens of millions of dollars" from YouTube."

    http://news.cnet.com/8301-1023_3-10126439-93.html
    December 18, 2008

    --
    MilkMiruku
  43. fairly?? by Anonymous Coward · · Score: 0

    Substitute "greedily" for "fairly"

      Solution = DONT buy Time Warner... Pass it on.

  44. Jews by Anonymous Coward · · Score: 0

    The Jews who control the music and entertainment industry simply cannot allow their products to be obtained and manipulated by the general public without their direct oversight and control - their products are created with a specific purpose in mind (the complete destruction of Western civilization) and it would be unacceptable for this purpose to be subverted.

    1. Re:Jews by Anonymous Coward · · Score: 0

      Mel is that you?

  45. Good by moniker127 · · Score: 1

    We don't need warner. Let them be the dinosaurs they are, and let them die in old mediums.

  46. Re: fairly compensate recording artists, songwrite by Original+Replica · · Score: 4, Informative
    It's been said here before, but Courtney Love explains "artist compensation" best:

    This story is about a bidding-war band that gets a huge deal with a 20 percent royalty rate and a million-dollar advance. (No bidding-war band ever got a 20 percent royalty, but whatever.) This is my "funny" math based on some reality and I just want to qualify it by saying I'm positive it's better math than what Edgar Bronfman Jr. [the president and CEO of Seagram, which owns Polygram] would provide. What happens to that million dollars? They spend half a million to record their album. That leaves the band with $500,000. They pay $100,000 to their manager for 20 percent commission. They pay $25,000 each to their lawyer and business manager. That leaves $350,000 for the four band members to split. After $170,000 in taxes, there's $180,000 left. That comes out to $45,000 per person. That's $45,000 to live on for a year until the record gets released. The record is a big hit and sells a million copies. (How a bidding-war band sells a million copies of its debut record is another rant entirely, but it's based on any basic civics-class knowledge that any of us have about cartels. Put simply, the antitrust laws in this country are basically a joke, protecting us just enough to not have to re-name our park service the Phillip Morris National Park Service.) So, this band releases two singles and makes two videos. The two videos cost a million dollars to make and 50 percent of the video production costs are recouped out of the band's royalties. The band gets $200,000 in tour support, which is 100 percent recoupable. The record company spends $300,000 on independent radio promotion. You have to pay independent promotion to get your song on the radio; independent promotion is a system where the record companies use middlemen so they can pretend not to know that radio stations -- the unified broadcast system -- are getting paid to play their records. All of those independent promotion costs are charged to the band. Since the original million-dollar advance is also recoupable, the band owes $2 million to the record company. If all of the million records are sold at full price with no discounts or record clubs, the band earns $2 million in royalties, since their 20 percent royalty works out to $2 a record. Two million dollars in royalties minus $2 million in recoupable expenses equals ... zero! How much does the record company make? They grossed $11 million.

    http://archive.salon.com/tech/feature/2000/06/14/love/index.html

    --
    We are all just people.
  47. I record all my music off Youtube by Joce640k · · Score: 5, Funny

    I just hold a microphone up to the speakers and record the song using Windows Sound Recorder.

    It's very easy to do and the sound quality is perfectly acceptable because I only listen on the bus.

    --
    No sig today...
    1. Re:I record all my music off Youtube by ion.simon.c · · Score: 1

      There's this new thing that you might wanna try out... it's called FM radio. You can get music and news for free, wirelessly!

    2. Re:I record all my music off Youtube by Joce640k · · Score: 1

      FM is old "casette tape" technology. I'm using 21st century mp3s!

      --
      No sig today...
    3. Re:I record all my music off Youtube by cheeseboy001 · · Score: 1

      Don't you think it would be easier to just download it? There are sites and tools around that let you just download the audio as a mp3.

    4. Re:I record all my music off Youtube by corsec67 · · Score: 1

      And in the 3rd millennium, I have an mp3 player that updates the songs on it automatically. (Try out the slacker.com web player, the portable is very close to that)

      --
      If I have nothing to hide, don't search me
    5. Re:I record all my music off Youtube by Anonymous Coward · · Score: 0

      I just used to record them to my voice mail.

  48. Re: fairly compensate recording artists, songwrite by ContractualObligatio · · Score: 1

    So the corporation that doesn't want to compensate the artist at all is even fairer? How does that work?

  49. the real money by Anonymous Coward · · Score: 4, Insightful

    The experience of the music fan at a live performance is not "easily copied", and live performances are where they make the real money. Digital copies should be treated for what they are, enjoyable advertising, and priced accordingly, from free to maybe a dime a song, tops. Charging a dollar for three megs of digital bits is serious price gouging, the fans know it, anyone who can use a computer knows it, that's why the public is not adopting their prices at the levels they expect. The music majors want to insure the same unit pricing they had back when it really cost a lot of money to deliver a copy, that doesn't exist now with downloads, it cost maybe a penny or something to actually do that. They can make and deliver the same "unit" now for a teeny fraction of what is used to cost 10-20 years ago, but they want the same gross purchase price? Hell no! They need to backoff the drugs a little once in awhile and sober up and enter the 21st century.

      As to movies, again, it's not the same going to a theater with a 20 foot screen and a hundred grand sound system as it is sitting around your TV, even if it is a good one. If they offered a cheap DVD on exit from the theater, say for around 3 bucks or so, they'd get immediate feedback on the movie, plus instant impulse buy revenue. 15-20 bucks for a plastic disk though..price gouging, they can stamp them things out and put them in a paper sleeve for like a buck easy at big scales, which means they could sell them for three and make profit.

        Basically, since the late 90s or so I just stopped buying full price entertainment media, it's a price ripoff. I'll buy it used for cheap, that's it, picked up a few used DVDs the other day for a few bucks apiece..because that is all they are worth. They annoyed someone who was a faithful purchaser since the late 1950s with their blatant ripoff price gouging. In the same period that computers went from 3,000 bucks to 300 bucks, and got loads better in quality and performance, the music and movie guys have the SAME PRICES for stuff that is not much better at all, it's the same notes, the same scenes. Screw that, screw them. Price gouging loons.

        CDs with music I'll pay a buck, tops. I'm not going to keep purchasing the same damn song or album just because a new format comes out, already did that, not going to keep doing that though. I went vinyl to 8 track to cassette then CD, then..no way, I don't care about blue hi-def lazer ray disks, they can stuff it, I don't need to see the nose hairs and zits in detail of some scrawny metrosexual "artist". I think they should get paid for their work and creations, I certainly do not "pirate", but trying to make a killing off of people when we all know what digital copies REALLY cost is just stupid, they are out to lunch on their business model and prices.

        Technology moves forward, some things got a lot cheaper to make, so they should drop prices accordingly and make profit on larger volume sales, and with music, the traditional way, touring or local live "work".

    1. Re:the real money by Anonymous Coward · · Score: 0

      There's a tax mistake in there. Taxes are applied PER PERSON, so each person gets taxed on $87,500, not $350,000 for all of them. At that level, the taxes are around 30%, so each person keeps ~$60,000 not $45,000.

    2. Re:the real money by Opportunist · · Score: 1

      I was recently at a concert. Was great. True, the experience can't be copied. Then we went out and at the exit, I got to see something I haven't seen before at a concert. There they were standing, selling USB sticks with the concert on them. Well, everything but the encores, but you'd get some code to download them from their page (they couldn't put it on the sticks due to time restraints). Ok. Cool idea.

      For 20 Euros (or 28 USD). Less cool. Far less.

      OK, you get quite a bit more music than on a standard CD. It was a 90 minutes concert, allright. And yes, I'm used to the 40 USD t-shirts being sold and the 5+ USD cokes but frankly, 28 for something that's basically a live CD?

      Don't get me wrong, it was a great concert. I've been waiting for quite some time to see that guy perform live, and it was well worth the 40 bucks I paid for the ticket. But I am not paying almost 30 bucks for a CD of a concert I just saw. I do support the artist, I go to his concerts, but the price has to be ok. Yes, 40 bucks for a concert is ok. 30 for a stick with the recording thereof is not.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    3. Re:the real money by theaveng · · Score: 1

      I would. I went to the Baltimore Lilith Fair back in 98, and I often wished I had a recording of that day so I could relive the experience. Oh well.

      --
      FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
    4. Re:the real money by ravenshrike · · Score: 1

      Plus a re-useable USB stick.

    5. Re:the real money by Opportunist · · Score: 1

      Oh c'mon, what's the cash value of a branded 1GB USB stick? I get them by weight on every convention or expo I have to go to.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  50. They get it just fine by Anonymous Coward · · Score: 0

    They know that this sort of advertisement generates sales. They get it.

    They *also* know that there is a huge pot of money to be dipped in to from the revenue generated directly from YouTube. And they want to claim a big fat lot of it. Google told them "no", so they got all pissy.

    This "fairly compensate recording artists" nonsense is just PR BS they they churn out to maintain general public approval. They have never been, and will never be, interested in fair compensation for anyone but themselves (and in this context "fair" means "as much as we decide we want").

  51. Google Music Label (gMusic)? by cpghost · · Score: 1

    But I could see Google creating software and website that is designed to help them record and market their own stuff.

    That would be preferable to a new label: Google Music (gMusic?). But how many artists are also tech-savvy to use those tools? Many may prefer to sign up and let Google do everything from production up to the marketing. But then, wouldn't a Google Label be evil too and contrary to company policy?

    --
    cpghost at Cordula's Web.
    1. Re:Google Music Label (gMusic)? by WindBourne · · Score: 1

      I suspect that Google will provide a website, software, etc. and will let ppl be their own label. I can not see Google becoming a pimp.

      --
      I prefer the "u" in honour as it seems to be missing these days.
  52. just use Tagoo.ru they added a search vid feature by GlobalColding · · Score: 3, Insightful

    and you do not have to know Russian. This is why competition is good, if they succeed on youtube, there are plenty of alternatives out there, especially if you speak a foreign language. Globalization is backfiring at the megacorporations.

  53. Total crap... Yet again corporates. by Anonymous Coward · · Score: 0

    Well heres a number of examples from me. Ive had 3 of my youtube videos removed for having music from warner on them. Even though the music was background. Heres another example. I spent a good half an hour editing together a nice little spoof between south park (the scene with the "internet" being a linksys router) and a section from IT Crowd. I sent it to a couple of friends on MSN who thought it was pretty funny. So I then posted it on youtube. It was removed within 36 hours. :\

    What then makes even LESS sense is the fact that there is entire episodes of both of those programs on youtube. I mean come on, somethings a bit off there?

    1. Re:Total crap... Yet again corporates. by Nazlfrag · · Score: 1

      This brings up another tangent - while south park have made their episodes free online (at least in the US) as have the BBC with the IT crowd (at least in the UK) neither site allows for derivative fan based works like youtube does. Allowing these mashups increases the exposure and popularity of both series, with no negative side effects I can see beyond possibly providing spoilers for a scene or two. Taking down full episodes from youtube and providing your own is all well and good, but by not allowing fair use excerpts in compilations they are denying themselves publicity and exposure, effectively shooting themselves in the foot.

  54. Re: fairly compensate recording artists, songwrite by jorghis · · Score: 2, Insightful

    I keep seeing people point this out, but I believe they are missing the point to a large degree. Youtube for a large segment of listeners isn't advertising for buying a song, its a replacement for it. Why would I spend money and go through the hassle of actually buying a CD when I can have any song/video I want from almost any popular band playing within a matter of seconds on youtube? Its easier and cheaper. (and perfectly legal) Personally, I haven't actually bought music in years for this exact reason and I know that there are a lot of other people out there like me. Statistics for album sales certainly seem to back up my view that this is common. (yeah I know, someone is going to chime in about how sales are abysmal because music isn't as good as it was back in their day. The ratio of good music to bad hasn't changed much in the last few decades, can we please not pretend that the dramatic decrease in music sales is not related to the internet?)

    Giving away something for free (or dirt cheap) isn't much of a business model. I do not blame them for taking their ball and going home.

  55. Re: fairly compensate recording artists, songwrite by nicolas.kassis · · Score: 1

    Youtube does not work on my iPod. And I don't stay in front of my computer all day so, mp3s are way better.

  56. Re: fairly compensate recording artists, songwrite by Anpheus · · Score: 1

    Let me know when Youtube makes it easy to make and maintain a playlist of songs, artists, albums, etc, that I like to listen to, and will automatically shuffle them in playback and do, in general, everything Winamp does.

  57. Re: fairly compensate recording artists, songwrite by lysergic.acid · · Score: 2, Insightful

    hey, i'm hoping this will get RIAA music off of YouTube completely and leave more room for indie artists/labels.

    if they don't want the free promo, then we'll sure as hell take it.

  58. Re: fairly compensate recording artists, songwrite by lysergic.acid · · Score: 1

    fairer than the radio stations and MTV who charge artists/labels for the promotion they provide.

    and (if you bother to RTFA), Google was offering to compensate the artist (even though if they had to do this with every single video YouTube would go out of business) but Warner Music wanted a bigger cut.

    if Warner Music were smart, they'd leave their videos up and enjoy the free promotion they're getting out of it rather than having to spend millions of dollars on marketing, advertising, payola, etc. that's what music videos are created for after all...

  59. Re:Rock stars obviously aren't accountants. by WiiVault · · Score: 4, Informative

    The point being made tho is not whether or not 45k is a decent wage, but instead how the producers of the art get 45k while the suits get 11 million.

  60. Re: fairly compensate recording artists, songwrite by ContractualObligatio · · Score: 1

    I did RTFA. I'm sure you did too, but your comprehension appears lacking. No figures are provided, therefore you're simply making assumptions to suit your point of view.

    I don't find arguments based the simplistic assertion of pre-internet technology and business models from the 80s particularly convincing. I believe technology is capable of changing the way the world works. I reckon the idea of an artist getting YouTube revenue is a great one, far more important than what I might think of the existence and attitudes of the majors.

  61. Aren't videos just promotional tools? by crustymonkey · · Score: 5, Insightful

    Please, correct me if I'm wrong here, but aren't music videos basically just promotional tools used to sell albums? Maybe things have changed since the early MTV days, which also probably the last time I watched a music video, but I've always been under the impression that the reason these were made in the first place was simply a way to sell an album (or song, nowadays). I mean, really, do people actually *buy* music videos (and I'm not talking about extended length live performance videos, just the old school MTV stuff).

    Maybe things have changed in this arena in recent years, but I can't really see this as anything except another stark example of a music industry dinosaur that just wants to stay locked in it's old anti-digital model. That and, of course, the fact that they want to squeeze anyone they can to try and extort as much money as they can before they finally die off because they refuse to accept change.

    --
    \033:wq!
    1. Re:Aren't videos just promotional tools? by Mandrel · · Score: 1

      Please, correct me if I'm wrong here, but aren't music videos basically just promotional tools used to sell albums?

      Music on YouTube is:

      • The whole song,
      • In an audio quality that many find acceptable,
      • Accompanied by an often interesting visual scenario,
      • Available free on-demand,
      • Easily downloaded for on-demand playing and offline sharing, and is
      • In an environment that allows you to share comments and links with other users,

      which must compete with higher-quality non-free DRMed soundfiles.

      Given this reality, I can't blame Warner for what they've done.

      What Warner should now do is:

      • Either place downgraded music on YouTube (lower audio quality, less than the full song, voiceovers, etc.), or require YouTube to stream FLVs with DRM.
      • Keep a suitable affiliate-link deal with YouTube.
      • Either vigilantly police user uploads, or ensure that they come with DRM and purchase links.
      • Give those who purchase a song both a free HD download and shareable stream credits of the song's video. Album purchasers should get a voucher for all album videos.
    2. Re:Aren't videos just promotional tools? by mattwarden · · Score: 1

      Your use of logic in a public forum has been reported and you should expect a call from our lawyers.

    3. Re:Aren't videos just promotional tools? by Jeppe+Utzon · · Score: 1
      And what Warner should REALLY do is:
      • Die ...
      • Die ...
      • Die!
    4. Re:Aren't videos just promotional tools? by dr_d_19 · · Score: 1

      The difference now is that the music industry could decide what you would watch on MTV. Ads only work if you are forced to watch them, so the popular music video X could be shown as long as the videos for new bands Y and Z were also shown while people were "waiting" for X.

    5. Re:Aren't videos just promotional tools? by Clovis42 · · Score: 1

      I mean, really, do people actually *buy* music videos

      iTunes sells music videos. I'm pretty sure they are $.99. I assume that people buy them. Keep in mind that people also buy ringtones for several dollars, and that only includes a short portion of the song. And, yes, some people probably buy the video, the MP3, and the ringtone.

      Since people are willing to pay for this, it makes things annoying for the rest of us. Warner now thinks that the videos themselves are not just advertisement, but are worth something.

      This is also the reason I don't have text messaging on my phone. People seem to feel that $10 a month or $.10 per message is a reasonable price. I can't see why I would pay so much for such a tiny amount of data, but there are millions of people who think that otherwise. And, therefore, text messaging is expensive and it will stay that way. Yay for capitalism!

      --
      Clovis
      ^ Clovis, look! It's that guy you are!
  62. Way to contribute to the problem. by cyn1c77 · · Score: 2, Insightful

    Why would I spend money and go through the hassle of actually buying a CD when I can have any song/video I want from almost any popular band playing within a matter of seconds on youtube? Its easier and cheaper. (and perfectly legal) Personally, I haven't actually bought music in years for this exact reason and I know that there are a lot of other people out there like me.

    Buying a CD literally takes LESS than a minute on Amazon and you get free shipping.

    So do you rip the music off Youtube? Or do you just interrupt what you are doing every 4 minutes to restart the song or change tracks? Either way, it sounds less than optimal. How do you get any work done while listening to music?

    I use Youtube to listen to a song I am interested in a few times and maybe scope out the rest of the tracks on the album. If I like it I buy it DRM free as an MP3 or CD. Then (1) I enjoy listening to my legal music, (2) have supported an artist who doesn't suck (and the record company, I know), (3) and have not directly supported DRM.

    Think about what the repercussions would be if lots of people just listened to songs on Youtube and didn't buy them... Oh wait, you don't need to, you can just read TFA.

    Sometimes being a responsible member of society actually costs money. If you act like a 3 year old and just take what you want without paying for it, the record companies will treat you like a bad 3 year old and take away your toys.

  63. BANG!!!! by Newer+Guy · · Score: 1

    That's the sound of Warner shooting themselves in the foot!

  64. mp3.com 2.0 by heroine · · Score: 1

    This is how mp3.com began its demise.

  65. This really sucks for a local toronto band I know by Anonymous Coward · · Score: 0

    They're called Billy Talent, and personally they're the best new rock band of the past decade (Although they started making music in the early 90's as a band called pezz.), they've stated before that it's not a huge market like it was during the 90's and that they're doing it for the fans, and they put a LOT of work into their songwriting (Don't look up the second album, the first (Billy Talent 1) has much better lyrics, although Devil in a midnight mass is my favorite song of theirs, and is from the second album.), and yeah, this is basically stealing money from them because I'm sure youtube is big exposure for them in the US, where they are touring right now.

    But anyway, who cares really, the music industry has gone to crap anyway (Metallica's fault, really, for the whole P2P scandle.), and the economy otherwise is going to completely collapse soon, so yeah, pissing in the wind.

  66. No freeloading (sufi tale) by Anonymous Coward · · Score: 1, Insightful

    One day, Abdullah Jaffarov, the secretary of the Copyright Holders' Association reprimanded Nasreddin Hodja for downloading music recordings off file-sharing networks:
    "This is unfair, Nasreddin. These musicians, they are working hard, and you're listening to them playing without paying. You know, they also need to pay their bills."
    Nasreddin contemplated Jaffarov's argument for a while, then told him: "You are quite right, what I have been doing was unfair to all those musicians. How can I right my wrong?"
    "Oh, that is no problem," responded Jaffarov. "you just pay the Copyright Holders' Association, and we shall distribute your payment to all the recording studios and they will pay the musicians."
    Nasreddin Hodja immediately agreed to this proposal.

    The next day, when Nasreddin Hodja went to the bazaar to buy some groceries, he asked his friend to record a video of him paying the vendor. "Why do you want me to record how you pay?" asked Nasreddin's friend.

    "Oh, I must correct a horrible injustice," replied Nasreddin. "I shall send the recording to Mr. Abdullah Jaffarov, so that he can distribute it to all the studios he represents. See, it is only fair that if I can listen to the recordings of their musicians playing music, they can also watch the recording of me paying money."

  67. Har by ZekoMal · · Score: 2, Interesting
    'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,'

    So....you're angry that people are watching your stuff for free? Considering the, for the sake of argument, millions that these artists make as is from commercials, CDs, individual songs, music vids on MTV and VH1, concerts, and memorabilia sales, do they -seriously- need that extra revenue?

    It ain't like they only make $30k a year, like the typical joe-schmoe. No, let's make joe-schmoe pay more so that these artists can make another million.

  68. What they are really saying ... by Jeppe+Utzon · · Score: 1

    This:

    'We simply cannot accept terms that fail to appropriately and fairly compensate recording artists, songwriters, labels and publishers for the value they provide,' Warner said in a statement.

    ... means this:

    'We simply cannot accept terms that fail to compensate us excessively,' Warner said in a statement.

    1. Re:What they are really saying ... by Erbo · · Score: 1
      'We simply cannot accept terms that fail to appropriately and fairly make you pay through the nose for our executives' six-martini lunches, their limos and Learjets full of blonde bimbos, and all the cocaine they stuff up their noses,' Warner said in a statement.

      FTFY, Warner.

      (And why can't I seem to use S or STRIKE tags on Slashdot? That would have made the above MUCH funnier...)

      --
      Be who you are...and be it in style!
    2. Re:What they are really saying ... by Anonymous Coward · · Score: 0

      (And why can't I seem to use S or STRIKE tags on Slashdot? That would have made the above MUCH funnier.

      ^H is geekier and funnier.

    3. Re:What they are really saying ... by Jeppe+Utzon · · Score: 1

      I agree. In my post I also tried with both S, STRIKE and DEL first but none of them worked. :(

  69. Re:Rock stars obviously aren't accountants. by MadUndergrad · · Score: 2, Informative

    Since when on Slashdot is $45k a pretty damn good wage? That's poverty wages in a lot of cities. They could make more money as janitors. Then again, you're just a damn troll.

  70. Re: fairly compensate recording artists, songwrite by Anonymous Coward · · Score: 0

    I see what you are saying here - I think that I can bring out something here.

    You are contrasting the money/no money aspect that was there around the time of Cobain and Nirvana. I see that happening here as well. I contend that Warner put them on YouTUBE.

    This is a free money conflict of interest that they think that this site will fix. Not hardly.

    The thing today is that the bands already have it. These didn't make MTV2 or EDGE. This is a load.

    These took around 50 people to do, and this is a lot of vendetta that shouldn't be there in the first place.

  71. Re:Rock stars obviously aren't accountants. by Tokerat · · Score: 1

    'Just' $45K after taxes to live on for a year? That's actually pretty damm good money - unless you have a drug habit like hers.

    When you're a musician, you need to buy instruments and equipment, you need a space to practice, and most likely you need studio time.

    That's not free, and it's certainly not cheap.

    After all that, you're looking at maybe $20k a year for basic living costs like rent, food, car, etc.

    Or, you can just not spend that much money on your work, fall behind in your practice and your writing work, and end up owing the label MORE money when your project tanks and no one goes to see you live.

    It's a trap - do not go to work for the RIAA.

    --
    CAn'T CompreHend SARcaSm?
  72. Musical styles not for live performance? by tepples · · Score: 2, Insightful

    The experience of the music fan at a live performance is not "easily copied", and live performances are where they make the real money. Digital copies should be treated for what they are, enjoyable advertising, and priced accordingly

    Have you thought about the ramifications of this for musical styles not amenable to live performance, such as a lot of the Beatles' post-Revolver work?

    1. Re:Musical styles not for live performance? by carlzum · · Score: 2, Interesting

      You would be surprised how well heavily layered, complex music translates live. I saw Radiohead this summer and was amazed by their ability to perform songs that seemed impossible to replicate on stage. They didn't just lip-sync and strum along to pre-recorded tracks either, and overall, I enjoyed the live renditions more than the studio versions.

      Other bands that produce heavily edited music, like Gnarls Barkley, the Roots, Beck, and Nine Inch Nails, have had success as live performers. I read how GirlTalk, a one-man "mash-up" artist, is performing alone with a laptop and selling a lot tickets.

      I think the Beatles didn't tour after Revolver because they didn't have to, they were able to make a fortune on record sales. That may have been a short-lived era in popular music, but it shouldn't mean the end of creative music.

    2. Re:Musical styles not for live performance? by niklask · · Score: 1

      I think the Beatles didn't tour after Revolver because they didn't have to, they were able to make a fortune on record sales. That may have been a short-lived era in popular music, but it shouldn't mean the end of creative music.

      If you don't really know why they stopped touring, why not say so instead of speculating?

      The Beatles got fed up with not hearing themselves play and people coming see them more than listen to them play. And at that time, they didn't have the technology available today to perform many of their later songs. That's why they stopped touring.

      Btw. When they played Shae they had one 100 watt amplifier that was made specially for that concert.

    3. Re:Musical styles not for live performance? by carlzum · · Score: 1

      "If you don't really know why they stopped touring, why not say so instead of speculating?"

      No speculation, the band didn't tour and amassed fortunes on record sales. They had the luxury of not touring when screaming teenagers became annoying. A handful of songs may not have been possible live (Revolution #9 or something), but their music was performed live by their contemporaries in the late 1960's. They could have done it if they enjoyed playing in front of large crowds or needed the extra money.

    4. Re:Musical styles not for live performance? by niklask · · Score: 1

      No speculation

      Then why doesn't it agree with their own reasoning?

      the band didn't tour and amassed fortunes on record sales.

      Nobody is denying that. They were a great rock band.

      They had the luxury of not touring when screaming teenagers became annoying.

      So the screaming teenagers (and others) were not annoying when they played at Shae stadium? which btw, was the first ever concert in a stadium.

      A handful of songs may not have been possible live (Revolution #9 or something)

      Now you're just being ignorant. Revolution #9 was released on The White Album, which is much later after they stopped touring. I suggest you take a look at the live recording of "Nowhere man" for example. It sounds nothing like on the studio album. Or "Tomorrow never knows". Please enlighten us how they would have done all the loops etc without modern synthesizers?

      but their music was performed live by their contemporaries in the late 1960's.

      Some it was yes, but hardly ever those studio tracks that were difficult to play live in a four-piece band.

      They could have done it if they enjoyed playing in front of large crowds or needed the extra money.

      On the contrary, much of their post-Revolver music was not made for that. You know, they did love playing for large crowds, but got fed up with not being able to hear themselves while playing and thus not being able to improve. Money had little to do with this. Sorry mate.

      Want to add a note though. Using The Beatles as an example today is sort of pointless, because we do have all the modern technology available.

    5. Re:Musical styles not for live performance? by carlzum · · Score: 1

      Now you're just being ignorant. Revolution #9 was released on The White Album

      Ok, now it's on ;) Obviously we're both Beatles fans, and I think we're worse off because there aren't live performances available from their creative peak. I would love to hear how songs like Tomorrow Never Knows would have sounded stripped of the studio effects. Audiences in the late 60's would have been much different than the screaming throngs of teenage girls they played to pre-Revolver. Of course, they may not have been able to produce as many albums in that short period if they were touring. But being able to make a lot of money on record sales allowed them to spend so much time in the studio.

    6. Re:Musical styles not for live performance? by Anonymous Coward · · Score: 0

      Pink Floyd played dark side of the moon note for note (except for the clocks) live with dinosaur tech.

      Nine Inch Nails puts on a phenomenal live show.

      If you can't figure out how to perform your music live you're just a producer, and that drivel is on the way out, or it can stay where it belongs: on soundtracks and in videogames.

    7. Re:Musical styles not for live performance? by Chosen+Reject · · Score: 1

      Obviously we're both Beatles fans, and I think we're worse off

      Very true. Very, very true.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
  73. So let me get this straight by kimvette · · Score: 1

    Let me see if I understand the situation:

    They (Warner) are angry because they are getting FREE hosting of their music advertisements (promotional music videos) and their own customers taking the initiative to provide them with free advertising campaigns?

    --
    The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  74. Re:Rock stars obviously aren't accountants. by Anonymous Coward · · Score: 0

    I would kill for 45K. And I'm going to. Around here 20K is average and I made less than 10 working my ass off an entire year. This country is in for hard times and you just need to watch the rats run for higher ground. (big corps, bailouts, old artist comesbacks; they know they need to scrounge money) So I will enlist as a mercenary for my pay.

  75. Poor Warner by Anonymous Coward · · Score: 0

    "fairly compensate recording artists, songwriters, labels and publishers" Give me a break. Why can't they just say Warner want's more money? I would be quite surprised if the artists got anything.

  76. Remember, people... by pandrijeczko · · Score: 1

    ..if it's good music then it goes in the EAR, not the EYE.

    Youtube Schmootube...

    --
    Gentoo Linux - another day, another USE flag.
  77. Copyright Kills Unknown Artists by Phoenix666 · · Score: 1

    It puts me in mind of the tragedy of Afropop Worldwide, the public radio program that features artists from Africa and the African diaspora. I never had any interest in afropop, but somehow I got on their email list and they started sending me links to mp3 podcasts of their radio programs.

    One day I thought what the heck and started listening to their archives. It was wonderful, beautiful stuff and completely unlike anything most of us are exposed to in America. And I thought it was terrific that they were smart enough to use the internet to reach new audiences like me and my friends, whom I forwarded the links to.

    Then they changed their delivery structure to an on-demand streaming structure that simply will not play, because of "concern about copyright issues." And my and my friends' nascent interest in any of the artists featured on the program has died on the vine, because the artists are so afraid of people hearing their music that they prevent us from hearing their music.

    It's a loss, because Western artists can still be discovered through other channels, but for the African artists, Afropop Worldwide is about it as far as the rest of the world is concerned. Sad.

    --
    Do what you can, with what you have, where you are.
  78. Re: fairly compensate recording artists, songwrite by Anonymous Coward · · Score: 0

    They GROSS $11M, just like the band GROSS'd $1M, so it's not as much of an raping as she portrayed. It's a raping, but they did get kissed first.

  79. Re: fairly compensate recording artists, songwrite by theaveng · · Score: 1

    A lot of what she claims is not true. For example: "paying radio to play records". Not only is that illegal, but the opposite is true - radio pays about 1/2 penny per song.

    --
    FOX NEWS.com should be BANNED from television and internet. Have the Congress take it over and give us Truespeak.
  80. Funny by TehZorroness · · Score: 1

    recording artists, songwriters, labels and publishers

    It's funny that they get paid in exactly the opposite order.

  81. Re:Rock stars obviously aren't accountants. by blueskies · · Score: 1

    Sorry, but you're an idiot.

    The more risk you take, the more the reward needs to be in order to be good money. So, in a 9-5 stable job, $45k might be good money. But not in an industry where a very small amount of people make it.

    If the "winning" salary is $45k, then the expected value of being a musician would be like $100 a year.

  82. Re:Rock stars obviously aren't accountants. by blueskies · · Score: 1

    Maybe you should move to a better location?

    It's like complaining about not having any drinking water, but refusing to leave the desert.

    Work your ass off doing the wrong thing, and i bet you can get down to $5k a year. Now if you said you worked your ass off creating huge amounts of value, i would feel for you.

  83. Free advertising? by Anonymous Coward · · Score: 0

    Everyone else has to pay for advertising for their product. Why should the music industry be any different? YouTube should be asking them for money.

  84. Sony's OK by T.E.D. · · Score: 1

    Good thing they made a deal with Sony/BMG though. That's Rick Astely's publisher. They'd hardly have any content left if they had to remove every Rickroll.

  85. Re: fairly compensate recording artists, songwrite by Justin+Hopewell · · Score: 1

    They aren't always paid with money. Sometimes the stations are given vacation packages and other high-value gifts that they can give away in contests.

  86. Re:Rock stars obviously aren't accountants. by Shotgun · · Score: 1

    The producers "gross" 11 million. She compares that to the artists net income. To which I say, "boo-fucking-hoo".

    If the artists don't like the deal, don't hire a manager or a lawyer. Why are they hiring managers or lawyers if the managers and lawyers don't do anything? And if the managers and lawyers have a value, why are they bitching about having to pay them. I mean, I'd have a lot more money if that dickhead mechanic down the street didn't keep charging me for fixing my car.

    --
    Aah, change is good. -- Rafiki
    Yeah, but it ain't easy. -- Simba
  87. Re:Rock stars obviously aren't accountants. by Anonymous Coward · · Score: 0

    Since when on Slashdot is $45k a pretty damn good wage? That's poverty wages in a lot of cities.

    $45k *AFTER TAXES* or roughly $67k pre-tax is poverty wages?

  88. Re:Rock stars obviously aren't accountants. by slashdotjunker · · Score: 1

    The point being made tho is not whether or not 45k is a decent wage, but instead how the producers of the art get 45k while the suits get 11 million.

    Your math is wrong. The band gets $180,000 after-tax money. The record company gets $11,000,000 pre-tax money. The band has 4 members. The record company assigns 50 employees to the marketing and release of the band's work. The band gets $45,000 per capita. That is equivalent to a $64,000 salary at a 29.7% tax rate. The record company gets $220,000 per capita.

    The band created the product and bore all of the financial burden. The record company provided labor and took all of the financial risk.

  89. Re: fairly compensate recording artists, songwrite by Anonymous Coward · · Score: 0

    You must have a tin ear, cuz the sound quality on youtube is generally crap!

  90. Re: Wishbone Ash by BitterAndDrunk · · Score: 1
    Wishbone Ash used to open for Tull in the 70s . . . they tended to steal the show.

    I'd look into Gentle Giant (from the same era) and Hawkwind if you're into Wishbone Ash. (also if you like HEAVY prog stuff, Baroness's first album was released this year and it's freakin' awesome. Helmet meets Rush? Yes, please.)

    --
    You better watch out, there may be dogs about . . .
  91. Re: fairly compensate recording artists, songwrite by Reziac · · Score: 1

    "...we'll start to see YouTube clips of signed artists protesting this, which the RIAA can't yank."

    Actually, they COULD make YouTube yank such clips, IF the artist's contract gives all use of his "likeness" to his publisher.

    Movie studios used to have contracts like that for all their big-name actors. It's very likely that some music contracts include the same provision.

    --
    ~REZ~ #43301. Who'd fake being me anyway?
  92. Re: fairly compensate recording artists, songwrite by Reziac · · Score: 1

    See also http://www.negativland.com/albini.html for some real numbers by someone on the inside.

    About the author: Steve Albini is an independent and corporate rock record producer most widely known for having produced Nirvana's "In Utero".

    --
    ~REZ~ #43301. Who'd fake being me anyway?
  93. RadioParadise.com , where... by A+New+Normalcy · · Score: 1

    ... a live DJ (Bill) plays an eclectic (and mind-expanding) mix of music. Back when I was a kid, we had Progressive Rock on FM radio; powered by steam, IIRC.

    --
    ...Lorenzo / I'm into kinky crustaceans. I just discovered internet praWn.
  94. As with the Big Three automakers ... by A+New+Normalcy · · Score: 1

    ... yesterthink will prevail. Until they fail.

    --
    ...Lorenzo / I'm into kinky crustaceans. I just discovered internet praWn.
  95. Re: fairly compensate recording artists, songwrite by DeskLazer · · Score: 1

    the original article she ripped off of is on negativland. the information/numbers were compiled by steve albini [shellac, nirvana, the jesus lizard, and many more great artists he's produced/engineered].

    she gave albini no credit. not a surprise.