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How $1,500 Headphones Are Made
CNETNate writes "A tour of Sennheiser's Hanover factory reveals for the first time how its audiophile headphones are assembled by hand. The company recently announced its most expensive and innovative headphones to date, the HD 800, which discarded the conventional method of headphone driver design for a new 'donut-shaped' ring driver idea. Only 5,000 of these headphones can be made in a year, and this gallery offers a behind-the-scenes look at the construction process."
From TFA:
Honest to god, I can't tell real audiophile reviews from the parodies anymore :-(
My pics.
it's just that Sennheiser includes those quality control steps that the Chinese factories skimp on. They also take more than 0.85 seconds to solder the wires, and they use solder of reasonable quality.
The determined Real Programmer can write Fortran programs in any language.
Only 5,000 of these headphones can be made in a year... OR ELSE
These headphones are not Sennheiser's most expensive headphones to date (not even close, in fact).
Enter the HE90 - also called the Orpheus. It is most likely the most expensive headphone ever produced. It had a very limited product run, and it sells these days for around $15, 000.
Just to give you an idea of what they're like, if I recall correctly the amp has it's own -ignition key- ;-)
While I could never justify paying $1500 for headphones, I have to say that I've been consistently impressed with the sound quality from Sennheiser 280-HD headphones. I'm sure there are better headphones to be had, but probably not for anywhere near $80.
Even people that believe in pre-destiny look both ways before crossing the street.
If accuracy across the audio range is of primary importance, headphones will always severely pale compared with a set of reference monitors (a.k.a. speakers) due to their physical limitations.
Loudspeakers have to be placed somewhere.. Usually in a room. The acoustics of the room (echo / reverberation / cancellations) will severely impact the sound of speakers, and there's no way around it without spending thousands on deadening and soundproofing the room. Yes, you can RTA and EQ, and get speakers sounding almost as accurate as cans, but it will never be as tight, unless you have a sonically dead room.
A pair of reference cans, on the other hand, interface with your ears much more accurately, and are not at all affected by room acoustics. If they have flat frequency response on one pair of ears, chances are they will have flat frequency response on most other pairs of ears too.
My work requires me to critically listen to music almost constantly (I write audio algorithms / processors for broadcasting). I normally listen to music on calibrated speakers, but when it's time for extra critical listening, my I put my HD650s on. Speakers are no substitute -- they hide too much, smooth over problems. Reference cans give you the truth, the whole truth and nothing but the truth (whether you want to hear it or not!).
I currently own a pair of HD650s and they were worth every penny at around $500. Electrostatic cans (STAX brand) would be another step up in accuracy, but comes at a hefty price (cost, fragility, special high-voltage amplifier etc). Until I can audition a pair of HD800s for free, I'll stick with what I have. :)
Ah, the ultimate irony of audiophiles! They get so distracted by picking out which gear meets their exacting and nuanced specifications that they forget they're listening to shitty music.
It's all just a matter of priorities. Some folks think spending over $10,000 on a car is dumb, others see spending more than $500 on a computer, or more than $50 on a video card is stupid. For anyone who thinks that spending $1,500 on a pair of headphones is crazy, the simple fact is that you're not the intended audience.
I don't necessarily trust what I read from so-called 'audiophiles'. Being an 'audiophile' is a little bit like being a 'photographer'. Just because you took one good picture of your dog doesn't mean you're now an expert on all things photographic. The audiophile world is, IMHO, similar. The only way to *know* what "good" stuff sounds like is to listen to the "good" stuff for yourself. You can read hundreds of reviews that describe 'veiled soundstage', or 'low-oxygen connectors', or 'velvet midrange', etc. But it doesn't mean a whole lot if you can't put it into context. The only way to do it is to listen and decide for yourself!
About a year ago, I decided that I wanted a *good* pair of headphones for my office. I exchanged several emails with the folks at headphone.com about this, and with their blessing I ordered about $1,500 worth of headphones and amps from them, knowing that $1,000+ of it would be returned.
I spent several weeks comparing and contrasting a half-dozen of their 'best' headphones. The result? There is a big difference between $100 cans and $500 cans. Try it for yourself. Some people might not be able to tell the difference. And that's cool, buy the $100 pair and be happy. But just as some people enjoy wine, cars, cigars, cheeses, types of underwear, video cards, {whatever!} more than others is why the market supports so many varieties of, well, everything. And at different price points.
FWIW, I ended up keeping a pair of Sennheiser HD-650's because their sound was simply incredible and they were comfortable for long periods of time.