Battlestar Galactica Comes To an End
On Friday evening, Battlestar Galactica ended its four-season run as one of the most popular science fiction shows in recent history. 2.4 million people tuned in for the finale, and reactions to the ending — positive, negative, and often a mix of both — are springing up all over the internet, as are tributes and retrospectives. Producers Ron Moore and David Eick held a Q&A session after the finale to discuss certain aspects of the story and spell out the final status of several plot lines. Fans of the show will have a chance to see the Cylon side of the story this fall in a two-hour TV movie titled "The Plan," and we've previously discussed the spin-off prequel series, Caprica, the pilot for which will come out on April 21st. Be warned: these links and the following discussion will contain spoilers.
1. Less talk and more subtlety. This means very little or no explicit dialog, no in-your-face pictures of dancing robots (but maybe Baltar and Six in front of an electronics store), and Jimi Hendrix's version of All Along The Watchtower playing on some radio in the background of some guy on the street. As it stands, it was too overt and tried too hard to make its point for viewers already accustomed to needing to think a bit more.
2. What probably would've happened after Lee recommended all technology go away is a split between those who still wanted it and those who didn't. The two sides would create a pact to keep separate from each other, the small minority of technology-loving people going to live on a small continent off the west coast of Africa... Said continent, of course, to have been destroyed at some future point in time by natural disaster and essentially all technology along with it. This would solve what would be an obvious dilemma and split in viewpoints of the remaining people while reasonably explaining what would've happened to their technology.
Originally posted this over on Bear McCreary's blog, but I think I'll use it here too...
I think most people who complain about the finale not meeting their expectations are the people whose expectations included a cereberal explanation for everything that happened on the show. And I'll admit, I was hoping for a little more in that arena. But in terms of emotional wrap-up and as a fitting send-off to the show, I thought it couldn't have done better.
To people who wanted every mystery tied up nice and neat, I hate to break it to you but it was never that kind of show. Moore has said from the beginning that certain supernatural aspects wouldn't be explained.
Go watch Lost or something.
IMNSHO, science fiction is not about spaceships, space battles, people killing each other in spaces, monsters killing people, and most variations thereof. Science fiction is about exploring possible technical advances and their implications, as well as human nature in extreme situations and the like. In that, BSG has become really intriguing at times - just think of the suicide bombing at the beginning of the third season. Without the spiritual part of BSG it would have been just another space opera, probably fun to watch, to entertain, but certainly no to make you think.
PS: You are right about Firefly, though.
No, Deus Ex Machina requires the resolution to drop in that moment, without story support. God suddenly appears, and fixes things.
That's not at all what BSG did. BSG pre-seeded their resolutions a year or more in advance. Sure, they were miracles, but they were miracles we'd been told a year ago would happen, all the finale did was show us exactly how they happened.
You can not like the way it was resolved, but that doesn't mean it was Deus Ex Machina.
The god explanation is such a cop out.
Choices to tie together a rambling, make it up as you go jumble of story bits:
1. God did it.
2. It was all a dream.
3. To be continued... in a new series!
Agreed. The scene with Adama on the hill was such a lovely coda to a series that had been playing with concepts of death, rebirth, and change for all four of its seasons. But then came those tacky five minutes which were made even worse with the inclusion of stock footage of those oh-so-threatening Japanese robots.
So, the moral of BSG is that I'm supposed to be afraid of my Roomba?
The hokey spiritualism also irritated me, but it seems like said hokey spiritualism is now a prerequisite for most televised SF (cf. Lost, Heroes). The networks seem to think the masses need a healthy serving of God with their spaceships and time travel or else they might change the channel.
Still, the first hour of the was as good as anything the series has ever done. And I liked how the original series' theme music was incorporated into the scene of the fleet heading for the sun. And Olmos should get an Emmy nod for breathing life into a character that could easily have turned into self-parody in the hands of a lesser actor.
IMNSHO, science fiction is not about spaceships, space battles, people killing each other in spaces, monsters killing people, and most variations thereof. Science fiction is about exploring possible technical advances and their implications, as well as human nature in extreme situations and the like.
Oh I did not mean to imply that Science Fiction can't be both. I also enjoy lots of science fiction literature that involves no, or only marginally, killing of any variation what so ever. For me Science Fiction means any narrative or story set in a world at a higher technological stage than us. I was just naming the battles and killing parts specifically since it tied into my thoughts about Battlestar Galactica.
As for the making you think part I like when stories makes me think new things. Unfortunately in this case I have read, watched and pondered about a lot of interesting or outright weird things for what begins to seem like a long time now; so BG didn't introduce me to anything new in that regard. However, if it did for others that is indeed great. A broadening of ones horizons is always a good thing in my opinion.
P.S. 2 min of furious shouting for Firefly.
The Long Now Foundation
2.4 million people tuned in for the finale.
And probably five times that figure downloaded the torrent outside the USA. I wish a system to pay for the chapters outside USA, at a reasonable price and with good subtitules were in place; I would use it.
"Any sufficiently advanced technology is indistinguishable from magic."
The 'higher power' in Battlestar is probably not a divine entity, but a remnant of the ancient society of Kobal that wants to see humanity survive. This chessmaster knew what it was doing though, so it's origin and motives are never explicitly stated.
Lee's conclusion made no sense. The situation was already good for another try. I mean, Cylons and Humans were at peace, so rebuilding a Human-Cylon civilization was a possibility. The rebel cylons and the humans were truly allied, and even the Centurions weren't enemies anymore. They had first-hand knowledge of what happens when they don't treat artificial lifeforms as equals AND a chance at rebuilding a hybrid civilization from scratch, therefore breaking the cycle of death. (Honestly, with this shiny advanced Cylon tech and the sturdy, tough Colonial tech, that would have been one hell of a civilization.)
Instead, they threw it all away, and opted to become cavemen. This is the equivalent of running away from the problem. The final minutes demonstrated this. With all Colonial and Cylon knowledge lost, WE are now doomed to repeat these mistakes, since the problem still is unresolved. The only true way of breaking the cycle is for society to acknowledge that artificial lifeforms are not of lesser status.
This sig does not contain any SCO code.
excellent ending
No, it was a mess. Deus ex machina is the easy way out.
The god explanation is such a cop out.
A lot of times when you see something like that, it is a cop out. But not in this case.
The story - in its entirety - was about something divine moving mankind/cylonkind like pawns. People have destinies in this show, real ones. All throughout.
So it's not like they just slapped a Deity into the ending to tie things up. Nothing else at that point would have sufficed.
Weaselmancer
rediculous.
We re-watched the original miniseries recently; what a good, gripping story. At the time, I liked the show because it was more "Fi" than "Sci": Good characters, interesting plot, sophisticated issues (esp. the political issues). They took advantage of the flexibility of 'Sci' not to provide gee-whiz gizmos and superpowers that are no more meaningful than special effects, but to provide a unique setting that was not possible in real-world setting.
Re-watch the original mini-series yourself and you can't miss how far the show has come, but in a completely different (and in my mind, wrong) direction. The characters and acting have become extreme and overdramatc. The political issues hang around, but in often they are absurd (how about the politics of ditching all your technology? It was handled by one sentence: 'It's surprising there was no dissension' -- it sure is!). And the show is dominated by the Sci -- mysticism, cylon projections, the final 5, etc etc etc. Booooring. Anyone can make that stuff up as they go along; what does it mean?
And the conclusion was so poorly thought out that the writers are guilty of dereliction of duty. Returning to the decision to abandon all technology: Perhaps they should recall that our ancestors lived short, brutal lives, and they grew up with the skills to survive in that environment; our heroes have no idea how to hunt a buffalo with a spear, clean it, skin it, and preserve the meat for the winter. Just think of this little inconvenience: No salt, no pepper, no spices; no vitamins! When the first drought -- or the locusts, or neighboring tribe or a pack of baboons -- comes and they run out of food, and half of them die off, it won't seem like such a good idea. When people start dying from simple infections because there are no antibiotics, when women start dying in childbirth, when most children don't survive to adulthood, when the leading killer becomes starvation instead of obesity, they may remember the benefits of technology. Sure, we can close our eyes to all these problems, but couldn't the writers have made an effort to tell a story with some plausibility?
Like many movies and shows, it seems like the writers ran out of time or funding, and just whipped something together to fulfill their obligation to finish the story. Their audience should demand more.
Seasons one and two were great, but things rapidly started to go down hill after that. It became rapidly apparent that there was no overall plan (like Straczynski had with Babylon 5). They had set up lots of mysteries without first knowing what the resolution would be. If the mysteries were ever solved at all, they were solved in random ways, and they have pretty much admitted as much. A good example of this was the "final 5". By their own admission they picked them randomly, so what was the point of the audience trying to guess who they might be, based on possible clues?
I find it difficult to watch a show knowing that the writers have no more idea of how things will be resolved than I do. Mysteries can be very compelling, but the fun of a mystery is trying to unravel it yourself, and you clearly can't unravel it if the writers are going to use a dartboard to resolve it. What's the point of getting caught up in a mystery when you know it's a complete mystery to the writers as well?
Another problem with Galactica has been the masses of pointless filler. A good recent example of that is Baltar's religious Harem. They spent absolutely ages on that plot-line, then dumped it at the last minute. What was the point of it all? How exactly did it advance the plot? A lot of fans I know dumped the series somewhere in Season 3, complaining that it had turned into a soap opera. I know exactly what they mean.
Whereas in Season 1 and 2 you tended to have strong plots in each episode (blowing up a Cylon fuel depot, or Finding a missing pilot etc) in later seasons things started to become very drawn out. Instead there was more and more focus on relationships and peoples petty problems. That sort of thing is fine in an Alan Bennett play, but this show was fundamentally about people fleeing from killer robots in outer space. When you watch science fiction you expect some degree of excitement. It doesn't necessarily have to be low-brow "laser gun battle" excitement, but endless drawn out episodes with nothing happening are a pretty sorry excuse for science fiction (if not fiction in general).
Given that God is all powerful and all knowing, it is ALWAYS a cop out to write him into a script.
Which is nothing more than a cop out saying that the bad script is not really a bad script. It's a good script about God.
Why would God have NEEDED or WANTED to have the characters act like that? Particularly when there must be a near infinite number of options available to an all knowing and all powerful God.
It's a cop out. That's all.
Oh, and also, the role that Hera plays that makes her so important is a little bit strange to me. To have her be the genetic Eve of our race kind of puts a strange importance on her. What does it mean-- being half cylon gives her the superpower of having lots of sex with various different men, having diverse offspring, I guess.
I guess I'm really asking, what does her being half-cylon half-human have to do with anything? Couldn't you make the argument that Athena is the actual genetic Eve? Is Hera actually important?
The god explanation is such a cop out.
I thought the "You know it doesn't like that name." was a nice touch and opened it up quite a bit more than just "God did it".
-- i am jack's amusing sig file
The god explanation is such a cop out. It doesn't explain Kara or why it doesn't just try and influence or outright stop the genocide in the first place.
You're trying to hard to dislike the finale. Why not accept that the other participant in this cycle isn't actually all-powerful. It can influence, prod, and manipulate. It can pull of events that appear miraculous, but perhaps there's a scale concern.
Better yet, doesn't it make artistic sense that this is about free will? The other influenced the colonials and Cylons to choose differently. It didn't force them, or deny them choice. It educated them. Powerful message there.
I thought up to the Opera house scene, it was great and when Galen went nuts (he couldn't control his emotion when the fate of two civilization are in stake ?), there was just more questions raised than answers from that point on.
One of the strongest themes of the BSG series has been that "people are people". The writers have never shied away from an opportunity to show characters behaving in very human ways. Vengeful, spiteful, angry Tyrol being overwhelmed by the moment? Very much in character. This is the guy who (while half-awake) beat Cally's face in because of a few bad dreams. This is the guy who killed an Eight to help Boomer escape. This is the guy who lost his rank and the respect of Adama because he couldn't keep it together after Cally's murder. Tori's action has repercussions for that man, and he's never been one with lots of self control.
Again, you're trying to dislike the ending.
"Oh no... he found the
... Too bad Ron Moore didn't. And it shows!
"My country, right or wrong; if right, to be kept right; and if wrong, to be set right." --Senator Carl Schurz (1872)
My belief is that they ran out of good ideas at the end of the second season. First part of the third season was good too, but what followed later (couple of final 3rd season and whole season 4) was a completely different show in my opinion. The problem was they were just inventing stuff on the fly (even by their own admission!) and that recoiled of course because the show now was full of inconsistencies and pretty much had no decent storyline. When you compare the first 2.5 seasons to the remaining 1.5 seasons you are pretty much looking at the different series, just with the same actors. The first 2.5 seasons were absolutely the best series I have ever watched; good storyline, action packed, spectacular space battles, extremely exciting, good cliffhangers, cylon mistique etc. But compare that to the rest of the show (the last 1.5 seasons) and you get complete bullshit like that final five mysticism (well it started somewhat acceptable, but turned out completely unplausible), starbuck resurrection, moon sized plot holes (ressurection ships/hubs, hera child which is just blah, starbuck music, coordinates...), stupid later opera house sequences, baltar's stupid and useless cult, apollo turn into a lawyer/politician, no action, melodrama, life and death pseudophilosophy, presiden't who just won't die etc. After disappointing last few season 3 series I was hoping that they realized what mistakes they made and amend them in season 4. But first part of season 4 was barely watchable then there was a huge pause and the second part of the season 4 arrived. They introduced that mutiny but that was it. The show was dead anyway. I just knew two days ago that the finale would be unsatisfactory and I was somewhat right. I won't go into it, many other posters explained anyway.
It is just such a shame that this show wasted the last season even though it could have been the greatest.
Trolls are like broken clocks. They show the truth two times a day. The rest of the day they talk nonsense.
No, Deus Ex Machina requires the resolution to drop in that moment, without story support. God suddenly appears, and fixes things.
Foreshadowing doesn't automatically qualify as sufficient story support.
I'm an agnostic and that didn't prevent me from understanding the religious/spiritual theme in the show, which I enjoyed immensely.
Just because I don't believe in God doesn't mean I don't understand why religious people do or that I think they're wrong to do so.
"Luck is my middle name," said Rincewind, indistinctly. "Mind you, my first name is Bad." -- Terry Pratchett
I only kept watching the show because I'd already invested two years following it. When they made that final push away from science fiction and toward religious soap opera, it was a real struggle to watch.
When they were tackling issues like torture, ethics, and the "us or them" mentality the show remained interesting. And then they ruined it by introducing God as an off-set character.
You're trying to hard to dislike the finale. Why not accept that the other participant in this cycle isn't actually all-powerful. It can influence, prod, and manipulate. It can pull of events that appear miraculous, but perhaps there's a scale concern.
If this entity can teleport a fully functional Kara Thrace and a fully functional like-new Viper into space, there is no consequcnce to anything the characters do. Everything is pointless because the magical being behind the curtain can fiat anything it wants to happen. This makes following the story and the drama pointless.
Also, as mentioned many times, Ron Moore admited that he was just making shit up as he went along. Which is basically how religion came about, so I guess I can see why religious people liked it.
The world you experience is only a close approximation of reality.
I disagree. You're hand picking facts. Everybody suffers in Battlestar, not just the women. Saul loses an eye. Cavil describes being left to die and having to take his own life by scraping open an artery using a bullet casing. The first time we meet Leoben, he's dying of radiation. The second time? We get to watch Starbuck torture him for a whole hour before Roslyn tosses him out the airlock. Surely you didn't miss the part the part where Anders gets the bullet in his head and is then flown into the sun by his own wife?
Sorry, but I don't see any bias against any sex in this show. Not even in sex appeal with the way women keep oogling that towel shot of Apollo.