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New Developments In NPG/Wikipedia Lawsuit Threat

Raul654 writes "Last week, it was reported that the UK's National Portrait Gallery had threatened a lawsuit against an American Wikipedian for uploading pictures from the NPG's website to Wikipedia. The uploaded pictures are clearly in the public domain in the United States. (In the US, copies of public domain works are also in the public domain. UK law on the matter is unclear.) Since then, there have been several developments: EFF staff attorney Fred von Lohmann has taken on the case pro-bono; Eric Moeller, Wikimedia Foundation Deputy Director, has responded to the NPG's allegations in a post on the WMF blog; and the British Association of Picture Libraries and Agencies has weighed in on the dispute in favor of the NPG."

55 of 345 comments (clear)

  1. Pictures versus digital photos... by MadCow42 · · Score: 4, Insightful

    I fully agree that the paintings are in the public domain, but it does NOT mean that the digital photos are. If he created his own photos, he could post them. The only question is whether or not a straight copy of a work can be copyrighted on its own... which is why the museum is arguing that artistry went into creating them.

    Having done museum copywork in the past, I can assure you that getting high-quality images of paintings is NOT simple - lighting is critical to capture the texture, color, and avoid reflections and shadows. It's not just point-and-click. I'd side with the museum here, sorry!

    madCow.

    --
    I used to have a sig, but I set it free and it never came back.
    1. Re:Pictures versus digital photos... by u38cg · · Score: 2, Insightful

      But this kind of test is stupid. If I grabbed one of these portraits off the wall and threw it in a photocopier, do I get copyright on whatever comes out? I should hope not. Likewise, while it may not be easy to photograph one of these works, you are certainly not adding anything to the actual content of the image; indeed, you are actively trying not to. Technical expertise went into creating them, yes. Artistry, no.

      --
      [FUCK BETA]
    2. Re:Pictures versus digital photos... by vagabond_gr · · Score: 2, Interesting

      Quoting from one of TFAs (emphasis mine):

      Bridgeman Art Library v. Corel Corp., 36 F. Supp. 2d 191 (S.D.N.Y. 1999), was a
      decision by the United States District Court for the Southern District of New
      York, which ruled that exact photographic copies of public domain images could
      not be protected by copyright because the copies lack originality. Even if
      accurate reproductions require a great deal of skill, experience and effort, the
      key element for copyrightability under U.S. law is that copyrighted material
      must show sufficient originality.

    3. Re:Pictures versus digital photos... by Hope+Thelps · · Score: 3, Insightful

      Likewise, while it may not be easy to photograph one of these works, you are certainly not adding anything to the actual content of the image; indeed, you are actively trying not to. Technical expertise went into creating them, yes. Artistry, no.

      That's like claiming that you're not adding anything when photographing a person. Realistically, we know that in either situation the photographer is applying their creative skill and making choices and judgments about what aspects to capture. The photograph will NOT be exactly the same as the original - it's a representation. Capturing the texture and the qualities of the canvas, deciding what lighting to use (and let's face it that affects the colour, the perception of the texture, everything), the angle to use... there is every bit as much creativity in applying these choices to photogrsphing a painting as in photographing anything else. Pretending that it's eqivalent to chucking something on the photocopier and pressing a button is silly.

      Yo may "try not to" make any artistic choices in photographing a painting just as you may "try not to" when photographing a person but realistically you have to. And in either case the photographers are exercising artistic skills.

      --
      To summarise the summary of the summary: people are a problem. ~ h2g2
    4. Re:Pictures versus digital photos... by Alphager · · Score: 2, Insightful

      Even if accurate reproductions require a great deal of skill, experience and effort, the key element for copyrightability under U.S. law is that copyrighted material must show sufficient originality.

      Which does not matter, as the museum is in the UK and threatening a lawsuit under UK law.

    5. Re:Pictures versus digital photos... by blackraven14250 · · Score: 5, Insightful

      Against an American in America posting to an American website.

    6. Re:Pictures versus digital photos... by mdwh2 · · Score: 2, Informative

      The originality in taking a photograph of a person (or any scene) are nothing to do with issues such as colour reproduction. You have a whole load of extra issues to do with how the person is posed, the angle, what's in the background. There's also a huge difference in talking about lighting and colour as photographers/artists typically use them, or pedantically pointing out that no reproduction is perfect and there will always be some lighting or false colour effects.

      The issue isn't something as simple as "lighting", it's about showing artistic originality. Ultimately, any grey areas are up to the courts to decide. But US courts have already concluded that photographic reproductions of a public domain painting do not count - so tough, it's legal, and not up for debate.

      If things were as you propose, then it would mean in practice, nothing would become public domain. Everything from Shakespeare's works to paintings would be locked up in perpetual copyright - unless you could get hold of the original source and make your own copy, which would often be rather hard.

    7. Re:Pictures versus digital photos... by mdwh2 · · Score: 2, Informative

      Of course, the thing is that this is a legal gray area in the U.S.. Photographs are very much copyrighted, but if the museum had pulled the paintings off the wall and ran them through a big color copier, the result would not be copyrighted in the U.S.. The only argument is whether a photograph of a painting is a "straight-up copy" in the first place, as far as U.S. law is concerned, as you point out.

      Surely Bridgeman Art Library v. Corel Corp. involved photographs, not a photocopier? How does it differ to this new case? I'm not sure there's any grey area here.

    8. Re:Pictures versus digital photos... by Improv · · Score: 2, Insightful

      That's not what "creative" means. Difficult/requiring skill is different - they are orthoganal matters.

      --
      For every problem, there is at least one solution that is simple, neat, and wrong.
    9. Re:Pictures versus digital photos... by whisper_jeff · · Score: 2, Insightful

      I do know what I am talking about, thanks. More than you will ever know. And just because something requires skill does not make it creative. Being a mechanic, especially today with the high tech engines mechanics face every day, requires a tremendous amount of skill and knowledge but there's nothing creative in what a mechanic does. (Yes, someone like Chip Foose is creative but he is not a mechanic.) Sorry. A requirement of skill and a job being hard =/= a creative process.

    10. Re:Pictures versus digital photos... by mcgrew · · Score: 2, Insightful

      Did you even read the summary? Under US law, copies of public domain works are in the public domain. PERIOD.

      Having done museum copywork in the past, I can assure you that getting high-quality images of paintings is NOT simple - lighting is critical to capture the texture, color, and avoid reflections and shadows. It's not just point-and-click.

      The ease or difficulty, and quality of the copy, is irrelevant. They're copies of public domain works and can not be copyrighted.

    11. Re:Pictures versus digital photos... by Martin+Spamer · · Score: 3, Insightful

      However the US is a signatory of the Berne Convention.

      The Berne Convention requires its signatories to recognize the copyright of works of authors from other signatory countries.

      Recognising the copyright of a work created outside the the US is a different set of circumstances to refusing to grant a copyright to a digital photo created in the US.

      A court might consider a work created and copyrighted outside of the US differently to a work denied copyright in the US under Bridgeman Art Library v. Corel Corp.

    12. Re:Pictures versus digital photos... by Marcika · · Score: 4, Informative

      What we need is a UK Wikipedian to go down to the NPG and snap some photos and put them on Wikimedia under a CC license so this can all be dropped. I know in DC the Smithsonians sometimes don't allow flash photography when it could damage the work but I think that's only on special items and items that have been lent to the museum from a private/personal collection. So respect them and avoid those pictures. Any art teachers out there in the UK that want to offer their kids extra credit for some point and shoot photography and correctly labeling/wikipedia-ing the photos?

      We would do it if we could. But in most UK galleries (the Tate, the Tate Modern, the NG, the NPG and lots of others), photography is expressly forbidden even without flash -- and it is vigorously enforced. This regulation was put in place to prevent exactly the scenario that you describe.

    13. Re:Pictures versus digital photos... by dragons_flight · · Score: 5, Informative

      No, no, no.

      Berne requires that the US protect foreign copyright holders if and only if equivalent works published in the US by US citizens would be protected.

      If a work is intrinsically ineligible for copyright in the US then the US does not and will not honor any foreign laws that say otherwise.

    14. Re:Pictures versus digital photos... by mrchaotica · · Score: 4, Insightful

      I think we'll have to agree to disagree on whether there's any artistry in photographing a painting...

      On the contrary, you're just flat-out wrong -- at least for the sort of photography (for the purpose of archival/preservation/digitization) we're talking about here. The artistry in photography is expressed by the choices of the photographer, but no choices were made! Did the photographer choose the subject? No, he's just systematically shooting each painting in the gallery. Did the photographer choose the composition? No, it's rigidly defined to be orthogonal to the painting and cropped at the edge. Did the photographer choose the lighting, colors, effects, etc.? No, he just used whatever lighting and camera settings would best preserve the color gamut of the original (and "best" isn't his choice either; it means minimizing the measured, mathematical difference). It's a mechanical process, not a creative one!

      Now, there can be artistry in photographing a painting, but the photo would have had to been made for some purpose other than digitizing an existing work. For example, this photo (that I found randomly from a Google image search) is copyrightable because it was creatively composed. For another example, this one from one of the images being disputed, perhaps even this would be copyrightable (even though the original is certainly not) because whoever did the cropping had to creatively choose what to focus on -- and the copyright would belong to the cropper, not NPG.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    15. Re:Pictures versus digital photos... by vadim_t · · Score: 3, Insightful

      I disagree.

      I don't care how hard it is, the result is not creative because you're not trying to express yourself, you're just trying to work around the limitation of that the painting can't be taken off the fall and fed into a scanner.

      The desired result is an accurate reproduction of the painting, and that's precisely why it's not creative. How hard you have to work to get there is completely irrelevant, the fact is that the end result looks as much as the painting as possible, and any other photographer given the same task would attempt to produce something that looked similar.

      Otherwise I could easily obtain copyright for a copy of anybody's work, I'd just have to do it by a laborious method.

    16. Re:Pictures versus digital photos... by Kehvarl · · Score: 3, Insightful

      I think the point being made is: the photographs were created with the intention of being as faithful to the original paintings as possible without adding any new creative input. Doing that in photography is hard work, an incredible amount of time and expertise goes into the setup for the picture.

      In the US, such a faithful duplication of a work that is in the public domain is also considered part of the public domain. The point isn't that the duplication was necessarily easy to perform, but that the duplication was performed with the minimum possible amount of new creative input so as to remain as faithful to the original as the duplicator could manage. This doesn't mean that any image that incorporates source material from the public domain is automatically impossible to copyright, but it does mean that in order to copyright it the new work would have to be something other than a maximally-faithful reproduction of the original.

      You're right, the creation of the copies likely involved a significant expenditure of time and effort and requires a great deal of skill. However, in the US, the amount of effort required to do something has never been part of the test for whether a work can be copyrighted.

      The fact that the portraits are in the UK, and the work was done by a UK photographer at the behest of a UK organization means that, in the UK, those works may be considered copyrighted. However the contention thus far has been: in the US they're not considered copyrighted.

    17. Re:Pictures versus digital photos... by mrchaotica · · Score: 4, Insightful

      Did the photographer choose the lighting, colors, effects, etc.? No, he just used whatever lighting and camera settings would best preserve the color gamut of the original...

      Sounds like a choice to me.

      Sure, in the same way that answering "four" when asked "what is two plus two?" is a choice. Or, for a less "trivially easy" example, how solving a crossword puzzle correctly instead of incorrectly is a "choice." Or in other words, it's really no choice at all -- it's either right or it's wrong, and you don't get to decide which is which!

      The fundamental error in your thinking is that you think it somehow matters whether the thing was easy or hard to create. Here's a hint: it doesn't. Not even slightly! I could spend six seconds scrawling stick figures on a napkin and it'd still be copyrightable. Or I could spend 50 years painstakingly weighing every individual grain of sand in a jar and recording it into a database, and it still wouldn't! Creativity and effort are orthogonal; copyright depends only on the former.

      Oh, and by the way: my girlfriend is an artist and has had to photograph her work before, so I do know how difficult it is. But that still doesn't give the photo it's own copyright separate from that of the original!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    18. Re:Pictures versus digital photos... by mrchaotica · · Score: 2, Insightful

      Copyright's purpose is to benefit the whole of society by making it possible and profitable to produce easily copied products.

      Not quite. Copyright's purpose in the United States is to benefit the whole of society by encouraging production of new works. Making such production profitable is only the means of achieving that purpose, not the purpose itself.

      Copyright's purpose in Europe is indeed profit (or at least ownership, which implies profit), but is not intended to benefit the whole of society.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  2. Globalisation by paulhar · · Score: 4, Interesting

    Welcome to globalisation. Laws in the US aren't the same as the ones in the UK. In the UK we don't have fair use laws.
    I'm wondering why this is different to the music mess caused by allofmp3; everyone was so upset that the Russians system was different and against "our" laws.

    One of a couple of things is going to happen as we continue the Digital Revolution. Either we're going to need a global legal system since all this internet stuff is global, or we're going to have to shut down the internet and make it the "countrynet" so that everything you do is contained in the same legal framework.

    Or, head, sand, bury.

    1. Re:Globalisation by u38cg · · Score: 2, Informative

      Facts, they are relevant to your arguments.

      --
      [FUCK BETA]
    2. Re:Globalisation by paulhar · · Score: 2, Interesting

      To reword: our fair use law is very restrictive and doesn't allow for commonly considered fair use cases, such as the right to transfer songs to your ipod from CD. The "fair use" laws we have in the UK are designed for the press and for educational use, not the common people.

  3. Who would guess by just_another_sean · · Score: 2, Funny

    the British Association of Picture Libraries and Agencies has weighed in on the dispute in favor of the NPG.

    There's a shocker. These people are just as bad as the *AA here in the U.S. Their about us page just screams "we make money of every dirty copyright trick we can think of and pretend to do it for you, the artist, the photographer, the little guy". It's all such a sham.

    Check out their site, I was going to quote some of it but you can't even right click the page without their stupid JavaScript alerting you that their site is their content, blah, blah. Hello, 1996 called they want their cheap tricks back. Obviously this stuff is easy to defeat but it's still ridiculous that they even do it at all.

    I hope this suit goes all the way to the new Supreme Court England is setting up and that these idiots get a total smackdown. Hey, a guy can dream a little right?

    --
    Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
  4. This isn't a Robin Hood story by waderoush · · Score: 3, Informative

    Defenders of the Wikimedia Foundation say the images are in the public domain (even though they aren't under UK law) and applaud Coetzee as if he were some kind of Robin Hood. Unfortunately, it's a case of the poor stealing from the poor. If all museum images were simply appropriated by file-sharers under the rationale that they *should* be in the public domain, pretty soon there wouldn't be any museum willing to pay for the digitization of important works, and we'd all be worse off. See the rest of my argument here: http://www.xconomy.com/national/2009/07/17/art-isnt-free-the-tragedy-of-the-wikimedia-commons/

    1. Re:This isn't a Robin Hood story by abigsmurf · · Score: 2, Insightful

      And damn those evil public galleries that in Wikipedia's words "restrict access" by putting them in galleries that have free entry and free guided tours!

    2. Re:This isn't a Robin Hood story by nyctopterus · · Score: 2, Insightful

      The situation is problematic, I agree. However, I think museums need something of a shakeup on this issue. Natural history museums, in particular, need to make photographs of specimens much more easily available for research. Most of these museums have government funding streams, and should see the digital dissemination of their collections as part of their mission, not merely as revenue. Their collections are all to often jealously guarded, which is what making them public institutions is supposed to avoid.

    3. Re:This isn't a Robin Hood story by Fittysix · · Score: 5, Insightful

      That depends on the reader being at or near the geographical location of the painting. When reading an article about the Mona Lisa on Wikipedia, I expect to see a photo of the article in question for purpose of discussion, not "to see this painting, please visit the Louvre in France"
      I'd simply go elsewhere to find a picture.

      --
      *.sig
    4. Re:This isn't a Robin Hood story by Xest · · Score: 3, Interesting

      Just to add some perspective to your comment though, because it doesn't tell the full story, the reason most museums don't do this is because whilst yes, they receive public funding, they also make a small fortune from gift shop sales from visitors or for charging for special exhibitions.

      Their argument is that government funding alone does not provide them enough to run top end museums.

      I don't know the first thing about their finances, I haven't look into it, but they do have reasonable arguments against doing what you say. Whether their arguments are valid, and whether the reason they need this extra cash is because they're not efficient enough with what they are given I do not know. Certainly in the UK though, most museums I've been too seem to be some of the most well run of all public institutions compared to the jokes that are places like local government and such.

      I agree it'd be nice if you could see more on their websites, if more of the information they have was available free digitally, but the truth is we do not know if this is financially viable or not. If they lose visitors in doing it such that they ultimately lose income and can't afford to provide great exhibits in the first place then the idea you suggest is pointless. If however they can do it without detriment then as you say, they should.

    5. Re:This isn't a Robin Hood story by owlnation · · Score: 2, Insightful

      And damn those evil public galleries that in Wikipedia's words "restrict access" by putting them in galleries that have free entry and free guided tours!

      Exactly. And that is the real crux of this. While copyright is most often a tool for greed. In this particular case it really isn't. The choice is: allow these pictures to be free copied and distributed ad high quality and not be able to raise revenue to allow FREE access to the gallery. Or, allow the status quo to continue and provide an excellent free service to all.

      The fact that entry to public museums and galleries in the UK is mostly free is a really big deal. Few countries do this, and it is a great thing for everyone.

      The greater good for society is to allow these images to be copyrighted. Whether wikipedia is really interested in the greater good over their own vanity is very much open to scrutiny and debate.

    6. Re:This isn't a Robin Hood story by delt0r · · Score: 4, Informative

      Museums do not and should not need to turn a profit. Hell in the UK they are all free (at least last time i was there). There purpose is preservation of important cultural and historic items. They get money from tax payers to do this... Digitization is part of their job. Not some new way to create a new revenue stream.

      --
      If information wants to be free, why does my internet connection cost so much?
    7. Re:This isn't a Robin Hood story by thejynxed · · Score: 5, Insightful

      No, the better solution is for both groups to compromise. NPG already offered lower-res versions of the same photographs for Wikipedia to use free of charge. I think to retain good-will for all, and not appear to be selfish asstards, Wikipedia should take them up on the offer. The representatives on all sides could then present this as a workable solution to similar future situations without involving courts and lawyers. Everybody wins, including the public.

      --
      @Mindless Drivel: 100% of Twitter posts ever Tweeted.
    8. Re:This isn't a Robin Hood story by Bent+Mind · · Score: 2, Interesting

      If they lose visitors in doing it such that they ultimately lose income and can't afford to provide great exhibits in the first place then the idea you suggest is pointless. If however they can do it without detriment then as you say, they should.

      Maybe I'm unique. However, I'd never consider a virtual tour as a replacement for the real experience. Having digital images available would only encourage me to visit.

      I a see reply below your post:

      It's not just a matter of putting stuff on their websites. If you go to the NHM Libary, they make you sign a form giving them copyright on your own photographs of public domain material. This is a serious problem.

      Some time ago, I had the opportunity to visit BodyWorks. It is a traveling exhibit concerning anatomy. I was very disappointed that photography was not allowed. It made me wonder if they were trying to conceal the low quality of the exhibit at first. Going through the exhibit was rushed. It was a hot environment and water was not allowed. I missed a lot of the exhibit. When people asked me about it latter, I recommend they not attend. Not being allowed to record the event for my personal use and the poor environment left me with a poor impression.

      --
      Request a Linux Shockwave player here: http://www.macromedia.com/support/email/wishform/
    9. Re:This isn't a Robin Hood story by Yogiz · · Score: 2, Interesting

      I don't agree. The paintings are in the public domain. We have the technology to digitalize them. Why can't everybody enjoy good quality copies of something that is part of our culture. Why should a museum be granted monopoly? Because they want so?

  5. The BAPLA response by mdwh2 · · Score: 2, Insightful

    First off, I can't even copy some quotes from the article at http://www.bjp-online.com/public/showPage.html?page=865802, because they've done that stupid hijacking of my browser (I know, I'm using IE - I'm at work), and they claim "copyright" over it (despite the fact that their article quotes over people...) Nevermind, View Source to the rescue.

    Simon Cliffe of BAPLA says "We understand that other people who have had similar experiences with Wikipedia and Wikimedia Commons have been told that they regard all images of out of copyright material as public domain"

    Imagine that - thinking that out of copyright material is public domain!

    "and dispute there is any copyright in a copy of an original work"

    Not true at all - the point is that making a copy of public domain material doesn't constitute original work. They are perhaps confusing effort with originality.

    "If owners of out of copyright material are not going to have the derivative works they have created protected, which will result in anyone being able to use them for free"

    Just think, people might be able to use out of copyright material for free! When it's fully allowed by US law!

    "but to assert the protection the law provides for their commercial interest"

    US law provides them with no such protection. So they'll have to think up another way to profit from other people's work from centuries ago (not that there's any evidence that Wikipedia showing these images will harm their ability to profit - I don't think anyone goes "I'm not going to bother going to a gallery, when I could just sit at home on Wikipedia").

  6. Music, Movies, Books,.. Museums next by martijnd · · Score: 2, Interesting

    Musuems have collected and preserved much of the worlds cultural heritage. But at the same time they severely limit the publics enjoyment of the art and artifacts they seek to preserve.

    I enjoy visiting a museum on occasion, but entry prices are usually extremely high and in the time that I have available I can usually only browse the highlights (from a respectul distance that hurts my eyes and blurs any details). Quick browses of paintings that their authors have spend weeks, or months on. You can ofen buy (expensive) books with again the same highlights of the collection, but not on a 1:1 scale.

    High res scans would make all of this available to a much wider audience; worldwide, 24-7. Let them store that fragile 400+ year old painting in a secure bunker. Its the painting I am interested in, not the canvas.

    Of course this would also make the museum obsolete; and kill off some major tourist attractions -- so expect some resistance from the old guard.

    1. Re:Music, Movies, Books,.. Museums next by notseamus · · Score: 4, Informative

      http://www.spanisharts.com/prado/prado.htm

      http://www.google.com/intl/en/landing/prado/

      El Prado, Spain's biggest museum offers high resolution reproductions of its collection through google earth, and probably elsewhere too. They're such high quality you can get down to brush strokes.

      Although IMO, there's something about seeing the painting/art work in person that can't be replaced by viewing it on a monitor. Something is lost if you see it on screen, especially if the space that you visit it in is repurposed or designed for the piece in question. This especially applies to sculpture.

      --
      I dreamed of Freud: What does this mean?
  7. Stealing hi-res versions by patch0 · · Score: 4, Interesting

    It kind of worries me that he hacked in and took the hi-res images. We run a gallery of biological images and it costs us a lot of money and effort to digitise our 80-100 year old collections in order to make them useful to the public and scientific community. We do want our images in the public domain and we do want them used, but we need to have the cash to keep doing this work as a small charity so clearly there needs to be some balance. If someone hacked in and took our hi-res images it might jeopardize our ability to add other images on our already shoe-string budget. If he gets away with that I'd be quite upset to be honest...

    1. Re:Stealing hi-res versions by Qubit · · Score: 2, Informative

      it costs us a lot of money and effort to digitise our 80-100 year old collections

      Sure. Digitizing a bunch of stuff can cost a certain chunk of change.

      We do want our images in the public domain and we do want them used, but we need to have the cash to keep doing this work as a small charity

      There's an initial cost of digitizing all of the materials, and then an additional (but much smaller) cost of keeping the website serving them up and running.

      it might jeopardize our ability to add other images on our already shoe-string budget.

      How many new images will you add a year? Will all of the new ones be taken with a digital camera?

      Doing initial setup and digitizing the huge historical log of data can be an overwhelming task, I agree. But as you state yourself, you've got a valuable resource that makes sense to put in the public domain. Locked-down data will likely restrict science, not push it forward.

      One thing you could consider doing is to partner with a group like Archive.org. They can provide the hosting for the images and do all the sysadmin work, and all you have to do is provide the data. Don't worry about the old data at first. Just start out by asking yourself this simple question: If someone else deals with the servers and pays for sysadmins/bandwidth, can we afford the time/money to digitize new images and upload them to the server?"

      If your group can afford the time and money required to add new data to this repository, then you're all set. New data will all go into the system. The old set of data is static and not increasing, so slowly over time you'll be able to digitize it yourselves or to find other people or outside funding to make this digitization possible. If other scientists want access to your data, don't charge them access fees, just ask them for a donation to help digitize some of your old collections, and put one of those thermometer-type graphs on your website showing how much of the collection has been digitized and how much remains to be done. You might even be able to get a small grant to do this work.

      Good Luck!

      --

      coding is life /* the rest is */
    2. Re:Stealing hi-res versions by Venik · · Score: 4, Informative

      It's a bit unclear if he really "hacked" anything. The lawyers allege he "circumvented the technical measures", aka the "Zoomify" applet. However, "Zoomify" is intended to make it easier to view hi-res photos - not to prevent you from viewing them. From their site: "Zoomify makes high-quality images zoom-and-pan for fast, interactive viewing on the web". This application was not designed to protect copyright work: a fact to which its creators, no doubt, will readily attest.

  8. McKinnon ring a bell? by Anonymous Coward · · Score: 4, Insightful

    UK resident.

    Working on a UK machine.

  9. NPG = Free Entry by RotateLeftByte · · Score: 4, Interesting

    The National Portrait Gallery in London (Where the original pictures reside) DOES NOT CHARGE for entrance. I have spent many a wet lunch hour wandering around the Gallery enjoying the artwork.

    I sells high quality prints of the Artwork. This is a way of raising funds for the upkeep and towards the purchase of new work.
    As an Amateur photographer who has had their work pirated by someone from the USA and realises the futility of trying to stop them from claiming it as their own, I'm with the NPG on this one. Btw, I would have given the pirate a high quality copy of the picture if they had asked for it and agreed that the copyright was mine. Instead, he stole it.

    --
    I'd rather be riding my '63 Triumph T120.
    1. Re:NPG = Free Entry by RotateLeftByte · · Score: 2, Interesting

      Yep, you can fly to london and see the originals. Just like I can fly to NYC or Washington DC or Barcelona or PAris or St Petersbug (Russia) and visit the Museums and other places of interest there. That is what 'tourism' is all about.
      Photography is banned in most museums not just the NPG. Flash photography can have a detrimental effect on works of art.
      I have photographed in Museums on special open days when you can bring your tripod in and as long as you don't use any artificial light, you can photograph anything you want.

      --
      I'd rather be riding my '63 Triumph T120.
    2. Re:NPG = Free Entry by srealm · · Score: 4, Insightful

      There is a difference. Your photograph was still within it's copyright period.

      Copyright extends to 70 years past the author's death (in the UK). Since you are still alive, any photograph you take is obviously still within it's copyright - with one caveat.

      The caveat is exactly what is at issue. You cannot claim copyright on a direct copy of someone else's work. You CAN claim copyright on a DERIVATIVE work. So the question here is was the photograph of the painting a derivative work?

      The goal of the photograph was to reproduce the painting in digital form exactly as it was meant to be viewed in the gallery. No changes were made, and the painting was not used as the basis for a new work (even a person standing next to it within the shot is a 'derivative' work). Which would mean the photographs in question were NOT derivative works, but merely digital copies of the original, and not copyrightable in and of themselves (they would piggy back on the original copyright).

      Which means any digital image of a painting that is in the public domain, is also public domain - as it is not a derivative artwork. And you cannot steal something that is public domain.

      In your case, yes, someone stole your art work, because it IS within it's copyright. And regardless of whether they stole a print, the digital image, or any other faithful reproduction of your photograph, it would still be counted as illegally copying of your work. But 70 years after you die, anyone and their dog can take your image with impunity. They can even take the image of someone else's photograph of your image on a screen (as long as it's not altered in any way).

      So as someone else said, yes, it might take a lot of technical expertise to faithfully capture these images to do them justice, but that does not suddenly give the person taking them copyright on what is, essentially, a faithful reproduction of the original artwork not a derivative.

      By way of example, how about we take the works of Shakespear. Originally released in manuscript form. Someone took that manuscript and typed it into computer text files. Does that mean that person now has copyright on the resulting text file? It certainly took a lot of effort to transcribe the text - but it doesn't matter. Just because it took a lot of effort to do something (it takes a lot of effort to paint a forgery, too) does not infer copyright - if the text is identical to the original shakespear, then it is just a faithful reproduction on another medium and still int he public domain.

  10. Difficult Case by squoozer · · Score: 2, Interesting

    I'm seriously torn here about whether I support the museum or the little guy. I don't think anyone would argue that the original pictures are in the public domain but that isn't what is being shown on Wikipedia, what is getting shown there is a photograph of a public domain work. I think it's fair to argue that a non-trivial amount of work went into taking these photographs and therefore they fall under copyright legislation. If you think it was a trivial amount of work ask yourself how long it took a professional photographer to capture all these shots - I'll bet it ran to at least several weeks of work and probably more (at 20 paintings a day it would be 30 weeks work and I doubt they could do twenty a day).

    On the other hand this museum is paid for by the people and presumably the payment to have the photographs taken was also public money. I would say, therefore, that there is a strong argument that these photographs should be in the public domain (at least for residents of the UK). Strengthening the freedom argument, to my mind, is the fact that the museum doesn't allow people to take their own photographs in effect causing a monopoly situation on public works.

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  11. Re:UK Law is not unclear by ray-auch · · Score: 5, Insightful

    I seem to recall that people from the UK have been extradited to the US and charged, for things they did in the UK that the UK authorities decided were legal (or at least things that they should not be prosecuted for).

    And a certain Russian programmer was arrested and jailed in the US for things he did in Russia that were legal there... remember that one ?

    Why should the reverse not apply ?

  12. I received this reply when I complained about this by haggisbrain · · Score: 5, Informative

    Thank you for taking the time to contact the National Portrait Gallery. Please see below the Gallery's position statement: The National Portrait Gallery is very strongly committed to giving access to its Collection. In the past five years the Gallery has spent around £1 million digitising its Collection to make it widely available for study and enjoyment. We have so far made available on our website more than 60,000 digital images, which have attracted millions of users, and we believe this extensive programme is of great public benefit. The Gallery supports Wikipedia in its aim of making knowledge widely available and we would be happy for the site to use our low-resolution images, sufficient for most forms of public access, subject to safeguards. However, in March 2009 over 3000 high-resolution files were appropriated from the National Portrait Gallery website and published on Wikipedia without permission. The Gallery is very concerned that potential loss of licensing income from the high-resolution files threatens its ability to reinvest in its digitisation programme and so make further images available. It is one of the Gallery's primary purposes to make as much of the Collection available as possible for the public to view. Digitisation involves huge costs including research, cataloguing, conservation and highly-skilled photography. Images then need to be made available on the Gallery website as part of a structured and authoritative database. To date, Wikipedia has not responded to our requests to discuss the issue and so the National Portrait Gallery has been obliged to issue a lawyer's letter. The Gallery remains willing to enter into a dialogue with Wikipedia. This statement will be published on the National Portrait Gallery's website in due course. Once again, thank you for your feedback. I do hope that you will be able to visit the National Portrait Gallery both online (www.npg.org.uk - where visitors can freely view more than 60,000 low resolution digital images of works in the Collection) and in person in the near future. Yours sincerely, Helen

  13. Try doing the same in the US by benwiggy · · Score: 4, Interesting
    If US law is so clear (that copies of public domain works are themselves public domain), then can anyone explain to me why Getty Images charges me full whack for pictures of works of art from days gone by; and gives me chapter and verse about what I can do with the images?

    Anyone care to try posting some images from Getty on Wiki....?

    http://www.gettyimages.com/Corporate/LicenseInfo.aspx

    1. Re:Try doing the same in the US by _Sprocket_ · · Score: 2, Insightful

      Probably for the same reason I can go to Amazon and buy a copy of 20,000 Leagues Under the Sea.

  14. Re:UK Law is not unclear by thejynxed · · Score: 3, Informative

    Obviously, you haven't been paying any attention to anything posted above you.

    NPG isn't right as far as -US- law is concerned. They ARE right as far as -UK- law is concerned.

    Photographs of Public Domain works are not copyrightable under US law. This is a special exception to the general rule concerning copyright and photographs, and only applies to works in the Public Domain. In the specific case of Public Domain works, photographic reproduction of the works is treated as a mechanical process, and not a creative process (the way photographs are normally treated under US law).

    There is no exception yet for photographic reproductions of Public Domain works under UK law, which is what this entire dispute is about: The conflict between the two laws, as it applies between NPG (UK) and Wikipedia (US).

    As I stated in another post, the most fair and equitable solution for all sides is for Wikipedia to remove the high-res versions and replace them with the still high-quality but lower-res versions offered to them for 'Fair Use' by NPG.

    Everybody wins, no courts or ambulance-chasers need to be involved.

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  15. Low tech solution? by ingsocsoc · · Score: 3, Interesting

    What I don't get is why people haven't started sneaking in cameras and taking the pictures themselves. The rentacops there can't make you delete the photos, and I'm sure that legally they can only ask you to leave. I think you could take lots of photos before they even noticed. After a while I'm sure we'd get all 3000 images!

  16. Re:UK Law is not unclear by lorax · · Score: 2, Informative

    Under US Law, which you say is "actually the same thing" as UK law in this regards, you are quite entirely wrong.

    For images there is "BRIDGEMAN ART LIBRARY, LTD. v. COREL CORP., 36 F. Supp. 2d 191 (S.D.N.Y. 1999)" which held that:

    [1] On November 13, 1998, this Court granted defendant's motion for summary judgment dismissing plaintiff's copyright infringement claim on the alternative grounds that the allegedly infringed works -- color transparencies of paintings which themselves are in the public domain -- were not original and therefore not permissible subjects of valid copyright and, in any case, were not infringed. [n1] It applied United Kingdom law in determining whether plaintiff's transparencies were copyrightable. [n2] The Court noted, however, that it would have reached the same result under United States law. [n3]

    For your book example you say

    Example: Say there is a text from a book written in the 1800's that is out of copyright in the US. I want to publish a copy of it, say, for a Kindle or even a discount-book print copy.

    I have to find a printing of the source material that is out of copyright already. I need to have a physical book to get the text from that is over 75 years old (or whatever the appropriate copyright term is for that physical book).

    I *can't* take a reprinting from 20 years ago and base it on that because *that* book IS copyrighted, even if the source material isn't.

    You are wrong again. Facsimile editions (which preserve the layout) don't get a copyright. Even new printings (same words, new layout) don't get a new copyright on the words (they layout may or may not). New text, like new introductions or authors bios do. That doesn't mean publishers don't claim copyright, but it may mean they are invalid. Take a look at the Project Gutenberg FAQ

  17. UK Law by Anonymous Coward · · Score: 2, Interesting

    I believe that most posters are mistating UK law. NPG's statement of the law are very carefully parsed and seem to say only that some photographs of out of copyright works could be copyrightable without actually making statements about protection of slavish copies. In fact their statements are probably true about US law. What is clear under US law, and is unclear but supported by some UK precedent is that a slavish, accurate, faithful copies of a public domain work, that look just like the public domain work (which involves for paintings a difficult, expensive, process) are not copyrightable.

    OTOH, the UK does have database protection which protects collections of facts and data even where the underlying data/facts are not protectable or are public domain. US law has nothing like this. The database copyright is designed specifically to protect the sweat of the brow effort in assembling collections data. Further, there can be questions about how the photographs were accessed. I think NPG has a better shot at applying this law as well as some of the other causes of action involving misappropriation of their computer facilities, maybe trespass, etc.

  18. Re:UK Law is not unclear by shutdown+-p+now · · Score: 3, Insightful

    You miss GP's point. The problem isn't that UK will extradite people to Iran (it doesn't). The problem is that UK will extradite people to US, because US demanded that, and a corresponding treaty was signed; however, US will still not extradite people to UK. That's where the hypocrisy is .

  19. Re:UK Law is not unclear by Simetrical · · Score: 2, Interesting

    You miss GP's point. The problem isn't that UK will extradite people to Iran (it doesn't). The problem is that UK will extradite people to US, because US demanded that, and a corresponding treaty was signed; however, US will still not extradite people to UK. That's where the hypocrisy is .

    There is no policy that "the UK will extradite people to the US" or "the US will not extradite people to the UK". Extradition treaties have all sorts of provisos and lots of executive discretion.

    Extradition is not about arrogant countries forcing others to enforce their laws. (At least, no more than any international agreements are coercive.) It's about countries that are friendly and cooperative working together to allow crimes to be prosecuted by the country that was most affected. America doesn't and can't force any country to extradite anyone. I can guarantee you that Iran doesn't extradite to America any more than the reverse.

    The UK does not always extradite to the US. Look at David Carruthers or Peter Dicks. Both are UK citizens, whom the US wanted to prosecute for violating US law. How did the US do so? By arresting them when they entered the US. They weren't extradited — probably because the UK would have refused, since they did nothing that was illegal in the UK. By the same token, as far as I know, the UK will not extradite anyone who might be subject to capital punishment.

    On the other hand, the US sure does extradite to the UK. We have an extradition treaty that we're required to comply with. If maybe the terms differ between the US and the UK (do they?), well, that's politics for you. When you have to compromise over a range of issues, the result isn't likely going to look perfectly coherent on any specific issue. If the UK was more generous with extradition, it probably got some other concession from the US in exchange.

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  20. Re:UK Law is not unclear by Simetrical · · Score: 2, Insightful

    Photographs of Public Domain works are not copyrightable under US law. This is a special exception to the general rule concerning copyright and photographs, and only applies to works in the Public Domain. In the specific case of Public Domain works, photographic reproduction of the works is treated as a mechanical process, and not a creative process (the way photographs are normally treated under US law).

    This isn't a special exception, it's an application of a general principle: in the US, a work can be copyrighted only insofar as it's at least minimally creative. The biggest general precedent here is Feist v. Rural. So when you do something technically very demanding, but uncreative, you get no new copyright.

    If you reproduce ("slavishly copy") a work that was copyrighted by Bob Smith, then your reproduction is also copyrighted by Bob Smith, not you. If you reproduce a work that was in the public domain, then so is your reproduction. The reproduction always has the same copyright status as what's being copied, in all cases, as long as it's a slavish copy.

    As I stated in another post, the most fair and equitable solution for all sides is for Wikipedia to remove the high-res versions and replace them with the still high-quality but lower-res versions offered to them for 'Fair Use' by NPG.

    Everybody wins, no courts or ambulance-chasers need to be involved.

    No, someone has to lose. Either the NPG has to lose a revenue stream they thought they'd get, or anyone who wants high-res images has to lose the ability to get them for free from the Wikimedia Commons. There's no way for everyone to win here.

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