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Professor Wins $240K In Fair Use Dispute

pickens writes "In a victory for Fair Use, Stanford Law School's Fair Use Project has announced that the estate of 20th century literary giant James Joyce, author of the landmark novel Ulysses, has agreed to pay $240,000 in attorneys' fees to Stanford University Consulting Professor Carol Shloss and her counsel in connection with Shloss's lawsuit to establish her right to use copyrighted material in her scholarship on the literary work of James Joyce. When Shloss used copyrighted materials in her biography of Joyce's daughter Lucia, titled Lucia Joyce: To Dance in the Wake, she had to excise a substantial amount of source material from the book in response to threats from the Joyce Estate. However following publication of the book, Shloss sued the Estate to establish her right to publish the excised material. The parties reached a settlement regarding the issue in 2007, permitting the publication of the copyrighted material in the US. Following the settlement, Shloss asked the Court to order the Estate to pay attorneys' fees of more than $400,000. She has now agreed to accept an immediate payment of $240,000 in return for the dismissal of the Estate's appeal. 'This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team."

150 comments

  1. More An Issue of Censorship Than Copyright by eldavojohn · · Score: 5, Informative

    When Shloss used copyrighted materials in her biography of Joyce's daughter Lucia, titled Lucia Joyce: To Dance in the Wake, she had to excise a substantial amount of source material from the book in response to threats from the Joyce Estate.

    Copyright was used to get the material out of the book but was that the motive? I know little of Lucia Joyce despite being a big fan of James Joyce. And a lot of what was in the New Yorker's well written lengthy article was news to me. At the bottom of the second page they state that Carol Shloss believes Lucia's insanity and mental instability was mishandled or even cruelly worsened by many actions. And that as Joyce worked tirelessly to finish Finnegan's Wake, he had to rely on others and institutions to take care of his delicate daughter. Shloss concludes that Lucia was a price paid for one of the greatest books written. And then the interesting part:

    But, as Shloss tells it, the silencing of Lucia went further than that. Her story was erased. After Joyce's death, many of his friends and relatives, in order to cover over this sad (and reputation-beclouding) episode, destroyed Lucia's letters, together with Joyce's letters to and about her. Shloss says that Giorgio's son, Stephen Joyce, actually removed letters from a public collection in the National Library of Ireland. When Brenda Maddox's biography of Nora was in galleys, Maddox was required to delete her epilogue on Lucia in return for permission to quote various Joyce materials.

    Shloss claims go so far as to state that Lucia was a pioneering artist squashed and erased from history by her relatives. The New Yorker sounds dubious to Shloss' claims and she has little evidence. It's possible that the Joyce Estate would rather keep Lucia under wraps and un-speculated about ... and the only route they had to suppress this work was copyright. I do not think censorship is copyright's intended use and that may very well be why this case failed. Although it's often misused like this, this in no way seems to have any motivation to protect the original copyright holder and their designated livelihood from their art.

    Would you think less of Joyce if you agreed that he sacrificed the mental stability and well being of his daughter to complete a novel? Would you think less of him if it was confirmed that he had contracted syphilis or that that is what caused him to go blind? Or that he wrote dirty letters to his wife? All these things may or may not be true. James Joyce was very human and I think this may be a case of his estate attempting to keep private matters about his daughter Lucia private.

    --
    My work here is dung.
    1. Re:More An Issue of Censorship Than Copyright by AliasMarlowe · · Score: 5, Insightful

      These allegations, if true, might well change my opinion of James Joyce. They would change my opinions of Finnegan's Wake and Ulysses not one whit.

      --
      Those who can make you believe absurdities can make you commit atrocities. - Voltaire
    2. Re:More An Issue of Censorship Than Copyright by Locke2005 · · Score: 1, Funny

      Would you think less of Joyce if you agreed that he sacrificed the mental stability and well being of his daughter to complete a novel?

      Heck, I sacrifice the mental stability and well being of my own daughter all the time, merely for my own amusement... We even gave her mental blocks for Xmas!

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    3. Re:More An Issue of Censorship Than Copyright by Maximum+Prophet · · Score: 0, Flamebait

      Would you think less of him if it was confirmed that he had contracted syphilis

      nor avoice from afire bellowsed mishe mishe to tauftauf thuartpeatrick: not yet, though venissoon after, had a kidscad buttended a bland old isaac.

      Hard to think less of him... He couldn't even type. His friends transcribed what he wrote by hand, and there isn't even agreement among scholars about exactly what he wrote, much less what the basic plot of the book is. That he had syphilis is entirely believable.

      --
      All ideas^H^H^H^H^Hprocesses in this post are Patent Pending. (as well as the process of patenting all postings)
    4. Re:More An Issue of Censorship Than Copyright by NoYob · · Score: 2, Interesting
      As noted in a post below, the estate is really Joyce's grandson. Guessing, he may have used the copyright law to try to keep some embarrassing family "issues" out of the spot light.

      I don't know about you guys, but I'd be a bit hesitant to have my family's issues put in the spot light - even if the perpetrators are long dead: J. Joyce died 68 years ago. Yeah, Joyce is dead, but his grandson has got to live with these things now.

      Just a guess as to his motives.

      --
      It's NOT me! It's the meds! I'm on 1000mg of Fukitol.
    5. Re:More An Issue of Censorship Than Copyright by Attila+Dimedici · · Score: 4, Insightful

      Would you think less of Joyce if you agreed that he sacrificed the mental stability and well being of his daughter to complete a novel? Would you think less of him if it was confirmed that he had contracted syphilis or that that is what caused him to go blind? Or that he wrote dirty letters to his wife? All these things may or may not be true.

      None of them would in anyway cause me to think less of James Joyce, but then there is very little that could. I remember in 7th or 8th grade my English teacher went over the elements that made for a good novel. My English teacher the following year told me what a great writer James Joyce was because he didn't include any of those elements. I've never understood why he is considered a great writer.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    6. Re:More An Issue of Censorship Than Copyright by kalirion · · Score: 1

      He obviously wrote in code, since his ideas were too powerful to reveal to the human race until it has the 1024 qubit processor necessary to decrypt it.

    7. Re:More An Issue of Censorship Than Copyright by Jeremy+Erwin · · Score: 4, Insightful

      None of them would in anyway cause me to think less of James Joyce, but then there is very little that could. I remember in 7th or 8th grade my English teacher went over the elements that made for a good novel. My English teacher the following year told me what a great writer James Joyce was because he didn't include any of those elements. I've never understood why he is considered a great writer.

      Have you tried reading his books?

    8. Re:More An Issue of Censorship Than Copyright by Dragonslicer · · Score: 2, Insightful

      I would think much less of someone that judged a person by the actions of a grandparent that's been dead for the better part of a century. I can understand the grandson's concern, since there are such ridiculous people out there, but it's still a sad thought to have.

    9. Re:More An Issue of Censorship Than Copyright by Volante3192 · · Score: 4, Insightful

      Have you tried reading his books?

      Yes, the key word being 'tried.' Had to read Portrait for 12th grade English. It was such a heavy work, full of minutia and details, that it was very hard to pick up.

      12th grade English class was fun: Portrait, Heart of Darkness, The Sound and the Fury, Wuthering Heights. I haven't slept that well prior or since.

    10. Re:More An Issue of Censorship Than Copyright by Anonymous Coward · · Score: 0, Flamebait

      Can't think any less of Joyce than I always have. His works may be great to many people, but I would rather stick a hot poker in my eye than read his dull dribble. The details of Lucia only add to his strange and bizarre personal life.

    11. Re:More An Issue of Censorship Than Copyright by Attila+Dimedici · · Score: 2, Insightful

      Yes, I have read at some of his books. I couldn't see any reason to continue them. I read for one of two reasons: pleasure or knowledge (of course, I also get pleasure from acquiring knowledge). James Joyce wrote fiction so that leaves out knowledge. I got no pleasure from his book.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    12. Re:More An Issue of Censorship Than Copyright by pjt33 · · Score: 3, Insightful

      How many people who start reading Ulysses actually finish? And of those who finish, how many manage to persevere only because it was a set text for some English course?

    13. Re:More An Issue of Censorship Than Copyright by Clovis42 · · Score: 1

      Or that he wrote dirty letters to his wife?

      What, what, what?? Dirty letters? Surely you don't mean the James Joyce that wrote Ulysses, right? I couldn't imagine such an updstanding author as Joyce sullying his reputation with dirty letters.

      Hmm... that reminds me, I really should finish Ulysses. I just got to the last chapter!

      --
      Clovis
      ^ Clovis, look! It's that guy you are!
    14. Re:More An Issue of Censorship Than Copyright by commodore64_love · · Score: 1

      Interesting post.

      Copyright used to censor information? I'm sure that was Not the original intent ("to promote useful arts"). That's using copyright to Demote the arts via silencing the mouth of the author as if she/he was a slave. I also find the Fair Use Project's claims dubious. Did not capitulate? That's exactly what she did when she excised major pieces of her book.

      If I was accused of copyright infringement, I'd try to work with the owners and satisfy their request, but I would not censor my main thesis, or remove the one or two sentences that were borrowed from Joyce and crucial for my readers' understanding. I'd go ahead and publish anyway - and if they pulled my books off the shelf, then I'd release the book for free on my website or bittorrent. I won't back down in the face of Censors or tyrants. They can take their cease-and-desist letter and shove it down their throat.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    15. Re:More An Issue of Censorship Than Copyright by Anonymous Coward · · Score: 0

      He obviously wrote in code, since his ideas were too powerful to reveal to the human race until it has the 1024 qubit professor necessary to decrypt it.

      Fixed that for you.

    16. Re:More An Issue of Censorship Than Copyright by Anonymous Coward · · Score: 0

      Don't repeat famous Charles Kinbote's error: it's Finnegans Wake.

    17. Re:More An Issue of Censorship Than Copyright by uncqual · · Score: 3, Insightful

      I did finish it.

      I made the mistake of taking an entire course which was entirely reading and (endlessly) analyzing Ulysses. To this day, I wonder why I thought that was a good idea.

      The professor had, of course, done his PhD dissertation on Ulysses and knew the frigging page numbers of every damned (ir)relevant detail. It was truly scary.

      --
      Why is there an "insightful" mod and why isn't it "-1"? If I wanted insight, I wouldn't be reading /.
    18. Re:More An Issue of Censorship Than Copyright by Rogerborg · · Score: 2, Informative

      There's (famously) no apostrophe in "Finnegans Wake". Go to the back of the nerd bus.

      --
      If you were blocking sigs, you wouldn't have to read this.
    19. Re:More An Issue of Censorship Than Copyright by Fulcrum+of+Evil · · Score: 2, Funny

      Try reading the Silmarillion - whenever I have trouble sleeping, I try to get through 20 pages of that stuff: out like a light.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    20. Re:More An Issue of Censorship Than Copyright by Jeremy+Erwin · · Score: 1

      "The demand that I make of my reader, is that he should devote his whole life to reading my works."

      --James Joyce

    21. Re:More An Issue of Censorship Than Copyright by Lemmy+Caution · · Score: 4, Informative

      Ulysses? A lot of people. Finnegans Wake is the one that's a slog. Ulysses is pretty straightforward.

    22. Re:More An Issue of Censorship Than Copyright by interkin3tic · · Score: 2, Insightful

      I've never understood why he is considered a great writer.

      Have you tried reading his books?

      In fact, I have never had the pleasure of reading Ulysses. Let me give it a try from the beginning...

      STATELY, PLUMP BUCK MULLIGAN CAME FROM THE STAIRHEAD, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressing gown, ungirdled, was sustained gently-behind him by the mild morning air. He held the bowl aloft and intoned: -- Introibo ad altare Dei.
      Halted, he peered down the dark winding stairs and called up coarsely:
      -- Come up, Kinch. Come up, you fearful jesuit.

      [vomits, then blacks out, wakes up half an hour later]

      Forget "why he is considered a great writer," how about "I've never understood why he is considered a writer at all."

      Gibberish isn't writing in my book. Then again, "my book" isn't taught at universities. Not sure if that counts for or against it.

    23. Re:More An Issue of Censorship Than Copyright by cpt+kangarooski · · Score: 2, Informative

      Not the original intent ("to promote useful arts").

      A minor nit: Copyrights are meant to promote the progress of science. The useful arts is what patents are meant to promote the progress of. 'Science' back in the late 18th century, meant something more like general knowledge. The useful arts, however, meant applied technology, basically. You can still see some hints of the latter meaning, in that patents protect state of the art technology, where the inventions are useful (an invention that doesn't work, like a perpetual motion machine, is useless, therefore unpatentable) but you can't get a patent if your invention was anticipated by prior art, and of course the invention must be disclosed so as to be able to be practiced by a person having ordinary skill in the art. As for copyrightable creative works, they not only don't have to be useful, but in some cases if they are useful, they cannot be copyrighted!

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    24. Re:More An Issue of Censorship Than Copyright by Meski · · Score: 2, Interesting

      Tis hard to understand how someone who wrote Lord of the Rings and The Hobbit also wrote The Silmarillion

    25. Re:More An Issue of Censorship Than Copyright by ObsessiveMathsFreak · · Score: 1

      You are one in a thousand.

      --
      May the Maths Be with you!
    26. Re:More An Issue of Censorship Than Copyright by Anonymous Coward · · Score: 0

      It's called progressive learning. Writing is not programming. There are no rules.

    27. Re:More An Issue of Censorship Than Copyright by mcgrew · · Score: 2, Insightful

      I do not think censorship is copyright's intended use and that may very well be why this case failed.

      I don't know what copyright's intended use is in other countries, but the US Constitution spells it out. Article 1, section 8 says "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries"

      Too bad our legislators (and the Supreme Court, considering the Eldred decision) hold the Constitution in such disdain.

      James Joyce died in 1941. Finnegans Wake was published in 1923. There is no reason why Joyce's works should not be in the public domain; he's certainly not going to write any more books.

      It is despicable to use copyright for anything but its intended purpose, and worse to pass unconstitutional laws, and worse than tha for SCOTUS to ignore it.

    28. Re:More An Issue of Censorship Than Copyright by ginbot462 · · Score: 1

      Would you think less of Joyce if you agreed that he sacrificed the mental stability and well being of his daughter to complete a novel? Would you think less of him if it was confirmed that he had contracted syphilis or that that is what caused him to go blind? Or that he wrote dirty letters to his wife?

      About the daughter, yes ... that is if I put people on a pedestal anyways. I get from works what I want. Ulysses doesn't offer anything for me, but might for others.

      But, ends don't justify the means, and I wouldn't sacrifice my daughter's happiness for my answers or works. Hopefully, I can fulfill that as I battle my own pains, addictions, and sorrows. And that it is not another broken promise.

      --
      Atlas Shrugged : Thematic Story :: Battlefield Earth : Organized Religion
  2. Strange by digsbo · · Score: 1, Insightful

    That the first college professor I studied under in college who appeared on /. was from the lit program rather than CS.

    1. Re:Strange by Anonymous Coward · · Score: 0

      Maybe you should have paid more attention in class.

  3. The Good Fight by whisper_jeff · · Score: 5, Insightful

    This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation

    Yes - the solution is to be lucky enough to find a lawyer that's willing allow their bill to get up to $400,000 but settle for $240,000 just so they can fight a legal battle that shouldn't be in front of the courts anyways. Almost half a million to fight a battle in which she was obviously right? It's wrong that that fight occurred at all... Thank goodness her lawyer was willing to go the distance.

    1. Re:The Good Fight by value_added · · Score: 2, Funny

      Yes - the solution is to be lucky enough to find a lawyer that's willing allow their bill to get up to $400,000 but settle for $240,000

      Or instead of a lawyer, hire this guy.

    2. Re:The Good Fight by Nethemas+the+Great · · Score: 1

      Lucky? Who needs luck? It's a rare person indeed that can't afford to go out on a half-million dollar limb to sue for the right to fair use of a dead person's work...

      --
      Two of my imaginary friends reproduced once ... with negative results.
    3. Re:The Good Fight by stephanruby · · Score: 1

      Yes - the solution is to be lucky enough to find a lawyer that's willing allow their bill to get up to $400,000 but settle for $240,000

      When it's the opponent paying, you can be sure that all the legal expenses are padded to the max in anticipation of the judge lowering them.

    4. Re:The Good Fight by findoutmoretoday · · Score: 1

      Maybe,  or if the claim was truthful,  she still has to find 160,000$ to pay her lawyer.

    5. Re:The Good Fight by jesset77 · · Score: 1

      Yes, maybe copyright isn't so bad after all! We always thought that Copyright Holders could just sue third parties into the stone age, but apparently it's all OK now because third parties can sue Copyright Holders into the stone age right back! ;D

      I live by the maxim: despise whatever law benefits naught but the lawyers. This is not a win for copyright reformists, this is two parties taking turns giving one another black eyes in court. This is revenge served cold. This is proof of one more way in which Copyright law can bankrupt you, even when you're the one holding the copyright.

      --
      People willing to trade their freedom of expression for temporary entertainment deserve neither and will lose both.
  4. James Joyce confounds me by BadAnalogyGuy · · Score: 3, Funny

    I understand how hard it was for him to write his books. After all, it's not every author who decides to chuck the whole language and invent his own (I'm looking at you, Tolkien).

    Anyway, here's some background for anyone unfamiliar with Joyce's works.
    Wikipedia

    1. Re:James Joyce confounds me by smellsofbikes · · Score: 1

      I understand how hard it was for him to write his books. After all, it's not every author who decides to chuck the whole language and invent his own (I'm looking at you, Tolkien).

      Anyway, here's some background for anyone unfamiliar with Joyce's works. Wikipedia

      First off, Tolkien didn't chuck the language and invent his own. He invented at least six.

      Secondly, I didn't find his linguistic games to intrude on the story. They made it feel more realistic, if anything, because they gave you a sense of the difference. I've read plenty of scifi where the invented languages hurt the story's flow, or sometimes nearly halted it entirely. (There was an early CJ Cherryh novel where she'd sometimes manage to include two nouns and one verb in a made-up language in a single sentence, and it was nearly unreadable. I seem to remember Robert Jordan going down a similar path, but I might be wrong since I'm trying hard to forget I ever read him.)

      I think that invented languages, like writing in dialect, can give a story a lot more depth. "Trainspotting", as a book, wouldn't be half the book if it were written in the same language that The New Yorker uses. It's more difficult for me to be in favor of Joyce's unusual use of English. But, hey, Shakespeare invented words in nearly every play he wrote, sometimes dozens of them, and many of them have become mainstream words. Hard to argue with that kind of success.

      --
      Nostalgia's not what it used to be.
    2. Re:James Joyce confounds me by Anonymous Coward · · Score: 0

      Look at Anthony Burgess too.

    3. Re:James Joyce confounds me by mcgrew · · Score: 1

      After all, it's not every author who decides to chuck the whole language and invent his own (I'm looking at you, Tolkien).

      That's a poor example; I've read most of his stuff and most of the made up words were made up by others, with the exception of hobbits. But he didn't just make up the word, he made up the species he made up the word to coin.

      How about Isaac Asimov? He made up the word "robotics".

      How about Star Trek? How many slashdotters speak Klingon fluently?

      How about Mark Twain? Have you ever read Huckleberry Finn?

      Once or twice of a night we would see a steamboat slipping along in the dark, and now and then she would belch a whole world of sparks up out of her chimbleys, and they would rain down in the river and look awful pretty; then she would turn a corner and her lights would wink out and her powwow shut off and leave the river still again; and by and by her waves would get to us, a long time after she was gone, and joggle the raft a bit, and after that you wouldn't hear nothing for you couldn't tell how long, except maybe frogs or something.

  5. I was curious about the estate. by NoYob · · Score: 5, Informative
    A lo and behold, the "estate" is really Joyce's grandson.

    Not everyone is eager to expand upon academic study of Joyce, however; Stephen Joyce, James' grandson and sole beneficiary owner of the estate, has been alleged to have destroyed some of the writer's correspondence,[49] threatened to sue if public readings were held during Bloomsday,[50] and blocked adaptations he felt were 'inappropriate'.[51] On 12 June 2006, Carol Schloss, a Stanford University professor, sued the estate and prevailed for refusing to give permission to use material about Joyce and his daughter on the professor's website.

    I have no public comment other than I guess this is what the current copyright laws have brought us and I'm not sure if this is what the founders had in mind.

    --
    It's NOT me! It's the meds! I'm on 1000mg of Fukitol.
    1. Re:I was curious about the estate. by Tyler+Eaves · · Score: 2, Informative

      So how exactly do you think these things normally work? That there are magic estate management companies or something?

      --
      TODO: Something witty here...
    2. Re:I was curious about the estate. by NoYob · · Score: 1
      I've heard of estates being managed by attorneys or trustees, who then did what they needed to do for the beneficiaries of the estate on their behalf. I've even heard of folks who had no control over the estate but it was in the control of the managing attorney, who then would run up fees and in the process spend the estate down. I maybe confusing legal terms: "estate" - "trust" - ???

      In this particular case, it looks like Joyce's grandson is running the show.

      --
      It's NOT me! It's the meds! I'm on 1000mg of Fukitol.
    3. Re:I was curious about the estate. by Fujisawa+Sensei · · Score: 1

      A lo and behold, the "estate" is really Joyce's grandson.

      Not everyone is eager to expand upon academic study of Joyce, however; Stephen Joyce, James' grandson and sole beneficiary owner of the estate, has been alleged to have destroyed some of the writer's correspondence,[49] threatened to sue if public readings were held during Bloomsday,[50] and blocked adaptations he felt were 'inappropriate'.[51] On 12 June 2006, Carol Schloss, a Stanford University professor, sued the estate and prevailed for refusing to give permission to use material about Joyce and his daughter on the professor's website.

      I have no public comment other than I guess this is what the current copyright laws have brought us and I'm not sure if this is what the founders had in mind.

      How about stop buying Joyce's books?

      There are plenty of other books to read and study.

      --
      If someone is passing you on the right, you are an asshole for driving in the wrong lane.
    4. Re:I was curious about the estate. by denobug · · Score: 2, Funny

      How about stop buying Joyce's books?

      There are plenty of other books to read and study.

      Please tell that to the English teachers!

    5. Re:I was curious about the estate. by FrankieBaby1986 · · Score: 2, Interesting

      Why should there be an Estate? James Joyce is dead, he's had his incentive to create literary works. His son doesn't need his father's incentive, the ability for him to create his own, copyrighted work is his incentive. Time to give James' works to the public, where they belong.

      --
      ERROR: SIG NOT FOUND (A)bort, (R)etry, (F)ail?:
    6. Re:I was curious about the estate. by findoutmoretoday · · Score: 1

      <quote><p>I have no public comment other than I guess this is what the current copyright laws have brought us and I'm not sure if this is what the founders had in mind.</p></quote>

      Maybe they thought about copyright for works of art,  and that private correspondence is just private.

    7. Re:I was curious about the estate. by Lemmy+Caution · · Score: 1

      Books are not commodities. One book is not equivalent to another.

  6. Some solution by residieu · · Score: 4, Insightful

    'This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team

    Yes, there are solutions. If you can afford to put out $400k in lawyers fees upfront, and then only receive $240k of that back for a $160k loss.

    1. Re:Some solution by schwit1 · · Score: 1

      Not to mention the time and effort.

    2. Re:Some solution by nomadic · · Score: 3, Informative

      Yes, there are solutions. If you can afford to put out $400k in lawyers fees upfront, and then only receive $240k of that back for a $160k loss.

      I doubt she actually paid out that much; I wouldn't be surprised if she didn't pay a cent. You can get attorneys fees even for pro bono cases.

    3. Re:Some solution by mcgrew · · Score: 1

      If you have enough money you can do anything except break the laws of physics, and even then you might be able to find a workaround that doesn't really break them but seems to.

  7. from the article by nomadic · · Score: 1

    Under the settlement, Shloss's lawyers will split the fees and Shloss will be allowed to keep a portion for a research fund.

    Sounds like impermissible fee sharing to me; generally attorneys are not allowed to share fees with a non-lawyer.

    1. Re:from the article by Imrik · · Score: 1

      If the fees were awarded by the court you'd be right, but this is them settling out of court so it can be whatever deal makes the suit go away.

    2. Re:from the article by nomadic · · Score: 0

      That's not how it works, any money that is coming in specifically as attorneys' fees cannot be shared with non-attorneys. The court itself doesn't have to be involved.

    3. Re:from the article by nomadic · · Score: 1

      That's not how it works, any money that is coming in specifically as attorneys' fees cannot be shared with non-attorneys. The court itself doesn't have to be involved.

    4. Re:from the article by Schraegstrichpunkt · · Score: 1

      Except it says "Under the settlement", which means the money isn't coming in specifically as attorneys' fees.

    5. Re:from the article by nomadic · · Score: 1

      The article says under the settlement, she receives attorney's fees, with a portion of it going to fund her research. If this is true it is likely against the rules. It is entirely possible that the settlement includes $230,000 in attorney's fees, and $10,000 to fund her research, but that's not what the article says.

  8. Yeah, you'd have to pay me to read Joyce too! by NotQuiteReal · · Score: 3, Funny

    I mean, seriously. My regular rates.

    Oh, and, of course there's this to back me up.

    --
    This issue is a bit more complicated than you think.
    1. Re:Yeah, you'd have to pay me to read Joyce too! by AndersOSU · · Score: 2, Informative

      A Portrait of the Artist as a Young Man is really good and mostly readable (you might want to skip over the 20 page Miltonian sermon in the middle). I tried to read Ulysses and gave up about a third of the way through. I occasionally come across a copy of Finnegan's Wake flip through it and read a few random passages - bizarre is the only word I can use to describe it.

    2. Re:Yeah, you'd have to pay me to read Joyce too! by AndersOSU · · Score: 3, Interesting

      aside:
      At the bottom of wikipedia's Portrait page is this link...

      The reader's list makes me want to bash my skull against a wall.

    3. Re:Yeah, you'd have to pay me to read Joyce too! by Volante3192 · · Score: 1

      That's hilarious.

      Pretty obvious someone(s) stuffed the box on that one. Probably a good thing moot's never written a book (or had one ghostwritten, et cetera).

    4. Re:Yeah, you'd have to pay me to read Joyce too! by hansamurai · · Score: 1

      Yeah, The Fountainhead really should be number 1, and Ender's Game 2.

    5. Re:Yeah, you'd have to pay me to read Joyce too! by Molochi · · Score: 1

      Looks like Anonymous went up against the Hubbardites

      --
      "The Adobe Updater must update itself before it can check for updates. Would you like to update the Adobe Updater now?"
    6. Re:Yeah, you'd have to pay me to read Joyce too! by The+Archon+V2.0 · · Score: 4, Funny

      The reader's list makes me want to bash my skull against a wall.

      Probably exactly what you'd need to do to become an Objectivist Scientologist.

    7. Re:Yeah, you'd have to pay me to read Joyce too! by Anonymous Coward · · Score: 0

      Not a Dr Seuss book amongst them!!!! What ever happened to real literature, like Fox in Socks!!!!! Pttthhhhhh!!!!!

  9. Make the Lawyers Rich by hardburn · · Score: 4, Insightful

    'This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team."

    Yes, a solution that takes years to go through and costs hundreds of thousands of dollars. That's a great solution, if you're a lawyer.

    --
    Not a typewriter
  10. Re:First. by interkin3tic · · Score: 0, Offtopic

    Was that "stream of consciousness" or just trolling?

    Let's see... off-topic, pointless, annoying, mind-numbingly stupid, a waste of time, pretentious, and made me want to kill. Yup: must be stream of consciousness.

  11. Proves my point by Locke2005 · · Score: 4, Interesting

    I've always insisted that copyright should end with the death of the original author. This pretty much proves my point. He's DEAD... at this point, no amount of protection of his work is going to encourage him to produce more! His heirs should go out and get a real job instead of trying to live off his reputation.

    --
    I've abandoned my search for truth; now I'm just looking for some useful delusions.
    1. Re:Proves my point by NoYob · · Score: 2, Informative
      I'd agree except for the guy who dies and leaves a window with children.

      But yeah, Joyce died 68 years ago and this is his grandson who's doing all this.

      --
      It's NOT me! It's the meds! I'm on 1000mg of Fukitol.
    2. Re:Proves my point by agrippa_cash · · Score: 4, Interesting

      This case illustrates the value of having copyright extend beyond the life of the author, since it was his daughter who seemed to suffer for Joyce's art. A better example is US Grant, who was near penniless and diagnosed with cancer and wrote his well regarded memoir hoping to providing for his wife and daughter.

    3. Re:Proves my point by coldmist · · Score: 2, Interesting

      And, what about murder? Oh, Tom Clancy wrote a great book, that I want to publish? Pay the mob to knock him off, and it's free game.

      14 years + a single 14 year renewal (if the original author is still alive and interested in it) is just fine, thank you.

      Imagine, the original Star Wars would be in the Public Domain. The early Star Trek. Battlestar Galactica. How much fun would that be to have the freedom to pit a cylon army against storm troopers in a full movie?

      --
      Don't steal. The government hates competition.
    4. Re:Proves my point by meerling · · Score: 3, Interesting

      Copyright was originally for 14 years. That way the authors had plenty of time to make money on their creations, but not so much that they could sit on their laurels.
      The current length of copyright is utterly insane! How does 90 years in any way encourage someone to write more? Especially after death!

      Stupid Mickey Mouse laws... (Or should that be Disney lobbied laws...)

    5. Re:Proves my point by Anonymous Coward · · Score: 1, Interesting

      easy response there. Let Grant list his daughter and wife as authors...

    6. Re:Proves my point by AndersOSU · · Score: 2, Funny

      on the flip side, if Lucas wasn't still making money from the original trilogy, what other horrors do you think he'd have bestowed upon us?

    7. Re:Proves my point by iamhigh · · Score: 1

      I know... let's use all the numbers so everyone is happy. You have copyright until you are 90, unless you die before that point at which time you can only continue benefits if it was less than 14 years ago... and you only get it for 14 years from that date.

      --
      No comprende? Let me type that a little slower for you...
    8. Re:Proves my point by iamhigh · · Score: 1

      This case illustrates the value of having copyright extend beyond the life of the author, since it was his daughter who seemed to suffer for Joyce's art.

      Isn't that what an inheritance is for? Don't all kids suffer because of what their parents tried to provide for them? I remember not being able to purchase all the latest toys because my dad always wanted a computer this or that.... but those got me way further than any gi joe would have done. In the case of work released right before death, there should be a minimum time limit, such as 14 years.

      --
      No comprende? Let me type that a little slower for you...
    9. Re:Proves my point by AvitarX · · Score: 1

      that's hardly fair for a few reasons.

      1) people have been killed for less than someone will be paid in royalties for a successful production.

      2) if an author takes 5 years writing a book, then dies, shouldn't the heirs be able to make some money (think of the children!)

      it makes much more sense to say you get x amount of time to exploit your work, after that give us something new, or hope your work was good enough.

      x needs to be far lower than it is currently though.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    10. Re:Proves my point by Rary · · Score: 1

      on the flip side, if Lucas wasn't still making money from the original trilogy, what other horrors do you think he'd have bestowed upon us?

      He would most likely be trying to create something new and original, rather than milking his old, no longer profitable, work. In other words, there'd be no prequels.

      I, for one, would be a happier Star Wars nerd.

      --

      "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

    11. Re:Proves my point by aztektum · · Score: 2, Interesting

      Better solution: Copyright shouldn't run the life of the author. They shouldn't last more than 10yrs and are NOT RENEWABLE.

      Yes, I'm a bit bitter over all the bullshit coming out of the MAFIAA's corner, however... Fuck that shit. I have to have a job and can't ride on one accomplishment forever. Get over yourselves you lazy, greedy dicks.

      --
      :: aztek ::
      No sig for you!!
    12. Re:Proves my point by AndersOSU · · Score: 1

      Are you sure we're talking about the same George Lucas? The guy who's last original thought was, "hey I bet I can make some money through licensing..." Aren't we also talking about the guy who decided he could write better dialog than a proper screenwriter...

    13. Re:Proves my point by Anonymous Coward · · Score: 2, Insightful

      Why can't authors have savings and/or life insurance like every other working stiff?

    14. Re:Proves my point by locallyunscene · · Score: 1

      How much fun would that be to have the freedom to pit a cylon army against storm troopers in a full movie?

      I don't think I'd want to watch a full movie of two armies that constantly and consistently miss each other.

    15. Re:Proves my point by Molochi · · Score: 2, Insightful

      Last I checked, murder was still illegal and had worse penalties than copyright infringement. Not that it couldn't happen, just that it isn't a justification.

      --
      "The Adobe Updater must update itself before it can check for updates. Would you like to update the Adobe Updater now?"
    16. Re:Proves my point by NeutronCowboy · · Score: 1

      Disregarding for a second that a window with children should not be in control of the assets of a dead process - No. If you're a successful author, you leave an estate that consists of the money you made. If you weren't a successful author, you still leave what you earned.

      This idea that somehow creative works should sustain the livelihood of someone who didn't create them astounds and befuddles me.

      Yes, I know, I've made this comment a number of times. But the implications of this idea are too nauseating for me just let them slide.

      --
      Those who can, do. Those who can't, sue.
    17. Re:Proves my point by maxwells_deamon · · Score: 1

      I can also see some cases where you might want to provide copyright protection for ten years or so after the death of the author if the work is less than five years after the date of publication. Or similar numbers.

      This would prevent publishers from having to take out life insurance on the author and would "allow" the publication of works that are published after death. "John Doe's Cancer Journal", "Diary of Anne Frank", perhaps even "Bob's Translation of the Magna Carta"

      That said, current law is way too long.

    18. Re:Proves my point by NeutronCowboy · · Score: 1

      Or alternatively, a static set of time starting with the creation of the work. Tom Clancy wrote a book and the mob tossed him to the fishes a day later? It's still under copyright for 14 years. His heirs get that copyright as part of the general assets.

      Tom Clancy wrote a book and the mob tosses him to the fishes 14 years later? His heirs get his money and other real assets. But not the copyright.

      --
      Those who can, do. Those who can't, sue.
    19. Re:Proves my point by agrippa_cash · · Score: 1

      You are trading one fiction for another. Offhand I'd say that this obscures the value of the work, and more importantly deprives the public free access to the work for a longer time because we'd have to wait for both Mrs. and Miss Grant to die.

    20. Re:Proves my point by Anonymous Coward · · Score: 0

      I think copyright should be a fixed amount of years, death or not, but I am sick and tired of hearing about how heirs that may not have even been born when the work was being published demand to get lifetime benefits. Sure transfer of ownership is reasonable but not that 95 years after the death of the author. Explicitly adding time posthumously is a betrayal of the original spirit of copyright. Copyright is about culture not money. Money is just the carrot on the stick to get creative people off their asses and gives them an answer for "what's in it for me?".

    21. Re:Proves my point by steelfood · · Score: 1

      And exactly how would royalties from copyrighted works benefit his daughter? That the rest of his "estate" was able to so effectively wipe her off the face of history using the copyright cudgel seems to invalidate your point entirely.

      --
      "If a nation expects to be ignorant and free in a state of civilization, it expects what never was and never will be."
    22. Re:Proves my point by LandDolphin · · Score: 2, Insightful

      OF course, you have the situation where the Author writes a fantastic novel that would have made him million over the span of his long life, but is tragically killed by a bus before collecting on all that he should have. Not having had a chance to make money off of his works, he leaves nothing to his family and others go on to reap the rewards of his art.

      What was the original system, 20 years? Shounds good to me. No need to worry about situations like the one above and the creater of said work (or their estate) has ample time to profit from their works.

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    23. Re:Proves my point by LandDolphin · · Score: 1

      I have to have a job and can't ride on one accomplishment forever.

      That's a horrible arguement. Copyright should not exsist for more than 10 years because you're a loser and have to work for a living?

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    24. Re:Proves my point by LandDolphin · · Score: 1

      Because if they can make money off of the one work that income should free them up to make additional works?

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    25. Re:Proves my point by gnupun · · Score: 1

      ...no amount of protection of his work is going to encourage him to produce more!

      So? Maybe you've heard of this concept called freedom. The author is free to stop producing more books -- he's not a slave to you or the government.

      His heirs should go out and get a real job instead of trying to live off his reputation.

      Why is that? People have the right to take care and provide for their heirs via real-estate, business, money etc. Why not through copyright as well? Besides, most of these so-called real jobs are mostly a waste of time in return for the meager salary they provide, and are for talentless people with no skills or inherited money who want to drag other people down to their level. How many people would show up for these real jobs if they were independently wealthy? Almost nobody.

    26. Re:Proves my point by bzipitidoo · · Score: 2, Interesting

      Replace "provide copyright protection" with "provide" as in some sort of stipend, and I could perhaps support that. I can't see any reason to lock up an author's works in any way whatever, for any reason, certainly not the thinking that copyright must be the only way to earn a living from writing.

      The US demonstrates why doctors shouldn't earn their living under a fee for services system. We have such outrageous medical bills, and much waste with unnecessary or even harmful tests and procedures. Move them to salary. It could be similar for authors. Relieve them of the burden of constantly trying to protect their copyrights. Very sad to see authors and musicians trotted out by the publishing industry to be the poor starving poster children for stronger copyright law that will help the publishers and not help them. Even sadder when the artists (Metallica for instance) have been brainwashed into believing the industry line. This particular insanity of an author's descendants exerting any control whatever, let alone the unreasonable control we see here, should be a bad memory from the past. If an author's descendants have an issue with libel, slander or privacy, then they should take it up under those laws, and not abuse copyright or have copyright available to abuse for such ends.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    27. Re:Proves my point by Tweenk · · Score: 1

      Copyright should be tied to publication date, not the author's death date. This avoid both the issue of somebody dying prematurely and the issue of not being able to determine whether a work is copyrighted (because the dates of death of its authors are not known).

      --
      Those who would give up liberty to obtain working drivers, deserve neither liberty nor working drivers.
    28. Re:Proves my point by NeutronCowboy · · Score: 1

      Shit happens. Not to mention that I disdain extrapolating what the future should be, and then write laws to make sure that the future matches what a completely unfounded assumption of the future looked like. These hypothetical scenarios, while heart-tugging, are ridiculous and should in no way be used to create laws that apply to everybody.

      I like fixed, limited copyright terms. I proposed 14 years elsewhere, I can live 20. I find the current system an abomination, and a destruction of cultural works. Disney has profited from public works to the tune of billions, and refused to put anything back. I call that piracy. Off with their heads!

      --
      Those who can, do. Those who can't, sue.
    29. Re:Proves my point by Chosen+Reject · · Score: 1

      Precisely. It's just like when I die my employer will pay my wife and kids my salary!

      Wait, I just talked to my HR rep. Apparently when I die, they'll stop paying out my salary.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
    30. Re:Proves my point by Chosen+Reject · · Score: 1

      If copyright is going to be considered property that is inheritable, then it needs to be taxed just like any other inheritance. Let's assume the inheritance tax rate is 10%. That means you lop off 10% of the time left on the copyright, and you also tax any income from copyright royalties at 10% as well. Note that as far as Inheritance taxes go, 10% is really low.

      --
      Stop Global Warming!
      Just say no to irreversible processes!
    31. Re:Proves my point by Fulcrum+of+Evil · · Score: 1

      If you stand to make 20M by offing some guy, that's pretty good incentive to hire a professional; most people would prefer not to have a price on their head. Additionally, setting expiry as death + N years means that it's easier to plan for expiry. You have that large buffer of time to make money and adjust your finances instead of one day finding that the books in your warehouse are no longer in copyright.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    32. Re:Proves my point by zippthorne · · Score: 1

      1) people have been killed for less than someone will be paid in royalties for a successful production.

      I think you have stumbled upon the real reason George Lucas destroyed the original Original Trilogy when he created the "original vision" Original Trilogy, and later the original Prime Trilogy with 30% more JarJar. No one would bother going down for murder to accelerate the release of something that no longer exists!

      --
      Can you be Even More Awesome?!
    33. Re:Proves my point by cpt+kangarooski · · Score: 4, Insightful

      Well, in Grant's day -- and even up until the late 1970's -- copyrights simply lasted for a term of years, with an optional renewal. Whether the author died during the term or not was entirely irrelevant. So yes, while it is a good idea for a copyright to be able to survive the author, it is a bad idea for a copyright's term length to have anything at all to do with the life of the author.

      Better for copyrights to be predictable: they last for so many years from some initial date, such as the first publication of the work. Any unpredictable elements should a) be in the hands of the author, b) reduce the length of the copyright from the predictable maximum, rather than enlarge it. For example, we might grant a copyright for 2 years, where the copyright holder can opt renew it for another two years in the last six months, if he fills out a form and pays a token fee to indicate his interest. This could be done repeatedly up until the predictable maximum term length, at which point the copyright would expire. If the author failed to renew -- or failed to register in the first place -- the work would simply enter the public domain sooner than later.

      I think it is very wrong to think of copyrights as a means for helping widows and orphans. The stark reality is that most creative works have no copyright-related economic value whatsoever. The few that have such value usually have very little, and that is mostly had straight away, with little left to be wrung out after a span of hours to weeks to months to years. The odds of writing a book that is a long-lasting and substantial financial success are roughly on par with winning the lottery. We would be appalled, and rightly so, at anyone who suggested that a person who wanted to support his wife and children after he died should buy lottery tickets. Well, in the vast majority of cases, an author who tried to write a book to accomplish the same purpose would be just as big a fool.

      General problems -- like how to help provide for your surviving family after you have died -- demand general solutions. After all, we all face these problems, and anyway, most authors will not be able to help on the strength of their writing. A better solution than copyright to provide for widows and orphans would be saving and investing wisely, taking out life insurance policies, and promoting a social welfare system as a safety net. This way, everyone's widows and orphans can be helped out, rather than only those of successful authors.

      And as for Grant himself, let's remember, he lost his money by putting it in a Ponzi scheme. If he'd been more responsible, he would not have needed to gamble on writing a book. A book that was largely successful because he had been a prominent general and president. But we can't all be war-winning generals and presidents, so let's not pretend that widows and orphans are sound reasons for copyrights. It's just a pathetic appeal to our emotions. Copyright needs to be rational.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    34. Re:Proves my point by jschrod · · Score: 1
      Sir, just for the record: I wish I'd had mod points. This is one of the best /. comments I've read for a long time.

      Thanks, Joachim

      --

      Joachim

      People don't write Manifestos any more -- what's going on in this world? [Frank Zappa]

    35. Re:Proves my point by 31415926535897 · · Score: 1

      Murder is easier to get away with than copyright infringement.

    36. Re:Proves my point by LandDolphin · · Score: 1

      Seems like you should have chosen to create something instead of getting a job.

      But to continue with you down bad analogy lane, when the author dies, the work is still there for years and years to go. When you die, you are no longer there to provide he service that you provided at your job.

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    37. Re:Proves my point by grcumb · · Score: 1

      OF course, you have the situation where the Author writes a fantastic novel that would have made him million over the span of his long life, but is tragically killed by a bus before collecting on all that he should have. Not having had a chance to make money off of his works, he leaves nothing to his family and others go on to reap the rewards of his art.

      Um, how about she sues the bus company for wrongful death/negligence/whatever, and collects from them the unrealised earnings? They would, after all, be easily quantified.

      Not the bus company's fault? No suit, then, and no grounds to complain (more than anyone else) about the tragic circumstances of a life cut short.

      I write 2000 words a week for publication, and I have no problem with that.

      --
      Crumb's Corollary: Never bring a knife to a bun fight.
    38. Re:Proves my point by Anonymous Coward · · Score: 0

      I write 2000 words a week for publication, and I have no problem with that.

      Doesn't that make you special.

    39. Re:Proves my point by Anonymous Coward · · Score: 1, Insightful

      I'd agree except for the guy who dies and leaves a window with children.

      Fuck that. Artists are due no more protection from shit like that then the rest of us. If his shit is worth it, and if he's not getting ripped off by the middlemen (Which is not our fault, not our problem, not something that deserves special protection.) then he should be making sure he's living within his means and put some fucking money away the same way the rest of us have to.

      That's my opinion regarding the whole poor widow and children sob story. (Which is what got us the whole 50+ years after death bullshit)

      However I'd much rather lean towards a straight up 14 year term. No extensions WHATSOEVER.

      Especially in this day and age when the vast majority of your profits are likely made on the initial release day, there is no nead for anything more than that. It's possible to get your shit out to the entire fucking world within a year. That's your compensation, now get back to "work", or get a job.

      I apologize if I sound overly pissy, but one of the reasons the insane copyright durations and penalties keep managing to get expanded more AND MORE AND MORE is because people stop thinking for just a second and say "Well you know, that does sound kind of nice." without thinking of the greater damage that is caused by all this.

    40. Re:Proves my point by bit01 · · Score: 1

      And, what about murder? Oh, Tom Clancy wrote a great book, that I want to publish? Pay the mob to knock him off, and it's free game.

      This silliness keeps coming up. It's wrong because:

      1. There's no strong financial incentive. He's dead, anybody can copy/publish it. Are you really going to murder somebody so you can read something legally instead of pirating it?
      2. There are many present day situations where somebody can derive benefit from murder (e.g. inheritance, business competition). Why on earth should this be treated any differently?

      ---

      Creating simple artificial scarcity with copyright and patents on things that can be copied billions of times at minimal cost is a fundamentally stupid economic idea.

    41. Re:Proves my point by bit01 · · Score: 1

      the work is still there for years and years to go

      No, copies of his original work are still available. There is no particular reason why somebody's estate should control those copies more than anybody else.

      I own it therefore I get to decide what happens to it is a meaningless tautology. Ownership by definition is the right to control. The more interesting question is who owns it?

      ---

      Creating simple artificial scarcity with copyright and patents on things that can be copied billions of times at minimal cost is a fundamentally stupid economic idea.

    42. Re:Proves my point by Anonymous Coward · · Score: 0

      They can. But consider this: if you are a 'regular working stiff', then you are receiving a regular paycheck. You can take some of that paycheck and invest it or save it. Even if the company you are working for goes out of business, you still received all those paychecks. If the product you worked on never sells, you still received all those paychecks. You are also probably receiving regular feedback as to your chances of continuing to be paid, and as to what needs to be done to increase your pay. If you are an author, during the time you are creating the work you are receiving nothing (related to creating that work). You have nothing to save or invest, in fact you are probably going into debt. You have no idea if your work will ever sell a single copy, especially if it is something completely original. Eventually you finish your work. Now, will anyone buy it? Maybe it is an immediate hit, and you get rich. Maybe it is a complete flop and you get nothing. Most likely you will continue to sell a few copies for an extended period of time, which, if added up, will pay you what the 'working stiff' would have received in the same period of time all those years ago.

      An author invests his time and effort in hopes of future payoff. A working stiff uses his time and effort for an immediate payoff, which he can then invest in hopes of future payoffs if he desires. You want to make things 'fair' by limiting copyright? OK, how about we really make things fair: when you die (or after 14-20 years) everything you own that is not physical (ie all your bank accounts, investments, etc) automatically becomes worthless. Fair enough?

    43. Re:Proves my point by mcgrew · · Score: 1

      I've always insisted that copyright should end with the death of the original author.

      I'd rather it didn't last even that long. What's wrong with twenty years? That's as long as patents last. And like technology, art is built on what came before. If patents lasted as long as copyrights, technological progress would come to a near standstill, just as art has.

    44. Re:Proves my point by mcgrew · · Score: 1

      Very sad to see authors and musicians trotted out by the publishing industry to be the poor starving poster children for stronger copyright law that will help the publishers and not help them.

      Musicians don't won their own copyrights unless they also own the recording company. Under US copyright law since the 1950s, recordings are "works for hire" which explains Lynard Skynard's Working for MCA. The musicians don't own copyright to that song, MCA does.

    45. Re:Proves my point by mcgrew · · Score: 1

      Not to mention Hendrix, Morrison, Hooker, and Joplin (both Scott and Janice). They've been dead for decades (except Hooker), but I'll be dead long before their copyrights die.

    46. Re:Proves my point by bzipitidoo · · Score: 1

      We habitually speak of copyright as something that belongs to the originators, and overlook that copyrights are transferable. As I did when I spoke of whose burden defending copyright was. Very convenient habit for the industry.

      And yet the artists are burdened with defending copyright. That's what's so sad about the poster children-- it's not even their own copyrights that they're passionately defending, it's only their 5% or so cut of the profits that someone else is making. The nominal profits too often are manipulated down to nothing with creative accounting. The money to pay for the expenses of defending the copyrights comes from the income off of artistic works, and is one of the many charges that can reduce those profits. It's exactly like being forced to shop at the company store because the pay was in vouchers good only at said store.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    47. Re:Proves my point by Locke2005 · · Score: 1

      Point 2 is valid. Point 1 is not, because upon death EVERYBODY simultaneously becomes eligible to publish the book, thus removing any profit incentive. How would you expect to make any profit publishing something that everyone else on the planet can distribute for free?

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
  12. This a victory for fair use or a defeat? by Anonymous Coward · · Score: 0

    So it's a valid use of fair use? And actually upheld as such? Awesome, a victo- wait.

    Assuming her initial demands of $400,000 were actual legal costs to justify fair use, and she settled for 240k because the foundation was intending to draw her legal costs out even more with delays/appeals/etc....

    In the end it only cost her $160,000 dollars to probably defend her use of the material as fair use.

    No matter how I look at it, it's still an absolute failure.

  13. Hang on a second... by popo · · Score: 2, Interesting

    The author spent $400k in attorney's fees defending her right to quote Joyce in a book about Joyce's daughter?

    Is there a bigger market than I'm aware of in scholarly (slash: arcane?) books about Lucia Joyce??

    Who the hell would spend this much on this issue??

    --
    ------ The best brain training is now totally free : )
    1. Re:Hang on a second... by gclef · · Score: 1

      Someone trying to prove a point.

      As has been mentioned above, it's most likely the lawyer took the case pro-bono or on a percentage-of-final-settlement agreement. The author likely spent nothing, but racked up many hours of lawyer costs.

    2. Re:Hang on a second... by Anonymous Coward · · Score: 2, Interesting

      Someone with the right to fair use--something you clearly don't have if you're willing to give it up because someone challenges you. The difference between her and you is she's established she has the right. You think you have it, but have demonstrated you will relinquish it in the face of a challenge.

      Good choice, bad choice--she did the right thing and should be celebrated for it.

      Sometimes you've got to take on the little fights with a big sword--just so people understand what it means to have a right.

    3. Re:Hang on a second... by popo · · Score: 1

      Hmm. Yeah, well. Pick your battles wisely.

      You may be speaking noble words, but Sun Tzu still says you lose.

      --
      ------ The best brain training is now totally free : )
  14. RTFA, or not by 517714 · · Score: 2, Funny

    Personally, if it has anything to do with James Joyce; I'll wait for the Cliff Notes.

    --
    The US government have made it clear that we have no inalienable rights; any we do not defend vigorously will be taken.
  15. Mu - copyright and censorship are the same thing. by schon · · Score: 2, Insightful

    Copyright is the government-backed enforcement of "you're not allowed to say that, because I said it first."

    By definition, copyright is the antithesis of free speech. There is no either/or here - copyright *is* censorship.

  16. Ulysses is hard work but brilliant by Kupfernigk · · Score: 4, Interesting
    I'm amazed at the people who will read about fantasy or imaginary worlds and yet balk at Ulysses.
    For the ignorant, Ulysses is about a day in the life of Dublin as seen through the eyes of a Jewish advertising salesman (Leopold Bloom) and the young James Joyce (Stephen Dedalus). It covers everything from the red light area through to the literary and medical world around Trinity College. You have to learn a bit about Ireland in the early 20th Century to understand it. It helps to have a copy of Harry Blamires' Bloomsday Book if you aren't up on Irish history and the geography of Dublin. Ulysses is written in perfectly good English without made up words, in different literary styles (part of it is a play) loosely organised on the return of Ulysses from the Trojan War. Bloom is Ulysses, Dedalus is Telemachus, Molly Bloom is Penelope and the IRA doesn't get a very good Press. Real people walk in and out of the plot. And that's as much of a spoiler as I'm prepared to divulge.

    As I say, people will read Tolkien or fiction set in Ancient Rome and yet can't be bothered to spend the time - in bits, if necessary - to get to know Ulysses. But it's one of the greatest works in English of the 20th century, and if you don't try, it's your loss. Finnegans Wake (note no apostrophe) is another matter. Personally I believe the syphilis story, but also I suspect that Joyce was schizophrenic and as he got older it got more out of control. I think it's a failed experiment.

    --
    From scarped cliff or quarried stone she cries "A thousand types are gone, I care for nothing, no not one."
    1. Re:Ulysses is hard work but brilliant by LandDolphin · · Score: 4, Insightful

      You're surprised that people will read a fantasy book set in a fantasy world for enjoyment but wont read another fictional novel set in the "real world" that you need to have a campanion book to read or have knowledge of Dublin Ireland in the 1900's? (Something that the Irish probably don't even have).

      If you did not know, people read for enjoyment. Having to do research to understand a book does not equal enjoyment for a good majority of people as well and not getting the joke or refference.

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    2. Re:Ulysses is hard work but brilliant by Lemmy+Caution · · Score: 3, Insightful

      19th and early 20th century Ireland is a much more fantastic and mysterious place than anything any fantasy writer made up.

      Funny, how in Slashdot anti-intellectualism is OK if it doesn't refer to tech topics, but someone who brags about how they don't like math or physics would get scorned.

    3. Re:Ulysses is hard work but brilliant by gmhowell · · Score: 1

      Don't worry; he probably thinks 2010 is the year of the Linux desktop as well.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    4. Re:Ulysses is hard work but brilliant by cprincipe · · Score: 1

      People read at a variety of levels for a variety of reasons. Just because one person doesn't enjoy Joyce doesn't mean that there isn't another person who enjoys the challenge of wading through dense material. If someone doesn't enjoy using Linux, does that invalidate Linux as a useful operating system?

      --

      bun-fhuinneog agam!

    5. Re:Ulysses is hard work but brilliant by LandDolphin · · Score: 1

      I was responding to the comment: I'm amazed at the people who will read about fantasy or imaginary worlds and yet balk at Ulysses.

      I understand that everyone likes what they like. Some peopel liek Fantasy Novels, some like Sci-Fi, others like Romance and others enjoy "the challenge of wading through dense material". There is no validating or invalidating of the choices one chooses to read.

      I was just commenting on why one option might be more popular than another option.

      --
      Spelling and Grammar errors have been added to this post for your enjoyment
    6. Re:Ulysses is hard work but brilliant by Anonymous Coward · · Score: 1, Funny

      Mind boggling how that happens on a primarily science focused website isn't it...

  17. Wow! by Evil+Shabazz · · Score: 1
    From TFS:

    Shloss asked the Court to order the Estate to pay attorneys' fees of more than $400,000. She has now agreed to accept an immediate payment of $240,000 in return for the dismissal of the Estate's appeal. 'This case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team."

    Wow, so it only cost $150,000 (+) in attorneys fees so that she could establish her right to do something she should have been able to do all along? Man, our system ROCKS. Color me jaded to find irony that the head of the litigation team is the one so thrilled...

    --
    Down with the career politician! SUPPORT TERM LIMITS
    1. Re:Wow! by nomadic · · Score: 1

      Wow, so it only cost $150,000 (+) in attorneys fees so that she could establish her right to do something she should have been able to do all along? Man, our system ROCKS. Color me jaded to find irony that the head of the litigation team is the one so thrilled...

      Huh?? You can say that about almost any case; at the end one party is going to have been found not to been in the wrong, and they will have been out legal fees.

    2. Re:Wow! by Anonymous Coward · · Score: 0

      Of course you can say that about any case, the point was the fact that there had to BE a case in the first place. It cost $400,000 to defend the right to fair use??? What a great victory for the "common" man. The common man who happens to have half a million dollars.

      Now if it had set some sort of precedent, then maybe it would have been "worth" it, but if I read that correctly they settled, which means no legal precedent, which means just more money for the lawyers and nothing relevant for the rest of us to show for it.

      Oh happy day!

  18. Where is the call for Free Legal Care in the US? by olddoc · · Score: 1

    Sheesh! She could get a heart bypass and a bone marrow transplant for that much! Why don't people call for a single government payer for legal care? Isn't legal care a right? Why do people get bent out of shape when health care costs out of pocket but not legal care?

    --
    Power tends to corrupt, and absolute power corrupts absolutely.
  19. Re:Mu - copyright and censorship are the same thin by gnupun · · Score: 2, Interesting

    Copyright is the government-backed enforcement of "you're not allowed to say that, because I said it first."

    How does such retarded tripe get modded up? Did you RTFS? She copy/pasted a large portion of the book, and copycatting is very different from "saying it first/second".

    By definition, copyright is the antithesis of free speech. There is no either/or here - copyright *is* censorship.

    More blatantly false rubbish. Free speech does not give one a blanket right to abuse/use other people's property for personal benefit without permission or payment. These authors spend several years of their lives creating these novels and many decades mastering the art and craft of writing. And just like doctors or lawyers, they want a fair return on that investment. Copyright ensures that people who can write good books get paid so they don't have to find a real job working in a supermarket or other manual labor.

  20. Joyce estate owner an antagonistic control freak. by CoughDropAddict · · Score: 2, Informative

    The stuff in the linked articles is nothing, read this: The Injustice Collector: Is James Joyce's grandson suppressing scholarship?

    Stephen Joyce to a James Joyce scholar he disagreed with: "You should consider a new career as a garbage collector in New York City, because you'll never quote a Joyce text again."

  21. Re:Mu - copyright and censorship are the same thin by Mathinker · · Score: 3, Interesting

    > How does such retarded tripe get modded up?

    Well, at least yours hasn't been, yet.

    > ... other people's property ...

    And since when does does other people's "property" rights expire after a certain time after they die? You play the "property" card badly. There is property, and then there is property.

    You should read the entirety of that blog. Not just the post I linked to.

    > Copyright ensures that people who can write good books get paid so
    > they don't have to find a real job working in a supermarket or other
    > manual labor.

    In theory. But that doesn't mean that their work cannot be used within the boundaries of law; the case in question being one of them, it seems.

    And your use of the word "ensures" makes me think of another point made in that blog: just because something is under copyright doesn't magically imbue it with commercial value. The converse of that is true, also.

  22. Falzone is on drugs? by Mathinker · · Score: 1

    his case shows there are solutions to the problem Carol Shloss faced other than simple capitulation,' says Fair Use Project Executive Director Anthony Falzone, who led the litigation team."

    Right, every guy on the street can easily afford to take a big gamble that he might have to spend $400K to defend his fair use rights. Sure...

    Well I suppose it would be a bit much for someone from the "Fair Use Project" to admit that "fair use" is fairly useless to most of us, when the heat is on.

  23. Re:Mu - copyright and censorship are the same thin by cpt+kangarooski · · Score: 3, Insightful

    She copy/pasted a large portion of the book, and copycatting is very different from "saying it first/second".

    No, I think you're just misunderstanding the earlier poster. By 'saying it second' he likely means repeating what someone else has said by copying from them, as opposed to independently saying what coincidentally happens to be the same thing.

    Free speech does not give one a blanket right to abuse/use other people's property for personal benefit without permission or payment.

    Well, I'd dispute the use of the word 'property' there. Let's stick with 'creative works,' in which case, yes, that's precisely the sort of thing that a right of free speech has to do with. For example, if I have a copy of Shakespeare's plays, and I can abuse them by bowdlerizing them, or I can use them by performing them verbatim, or even just reprinting them and selling copies. My right of free speech permits me to do this, regardless of the fact that I didn't write those plays. I don't need permission, and I don't need to pay.

    When we grant copyrights, we are temporarily ceding part of our right of free speech. Given how dreadfully important free speech is, surely we wouldn't make such a grant lightly. Nor would we likely do so unless there were some public purpose which was better served by making the grant than by not, and where the size of the grant served that purpose better than a grant of some greater or lesser size.

    What purpose do you think would be so important as to justify this? How might we fine-tune copyright so as to best serve that purpose?

    A hint: The public purpose is very direct, very self-serving; the means of promoting it is very indirect, however, and may benefit others in the process.

    These authors spend several years of their lives creating these novels and many decades mastering the art and craft of writing.

    Well, they're not obligated to. If an author can crank out a brilliant novel in the space of a week, with no practice at all, he is no more and no less deserving of a copyright than any other author. Copyright law doesn't care about how much work an author does. In fact, the Constitution prohibits rewarding an author with a copyright merely for his hard work.

    And just like doctors or lawyers, they want a fair return on that investment.

    Oh, I'd be perfectly happy getting an unfairly large reward on no investment at all. Don't feel troubled to do otherwise on my account. ;)

    Copyright ensures that people who can write good books get paid so they don't have to find a real job working in a supermarket or other manual labor.

    Copyright ensures no such thing. It encourages authors to create works of all levels of quality with the hope that, if a particular work is popular, the copyright on that work can be exploited to make money. There's no policy in favor of good works over bad; the government cannot and should not make such decisions. There's no guarantee that an author will make money; a good, but unpopular work can be a flop, and authors can always mismanage their affairs. And certainly no end of authors have had to work at real jobs.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  24. Re:Mu - copyright and censorship are the same thin by Anonymous Coward · · Score: 0

    Copyright is control over who can say something. Censorship is control over what can be said. Copyright's counter-measure is fair use, censorship's is protected speech.

    Mods: Even if A != B and C != B, it does not follow that A = C.

  25. He's NOT dead! by plasmacutter · · Score: 1

    I've always insisted that copyright should end with the death of the original author. This pretty much proves my point. He's DEAD...

    he's just resting!

    --
    VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
  26. Re:Where is the call for Free Legal Care in the US by JSBiff · · Score: 1

    They are called public defenders.

    1) You only have access to public defenders when accused of a criminal violation, not a civil violationi

    2) Most public defender offices are understaffed and underpaid. Subsequently, there's lots of horror stories about how people can't get the time of day from their public defender, and at least some innocent people 'defended' by public defenders who didn't get adequate legal defense, so end up going to jail for crimes they didn't commit.

    So, maybe it's a great idea to bring the same approach of overworking and underfunding healthcare providers to health care, as we do with legal representation.

    So, in both cases, if you depend on the government, I guess, you'll probably end up bending over and kissing your ass goodbye, courtesy of the government.

  27. Shouldn't that be... by jvkjvk · · Score: 1

    "Professor loses $160,000 in legal fees defending a right that should not have been needed to be defended"?

  28. Re:Where is the call for Free Legal Care in the US by mcgrew · · Score: 1

    Why don't people call for a single government payer for legal care?

    I do, but nobody listens to me. In this case it's because the system is set up so that the richest warrier wins, and since we are a money-worshiping plutocracy run by the rich, they benefit from this.

    The reason that they're finally talking about single payer health care is because our system of paying for health care puts the rich American corporations at a distinct competetive disadvantage to foreign corporations, who don't have to buy health insurance for their employees.