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Author Encourages Users to Pirate His Book

mariushm writes "Peter Cooper, the author of Beginning Ruby, breaks down how he gets paid for the book, including the advance and royalties, giving a nice clean explanation of how authors get paid for their books. He also describes the negotiations over the second edition of the book, in which he begged his publisher, Apress, to offer the ebook version for free, believing (strongly) that it would promote sales of the paper book. He even notes that the original version's ebook barely had noteworthy sales, so it seemed reasonable to offer up the ebook for free to drive more attention. No dice. Even though Apress has done that with other similar titles, it wouldn't agree. As he retains the copyright for the actual text, he encourages people to buy the book and create an online version of it without covers, contents table and indexes, promising not to enforce his copyright over the new work."

237 comments

  1. I don't think so... by alain94040 · · Score: 5, Insightful

    I have dealt quite a bit with copyright law when creating FairSoftware's virtual company license. I'm afraid the author is incorrect when he says that he retains copyright, therefore he can authorize people to download his book for free. He most likely granted the publisher an exclusive license. The whole point of the word exclusive is to say that although you are the author, you can't give the text to anyone else anymore, once you signed the book deal.

    That being said, this is a great blog post for everyone who ever wondered how tech book deals work. He is making about $2 per sale of a $40 book! So there's a great debate about whether to go with an editor which will take a much lower cut, but will also not be so good at promoting the book. At least someone is making money from publishing content related to open source technology :-)

    1. Re:I don't think so... by tepples · · Score: 3, Interesting

      He most likely granted the publisher an exclusive license.

      Was it an exclusive license for a couple years, or was it an exclusive license for the duration of the copyright?

    2. Re:I don't think so... by noidentity · · Score: 5, Informative

      Surely the publisher provided an editor to clean up the manuscript before publication, thus putting the copyright clearly in the hands of someone besides the author alone.

    3. Re:I don't think so... by Brian+Gordon · · Score: 3, Insightful

      He's not giving people a license to it (which would conflict with the publisher's exclusive license); he's just promising not to sue.

      Also, why would he use a publisher that gave him only $2 per sale? You'd think that royalties would be driven up as competing publishers offer more per sale.. Why doesn't a publisher just offer 40% royalties or something and annihilate the competition?

    4. Re:I don't think so... by nine-times · · Score: 1, Troll

      Well I suppose the questions are whether there's a legal distinction between licensing the right to copy the book and refusing to sue for infringement, and whether in his exclusive license he retains the right to refuse to sue.

      It sounds like he's not distributing the book himself and not technically licensing anyone else to do so, but claiming that insofar as he has the right to sue someone or not-sue them for infringement, he won't sue. It's a minor distinction, but IANAL and I have no idea whether there's anything to that distinction.

    5. Re:I don't think so... by Anonymous Coward · · Score: 1, Informative

      99% of the time, it wouldn't be the author suing anyway. It would be the copyright holder, which is usually the publishing house. Beware to anyone thinking that this author's statement would keep them from avoiding litigation from the copyright owner....

    6. Re:I don't think so... by DerekLyons · · Score: 1

      That being said, this is a great blog post for everyone who ever wondered how tech book deals work. He is making about $2 per sale of a $40 book!

      For reference - that's 5%, essentially 5% profit. In most places in the business world, that would be considered screamingly successful. Doubly so since he's making an ongoing profit for work he did only once and isn't responsible for the ongoing work of marketing and stocking.

    7. Re:I don't think so... by Anonymous Coward · · Score: 0

      Depends upon the terms of the license and whether it covers just sales or sales and distribution, and whether it covers all forms of distribution and derivative works. I'd recommend he distribute a derivative work online that has excerpts of the printed form. This would allow people to test the book out before buying a hard copy.

    8. Re:I don't think so... by DerekLyons · · Score: 5, Insightful

      Also, why would he use a publisher that gave him only $2 per sale? You'd think that royalties would be driven up as competing publishers offer more per sale..

      What on earth would lead you to think so? There's only so many sales to be had, and a fairly hard (though rising with inflation over time) cap on what customers will pay for a given class of book - and the publishers revenue comes out of the difference.
       
       

      Why doesn't a publisher just offer 40% royalties or something and annihilate the competition?

      Because publishers can do math.

    9. Re:I don't think so... by Red+Flayer · · Score: 4, Insightful

      For reference - that's 5%, essentially 5% profit. In most places in the business world, that would be considered screamingly successful. Doubly so since he's making an ongoing profit for work he did only once and isn't responsible for the ongoing work of marketing and stocking.

      1. 5% is not a screaming success. My employer has had quarters where the net margin was *only* 18% and these led to managerial changes due to the failure to meet expectations.

      2. You can't say he's making 5% profit. He's making some unknown amount of income (based upon to-date and future sales), in exchange for the time spent, his knowledge, and his writing ability.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    10. Re:I don't think so... by nametaken · · Score: 2, Insightful

      Clearly this isn't the case, or he was rejected elsewhere. My guess is that it's standard practice, and that there's a reason for it. Probably that most of the money on that $40 book gets divided up between printing, distributing and promoting the book... all the labor, risk, fronted cash, etc. of others that goes into that book. The content of the book is more like a big start on the way to a successful product.

      Otherwise someone else would have done what you mentioned and annihilated all competition. We're not the first ones to think it up. :)

      Also note that traditional publishing has not disappeared in the face of self-publishing, on-demand publishing, etc. There are good reasons for that.

    11. Re:I don't think so... by Vengie · · Score: 4, Interesting

      IAAL. 17 U.S.C. 501(b) authorizes an exclusive licensee to sue for inringement. he has granted an exclusive license. thus he might not want to sue you, but his publisher can. Look through the Silvers v. Sony Pictures case -- unless his contract specifically deals with the right to sue for infringement....his publisher can.

      --
      When in doubt, parenthesize. At the very least it will let some poor schmuck bounce on the % key in vi. (Larry Wall)
    12. Re:I don't think so... by dissy · · Score: 5, Informative

      He most likely granted the publisher an exclusive license.

      On one hand, the author himself, who was there for the signing of the contract, states he did not give them an exclusive license on the text, but states he didn't create the covers, toc, or index thus can't give permission to copy that.

      On the other hand, someone on slashdot states what the author _most likely_ did, in their overly well informed opinion.

      Well that settles it!

      Actually I sorta like that idea.
      Personally, I think he most likely never even spoke to a book publisher, and not only wants his book to be free, but will pay us to read it! I'm sure that is the case.

      *Goes off to download an ebook and wait for my check in the mail*

    13. Re:I don't think so... by bws111 · · Score: 2, Insightful

      Also, he could very well wind up being sued be the publisher for breach of contract. Thus, he has screwed several people: himself, and anyone the publisher decides to go after.

    14. Re:I don't think so... by ZarathustraDK · · Score: 1, Insightful

      For reference - that's 5%, essentially 5% profit. In most places in the business world, that would be considered screamingly successful. Doubly so since he's making an ongoing profit for work he did only once and isn't responsible for the ongoing work of marketing and stocking.

      In a perfect world he would make 100% profit based on the merit of his content. Let's make it so kids, contemporary and elderly.

      What? Oh, you expected more words before that last dot...not gonna happen, at least not from me.

      --
      If you quote this signature there'll be 72 copies of Windows ME waiting for you in Heaven.
    15. Re:I don't think so... by R2.0 · · Score: 2, Insightful

      "Surely the publisher provided an editor to clean up the manuscript before publication, thus putting the copyright clearly in the hands of someone besides the author alone."

      So does that mean Microsoft gets a piece of my copyright when I run the MS Word Spell Checker?

      I'm pretty sure the editor is "work for hire" any way you look at it.

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    16. Re:I don't think so... by mariushm · · Score: 4, Insightful

      From 40$ only 18$ goes to the publisher, the rest is amazon's money, library's money, wasted on damaged books when shipped, on returns and so on.

      From that 18$ publisher pays the 10% royalty (but only after they get back their $6000 advance), the printing company, the editors that formatted the books and then they have their profit.

      I find it more ridiculous that Apress sells his ebook for 23.99$ when the printing costs, shipping and so on are non-existent. Basically, ebook brings Apress more profit than printed books at this point.

    17. Re:I don't think so... by nurb432 · · Score: 2, Interesting

      I have dealt quite a bit with copyright law when creating FairSoftware's virtual company license. I'm afraid the author is incorrect when he says that he retains copyright, therefore he can authorize people to download his book for free. He most likely granted the publisher an exclusive license.

      Did you read HIS contract? If not, you are only guessing. He may actually have negotiated and retained rights..

      sure its doubtful, but its his contact, not yours.

      --
      ---- Booth was a patriot ----
    18. Re:I don't think so... by EvilIdler · · Score: 3, Informative

      These guys can't do math at all: http://www.pragprog.com/write-for-us

      50%? Oh noes! They'll go bankrupt by the end of the year!

    19. Re:I don't think so... by alain94040 · · Score: 3, Informative

      This is straight from the author's blog:

      My contract also states that I have exclusively allowed Apress to publish and reproduce my content

      So I'd say there is a pretty good chance that the contract contains an exclusivity clause. This wasn't pure /. speculation.

    20. Re:I don't think so... by bzipitidoo · · Score: 2, Insightful

      Unknown is right. Very few understand what percentage he really got. The author himself is not among them.

      It's not that the royalty statements are excessively complicated though they could certainly be simpler, it's that they don't provide enough info. Can't check their math. And then what's this Licensed Rights? Reserve? Why are the statements so unclear? I don't believe for a minute that it's necessary. One possible reason for the obscurity is real easy to come up with: Hollywood accounting. Confusopoly. Looks like those could be ways of padding the bill to reduce the "profits" on which the publisher must pay royalties.

      Anytime I've been hit with some mystery charge, it's often been an attempt at robbery. Auto mechanics are one of too many groups notorious for that sort of thing. A common scam around where I live is this $6 charge for "shop materials". The last time they tried that one on me, I pointed out that before I came, I got a quote that included all charges, and if that $6 was part of the charges, it should have been included in the quote and it wasn't. They backed off.

      They may be honest publishers (ok, stop laughing). However, clarity is essential for honesty to be visible.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    21. Re:I don't think so... by FrangoAssado · · Score: 4, Informative

      On one hand, the author himself, who was there for the signing of the contract, states he did not give them an exclusive license on the text, but states he didn't create the covers, toc, or index thus can't give permission to copy that.

      That's not what the author stated. He actually wrote:

      My contract also states that I have exclusively allowed Apress to publish and reproduce my content.

      He then went on about how he "suspects" that you can make a PDF without the cover, TOC and index without infringing any of the publisher's rights.

      Tim O'Reilly, who (I'd guess) is very experienced with these kinds of contracts, wrote this in the comments of his post:

      I’d be very careful with your assumptions here. “Owning the copyright” doesn’t mean what you seem to think it means. I haven’t seen the language in the APress contract, but I suspect it says something to the effect that you grant them the exclusive right to publish, distribute, and sell (etc.) the book for the duration of the copyright. If this is so, the ONLY thing that you get from still owning the copyright is the ability to reacquire the rights in the event APress goes out of business.

      So while we can't know without seeing the author's contract, it's reasonable to assume that what alain94040 wrote above is closer to the truth than what the author "suspects".

    22. Re:I don't think so... by manekineko2 · · Score: 2, Interesting

      If a regular $40 book gives $18 to the publisher, with the rest being eaten up by distributors, an ebook for $23.99 doesn't sound incredibly out of line. $6 for the infrastructure and customer support functions. Just because it's electronic doesn't mean that it's free and you'll never have to hire someone to deal with complaining customers.

    23. Re:I don't think so... by fooslacker · · Score: 2, Interesting

      Why doesn't a publisher just offer 40% royalties or something and annihilate the competition?

      Because they don't have to. They have "industry standard practices" that effectively let them act like a trust without technically being a trust. It's a form of implicitly limiting labor costs. As publishing becomes more and more frictionless and major publishers less and less valuable they'll get smaller, control less, and authors will earn more as they become more competitive. As long as they control the entry point into a market however they can pretty much use these types of practices.

    24. Re:I don't think so... by yincrash · · Score: 1

      The editor is hired by the publisher, so the editor's work under the publisher is copyrighted by the publisher.

    25. Re:I don't think so... by mariushm · · Score: 1

      It was actually $27.99.

      If it costs the publisher 18$ for the printed book, you can remove the 3-4$ printing cost, 2$ for shipping you're left with 12 bucks. Now add up 40-50% profit for the company selling the books online and you're back at 18$.
      Nowhere near 28$ they sell it for. It's just greed.

      Well, anyway... this whole discussion is pointless, publishers will ask whatever they feel customers will pay, not the fair price.

    26. Re:I don't think so... by mrjb · · Score: 1

      He most likely granted the publisher an exclusive license.

      Depending on your goals, that may or may not be a smart move. In any case, it makes you lose control over the book you published depending on the duration of the license. If your incentive is to get the word out rather than the money, it's probably smarter to keep ownership of your book by self-publishing -- you can then do as you please, all up to the point of giving away your book for free, no strings attached. (By the way, feel free to download mine!)

      --
      Visit http://ringbreak.dnd.utwente.nl/~mrjb/growingbettersoftware to download your free copy of the book
    27. Re:I don't think so... by blind+biker · · Score: 0

      He most likely granted the publisher an exclusive license.

      He most likely the whole thing!

      Is that bad?

      --
      "The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
    28. Re:I don't think so... by Anonymous Coward · · Score: 0

      But he's not licensing it, he is merely saying that he will not enforce copyright over it.

    29. Re:I don't think so... by Anonymous Coward · · Score: 0

      it is "50% royalties", not "50% of the price of each book". As they say, "We take what we receive for a book, subtract direct costs (printing, copy edit, artwork, and a few other things) and split it with you".

    30. Re:I don't think so... by ducomputergeek · · Score: 2, Interesting

      More profit per unit, perhaps, but does e-books bring in more revenue than their paper counter parts?

      --
      "The problem with socialism is eventually you run out of other people's money" - Thatcher.
    31. Re:I don't think so... by Anonymous Coward · · Score: 0

      If MS Word were to send a copy of your document over the Internet to have it manually spell-checked by some guy in India, then yes, that guy (or his employer) would presumably have some copyright interest in the final text.

      Since this doesn't happen (as far as I know), I think you're safe. :)

    32. Re:I don't think so... by Aranykai · · Score: 1

      Editing someone else's work hardly qualifies for copyright. Its doesn't meet the creativity requirements.

      --
      If sharing a song makes you a pirate, what do I have to share to be a ninja?
    33. Re:I don't think so... by cpt+kangarooski · · Score: 1

      He's not giving people a license to it (which would conflict with the publisher's exclusive license); he's just promising not to sue.

      The only power a copyright confers is a right to sue. Therefore, a license is nothing more than a promise not to sue. So it appears that he is offering a license.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    34. Re:I don't think so... by davebaum · · Score: 3, Interesting

      Back when I wrote a book, three different publishers sent me contracts and the one from Apress was the most author-friendly by far. The royalty rates were higher, and the terms limiting the exclusive rights were written with authors in mind. All in all I found it to be an equitable arrangement - they were taking a risk by fronting the production costs and wanted a chance at profit. I was compensated more than fairly for the work I did.

      The accounting never confused me. The percentage is paid on revenue (not profit), so there isn't any "hollywood accounting". There are several different kinds of sales, each with their own price, but it all adds up.

      The "reserve" is really very simple. Distributors order more books than they might need from the publisher. These count as sales. But the publisher also will allow excess inventory to be returned. If the publisher paid out all royalties in full, then at the tail end of a book's life when returns exceeded sales, they would have to ask for money back from the author. It is also difficult to gauge the ups and downs of sales/returns (lots of sales in Q4 followed by returns in Q1). The reserve is a buffer against that. A sort of minimum balance that the publisher owes you but is escrowed against possible returns. Honestly, I never found it to be a problem.

    35. Re:I don't think so... by shentino · · Score: 1

      Not correct, IMVHO.

      His exclusive license likely has nothing to do with his right to grant a covenant not to enforce his copyright against people who digitize his books for him.

      He might not be able to sell the text elsewhere, however, as long as he still has title to the copyright itself nothing stops him from looking the other way if someone decides to scan it themselves.

      If he signed over his rights to litigate for copyright infringement, then he's screwed.

    36. Re:I don't think so... by Anonymous Coward · · Score: 0

      AFAIL, IANAL, but you need to add some kind of artistic value to get copyright. If an editor simply does spell checking & grammar corrections, then there's no new copyright possible. If they are better editors & offer more complex changes, there still might not be any additional copyright owners based on how the contract was written (typically I imagine that editors simply get a flat fee with no copyright assigned to them).

      Similar to how when you code for your employer anything you write has copyright assigned to your employer, not you.

    37. Re:I don't think so... by Anonymous Coward · · Score: 3, Informative

      Despite their apparent ability to "do math," you can't read. That's 50% of the profit from the book. So take the price the book is sold to retailers (not the one on the back of the book) and subtract the printing costs for a low-volume technical [text]book and you don't end up with much. That said yes, 50% of the profit is better than a competitor at 10%, however that is a far cry from 40% of the total retail price of the book.

    38. Re:I don't think so... by Wildclaw · · Score: 3, Insightful

      $2 per sale of a $40 book

      And it keeps repeating on and on in the IP industry. Wasn't there a Slashdot article not long ago that EA was spending three times as much on marketing as they did on developer costs. The stories about artists getting screwed is numerous. And Hollywood has even given name to an accounting type used for screwing other people out of money. And it isn't just the copyright industries. Pharmaceutical companies spend more on marketing than they on research. And the list goes on.

      And there are actually people that believe that intellectual property laws are good for society? The truth is that there is an incredible waste going on in distribution, middle man skimming, advertising, manufacturing, warehousing and so on. What starts out as $2 of information becomes $40 in the store. And this is the standard, not the exception. Even when sold via the Internet via digital distribution, it still becomes over $20.

      The sad truth is that todays society could easily support a 10 hour work week if we got rid of all the inefficiencies and wasted job efforts. But it will not happen in the current society, because neither side (socialists nor capitalists) are interested in getting rid of such inefficiencies. In fact, if there is one thing that everyone can agree on, it would be that people should work and work some more "to make a better society".

    39. Re:I don't think so... by kimvette · · Score: 1

      What? He accidentally the distribution rights? He accidentally the whole thing? OH NOES!

      --
      The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
    40. Re:I don't think so... by Anonymous Coward · · Score: 0

      They may be honest publishers (ok, stop laughing). However, clarity is essential for honesty to be visible.

      Amen! I want to tattoo that statement on the foreheads of some people...

      "clarity is essential for honesty to be visible"....fantastic statement

    41. Re:I don't think so... by DerekLyons · · Score: 1

      For reference - that's 5%, essentially 5% profit. In most places in the business world, that would be considered screamingly successful. Doubly so since he's making an ongoing profit for work he did only once and isn't responsible for the ongoing work of marketing and stocking.

      1. 5% is not a screaming success. My employer has had quarters where the net margin was *only* 18% and these led to managerial changes due to the failure to meet expectations.

      Then you were in one of the few areas of the business world where 5% isn't considered a success. (Assuming, since 'margin' is an undefined word in accounting, that what you actually mean is '18% net profit'.)
       
       

      You can't say he's making 5% profit. He's making some unknown amount of income (based upon to-date and future sales), in exchange for the time spent, his knowledge, and his writing ability.

      He's making 5% of the sale price of the book, he's making 5% profit.

    42. Re:I don't think so... by WalksOnDirt · · Score: 1

      Greg Craven has taken much the same stance with his book about the climate change debate. He doesn't expect he'll ever make anything over his advance, and he'd like more people to read it. This is the guy who got started by putting up a series of videos on YouTube on the subject.

      --
      a,e,i,o,u and sometimes w and y (at be if of up cwm by)
    43. Re:I don't think so... by Anonymous Coward · · Score: 0

      You forgot another one he screwed: the publishers with whom he entered into a bad-faith contract.

    44. Re:I don't think so... by Anonymous Coward · · Score: 0

      If you had any books in your house, you could open them up to the copyright page and find out who owns them. It's not the publisher.

    45. Re:I don't think so... by cjonslashdot · · Score: 3, Interesting

      As someone who has published three books through traditional publishers, and who has many colleagues who have also published, I can tell you that for technical books 5% is pretty much standard. Actually, it's 10% of the actual sale price to the publisher, which is usually half of the cover price. The other half is the markup that bookstores and other distributors get. In the technical realm, you would have to be a true superstar to get any terms better than that.

      Also, the posters here who say that the author has given away exclusive rights are probably right: it is standard to do that. Publishers don't care if you retain the copyright because the contract is generally exclusive. Again, exceptions are sometimes made for "superstar" authors.

      Because of these difficulties, I published my fourth book myself. See my thoughts on this at http://expresswaysolutions.com/valuedrivenit_com/wiki1/tiki-index.php?page=Living+Book+Concept

    46. Re:I don't think so... by ajlisows · · Score: 1

      A 10 hour work week for what type of workers? The guy that works the drill press all day isn't going to suddenly have 30 hours with nothing to do because information is shared. Customer Service people aren't suddenly going to stop getting support calls. The guys driving trucks aren't suddenly going to be able to reach their destination 4 times as fast because information is free. Teachers will not suddenly be teaching 1/4 fewer classes. Police men aren't going to have no criminals to arrest. I think the sad truth here is that you are thinking of some very specific jobs and calling them "Society".

      There is also the fact that there is a tremendous gap between a book/software writer and the target audience. Like it or not, marketing plays a vital role in determining how many people your information reaches which is pretty much directly related to how much money you made. Try a little experiment. Spend a bunch of time writing a book. Register a domain name. Create a site with a shopping cart application so people can buy your book. Do not spend a dime on marketing (No google ad words, nothing) and see how many people purchase it. I'd imagine you'd be quite disappointed with the amount of money you receive compared to the time spent creating.

    47. Re:I don't think so... by shaitand · · Score: 1

      We can forgive not rtfa but you should at least read the summary. The author has clearly stated he retains copyright to the text.

      Its bad enough you wrote it but then some idiot actually modded this up!

    48. Re:I don't think so... by chdig · · Score: 1

      You can't say he's making 5% profit. He's making some unknown amount of income (based upon to-date and future sales), in exchange for the time spent, his knowledge, and his writing ability.

      He's making 5% of the sale price of the book, he's making 5% profit.

      Then you must be in one of those areas of the business world where there are no expenses, and it costs you no time or materials to make a product/service. Hmmm, sounds like you must be a patent troll.

      Since you disregarded the parent, I'll explain a little clearer for you that time is money, and in this case that money is expense, which comes off that 5%. His 5% is equal to his gross revenue, from which expenses are deducted to arrive at profit. Or more likely, loss.

    49. Re:I don't think so... by ibbey · · Score: 1

      If MS Word were to send a copy of your document over the Internet to have it manually spell-checked by some guy in India, then yes, that guy (or his employer) would presumably have some copyright interest in the final text.

      Umm... No. By this standard, if an author gave me a copy of his book-in-progresss to review and I gave him feedback that affected the final book, then I would have a share of the copyright. I suppose there are circumstances where that could be true, they would only be in the most extreme circumstances (such as I re-wrote an entire section of the book). As an example of the complications that your scenario would create, companies like Pragmatic Programmers, who often sell "beta" access to their books before publication, would have to give a share of the profits from any sales to anyone who sent in feedback. For some reason, I doubt the beta books programs would last long in your world.

      As has been noted, editors, whether they work for the publisher or the author, are doing work-for-hire and do not have a copyright claim. The ownership of the copyright of a book normally rests with the author, but it is entirely subject to the contract between the author and the publisher. On the couple of Apress books I have on my shelf, the copyright is held by the book's authors. Checking a random sampling of other publishers that's not always the case-- O'Reilly, Sams, New Riders, Que and Pragmatic Programmers all claim the copyright for the company. In addition to Apress, Peachpit and FriendsofEd books seem to leave the copyright with the author (Note: in all cases, my conclusions are only from checking one or two books and may not be consistent across all books from the publisher).

    50. Re:I don't think so... by Jane+Q.+Public · · Score: 1

      And it might pay to note that Pragmatic Programmers has been around a while now, and not only are they NOT going broke, they are now one of the leading publishers of new-technology programming topics.

    51. Re:I don't think so... by blackest_k · · Score: 1

      From the link provided

      Disclaimer: This post is NOT a pitch to buy my damn book. It will never sell enough to make me another penny. But I want people to at least look at the tools proposed in it, and give them a shot at breaking the logjam in the popular debate. Steal the book, borrow it, check it out from a library, scan the damn thing and post the PDF on the Internet*, I don't care! Just get the ideas out there, because ...

      * Even though my publisher has now explicitly told me they will do no more marketing for me--I'm on my own--I'm still not willing to risk a breach of contract (and the return of my advance) by posting such a file myself. That said, if someone "comes across" such a posting, please send me the URL via gregcraven.org, so I can refer others to it. ;-)

      This reveals a few insights.

      The Author has no commercial interest in his book once it's published when demand is relatively low.

      The Publisher also has very little interest in a book once the print run is done either really.
      (The investment has been spent the books produced and distributed)

      The Ebook might stimulate demand for the book enough to make another print run commercially viable which would benefit the publisher and the author.

      It seems reasonable to conclude that for relatively obscure publications piracy is harmless and might even raise interest enough to make something commercially viable again.

      The commercial case for books is quite interesting a physical book has a minimum price it can be produced for, a discount book store may sell below this price but really its only just above recycling the paper as scrap.

      Once its an ebook the value is harder to determine, amazon seem to set the price at just below the paperback price. It could be profitable at 10 cents instead of say $10 but would that price generate 100x the sales (probably not).

      It's easy to think that there is a limited demand for things to read but then consider the internet has a huge supply of things to read (not books) and billions of readers. The reader question e-paper or lcd screen shows that the lcd screen is acceptable, most of us read on one.

      It makes me wonder why are pirated ebooks relatively uncommon, and if they were would it be a good thing?

    52. Re:I don't think so... by Anonymous Coward · · Score: 0

      Of course not, and they won't. At least not until they lower the price.

    53. Re:I don't think so... by Inverted+Intellect · · Score: 1

      This sort of information asymmetry is the classic cause of the problem known as a Moral Hazard.

    54. Re:I don't think so... by stephanruby · · Score: 1

      Why doesn't a publisher just offer 40% royalties or something and annihilate the competition?

      Because the publisher is already selling the book at a 60% discount to the big bookstores (and 20% discounts to the small independent bookstores), and in both cases, the publisher is the one who pays for the shipping, the inventory upfront, the production costs, the marketing, and retaking the inventory if any of it gets damaged or returned by the customer (or by the bookseller who purposefully damages the book so it can return it).

      I guess it could offer 40% royalties to the authors who don't mind having their books not show up on the shelves of Barnes & Noble, Borders, and the rest of the big bookstores, but I doubt many authors would be willing to accept such a deal (by that point, those authors might just as well well self-publish, publish on demand, or just publish their books in an electronic format only).

    55. Re:I don't think so... by Anonymous Coward · · Score: 0

      When you enter the following in the Internet browser:

      http://beginningruby.org you get the following:

      http://www.cancer.org/docroot/don/don_0.asp

      But when you use ping to get the IP address:

      http://208.113.181.234 you get the following:

      "Site Temporarily Unavailable

      "We apologize for the inconvenience. Please

      contact the webmaster/tech support immediately

      to have them rectify this.

      error id: bad_httpd_conf"

      The domain name has been redirected... is it with the owner's permission?

    56. Re:I don't think so... by Anonymous Coward · · Score: 0

      people sign contracts willingly. You know nothing about business, clearly.
      If you can only sell 100 copies of your work directly for 100% profit, or sell 50,000 copies with a publisher who takes 90%, then you are BETTER OFF doing the deal.
      Amazingly, not everyone who creates content is some boyish neophyte getting conned.
      For the record I've created content and sold the IP through publishers with full knowledge of what I'm doing, and the benefits I get from it.
      people like you, who frankly know fuck all about how this works are trying to wreck MY income as an artist, as a frankly transparent and pathetic justification for your own loose morals when it comes to paying for content.
      Stop trying to save the struggling artist. We don't struggle and we don't need or want your help.

    57. Re:I don't think so... by Hognoxious · · Score: 1

      The author has clearly stated he retains copyright to the text.

      You mean he thinks he does? A judge might think otherwise.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    58. Re:I don't think so... by Hognoxious · · Score: 0, Flamebait

      You might want to do some research on "Hollywood accounting". In particular it illustrates the difference between revenue and profit.

      P.S. Which retard modded this up?

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    59. Re:I don't think so... by Ricwot · · Score: 1

      In business terms however, he puts no cash in to the deal, so the 5% number is wholly irrelevant. Surely the better way to look at it is to value his time based on what he could have been doing instead (say, 1000 hours at $100 per hour, so making $100,000) then look at the return for the lifetime of the book, ($60,000 his guess) which would be a 40% loss to him in terms of opportunity cost. If on the other hand he only took 500 hours, or valued his time at $50 per hour, he would have made 10%. There are all sorts of complicated things one could do with this, but sufficed to say that just because he makes 5% on the cover price doesn't mean a thing.

    60. Re:I don't think so... by Anonymous Coward · · Score: 0

      His exclusive license likely has nothing to do with his right to grant a covenant not to enforce his copyright against people who digitize his books for him.

      If it didn't, it wouldn't be exclusive. You're an idiot, so shut the fuck up.

    61. Re:I don't think so... by Anonymous Coward · · Score: 0

      If the book sucks so bad that they're giving it away for free then I definitely don't want to read it.

    62. Re:I don't think so... by Hognoxious · · Score: 0

      The truth is that there is an incredible waste going on in distribution, middle man skimming, advertising, manufacturing, warehousing and so on.

      Distribution is a waste? Well that's your fault for not inventing (and freely licensing) the teleporter.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    63. Re:I don't think so... by Wildclaw · · Score: 1

      I didn't say that distribution is a waste. I said that there is a lot of waste going on in distribution. There is slight but important difference between the two.

    64. Re:I don't think so... by TheRaven64 · · Score: 1

      A typical publishing contract has royalties as a percentage of net, which means the price that the publisher sells the book for (i.e. the cover price minus the retailer's markup, which is usually around 50% of the cover price). If you get 10% of net, the publisher gets 90%. The publisher, however, is responsible for covering the costs of proof reading, copy editing, layout, printing, distribution, and marketing from this. These guys are offering 50% of the profit, which is the net price minus the cost of all of these things. If 80% of the net price is the cost of editing, distribution, and printing, then this is exactly the same. Those costs are probably a bit closer to 50% of net (more for a lower-volume book, because things like editing have fixed costs), so this may be a better deal, but it's nothing like the 'look 50% is loads bigger than 10%' that they are trying to claim, and I would be very suspicious of working for a publisher that tried to pull that kind of trick.

      --
      I am TheRaven on Soylent News
    65. Re:I don't think so... by TheRaven64 · · Score: 1

      It's worth noting that a number of the tech publishers now have their own distribution channel (you can order books directly from them online). My latest contract specifies that, when selling via their channel, the sale price is the same as the net price (so that they can't sell it to their subsidiary at a 90% discount and pocket the change). This means that I will get approximately double the royalty rate if you buy from their channel, rather than Amazon. Oh, and if you buy from Amazon and click on my referral link, then I get about as much from Amazon as I do from the publisher...

      --
      I am TheRaven on Soylent News
    66. Re:I don't think so... by jonadab · · Score: 1

      > Also, why would he use a publisher that gave him only
      > $2 per sale? You'd think that royalties would be driven
      > up as competing publishers offer more per sale.

      Your understanding of the book publication market is... incomplete.

      Approximately two thirds of the people in the world have written a book and would like to have it published. (Eh, maybe only one third. Whatever, it's a *lot* of people.)

      Because of the costs of publishing (not so much the printing itself as the promotion and everything), and due to the limited market for books, publishers must select for publication only a fraction of a percent of the manuscripts they receive. *Most* of the manuscripts received are summarily rejected after a cursory inspection. Most of the rest are rejected after a more detailed inspection (like, browsing through the whole first chapter). After that, the remaining ones are the books the publisher thinks they *might* want to publish, so then they start thinking about contacting the author...

      So when talks open the publisher is negotiating from a position of having lots of manuscripts to choose from, and if this one doesn't work out they can reach into a pile of five hundred similar manuscripts and pick out one of the others. (This is particularly brutal for fiction and popular topics; for Ruby it's probably not quite as bad, but I triple-guarantee you the publisher *can* find another book on Ruby to publish.) The author, on the other hand, is negotiating from a position of having spent the last two years of his life and most of his life's savings trying to get a publisher to actually look at his book, and now that they're finally looking at it, he has a significant investment (both material and emotional, usually) in seeing it published. The publisher's investment to this point is limited to the time they spent looking over the manuscript and deciding it might be worth calling the author in.

      So unless the author is a big name with a devoted following (like, you know, Danielle Steel or John Grisham or someone like that), the author has very little leverage and cannot really afford to be choosy about publishers (unless he wants to use a vanity press or just plain self-publish, which is generally not a good way to go in most cases since an author ordinarily doesn't have the kinds of promotional resources that a publisher has).

      Again, there are a few rare exceptions. If Damian Conway writes a book on Perl, he can negotiate and credibly threaten to go to another publisher, because he's a recognized name in the Perl community and it's a sure thing *someone* will agree to publish his book, on the theory that it will sell well. The Ruby community probably has a handful of people in this category as well. But *most* would-be authors of Ruby books (or any kind of books) don't have that kind of recognition or the bargaining power that comes with it.

      --
      Cut that out, or I will ship you to Norilsk in a box.
    67. Re:I don't think so... by Moridineas · · Score: 1

      Because they don't have to. They have "industry standard practices" that effectively let them act like a trust without technically being a trust. It's a form of implicitly limiting labor costs. As publishing becomes more and more frictionless and major publishers less and less valuable they'll get smaller, control less, and authors will earn more as they become more competitive. As long as they control the entry point into a market however they can pretty much use these types of practices.

      This is insane.There are TONS of small presses out there--Apress is one of them. It's true that publishing has become more homogenized over the years (in the area of academic publishing I'm currently working, 30 years ago there were maybe a 1-2 dozen fair sized publishers--today they have mostly been bought out, so you have 3 giants, 1-2 small/medium, and a number of very small) but there's not any kind of "cartel" that you're fantastically believing in.

      Since you obviously don't know the numbers, I'll run them for you.

      Book list is $40
      Average discount to bookstores/amazon/wholesalers/etc is probably around 50% -- that means when Amazon buys one copy of his book, it costs them $20.
      The royalty ranges from 10-20% (this is "industry standard" I suppose -- usually 10% is a low royalty, while 20% is a high royalty). Thus when the publisher sells a book for $20 to amazon, for a 10% royalty the publisher nets $18. So the publisher makes $20 a book, minus $2 for royalty;

      Let's start a tally, publisher profit so far--publisher can make $18.

      Now what costs does the publisher have? They have to print the book. Printing prices vary widely based on cover type, binding type, number of pages, color/b&w, paper type, book size (width x height, etc). Without having seen the book in question here or knowing how big the print run is, etc, it's hard to say how much it cost to print. A unit price of roughly $6.00 is probably not unreasonable (could be higher, could be lower). Thus if the initial print run was 10,000 copies with a unit price of 6.00, the publisher had to put down $60,000 with no guarantee of a single sale.

      Next, the creation of the book. Again, depending on the publisher and complexity of the book, the creation of the page layout and editing costs can vary widely. Costs again can vary widely--probably from a low of about $3 (possibly lower for a very simply formatted book) to about $6-7 a page for more complicated books. I've only worked on one code book, and it was definitely more complicated than say an academic monograph. If editorial input (quality control, writing editing, code checking, etc) is included, that can be far more than $3 a page. We'll assume this book was not edited, and that it cost the publisher $6 a page to do the production work. Book is 660 pages = $3960. Another often unrealized cost is the creation of an index. I would think many computer programmer types would be able to create their own, but for an academic monograph, the creation of an index by a professional indexer can run upwards of $4 a page too.

      The link is down, but I think the author received two payments of $6000 for an advance? $12,000 cost for the publisher.

      I'm not even going into the costs of warehousing, shipping & returns, sales/accounting, and marketing. Too difficult to quantify without knowing more details. Here's a question though--do you know how much space 10000 copies of a 700 page book (weighing 2 lbs each according to amazon) take up? I would estimate it takes up about 20 full sized warehouse palettes.

      Ok, so so far we have a minimum of about $75,000 (60,000 print + 4000 production + 12000 advance) in expenses for the publisher before a single book is sold. Making ~$20 per copy, the publisher has to sell almost 4000 copies just to break even.

      You really expect publishers to shell out 70k, 80k -- including large advances -- and then only break a profit after selling 10,000 copies. Most small publishers sell books that never sell that many copies in a lifetime!

      (I'd be happy to discuss further -- this IS a rather simplistic breakdown, and the numbers are different for smaller print runs, etc)

    68. Re:I don't think so... by Moridineas · · Score: 1

      Interesting, I didn't realize technical authors routinely got 5%. I work in academic publishing, and our "standards" are 10-15%, as high as 20% (RARELY over). I don't think we've ever gone under 10%.

      As I mentioned in a different posts though, computer books do tend to be more complicated and expensive than a standard academic monograph.

      Also, the posters here who say that the author has given away exclusive rights are probably right: it is standard to do that. Publishers don't care if you retain the copyright because the contract is generally exclusive

      I again posted snippets of an actual contract. Usually the publisher has certain rights--for instance, controlling reproduction of material. They also have certain duties.

    69. Re:I don't think so... by cjonslashdot · · Score: 1

      Hi - I might have mis-communicated. In IT publishing, the standard for a new author is indeed 10%, but it is 10% of the wholesale price, which is usually only half of the retail price, and so one ends up getting only half of 10% - i.e. 5% - of the retail price. Regards, - Cliff

    70. Re:I don't think so... by aceofspades1217 · · Score: 1

      In economics class they teach us stuff like opportunity cost. Opportunity cost is the cost of an activity measured in the amount of money you could be making if you did something else.

      So for example if you in college the cost of going to college isn't just the tuition its also the 40 or 50k that you could have been making had you not gone to college and worked, so even if you get a scholarship your still technically losing money (although, of course, you make it up in increased wages later on).

      So lets say he could have gotten a 60k job being a journalist (I don't actually know how much they make) and he spend 6 months full time writing this book. Therefore he would have to sell 15,000 books just to break even.

      And btw in most parts of the business world a 5% margin is atrocious, that is considered absolutely paper thin. About the only people that come anywhere near that margin is a bulk store like costco. My family owns a sports nutrition store and have lower prices than everyone around us but we have had to start cutting out and negotiating with distributors for any products that have lower than a 45% margin. The thing is we have so many fixed costs like marketing, rent, labor, franchise fees, etc that we need high margins.

    71. Re:I don't think so... by Anonymous Coward · · Score: 0

      I talked to Prag once, They pay 50% only after they cover their expenses. For a best seller you might do better with Prag but for a medium seller a traditional publisher like Apress or O'Reilly is likely going to get you more $$

      From the prag site:

      "We take what we receive for a book, subtract direct costs (printing, copy edit, artwork, and a few other things) and split it with you."

      Be warned!

    72. Re:I don't think so... by Moridineas · · Score: 1

      Oh I'm sorry, I totally read your post too quickly and misunderstood--you were absolutely clear.

    73. Re:I don't think so... by cjonslashdot · · Score: 1

      A pertinent question: Do you think that the time has come for the academic world to self-publish academic texts? Do you think that self-publishing opens up more possibilities for broad peer review, and might actually increase the quality of texts? And might it be that the very format of texts might change, from a fixed format (a "book") to a more dynamic format (e.g., a wiki)?

    74. Re:I don't think so... by Anonymous Coward · · Score: 0

      It's 50% of profit not revenue. The smaller royalties mentioned are percent of revenue.

    75. Re:I don't think so... by fooslacker · · Score: 1

      Because they don't have to. They have "industry standard practices" that effectively let them act like a trust without technically being a trust. It's a form of implicitly limiting labor costs. As publishing becomes more and more frictionless and major publishers less and less valuable they'll get smaller, control less, and authors will earn more as they become more competitive. As long as they control the entry point into a market however they can pretty much use these types of practices.

      This is insane.There are TONS of small presses out there--Apress is one of them. It's true that publishing has become more homogenized over the years (in the area of academic publishing I'm currently working, 30 years ago there were maybe a 1-2 dozen fair sized publishers--today they have mostly been bought out, so you have 3 giants, 1-2 small/medium, and a number of very small) but there's not any kind of "cartel" that you're fantastically believing in. Since you obviously don't know the numbers, I'll run them for you....

      So first of all, way to be a condescending jerk in the tone of your post.

      Second, you're making my point for me. There are small publishers out there. But there are still far fewer publisher slots for books than there are authors hence the publisher is the scare resoruce. Additionally, all the costs you list are not bearable by a lone author, yet. Hence authors don't yet have bargaining power and publishers are able to act a middle man controlling access to the market. Did it used to be worse with fewer publishers controlling entry? sure. Is it going to get better as costs come down and there aren't barriers to entry and competition of product not competition of distribution becomes the deciding factor? yep.

      Third I didn't use the word "cartel" or indicate any type of conspiracy. In fact I said they got to act like an effective trust through the use of "industry practices" without actually being a trust. Once the barriers to entry come down the same effect that let little publishers get in an compete with big ones will let authors get in and compete with all publishers. Middle men are only useful in industries with significant barriers to entry or difficult distribution.

    76. Re:I don't think so... by Moridineas · · Score: 1

      Well, I could talk about this for a long time, but I'll try to be brief--short answer, maybe :)

      Self-publishing is certainly viable (and becoming more so) for many people. It's getting to the point that most anybody (or anybody with a academic department that has a tech person, etc would can help out) can easily self publish. Still, one would be amazed at the number of people we still run into who have trouble formatting a basic Word document... I also find it surprising just how much cachet getting published STILL carries in academia. It's part of the process. Not quite a hazing ritual, but something everybody goes through. I think--at the moment at least--self-publishing is still looked down upon, but in the future, who knows.

      I don't know that self-publishing necessarily opens more possibilities for peer review. I actually think blogging and things like the Social Science Research Network have a bigger potential. It's easier to weed stuff out online then it is to read a lot of books.

      One thing I think is for certain is that publishers WILL have to change, and change radically.

    77. Re:I don't think so... by Moridineas · · Score: 1

      So first of all, way to be a condescending jerk in the tone of your post.

      Ok, since I guess my first sentence (I read over the rest of my post and don't think it condescending..?) was a bit strident, I apologize for saying that your suggestions was "insane." My bad. I absolutely DO stand by my statement that you obviously did not know what you were talking about when you entered the conversation.

      Second, you're making my point for me. There are small publishers out there. But there are still far fewer publisher slots for books than there are authors hence the publisher is the scare resoruce.

      I disagree with this statement and believe you are factually incorrect. (As I'll explain in the rest of this post -- to be clear when I said "area of academic publishing I'm currently working" this is a very niche field--there are far more than a dozen publishers out there...)

      Additionally, all the costs you list are not bearable by a lone author, yet. Hence authors don't yet have bargaining power and publishers are able to act a middle man controlling access to the market

      I disagree with this statement and believe you are factually incorrect again. What I described is the traditional small-medium publisher model. What authors like the one discussed in this article expect (ie, $10,000 advances, etc). There are all kinds of publishers out there, for instance, vanity publishers. There exist publishers who will publish your book if YOU pay them. You could print 2000 copies of a book you wrote for easy less than $10,000 out of your pocket if you wanted. That's bearable for many people. If you don't want standing inventory, marketing, professional layout, etc, go to on-demand publishing/printing. lulu.com. There's an option for everybody.

      Did it used to be worse with fewer publishers controlling entry? sure. Is it going to get better as costs come down and there aren't barriers to entry and competition of product not competition of distribution becomes the deciding factor? yep.

      What is "it" and how is it going to get better? The publishing industry is full of competition right now. To claim otherwise I believe shows an ignorance of the facts. From vanity publishers (heck to lulu.com!!) to small publishers to giant corporations, there are a huge variety of publishers.

      Third I didn't use the word "cartel" or indicate any type of conspiracy. In fact I said they got to act like an effective trust through the use of "industry practices" without actually being a trust. Once the barriers to entry come down the same effect that let little publishers get in an compete with big ones will let authors get in and compete with all publishers. Middle men are only useful in industries with significant barriers to entry or difficult distribution.

      Ok, so you say "industry standard practices that let them act like a trust" and I summarize as cartel. Difference?

      Once the barriers to entry come down the same effect that let little publishers get in an compete with big ones will let authors get in and compete with all publishers. Middle men are only useful in industries with significant barriers to entry or difficult distribution

      What exact barriers are you talking about? Middle men are useful where they provide a useful service. The 20th century saw perhaps the greatest rise of middlemen ever! Heck, witness the demise of "For Sale By Owner" ... realtors ... my personal pet peeve in our new society of helplessness.

      I will say one thing I agree with you on--no industry--be it banking, newspapers, automakers, or publishers DESERVES to survive merely because it did at some point in the past. Everybody must change to survive. The publishing industry in the last 30 years has gone through many major changes and consolidations and new companies emerging. This will no doubt continue (and ev

    78. Re:I don't think so... by fooslacker · · Score: 1

      Ok, since I guess my first sentence (I read over the rest of my post and don't think it condescending..?) was a bit strident, I apologize for saying that your suggestions was "insane." My bad. I absolutely DO stand by my statement that you obviously did not know what you were talking about when you entered the conversation.

      Anytime you open with that and stand by it you're not looking for a conversation you're looking for an argument.

      I disagree with this statement and believe you are factually incorrect. (As I'll explain in the rest of this post -- to be clear when I said "area of academic publishing I'm currently working" this is a very niche field--there are far more than a dozen publishers out there...)

      Then it's hardly applicable to the whole field of publishing.

      I disagree with this statement and believe you are factually incorrect again. What I described is the traditional small-medium publisher model. What authors like the one discussed in this article expect (ie, $10,000 advances, etc). There are all kinds of publishers out there, for instance, vanity publishers. There exist publishers who will publish your book if YOU pay them. You could print 2000 copies of a book you wrote for easy less than $10,000 out of your pocket if you wanted. That's bearable for many people. If you don't want standing inventory, marketing, professional layout, etc, go to on-demand publishing/printing. lulu.com. There's an option for everybody.

      First $10,000 isn't bearable for the average writer. Just because you or I could pay it doesn't mean the majority of writers could. Second just getting the book printed is not the same value proposition as publishing with the promotion and distribution channels that come with a real publisher. But it is getting closer, hence my point about this situation will not last forever.

      What is "it" and how is it going to get better? The publishing industry is full of competition right now. To claim otherwise I believe shows an ignorance of the facts. From vanity publishers (heck to lulu.com!!) to small publishers to giant corporations, there are a huge variety of publishers.

      Competition is better than it used to be and it will get batter to the point that the middle man will slowly disappear or take on a very different role.

      Ok, so you say "industry standard practices that let them act like a trust" and I summarize as cartel. Difference?

      It's the difference between acting like a trust and being a trust. You use a loaded word to make the end result being the same seem like there is some nefarious activity by publishers which I never claimed.

      What exact barriers are you talking about? Middle men are useful where they provide a useful service. The 20th century saw perhaps the greatest rise of middlemen ever! Heck, witness the demise of "For Sale By Owner" ... realtors ... my personal pet peeve in our new society of helplessness.

      This is just kind of a random rant so I'm not sure how modern victim mentality or helplessness (I assume this is what you mean but I could be wrong) and the rise of the middle man are related. I'll address the rise of the middle man however. You are correct middle men are useful in markets with barriers to entry and distribution issues. Publishing has been one such market. I believe that is changing and publishing will have to change it's nature and instead sell services related to publishing rather than be the gatekeeper to the market that they have been and currently are. Eventually all the things you mention (i.e. digital distribution, print-on-demand, major etc) will make the publishing and promotional part the least valuable portion of the business and the publishers will have to change what they offer to survive. What is that? I'm not sure, perhaps editing services, art creation services, maybe they

    79. Re:I don't think so... by shaitand · · Score: 1

      I think it is fair to say the author has a better idea of whether he retains copyright than myself, you, the GP, or the idiot who modded the GP up.

    80. Re:I don't think so... by Moridineas · · Score: 1

      Anytime you open with that and stand by it you're not looking for a conversation you're looking for an argument.

      And anytime you enter into a conversation where it's clear -- and remains clear two posts in -- that you don't know much about the industry you're talking about and speak only in overly broad generalization, you're looking for ... ?

      Then it's hardly applicable to the whole field of publishing.

      Let me be clear since I apparently wasn't in the past post. In the academic publishing subject area I work in today there are 3 big corporations (not including their various labels), 1 small/medium, and a handful of new smalls. 30 years ago there were maybe a dozen fairly well known companies. THAT'S what is specifically applicable to the area I work in. As I attempted to explain to you later, there are all levels of publishers from big corporations to startups to self-publishing houses, etc. That's the point I was trying to make.

      First $10,000 isn't bearable for the average writer. Just because you or I could pay it doesn't mean the majority of writers could. Second just getting the book printed is not the same value proposition as publishing with the promotion and distribution channels that come with a real publisher. But it is getting closer, hence my point about this situation will not last forever.

      Who knows--I can tell you that a lot of people DO pay significant amounts of money to have their books published. Since I gather you're not familiar with them, there's a whole part of the publishing business called vanity presses. If you've ever read Umberto Ecco's book Foucault's Pendulum, the publishing house in that book is a (somewhat over the top) vanity press.

      People can self-publish or pick more barebones publishers TODAY, there's no waiting or "just around the corner about it," so I'm unclear what changes you are waiting for?

      You rightly make the point that there is a difference in service levels. This seems unlikely to change?

      Competition is better than it used to be and it will get batter to the point that the middle man will slowly disappear or take on a very different role.

      As I have argued twice now, there's a huge amount of competition already, from company size to amount of service to the fact that some publishers pay YOU, while YOU pay others.

      This is just kind of a random rant so I'm not sure how modern victim mentality or helplessness (I assume this is what you mean but I could be wrong) and the rise of the middle man are related

      You're right, it's mostly tangential -- there's no perfect example of the middleman in my opinion than the REALTOR (and an example of how governments can force the usage of middlemen to the detriment of everybody else). People no longer do many things that they used to.

      Publishing has been one such market. I believe that is changing and publishing will have to change it's nature and instead sell services related to publishing rather than be the gatekeeper to the market that they have been and currently are. Eventually all the things you mention (i.e. digital distribution, print-on-demand, major etc) will make the publishing and promotional part the least valuable portion of the business and the publishers will have to change what they offer to survive. What is that? I'm not sure, perhaps editing services, art creation services, maybe they all become the print on demand sellers. The point is they will sell cheaper things to more people rather than selling a risk management service wherein they take on the financial risk of publishing and distributing a book. This is because as the industry changes that risk is going down so that middle man value is also going down.

      It's when you start offering opinions like this that your lack of experience or knowledge of the publishing industry becomes problematic, and the strokes b

    81. Re:I don't think so... by Hognoxious · · Score: 1

      You're still full of shit, as other posters have pointed out.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    82. Re:I don't think so... by Hognoxious · · Score: 1

      Is he a lawyer? Is he omniscient? Contracts can be extremely tricky things, and he could have signed it thinking it means X when it really means Y, the other party thinks Z and a judge might decide that we've run out of letters.

      By your logic we don't need doctors. The patient knows what's wrong with his own body, right?

      P.S. Anyone else try to read TFA and find it redirects to some cancer site?

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    83. Re:I don't think so... by Anonymous Coward · · Score: 0

      First I never claimed to be an expert on the publishing market. i do know a fair amount about market level economics. Hence my "overly general" comments are an attempt to educate on what I do know not an attempt to attack your industry which you obviously have a very strong emotional attachment to.

      Second, I don't think that just because there are options to day it means the publishing industry has changed all it will. In fact I believe (though I don't think you do) that more changes are coming and that presses who attempt to keep operating the way they are currently are likely to have issues despite the fact that it already has changed to a great degree.

      Third you make the comment that most publishers do very little in the way of providing the services I mention. I know...I'm saying that in the future I think they'll have to. I am guessing at what service will be valuable but I don't believe that owning the high end printing equipment (because it will be too cheap to bar others from owning it), distribution channels, promotion machine, and ability to take risk on the behalf of the writer will continue to be enough to turn a profit.

      Finally, I don't think the finances you mention do anything except explain how a royalty is calculated today. I don't think you'll see publishers operating the same as they do today. I also think the cost structure will change significantly at some point as books are not printed on presses at some central location but rather in bookstores themselves which eliminates warehousing, transportation, etc. This will greatly change what the significant cost factors are and the pay and services structure will have to change to match the new reality in which I BELIEVE the author will have more power than the press.

      I'd urge you to go back and read my first post. At no point did I call the royalties unreasonably low. At no point did I argue that publishers should or could pay 40% royalties. Someone else asked why they didn't I said "because they don't have to" implying that they were currently the scarcer of the two resources between writers and presses.

      I think the fact that you work in the industry may have blinded you to what I'm actually arguing. You seem dead determined to let us know that publishers are all doing the right thing and are at the mercy of economics beyond their control. I don't disagree or even care. That wasn't the point of my post. If you don't think the industry will change then great, continue to operate the way you are. I personally think it will and distribution is the place I see it changing to the point that future calculations no longer look like current ones.

      If you disagree then fine, disagree but just a word of advice. You'll have better conversations if you quit it with the ad hominem attacks and focus on understanding what your fellow conversant is trying to articulate. I think you have plenty of knowledge and probably some useful insight into the current state of the industry but it's hard to get at when the argument you make is "I know what I'm talking about and you don't because I have experience". You end up sounding like the old guy yelling at kids to get off of his lawn rather than someone that wants to discuss a point. I think I understand your point and I think the only place we really disagree is whether there is change left that's going to happen in the publishing market and maybe what that rate of change will be. Either way, good luck with your business.

    84. Re:I don't think so... by fooslacker · · Score: 1

      Oh and apparently due to a meatware problem I didn't log in but I did write the above response.

    85. Re:I don't think so... by Moridineas · · Score: 1

      Replying to this post instead of the other.

      Second, I don't think that just because there are options to day it means the publishing industry has changed all it will. In fact I believe (though I don't think you do) that more changes are coming and that presses who attempt to keep operating the way they are currently are likely to have issues despite the fact that it already has changed to a great degree.

      Let me refer you back to what I wrote earlier:

      I will say one thing I agree with you on--no industry--be it banking, newspapers, automakers, or publishers DESERVES to survive merely because it did at some point in the past. Everybody must change to survive. The publishing industry in the last 30 years has gone through many major changes and consolidations and new companies emerging. This will no doubt continue (and even accelerate) in the future. Publishers will have to find ways to change or they will go out of business, just as they have changed in the past.

      Is that at all at odds with what you're saying? Do you REALLY believe that I don't think the publishing industry will change? To be clear then--I think there are MAJOR changes en route and many companies WILL go out of business.

      Finally, I don't think the finances you mention do anything except explain how a royalty is calculated today. I don't think you'll see publishers operating the same as they do today. I also think the cost structure will change significantly at some point as books are not printed on presses at some central location but rather in bookstores themselves which eliminates warehousing, transportation, etc. This will greatly change what the significant cost factors are and the pay and services structure will have to change to match the new reality in which I BELIEVE the author will have more power than the press.

      Exactly -- I tried to be very explicit that I was describing why royalties are the way they are. Nothing to do with the future of the industry, etc. I'm repeating myself here. You will get absolutely no argument from me that there WILL be major changes in publishing. I've mentioned on-demand printing in just about every one of my replies to you!

      One thing to keep in mind -- I'm under an NDA with Amazon so I can't get into details, but when we sell a kindle ebook we get roughly 50% of the ebook price. $10 ebook, amazon takes half, we take half. I believe we get better terms than (at least most) individual authors. You better believe that once Amazon (or google) starts doing on-demand printing or B&N does in the their stores, etc, that the terms are not going to be better for authors.

      Do you see a shift from the purchasing side away from Borders/B&N/Amazon/Google/(and maybe Apple)? I don't think I do...

      I'd urge you to go back and read my first post. At no point did I call the royalties unreasonably low. At no point did I argue that publishers should or could pay 40% royalties. Someone else asked why they didn't I said "because they don't have to" implying that they were currently the scarcer of the two resources between writers and presses.

      Ok, I guess I don't understand then. It seems to me that claiming that publishers COULD pay higher royalties if they wanted to (because if "they don't have to", then they obviously could if they wanted to?) and that the reason they don't have to is because of "industry standard practice" and market barriers that artificially limit competition sounds exactly like saying that royalties are too low. Is that an unfair interpretation?

      I think the fact that you work in the industry may have blinded you to what I'm actually arguing. You seem dead determined to let us know that publishers are all doing the right thing and are at the mercy of economics beyond their control. I don't disagree or even care. That wasn't the point of my post. If you don't think the industry will change then great, continue to o

    86. Re:I don't think so... by fooslacker · · Score: 1

      However, claiming to be ad homed in every post gets tiresome.

      Using the phrase "you don't have any idea what you're talking about" then not addressing why and going on to argue points that have nothing to do with my post is what I was talking about. It's like trying to have a conversation with someone who shouts "you're wrong stupid head" over and over again. Perhaps it's not the cleanest description of the term ad hominem if you want to argue semantics but I think it's unhelpful and muddies the conversation. I appreciate that it was not your intention, however. What I was trying to communicate in my last post wasn't some whining about you doing it but trying to make you aware that it was hurting your ability to discuss a topic with any real eye toward honest debate in which you're able to both teach and learn rather than just scoring points here and there like some sort of pseudo political debate.

      Ok, I guess I don't understand then. It seems to me that claiming that publishers COULD pay higher royalties if they wanted to (because if "they don't have to", then they obviously could if they wanted to?) and that the reason they don't have to is because of "industry standard practice" and market barriers that artificially limit competition sounds exactly like saying that royalties are too low. Is that an unfair interpretation?

      If a labor shortage were to happen today in publishing so that there were 1 writer for every 100 publishers they would have to do something to attract authors and controlling labor costs would no longer be a significant issue in the profit calculations. I believe you would see royalties rise at that point. That is not the current condition, and likely never will be iMO as I think the industry will change before that extreme of a skewing ever happens and royalties will likely vanish all together as publishers become service companies rather than risk taking middle men. (Just a prediction).

      I also think that if/when this happens writers will gain a much larger share of the profits as there will not be a middle man to mitigate the risk of failure like there is today. Hence that middle man will not provide a service that is worth the same share of the profits he gets today. He will also not carry the same costs so the in this hypothetical new world he will still make money, maybe more maybe less, from a smaller piece of the profit.

      Right now they don't have to worry about this hence the term "they don't have to" or perhaps I should have more accurately stated there is no economic driver for them to currently raise royalties so through standard practices every gets to control their labor costs and take this particular variable out of their risk equation (or at least make it a constant).

      I'm 29...

      Just because I say you come off sounding like some old man doesn't mean I think you're an old man, it means this style hurts your argument by having you sound like one. I did actually read where you acknowledged that change would happen but you seem to dismiss my view of what that change will be and not offer any view of your own but instead revert back to your defense of the current royalty system. Given that I have no qualms with your description of the current royalty system I would be more interested in what you think the changing market will bring because I think the big success will be for first guys to crack what that new model is. Any ideas?

    87. Re:I don't think so... by shaitand · · Score: 1

      "Is he a lawyer? Is he omniscient? Contracts can be extremely tricky things, and he could have signed it thinking it means X when it really means Y, the other party thinks Z and a judge might decide that we've run out of letters."

      I don't recall saying he was right. I said that neither you, I, nor the parent I responded to had more direct knowledge of the subject. I would extend that to include anyone on Slashdot including any of the lawyers and doctors you apparently think have holy opinions. Though the attorney he likely had read the contract involving the work he invested years of his life in might have a better claim than the author.

      Of course if you had RTFA or even the other comments under the story you might not be burying yourself deeper stubbornly refusing to admit the simple point that the author is more likely to know the terms of a contract he signed than a random ac on slashdot.

      I'll save you frustration. He DOES retain his copyright. But he also gave the publisher an exclusive license and US law grants the publisher the right to sue on his behalf under the circumstances.

    88. Re:I don't think so... by Kalriath · · Score: 1

      No, you're again claiming that the amount the distributor takes is pure profit. Servers are not free. Bandwidth is not free. Electricity is not free. Customer Support Staff are not free. Taxes are not free. Amenities are not free. Just because it's electronic, does not make it free.

      $28 is probably a tad ridiculous, but the book isn't bloody free.

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
    89. Re:I don't think so... by mariushm · · Score: 1

      It's not the distributor's bandwidth and servers, it's Amazon's bandwidth and servers. Amazon deducts the costs from that 40-50% profit they'd have.

      I never said servers and bandwidth is free, but it's not the distributor's problem just as it's not the distributor's problem how Amazon ships their books to people or handles returns from them.

      It costs less than a dollar to server 1GB to a user so you can guess how much it costs to serve a 10-25 MB ebook. They already have the infrastructure in place (S3 storage, lots of servers and bandwidth already reserved for their video renting system and so on), it costs them almost nothing to serve ebooks to people downloading to PC.

      On Kindle, maybe it costs more, 40 cents, a dollar - I guess it depends on the deals they made with cellphone providers for the traffic.

    90. Re:I don't think so... by Moridineas · · Score: 1

      Using the phrase "you don't have any idea what you're talking about" then not addressing why and going on to argue points that have nothing to do with my post is what I was talking about.

      I've tried to be patient here but this is ridiculous. I cannot be any more explicit in what I'm saying. I've pointed out instance after instance where your assumptions are faulty and factually wrong. I responded to your initial post in detailed points and you move the conversation to a long (and non-specific rant) about the future of the industry. You accuse me of believing the opposite of what I clearly write (see my last post), etc--I don't understand what you're looking for in this conversation? Is there a SINGLE point of yours I haven't addressed? If you will put (e.g.) one unanswered question per line, I will absolutely do my best to address them one by one! You claim I'm not addressing your points--as they say, put up or shut up--what am I not addressing?

      What I was trying to communicate in my last post wasn't some whining about you doing it but trying to make you aware that it was hurting your ability to discuss a topic with any real eye toward honest debate in which you're able to both teach and learn rather than just scoring points here and there like some sort of pseudo political debate

      I hate to say this, but--get over it. I was rude in the first sentence of the first post, and have since replied to you in depth with hundreds of additional words. You can stop playing the aggrieved party now, as I said before, it gets tiresome.

      If you can't stand being told that "You are factually wrong," and equate that with "someone who shouts "you're wrong stupid head" over and over" then I really don't think there's much more to say in this discussion? There's a BIG difference between ad hominem attacks and saying that you are wrong. It's not at all semantics.

      Given that I have no qualms with your description of the current royalty system I would be more interested in what you think the changing market will bring because I think the big success will be for first guys to crack what that new model is. Any ideas?

      I don't think anybody can know this. I think several things will happen.

      - As has happened across all societies internationally, BRANDING is going to be key. Thus publishers will perhaps play a lesser role in the number of actions they perform (and are of less utility) but the branding of books is a big deal. Look at O'Reilly as somewhat of an early example of this. We see this today as various imprints remain important and prominent, even when owned by the same mega-corps. I think you'll see this extending further.

      - Google/Amazon/B&N/etc on-demand printing. Has the potential to eliminate warehouse stock. We're not nearly there yet--on-demand printing still looks junky, is inferior in terms of physical quality and still far more expensive than being able to print larger quantities of a book. I don't know how long it will take, but I think it's clear that on-demand printing will remedy many of these problems in the future.

      - What I honestly DON'T see (at least I don't see how yet) is authors making substantially more money than they do today. Even if publishers are eliminated (a real possibility!), the bookstores and booksellers (itunes, kindle store, etc) and book printers (traditional, on-demand), etc will remain middle-men. As I've written several times, Amazon takes a HUGE chunk of all kindle sales. I don't see this changing at all.

      - I don't think I see the future being friendlier to small publishers. Again, much like we've seen elsewhere, I think the big corporations will continue to gain ground and market share. I don't see small companies going away, but look at it like this--many companies can make books, this has been true for decades. Once the book was printed, all publishers were equal. Now potential authors can judge publishers not just by the books they produce, but by we

    91. Re:I don't think so... by Hognoxious · · Score: 1

      I said that neither you, I, nor the parent I responded to had more direct knowledge of the subject.

      Direct knowledge is useless without the skill to interpret it correctly.

      would extend that to include anyone on Slashdot including any of the lawyers and doctors you apparently think have holy opinions.

      Does the concept of a strawman exist in your homespun folksy-wisdom system?

      But he also gave the publisher an exclusive license and US law grants the publisher the right to sue on his behalf under the circumstances.

      In other words I was right all along, you were wrong and so was he.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    92. Re:I don't think so... by Anonymous Coward · · Score: 0

      "I find it more ridiculous that Apress sells his ebook for 23.99$ when the printing costs, "

      It isn't only Apress. O'Reilly's ebooks, with few exceptions offered directly by O'Reilly from their own website, cost more than the printed, discounted new direct from Amazon. For example, the 802.11 definitive book is $6 cheaper from Amazon as a physical book than O'Reilly's ebook price.

      Sort of shines a different light on Tim's criticism of the Kindle--ora.com really doesn't want ebooks to succeed.

      {O'Reilly offers their own books at cover price, and the ebook at a discount off the covered price. Thing is, most online book sites, like Amazon, offer 30-40% off list. Even many big city or college town bookstores offer 20% off the cover price for the actual printed book, shipped. O'Reilly's ebook discount from printed cover book price? Seems to be 20%.)

    93. Re:I don't think so... by fooslacker · · Score: 1

      I'm sorry if I set you off but until this post which I do think is extremely interesting you weren't addressing my points but rather took sentences out of context to make a tangential point of your own beneath them. I'm honestly not trying to play the victim what I was trying to do was get you to see that your style of discussion was actually hurting your cause. I don't know you, I don't know your intelligence level, I don't even really know your experience level in the industry, I don't know your expertise in economics, you're just some person I thought it would be interesting to have a conversation on the internet with. Hence for you to truly offend me would be very difficult. And more importantly if you did (and you have no way of knowing this) I'd simply take my ball and go home and quit posting rather than subject myself to it so until that happens rest assured I'm not playing the aggrieved victim.

      Now on to the meat of your post. I agree with your point on branding at least in the short-medium term (which is about all that is predictable with any sort of SWAG as you point out). I think the O'Reilly thing is a good example in technical books. Do you think this will also happen in popular books? My personal experience has been that I have no idea who publishes the book unless something goes wrong (i.e. it won't download to my kindle properly or the binding falls apart) at which time I take note. Of course I don't do anything about it but it seems to be when I notice. More importantly with a few exceptions I don't know who owns which imprints. Do you think this is the norm or will people begin to associate quality (of content or medium) or lack there of with a specific imprint?

      As for on demand printing do you think this will ever move far enough that distribution will be done electronically. Specifically will it become widespread enough that I don't ship books to any city with more than 20,000 people (or whatever size it takes to support a bookstore) because they can just go get it at a book store or perhaps far enough in the future their home? If so does this spell the end of the publisher as we know it (both big and small) and will they change into something else or is there still a spot for them in the distribution chain? Or does the bookstore become the publisher then? Will print quality (beyond the obvious readability factor) matter if the books are super cheap?

      I get that Amazon currently takes a HUGE chunk of Kindle sales right now. Do you think this is a permanent feature or do you think some sort of competition will open up the ebook market so that Amazon doesn't control what can and can't be delivered to the Kindle version 8 (or whatever)? The reason I ask is because I see the Kindle as the only really good reader right now. If it were one of ten or a hundred do you think they'd still have this level of control on how the profits get split?

      I do see the future being better for the small guy (which is I think the only point we really disagree on) as all of those service differentiators you mention are coming down in price. With the fall in price the small guy and the big guy get closer in the value the provide but the big guy can't support his monolithic and expensive structure any more (unless of course he finds another differentiator). Consolidation through acquisition is the first defense to this but in the end it usually doesn't end well for the big guys. I'm curious as to the current state right now. Are you seeing that you're having trouble attracting authors and they're shopping around between publishers? If so is this the nature of a niche industry or a super popular author or do you think this is common for a popular book first time author as well? The reason I ask is this was not the case 10 years ago and while some authors and works were creating bidding wars most aren't fit to publish so the publishers were combing through piles of crud to find the gems and authors were flinging their works at the publishers to the point that many wouldn't accept unsolicited materials. If this has changed that would be interesting to know.

      Again thanks for the conversation I really do find this all interesting.

    94. Re:I don't think so... by Kalriath · · Score: 1

      In this instance, I intended "distributor" to mean "retailer". The publisher is rarely ever the primary distributor, and I believe for eBooks no traditional distributor is ever involved.

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
    95. Re:I don't think so... by shaitand · · Score: 1

      "In other words I was right all along, you were wrong and so was he."

      He and I were right. You supported a claim that he no longer held his copyright. The fact remains that he does indeed hold copyright. An exclusive license is not a transfer of copyright. Licenses can be terminated for any number of reasons.

      "Does the concept of a strawman exist in your homespun folksy-wisdom system?"

      Cute but your plea to authority falls on deaf ears. Do you even know what a strawman is? Have you taken university courses on logic, philosophy, and critical thinking?

      You set the author's own qualification to interpret the contract up as a fine strawman and then bash it down. But the point you challenge (because it is the only point I have claimed) is that the author is a more reliable source for the contract terms than an AC on slashdot.

      Any individual of unknown qualification who has had an opportunity to read the author's contract remains a more reliable source for its terms than an anonymous slashdot poster of unknown qualification.

      Your other strawman that contracts must be extremely simple and of concrete interpretation was also easily smashed down. It still doesn't support your claim the AC I responded to (or yourself) is a more reliable source of the contracts terms than someone who has read it.

      Your arguments might make more sense if I claimed the author had the authority to prevent people from being sued for following his advice or had some other particular right beyond the copyright but I never made any such claim. In truth, I was aware of the exclusive license when I replied to the AC.

  2. Call Me Suspicious But ... by eldavojohn · · Score: 5, Insightful
    From his post:

    There are even links on Twitter to torrents like this. I am happy for you to pirate my book, but I’m NOT A LAWYER, and I can’t guarantee what Apress would do about it – so you’d be doing it off your own back! So, uhm, don’t pirate it?

    So he's covered his own ass and recognized that Apress will most likely not see things his way. Now, to do what the summary suggests is confusing to me. I don't know his contract with Apress but I must question why, if he is so upset with Apress, he isn't just releasing an HTML version of his work online. Surely he must have the source documents he wrote to write the book, correct? Then why doesn't he simply make his own HTML plain text version and host it.

    The answer is painfully simple. He's reached an agreement with Apress for digital distribution rights making them the only possible channel for distribution. I wouldn't be surprised if that was a default contract for them. Regardless, downloading the Apress version on RapidShare is copyright violation with Apress, regardless of what the author says. There's no question of that.

    If I've misjudged Peter Cooper's character, I truly am sorry but he is either willfully or through ignorance putting you at risk with these suggestions. Do not follow through.

    --
    My work here is dung.
    1. Re:Call Me Suspicious But ... by Brian+Gordon · · Score: 4, Insightful

      Yeah he is putting his readers at risk because they'll be breaking the law by distributing the book. I think he's just mad at Apress and wants to stick it to the man, or he still wants the promotion that a free ebook would provide. Also there's all the free publicity from slashdot..

    2. Re:Call Me Suspicious But ... by Anonymous Coward · · Score: 5, Funny

      Then why doesn't he simply make his own HTML plain text version and host it.

      Let me know when you figure out how to make HTML plain text.

    3. Re:Call Me Suspicious But ... by tlhIngan · · Score: 2, Insightful

      All it is is a promise not to sue. He owns the text of the book, but not the additional stuff Apress did - say, the covers, front matter (including the Table of Contents) and the back matter (indices, etc), which would mean that you're pirating his work, and none of Apress'.

      Those full version torrents/downloads do include stuff the Apress owns the copyright for, and whom Apress might sue.

    4. Re:Call Me Suspicious But ... by Anonymous Coward · · Score: 5, Funny

      View->Source

      OK, done.

    5. Re:Call Me Suspicious But ... by dissy · · Score: 1

      Let me know when you figure out how to make HTML plain text.

      Well, isn't it good enough that HTML is made OF plain text? ;}

      Or on a slightly more correct note, lynx?

      Now of course if you mean make HTML into nice looking plain text that is readable and usable, then yes we are all doomed.

    6. Re:Call Me Suspicious But ... by abigsmurf · · Score: 1

      It could actually be bad for him too. By giving permission for people to download the books, he could be seen as giving away rights that aren't his to give away and be in breach of contract.

    7. Re:Call Me Suspicious But ... by mariushm · · Score: 1

      No, I think what he means is that you can in theory buy the printed book, literally tear and remove the covers, the index pages, and the contents table and you're left with pages that have only his text, which he owns.

      Now use a scanner to scan the pages, OCR them, and offer it for free. He says he won't sue you for the text he wrote. As there's nothing in your ebook version that belongs to Apress, you'd have no problems... again, in theory.

    8. Re:Call Me Suspicious But ... by HeronBlademaster · · Score: 1

      Technically he's not giving permission to pirates, he's just promising not to sue over it. IANAL, but I'm pretty sure there's a difference. (However, it's still unclear whether Apress can do anything about it; that would depend on whether he gave them an exclusive license to publish the book or not, and that's separate from who owns the copyright.)

    9. Re:Call Me Suspicious But ... by plcurechax · · Score: 2, Insightful

      He's reached an agreement with Apress for digital distribution rights making them the only possible channel for distribution. I wouldn't be surprised if that was a default contract for them. Regardless, downloading the Apress version on RapidShare is copyright violation with Apress, regardless of what the author says. There's no question of that.
       

      As the Slashdot blurb states, the author retains copyright of his text, so thus the copyright violations are "against" him, regardless of what the publisher claims. As far as digital distribution, that is a contract (i.e.civil law, not copyright which is often now criminal law in the US) between those two parties. As long as Apress and the author don't break there respective terms as per the agreement (i.e. they don't publish his work without paying him and he doesn't give permission another party to publish his works if an royalty-based exclusive agreement) then it is moot.

    10. Re:Call Me Suspicious But ... by pavon · · Score: 2, Insightful

      Yeah, as alain's post points out, he admits himself that he granted Apress an exclusive contract.

      It really rubs me the wrong way when authors/artists encourage people to pirate their material. You are asking me to do something illegal and take on risk of being sued, but you aren't willing to put it up online yourself? You are feeling rebellious because you are having second thoughts about the contract that you signed, but you want me to be the one that rebels? How about no. Pirating your material is no different to me than pirating any random major label artist. I'd rather support authors/artists who were willing to take the risk to self-publish, and provide legal means for me to support them directly without enriching the middle-men.

    11. Re:Call Me Suspicious But ... by Threni · · Score: 2, Insightful

      Best solution for him would be to ask people to provide email addresses - privately - then email them the book from another account and delete the receiver's email address afterwards. Apress would have no idea how many he'd sent out, and the people asking for them would expose themselves to little risk, especially if they too used a disposable account.

    12. Re:Call Me Suspicious But ... by glop · · Score: 1

      It looks like there are Ruby books on scribd.com actually. It's probably one way to do what you just said.
      And now I am waiting for other people to comment and list all the other ways that I did not know about ;-)

    13. Re:Call Me Suspicious But ... by Anonymous Coward · · Score: 0

      Call me suspicious also, but it seems to me he's just advertising his book in a very open way, and using slashdot, two things got peoples attention, writer gets screwed by big publishing company, and piracy, some of slashdotters favourite topic (except bashing MS).
      Just be honest, how many of you went and checked out the book? I mean the amazon.com version not the tpb one? Somehow I don't think he'll be receiving anything but praises from the publisher.

    14. Re:Call Me Suspicious But ... by bws111 · · Score: 1

      The author retains copyright of his text, he does not own copyright on the published book. The book contains other work (editing, typesetting, artwork, etc) which has it's own copyright, owned by the publisher. So downloading the Apress version (which is what the GP said) is indeed a violation of the publishers copyright. If he were offering only the original manuscript, then the publisher would not have a copyright claim against the downloader (unless he gave the publisher the right to sue for him). In that case, the publisher would only have a contract dispute with the author.

    15. Re:Call Me Suspicious But ... by shutdown+-p+now · · Score: 2, Funny

      Let me know when you figure out how to make HTML plain text.

      Well, that's obvious! Any power user knows that it's as simple as:

      1. Take a screenshot of a page rendered in the browser using Print Screen.

      2. Paste it into MSPaint and print it out.

      3. Scan and OCR it (don't forget to press the "Scan to OCR" button on your scanner, and not "Scan to File"!).

      4. Copy/paste the generated text as needed.

      5. Repeat 1-4 for all other pages.

      ~

    16. Re:Call Me Suspicious But ... by Anonymous+Cowpat · · Score: 1

      would exclusive publishing rights allow them to persue 'ordinary' copyright violations (like shoving the whole book into a photocopier)? Or only those where someone else was publishing those violating copies? Because if it was the latter I don't se how it would be possible for themn to realistically persue anyone over an anonymous PDF file just doing the rounds on the intertubes

      --
      FGD 135
    17. Re:Call Me Suspicious But ... by HeronBlademaster · · Score: 1

      You're question is essentially the same as this one:

      Would exclusive publishing rights allow them to pursue ordinary copyright violations (like burning a copy of the CD), or only those where someone were selling those violating copied CDs? It doesn't seem possible for them to realistically pursue anyone over an anonymous mp3 file just doing the rounds on the intertubes.

      I'll leave it to you to make the connection.

    18. Re:Call Me Suspicious But ... by HeronBlademaster · · Score: 1

      Oh wow.

      That first sentence originally read "you're asking the same question as this:"

      I should have proofread that one more time.

    19. Re:Call Me Suspicious But ... by shaitand · · Score: 1

      I think the purpose here is that many people really don't care what is legal or not. They don't care about Apress or his contract.

      For many people, the publishers concerns mean less than nothing. For many, the concerns of the actual content creator do matter however. It has nothing to do with legal or illegal, it has to do with right and wrong. Moral views vary.

    20. Re:Call Me Suspicious But ... by shaitand · · Score: 1

      Typesetting and editing do not meet the criteria to qualify for copyright.

      You can rip off the covers and the artwork out and what you have left is something he owns the copyright to.

      On the flip side, as has already been pointed out his contract conveys the right to the publisher to sue you whether he retains copyright or not.

    21. Re:Call Me Suspicious But ... by troll8901 · · Score: 1

      I think the new version of Windows - 3.1, I think - has an utility called "Macro Recorder". Can someone get a copy and let us know? See if we can automate these processes using the Windows 3.1 Macro Recorder?

      For the print and scan portion, maybe connect a motor to the serial port, and write some software to drive the process?

    22. Re:Call Me Suspicious But ... by aceofspades1217 · · Score: 1

      They edited and promoted his work therefore they also own some of the rights, so nope even his own work isn't completely his anymore.

    23. Re:Call Me Suspicious But ... by Trogre · · Score: 1

      sudo apt-get install html2text

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    24. Re:Call Me Suspicious But ... by Anonymous Coward · · Score: 0

      LOL

  3. "Steal this book" by Anonymous Coward · · Score: 2, Informative

    "Steal this book"

    http://en.wikipedia.org/wiki/Steal_This_Book

    1. Re:"Steal this book" by Anonymous Coward · · Score: 0
  4. re: by Anonymous Coward · · Score: 1, Funny

    "Feel free to pirate my book...free of chaaarrrge."

  5. give the text away for free on your site by circletimessquare · · Score: 2, Interesting

    put an order form for a self-published book on your site. the self-publishing business is well-established and straightforward

    end of story

    no need for a publisher and all that legal cruft

    you'll make more money than going the publisher route, even with all the barnes and noble exposure. people are getting information about programming via internet searches, not browsing barnes and noble. hell, people are getting information about composting, travelling to ecuador, whooping cough, and everything else online. you are not giving exposure by not being in barnes and noble

    and if you think not getting a toehold in barnes and noble means less income, you are correct. except that free and unfettered access online represents far more exposure than barnes and noble. and you get that exposure by being unbound from all the legal cruft of a publisher. such that anyone choosing to buy a book anyways from you online represents more people than buying it at barnes and noble

    lose the publisher, get more exposure and get more cash

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:give the text away for free on your site by Anonymous Coward · · Score: 0

      Where's the "FUCK YEAH!" moderation option?

    2. Re:give the text away for free on your site by cerberusss · · Score: 1

      put an order form for a self-published book on your site. the self-publishing business is well-established and straightforward

      end of story

      no need for a publisher and all that legal cruft

      A publisher will pay you an advance, which allows you to write the book in the first place. How would you go about that?

      --
      8 of 13 people found this answer helpful. Did you?
  6. GIVE ME A PDF AND I CERTAINLY WILL by Anonymous Coward · · Score: 0

    not buy the paper book. I'll take computer screen version over paper any day, ya foo, U !!

    Not that I'd buy it anyway, so I'd just pirate the PDF !!

    Certainly my right, since I wouldn't buy it anyway !!

    1. Re:GIVE ME A PDF AND I CERTAINLY WILL by Dan541 · · Score: 1

      So long as books cost more than the paper they are printed on, is there ever a need to "Buy" a book.

      --
      An SQL query goes to a bar, walks up to a table and asks, "Mind if I join you?"
  7. Abby Hoffman? by Philip+K+Dickhead · · Score: 1

    Is that you?

    It is not immoral to steal from the Pig Empire?
    http://en.wikipedia.org/wiki/Steal_This_Book

    Sorry my friend! Theft is not justified by a feeling of moral superiority on the part of the thief. This is, after all, how the became pigs, in the first place!

    "But to live outside the law,
    You must be honest"
    -- Bob Dylan, Sweet Marie

    --
    "Speaking the Truth in times of universal deceit is a revolutionary act." -- George Orwell
    1. Re:Abby Hoffman? by Anonymous Coward · · Score: 0

      Theft is not justified by a feeling of moral superiority on the part of the thief. This is, after all, how the became pigs, in the first place!

      This is not about theft, so what you say doesn't really apply to the case at hand, but if by "how the[y] became pigs" you're referring to primitive accumulation, it is certainly more justified to unsteal ressources back to the commons (i.e. share them for free) than to steal them from the commons in the first place.

    2. Re:Abby Hoffman? by Anonymous Coward · · Score: 0

      You looked up the article and still managed to misspell Abbie?

    3. Re:Abby Hoffman? by Runaway1956 · · Score: 0, Flamebait

      I'm stealing your bits and bytes, and I just don't give a damn what you or anyone else thinks about it. If you go hungry because I've stolen a few bits, tough shit, dude. Go ahead, weigh your computer, and see how much it's weight has been reduced. I STOLE WHAT'S MISSING!!! And, you know what? I FEEL GOOD, LIKE I KNEW THAT I WOULD! Now, you'll miss a meal, and so will all of your loved ones.

      When I figure out how to do it, I'm gonna steal the electrons from your machine too. There's no point in me paying for electricity, when I can get you to pay for it!

      --
      "Windows is like the faint smell of piss in a subway: it's there, and there's nothing you can do about it." - Charlie Br
    4. Re:Abby Hoffman? by Meski · · Score: 1

      Yawn, don't feed the trolls, I know... but I respond on /2 as well.

      When I figure out how to do it, I'm gonna steal the electrons from your machine too. There's no point in me paying for electricity, when I can get you to pay for it!

      You'll be dust by the time the electrons from my machine make it to yours.

  8. guess... by SuperDre · · Score: 0, Insightful

    Guess who's next book isn't going to be published by a real publisher... LOL.. If he thinks he gets too few money per book he can always publish his next book himself, I guess he just forgets all the other costs after he gets his share.. ofcourse there is a huge profit margin for the publisher, but lets not forget that it's not easy to do the publishing yourself, it takes a lot of effort and money to publish a book.. And ofcourse as I said if he doesn't agree then publish it yourself.. AND, he thinks he owns the copyright of the text, but I bet he didn't read the contract which mostly mean he owns the copyright, but he can't publish it for free without permission from the publisher.. Read your contracts BEFORE you sign anything... but hee I guess he was just happy someone wanted to publish his book.. but then again, who wants to read his book anyway ;P

  9. His 2nd and Last Book by Anonymous Coward · · Score: 2, Insightful

    I hope he enjoyed the advances and royalties 'cause he won't be getting another book deal. Doofus

  10. Tim O'Reilly's comment... by tcopeland · · Score: 4, Insightful

    ...on the post is pretty interesting. Here's an excerpt:

    If you were to self-publish, you will find that you might print, say, 1000 copies at $8 each, or 2000 copies at maybe $6 each. (It could be more. I'm not as close to book printing prices as I used to be.) So you're out $8-$12000 up front. So lets say you've guessed exactly right how many copies you will sell. You printed 1000 copies for $8K, and sold all 1000 for $30K to $40K (depending on where you set the price.) You made $22K, or maybe even $32K, versus the $19K you earned with APress.

    He goes on to discuss the hassle of shipping, returns, credit card processing, storing the books, etc. All true, all good stuff.

    For what it's worth, going through a small local publisher with my JavaCC book has worked out pretty well. We did a much smaller print run - 350 books - so the storage wasn't as much of a hassle. Definitely a niche market, though.

    1. Re:Tim O'Reilly's comment... by careykohl · · Score: 1

      Just curious but did he have anything to say about Peter Cooper's assertion that a freely available e-book would promote hard copy sales? I've pirated a few e-books in my time and almost every single one of the ones that actually turned out to be useful resulted in the actual book sitting on my bookshelf.

    2. Re:Tim O'Reilly's comment... by tcopeland · · Score: 4, Funny

      > did he have anything to say about Peter Cooper's assertion
      > that a freely available e-book would promote hard copy sales?

      Yup, he said:

      We don't do it for all books because while there are some cases where free online exposure can help sell print books, there are also many cases where it seems to sell fewer books. A lot depends on whether a book is already visible or not.

      and

      "Free" should be seen as a strategic tool for publishing. Sometimes it helps; sometimes it hurts.

      Pretty cool that he weighed in on this one.

    3. Re:Tim O'Reilly's comment... by R2.0 · · Score: 4, Informative

      He may not have, but Eric Flint has.

      http://www.baen.com/library/

      Exerpt:

      In the course of this debate, I mentioned it to my publisher Jim Baen. He more or less virtually snorted and expressed the opinion that if one of his authors -- how about you, Eric? -- were willing to put up a book for free online that the resulting publicity would more than offset any losses the author might suffer.

      The minute he made the proposal, I realized he was right. After all, Dave Weber's On Basilisk Station has been available for free as a "loss leader" for Baen's for-pay experiment "Webscriptions" for months now. And -- hey, whaddaya know? -- over that time it's become Baen's most popular backlist title in paper!

      And so I volunteered my first novel, Mother of Demons, to prove the case. And the next day Mother of Demons went up online, offered to the public for free.

      Sure enough, within a day, I received at least half a dozen messages (some posted in public forums, others by private email) from people who told me that, based on hearing about the episode and checking out Mother of Demons, they either had or intended to buy the book. In one or two cases, this was a "gesture of solidarity. "But in most instances, it was because people preferred to read something they liked in a print version and weren't worried about the small cost -- once they saw, through sampling it online, that it was a novel they enjoyed. (Mother of Demons is a $5.99 paperback, available in most bookstores. Yes, that a plug. )

      --
      "As God is my witness, I thought turkeys could fly." A. Carlson
    4. Re:Tim O'Reilly's comment... by chromatic · · Score: 1

      All true, all good stuff.

      Not true: Tim's numbers are wrong, especially if you use a POD supplier.

    5. Re:Tim O'Reilly's comment... by tcopeland · · Score: 1

      > Not true: Tim's numbers are wrong, especially if you use a POD supplier.

      I'm not familiar with the print-on-demand pricing... but, FWIW, we just printed up a small batch of books and after shipping, shrink-wrap, and all that it ended up being in the ballpark of what he was saying.

    6. Re:Tim O'Reilly's comment... by HeronBlademaster · · Score: 1

      I really, really prefer reading books in dead tree form, regardless of what kind of book it is. I find I retain the information much better that way - I guess because I'm not constantly distracted by messenger, e-mail alerts, and so forth. As such, if a book is available for free online, and I like it, I'll buy the paper copy as well - I did that for e.g. Brandon Sanderson's Warbreaker. I read the last pre-publication draft in PDF form, then preordered a signed hardcover copy.

      For programming books, I think all paper copies should come with a free electronic copy. It's nice to be able to pull up a PDF for quick references when your bookshelf isn't handy. (And no, "google it" isn't always the best answer.)

    7. Re:Tim O'Reilly's comment... by chromatic · · Score: 1

      With a POD publisher that does fulfillment and his standard 10% of wholesale price royalty rate, I can make more money on my own after selling 1500 copies -- and that's without selling electronic versions, where my margin is much, much better. I can break even after selling some 70 copies.

      Tim's right that the costs of handling physical books yourself eats up a lot of net income, but you don't have to do that.

    8. Re:Tim O'Reilly's comment... by blindbat · · Score: 1

      You can do much better with Print On Demand.

      Although my books are not tech (they are religious), the same principles apply.

      After you produce the PDF for text and cover, your work can be done (except for marketing). I use Lightning Source for production and have all my titles listed with Amazon and every other bookseller. Lightning Source's fees are very reasonable, and Amazon takes whatever percent you allow. They handle shipping, credit cards, etc.

      My total out of pocket for book production was very low (~130/book) and I can purchase bulk orders cheaper than I sell to Amazon.

      You really don't need to spend a lot of money nor do you have to store any books if you do not want to. As both the author and publisher, my return is much higher per sale than through dealing with a publisher.

      However, a publisher will help you with editing and marketing (although you pay dearly for both of those).

      I'm still in the process of building up my site, but drop by http://godsvaluesystem.com/

      I also have a friend that works on an offset press and he confirms that the book quality from Lightning Source is excellent.

    9. Re:Tim O'Reilly's comment... by tcopeland · · Score: 1

      Hm, that is interesting. 1500 copies is more than I've ever sold, though... maybe someday...

    10. Re:Tim O'Reilly's comment... by AnotherUsername · · Score: 1

      I really, really prefer reading books in dead tree form, regardless of what kind of book it is. I find I retain the information much better that way - I guess because I'm not constantly distracted by messenger, e-mail alerts, and so forth. As such...

      ...paper copy as well - I did that for e.g. Brandon Sanderson's Warbreaker. I...

      ...preordered a signed hardcover copy.

      For programming books, I think all paper copies should come with a free electronic copy. It's nice to be able to pull up a...

      ...your bookshelf isn't handy. (And no, "google it" isn't always the best answer.)

      Sorry, what were you saying? I got distracted.

      --
      I don't like Linux. This doesn't make me a troll.
    11. Re:Tim O'Reilly's comment... by shaitand · · Score: 1

      Then again, there are things like Lulu. Print on demand means no inventory or printing extra copies.

    12. Re:Tim O'Reilly's comment... by chromatic · · Score: 1

      I'm happy to second the praise for Lighting Source.

      However, a publisher will help you with editing and marketing (although you pay dearly for both of those).

      You can't overestimate the value of a good editor, though I've been dissatisfied for the cost-to-value ratio of editing and marketing on my last two books through a so-called traditional publisher. Editorial input was minimal, the production process was a mess, and I'm not sure any marketing ever happened. Believe that the publisher certainly didn't change the royalty rate to reflect how little value they added to the process, however.

  11. The Goal by Anonymous Coward · · Score: 1, Interesting

    Whether or not he intended to, Cooper got exactly what he wanted - front page of /. and a ton of publicity for his book. If I were him I'd be very happy right now, regardless of whether his proposition is illegal or not.

  12. Public relations stunt by Anonymous Coward · · Score: 0

    This is merely a stunt to pull in attention and hopefully sales to the book. He's no more a lawyer than I am, so why in the world should we listen to him?

    If he really, REALLY cared about his book being available for free online in a second edition he should have not allowed the second edition to be printed by people who wouldn't let him. Move on, write a better book with a publisher that would do things the way he believes they ought to be done. Now he's going to get paper book purchases from saps that can't see through it.

  13. Ugh. by stonecypher · · Score: 0, Troll

    "Hi, I got paid money by a large publishing house, then I disagreed with the business model they paid to create, so now I'm encouraging people to steal from the company that paid me all that money."

    What a scumbag. I hope he's never published again. It doesn't matter if he's right or wrong; he accepted money to engage in a business model that he's now actively trying to destroy.

    --
    StoneCypher is Full of BS
    1. Re:Ugh. by mysidia · · Score: 2, Informative

      He's encouraging people to steal from him not the publisher.

      He owns the text, the publisher owns the bits they added, cover, index, etc. Apparently he made a deal with them where he retained ownership of the text, and they got an exclusive license.

      Maybe he's breaking that deal (eg maybe in court this "promise to not sue" would be viewed as a license or implicit permission), or maybe he's abusing them for not requiring him sign over his ownership.

    2. Re:Ugh. by jgtg32a · · Score: 2, Insightful

      So is he providing the origional manuscript? Is there even a copy of it before it was sent off to the publisher? You forgot to mention that the publisher edits the book as well.

    3. Re:Ugh. by stonecypher · · Score: 2, Informative

      He's encouraging people to steal from him not the publisher.

      The book belongs to the publisher, not to him; that's why he had to ask them for permission, to which they said "no".

      He owns the text, the publisher owns the bits they added

      I cannot imagine why you believe this. No publisher works this way.

      --
      StoneCypher is Full of BS
    4. Re:Ugh. by mysidia · · Score: 1

      The book belongs to the publisher, not to him; that's why he had to ask them for permission, to which they said "no".

      No... the publisher owns the cover, the additions they've made, and whatever else the agreement with the author says they own.

      Apparently, in this case, the agreement says the author owns the text, and the publisher gets an exclusive license from the author (owner of the text) to utilize the text in the publication.

      So the publisher partially owns the book, , but not the book as a whole, and not the text: the author owns the text.

  14. Promise he won't sue? by Snowtred · · Score: 1

    I believe Admiral Ackbar stated it best: http://www.youtube.com/watch?v=piVnArp9ZE0

    1. Re:Promise he won't sue? by John+Whitley · · Score: 2, Informative

      The word we're looking for here is "estoppel". He has now publicly stated that he won't sue. If he tries to renege and sue he could be estopped from doing so.

    2. Re:Promise he won't sue? by dotancohen · · Score: 1

      If he tries to renege and sue he could be estopped from doing so.

      That is so 90's. Today that would be iStopped.

      --
      It is dangerous to be right when the government is wrong.
    3. Re:Promise he won't sue? by Anonymous Coward · · Score: 0

      The word we're looking for here is "estoppel" [wikipedia.org]. He has now publicly stated that he won't sue. If he tries to renege and sue he could be estopped from doing so.

      In many states in the US, the "right" to sue is unwaivable, and there would be no estoppel defense in this case.

      How that works across state lines, dunno.

    4. Re:Promise he won't sue? by Kalriath · · Score: 1

      Sure, but the publisher who holds the exclusive license to distribute is not bound by any such promise.

      And where's the arguments like yours in relation to Microsoft's "Covenant Not to Sue", which according to Slashdot is worth less than the bits composing the text?

      --
      For a site about things like basic rights, Slashdot users sure do like to censor "dissent".
  15. Torrent? by chord.wav · · Score: 3, Funny

    Torrent to the indexed version please? Thanks

    1. Re:Torrent? by Anonymous Coward · · Score: 0, Informative

      http://rapidshare.com/files/262916057/Apress.Beginning.Ruby.From.Novice.to.Professional.2nd.Edition.Jul.2009.eBook-BBL.rar

  16. Call me persnickety if you must... by BaronHethorSamedi · · Score: 1

    Is it really "piracy" if the rights-holder gives you permission to reproduce his work?

    1. Re:Call me persnickety if you must... by guyminuslife · · Score: 1

      He's not giving permission. He's just saying he won't sue. Whether that makes any difference is anyone's guess.

      --
      I don't believe in time. It's a grand conspiracy designed to sell watches.
    2. Re:Call me persnickety if you must... by koreaman · · Score: 1

      No, but Apress didn't give you permission to reproduce the book, so this is irrelevant.

    3. Re:Call me persnickety if you must... by aceofspades1217 · · Score: 1

      its still legally piracy because he doesn't own the book. There is a reason he only gets $2 per $40 purchase, because he only has partial rights. Hes just basically telling people to pirate the book and he isn't going to sue you and he doubts that the publisher will sue someone against the authors wishes for PR reason. But he can't guarantee anything because he doesn't hold all of the rights.

      What can you do? Publishers are a leech on the book and music industries. They are the ones who leech off of most of artists and authors money and its them, no piracy who cost authors and artists the most. But the system can't be changed, bookstores are still a big deal and authors can't get into a bookstore unless they have a big name publisher.

  17. "Steal this book"? "Get the fuck off my stage!" by R2.0 · · Score: 1
    --
    "As God is my witness, I thought turkeys could fly." A. Carlson
  18. If he's so sure he has the copyright... by Anonymous Coward · · Score: 2, Insightful

    ...why doesn't he offer a download himself? That way everybody who downloads it at least comes to his web site and there is no "what if he turns around on his promise not to enforce copyright" doubt in the air.

    1. Re:If he's so sure he has the copyright... by WalksOnDirt · · Score: 1

      His agreement with the publisher almost certainly does prohibit distributing the book himself.

      --
      a,e,i,o,u and sometimes w and y (at be if of up cwm by)
    2. Re:If he's so sure he has the copyright... by paeanblack · · Score: 2, Interesting

      His agreement with the publisher almost certainly does prohibit distributing the book himself.

      While a geek might see "distribution without the right to do so" and "encouraging others to distribute without the right to do so" as entirely different actions, it's unlikely that a judge will see it that way. Judges and geeks tend to lump things in different buckets.

      "No, no, no, your honor, I didn't violate that restraining order. I only encouraged other people to harass my ex. And...and...and...one of them wrote an autodialer program to do it, so it wasn't even a person on the phone. What are you going to do, throw the server in jail?"

    3. Re:If he's so sure he has the copyright... by mdwh2 · · Score: 1

      I'm not sure how that analogy is relevant. If someone said that they wouldn't sue someone who harrassed someone else, I don't see how that would be illegal. The other flaw in your argument is that harrassment is a criminal offence. Copyright infringment is a civil issue - and one where the author is quite entitled not to sue (unless his contract also said he must enforce his copyright against other people).

    4. Re:If he's so sure he has the copyright... by Hognoxious · · Score: 1

      They both boil down to him saying it's OK to do it, when it's not his call to make.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  19. Risk by abigsmurf · · Score: 3, Insightful

    Publishers that offer higher rates of royalties tend to do either less promotion or only take on authors who they know have a good record of producing popular books. You'd expect Stephen King for instance to be able to negotiate a better deal than John Smith on his debut novel.

    1. Re:Risk by Anonymous Coward · · Score: 0

      Where is this magical place where books are promoted other then inside a book store? I do not remember seeing a book promotion in years other than one single time by a local DJ who was interviewing the author on a morning radio show and technically, the author was there promoting it himself. If I don't remember or recall seeing one for that long, they are all doing a very bad job of promotion and the authors are getting ripped off for those fees.

  20. Failure to enforce your copyright negates it by Anonymous Coward · · Score: 0, Insightful

    From the article:
    Apress couldn’t do anything about it because everything would be my copyright. Now, I cannot allow you to do this, but I would not pursue you or enforce my copyrights if you did ;-) So, er, don’t do it!

    In the United States, failing to enforce your copyrights negates them. You must protect and enforce them or you lose them.

    What the author should have said was that he expressly authorizes the electronic distribution of his work to anyone.

    1. Re:Failure to enforce your copyright negates it by Anonymous Coward · · Score: 1, Informative

      No, you're thinking of patents. Copyright doesn't go "poof" if it isn't enforced.

    2. Re:Failure to enforce your copyright negates it by HeronBlademaster · · Score: 1

      What the author should have said was that he expressly authorizes the electronic distribution of his work to anyone.

      IANAL but I bet his contract with Apress gives Apress exclusive ebook distribution rights... so he can't give that right away.

    3. Re:Failure to enforce your copyright negates it by tsstahl · · Score: 1

      I think you are thinking of trademarks.

  21. Probably breaking his contract... by Moridineas · · Score: 3, Informative

    I've worked for several publishers over the years, and even in cases where the author keeps the copyright, the publishers is usually granted the enforcement rights, and other portions of the rights. For instance, one would not expect an author to be forced to defend his copyright in court.

    I looked at a contract that was executed several years ago:

    Check the italicized portion:

    1.0:called the work, hereby grants and assigns to the Publisher the exclusive world publishing rights of the work including the sole rights to translations, selections, expansions, abridgments, as well as all electronic production and reproduction thereof, and the Publisher agrees and has the exclusive rights to publish or reproduce the work during the continuance of the copyright ...

    9.0: That the Author agrees not to publish--or permit to be published without the written consent of the Publisher--any other book on the same subject written or edited by the Author that will injure the market made for this book, nor to publish or cause to be published any other edition of this book revised, corrected, abridged or otherwise without the written consent of the Publisher.

    In the case of every publisher I have ever worked with (and from dealing with hundreds of authors), this has literally NEVER been an issue -- the author requests rights back from the publisher, and he or she gets them 99% of the time. Literally, I don't think I've ever heard of a case of a publisher not following the author's wishes (and I've dealt with a number of authors who were switching publishers with a revised/second/third/fourth/etc edition of their book).

    Speaking as a someone with experience in the small academic publishing world, publishers take big risks with signing authors and issuing advances. If the books never materialize, there's actually very little most publishers can do. ie, you have to eat the 10k or whatever, as any law suit would be expensive and uncertain. Thus the extreme legalese.

    A few points from the article:

    The retail price (RRP) of Beginning Ruby is $40 (give or take a penny) but my publisher, Apress, makes a varying amount per book – I don’t know why.

    Very simple -- publishers sell books at widely ranging discounts, from a low of about 20% to a single bookstore, to maybe 40% to wholesalers, to maybe 60% to amazon. Yeah, so for that $40 list price on Amazon, Amazon probably only had to pay < $20! (Yeah, publishing really isn't as highly marked up by the publishers as it might seem!!)

    (About an advance> The only advantage to you is that if your book bombs and doesn’t even sell enough copies to pay back the advance, you (usually) don’t have to give the publisher back a penny.

    I've never heard of authors having to pay their advances back if their books bomb or don't materialize. I'm sure it happens with bigger publishers and bigger advances, but most of the time the publisher can't do much.

    On the royalty statements above, you should see references to “Licensed Rights.” My first editor told me that these are payments you receive for foreign versions of your book, for inclusion on systems like O’Reilly Safari, and “similar.” I’ve asked a couple of times now but I’ve never found out what these amounts are specifically for and I’m not aware of any translated editions of Beginning Ruby.

    Often times these fees are for translations or rights to use small segments. For instance if a professor wants to use one chapter but not the whole book, that might be a small licensing fee. Or if somebody wanted to translate the book into Macedonian, we might charge them $500, which is split 50/50 between the publisher and the author.

    Now, I wasn’t particularly

    1. Re:Probably breaking his contract... by PybusJ · · Score: 1

      I've never heard of Apress before, but they sound really, really shitty. I've never heard of a publisher threatening an author like this. The only times I've seen the clause where an author can create a new edition without the original author used is where the original author either died or had no interest in future editions of the book at all AND didn't object to more authors being brought on board. Looking at our contract, I don't think we could bully someone the way Apress bullied Cooper here... I'm very surprised by this, and would steer people away from Apress.

      I don't have as much experience in publishing as you, but I'm guessing that if Wiley signed me up to write "Nose Picking for Dummies," and then after receiving a few royalty cheques my hygiene levels improve and I'm not interested in the 2nd edition, then their contract would allow them to continue the series without me. I don't know, but I'd be surprised if it was otherwise. Certainly you'd have no chance of taking publication of the 2nd edition elsewhere -- such are the breaks of being part of the series. On the plus side I'd benefit from my treatise on the art of nose picking being in the Dummies section of bookshops, and from the brand recognition from potential readers in comparison to "John's Guide to Introductory Level Nose Picking."

      Similarly, though at much smaller scale than Dummies, Apress have a series "Beginning ....". It would not strike me as that odd that they would have rights in the contract to have a "Beginning Ruby" second edition regardless of the inclinations of the author. It's quite possible that this is different from the contract they'd use if they'd signed him up for a random Ruby book outside of their series.

  22. My own experiences by BigBadBus · · Score: 1
    A friend of mine writes well-received books, but he gets a pittance from his publishers. For every 1000 sold, he gets £1000. Very generous when you consider that his books sell for about £16 a piece! I decided to write my own book, as an electronic version; this way I got 100% of the profits but sales were very slow; for a limited time I allowed a free download of my ebook. Then, thanks to the Espresso book machine, I was able to offer a paperback version of my book, but the cost per book was £9 to me, so I had to increase the cost to cover this and postage costs. It has sold more than the ebook version, but I don't know if the free download has affected sales. Unless you're famous, authors get a rough deal from publishing houses.

    Oh yes, and my book is still available :-)

  23. Give it Away, Now by thepainguy · · Score: 1

    I've long been intrigued by the idea of giving the eBook version of my book "Elevator Pitch Essentials" away (no-DRM PDF), but have been reluctant to since I'm actually making decent money via eBook sales.

    Maybe part of the difference is that I self published and don't have huge distribution. My books is only available through US Amazon.com and my web site. In a year, I have sold about 80 eBook copies (at $10), mostly overseas or to people who needed it RIGHT NOW (e.g. due to presentations tomorrow). eBook sales are pure profit to me, and roughly twice as profitable as hard copy sales through Amazon.

    Of course, I could be making money at the cost of awareness.

  24. IF you have permision, it's not by geekoid · · Score: 1

    pirating. Way to and to the downloading material is a crime.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  25. Comment removed by account_deleted · · Score: 3, Informative

    Comment removed based on user account deletion

  26. i don't have a ship by AP31R0N · · Score: 2, Interesting

    i can't pirate his book unless i get a boat, find a boat carry his books and then proceed to commit armed robbery.

    i think i'd rather just download it, which would be copyright infringement (unless i have permission).

    --
    Utilizing the synergization of benchmark e-solutions to pre-workaround action items!
  27. Dive Into Python 3 by nlawalker · · Score: 2, Interesting

    Just wanted to point out that, coincidentally, Mark Pilgrim's excellent Dive Into Python 3 just became available in print form today: http://diveintopython3.org/. He published Dive Into Python under the GNU Free Documentation license and made it available in a number of formats, and Dive Into Python 3 is available under a Creative Commons license and downloadable in HTML and PDF form. Full copies of both texts can be browsed online. Both are excellent. Interestingly, both were published by Apress.

  28. Why is the link incorrect? by Anonymous Coward · · Score: 1, Insightful

    Why does this link go to some Cancer site, and not take me to the Article... And if they expect me to sign up, then can someone please post the REAL URL? I really want to read this article.

    1. Re:Why is the link incorrect? by Anonymous Coward · · Score: 0

      getting that here too....

    2. Re:Why is the link incorrect? by yincrash · · Score: 2, Informative

      the author of the article redirect all requests to his page to go to the cancer site.

    3. Re:Why is the link incorrect? by iron-kurton · · Score: 2, Funny

      Maybe he's saying every time you pirate his book, God kills a cancer cell. Hopefully, the slashdot effect will cure cancer.

      --
      Change is inevitable, except from a vending machine -- Robert C. Gallagher
  29. A bad summary makes bad responses by Peter+Cooper · · Score: 4, Informative

    I wrote the piece linked here and the summary on Slashdot is laughably wrong. All the cool Hacker News and Reddit people who read the story.. you're awesome and you really added to the discussion and didn't come out with nonsense saying I'm actively encouraging people to break the law (which, if whoever wrote the summary could comprehend English, is not what I said - I raised a potential method of circumvention as a thought experiment.. "I suspect" does not mean "I think you must").

    So if Slashdotters want to be the first to spout nonsense and misquotes on the same day my first kid was born (I'm just getting a few hours sleep after being up a gazillion hours ;-)) then congratulations - some of you succeeded admirably. All the traffic to the site is going to somewhere you can donate to a good cause and earn some actual karma.

    1. Re:A bad summary makes bad responses by Anonymous Coward · · Score: 0

      You must be new here

    2. Re:A bad summary makes bad responses by mea37 · · Score: 5, Insightful

      "All the traffic to the site is going to somewhere you can donate to a good cause and earn some actual karma."

      Uh, yeah... and so now those of us who read the nonsense comments and thought "I'd like to see for myself what he really said" can't actually get to your original blog post.

      Well played, genius boy.

      Can't speak for anyone else, of course, but as for me... when someone hides his original words I'm not inclined to trust his claim that they were misrepresented.

    3. Re:A bad summary makes bad responses by Anonymous Coward · · Score: 4, Insightful

      Your "solution" is to redirect all slashdot readers elsewhere? Then you're being portrayed accurately here.

    4. Re:A bad summary makes bad responses by MtlDty · · Score: 4, Informative

      If the summary is laughably wrong, then you might also want to try and fix the Google cache.

      To quote your good self : "My reaction to seeing other Apress books getting the free, electronic version treatment is: Im good with you pirating my book! Now, of course, I cant actively participate in pirating my book but, heck, its around on plenty of free e-book sites and on RapidShare. There are even links on Twitter to torrents like this. I am happy for you to pirate my book, but Im NOT A LAWYER, and I cant guarantee what Apress would do about it so youd be doing it off your own back! So, uhm, dont pirate it? The only condition, of course, if you do is that if you like the book and you think a print copy would be swell to own, please buy one even if its just for someone you know who wants to learn to program!"

      Redirecting your page is like closing the barn door once the horse has bolted unfortunately.

      Oh, and congrats on your first child :)

    5. Re:A bad summary makes bad responses by Dan541 · · Score: 1, Flamebait

      You sir, are a dick head.

      --
      An SQL query goes to a bar, walks up to a table and asks, "Mind if I join you?"
    6. Re:A bad summary makes bad responses by davecb · · Score: 1

      Actually this is very similar to what O'Reilly did with Using Samba, and it was very successful.

      I'm surprised some of the more au courant slashdotters's didn't notice (;-))

      Drop me a line and we can compare notes.

      --dave

      --
      davecb@spamcop.net
    7. Re:A bad summary makes bad responses by Knacklappen · · Score: 1

      Misquote? Read for yourself:
      http://74.125.77.132/search?q=cache:y8CuWLUgkMkJ:beginningruby.org/what-ive-earned-and-learned/+http://beginningruby.org/what-ive-earned-and-learned/&cd=1&hl=en&ct=clnk&client=firefox-a

      section "Pirate My Book?":
      My reaction to seeing other Apress books getting the free, electronic version treatment is: I’m good with you pirating my book! Now, of course, I can’t actively participate in pirating my book but, heck, it’s around on plenty of “free e-book” sites and on RapidShare. There are even links on Twitter to torrents like this. I am happy for you to pirate my book, but I’m NOT A LAWYER, and I can’t guarantee what Apress would do about it – so you’d be doing it off your own back! So, uhm, don’t pirate it? ;-) The only condition, of course, if you do is that if you like the book and you think a print copy would be swell to own, please buy one – even if it’s just for someone you know who wants to learn to program! :-)

      --


      Excellence: Moderate (mostly affected by comments on your karma)
    8. Re:A bad summary makes bad responses by gerblazi · · Score: 1

      One thing I've learned from reading /. for years is that one must always read the posted article. Unfortunately I don't live on the computer, so by the time this topic came to me I am no longer able to RTFA. I will read the original text if it is posted someplace.
      (By the way, congrats on the kid!)

  30. Weird redirection by pinkyLavie · · Score: 1

    Weird, I just got redirected to http://www.cancer.org/docroot/don/don_0.asp, is somebody having this problem too?

    1. Re:Weird redirection by Anonymous Coward · · Score: 0

      Peter just had a baby. He doesn't have time to deal with the slashdotting.

      http://twitter.com/peterc/status/4926493168

    2. Re:Weird redirection by Zumbs · · Score: 1

      I am ... I tried http://beginningruby.org with the same result, but check post above yours for the reason why.

      --
      The truth may be out there, but lies are inside your head
  31. Same here by mdmkolbe · · Score: 1

    Same here. I have no clues, but it's not just you.

  32. Article is gone by Anonymous Coward · · Score: 0

    Looks like he, or the hosting company took the article down. Vengie was probably right on the exclusive licensee has the right to sue comment. I'm sure someone notified one or both parties about this which resulted in the article being pulled. It was very interesting while it lasted, I hope he doesn't get into too much trouble... I guess in the end you should consult with a lawyer when dealing with contract matters.

    1. Re:Article is gone by Swave+An+deBwoner · · Score: 1

      It's not just the article, it's the entire website (beginningruby.org). Probably he didn't want to deal with his site being slashdotted, but redirecting everything to the American Cancer Society website (and possibly slashdotting that) is not necessarily the nicest way to deal with it. I'm not convinced that ACS is going to get a host of new donations just because of a confusing redirect.

  33. "Free" pdf has made me buy before... by jaymz2k4 · · Score: 1

    After I read the summary and saw this "Apress, to offer the ebook version for free, believing (strongly) that it would promote sales of the paper book.", I had to post just to say I totally agree. I much prefer a paper back copy (and not a loosely bound pile of A4 printouts) for studying material at leisure. Especially when I'm dipping into a new topic and want a good overview rather than the stage where I'm piecing together bits of knowledge from the net.I really like the typesetting and format of the Apress books so after a couple of days of reading through their Pro Drupal and the PHP patterns book via the PDF I decided I really did want these books and went off to pick them up from the bookstore.

    Whilst I agree that there are some that always will just take the stuff, for those that can afford it many will buy it if they want it. I'm going to get the PDF anyway from something like ebookee or even google so just give up already and promote it on your site and take the print sales as they come. Those that really want this book will buy it. Fair play to the author.

    --
    jaymz
  34. Bad judgment by author makes situation worse! by maxfresh · · Score: 5, Insightful

    So, you are unhappy with Slashdot's summary and the resulting comments, but instead of emailing the "editors", or writing a post like this one, correcting the inaccuracies as you perceive them, you redirected your site to the American Cancer Society, sending them hits from people who have no intention of going there, thereby costing them wasted bandwidth, and risking slashdotting their servers? Do you think that your pique, or your new-father status justifies that? Maybe your lack of sleep explains it, but it is all in very poor taste, and reflects very poor judgment.

  35. BeginningRuby.org being redirected. by MacTechnic · · Score: 1

    I visited the site http://beginningruby.org/ as well and was redirected to http://www.cancer.org/docroot/don/don_0.asp. I suspected someone has hacked the domain name or web site and redirecting to the cancer.org. You can view the original content by googling the site and checking the cached content.

  36. Mirror? by Anonymous Coward · · Score: 0

    Anyone have a mirror? The main link is redirecting to cancer.org now.

  37. And Sometimes The Man Sticks Back by westlake · · Score: 2, Interesting

    I think he's just mad at Apress and wants to stick it to the man

    I'd say Apress has an air-tight case for breach of contract - and quite possibly something like conspiracy to commit copyright infringement.

    I would love to be the fly on the wall when Cooper tries to cut a deal for his next book. I can't imagine anyone who would touch it.

  38. A good argument for LuLu, etc. by HiThere · · Score: 1

    This is a good argument for the various on-demand publishers. FWIW, I've got a few APress books, and several books on Ruby. I don't recall *EVER* seeing an ad for his book. So I don't see any reason he should be expected to pay ANYTHING for marketing. I've bought books from LuLu and they did a good job of binding, selling, and shipping. At a *MUCH* lower price in overhead. And I believe the author keeps ALL rights.

    Once upon a time there was a reasonable argument for the publishing houses. That time is now well over a decade in the past.

    --

    I think we've pushed this "anyone can grow up to be president" thing too far.
  39. Reason for free e-book by immakiku · · Score: 1

    The following comment I'm going to make as someone who's had no experience dealing with publishers or publishing books. But anyway my theory is that to achieve what the author wanted to achieve, he doesn't actually have to offer the free ebook. There's other ways to do it.

    There's a couple of reasons people would want an ebook:

    • They want a reference copy to easily, digitally search through
    • They don't like wasting paper / don't want to pay for full printed copy

    Reference copy is easily distributed along with the printed copy (you pay for the book you get access online). And publishers can offer a separate, cheaper price point for just the ebook.

    There's a couple of reasons readers might buy the printed copy after having a free ebooks:

    • They were reading the free copy to get a feel for what the book is to decide whether to buy the actual work.
    • They want a hard copy to read in their hands rather than on some kind of screen.

    If they wanted just a summary, the ebook doesn't have to be a complete copy. It could be like what amazon or google offers, which is a preview of the style of writing, the depth of content, and the table of contents. For most people this should give a sufficient idea whether they want the full book or not.

    If they wanted a hard copy, they should just buy that to begin with instead of downloading an ebook and then buying the hard copy. This overlaps with one of my reasons above.

    So in conclusion, a similar outcome can be achieved by:

    • Offering different packages - $30 hard copy, $15 digital copy, or $40 hard + digital copy.
    • Allowing previews of the book siilar in style to Amazon's preview or Google Books preview.
    1. Re:Reason for free e-book by pwolk · · Score: 1
      There's a couple of reasons people would want an ebook:
      • They want a reference copy to easily, digitally search through
      • They don't like wasting paper / don't want to pay for full printed copy
      • They want to carry a small library in their mobile phone, to have it always available for reference.
  40. do it yourself by Anonymous Coward · · Score: 0

    If you want you book online for free, do it, but do not ask us to do the legwork, pfff!

  41. Excellent author. Good luck with the baby! by NecroPsyChroNauTron · · Score: 1

    I've gained quite a bit of respect for this author. I mentioned his book on twitter, and he promptly responded to my comment, and I've since then been following him. I generally only follow locals or people I have a significant reason to follow. I like his ethics and intitative. Free distribution of knowledge for those who seek it is a rather noble thing.

  42. To be honest by Anonymous Coward · · Score: 0

    Going to be an anonymous coward here.

    This reminds me of something quite recently - I was curious about all the hype that surrounds Ruby on Rails. So I went to the site, saw the recommended book, saw it was $24 just for the eBook.

    "What if RoR is not as good as the hype says?" I thought, and therefore pirated it as a trial. Genuinely, if RoR had been any good (IMHO) I'd have bought it.

    As it turns out, I hated it, deleted the book and went with a framework that could actually be deployed (no, passenger didn't help).

    Had piracy not been an option? I don't know. On the one hand, trial is a good way to reassure you into buying something that you might not have invested in. On the other hand, on the same basic issue - *maybe* I'd have been curious enough to buy it anyway. Also, not everyone who pirates has a 'moral streak' if they find it useful. Which is better...... difficult question.

  43. In general, Slashdot is a nasty place... by herojig · · Score: 0, Offtopic

    This forum is somewhat unique, in the sense that by reading the posts everyday for several months, I get the impression this is a very nasty place. Slashdot has good pointers to important issues (but not all that original), and the aggregate of comments are conflicting on any given topic. In this case, it seems that there is a general consensus that people oppose organized efforts to enforce copyright on music and movies, but also oppose an individual artist who actually tries to do something about it. Add the "Care and Feeding" post on almost every thread, and the appearance of a nasty place is enforced. Still, I just gotta vistit here everyday:)

    --
    I think therefore I can't be ~TTNH
  44. e-Rights And Contracts by DynaSoar · · Score: 1

    The author states he tried to get the publisher to allow free reproduction of electronic copies. This indicates that he signed over his rights of electronic reproduction (e-rights) to them, and is aware he did so. He may retain ownership over the text, but he has signed over the right to reproduce it in this form.

    This has been standard practice in publishing for some time. Unless one is big enough to dictate one's own contracts, one ends up signing a contract with things in it favorable to the publisher in ways that aren't clear at first. The problem here came to light for me in the early days of the SFWA exploring piracy, e-rights and such. While some said that publishers were simply getting the authors to sign over rights just in case the publisher could figure out how to make money at it, some claimed a more sinister intent. They said that the publisher's were asking for exclusive (temporary or not) e-rights, so that if they encountered cases of the text being pirated in this form, it fell to the author to prevent other release in this form and so guarantee the exclusivity offered to the publisher in the contract. In this way the publisher avoided having to pursue, requiring the author to do so. If the author did not, it was tacit permission given to the pirate to reproduce a form covered in the contract.

    Avoiding having to pursue was not the worst accusation. It was also claimed that the way the contracts were written, if the author did not act to protect his work against infringenment and so protect the rights he signed over to the publisher, the publisher could void the contract and require return of advance, royalties, etc., and if not forthcoming could appropriate the rights to the work.

    Now, could have and would have aside, I know of no cases where it occurred. But the possibility was enough to be at least part of the reason Harlan Ellison chose to pursue some pirates, AOL, and RemarQ. (No, he didn't need to, he was making a point on behalf of others who couldn't afford this). And even if this has never occurred previously, if the present author's contract is written to give e-rights to the publisher and he not only doesn't pursue but allows or encourages electronic piracy, he'll be liable and could end up losing far more than potential sales.

    e-rights are of little value in most cases except as leverage such as this. If nobody said or did anything publicly, probably nobody would have cared. But to publicly encourage others to violate rights he signed over could bring it all back down on him as well as cause other publishers who've lightened up on the whole subject to clamp back down.

    --
    "I may be synthetic, but I'm not stupid." -- Bishop 341-B
  45. Link by Anonymous Coward · · Score: 0

    I'm trying to RTFA (gasp!), but why do I keep getting redirected to cancer.org? :o

    1. Re:Link by shentino · · Score: 1

      Same here.

      CmdrTaco, are you drunk?

  46. Something fishy... by shentino · · Score: 1

    http://beginningruby.org/what-ive-earned-and-learned/

    Redirects to:

    http://www.cancer.org/docroot/don/don_0.asp

    I can think of two possibilities:

    1) Article is bogus
    2) Article site got hacked

    1. Re:Something fishy... by Lando · · Score: 1

      The author posted a message earlier in the thread see http://news.slashdot.org/comments.pl?sid=1407545&cid=29773247 where he claims that he was misrepresented and he's redirecting the link. The comments from the google cache seem to indicate this is not true.

      --
      /* TODO: Spawn child process, interest child in technology, have child write a new sig */
    2. Re:Something fishy... by Knacklappen · · Score: 1

      Google Cache:
      http://74.125.77.132/search?q=cache:y8CuWLUgkMkJ:beginningruby.org/what-ive-earned-and-learned/+http://beginningruby.org/what-ive-earned-and-learned/&cd=1&hl=en&ct=clnk&client=firefox-a

      So the author's main conclusion was to avoid the major publishers.

      But then again he writes under the section "Pirate My Book?":
      My reaction to seeing other Apress books getting the free, electronic version treatment is: I’m good with you pirating my book! Now, of course, I can’t actively participate in pirating my book but, heck, it’s around on plenty of “free e-book” sites and on RapidShare. There are even links on Twitter to torrents like this. I am happy for you to pirate my book, but I’m NOT A LAWYER, and I can’t guarantee what Apress would do about it – so you’d be doing it off your own back! So, uhm, don’t pirate it? ;-) The only condition, of course, if you do is that if you like the book and you think a print copy would be swell to own, please buy one – even if it’s just for someone you know who wants to learn to program! :-)

      --


      Excellence: Moderate (mostly affected by comments on your karma)
  47. Don't fucking think so, moron. by Hognoxious · · Score: 0, Troll

    So if I dictated it to a secretary (as was the fashion in the old days) and she typed it on one of those mechanical doohickeys she'd have the copyright?

    --
    Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  48. MOD PARENT UP Re:I don't think so... by cshirky · · Score: 1

    http://beginningruby.org/what-ive-earned-and-learned/ redirects, via seal.verisign.org, to the American Cancer Society. DMCA takedown *plus* domain-jacking?

  49. Isn't facinating how... by aceofspades1217 · · Score: 1

    Programmers who work so much with computers still love hard copies of programming books. Honestly I don't think that will ever change at all. Even with all these fancy e-ink e-book readers programmers still love hard copies and they love their large books. Maybe its just precisely because they work so much with computers that there is something refreshing about reading from a hard copy.

    And yes the OP is right, giving away digital copies is in no way going to diminish the physical book sales. Programmers love e-books for reference like when you have already read the book and need to quickly find one chapter but most programmers can't stand reading an entire programming book on a monitor.

  50. that's right by circletimessquare · · Score: 1

    because anyone who has ever made any important contribution to the arts and sciences was paid in advance, and that's way it has to be

    zzz

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  51. Doh! by Anonymous Coward · · Score: 0

    His point is... 'Fuck technology'. He doesn't really GAF. Over-intellectualizing is never pretty. Try not to over think shit.

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  53. Re:i don't have a ship by Anonymous Coward · · Score: 0

    Learn to use a fucking dictionary please. Copyright infringement is one of the definitions of piracy and has been used as such for hundreds of years. If you don't believe me look it up.

  54. Link by Sarlin · · Score: 1

    Why does the link take you to a cancer site to donate money? /. hijacked? Or the other site?

    --
    The Thing is.