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Constitutionality of RIAA Damages Challenged

NewYorkCountryLawyer writes "In SONY BMG Music Entertainment v. Tenenbaum, the defendant has filed a motion for new trial, attacking, among other things, the constitutionality of the jury's $675,000 award as being violative of due process. In his 32-page brief (PDF), Tenenbaum argues that the award exceeded constitutional due process standards, both under the Court's 1919 decision in St. Louis Railway v. Williams, as well as under its more recent authorities State Farm v. Campbell and BMW v. Gore. Defendant also argues that the Court's application of fair use doctrine was incorrect, that statutory damages should not be imposed against music consumers, and that the Court erred in a key evidentiary ruling."

83 of 360 comments (clear)

  1. Let me be the first to express this sentiment. by Anonymous Coward · · Score: 2, Funny

    Duh.

  2. Good luck on that one by larry+bagina · · Score: 5, Insightful

    These are a bunch of guys who have a hard time understanding "shall make no law" and "shall not be infringed"

    --
    Do you even lift?

    These aren't the 'roids you're looking for.

    1. Re:Good luck on that one by Anonymous Coward · · Score: 5, Interesting

      All I want to know is who maintains the public register of free music? If each of these defendants is paying for damages of a given song for an industry's worth of consumers, then surely that song is now trued-up and effectively public domain. So where's the register of music that's been bought for me so I can collect?

    2. Re:Good luck on that one by donaggie03 · · Score: 4, Informative

      I think GP was talking about they judges. They can't understand basic phrases like "shall not" so they allow grossly unconstitutional laws to remain in effect instead of striking them down. Of course, there's always some asinine reasoning of why such and such is an exception to constitutional limitations, but they are usually BS reasons.

      --
      Three days from now?? Thats tomorrow!! ~Peter Griffin
    3. Re:Good luck on that one by dotwaffle · · Score: 2, Funny

      They obviously need to read RFC2119 then...

    4. Re:Good luck on that one by PopeRatzo · · Score: 4, Funny

      So where's the register of music that's been bought for me so I can collect?

      The Pirate Bay dot org.

      --
      You are welcome on my lawn.
    5. Re:Good luck on that one by EzInKy · · Score: 2, Insightful

      Not quite the same, but the U.S. had a fairly sane copyright registration system before signing on to Berne. It just makes sense that people who care about protecting their works would register and people who don't, won't.

      --
      Time is what keeps everything from happening all at once.
    6. Re:Good luck on that one by hack++slash · · Score: 4, Funny

      I'll always remember the quote of a fellow IRCer back when Napster was like a free version of iTunes:

      "Napster's great, you can download all the tracks you were too embarrassed to buy in the shops"

      --
      To do something right, you often have to roll up your sleeves and get busy.
    7. Re:Good luck on that one by Thinboy00 · · Score: 3, Informative

      They obviously need to read RFC2119 then...

      For those too lazy to look that up... it's the RFC that defines phrases such as "SHALL [NOT]" (as in "implementations SHALL NOT do X").

      --
      $ make available
    8. Re:Good luck on that one by Goodl · · Score: 2, Funny

      Kryten: RFC2119 sir? No member of the Corps should ever report for active duty in a ginger toupee?

      --
      I've got some photographs, I'd like to show them to you. Though you don't know the girls You'll recognise the view..
    9. Re:Good luck on that one by mcgrew · · Score: 2, Informative

      I'd like to know how, when I search for "scatterbrain", which songs with that name are copyrighted, copylefted, or public domain? There are hundreds of songs with that name, all completely different. How is a downloader supposed to know whether or not he's infringing?

  3. I have gained this from musicology by sakdoctor · · Score: 2, Insightful

    I have gained this from musicology: That I refuse Sony BMG music downloads, that others only avoid from fear of the law.

  4. Re:still flogging this old dead horse? by moz25 · · Score: 4, Insightful

    Sure, he should pay a fine.

    One in the order of, say, $675, not $675000.

  5. Re:still flogging this old dead horse? by selven · · Score: 3, Insightful

    Grow up and pay the $675,000 fine for sharing 30 songs?

  6. Re:Thanks slashdot by NecroPuppy · · Score: 2, Interesting

    To the best of my recollection (NYCL, a little help?), the constitutionality of the damages has never been challenged.

    And even if it has, in one Circuit, that doesn't mean that it couldn't be challenged in another Circuit. Of course, if two Circuit Courts give different rulings on said topic, then it would almost certainly end up in front of the US Supreme Court.

    --
    I like you, Stuart. You're not like everyone else, here, at Slashdot.
  7. Re:Obligatory... by AuMatar · · Score: 4, Insightful

    Thats what an appeal is. You list a large number of things you think the judge did wrong, and ask a higher court to overrule them. This is everyday stuff here.

    --
    I still have more fans than freaks. WTF is wrong with you people?
  8. Re:still flogging this old dead horse? by phantomfive · · Score: 5, Insightful

    It's not the fact that a 'pirate' got punished that is at issue here, it's the fact that the penalty is so large it will probably push the defendant into bankruptcy; it is a penalty significantly larger than the damages suffered by the record companies, and perhaps most importantly, it is a penalty that was designed to punish an entirely different class of pirates (commercial pirates who manufacture and widely distribute copies of music for a nice profit. In that case the profit motive is large, so the deterring punishment should also be large).

    Personally, I think people should pay the artists for their work, they should pay the recording industry for their work, and if the music isn't worth 99 cents to them, they shouldn't get the music. But we as a society shouldn't destroy someone financially just for downloading a few songs. The punishment should match the crime, which in this case was small.

    --
    Qxe4
  9. Re:What's the legal limit? by Anonymous Coward · · Score: 2, Informative

    Since the cost per song is $.99, then it would be roughly $1.00 per song...

    Since the downloader didn't share the files intentionally (software developers ought to make the default NOT share), and the fact that there is ZERO evidence that the files shared were actually downloaded, and since we know that "making available" isn't an offense (otherwise the RIAA would have to sue itself out of existence as there would be no pirating without them producing the content in the first place), then it would $.99 per song MAXIMUM fine...

  10. singles sell for 99 cents to $1.50. by swschrad · · Score: 2, Insightful

    that's the damages, folks.

    --
    if this is supposed to be a new economy, how come they still want my old fashioned money?
    1. Re:singles sell for 99 cents to $1.50. by nsayer · · Score: 2, Insightful

      Take your straw-man elsewhere, please.

      Shoplifting and copyright infringement are not comparable. If you shoplift a pair of pants, the store cannot sell them to someone else. The store takes a hard loss of the cost they paid to acquire the pants. Making a copy of a music file, by contrast, does not cause any direct damage to someone selling copies of that file, since they still have the undiminished ability to continue selling copies. That is, if you download a copy of Gin and Juice from bittorrent, the "inventory" in the iTunes music store of that track does not magically decrement.

    2. Re:singles sell for 99 cents to $1.50. by uglyduckling · · Score: 3, Insightful

      No, you're wrong. I buy tracks on iTunes and Amazon every day, which I could choose to illegally download or rip from a friend's CD. I even borrow a friend's iPod sometimes, listen to some tracks then go and pay to download the ones I like when I could quite easily copy the (DRM free) tracks straight off the hard drive. I believe in doing my best to comply with the law and pay people for the work they produce. I also believe (and this is not a contradiction) that copyright terms should be massively shortened, probably to no more than 20 years. The most effective answer to piracy is not more litigation, but to ensuring that music and movies are available cheaply and conveniently through legitimate channels.

    3. Re:singles sell for 99 cents to $1.50. by mcgrew · · Score: 2, Insightful

      If I shoplift a CD, the store is out the price it paid for the CD, and if caught I will have a criminal misdemeanor charge and pay a few hundred dollars.

      If I infringe copyright on that same CD nobody loses anything, I have no criminal charges, but I'm liable for hundreds of thousands of dollars.

      Logical? Rational? Not to me it isn't.

  11. Re:Argument != Ruling by phantomfive · · Score: 4, Insightful

    This particular argument is news because

    A) It is an area of law that a lot of us care about and
    B) Because this is an argument many of us have wished had been made before, but until this time (as far as I know) it hasn't. So we want to pay attention to this case to see how it turns out.

    If you don't like the story, you don't have to read it.

    --
    Qxe4
  12. Re:still flogging this old dead horse? by Hatta · · Score: 2, Informative

    If the punishment for breaking the law is unconstitutional (cruel and unusual, excessive fines, etc) then no, you shouldn't just deal with it. In fact, levying such fines is illegal, and those pushing for them should grow up and deal with it.

    --
    Give me Classic Slashdot or give me death!
  13. If the fees are high to discourage people... by thetoadwarrior · · Score: 4, Interesting

    Shouldn't the fine for everything be exceptionally high?

    Seriously if downloading one song can have you paying out, for example, $10,000 then surely speeding which can result in death should have a fine of $100,000 at the very least.

    If the government won't do that because it's ridiculous then I want to know why it's not ridiculous that I can be paying that much for downloading a few songs which are, at best, worth $0.99 each.

    1. Re:If the fees are high to discourage people... by BJ_Covert_Action · · Score: 3, Informative

      Seriously if downloading one song can have you paying out, for example, $10,000 then surely speeding which can result in death should have a fine of $100,000 at the very least.

      Please don't give any legislators new ideas. My last spedding ticket for 10 over cost me $300. I expect that to rise by the next time I get a ticket already.

      In all seriousness though, I have thought about the law in the terms you mention often and have been surprised. For instance, I remember the first time I saw a sign that said $1,000 for littering (I live in California). At first I thought nothing of this until I later saw a sign, in the same town, that said $271 fine for running a red light at a busy intersection. Now, This was years ago so the numbers have probably changed but I remember being shocked at this discrepancy. Running a red, which could cost other drivers significantly (as in multiple thousands of dollars of damage as well as potential death) had a lower fine than throwing my straw wrapper out my window which, at worst, could what...kill a bird that was to stupid to tell paper from food and choked on it? Welcome to modern America, where the law doesn't make sense and nobody seems to give a damn. =)

    2. Re:If the fees are high to discourage people... by shentino · · Score: 5, Insightful

      Speeding tickets are a gold-mine for municipal budgets.

      If you have a cash cow, you milk it gently. Not rip the udders clean off.

    3. Re:If the fees are high to discourage people... by selven · · Score: 2, Insightful

      Enjoying a song without permission = $22,500
      Growing a plant without permission = 5 years
      Illegally disabling competition in a multibillion dollar market for years = a few days of profit

      I think there's an inverse relationship here.

    4. Re:If the fees are high to discourage people... by Joe+Mucchiello · · Score: 2, Insightful

      Children don't walk to school any more. There are too many boogiemen on the streets. Sad, but true. How will today's child admonish their children about how tough they had it. They don't even walk to school uphill, in the snow, one way.

  14. Re:What's the legal limit? by greensoap · · Score: 3, Informative

    According to 17 U.S.C. 504 (http://www.copyright.gov/title17/92chap5.html), the minimum is $750 per work infringed while $30,000 is the max. However, if the infringement is willfully committed it jumps to $150,000 but if the infringement is committed "innocently" (naively might be a better word) then it drops to $200.

    What is really neat is the presumption of willfullness under section 3 when the violator "knowingly provided or knowingly caused to be provided materially false contact information to a domain name registrar, domain name registry, or other domain name registration authority in registering, maintaining, or renewing a domain name used in connection with the infringement."

  15. Re:Thanks slashdot by conspirator57 · · Score: 4, Informative

    it takes two different cases to get two circuits finding the opposite of one another. When that happens, the Supreme Court *MUST* hear the case(s) to resolve the discrepancy. It is one of only a few things that can force the Supreme Court to hear a case. Other cases are heard at the court's discretion from among those appealed after decision at the circuit level. Thus do constitutional lawyers decide who makes a good test case. The goal is to find a client with circumstances that will get the circuit to rule differently than another circuit, even if it's on a tangential aspect of the case. It's like hacking a bit.

    --
    "If still these truths be held to be
    Self evident."
    -Edna St. Vincent Millay
  16. Re:still flogging this old dead horse? by Monkeedude1212 · · Score: 2, Interesting

    He offered $500 to Sony, to my knowledge, and they turned him down and have now succeeded in the big bucks.

  17. Re:still flogging this old dead horse? by vux984 · · Score: 5, Insightful

    grow up and pay the fine when you get caught for actually knowingly breaking the law. How about that for a radical idea?

    When I speed the fine is $350, when I let a parking meter run out the fine is $30. Were I to get into a fight and punch someone (misdemeanor assault) I'd face 2 weeks in jail and and $500 fine. Were I to steal a car I'd be facing maybe 1 year in jail, but in all likelihood would serve at most a couple months as a first time offender.

    These are all reasonable punishments.

    We're I to torrent my favorite artists discography (uploading it in the process, and thereby infringing copyright on several tracks), I would be fined... $675,000. Say what now? That's more than my house, cars, and everything in them are worth altogether. LOTS more. How is that reasonable?

    I have fuck all sympathy for those who not only pirate music instead, but when they get caught red handed they act like they are being persecuted.

    They ARE being persecuted. They commited a non-violent crime, for neglible personal benefit (they gain a few songs which can legally be obtained by borrowing a friends CD, recording them off a radio, or purchased for under a buck each), and which caused no real measurable harm to the copyright owner (at most the infringment in this act deprived them of a few hundred dollars due to lost sales... and that's highly debateable).

    So sure I can see it being on par with shoplifting or something... a moderate fine 10 to 100 times in excess of the value of the items infringed to deter people from doing it seems reasonable. A few hundred to a few thousand dollars... sure no problem.

    After all its pretty petty offense against society.

    Fining them an amount that's greater than the value of their house, cars, and all their possessions seems a bit over the top for downloading a few albums.

    Would you also support law that made loitering is a life sentence in maximum security prison? Making a rolling stop instead of coming to a complete stop is punished with hanging?

    Why EXACTLY do you support bankrupting an entire family over p2p sharing a Britney Spears album?

  18. A perversion of law by viking80 · · Score: 4, Insightful

    Trying to fight RIAA in the courts is a loosing effort. RIAA pay politicians handsomely, and generally gets the laws they want. If they temporarily loose in court, they just pay to have the laws changed, and than they win. The draconian penalties as well as the never expiring rights RIAA enjoy is an amazing perversion.

    The only thing that is worse is that this can happen in a democracy, and few care.

    If you argue "well, just pay the $0.99 on iTunes and stop whining" you misunderstand culture fundamentally. Humans as a species copy. From infants looking at their parents to musicians, architects, engineers and philosophers listening to others, we refine and produce. This is the essence of human culture. That companies can monopolize this flow is damaging to the progress of mankind.

    --
    don't cut it off www.mgmbill.org
    1. Re:A perversion of law by nsayer · · Score: 2, Insightful

      We in the modern west have a problem, and I, for one, do not see an easy solution.

      It used to be that making copies of creative works was a physical task that was the domain of professionals. As such, enforcing copyrights was relatively easy.

      As soon as copyrightable creative works were representable in digital form, and computers became capable of copying them trivially, that changed utterly.

      Copyrights exist so that creators of creative works can be given an incentive to create. Their creations, on the whole, enrich society. That's the basic copyright bargain: You write good books and we, as a society, will insure that you can make a living doing it. Of course, another part of the bargain is that your monopoly is for a limited time - that it will eventually fall into the public domain. Congress, in its wisdom, has been eroding that on a regular basis, but that's a whole different discussion.

      In an era where digital representations of copyrightable works can be freely copied (DRM doesn't count - breaking the DRM is largely equivalent to scanning in and OCRing a book - something you have to do once, but then the work is disencumbered), however, the idea of being able to police the copying so that authors of creative works can be fairly compensated becomes impossible.

      Notice that I said fairly compensated. That means that consumers of creative works (readers of books, listeners of music, watchers of movies and TV shows) pay commensurate with their consumption, and authors get paid commensurate with the relative rates of consumption.

      DRM is an attempt to retain control over content copying. Alas (for the ??AA), it is the exact equivalent of an ostrich attempting to control predation by burying its head in the sand.

      The Copyright system no longer functions properly because conditions in the world have changed irrevocably. I don't have an answer as to how to fix it. Nobody does, because if they did, things would be different.

    2. Re:A perversion of law by CodeBuster · · Score: 2, Interesting

      Trying to fight RIAA in the courts is a loosing effort.

      If the defendant wins the statutory damages argument in court on constitutional grounds then it will not have been wasted effort because it means that the copyright holders would have to get the Constitution amended to specifically allow for LARGE statutory damages for copyright infringement. It requires a super-majority vote in both houses of Congress and a super-majority vote of the states to amend the US Constitution. The RIAA may pay handsomely, but no amount of payola could muster that kind of support. In any case, I don't believe that the RIAA will be able to completely outmaneuver the courts via the legislature; logic and reason will prevail in the end (although it might take a while yet).

    3. Re:A perversion of law by cpt+kangarooski · · Score: 2, Insightful

      It used to be that making copies of creative works was a physical task that was the domain of professionals. As such, enforcing copyrights was relatively easy.

      A minor quibble: Making copies using state of the art methods was the domain of professionals. Most people didn't have their own printing press, but if you were literate and had ink, pen, paper, and time, you could still copy a book by hand. Even today, in fact, you could not compete with a CD or DVD factory if you were merely armed with a generic writable drive and recordable disks. But the modern techniques that are in the hands of ordinary people are now sufficiently good -- particularly those involving network file sharing -- that enough of the gap is closed.

      Copyrights exist so that creators of creative works can be given an incentive to create. Their creations, on the whole, enrich society. That's the basic copyright bargain: You write good books and we, as a society, will insure that you can make a living doing it.

      But now we've moved beyond quibbling. Copyrights exist to serve the public interest. Part of the means by which they work is to give authors an additional incentive to create and publish beyond those which are naturally present. Creation and publication are both important, as unpublished works do so little good for society that they may as well not exist. And copyright is merely an economic incentive. Other incentives include fame, art-for-art's sake, and even money unrelated to a copyright (e.g. selling original works, rather than additional copies; artistic labor as a service like any other). Sometimes those other incentives will be sufficient, as is the case for all works created before copyright existed, and for many works since. When no additional incentive is needed to encourage the creation and publication of works, it would be wasteful to grant a copyright; why pay for the cow, if you get the milk for free?

      Additionally, copyrights are merely a sort of monopoly. At the expense of some waste in transactional costs, they act as a lens or funnel, focusing whatever copyright-related economic value a work has on the copyright holder. If the work is economically valueless, however -- like the typical Slashdot post -- then the copyright is valueless too. The author gets nothing other than a useless exclusive right.

      An author who makes a work that flops may get a copyright, but society will not promise him a living. It's all up to the whims of the market. The vast majority of authors don't make a living based on their copyrights, in fact.

      Notice that I said fairly compensated. That means that consumers of creative works (readers of books, listeners of music, watchers of movies and TV shows) pay commensurate with their consumption, and authors get paid commensurate with the relative rates of consumption.

      Why is that fair? More importantly, why do we care? The goal of copyright is to serve the public interest, remember; it needn't be fair. We want as many works created and published as possible, for as few restrictions on the public as possible, in both duration and scope. So long as the public interest is maximally satisfied, why should our copyright policy care whether authors live comfortably or shiver in garrets? We should have social welfare to help the poor, whether they are authors or not. Not copyright, which is more like giving lottery tickets to only a small subgroup of people.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:A perversion of law by cpt+kangarooski · · Score: 2, Insightful

      The point is that with no copyright, how is any author ever going to earn any money? As soon as a new book was published, anyone could copy it and sell it without the author getting a penny.

      First, I don't recall saying that we should abolish copyrights, although that is a legitimate option. In determining whether to have copyrights, and how much copyright to have, if any, we should look only at the public interest. It is in the public interest to have as many works created and published as possible, and it is also in the public interest for the public to suffer no, or the fewest, shortest-lived restrictions on what they can do with the work (a book I can only read is less valuable to me than a book I can read and make copies of for my friends, for example). If granting some level of copyright will increase the number of works created and published, benefiting society, and will increase the amount of restrictions on the public, harming society, then we should do it if the benefit outweighs the harm, and not do it if the opposite is true. The ideal copyright law will be the one that produces the greatest public benefit for the least public harm. Unless there is literally no possible copyright law that is better than none at all, copyright law should exist in some form or another.

      Whether that law is ideal for authors, however, I don't care. It might be great for them, it might be lousy for them, but what matters is the public interest.

      I fail to see why I should support a law that is bad (or at least less than as good as it could be) for society, merely to help a special interest group make money through monopolies. It's not as though this is a civil rights issue, where we must protect a minority against the depredations of the majority. Right now, it seems to be the opposite, in fact!

      Second, there are ways for authors to make a living and write books. Remember, copyright even as it exists today, does not guarantee that an author will earn any money as an author. The most it does is guarantee that if a work has copyright-related value above what might be eaten up by transactional costs, that the copyright holder can get that value for himself. If a book is a flop, the author has a worthless copyright. Most authors are flops, as it happens. Lots of books get written all the time, and are rejected by publishers because they're lousy books, and the publisher doesn't want to waste money on them. The author is left monetarily poorer for having written the book instead of doing something else to make money. Of books that are published, very many never turn a profit, or only turn a very modest profit (which isn't enough for the publisher), and while the author isn't left absolutely penniless, he still would've made more money if he had spent that time working at a regular job instead of writing. Yet, for all this, we still get books somehow.

      Books that are a commercial success are pretty rare. Books that are a lasting commercial success (how many of the bestselling books from 1910 have you read? What about from 1960?) are as rare as winning lottery tickets.

      Whether because of the monetary promise of copyright, even though it is usually unrealized, or because of other reasons -- fame, just wanting to tell a story, etc. -- authors continue to write books, usually without being professional authors that do nothing other than write, because even today it's very very difficult to make enough money as an author to do so.

      We had plenty of authors before 1978, when copyright terms were considerably shorter than they are today. Have we gained more than we've lost by increasing the scope and duration of copyright? We had lots of authors before 1909, when copyrights were shorter still.

      In fact, most copies of a given book only sell when first published in a particular medium. Publish in hardback, and you'll get most of your sales within anywhere from 6 to 18 months. Copyright could last forever minus a day, and you'd probably never make as much money to the end of time as you did

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  19. Re:still flogging this old dead horse? by Delwin · · Score: 5, Informative

    Except that punitive damages is one of the select few things you cannot get rid of in bankruptcy. that means that unless this person is well above the median income they will never pay this off in their lifetime and no matter how good a job they get they will be living in poverty for the rest of their life.

  20. Re:still flogging this old dead horse? by Jahava · · Score: 4, Insightful

    Personally, I think people should pay the artists for their work, they should pay the recording industry for their work, and if the music isn't worth 99 cents to them, they shouldn't get the music.

    So let me begin with: Opinion Alert! The following post is pure speculation and opinion, but done with the utmost sincerity!

    I agree with your point, but I'd like to note something that I believe to be true, namely that the only reason we can pay 99 cents for a movie is due to an industry adaptation that has been motivated in a large part by that very piracy. Prior to digital piracy pioneers like Napster, getting a single good song was not really an option. You had to buy an entire pricey CD. Downloading music legally also wasn't an option; you had to go to a store. The music industry created and funded the marketing, hype, publicity, content, and talent necessary to successfully Make Us Want Something, then failed to provide it at any reasonable price.

    It is my belief that piracy is many things, among them a consumer movement in reaction to an unnaturally-imbalanced industry. Pirated music has, over the last fifteen years, frequently been a better product than that produced by the music industry. It was downloadable, accessible, and lacked both DRM and license management shenanigans. It was a pure and simple solution to an otherwise unsolvable problem: a consumer movement!

    Now, that doesn't make it right or ethical, but it doesn't make it evil either. The recording industry dragged their heels and did their very best (as they still are) to hinder the simple and fair distribution of their product, when that was exactly what consumers wanted. In response, consumers resorted to illegal activity, and most are better off for it.

    The Napster of the past is what recording industries should have established years prior. A very significant impetus behind the current state of consumer-oriented legal music sharing like iTunes was (and is) perceived losses due to the piracy front. And look what we have now ... split albums, downloadable content, DRM-free songs ... It's done its share of good and then some. Piracy is forcing a hand that is using its own entrenched power to remain still, and the world is better for it.

    Many people out there have pirated a significant share of music, and bought a significant amount as well. As legal avenues open (Amazon MP3 is great!), their usage of piracy has definitely declined. Nobody feels good about depriving someone of their just due, but it isn't always a bad thing to do so. Sometimes an illegal act is the only counterweight that one can provide.

  21. Re:still flogging this old dead horse? by A+nonymous+Coward · · Score: 3, Insightful

    So what is the punishment for exceeding constitutional limits on the punishment meted out?

    You see, that's the problem here. Many other punishments have been ruled unconstitutional for being excessive, including fines and jail time all out of proportion. It's blatantly obvious to most people that millions of dollars for sharing music is excessive.

    Let's suppose the appeal wins the day and the fine is declared excessive. Do you think any of the RIAA executives are going to be punished for all the previously collected fines? Do you think that's fair? Do you think they perhaps ought to grow up and pay the fine for actually getting caught?

  22. Re:Thanks slashdot by RichardDeVries · · Score: 2, Interesting

    IANAL and IANAAmerican, but it baffles me that plaintiffs don't have to prove actual damages. It seems that they not only don't have to substantiate the amount of damage, they don't even have to prove there is any damage in the first place. Wouldn't it be fair to have them produce statistics that say that music that is pirated more is sold less? Or to have them produce say five witnesses who testify that they didn't buy a song because Tenenbaum uploaded it?

    --
    Error 001
    Security Scan and Virus Detection do not work with your operating system.
  23. Re:still flogging this old dead horse? by harlows_monkeys · · Score: 3, Informative

    RIAA/MPAA's classic settlement offer is whatever-you-have plus a dollar

    Bull. Their settlement offer is almost always a few thousand dollars, tops.

  24. Summary + questions from a non-lawyer by AcidPenguin9873 · · Score: 2, Interesting

    IANAL. I did skim part of the brief.

    The brief states that between the time Napster came out and iTunes came out, there was no ability for consumers to obtain music legally via download, and that posed a lack of choice for "Digital Natives" who wanted to obtain music that way. The court recognized that period as an "interregnum period" during which I presume (again IANAL) that no one can be successfully prosecuted for copyright infringement for downloading. However because iTunes was encrypted from 2003-2007, the brief argues that the interregnum period should be extended until some time in 2007, when encryption-free digital music was available.

    The two main arguments for that are 1) publishers released DRM-free music on CD, so they partially contributed to the proliferation of the recordings on P2P networks and must have been aware of it by 2004, yet continued to sell and promote CDs. (This seems awfully tenuous to me...the publishers were still trying to sell music, and by that point the digital market hadn't quite gotten to the saturation point where they could stop selling CDs, and CDs require DRM-free music), and 2) The brief cites a prior case in which a court recognized that care taken by the plaintiff to "protect" their IP made a fair use defense fail, and that had the plaintiffs failed to protect the IP, fair use defense might have worked. In this case, the brief argues that the plaintiffs did not take enough "care" of their IP because they released them DRM-free on CD, and so fair use defense might work. (To me that seems to be arguing a hypothesis - that the court in the prior case would have ruled differently if the plaintiff had acted differently - rather than arguing a precedent on an actual ruling. Also, the CD format requires DRM-free music, so I'm not sure what sort of choice the publishers had there short of breaking everyone's existing CD players. Digital being a newer format allows for new things like DRM.)

  25. Re:still flogging this old dead horse? by PopeRatzo · · Score: 2, Insightful

    There is a difference between fair use and pirating.

    And there is a difference between sharing mp3 files and pirating.

    --
    You are welcome on my lawn.
  26. Again, It is not just about ripping a CD by viking80 · · Score: 2, Interesting

    It is not only ripping a CD. It is the song "Happy birthday", it is "winnie the Pooh", and scientific journals. It is the ink for your printer, and posting your kids latest performance on Youtube. It is the ability to bring a guitar to amateur nights in the local pub, and play music you like.

    U2's Bono wants to implement a Chinese style control of the net globally, so you may not have seen anything yet.

    I think artists should be paid well, and maybe have, as the law originally gave, a 14 year copyright. Now it is over 100 years. Anyway, if you as an artist don't want to share, just don't sell CD's or put it on the net.

    --
    don't cut it off www.mgmbill.org
  27. Re:Thanks slashdot by Theaetetus · · Score: 2, Informative

    IANAL and IANAAmerican, but it baffles me that plaintiffs don't have to prove actual damages. It seems that they not only don't have to substantiate the amount of damage,

    Consider this example: Mal Icious, the dastardly copyright infringer makes counterfeit Prada bags and sells them on the streets of Manhattan for cash. He never files a tax return, though he rakes in a hundred thousand dollars a year. Prada catches him, buys a bag to prove that he infringed their copyrighted design, and sues...
    Under your theory, they can collect a hundred bucks for their one provable instance of being actually damaged, while Mal gets away free by virtue of destroying (or not keeping) all of his sales records.

    That's why plaintiffs don't have to prove actual damages, if they opt for statutory damages. OTOH, if they can prove damages that are much higher than the statutory damage limit, they go that route - see Apple v. Psystar, for example.

    they don't even have to prove there is any damage in the first place.

    Not quite - they still have to prove that there was infringement, such as that one counterfeit bag I mentioned. The damage is that the infringer trespassed on the plaintiff's right to copy and right to distribute.

    Wouldn't it be fair to have them produce statistics that say that music that is pirated more is sold less? Or to have them produce say five witnesses who testify that they didn't buy a song because Tenenbaum uploaded it?

    No, because Congress intentionally made it so that plaintiffs don't have to jump through hoops in that way. They do have to prove the guy infringed... it's then his burden to prove that there were no damages, which could then result in the jury awarding the minimum damages - a slap on the wrist, essentially. Neither Tenenbaum nor Thomas ever did that, though... they just claimed that the plaintiff has to prove damages, and when the plaintiff didn't, they claim that any amount of damages is therefore unreasonable. That's not in the statute, and it has lost every time.

  28. Re:still flogging this old dead horse? by PopeRatzo · · Score: 2, Funny

    It was much funnier when it was done by Sid Caesar.

    Much.

    --
    You are welcome on my lawn.
  29. Re:still flogging this old dead horse? by PopeRatzo · · Score: 2, Insightful

    they should pay the recording industry for their work

    In a digital age, exactly what is the work of the "recording industry"?

    It should be re-named the "collection industry" because all they do is collect money from the work of others.

    --
    You are welcome on my lawn.
  30. Re:still flogging this old dead horse? by reverseengineer · · Score: 3, Insightful
    The argument involved in bringing up the court cases cited in the summary is that the damage award involved in this RIAA case is unconstitutional, as it violates part of the Fourteenth Amendment: "nor shall any State deprive any person of life, liberty, or property, without due process of law;". The decision for BMW of North America, Inc. v. Gore laid out a set of guideposts for whether punitive damage awards are in violation of this clause:
    1. The degree of reprehensibility of the defendant's conduct
    2. the ratio to the compensatory damages awarded (actual or potential harm inflicted on the plaintiff)
    3. Comparison of the punitive damages award and civil or criminal penalties that could be imposed for comparable misconduct.

    In my non-lawyer opinion, if awards were overturned in the Gore and Campbell cases under this rationale, there is a far stronger argument to be made here. The behavior of both BMW of NA (was selling slightly repaired cars as "new") and State Farm (had a secret internal scheme to cap payouts) could more reasonably be asserted as reprehensible than that of a music downloader. From a "ratio" standpoint, if you consider the actual damage from illegally downloading a song to be 99 cents as the parent implies, then for the 31 songs involved here, the ratio of punitive to actual is over 20000 to 1, far more than the 1000 to 1 in Gore and 145 to 1 in Campbell. And those were of course awards meant to have punitive effect on gigantic corporations, not to destroy the finances of a single private citizen. From a "comparable misconduct" standard, the $675,000 award is not in the same universe as the penalties for petty larceny if Mr. Tenenbaum had merely shoplifted physical copies of the same music.

    --
    "FDA staff reviewers expressed concern about the number of patients who were left out of the study because they died."
  31. Re:What's the legal limit? by NewYorkCountryLawyer · · Score: 4, Informative

    Ray.....was it right to suggest those limits to the jury?

    No in my opinion it was error. There was no basis for allowing anything above the $750 per infringed work minimum, and only the judge rather than the jury could have awarded less, so there was nothing for the jury to decide.

    --
    Ray Beckerman +5 Insightful
  32. Re:still flogging this old dead horse? by NewYorkCountryLawyer · · Score: 4, Informative

    Sure, he should pay a fine. One in the order of, say, $675, not $675000.

    Under Supreme Court guidelines, it should have been more along the line of $30 or $40.

    --
    Ray Beckerman +5 Insightful
  33. Re:How is this news? by NewYorkCountryLawyer · · Score: 3, Interesting

    how is filing a motion newsworthy?

    There have been ~40,000 cases; this is only the 2nd time such a motion has been made. The first such motion is pending.

    --
    Ray Beckerman +5 Insightful
  34. Re:Thanks slashdot by NewYorkCountryLawyer · · Score: 4, Informative

    To the best of my recollection (NYCL, a little help?), the constitutionality of the damages has never been challenged.

    Only one such motion has been made, in Minnesota, in Capitol Records v. Thomas. That motion is pending. This motion also makes arguments the other one had not made, and makes the due process argument a bit more clearly than the other one had, IMHO.

    --
    Ray Beckerman +5 Insightful
  35. Re:Argument != Ruling by NewYorkCountryLawyer · · Score: 3, Insightful

    This particular argument is news because A) It is an area of law that a lot of us care about and B) Because this is an argument many of us have wished had been made before, but until this time (as far as I know) it hasn't. So we want to pay attention to this case to see how it turns out. If you don't like the story, you don't have to read it.

    The RIAA would not like the world to know about these arguments and defenses. Isn't that reason enough to want to learn about them? :)

    --
    Ray Beckerman +5 Insightful
  36. Re:still flogging this old dead horse? by suomynonAyletamitlU · · Score: 5, Insightful

    We should also point out the degree of culpability the consumer actually should be considered to have.

    1) Did they create the method by which the music was ripped? No, this is done with available tools for which the cost of entry is negligible or zero, and which has no particularly greater barriers to entry than installing a new text editor.
    2) Did they create the method for distribution of the music? No, they neither had any hand in the creation of bittorrent, nor were they hosting a tracker nor otherwise going out of their way to create new infrastructure to ease the distribution. Again, the barrier to entry to gaining access to this method is no higher than downloading any other software.
    3) Did they create or do they maintain or manage the media (read: the internet) on which the distribution is taking place? No, they are using someone else's network, which for various reasons isn't well monitored and arguably should not be.
    4) Did they create any other tool at all or in any way invest more than trivial effort? No, they did not, in fact what effort was needed to create this system was fairly distributed across a number of other people, and virtually none of the offenders--whether they have been prosecuted yet or not--had any hand in it at all.

    I'm not being silly. The effort anyone puts into downloading a torrent--legal or not--is insignificantly small. To try my first slashdot car analogy, if driving with the windows down and the AC on was illegal, they'd be asking the judge to revoke your license, impound your car, repossess your house, and send your kids to child services, even though it just takes the flick of a couple switches to do it, and there are reasons why you'd want to, and all the cars are shipped capable of doing so.

    If the record companies don't want us to create so many digital copies, maybe they shouldn't be using technology they know can be copied, and they should just hold more concerts and go back to vinyl or something.

  37. Re:Thanks slashdot by PopeRatzo · · Score: 4, Insightful

    but it baffles me that plaintiffs don't have to prove actual damages. It seems that they not only don't have to substantiate the amount of damage, they don't even have to prove there is any damage in the first place.

    This is the crux of the whole deal as far as I'm concerned.

    Face it, this entire RIAA scam is little more than an effort to squeeze the last scraps of wealth from an "industry" that is past it's expiration date.

    There is no longer any need for a "recording industry". It's only purpose today is to skim value from the work of other people. What the RIAA is trying to do now is put together some golden parachutes for record company executives. If I skip through the music I've added to my collection in the past several years, the thing that jumps out is that the overwhelming majority of it was purchased directly from the artists. I don't think I've purchased a single bit of music from any of the members of the RIAA since at least 2004. I won't put money into their hands. I've got a few collections of things that I was given by other people that are from big labels, but I wouldn't have bought them anyway. Yes, they've lobbied congress to extend copyrights, but it's going to become harder and harder for them to keep extending copyright beyond the length of a human lifespan. Eventually, the music industry will fade away, just like there are no longer factories making wax cylinder recordings.

    So I don't have any records by Lady Gaga (although I have a ringtone of Eric Cartman singing a Lady Gaga song) and I have absolutely nothing in my collection made by any contestant on American Idol. And I don't have anything by any of the made-to-order industry-created phenomena that seem to populate the record charts these days.

    It's not that hard to be an avid music fan these days and never, ever put a penny in the pocket of any of the people behind the RIAA.

    --
    You are welcome on my lawn.
  38. Re:still flogging this old dead horse? by BigSlowTarget · · Score: 3, Insightful

    Somehow when its time for the CRIA/RIAA to pay up in Canada I doubt they will want to use the same mathematics.

    Say all the copyright fans do recognize that those copyrights are government monopolies granted from society for the benefit of society, right? There is no self evident natural right to not have your stuff copied.

  39. Re:Thanks slashdot by NewYorkCountryLawyer · · Score: 3, Informative

    Your arguments are totally circular. Yes the statute could be construed to authorize numbers vastly disproportionate to the actual damages, as the RIAA argues would be peachy keen (except when they're defendants in which case they raise holy hell), but the Supreme Court has consistently held that the Constitution -- which takes precedent over the statute -- does not permit such a construction. I guess you, like the RIAA lawyers, have forgotten about the Supreme Court's rulings.

    --
    Ray Beckerman +5 Insightful
  40. Re:Argument != Ruling by NewYorkCountryLawyer · · Score: 4, Informative

    The 'making available' argument was aired in the Thomas case (although her counsel didn't bother to bring the precedents to court) and the jury instructions were that making available was sufficient to found liability

    The judge in the Thomas case reversed himself on that, realizing that "making available" was NOT sufficient to find distribution. Slight detail you seem to have overlooked.

    --
    Ray Beckerman +5 Insightful
  41. Re:still flogging this old dead horse? by Cyner · · Score: 2, Interesting

    Wait a minute.. You propose that releasing source code and buying a license from a monopoly are two punishments on the exact same level?

    I'll tell you what, since you obviously (and I'll get a jury to agree) infringed on my copyright of the number #30649052, you need to buy Windows Server 2008 DataCenter licenses for all of your home computers, and all of your friends, relatives, etc. Oh, and you don't actually get to keep any of that software you just bought. Does that sound fair?

    --
    FreeBSD.org - The power to serve
  42. Re:Thanks slashdot by cpt+kangarooski · · Score: 4, Informative

    When that happens, the Supreme Court *MUST* hear the case(s) to resolve the discrepancy. It is one of only a few things that can force the Supreme Court to hear a case.

    No, it isn't mandatory that they resolve the circuit split. It is often convenient when they do, but it is not mandatory.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  43. Re:still flogging this old dead horse? by Thinboy00 · · Score: 2, Funny

    RIAA/MPAA's classic settlement offer is whatever-you-have plus a dollar

    Bull. Their settlement offer is almost always a few thousand dollars, tops.

    Wait, they sued someone who could afford that? When did this happen?

    --
    $ make available
  44. Re:still flogging this old dead horse? by jedidiah · · Score: 5, Insightful

    ...the old "he asked for his day in court therefore he should be tortured to death" argument.

    Desiring to exercise your legal rights should never be a cause for a punishment. Otherwise then they aren't rights at all.

    While you are at it why bother with lawyers and demand letters? Just let the record companies hire armed thugs and ransack people's houses.

    --
    A Pirate and a Puritan look the same on a balance sheet.
  45. Re:still flogging this old dead horse? by jours · · Score: 3, Interesting

    It'll be a pirated copy.

    Sure it would, but I'd feel fully justified in buying/owning/viewing it as there is no legitimate way for me (in the US) to purchase a copy.

    The courts agree too. For example, Am. Geophysical Union v. Texaco, Inc., 60 F.3d 913, 931 (2d Cir. 1994) ("If the work is 'out of print' and unavailable for purchase through normal channels, the user may have more justification for reproducing it").

    http://www.digitalmedialawyerblog.com/2009/12/sony_bmg_v_tenenbaum_judge_pro.html/

    --
    This sig intentionally left blank.
  46. Re:still flogging this old dead horse? by Ethanol-fueled · · Score: 5, Informative

    Careful, NYCL.

    "Indie" is what "alternative" was in the '90's. Both originally meant homegrown music from independent "mom and pop" record labels until the major labels realize how "cool" it is to be different, then they hijack those phrases and apply them to their mass-produced crap.

    I guess the only honest way to say it is "Music of non-RIAA/ASCAP artists".

  47. Re:Thanks slashdot by koreaman · · Score: 2, Funny

    You must be a hit at parties.

    Or maybe Model UN conferences.

  48. And y'all believe this is gonna stop piracy? by MadMaverick9 · · Score: 2, Insightful

    I've said it before and I'll say it again ...

    Think again - unless the following issues are being addressed, piracy will not go away.

    1. DVD technology: a dvd has a region code so that a dvd bought in one region can not be played in another region (unless you use an illegal hacked player). While an .avi file can be played anywhere.
    2. Payment methods: not everybody who wants to buy movies, music or software has a credit card. If you want everybody to buy your product, then you (the company) need to provide payment methods that cover all needs, incl. cash only. Another example: somebody has enough credit in their paypal account to buy a product, but they still can not buy the product they want, because at the end of the purchasing process, one is still required to enter a credit card number, despite sufficient credit in your paypal account. This example assumes the paypal account is not linked to a credit card and/or bank account. I do not know if this is an issue with paypal and/or the company selling the product, and I don't really care. It's a problem - and if you (the company) do not address it, piracy will continue.
      Side note: Bad credit and credit cards is what got us into the financial crisis in the first place.
    3. Cost: a newly released dvd cost around 28 - 40 us$. How much does it cost to produce the dvd: probably one us$ or less. It doesn't matter, the question is: where is the bulk of the money we pay for a dvd going? To the artist? Probably not - but it should go to the artist.
      Side note: greed is the other reason that got us all into the financial crisis.
    4. Business model: you do not actually buy software - no - you buy the right to use it. Who came up with this idea??

    Unless the above issues (and I am sure other people have additional issues) are addressed, piracy will not go away.

    Just my .02 us$ worth ...

  49. Re:Thanks slashdot by Thing+1 · · Score: 4, Interesting

    So the burden's on the defendant; he or she has to prove that the damages suffered by the plaintiff are not the amount the latter claims.

    Weird. That really, really does not sound like "innocent until proven guilty" to me... Oh, also, we tend to like the phrase "extraordinary claims require extraordinary proof", but apparently the courts will accept a plaintiff's extraordinary claims, with no proof?

    --
    I feel fantastic, and I'm still alive.
  50. Re:still flogging this old dead horse? by binaryspiral · · Score: 2, Funny

    He offered $500 to Sony, to my knowledge, and they turned him down and have now succeeded in the big bucks.

    Sony needed much more to offset the cost of developing and marketing all their proprietary formats... ATRAC, MiniDiscs, and MemorySticks all took a lot of effort you know.

  51. Re:Levy's on blank media in the US (and elsewhere) by Cassini2 · · Score: 2, Insightful

    Essentially, your argument applied in Canada, was used in Canada, and the people won at the Supreme Court. As a result, downloading files for personal use is largely legal in Canada. Uploading of files is still a grey area.

    Then some artists pointed out that the Canadian music industry hasn't been properly paying royalties on some of the CDs it has been selling. In fact, they have been selling CDs without a proper contract in place at all. As such, a bunch of the large Canadian record companies are on the hook for billions in liabilities.

    Effectively, in Canada, the recording industry has been violating it's own anti-copying laws. Things are very different in Canada, as opposed to the U.S. The recording companies are being chased by the musicians! For non-payment of royalties!!!

  52. THIS VIDEO WILL BE FLAGGED by tepples · · Score: 3, Interesting
    Pingas, pingas, pingas, pingas, pingas, pingas. Now that that's out of the way:

    IANAL. IANYourL either. This is not legal advice. ETC.

    That's OK. I understand that Internet pseudo-advice is just for having an idea of the legal landscape before hiring a lawyer. A lot of people who respond to Ask Slashdot with "ask a lawyer" fail to understand that the question is really "what should I know to make the most of the first consultation?".

    Once you have the video, you can do that to it (under current case law) without permission provided said video is sufficiently original.

    That doesn't necessarily stop hosting providers from being complicit in a copyright owner's copyfraud. In May 2009, for instance, YouTube took down a video criticizing The Tetris Company and one of its licensees significantly longer than the DMCA maximum 14 business days after I filed the counter-notice.

    What constitutes "sufficiently original" is... variable.

    Which underscores the importance of having a good errors and omissions insurance policy to back up your fair use in case of crap like Three Boys Music v. Bolton or Rowling v. RDR Books. The trouble is that it's often cost prohibitive for individuals to get such insurance.

  53. Re:Calculating potential actual damages by DaveV1.0 · · Score: 3, Informative

    The damages are not awarded at $1/song, nor are the damages punitive. Rather, the damages in this case are statutory.

    The damages are award as per USC 17 504(c)(2), under which, if "the copyright owner sustains the burden of proving, and the court finds, that infringement was committed willfully, the court in its discretion may increase the award of statutory damages to a sum of not more than $150,000." And, that is per infringement.

    Perhaps you should actually learn about copyright law before making statements about it.

    --
    There is no "-1 offended" or "-1 you don't agree with me" mod options for a reason.
  54. It's not about copying by gillbates · · Score: 3, Interesting

    The fundamental problem here is not that of copying, but the matter of justice in proportion to the crime.

    Suppose, for example, we take the RIAA's argument at face value: Because she's shared these 19 songs, the RIAA companies will never make another sale from them. According to the RIAA, she owes them for the lost profits they would have made.

    Even were this the case, the maximum cost of these 19 songs is the cost the RIAA paid to the artists to produce them. Here's a hint: it's not very much. Elton John once said that he could write a song in 15 minutes; even were he to charge a lawyerly-like rate of $500/hour, that would only be a few thousand dollars of labor. Even at the extreme end, this is two band-years worth of labor, which hardly costs the label a few million dollars.

    In terms of actual damages, she probably resulted in no lost sales. Even before filesharing, I grew up in an environment where people simply taped songs off the radio, and bought the occasional LP. The type of people downloading from filesharing networks are the kind who wouldn't have bought the song no matter how much they like it. What the RIAA doesn't understand is that with the exception of the upper-middle and upper classes, most of America has become accustomed to getting their music for free, without paying a dime. If they can't get it for free, they just do without. It is almost never a lost sale.

    What disturbs me most is that a jury could be convinced to grant a judgement of a few million dollars against her without any actual proof of infringement. They have no idea how many - if any - downloads actually occurred.

    --
    The society for a thought-free internet welcomes you.
  55. Re:still flogging this old dead horse? by EzInKy · · Score: 2, Interesting

    My point was that sharing is infringing only under very specific circumstances, and simply downloading may not be infringing at all. The RIAA and its supporters very often conveniently forget phrases such as except for fair use, without permission, unless in the public domain, etc. They twist the language to convince everyone that no content can be experienced without their blessing.

       

    --
    Time is what keeps everything from happening all at once.
  56. Re:Let me be the second! by hairyfeet · · Score: 3, Informative

    But does anybody actually think this has a chance in hell? I mean we have already seen that the court doesn't give a flying shit about the constitution, thanks to them allowing congress to keep hitting the snooze alarm when it comes to copyrights. As it is now something written today won't be out of copyright until your grandkids are getting old, so who honestly thinks they are gonna do the right thing?

    Sadly the courts, like every other part of our system, is completely broken, probably irretrievably. Too much money and power in the hands of too few have made the whole thing nothing but a sham. Both of my boys are about to turn 18 and both refuse to vote. They simply refuse to play a part in what is now obviously a sham, with one rich corporate suckup VS another. Hell the Pepsi challenge gave us more choice than Repubs vs Dems anymore, as the only difference is whose booty they kiss. In both cases they couldn't give a flying shit about the people, the constitution, or anything else that doesn't line their pockets or make their corporate master happy. Short of revolution I just don't see things getting any better. The entire process is just too corrupt.

    --
    ACs don't waste your time replying, your posts are never seen by me.
  57. Re:still flogging this old dead horse? by Donkey_Hotey · · Score: 3, Funny

    Wooden Nickelback?

    --
    (There is supposed to be a Sarcmark® here, but my $1.99 check hasn't cleared, yet...)
  58. Re:still flogging this old dead horse? by EzInKy · · Score: 2, Interesting

    I knew I'd find it if I looked hard enough...

    RIAA ispnotice


    Music is protected by copyright. The unauthorized downloading or uploading of music is actionable as copyright infringement, even if not done for profit.

    Where in copyright law does it say that downloading is illegal? My friggin' radio downloads music from the air for pete's sake.

    --
    Time is what keeps everything from happening all at once.
  59. Re:Let me be the second! by tehcyder · · Score: 3, Insightful

    Both of my boys are about to turn 18 and both refuse to vote.

    Well that's really going to help.

    --
    To have a right to do a thing is not at all the same as to be right in doing it
  60. don't speed in finland by circletimessquare · · Score: 2, Interesting

    speeding fines in finland are based on percentage of your last tax return

    so if you are poor, your speeding fine is a pittance. but if you are the chairman of nokia, its over $100K

    http://news.bbc.co.uk/2/hi/europe/1759791.stm

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  61. Re:Let me be the second! by u-235-sentinel · · Score: 2, Informative

    I do vote. And unless the guy is REALLY well known to me I don't vote Democrat or Republican anymore. I look for the third party candidates and research and vote for them instead.

    We got into this mess by voting Democrat or Republican. It's time for real change. Not a TV spot telling us about change.

    --
    Has Comcast disconnected your Internet account? Same here. You can read about it at http://comcastissue.blogspot.com
  62. Re:Let me be the second! by hairyfeet · · Score: 2, Informative

    I used to believe like you Mr. Beckerman, until the court said hitting the snooze alarm on copyrights was okey dokey. If limited time can me "forever minus one day" then pretty much anything in the constitution can mean whatever. After all you don't get much clearer than limited time, and even the most common man wouldn't think centuries equals a limited time, so where does that leave us?

    This is why I can't get my boys to vote. It is because it doesn't matter whose face is sitting in the office or on the bench, nothing ever changes. The corps get whatever they desire, the common man gets treated worse each passing year, and if you do try to fight you get the courts saying it is all okay. See warrantless wiretapping, eternal copyrights, DMCA, etc for examples.

    So while I would like to have faith in the system, or give the kids a reason to vote, honestly I haven't seen anything but the same old rotten apples, the same old corruption, for decades. What would you say to the youth that think the entire system is nothing but a scam? Because I can't honestly point to anything in decades that the common man actually got ahead when faced with a mega corp. Hell the last one I can think of is old Teddy Roosevelt busting the trusts, what? A hundred years ago? For the past 30 years I can't really think of anything where common sense and decency won against unlimited funds and bribery.

    So while I hope you are right I'm betting in the end they will knock it down to a "more reasonable" 400k and that will be the end of it. Either way the corps will win and ultimately We, The People will lose.

    --
    ACs don't waste your time replying, your posts are never seen by me.
  63. Re:Let me be the second! by toddestan · · Score: 2, Insightful

    I would think it would be more effective to either turn in a blank ballot, or do something like write in Mickey Mouse(*). By simply not voting, the assumption is that people are lazy and/or don't care - by taking the time to vote but not actually filling in a valid ballot shows that this is not case. Look at the current situation, the numbers for "didn't vote" has trumped the winning candidate in any election in recent history, yet nothing seems to be changing because of this. Can you imagine what would happen if Mickey Mouse even got 5% of the vote?

    (*) see, on topic!