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Spanish Judges Liken File Sharing To Lending Books

Dan Fuhry writes "A three-judge panel in the Provincial Court of Madrid has closed a case that has been running since 2005, ruling that the accused are not guilty of any copyright infringement on the grounds that their BitTorrent tracker did not distribute any copyrighted material, and they did not generate any profit from their site: '[t]he judges noted that all this takes places between many users all at once without any of them receiving any financial reward.' This implies that the judges are sympathetic to file sharers. The ruling essentially says that file sharing is the digital equivalent of lending or sharing books or other media. Maybe it's time for all them rowdy pirates to move to Spain."

352 comments

  1. But, but, but,,, by ls671 · · Score: 3, Funny

    But, but, but,,, this really goes against American principles and the way we live here. Therefore, it has to be wrong ! ;-)

    --
    Everything I write is lies, read between the lines.
    1. Re:But, but, but,,, by ravenspear · · Score: 3, Insightful

      Yep, expect international pressure to be put on Spain to change their laws. After all any laws we make are obviously better.

    2. Re:But, but, but,,, by Adambomb · · Score: 2, Insightful

      For all i'm for this ruling, i gotta say the choice of analogy was rather terrible. In the case of lending a book or property, theres still only a single instance of the property in use. In the case of file sharing, the original good is duplicated into two separate instances of equivalent good, hence the "copy" part.

      Trying to base a defense on this concept would be blown out of the water by the first person to say "no its more like borrowing a book from the library, copying it verbatim and having the copy bound such that there is little to no difference between either copy of the book".

      --
      Ice Cream has no bones.
    3. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Even though I get your irony, unfortunately I must tell you that is already happening now. Among the many stupidities commited by this government, one of the latest is the "sustainable economy law" [yet another ludicrous term from our governors], which makes a crime out of publishing shared files on the web, even allowing a web site to be shut down without a court order. Sad but true, a few ones have been shut already.

    4. Re:But, but, but,,, by MaskedSlacker · · Score: 5, Insightful

      It's no worse an analogy than calling copying 'theft.'

    5. Re:But, but, but,,, by Opportunist · · Score: 2, Insightful

      I doubt pressure from the US is necessary. A bit of lobbying and a few greens in the correct pockets should take care of this problem.

      When will you socialists learn, don't have government mess with things private business can do more efficiently?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      You forgot the step were, immediately after that, the current government at that time must openly lie and put the blame on others according to their own political interests, so they don't have to admit they had part of the blame ;-)

    7. Re:But, but, but,,, by valugi · · Score: 1

      American Principles (you wanted to say USA) should only apply to USA territory. Is good that Spain has cojones, but I see this as an error of the system more than a proof that Spain has vertebrae.

    8. Re:But, but, but,,, by noidentity · · Score: 1

      Yeah, agreed. Lending still doesn't capture the flexibility of it. File sharing is exactly like... file sharing. It's not hard to understand, though even some file sharers don't get it.

    9. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Interesting

      The disgusting thing is, Spanish copywrite law doesn't noticably differ on any major/key points. The Spanish judges just aren't taking a protectionist stance towards industry groups - they're following the law in a reasonable and fair way.

    10. Re:But, but, but,,, by jnnnnn · · Score: 5, Insightful

      No, America is trying to strengthen copyright law so that it can make more money.

      Multimedia is one of America's biggest exports. It is economically obvious (at least in the short term) that those who look after the country should strengthen copyright law.

      It's up to other countries to flip the bird or extract economically equivalent concessions in return.

      IANA (I am not American.)

    11. Re:But, but, but,,, by AHuxley · · Score: 1

      That why the US was very smart and packed "financial gain" in for using p2p.
      Use p2p and *anyone* is part of the "financial gain" by default ie the commercial-infringement category for running p2p.
      The receipt of copyrighted works is the financial gain under p2p law :)
      So even if the US court where ever to place weight on foreign laws, the "receiving any financial reward" aspect is gone.
      I think this is it
      http://www.gseis.ucla.edu/iclp/hr2265.html
      "The term 'financial gain' includes receipt, or expectation of receipt, of anything of value, including the receipt of other copyrighted works"

      --
      Domestic spying is now "Benign Information Gathering"
    12. Re:But, but, but,,, by ztransform · · Score: 2, Interesting

      It's no worse an analogy than calling copying 'theft.'

      When in truth the music industry is more akin to drug pushers... practically forcing you to experience their music for free until you like it and want it, then charge you extortionate amounts when you want it...

    13. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Funny

      (...) a few greens in the correct pockets (...)

      A few purples . 500€ notes are purple (and the basis of the submerged economy in Spain).

    14. Re:But, but, but,,, by Opportunist · · Score: 4, Insightful

      Sure. Calling it robbery. As they do in German, there it's a "Raubkopie" ("robbery copy").

      You know what a "robbery copy" really is? When I go to Best Buy and force the store clerk at gunpoint to copy a CD for me. Then you may call it that.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    15. Re:But, but, but,,, by Opportunist · · Score: 2, Funny

      I'm color blind, you insensitive clod!

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    16. Re:But, but, but,,, by buttle2000 · · Score: 0

      Brussels just needs to pass a law and European states will bend over nicely.

    17. Re:But, but, but,,, by Windwraith · · Score: 3, Informative

      Oh PLEASE, it's the last thing we need, with the incoming tax raises, arbitrary raise of power costs, almost half of the population unemployed, and the fact that we already pay inflated multimedia prices due to some piracy canon, add more pressure in that field and the whole balance of the country will be obliterated. Any more pressure on the average Spaniard and a random African Village (pop.3-4 and no resources) will be more valuable than the whole country.

      This is the first time I hear "good news" related to Spain in months. Watching news here is suicidal as of late, so incredibly depressing.
      Spanish judges are computer illiterate in most cases anyway, so the guy was probably laughing hard at the fact that random data is given arbitrarily high values and cannot fathom computer data (computer = toy) being valuable at all, so that explains the seemingly positive rulings in most cases.
      Yes there are a few judges not dating from the times of dictatorship, but don't expect them to be the norm.

    18. Re:But, but, but,,, by zoomshorts · · Score: 0

      Actually, I can read out loud, a novel to a group of friends,
      therefore the analogy is correct. No infringement.

    19. Re:But, but, but,,, by stealth_finger · · Score: 0

      For all i'm for this ruling, i gotta say the choice of analogy was rather terrible. In the case of lending a book or property, theres still only a single instance of the property in use. In the case of file sharing, the original good is duplicated into two separate instances of equivalent good, hence the "copy" part.

      Trying to base a defense on this concept would be blown out of the water by the first person to say "no its more like borrowing a book from the library, copying it verbatim and having the copy bound such that there is little to no difference between either copy of the book".

      It's pretty much the exact same concept as the "You wouldn't steal a car" bit they're so fond of.

      --
      Wanna buy a shirt?
      https://www.redbubble.com/people/stealthfinger/shop?asc=u
    20. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Informative

      there has already been a lot of pressure from RIAA and spanish/european equivalents against our laws. judges from different courts here do not always agree between them, but i still think culture is culture and business is business, and we have to figure out where the border is, what the limits are.

      spanish citizen talking, anonymous coward out.

    21. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      By "A bit of lobbying and a few greens in the correct pockets" I assume you are referring to "things private business can do more efficiently".

      The CAPTCHA was booklet

    22. Re:But, but, but,,, by ls671 · · Score: 1

      >> A few greens in the correct pockets...
      > A few purples ...

      I would rather have a few grays in my pocket.

      http://yro.slashdot.org/comments.pl?sid=1679420&cid=32502988

      --
      Everything I write is lies, read between the lines.
    23. Re:But, but, but,,, by Weezul · · Score: 4, Informative

      Just fyi, Spain has kept marijuana distribution illegal, but their courts have said that growing reasonable quantities for personal use cannot be outlawed. So the result is the single best drug deterrent system ever devised : marijuana users must grow a green thumb. In particular, marijuana is actually an anti-gateway drug there because marijuana users become cheap ass bastards.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    24. Re:But, but, but,,, by redscare2k4 · · Score: 5, Informative

      Pressure has already been applied and laws are on their way. The government tried to sneak a "close website if someone complains about P2P" law inside a packet of economic measures. But the public opinion (a ton of bloggers and webs made it sure the general public was informed) forced them to step it down a little and president Zapatero promised no webs would be closed without a court order (if we can trust him thats another matter altogether).

      The new Spanish IP law can be summed up as "As we don't like the judges decision, we're making a special commission to deal with copyright claims so we can shut down websites with almost no judicial supervision or monitoring". To add insult to the injury the name of that commission is Sección Segunda (Second Section), which shortens to SS, a fact that makes Godwin's law apply really really fast :D

      Now it's quite possible that they're going to pass that law anyway now that all the fuss has passed away, but they will probably have real problem to enforce it considering that:
      -Webs are protected by Freedom of Speech. Most (not all) the judges will not close one unless you have a very good motivation.
      -After it's first application is quite probably going straight to the (spanish) Constitutional Court, as Freedom of Speech right (unlike IP rights) is considered a "constitutional right" and has special protections in the constitution.

      So... interesting times in Spain for those of us who follow P2P-related news and courts decisions.

    25. Re:But, but, but,,, by codeboost · · Score: 1

      People still have difficulty disconnecting the concept of information from physical carrier, that's why there's so much controversy on these subjects.

      It does not matter how many copies of the file there are.

      What matters (legally) is how many people consume the visual/audio data (material) contained in those files.

      Think of a file as a pointer to material - there can be a million pointers, but just one material ;).

      If you look at it in this way, there is no difference to lending your book to someone - your intent is not to lend the paper on which the book is printed, you share the information contained in it (passing the pointer around).

    26. Re:But, but, but,,, by testadicazzo · · Score: 2

      I would even say it's a slightly better analogy. The effect to the copyright holder is nearly the same as that of a library. If you check out media from a library, you are less likely to buy it, unless you want the manufactured, physical thing to possess (CD, book, whatever). It's rather like having an infinite library which provides infinite copies for infinite lengths of time, with no profit to the library and no cost to the user.

    27. Re:But, but, but,,, by purpledinoz · · Score: 1

      Exactly, so lending books should be illegal too! Arrest all librarians!

    28. Re:But, but, but,,, by wtfamidoinghere · · Score: 2, Funny

      Welcome to the sad, sad reality of these days, my dear next-door neighbour :)

      (Hint: I live next door, to the Atlantic side)

    29. Re:But, but, but,,, by SharpFang · · Score: 2, Insightful

      I'd say your analogy is too far-fetched. After all, copyright is taking possession over something that didn't exist before. I mean, yes, you could say that it is a theft, stealing - removing the idea from the global, public, free pool of unrealized ideas and preventing anyone from getting exactly the same idea again... uh, actually it seems like copyright is more of a theft than "copyright infringement"...

      --
      45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
    30. Re:But, but, but,,, by MaskedSlacker · · Score: 2, Funny

      You live in Maine?

    31. Re:But, but, but,,, by MaskedSlacker · · Score: 1

      I never made an analogy...so I don't know what the point of your post is. I think you might be agreeing with me without even knowing it, and if not, you make no sense.

    32. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      How exactly are the music industry forcing us to listen to certain music?

      I found absolutely no intrusion from the music industrie. It is on the other hand impossible to stay away entirely from events such as the world championship in soccer. In that case, we can talk about forcing.

    33. Re:But, but, but,,, by delinear · · Score: 2

      End result: more stringent laws. Lobbying groups with money to throw around will always trump the views of the man in the street in the eyes of government, even when that same man in the street put them in power. The problem is all of the main parties have pretty similar views on this (or if they don't now, they will have shortly after being elected) so there's no real alternative even if you do think your vote can change anything.

    34. Re:But, but, but,,, by delinear · · Score: 1

      It's difficult without reading the full judgment (and my Spanish is next to non-existent so I won't be doing that) but from the snippet in TFA it seems that their analogy with sharing books is not about the format, but about the fact that the sharing is not for financial gain. What they seem to be saying is that the real criminals are those who seek to profit by selling copied items, but distributing them for free is (currently) acceptable under the law. What they're saying is, there may come into existence laws which will make sharing illegal, but those laws don't currently exist and you can't shoe-horn one of these existing laws to do the work for you.

    35. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Interesting

      Bullshit, this is a pretty normal ruling in the EU, not some sudden change of jurisdiction (if you have read interviews with lawyers and read the EU law on IT business [don't know the english title]).

      There is something called 'Fair use', it includes lending copies to neighbors, family, friends. Uploading is still illegal, but if you don't make profit from it ... even if you do and have 1000 burnt CDs at home, you won't end up in jail.

    36. Re:But, but, but,,, by johanw · · Score: 1

      And you wouldn't copy a car... Wait, when my replicator could make a new Ferrari using the metals and plastics from my 15 year old wreck that broke down last week, I certainly would!

    37. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Funny

      Copyright is theft.

      Just a play on your mistake. I guess you meant "copyright infringement is theft".

    38. Re:But, but, but,,, by ThePhilips · · Score: 4, Informative

      i still think culture is culture and business is business, and we have to figure out where the border is, what the limits are.

      Before I come to know US/etc laws, it was plain common sense to me: business is where money exchange is involved.

      Private sharing -> no money involved -> not a business -> normal cultural information exchange.

      --
      All hope abandon ye who enter here.
    39. Re:But, but, but,,, by the_womble · · Score: 1

      Even if this cannot be reversed through the Spanish courts or legislators, it is certain to be overruled by the EU.

    40. Re:But, but, but,,, by WillDraven · · Score: 2, Informative

      Growing cannabis is not hard. They call it Weed for a reason. I've seen people grow pot on accident just by being careless with where they toss their seeds.

      --
      This is my sig. There are many like it but this one is mine.
    41. Re:But, but, but,,, by Anonymous Coward · · Score: 1, Funny

      Actually, they're ignoring the laws on the books and international treaties to which Spain is a signatory and doing whatever the fuck they want. But, this is Slashdot, you must be right.

    42. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Mind you, the green 100€ notes are still worth more than any currently used dollar bill.

    43. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Just FYI, Police can still steal you (*) your home grown weed and you get might a fine up to 600 €. It really depends on the cop in question.

      (*) yes, this time this is a proper use of the word

    44. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      I'm always careful where I toss my seed.

    45. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      "But, but, but,,, this really goes against American principles and the way we live here"

      I can appreciate the humor in this, but for the benefit of the "common sense impaired", then please read the following:

      The U.S. is NOT the entire world. Might want to learn to deal with that reality while you still live in an English (sort of) speaking country.

      Bravo, Espana, bravo!

    46. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      How?

    47. Re:But, but, but,,, by mcgrew · · Score: 2

      Marijuana doesn't lead to harder drugs as the US Government posits; it's actually the laws against it that can lead some to harder drugs. "Got any good reefer for sale?"

      "No, it's dry right now, want some coke?"

      Plus, once yound people find out how they've been lied to about pot, they're not going to believe what the government says about heroin, either.

    48. Re:But, but, but,,, by mark-t · · Score: 2

      Well, in all fairness, libraries have copies of the work they lend that were authorized for distribution by the copyright holder. Copies of copyrighted that legitimately reside on people's hard drives, although exempt from infringement for purposes of fair use, aren't actually explicitly authorized for such a purpose unless the copyright holder has indicated otherwise.

    49. Re:But, but, but,,, by stealth_finger · · Score: 0

      And I'll be in line right behind you.

      --
      Wanna buy a shirt?
      https://www.redbubble.com/people/stealthfinger/shop?asc=u
    50. Re:But, but, but,,, by h4rm0ny · · Score: 2, Insightful


      Hell, I'm a man in the street with no industry ties and I think the judges are woefully misguided. Lending a book I've purchased to people within my social circle is not similar to sharing the electronic version of that book with an unlimited number of people online. One, the numbers are vastly different. Two, I am not transferring possession of a single item, restricting its use to one person at a time, instead I am replicating that possession an unlimited number of times and without limiting the use of it to a single active user. Three, I am advertising the product to the whole world.

      Judges in Spain say that sharing online is similar to lending the item to my friends? These are demonstrable and large differences. Judges in Spain must be drunk off their arses.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    51. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      You wouldn't steal a purse.
      You wouldn't steal a car.
      You wouldn't loan a book to a friend, would you terrorist?

    52. Re:But, but, but,,, by testadicazzo · · Score: 2
      Absolutely you are correct. But I've heard that copyright holders tried to shut down libraries in the past, and that this authorization was hard won. This would make the analogy and parallels even stronger.

      I don't have a citation for this claim though, nor any kind of hard facts. Does anyone have an enlightening link or citation?

    53. Re:But, but, but,,, by h4rm0ny · · Score: 1


      So if the impact of a local library on sales is 0.5%, then the impact of "an infinite library with infinite copies for infinite lengths of time with no cost to the user" might be, what? Infinitely greater than 0.5% ?

      I don't get these arguments people trot out that work on the principle of "if one person doing something doesn't cause a big harm, then a vastly larger amount of people doing so vastly more efficiently can't cause a big harm". It seems dubious in some way that I just can't quite put my finger on...

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    54. Re:But, but, but,,, by ScentCone · · Score: 2, Informative

      Private sharing -> no money involved -> not a business -> normal cultural information exchange

      No. Ripping off the entertainment you want so you can have it with "no money involved" is still a business thing. An artist or a business creates something and offers it for sale. You might want it, but you can choose to do business with them, or go without the thing they've made. Deciding to rip it off, instead, so that you can avoid paying for it, is not a "private" issue, because one half of the equation involves the person who created it and offered it up for sale. The choice to find a way to rip it off, instead of doing business as the work's creator has offered, is not a private matter. Choosing to create something of your own, and offering it up to a million of your best online friends at no charge - that's a private matter. Pirating commercially sold entertainment is not.

      --
      Don't disappoint your bird dog. Go to the range.
    55. Re:But, but, but,,, by mark-t · · Score: 1

      Well, the argument against shutting down the libraries, even considering the above analogy, is that even though the libraries are lending out copies to multiple people, each of the copies that they _do_ lend was authorized for distribution in the first place by the copyright holder. Lending is but one form of distribution, so even under the aforementioned reasoning, it would seem that lending should be wholly allowed.

      Now if a library goes and lends out copies that the library makes _itself_ of the works that it buys ... well, that's something different entirely. Unless the library has been authorized to do so, that is.

    56. Re:But, but, but,,, by drsmithy · · Score: 2, Interesting

      No. Ripping off the entertainment you want so you can have it with "no money involved" is still a business thing. An artist or a business creates something and offers it for sale. You might want it, but you can choose to do business with them, or go without the thing they've made. Deciding to rip it off, instead, so that you can avoid paying for it, is not a "private" issue, because one half of the equation involves the person who created it and offered it up for sale.

      Your argument applies equally to those who would borrow books (or CDs) from others rather than buy them themselves. Do you think people shouldn't be able to lend each other books ?

    57. Re:But, but, but,,, by ThePhilips · · Score: 2, Insightful

      An artist or a business creates something and offers it for sale.

      Selling reselling the same thing over and over again? Without any further investments?? And expect to be paid the same money forever???

      It's rather stupid of anybody to expect that to work in long term.

      Concert, shows, etc. That's how artists should earn their living. And in fact many do precisely that as very few can afford proper promotion for anything to sell.

      Pirating commercially sold entertainment is not.

      Entertainment is a service.

      Service (or rather "a copy of service") can't be sold as a bottled water.

      E.g. you can't rip a visit to concert or show. You either was there and seen it - or not.

      --
      All hope abandon ye who enter here.
    58. Re:But, but, but,,, by nschubach · · Score: 1

      So... you are perfectly okay with a company making as many free copies of their product as they want and making the same profit on each one as if they meticulously handcrafted each bit, but you are not okay with a user making as many free copies of the same object?

      Yes, books require the company have some sort of resources in hard matter form (paper, binding, factories...) kick out books that can sell for anywhere between $5 and $100. But software companies can kick out software for digital download for anywhere between $5 and $100 (or more)?

      The digital world is not full of one way streets.

      I realize that you can't compare books to the digital world, but we can't expect the same IP restrictions to apply either.

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    59. Re:But, but, but,,, by testadicazzo · · Score: 4, Insightful
      Let me clarify:

      First: Primarily my argument disputes the copryight oligarchist argument that copy==theft, and intends to use an existing institution (libraries) which are well respected, to obviate the emotional association the oligarchists are attempting to establish with their copy==theft propaganda campaign.

      Second: who says the impact of a local library on sales is negative (I'm assuming that you mean a reduction in sales of x%). This is a completely unwarranted assumption. I'm an avid library user, but my library use does not have a negative effect on my purchasing of media. Quite the opposite in fact. On the other hand, it does allow people access to more culture and information and culture than they could otherwise afford. This enriches us all. Oh hey, look, the same arguments apply to file sharing (I'm an avid file sharer, but it doesn't affect the amount I spend on media at all .

      Third: While libraries and copying might negatively impact sales, the amount of "harm" done by their existence has to take into account the totality of their effects. They increase our net cultural and intelectual wealth, by providing information and culture to people regardless of how much they can afford them. They provide new mechanisms for the propagation of culture and information, freeing us from the necessity of oligarchal, profit motivated distribution firms. They provide small artists, intelectuals and creators a much more level playing field, allowing ideas and culture which are less marketable, less acceptable to the oligarchists (who act as defacto, dollar oriented censors). This gives us a richer, more vibrant culture. It also allows unestablished creators more access to revenue. These benefits have to be weighed against the "harm" of reduced sales and profit for the big mass media creators and publishers.

      If copyright weakens, shortens, declines, or disappears entirely, incentives for creation won't disappear, they will simply change. I personally believe they will change for the better, but trying to justify that belief would be a long discussion, and full of conjecture. The above statements are however firmly grounded in objective, testable fact.

    60. Re:But, but, but,,, by ScentCone · · Score: 1

      Selling reselling the same thing over and over again? Without any further investments?? And expect to be paid the same money forever???

      So, if it takes someone 10 years to write a novel, or a lifetime of photographing a particularly difficult animal in the jungles of Burma, or $200 million to hire thousands of employees to work on a production, your take on it is: people who don't want to pay for it should be able to rip it off, since they don't have the personal integrity to simply walk away if they don't want to pay what the creator of the work is asking. You're saying that the audience gets to tell the artist what is, or is not enough of an investment, and if the artist doesn't like that, the audience just gets to rip it off, instead? How about this: if you don't think an artist is being reasonable in the price they're asking for their work, don't patronize that artist. Just go find someone who is willing to spend thousands of hours in the studio and who is wants to be your pet entertainment slave. Why would you want to be entertained by the work from someone who you think is evil for charging after the fact for work they did entirely at their own risk, in advance? If you hate them for taking on all of the risk in advance, and charging later, just go elsewhere for your entertainment. Surely you can talk some writers into making a living by charging for readings in bars, instead of delivering their work to you to read at your leisure. You're really onto something, there. The bad poets will love you.

      Concert, shows, etc. That's how artists should earn their living

      Really? You're going to tell people how they should earn their living? How about just ignoring those artists whose business model you don't like? That's called a market. But you don't want a market. You want to circumvent the market and just rip stuff off if you don't like the price. How is that any different than hopping the fence at a concert if you don't like what the artist is charging at the door? It's not.

      --
      Don't disappoint your bird dog. Go to the range.
    61. Re:But, but, but,,, by ScentCone · · Score: 1

      Do you think people shouldn't be able to lend each other books ?

      Really? You are unable to grasp the difference between me handing you a book I purchased, and me reproducing and distributing a million copies of a ripped off movie to a million anonymous "friends" of mine? Of course you know the difference, and you're just hoping nobody will call you on it.

      --
      Don't disappoint your bird dog. Go to the range.
    62. Re:But, but, but,,, by mea37 · · Score: 1

      "Selling reselling the same thing over and over again? Without any further investments?? And expect to be paid the same money forever???"

      Straw man all the way.

      Artists do have to keep making more art to keep making money. Those that don't, fade away. So "without any further investments" is nonsense.

      The price of an album does go down over time. So "expect to be paid the same money forever" is mostly nonsense. ("Mostly" because copyright terms have become excessive; but that's a far different claim from the anti-copyright message you're sending.)

      "Concert, shows, etc. That's how artists should earn their living"

      LOL

    63. Re:But, but, but,,, by Golddess · · Score: 2, Insightful

      I know that you're trying to be funny, but since Dollar is the currency, that includes $100 bills.

      It'd be like saying "any currently used yen paper note", but for some reason, restricting it to 1 yen paper notes.

      --
      "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
    64. Re:But, but, but,,, by DeadChobi · · Score: 1

      If government didn't have the power to affect the private sector, your argument would be meaningless because all the money in the world wouldn't change anything for them. The problem with socialistic arguments against reduced government is that they presume the same conditions that allowed our government to spiral out of control in the first place.

      Eliminate all the laws that affect the private sector, good and bad, force the Federal Government to stop using the Interstate Commerce Clause to blow money on regulation, and kick the lobbyists out of the capital and you have a workable small government. Take it a step further and require the government to be supported entirely through donations and then they can't spend money on frivolities without our permission.

      --
      SRSLY.
    65. Re:But, but, but,,, by TheLink · · Score: 1

      The funny thing is so many companies want their stuff to be treated as property when it suits them and not property when it doesn't.

      For example:

      1) In many countries, even if you're renting a house from someone and have missed some payments, the Landlord can't just kick you out. Heck even squatters have some rights. There's some history behind all this I'm sure. But it seems the reasons for those laws and protections are not being transferred to the "Intellectual Property" domain.

      2) They advertise it as "Buy Product A", not "Rent Product A", or "Sign up for Package A" (and there's no signing).

      3) Amazon can delete ebooks from "your" (their?) Kindle without getting prosecuted for hacking or some other Computer Misuse Laws. Sony can rootkit your PC and nobody gets jailed for it.

      --
    66. Re:But, but, but,,, by h4rm0ny · · Score: 1

      So... you are perfectly okay with a company making as many free copies of their product as they want and making the same profit on each one as if they meticulously handcrafted each bit, but you are not okay with a user making as many free copies of the same object?

      That is absurd. The value of a book or a song or a film is not in the effort it takes to "arrange the bits". It is in the information. For you to say that the value of a novel is suddenly less because I bought it as a PDF rather than a book, is obviously wrong. For the reference books I have bought, the value of the electronic version, being searchable, is actually increased. If people don't want to buy something at a given price, then they're not forced to. That's the negotiation that goes on between the seller and the buyer. But if the buyer just takes what they want and removes the power of the buyer to negotiate, then it just collapses.

      I don't get what contradiction you think you're highlighting by saying "I'm okay with the producer copying things and selling them, but not others copying and distributing them for free." Yes, that's my position. All this goes for software, music, movies as well as books.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    67. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Maryland actually, you insensitive clod!

    68. Re:But, but, but,,, by nschubach · · Score: 1

      My point is that it's one thing to copy a book. It takes time, resources, etc. It does not take time, resources, etc. to copy digital anything.

      I could frankly care less what's in the content of the book. It's a physical object and until we get cloning machines they will be transferable, but until that time we cannot treat data the same as media as far as IP is concerned.

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    69. Re:But, but, but,,, by drsmithy · · Score: 2, Interesting

      Really? You are unable to grasp the difference between me handing you a book I purchased, and me reproducing and distributing a million copies of a ripped off movie to a million anonymous "friends" of mine? Of course you know the difference, and you're just hoping nobody will call you on it.

      I don't have any problem discerning the semantic difference at all. I'm just pointing out that *your argument* made no distinction because it spoke only of "ripping off the entertainment you want so you can have it with no money involved". None of that reasoning about an individual getting stuff for free has even the slightest relevance to "reproducing and distributing a million copies". You were railing against people getting stuff for free, not people handing it out.

    70. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Naah, that just the siesta effect. The citizens are politically sleeping until something explodes. The government might not have considered this power increasing aspect when they started the campaign to reduce the effects of the siesta to the economy.

    71. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Well, they will be changed. The reason is simple.

      When you share something, like a book, you cannot use that book until you get it back. If this was how file sharing worked, there would be no problem with copyright. You temporarily grant someone else use of your copy while you can't use yours.

      When you copy stuff like music or software, you generally still use your copy while a new copy is created. This *potentially* lowers revenue of the original merchant. I say *potentially*. *But* when you allow mass copying to happen unchecked, when everyone around the country or world can copy your stuff unhindered and without copyright holders permission, then yes, that is not a good thing.

      This is the sole reason most mass market software comes with some sort of DRM. To prevent copying. This is not a good thing for either the software companies or the consumer, but it's collateral damage. It is deemed necessary as there is no cheaper or more effective fallback to preserve revenue stream. Heck, some of it is even accepted on Slashdot - see Steam Powered.

    72. Re:But, but, but,,, by blackraven14250 · · Score: 1

      It took 27 countries to make that happen.

      You know how many countries comprise the US?

      One.

    73. Re:But, but, but,,, by blackraven14250 · · Score: 1

      It STILL takes time, resources, etc. to create the meticulously arranged bits that get copied.

    74. Re:But, but, but,,, by blackraven14250 · · Score: 1

      I don't have any problem discerning the semantic difference at all. I'm just pointing out that *your argument* made no distinction because it spoke only of "ripping off the entertainment you want so you can have it with no money involved". None of that reasoning about an individual getting stuff for free has even the slightest relevance to "reproducing and distributing a million copies". You were railing against people getting stuff for free, not people handing it out.

      The difference isn't semantic. It's the difference between one copy being passed around, and many copies being created.

      You don't own the copyright, and you don't have permission from the owner, so you don't have rights to copy X work. You have every right to use a copy in any other manner, like passing it around to friends, just not to copy it.

    75. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      You get seeds with yours? You must be American.

    76. Re:But, but, but,,, by h4rm0ny · · Score: 1

      My point is that it's one thing to copy a book. It takes time, resources, etc. It does not take time, resources, etc. to copy digital anything. I could frankly care less what's in the content of the book.

      Firstly, you mean that you "couldn't" care less about the content of the book. Secondly, your argument that the content of a book is irrelevant and that it is the difficulty of reproducing it that is significant in terms of value, is unutterably stupid.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    77. Re:But, but, but,,, by Xamataca · · Score: 1

      ...almost half of the population unemployed...

      ...and our mothers are hamsters and we smell of elderberries!!!

      http://en.wikipedia.org/wiki/List_of_countries_by_population (the 27th)

      --
      ***Game Over***Insert Coin***
    78. Re:But, but, but,,, by gwjgwj · · Score: 1

      I would rather have a few grays in my pocket.

      I'd rather not .

    79. Re:But, but, but,,, by kevinNCSU · · Score: 2, Funny

      Clearly the electronic versions have zero value. Have you ever tried to wipe your ass with a .pdf?

    80. Re:But, but, but,,, by Belial6 · · Score: 1

      And ScentCone declares Benjamin Franklin to be one of our Founding Pirates. A thief that inspired generations of thieves after him to rip off artists and businesses.

    81. Re:But, but, but,,, by nschubach · · Score: 1

      Excellent... Resorting to strawman attacks on the common grammatical mistake in my post while at the same time concluding that my point is stupid.

      That shows me that you only care about "winning the conversation" rather than debating the points presented.

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    82. Re:But, but, but,,, by nschubach · · Score: 1

      Then these people may need to find other ways to make money off those bits than to perform them once and copy them ad infinitum while reaping the reward for the original labor which is now duplicated to (near) perfect quality with no effort on their part.

      As far as media and entertainment it's simply a matter of bands going on tour to perform to dedicated fans, movie theaters offering services before/while/after the movie is playing that you probably can't get at home. For software companies, it's a matter of support. There are alternative ways to make money on something that can be duplicated easily.

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    83. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      YCHJTOTYWAIOTOI (You could have just typed out that you weren't American instead of typing out IANA.

    84. Re:But, but, but,,, by Kethinov · · Score: 1

      You want to circumvent the market and just rip stuff off if you don't like the price. How is that any different than hopping the fence at a concert if you don't like what the artist is charging at the door?

      There are two critical differences:
      - Floor space at a concert is scarce, information is not. These two actions are thus not morally equivalent.
      - Stopping people from sneaking into a concert is possible and routinely done. Stopping file sharing is not possible.

      Really? You're going to tell people how they should earn their living?

      You're doing something worse. You're telling people how they should use technology and consume content. You're telling people to stop using the internet for exactly what it was designed for--copying information at no cost--because you're upset that technological advancement has invalidated the old business model of distributing media.

      Take a look at the bigger picture for a minute. The invention of the internet has delivered an end to the scarcity of information. This is one of the most amazing inventions in history. And you're telling us we shouldn't use this remarkable invention because it gets in the way of a dinosaur business model. Telling people that is what's really immoral here.

      So I say, yes, keep pirating. If that drives content creators out of business, so be it. Eventually content creators will adapt and work under business models that don't depend on rejecting technological advancement in order to be sustainable. We need to look forward to new ways of distributing media, not backward trying to subsidize the old ways.

      I know that's hard. People don't know what else to do. They ask, "how do I run my music business without charging for song downloads?" They begin to think the only way to make money is to sell downloads and fight piracy, but it's a false dichotomy created by fear of change and failure to innovate.

      You need to sell services which are scarce. Bands can play concerts, sell merchandise, sell physical media, and set up prominent "pay what you want" download pages, which include an option for free. Show an advertisement to people that don't pay. All of these models have been proven successes and who knows what other things people will innovate in the future?

      So let's embrace the future together instead of trying to relive the past.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    85. Re:But, but, but,,, by phantomcircuit · · Score: 1

      Selling reselling the same thing over and over again? Without any further investments?? And expect to be paid the same money forever???

      So what they just charge the first person to buy it 110% of the cost of production and then give it away for free?

    86. Re:But, but, but,,, by Patch86 · · Score: 2, Interesting

      Played as background music in every shop on the high street. Played on every radio station- even the ones that aren't full music stations. Played over TV adverts. Played in lifts. Played as freaking "on-hold" telephone music. Played as every ringtone of every teenager (and too many adults) for every text and phone call received on mobile phones.

      I'm exposed to chart music every day in a hundred ways, and yet I never listen to the chart shows.

    87. Re:But, but, but,,, by Weezul · · Score: 1

      I never claimed marijuana was a gateway drug in the U.S. To me, that kinda depends upon whether your a jack booted authoritarian.

      I merely asserted that pot was an anti-gateway drug for Spain. In particular, Spanish pot users are habituated to spending less for their highs than for alcohol because they and/or their friends grow it themselves. If a reasonable pot high comes for nearly free, with timing regulated by your green thumb, then coke and heroin prices sound kinda insane, well assuming you're not currently a user.

      I'm serious, pot grower-users will inherently regulate their own consumption for more responsibly than any other conceivable system. If they want more, they'll work harder growing. If they can't even water their plants, they'll get jack.

      To me, medical marijuana isn't the ideal route since it encourages professional grow ops and Netherlands style THC doping. If your not competent, you can easily make poisonous liquor, so alcohol cannot be controlled like this, but nobody will ever grow poisonous pot, so embrace the opportunity.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    88. Re:But, but, but,,, by Mr2001 · · Score: 1

      It STILL takes time, resources, etc. to create the meticulously arranged bits that get copied.

      Yes, but it takes exactly the same amount of time to arrange those bits, no matter how many copies are eventually made.

      Arranging bits is, of course, a valuable service, and the people who do it should get paid. But they should get paid for their labor, just like everyone else who provides a valuable service, and the way to do that is to find customers who are willing to pay them for the act of arranging those bits. And once they've been paid and the bits have been arranged, it doesn't matter how many copies anyone else makes.

      I have no sympathy for someone who spends his own time performing a service that no one asked him to perform, just because he thinks he might be able to convince people to pay for it afterward, then finds out later that he can't. The time to arrange payment is before you do the work, not after.

      --
      Visual IRC: Fast. Powerful. Free.
    89. Re:But, but, but,,, by Mr2001 · · Score: 1

      The difference isn't semantic. It's the difference between one copy being passed around, and many copies being created.

      That difference is irrelevant, because the effect is the same for everyone involved. If I can get all my media needs filled for free, it doesn't really matter whether that involves passing around a single copy or making multiple copies. It matters in court, but it doesn't matter to me and my wallet, and it doesn't matter to the publisher's bottom line.

      From the publisher's perspective, there's no difference between borrowing a book from the library and downloading a pirated copy from the internet: either way, I'm reading the book for free and the publisher isn't getting paid. The only difference is that in one case he can sue someone, and in the other he just has to accept the "loss".

      --
      Visual IRC: Fast. Powerful. Free.
    90. Re:But, but, but,,, by Mr2001 · · Score: 1

      You're doing something worse. You're telling people how they should use technology and consume content. You're telling people to stop using the internet for exactly what it was designed for--copying information at no cost--because you're upset that technological advancement has invalidated the old business model of distributing media.

      It's even worse than that, I'm afraid. He's restricting speech in order to, at best, make it a little easier for someone else to make a buck.

      This isn't just about the internet: it also affects the telephone, the mail, even the human voice. Copyright makes it illegal to share too many facts about a piece of property that you own: "Hey Bob, how's it going? I got this cool new book. The first word on the first page is 'Call'. Isn't that exciting? The next word is 'me'. After that it says 'Ishmael'. Want me to keep going?" And if you do keep going, pretty soon you will have broken the law.

      --
      Visual IRC: Fast. Powerful. Free.
    91. Re:But, but, but,,, by Opportunist · · Score: 1

      Trust me, a lot of people in the EU would love to get rid of Greece right now...

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    92. Re:But, but, but,,, by spookmore · · Score: 1

      No you got that wrong its about big brother and thick people like your -self that cant see this,When you make statment's like this you could be the manufacturer and since when is anything i write down copywrite?the biggest scammer of them all is called Bill gates he ripped steve Jobs off but people like you would not know that.

    93. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      News put the numbers on the 40% of unemployed people in legal age. In places like my town we practically work to pay the retired workers.

    94. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Is 100 Yen more than a dollar? You should know, you slant-eyed monkey.

    95. Re:But, but, but,,, by Hognoxious · · Score: 1

      Spanish copywrite law doesn't exist, because there's no such word as "copywrite"

        -- FTFY.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    96. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Why don't you get off your greasy arses and do some work like the Germans do, you lazy fucking dagoes?

    97. Re:But, but, but,,, by Hognoxious · · Score: 1

      The time to arrange payment is before you do the work, not after.

      Like when an author signs a deal with a publisher in exchange for an advance, or a band signs with a record company?

      Why would the publisher/record company be willing to do that if there wasn't some way for them to make money out of it?

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    98. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Actually, they're ignoring the laws on the books and international treaties to which Spain is a signatory and doing whatever the fuck they want.

      Yeah, who do they thing they are - France?

    99. Re:But, but, but,,, by Hognoxious · · Score: 1

      From the publisher's perspective, there's no difference between borrowing a book from the library and downloading a pirated copy from the internet: either way, I'm reading the book for free and the publisher isn't getting paid.

      Libraries buy books. I don't know if they also pay an additional fee, but one purchase price is still more than zero.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    100. Re:But, but, but,,, by Hognoxious · · Score: 1

      Concert, shows, etc. That's how artists should earn their living.

      Thumping away on bass, it's J.K.Rowling and on lead guitar, Frederick Forsyth! And a big hand for the Lord of the Drums, Sir Terry Pratchett!

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    101. Re:But, but, but,,, by Hognoxious · · Score: 1

      So what they just charge the first person to buy it 110% of the cost of production and then give it away for free?

      Grand idea! After you, sir...

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    102. Re:But, but, but,,, by mcgrew · · Score: 1

      That works the same for me, too. Since I haven't had much pot lately I've found myself in bars far more often.

    103. Re:But, but, but,,, by Mr2001 · · Score: 1

      Libraries buy books. I don't know if they also pay an additional fee, but one purchase price is still more than zero.

      Likewise, file sharers almost always buy software, music, and movies (although there are cases where something gets leaked before release). Those files don't just appear on torrent sites all by themselves - they're ripped by people who have physical copies.

      --
      Visual IRC: Fast. Powerful. Free.
    104. Re:But, but, but,,, by MaskedSlacker · · Score: 1

      I didn't make any mistake. I said

      copying is theft.

      I said exactly what I meant. You just don't know how to read.

    105. Re:But, but, but,,, by Mr2001 · · Score: 1

      Like when an author signs a deal with a publisher in exchange for an advance, or a band signs with a record company?

      Almost like that, but as you note, publishers just push the problem back one level.

      See, a publisher doesn't benefit directly from a book being written. They only benefit when they can sell copies. The true market is not publishers, but readers.

      Readers are ultimately the ones who benefit from the author's services, and even today they're ultimately the ones who end up paying for those services -- but they do it through a Rube Goldberg-esque series of middlemen that involves a bunch of speculation and waste.

      A more sensible model would have a more direct link between the authors who write books and the readers who want books to be written, which would allow authors to know ahead of time whether there was sufficient demand for their services. Middlemen could still serve to introduce readers to authors and vice versa, and save authors from having to handle hundreds of thousands of payments by themselves, but they wouldn't be in the business of speculating with their own money.

      --
      Visual IRC: Fast. Powerful. Free.
    106. Re:But, but, but,,, by drsmithy · · Score: 1

      You still haven't explained why people getting stuff for free because their friends gave it to them, and people getting stuff for free because their friends copied it for them, are different in terms of "ripping off the entertainment you want so you can have it with no money involved".

    107. Re:But, but, but,,, by Hognoxious · · Score: 1

      A more sensible model would have a more direct link between the authors who write books and the readers who want books to be written, which would allow authors to know ahead of time whether there was sufficient demand for their services.

      But how can they know until it's written? What may sound like a good idea could be ruined by poor execution.

      This is why your model, which I call "distributed patronage" is a very small niche. The existing system - book is written, people hear good reviews of it, they go out and buy it - seems to work for most people.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    108. Re:But, but, but,,, by Hognoxious · · Score: 1

      Eventually content creators will adapt and work under business models that don't depend on rejecting technological advancement in order to be sustainable.

      Why do you assume that? It's equally likely that they'll just give up.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    109. Re:But, but, but,,, by Hognoxious · · Score: 1

      My point is that it's one thing to copy a book. It takes time, resources, etc. It does not take time, resources, etc. to copy digital anything.

      What about the time and resources to create the content in the first place?

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    110. Re:But, but, but,,, by Hognoxious · · Score: 1

      If your not competent, you can easily make poisonous liquor, so alcohol cannot be controlled like this

      All it takes is basic hygiene. As for poisonous, if you get a batch of beer/wine that's off it's obvious - it'll taste so disgusting it'll be undrinkable.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    111. Re:But, but, but,,, by Anonymous Coward · · Score: 0

      Everyone conveniently forgets, that if you lend your book to someone, or borrow one from the library, that item is no longer available for other people to see/enjoy for the duration of the loan.
      Now, if you lent your software to other people, no problem, but you're not lending it, are you? you're copying it, allowing both (or all) parties to enjoy it simultaneously. That's the problem, because that definiitely now IS a loss of revenue to the publishers, as opposed to the loan system.

    112. Re:But, but, but,,, by Mr2001 · · Score: 1

      But how can they know until it's written? What may sound like a good idea could be ruined by poor execution.

      That's true, they can't know for sure. But the same is true of all services: whenever you pay anyone to do anything, there's a chance it might not turn out the way you'd like. Markets have been working successfully for centuries in spite of that, with various ways for buyers and sellers to minimize their risk.

      The existing system - book is written, people hear good reviews of it, they go out and buy it - seems to work for most people.

      It's not an entirely broken system, but it's hardly the best available option. It's only as successful as it is because it's subsidized by restrictions on individual rights and on the advancement of technology.

      --
      Visual IRC: Fast. Powerful. Free.
    113. Re:But, but, but,,, by Weezul · · Score: 1

      I said liquor not beer or wine, moonshine does occasionally contain methanol or other toxins. I've never heard about beer or wine fermentation accidentally producing methanol.

      --
      The Christian religion has been and still is the principal enemy of moral progress in the world. -- Bertrand Russell
    114. Re:But, but, but,,, by Mr2001 · · Score: 1

      Everyone conveniently forgets, that if you lend your book to someone, or borrow one from the library, that item is no longer available for other people to see/enjoy for the duration of the loan.

      Physical lending is limited to the number of copies on hand, but there are no restrictions on how many copies a person or library is allowed to have, so this really just means lending can't reduce the number of copies sold to less than some small fraction of the number of users.

      Now, if you lent your software to other people, no problem, but you're not lending it, are you? you're copying it, allowing both (or all) parties to enjoy it simultaneously.

      You'd still only need one copy for each person who wanted to use it simultaneously. For instance, Left 4 Dead 2 has sold millions of copies, but 99% of them are inactive at any given moment -- if not for DRM, the players as a group could theoretically have bought only 1% as many copies using an arrangement that's universally accepted as legal and ethical.

      How do you think the RIAA and MPAA would react to a file sharing system that promised they'd bring in 1% as much revenue as they do now?

      --
      Visual IRC: Fast. Powerful. Free.
    115. Re:But, but, but,,, by nschubach · · Score: 1

      If you are expecting to make an infinite amount of profit off of something that has a zero cost to replicate... you better find a way to cover the cost of producing that item through other means or be prepared to live a life full of miserable thoughts as people replicate said product.

      If you write a program, include the cost of production in the support fees. If you are making a song, include the production costs in your performance fees (ticket price.) Did you read my previous post?

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    116. Re:But, but, but,,, by h4rm0ny · · Score: 1


      Well the semantic mistake you made, is just by the by. It's a pet peeve of mine. Ignore that part of the post if you like. But as regards a strawman, I have made none. You are putting forward that the ease of reproducing digital copies negates the value of the product because it costs the company doing it next to nothing. I'm pointing out that the value of a product doesn't depend on how easy or hard it is to copy. That's not a strawman, that's a correction.

      You'll note that I directly addressed the argument of what you posted. You didn't address what I was saying at all, you just claimed (falsely) that I'd made a strawman. Which makes your post nothing but an ad hominem. If you want to debate, address my argument. If you're offended by my using the word stupid about your argument, I'm afraid you'll have to live with that for as long as your argument depends on saying a product has no value if its easy to copy.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    117. Re:But, but, but,,, by h4rm0ny · · Score: 1

      Clearly the electronic versions have zero value. Have you ever tried to wipe your ass with a .pdf?

      Makes note to add to list of arguments against the kindle next time it comes up on Slashdot.
      Thanks, ;)
      H.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    118. Re:But, but, but,,, by nschubach · · Score: 1

      I did cover that. I stated that "I (couldn't) care less" That's not my responsibility to determine if they used the proper format for the product they are offering.

      I'm a developer and even I see that offering my product for download is a stupid idea unless I offer services to back it up and cover the cost. People will copy it, and I have to understand that. I offer my product as a lead in to other services I provide. That's how I pay for my cost to produce that item.

      --
      Every time I start to have faith in humanity, I ruin it by driving to work between 7 and 8 am.
    119. Re:But, but, but,,, by Kethinov · · Score: 1

      Some will give up, yes. Others will adapt and take their place.

      --
      You're right, I wouldn't steal a car. But if it were possible, I sure as hell would download one!
    120. Re:But, but, but,,, by jp10558 · · Score: 1

      because I bought it as a PDF rather than a book, is obviously wrong.
      Well, if I had all the same rights with a PDF as I do with a book, then maybe it's wrong. But it's far from obvious. First, a PDF requires I have other resources to use it, a book I can just open up and read - I don't need to provide electricity, a computer or reader, etc. I can re-sell the book, often I can't resell the PDF so there's a direct lessening of value. I often got back 20% of my textbook value on selling it back at the end of the class, and for fiction I can get back some amount from a used book store, or via Amazon etc. With a book I can use it to prop up a table leg or make an impromptu stand for something. Can't do it with a PDF. Heck, in an emergency, I could burn the book for heat - can't do that with a PDF.

      So, yes, a PDF does have less intrinsic value than a book from my point of view.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
    121. Re:But, but, but,,, by h4rm0ny · · Score: 1

      So, yes, a PDF does have less intrinsic value than a book from my point of view.

      But only from your point of view and none of your reasons have anything to do with the ease of reproduction. The GP is arguing that these products should be free because they can be easily copied. That actually is what he's saying.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    122. Re:But, but, but,,, by jp10558 · · Score: 1

      True, but I'm objecting to the statement made that it is obvious that a PDF ought to cost the same as a book. I think I've shown at least some objective reasons why there is less intrinsic value in a PDF compared to a book, precisely because you're not getting a physical item - the packaging of the desired information is far less and costs far less, so it seems that the overall value of the package plus the desired good ought to be less.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
    123. Re:But, but, but,,, by alexo · · Score: 1

      Private sharing -> no money involved -> not a business -> normal cultural information exchange.

      Which is exactly what the publishers want to prevent.

    124. Re:But, but, but,,, by h4rm0ny · · Score: 1

      True, but I'm objecting to the statement made that it is obvious that a PDF ought to cost the same as a book

      What statement? I wrote: "The value of a book or a song or a film is not in the effort it takes to "arrange the bits". It is in the information. For you to say that the value of a novel is suddenly less because I bought it as a PDF rather than a book, is obviously wrong. For the reference books I have bought, the value of the electronic version, being searchable, is actually increased."

      To clarify, books and PDFs have advantages and disadvantages over each other, and those are going to vary from person to person. Want to carry a book with you to read? Maybe print is nicer. Need to carry a dozen or more reference books or you want a selection of novels to read? Digital is suddenly a lot more portable. When I said that it's obviously wrong to say the value of a book is suddenly less because it is a PDF, that doesn't logically mean that it obviously can't be; it's to say that it's doesn't have to be, or that it necessarily should be. Obviously if a product in some format is worth less to you, then you pay less for it or try to. That's fair. If you end up paying more for it then it's obviously worth that much to you or you wouldn't have bought it. A buyer and a seller agree on a price and exchange things. If one party doesn't agree then there's no exchange and the other must adjust their prices or walk. Digital production allows one party to adjust their prices more easily so maybe you bargain harder and say: "no, I wont pay as much for the PDF or the MP3" and you find it gets sold for less. And indeed that's what happens. But for one party in the negotiation to say the other party gets no say, that they'll just take what they want, destroys everything. And it's certainly a stupid argument of the OP's to try and justify that by saying the value of something is determined entirely by the cost of reproduction and therefore he has a right to the other parties goods if he can reproduce it without cost. The principle of his argument is that if he can take something, he has a right to it. It's the mentality of a three year old.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    125. Re:But, but, but,,, by jp10558 · · Score: 1

      For you to say that the value of a novel is suddenly less because I bought it as a PDF rather than a book

      I see, my misunderstanding. Yes, the value of the novel is the same, but the value of the packaging is not - so in the "real world" or the place where you *cannot* buy just the information, the total value of what you get when you supposedly buy the "novel" as a PDF(and again, here, I mean more than the information, this includes the intrinsic value of the paper or the contested decline in value of the DRM) is, I think objectively less than the book. Doubly so if the PDF has DRM.

      --
      Opera, Proxomitron-Grypen,GPG 0x0A1C6EE3
  2. And that, friends..... by phantomfive · · Score: 3, Interesting

    Is why many publishers would be happy to close all libraries if it were politically viable.

    --
    Qxe4
    1. Re:And that, friends..... by Opportunist · · Score: 2, Funny

      The music biz saw the light. Fight it from the start before it becomes commonplace and everyone considers it normal, if not even a right to... oh... erh...

      Can you get back to me later, I have to redo that speech.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:And that, friends..... by Anonymous Coward · · Score: 0

      Is why many publishers would be happy to close all libraries if it were politically viable.

      Not quite sure about that. If I look at academic (university) libraries, they are the only customers for ridiculously expensive technical books (ranging from $100 to the many hundreds). At least with regard to technical books, if libraries would close down, many publishers would disappear.

    3. Re:And that, friends..... by mpe · · Score: 1

      Is why many publishers would be happy to close all libraries if it were politically viable.

      Or at very least have a "pay for lend" system similar to audio and video recordings for books.
      If lending libraries didn't predate copyright they probably couldn't be invented under current copyright laws. That would be all libraries, including "video rentals", which are libraries operated as a business.

    4. Re:And that, friends..... by westlake · · Score: 1
      Is why many publishers would be happy to close all libraries if it were politically viable.

      It's a false analogy.

      Books aren't free to your public library.

      They have to pay - which that you have to pay through taxes and donations - often for custom bindings or multiple copies that will stand the wear and tear of circulation.

      Only one physical copy of a book or video can be in circulation at any moment - which can mean you may be weeks waiting for the most popular titles.

      It means that any single copy can't have more than about fifty readers or viewers a year.

      Not the thousands or tens or hundreds of thousands of copies to be downloaded off the P2P .nets.

    5. Re:And that, friends..... by symes · · Score: 1

      I'm not so sure - one person buys a dvd (just like a library) rips it and sticks it into his p2p client (aka library) and makes it available to anyone who cares to take a look. I think the only difference is that a library is very much slower, but they both ultimately acheive the same goal - multiple use of a single item without further payment.

    6. Re:And that, friends..... by Zelos · · Score: 1

      Also (here in the UK at least), authors get something like 2p every time one of their books is borrowed from a library.

      I think 2p per download on the Pirate Bay would be a lot of money :-)

    7. Re:And that, friends..... by misexistentialist · · Score: 1

      I've always wondered how much guaranteed business libraries generate. People read a lot less, but libraries buy the same number of books, usually hardcover, and probably pay close to full retail. It would be sad if the success of the newest disposable bestseller or ghostwritten memoir is due entirely to individual buyers.

    8. Re:And that, friends..... by Threni · · Score: 1

      What makes you think authors don't get paid when their books are taken out from a library?

    9. Re:And that, friends..... by jackbird · · Score: 1

      Authors get paid for the library's purchase of a single copy. I'm not aware of any system where subsequent circulation is tracked to assess additional royalties (although if you have a reference for such, I'd be interested to learn).

    10. Re:And that, friends..... by Threni · · Score: 1

      From the UK in 2000:

      ------

      http://www.independent.co.uk/arts-entertainment/books/news/were-worth-more-than-2p-a-read-say-authors-710006.html

      The writers are asking that the Public Lending Right, which rewards authors when their books are borrowed from public libraries, be increased from £5m to £7m a year. Thefund, which brings authors some two pence per loan, has not been changed greatly for seven years.

      ------

  3. The Pirate Bay trial by emj · · Score: 1

    The second piratebay trial is coming in Sweden as well.

    1. Re:The Pirate Bay trial by emj · · Score: 1

      Specifically in November this year it will hit second instance and I'm not so sure it will go to the supreme court after that

    2. Re:The Pirate Bay trial by Izabael_DaJinn · · Score: 1
      Maybe they wouldn't attract so much international heat if they changed their name to something innocuous like "Library Bay," but they like their bad boy image which only just fuels debate (and lawsuits) on both sides. If they described themselves as a library instead of as notorious sea-thieves, that might just take the edge off many arguments against them. (Wouldn't sell many t-shirts that said "Library Bay" tho...)

      xoxo
      iza

      --
      Careful What You Wish For....
    3. Re:The Pirate Bay trial by indoor+fireplaces · · Score: 1

      when is it?

    4. Re:The Pirate Bay trial by Opportunist · · Score: 2, Funny

      Call it "Port Freedom". Nobody would wanna tangle with that, or are you against Freedom?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    5. Re:The Pirate Bay trial by Anonymous Coward · · Score: 0

      When it comes with fries

    6. Re:The Pirate Bay trial by imakemusic · · Score: 1

      image which only just fuels debate

      Good.

      --
      Brain surgery - it's not rocket science!
    7. Re:The Pirate Bay trial by delinear · · Score: 1

      Firstly, the **AAs started throwing the term around as a derogatory way to describe people sharing files. That Pirate Bay picked it up to use shouldn't change the validity of their arguments one iota, unless you're saying politicians, judges and high-price lawyers really can't see through the meaningless attribution of a name.

  4. It's a TRAP! by Anonymous Coward · · Score: 0

    Nobody expects the Spanish Inquisition!

  5. Space analogy by MachDelta · · Score: 5, Insightful

    The real problem with the file-sharing phenomenon is that it *has no* accurate analogy. Nothing like this has ever been possible in history, and until it wasn't even imaginable by most people until it had already begun. The first-world legal system, relying so heavily on comparison and precedent, is woefully unequipped to deal with events that do not fit into an existing paradigm. That's why judgments range from "100 biiiiiilion dollars" to "Nothing to see here, move along". Hell, capitalism isn't even prepared to deal with something like this. Asking a market analyst what happens when the cost of production reaches zero and is available everywhere is like asking a physicist what happens inside a black hole - neither one has the foggiest fucking idea. All they know is that the conventional rules of the last 200 years don't apply, and that anything going in will never come out.

    Brave new world indeed.

    1. Re:Space analogy by Opportunist · · Score: 5, Insightful

      That is pretty much the problem, yes. There is nothing like information. Nothing else can be reproduced and distributed at will without (or with insignificant) cost. And until we invent matter-energy transformation (and we got access to a cheap energy source, else that's gonna be tough) no tangible good will ever be comparable.

      The problem is also that our economy system is based on the idea of supply and demand. And when supply reaches infinite, which it does if reproduction is free, demand can not even remotely match and hence the price plummets. Which in turn means that, since the original creation of the information was not free, the original creator cannot recover his cost and, following the law of capitalism, hence would have to stop creating.

      And maybe that's eventually what has to happen. That the creation of easily reproducable art (I use that word loosly here) has to become a non profit activity, where you could only generate profit by selling things that are not in limitless supply, like concerts (you can't clone the singer and have him appear everywhere at once), authentic autographs (photocopies don't count, people that want something like this want the real deal) and the like.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Space analogy by zwei2stein · · Score: 1, Insightful

      Silly. Of course it has: Verbal Communication.

      I can tell you few lines of memorized dialogue which you can remember and repeat to someone else. You can also hear diferent pieces from different people to make your own mental image of screenplay (aka, leech from swarm).

      P2P sharing is only different volume and accuracy.

      In fact, this sounds like cool experiment: give 100 people each piece of screenplay and let them complete it, p2p style.

      --
      -- Technology for the sake of technology is as pathetic as eschewing technology because it's technology.
    3. Re:Space analogy by Totenglocke · · Score: 1

      And maybe that's eventually what has to happen. That the creation of easily reproducable art (I use that word loosly here) has to become a non profit activity, where you could only generate profit by selling things that are not in limitless supply, like concerts (you can't clone the singer and have him appear everywhere at once), authentic autographs (photocopies don't count, people that want something like this want the real deal) and the like.

      Either that or we just get sane copyright laws - say for the first two years after a movie or game comes out, it's illegal to download it. After those two years are up and they've made their realistic dvd / game sales, then it's fair game to download.

      --
      "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
    4. Re:Space analogy by barra.ponto · · Score: 2, Informative

      Already done. Fahrenheit 451

    5. Re:Space analogy by Opportunist · · Score: 1

      What would it change? People would still copy it, the content industry would still sue for insane amounts, what's the big difference?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:Space analogy by ztransform · · Score: 2, Insightful

      Either that or we just get sane copyright laws - say for the first two years after a movie or game comes out, it's illegal to download it. After those two years are up and they've made their realistic dvd / game sales, then it's fair game to download.

      ... err.. which is still stuck in the old way of thinking: maybe have a re-read of the above insightful posts.

      I had to laugh a year ago watching an Australian TV debate on this topic. Some school drop-out loser on the front row stands up and tells us he's a budding guitarist and he doesn't want people stealing his music! And I think to myself I probably have twenty times his musical talent, finished school, went to university, got a job, ten years later bought myself the musical instruments I always wanted, and music editing software I wanted, and can create music as a hobby!

      It's time people who want to call themselves "musicians" actually worked for a change.

    7. Re:Space analogy by Opportunist · · Score: 5, Insightful

      Many good artists actually have to work for their money. They run from gig to gig and play for their audience. The problem are the ones that once created something and want to milk it for the rest of their life.

      It's like a bricklayer expecting to be paid annually for every house he ever built.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    8. Re:Space analogy by ztransform · · Score: 1

      Silly. Of course it has: Verbal Communication.

      The REAL question: does singing your favourite song in the shower constitute copyright infringement? No? Because the quality isn't perfect?

      How about replaying the song in my head... ahhh perfect quality, full stereo, mmm, I can even replay the video in my mind. Surely THAT is copyright infringement?

      What annoys me most about the term "piracy" is that peer-to-peer file transfers are of no comparison to violence and horror inflicted by Somalis sailing around the world.

    9. Re:Space analogy by Jah-Wren+Ryel · · Score: 1

      That the creation of easily reproducable art (I use that word loosly here) has to become a non profit activity, where you could only generate profit by selling things that are not in limitless supply,

      Labor is not in limitless supply. We'd be a lot better served by some sort of commission-based model than an ancilliary market model because the later leads directly to advertiser supported models which don't give a damn about quality or artistic integrity whereas a commission system lets the people most interested in the creations have a direct say in their creation. Its still not advertiser-immune, you can get advertisers commissioning the creation of works loaded with product-placement and such - but those advertisers would at least be competing against the direct audience for the privilege of hiring the artist/production-company/etc.

      --
      When information is power, privacy is freedom.
    10. Re:Space analogy by Mystery00 · · Score: 1

      That's why it's a service instead of a product, if you want to continue getting software then you have to pay up for the service of software development. This is the kind of thing that now needs to be taught in education.

      --
      "we've got trenchcoats and bad attitudes" - John Constantine, HellBlazer
    11. Re:Space analogy by Totenglocke · · Score: 1

      err.. which is still stuck in the old way of thinking

      No, it's not. It's taking the current system of "you have an unending copyright and all downloading is illegal" and changing it to "companies get a reasonable amount of time to make a profit and after that short period, people can download it all they want".

      Your view seems to be (since you bitched about "the old way of thinking") that companies shouldn't be able to make any profit, which makes you just as much of a problem in getting the copyright / downloading issue talked about in a reasonable manner as the RIAA/MPAA are. If you take away their ability to make a profit, they will stop making movies, music, games, and books. Sure, some people will do it for free, but most of them will stop because they'll have to find another way to pay the bills. You have to allow them to make a reasonable profit if you want any real discussion to occur.

      --
      "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
    12. Re:Space analogy by Opportunist · · Score: 1

      Ok, ok, I bite. What about OSS?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    13. Re:Space analogy by houghi · · Score: 0

      Nothing like this has ever been possible in history,

      Gutenberg begs to differ. At least enough to make a good analogy.

      There are no accurate analogies as an analogy is never identical. That means people will always say something like : "But we are talking about music, not cars, so it is not an accurate analogy."

      --
      Don't fight for your country, if your country does not fight for you.
    14. Re:Space analogy by Lucky_Norseman · · Score: 3, Informative

      Singing your favourite song in a public place does constitute copyright infringement.

    15. Re:Space analogy by Opportunist · · Score: 1

      So I guess I should turn myself in for whistling while waiting for the bus...

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    16. Re:Space analogy by Totenglocke · · Score: 1

      Sad but true. That's why restaurants aren't allowed to sing "Happy Birthday" to you.

      --
      "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
    17. Re:Space analogy by youn · · Score: 1

      please, this is slashdot... anything can be turn into a car analogy... even car situations :)

      --
      Never antropomorphize computers, they do not like that :p
    18. Re:Space analogy by harlows_monkeys · · Score: 2, Interesting

      Hell, capitalism isn't even prepared to deal with something like this. Asking a market analyst what happens when the cost of production reaches zero and is available everywhere is like asking a physicist what happens inside a black hole - neither one has the foggiest fucking idea

      That's not really correct. The cost of copying ideas has always been pretty much zero, so the situation you describe is not something new that arose with the internet. It arose the first time someone put a lot of effort to invent something, and someone else copied the inventor's idea. All that's new now is that this ease of copying is becoming more widespread, spreading beyond just ideas to realizations of ideas (e.g., to performances of music).

      Furthermore, it's long been known what attributes are necessary for a free market to work, in the sense of producing optimal allocation of goods and resources (optimal in the sense economists mean when they say something is optimal). Economists know exactly what happens to a free market when the cost of production approaches or reaches zero. You no longer get optimal resource allocation.

      And it has long been known how you can fix that. There are two general ways. The first is to take the market out of the picture. Some entity, most likely the government, would fund the production of new works, and anyone would be free to copy them. The advantage of this is that consumers get the goods for their marginal cost (zero or near zero). The disadvantage is that the government decides what works get produced.

      The second way is to artificially give things like music and movies the attributes necessary to make them work like more tangible goods in the free market. Essentially you make intellectual works act like property as far as the law is concerned (hence the name "intellectual property"). The disadvantage of this approach is that consumers pay more than the marginal cost of production for the works. The advantage is that the free market determines what works get produced.

      What the internet does is makes it easy for a large number of people to cheat. The intellectual property approach is based on the idea that we would rather have the free market deal with deciding what gets products than have some government Department of Music deciding what artists get funding, and so we've agreed that we are going to pretend that songs are like loaves of bread. Sure, there were always some people who would cheat, but they were isolated and small scale. If you cheated on a large scale, you got caught and sued.

      With the internet, the cheating can happen on a massive scale, with most people having a negligible chance of getting caught. Most people are fundamentally not honest--that's why it makes the news if someone loses a large amount of cash and the finder returns it, for instance. If most people were honest, the news would be when a lost item is not returned intact, rather than the other way around. The internet is like a giant always available lost wallet.

    19. Re:Space analogy by Opportunist · · Score: 1

      Nope, still not a good analogy. Because even though the printing press made reproduction of books easy, it did not make a copy "practically" free (practically because a digital copy still takes up space on the hard drive and you'd have to buy another one if the one you use is full). You had to buy the paper (or invest time to make it), you had to assemble the letters for the printing press, you had to bind the book, etc.

      Copying today is "free", in the sense that there is no variable cost attached to it. Yes, there's a fixed cost. You need a computer that can store the data and you need an operating system that is capable of copying it. Once you have that, creating one copy or a million costs exactly the same: Nothing.

      Gutenberg could not have gone, print a billion books and hand them out to everyone who wanted one. He would still have gone bankrupt doing this. You OTOH can take a song and create a copy for every single person on this planet without incurring any cost.

      The big difference today is the complete absence of variable cost of copies. Even photocopying a book had some cost attached for paper and color cartridge. Digital copies are free and of perfect quality. So unless we invent a cloning technique that requires no power and no mass (at least none you'd have to buy first), you will not find a good analogy in the real world.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    20. Re:Space analogy by Engeekneer · · Score: 1

      If you take away their ability to make a profit, they will stop making movies, music, games, and books.

      If you're talking about MAFIAA then yesplease thankyoukindlywherecanisignup? It would improve the variety of all media worldwide. But on a more serious note, sure, artists should be able to make profit. But it IS artificially blocking all content IS the old way of thinking. Ger revenue from moviegoers, concerts, even having a good online store where you can buy it for a reasonable amount and use it the way you want. And have artists get that revenue. I guess the main point is try to be innovative for a change, and plese your customers.

    21. Re:Space analogy by Totenglocke · · Score: 1

      But it IS artificially blocking all content IS the old way of thinking.

      That doesn't even make sense with what I said.

      I guess the main point is try to be innovative for a change, and plese your customers.

      I've said the same thing many times in other discussions. I've tried explaining that to employees at game companies that if they provided a BENEFIT to buying the game that people would buy it instead of download it........they weren't able to grasp that concept.

      --
      "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
    22. Re:Space analogy by Anonymous Coward · · Score: 0

      The first-world legal system, relying so heavily on comparison and precedent,

      You mean "the common law legal system". Spain has a civil law legal system where precedent isn't as important.

    23. Re:Space analogy by wtfamidoinghere · · Score: 1

      Wish I had mod points now ... as I don't have any, congrats to your excellent comment! Insightful really fits it!

    24. Re:Space analogy by Engeekneer · · Score: 1

      But it IS artificially blocking all content IS the old way of thinking.

      That doesn't even make sense with what I said.

      Yes, I did misunderstand a bit. Mainly I assumed that the GGPS post about a few years of control by content providers actually meant current style (or worse) strong DRM and strict enforcement, which I see wasn't the point.

    25. Re:Space analogy by Anonymous Coward · · Score: 0

      well..scientist put their work out in the hope their work gets copied. There is copyright on a publication (usually transferred to the publisher) but this concerns only the paper, not the scientific idea. Both science and the scientist benefit hugely from this arrangement. I don't see why this wouldn't work for musicians and the like. Sure, you don't get money for every reproduction of your work, but the ability to reach billions of people should be worth much more: every copy is free advertisement..

    26. Re:Space analogy by Kjella · · Score: 2, Insightful

      I had to laugh a year ago watching an Australian TV debate on this topic. Some school drop-out loser on the front row stands up and tells us he's a budding guitarist and he doesn't want people stealing his music! And I think to myself I probably have twenty times his musical talent, finished school, went to university, got a job, ten years later bought myself the musical instruments I always wanted, and music editing software I wanted, and can create music as a hobby!

      Wow, that's arrogant. I was whiz through a thick text book and ace any exam, but I can't play music worth shit. Likewise, there's people that'll never do well with books but hand them a guitar and they can play to make your skin crawl. But alright, let's say you are the talent. Do you think the optimal to promote the production of music is the path you've taken? That after ten years of school, degree, working and purchasing you can finally play as a hobby? Or would you probably be a much better guitarist, and a far more productive guitarist, if there was a possibility of doing it full time?

      There's a lot of talk about the Internet and playing at concerts, but they're really not that coherent. Sure, you can go broad on the Internet and get thousands of fans but if they're spread so thin and even all the way around the world you won't make money off concerts. Concerts you can make an earning off by being a local hit, play the music that's popular locally and maybe just as much for being a live musician than the music. I know people here hate the world monetize, but if you can't monetize having an Internet fan base it's just like collecting mod points or comment thumbs or diggs, ultimately it's not advertising if you can't sell something in the end. And no, T-shirt and coffee mugs don't really amount to much if you can't sell songs, sell the information.

      Unfortunately I don't see a perfect solution to that. From all I've seen of DRM and lock-in and dubious attempts at suing tools and infrastructure and file hosts and search engines, I've come to the conclusion that the ends do not justify the means. Society is better off just killing copyright and dealing with the fallout some other way than to try turning back the clock of history. But I'm not so blind as to think we won't lose some things, that some people who makes a living today will lose that income and so lose what they produce. But then, we have lost many classes of workers throughout the times, society will adjust. There's much more we stand to lose than we stand to win by trying to make water not wet.

      --
      Live today, because you never know what tomorrow brings
    27. Re:Space analogy by MaskedSlacker · · Score: 1

      I was in a restaurant the other day that sang "Happy Birthday"...or was that supposed to be a snark?

    28. Re:Space analogy by HungryHobo · · Score: 1

      I think you missed the point of the GP.
      I lean more towards a conservative way of thinking like you but he makes a good point about the laws of supply and demand being broken when cost of duplication hits zero.

      copyright laws are a hack to try to keep a legacy system running and a clumsy hack at that.

    29. Re:Space analogy by testadicazzo · · Score: 2, Interesting
      I disagree that the parent is stuck in old ways of thinking.

      The fundamental idea of allowing a restriction to copy rights (restricting free speech) in order to provide a financial incentive for creative works is not all bad. However, as the costs of production and reproduction decrease, the length of copyright should shorten. Unfortunately, thanks to corporate hijacking of the legislative system, copyright laws have essentially gone to infinity, robbing from the public domain.

      A 2, or even ten year copyright would make quite a bit of sense. Artists could still exert some creative and financial control over their works, particularly for commercial exploitation. A copyright law that allowed goods to enter into the public domain within a persons lifetime would give people more of a sense of the real purpose of copyright law making it more inherently just. People tend to disobey laws they find unjust more than they do laws they agree with, even if they aren't capable of articulating it.

      Unfortunately the oligarchists are working the other strategy: trying to warp our culture and indoctrinate our kids into the idea that information is property, and thereby create the illusion that copying is theft. Since these people have a lot of control over our primary means of communication (movies, tv, music) they are being remarkably successful. When was the last time you saw a positive or intelligent portrayal of music sharing on a TV program or movie for example?

    30. Re:Space analogy by HungryHobo · · Score: 1

      The big problem with a system based on the general public throwing money into a pot to get a sequel to their favorite movie is that it's a real tragedy of the commons scenario.

      It can work. There are some people who make a living from donations from fans- example: Dwarf Fortress.
      but you can never get rich or even earn much above average that way as people aren't inclined to give money to people who they perceive as wealthier than they are.

      So to earn the wages of an intern you have to be a top of the line artist and you won't earn more than that while the intern may one day be getting the pay of a senior engineer.

    31. Re:Space analogy by johanw · · Score: 1

      Publishers are misusing copyright laws here too and asking exorbitant prices for publications. Fortunately there is a way out: http://arxiv.org/ , which is becomming more and more popular.

    32. Re:Space analogy by impaledsunset · · Score: 1

      File sharing is more or less like any other new thing that we've encountered that we didn't know how to deal with, and like all of them, it shouldn't be solved by looking for analogies and copying the solution, but by inventing a new one. And your black hole example is a bit flawed, because the problem we have here is solvable. I'm certain you could find better analogies in human history.

      I'm certain you can find a lot of partially analogous situations to learn from (which would be at least better than your black hole one), but the solution would have to be innovative. Here's another bad space one: space travel. Space travel is something that's good for all of us, and for some of us it also serves as entertainment. In fact, during its most thriving years, it relied mostly on its entertainment value. And for those of us who don't have to pay taxes, it is completely free. There are space endeavours which give me more soulfood than a movie, and probably cost more, and I paid nothing for them. And there are no money in space travel as of now, so in theory there shouldn't be any. The time when there will be money in space travel are far ahead of us.

      Things we can do about it:
      1. Taxes. Both space travel and entertainment are good for us all, makes us more happy, and even maybe more productive, so they are things we should encourage, even directly.
      2. Added value. A lot of people would pay to get memorabilia, or to get the real thing (souvenirs from Mars, merchandise from the bands, taking a space vacation, going to a concert, buying a physical album (signed), etc.)

    33. Re:Space analogy by Anonymous Coward · · Score: 0

      Gutenberg could not have gone, print a billion books and hand them out to everyone who wanted one. He would still have gone bankrupt doing this. You OTOH can take a song and create a copy for every single person on this planet without incurring any cost.

      Interestingly, the original bibles roughly cost the price of a cleric's salary for three years (and yet were still substantially cheaper than the manually transcribed versions) and he still went bankrupt (defaulted on a loan, lost his equipment and the rights to the royalties for his works, had his press become public, etc). Having said that, books today are so cheap as a direct result of the work he started back then. Imagine if books today cost tens of thousands of dollars apiece, comparatively the price we pay does equate to "practically free".

    34. Re:Space analogy by ethaniel · · Score: 1

      People are NOT fundamentally dishonest (this is pretty much proven). However, dishonesty breeds dishonesty. Money has become just another [dishonest] way of saying who is "better" than who. We may not all be exactly equal in every way (skills, resources) but it's clear money has very little correlation with our true net worth to society. If you think about it, your money is really your inverse debt to society (selling your work is a promise to buy some work). Inverse debt (really someone else's debt, or 'Somebody Else's Problem') is just as bad for you in the long run because that means there's that much more debt out there and debt is bad for us all. One of the main reasons the free market can't work is that people (and even non-people!) can hoard money. Money is supposed to be "I've done X to help society, so society owes me X," but it's become... I don't even know what... almost like a drug.

      Anyways, if there were no dishonesty there would be no need for money. Everyone could just receive favors and promise to do something equally helpful (this is basically the foundation of civilization; think 'ant colony') or be lazy and say 'I'm freeloading!' (and watch their reputation and favors decrease). "Sure, there were always some people who would cheat, but they were isolated and small scale. If you cheated on a large scale, you got caught and..." no one would help you anymore. So there would have to be a reputation tracking system.

      As long as the "price" of something does not reflect the true cost to society, there is a NEED for dishonesty (if 'legal' music downloads didn't cost more than your fair share of the production costs, usually a matter of cents, there would be little incentive to steal). "And it has long been known how you can fix that. There are two general ways. The first is to take the market out of the picture. Some entity, most likely the..." fans, "...would fund the production of new works, and anyone would be free to copy them." The advantage of this is that consumers get the goods for their..." small cost, and decide what works get produced.

      I like the black hole analogy. People who take exponentially more money than they give are black holes. That's why the rest of us have to work so hard, because all the work we do (represented by money) vanishes into the assholes.

    35. Re:Space analogy by u17 · · Score: 1

      Asking a market analyst what happens when the cost of production reaches zero and is available everywhere is like asking a physicist what happens inside a black hole - neither one has the foggiest fucking idea.

      A smart analyst can always take the limit as production cost goes to zero, and voilà, a perfectly good answer ;-)

      More seriously, it is not that hard a problem. Think of the many things around us that are available everywhere and worthless. Dirt in the ground, twigs on a tree, water in the sea. The supply is infinite, the value is zero. Is it so hard to imagine the same, only with digital information?

    36. Re:Space analogy by Opportunist · · Score: 1

      We're still talking about expense per unit. And considering the HUGE amount of units that (allegedly) were illegally distributed, this would amount to a considerable sum if there was even the slightest expense attached.

      The point here is exactly that. Not "practically free". It IS free (per unit). Even a cent per unit would mean that nobody goes out of his way to create hundred of thousands of copies, i.e. spend thousands of dollars.

      That is exactly the point here.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    37. Re:Space analogy by ignavus · · Score: 2, Interesting

      Back in the Stone Age, it appears that agriculture spread by copying, rather more than by the agriculturalists taking over the lands of the hunter gatherers.

      The population of Europe today is about 85% descended from the original hunter gatherers, and only about 15% from the agriculturalists migrating in with their new technology from the Middle East.

      So one of the most fundamental technological revolutions seems to have taken place largely by copying (without the restrictions imposed by patents and copyright).

      That is how the human race progressed.

      --
      I am anarch of all I survey.
    38. Re:Space analogy by Drakkenmensch · · Score: 1

      That's why judgments range from "100 biiiiiilion dollars" to "Nothing to see here, move along". Hell, capitalism isn't even prepared to deal with something like this.

      Like our good friends of the RIAA asking for 1.5 trillions in court? Even Doctor Evil would think that's going too far. "Crank the insanity down two or three notches there. You're making me look bad by association."

    39. Re:Space analogy by silentcoder · · Score: 1

      >That's not really correct. The cost of copying ideas has always been pretty much zero,
      That is irrelevant since ideas in themselves have no value. It's only in their realization that they gain value.
      Right now somebody is trying to change US law to allow for patenting plot ideas - so that he could charge any author for writing a book based on those plot summaries... which is ridiculous. While the old "only 7 stories" joke is not quite true, it has some truth - in that all stories share certain key elements, else they wouldn't BE stories. Allow the ideas to be patented... and it would be all the hazards of the software patent system exponentially worsened...
      I've had many good story ideas in my life, but I'm far from a successful author. I'm busy with a novel now, and I may finish it (if I do - it gets a CC license) but that's after ten years of trying and failing and learning - AND degree in literature. Writing is hard and when I first decided to be one, I knew it was a hard life (part of why I chose NOT to do it full time).
      If I could patent all those ideas I had but lacked the skill to realize, I would probably be rich (the movie Underworld used many ideas I had previously had, hell it even used the same NAME for one of them that I had wanted to use - that just proves that any good idea will come up in the minds of many people individually - that's worthless, the REALIZATION of those ideas is what matters).
      I would have loved to be rich that way - but frankly, I wouldn't deserve to be. If I do finish my book, and it makes money - then I deserve that money, I've earned it through many years of effort to gain the ability to realize my idea. If I could get rich of the idea, why would I (or anybody) ever GO through the effort involved in the realization ?
      That's why ideas should never be held to have intrinsic value.

      >Furthermore, it's long been known what attributes are necessary for a free market to work, in the sense of producing optimal allocation of goods and resources (optimal in the sense economists mean when they say something is optimal). Economists know exactly what happens to a free market when the cost of production approaches or reaches zero. You no longer get optimal resource allocation.

      Well it's always been a largely theoretical thing. Roddenberry suggested that the invention of matter replication technology would in fact lead to the end of the free market system all-together, in fact to the end of money. In the absence of scarcity we can imagine a society able to function without a value-meter like money, and still have a meritocratic promotion of effort, though the rewards would be different to money or luxury (as these are no inherently equally available to all). For that matter, money is already a fully intangible reward, it's more an idea now than a thing, has been for a very long time.
      Why would replacing one intangible reward with another be hard ?

      >And it has long been known how you can fix that. There are two general ways. The first is to take the market out of the picture. Some entity, most likely the government, would fund the production of new works, and anyone would be free to copy them. The advantage of this is that consumers get the goods for their marginal cost (zero or near zero).

      You're forgetting option 3: let it happen and call it progress. Or option 4 - change the system altogether or option 5 ... you get the point I'm making.

      >The disadvantage is that the government decides what works get produced.
      Not good, but not altogether different from the system of patronage (and incredible censorship in combination) that persisted throughout most of human history. It's worth remembering that every single one of Shakespeare's plays would be considered to be copyright infringement if written under today's laws - yet we remember old Will, and not the people he copied from, because his versions were so much better.
      When you study him - you also find entire passages added purely for the purposes of pleasing t

      --
      Unicode killed the ASCII-art *
    40. Re:Space analogy by guruevi · · Score: 1

      It has happened in the past. See Gutenberg. Before him, people would copy books by painstakingly rewriting the whole thing. Gutenberg came along and made it into a repeatable process and it became the ground work for the circulation of new ideas and theories in grand scale. Books fueled the renaissance, scientific research, reformation and a whole lot of other things the rich classes, ruling classes and the Catholic Church (comparable to big business, government and ideological institutions like the RIAA in our times) didn't like but within the next 200 years, the world was better off in general because of it. The same is happening to the Internet and there will be book burnings (Internet disconnects by government and ideological institutions) and there will be witch hunts (so-called pirates) but within a couple of hundred years people like Jamie and NYCountryLawyer will be noted in history just like Gutenberg and William Tyndale

      --
      Custom electronics and digital signage for your business: www.evcircuits.com
    41. Re:Space analogy by ztransform · · Score: 1

      Wow, that's arrogant.

      Fine, consider this: I was a pretty good programmer at a young age. How far would I have got writing software at home and trying to sell that? Software was being copied a good decade before music was.

      I have a job as a programmer for a company now. Every day, making some money, providing what someone else wants.

      Is it too much to ask musicians to do the same? If school-dropout cannot read and write but is such a brilliant virtuoso surely he/she can get a job working for an advertising agency or likewise grinding out works for a company much like most programmers do?

      The arrogance is from the musicians who think they are above the life everybody else lives - especially programmers who are very similar to musicians in that they produce creative works that can be easily duplicated.

    42. Re:Space analogy by ztransform · · Score: 1

      But then, we have lost many classes of workers throughout the times, society will adjust.

      Have you ever used open-source software? Do you find it inferior to commercial software? Perhaps there is an industry that has been where the music industry was decades ago and survived. Perhaps is even stronger.

    43. Re:Space analogy by Just+Some+Guy · · Score: 1

      No, he was right. Unless the restaurant paid their license fee to ASCAP (I think; I'm not in the trade) they were breaking the law. Do you think all those chain restaurants really want to teach that stupid "happy happy birthday, from all of us to you! (hey!)" song to their waitresses?

      --
      Dewey, what part of this looks like authorities should be involved?
    44. Re:Space analogy by Mystery00 · · Score: 2, Funny

      What about OSS? When people like a certain open-source application, they donate money to keep it alive.

      --
      "we've got trenchcoats and bad attitudes" - John Constantine, HellBlazer
    45. Re:Space analogy by Anonymous Coward · · Score: 0

      Totally agree, record companies and intermediates should get used to new tecnologies. Just think about where could be we at the moment if Gutenberg (inventor of printing press) were not allowed to keep going with it. Internet is comparable to all the great inventions in history and it is a BIG mistake trying to having them under control, so called evolution of modern times couldn't and shouldn't be stopped cause that's the way we keep moving forward, instead of avoiding what is inevitable.

      There is profit in the creation of easily reproducable art, keep creating, stop living over with the income that one single album gave you.

    46. Re:Space analogy by Attila+Dimedici · · Score: 1

      Actually, the creation of easily reproducable art (I agree with your loose definition for this discussion) will eventually end up in one of two forms. The first you have already mentioned, non-profit. However, there will be a second form, sponsored. The sponsored form will be both like and unlike that of the Middle Ages and Renaissance. It will be like in that some of it will be produced on commission from a single wealthy patron (or small select group of wealthy patrons). Actually most "art" (movies, music, books) is currently produced this way, except that the patrons generally expect to gain a profit from distributing the art they produced.
      The way that sponsored art will be different from the Middle Ages/Renaissance model is that some of it will be sponsored by large groups of people with just a moderate amount of wealth (such as that possessed by the overwhelming majority of residents of industiralized countries). In this method most of the money raised will be as a result of people seeing the art in question and giving the artist money to encourage the artist to create more like it.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    47. Re:Space analogy by Anonymous Coward · · Score: 0

      What you describe is WHY copyright exists in the first place. It was already widely recognized that there was no way for a creator to get paid for art/science in the first place (once others could distribute it for the same cost and at presumably a lower price). Copyright was created as an artificial right for financing the creation of art/science by giving a limited monopoly on copying a work to its creator. This has been bastardized into an entitlement of the media companies to own a culture.

    48. Re:Space analogy by dwandy · · Score: 2, Insightful

      when the cost of production approaches or reaches zero. You no longer get optimal resource allocation.

      As I have understood the terms, you have optimal resource allocation when the marginal cost is equal to the marginal revenue. So I'm not sure I understand how p2p sharing is anything other than what economics predicts? I'm also not sure how this is less than optimal resource allocation? It might not make those who profit from artificial scarcity happy, but that doesn't mean it's not an optimal allocation of resources.

      And it has long been known how you can fix that.

      I'm not sure what there is to "fix" here. We invented a monetary and economic system to deal with the fact that physical goods are scarce. Had we had an infinite supply of physical goods we never would have needed to invent this system. That we applied artificial constraints to an infinite good is something of an accident of history.

      The second way is to artificially give things like music and movies the attributes necessary to make them work like more tangible goods in the free market.

      Of course that is like legislating that water not be wet. Sure, you can pass a law, but you have no means to enforce it. And that is actually the bigger disadvantage to me as a person (rather than the obvious poor allocation of resources you have listed). In order for a copyright law to be effective I need to give up my personal liberties as we move ever towards a police state. The more the law clamps down on those who share legally protected ideas, the more it moves underground, the more the state needs to clamp down until we arrive at one of two situations: a fairly complete police state with minimal freedom (including minimum of copying of protected works) which includes the full set of legal abuses that one would expect from a police state. Or we arrive at the conclusion that we can't control copies of ideas without losing our personal freedoms and give up trying to do so.

      Most people are fundamentally not honest

      This isn't an honesty question. It's an economic one to start, and a liberty question at the end. That we would give up our personal freedoms for corporate profit is disturbing.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    49. Re:Space analogy by Myopic · · Score: 1

      things that are not in limitless supply, like concerts (you can't clone the singer and have him appear everywhere at once)

      In the 90s there was a mediocre movie called Strange Days which featured a hypothetical technology which allowed full-sensory experiences to be input directly into a brain (and output as well). So, if you go to a concert, you could record the entire experience in fine detail and play it back for yourself or for other people.

      If somebody generates that tech -- which is likely in the next hundred years or so -- then it's hard to imagine how the law could respond. Likewise if we all had Star Trek-style replicators. As for me, I would welcome that new economy, I think it would be different but better.

    50. Re:Space analogy by NickFortune · · Score: 2, Interesting

      No, it's not. It's taking the current system of "you have an unending copyright and all downloading is illegal" and changing it to "companies get a reasonable amount of time to make a profit and after that short period, people can download it all they want".

      No, you're both talking about a practical response to the problem of a fundamental change in the way some artistic forms can be distributed. The difference is that you're assuming that the problem is fixable by tweaking the current system, and Opportunist is assiming that the old model is now broken beyond repair.

      You can make a good case for both sides, but I think Opportunist has the deeper insight. People are not going to stop behaving this way. We need to find social structures that can work in a world where you can no longer compensate creators by placing a surcharge on distribution.

      Your view seems to be (since you bitched about "the old way of thinking") that companies shouldn't be able to make any profit

      No, I think he's saying that the current business model isn't going to remain a viable means of generating revenue for very much longer, regardless of what we do. By all means let's have companies make profits. All I ask is that they do it for doing something useful, as opposed to something that was useful 20 years ago but that is now on the verge of becoming a historical curiosity.

      Sure, some people will do it for free, but most of them will stop because they'll have to find another way to pay the bills. You have to allow them to make a reasonable profit if you want any real discussion to occur.

      And what if that "reasonable profit" isn't in anyone's gift? This is like a wooly mammoth trying to negotiate that if he agrees to get a regular haircut, the would the ice age please not recede any more? The world is changing, and we're all going to have to deal with that.

      --
      Don't let THEM immanentize the Eschaton!
    51. Re:Space analogy by mcgrew · · Score: 1

      Nothing like this has ever been possible in history

      Musicians have historically learned other musicians' songs and not paid a dime; the only payment was when one bought sheet music. Having to pay the songwriter for singing his song is a very recent development; in the past, he was only paid for printed copies of the sheet music.

    52. Re:Space analogy by Anonymous Coward · · Score: 0

      OK, I'm not interested in paying for that as a service; Your move.

    53. Re:Space analogy by jmhoule314 · · Score: 1

      i believe in Fahrenheit 451 everyone was assigned a whole book. So it was more like napster than bit-torrent.

    54. Re:Space analogy by mcgrew · · Score: 1

      Either that or we just get sane copyright laws - say for the first two years after a movie or game comes out, it's illegal to download

      What would be far saner is a fifteen or twenty year copyright term (I know twenty years is a long time to a twenty year old, but believe me, twenty years goes past you too damned fast) and non-commercial use is non-infringing use. The fact that Doctorow puts all his books online, for free, in many e-reader formats and is still a best-selling author is proof that it could work. Authors' books have been free to read from libraries practically forever; most books I've read were library books. There's no way I could afford to buy every book I read, I'd have to be damned rich to buy that many books. I buy books from authors whose books I've checked out at the library and know they fit my tastes. Record companies and publishers would have to sell tangible items, and although many or most would simply download them, people still collect stuff. The problem is that publishers are used to selling items that are expensive to reproduce by the hundreds of millions; the price of a CD is WAY out of line. No CD should cost over five bucks when they only cost pennies to make, unlike back in the analog days.

    55. Re:Space analogy by sapphire+wyvern · · Score: 1

      I recently participated in a "ransom model" arrangement. This is basically a modified donation system. The way this works is that a content creator advertises that they have some content they're willing to release, or are in a position to create and deliver the content, if they raise a certain amount of money by a certain date. People who want that content make pledges; if the necessary amount is pledged, the content is released (or created) and made available for free distribution. If the pledges don't meet the requirements, the content gets shelved, or never finished.

      This model has some advantages:
      1. It neatly bypasses the problem of infinite supply vs finite demand. The content creator can choose to release their work, or not. Once it's released, it's a genie out of the bottle and can't practically be reined in - DRM or no. But until that bottle gets opened, the creator has total control of their work. Since they get to set the ransom price, they can certainly
      2. Not having to worry about piracy also means that word-of-mouth distribution & file-sharing of prior works is quite an effective way of increasing the donor pool, for future ransoms.
      3. It removes the monopolistic effects of standard copyright arrangements and the weird idea that creating a work of art somehow entitles the original creator to an ongoing income stream for life. Except, of course, by proper investment of the capital raised by the ransom, which is the same way that most other acts of wealth creation work. I think that economically this acts as a stronger incentive for continued creation than existing copyright. (Of course, in the real world, copyrights that generate long term income are "long tail". Most copyrighted works are only really valuable for a few years, but for the sake of the income streams of the rights-holders for a few classics, the entire public domain is being locked up for generations...)

      On the other hand, the model can only ever work in situations where people are willing to pony-up sight unseen. Demos, teasers & samples can be released ahead of final publication, of course, but refunds for disappointed clients would break the whole model. The client has to be willing to risk their stake, which means they need to have an expectation that the final product will be good. That means this model can't ever work for marketing-driven "talent" - it can only be made to work by a creator who has already established a good reputation in their target market.

      However, I think the model works quite well for niche interest small-press authorship, digital art, and music. I'm not convinced it will scale to a level that makes the financing & creation of television & film practical. Since I really enjoy a well-made movie, I am not looking forward to a world where blockbuster (or even art-house) movie creation is uneconomic. Hopefully there will be some kind of practical model for works like that in the future. Perhaps a return to patronage, but on a more corporate rather than individual basis?

    56. Re:Space analogy by foksoft · · Score: 2, Insightful

      Well and what about singing my own song in a public? Yes, these extortionists are collecting money even from performance of your own stuff. Just in case you eventually join them.

    57. Re:Space analogy by Kjella · · Score: 1

      Have you ever used open-source software?

      I run Linux as my primary desktop.

      Do you find it inferior to commercial software?

      Quite often, actually. I supplement it with WINE and VirtualBox and a Win7 machine for games.

      Perhaps there is an industry that has been where the music industry was decades ago and survived. Perhaps is even stronger.

      Software development has a huge custom software market that music doesn't. Most embedded markets, console markets and Apple sell through heavy hardware tie-in, even when there's no DRM you can't practically use it without the hardware.

      Music on the other hand is approaching a market value of zero, let's take Spotify as an example. A fairly popular band here in Norway was streamed 130000 times and got 180 NOK. An average salary is 440.000 NOK/year, so that means they'll need 318 million streamings/year to pay one band member. The average person in Norway across all groups listens to music 82 minutes a day, from what statistic I found. Let's say 3 minutes a song, that works out to about 27 streamings. Now there's about 4.8 million people here, so even if everyone listened to that one band every day that only works out to 130 million streamings. The entire country can support less than half a mucisian on that revenue model. Music alone as a revenue source just doesn't work.

      --
      Live today, because you never know what tomorrow brings
    58. Re:Space analogy by Anonymous Coward · · Score: 0

      ...(you can't clone the singer and have him appear everywhere at once)...

      Yet. Don't be so closed-minded!

    59. Re:Space analogy by MobyDisk · · Score: 1

      What does it infringe on? If your statement is true, can you explain or provide links?

      My rendering of the song isn't the same as any copyrighted performance. So it can't be violating the copyrights of the recordings. Does it violate the copyright of the sheet music? If so, that seems strange: Running a program doesn't infringe on the copyright of the source code. Following the instructions for building something doesn't infringe on the copyright of the instructions. Does reading a book or a poem infringe on the copyright of the book? What if I read it aloud? One could argue that my reading of the book is a verbatim copy, but that wouldn't apply to a song.

      I don't get it.

    60. Re:Space analogy by zmollusc · · Score: 1

      I have been advocating a similar thing for years. The way forward would be to release a sample in full quality, then 'ransom' a low bitrate version for cheap, then 'ransom' the full thing. After you release the full thing you can still sell it to individuals that show up to the website.
       

      --
      They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
    61. Re:Space analogy by Late+Adopter · · Score: 2

      Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:

      (4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;

      http://www.law.cornell.edu/uscode/17/usc_sec_17_00000106----000-.html

    62. Re:Space analogy by MobyDisk · · Score: 1

      interesting. Thank you!

    63. Re:Space analogy by harlows_monkeys · · Score: 1

      As I have understood the terms, you have optimal resource allocation when the marginal cost is equal to the marginal revenue. So I'm not sure I understand how p2p sharing is anything other than what economics predicts? I'm also not sure how this is less than optimal resource allocation? It might not make those who profit from artificial scarcity happy, but that doesn't mean it's not an optimal allocation of resources

      The thing with marginal costs and optimal resource allocation works in a free, competitive market when goods have certain attributes. Digital goods do not have the necessary attributes unless artificially given them by law.

      Let's take big blockbuster movies. People enjoy them, and want to consume them. If there is no profit to be made in making them, though, no resources will be allocated to making them. That's not an optimal allocation. Optimal allocation will have the market producing the things consumers want.

      Not that the "IP" solution is optimal. If a movie costs the consumer $20 on DVD, the consumer is not going to consume as many movies as he would have the price had been closer to the marginal cost. So you end up with underconsumption.

      You end up having to have a trade off. Do you want underproduction or underconsumption? The "IP" approach leads to underconsumption. The "let people copy all they want" approach leads to underproduction. The "Department of Entertainment funds artists through tax dollars" approach can achieve a nice balance between the two, but at the cost of having the government deciding what movies and music gets funded.

    64. Re:Space analogy by jc42 · · Score: 1

      That the creation of easily reproducable art (I use that word loosly here) has to become a non profit activity, ...

      Actually, the production of the reproducible art called "music" became a nonprofit activity to musicians roughly a century ago, when the recording industry arose. They developed a controlled distribution system that required that artists sign "industry standard" contracts that handed the copyright and almost all the profits to the corporations. Before that, there was a large population of professional musicians making a living from music. Since then, most musicians have been unable to make a living from music.

      When you "pirate" music or videos, you are hardly ever "stealing" anything from the artists, because the artists rarely made any money at all from the product. What you are doing is joining the effort, applauded by most "artists" who understand the economics of their field, to kill off the recording and publishing corporations that have long had a stranglehold over the means of distribution.

      The claim that copyright gives income to artists is bogus. Copyright is part of the system that delivers the profits to the controlling corporations and denies income to the artists. This was done by the "standard" contracts that required signing over copyright in exchange for distribution. When the artist signs, the copyright belongs to the corporations, and the artist can no longer legally make copies and sell them.

      The only way to end this is to kill off the corporations that have had this stranglehold over distribution. Of course, the end result may be that neither the artists nor the corporations will profit from artistic creation. But that will be no worse for the artists than the current system, which encourages them to create, and then denies them the income from their creations.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    65. Re:Space analogy by Opportunist · · Score: 1

      The client has to be willing to risk their stake, which means they need to have an expectation that the final product will be good. That means this model can't ever work for marketing-driven "talent" - it can only be made to work by a creator who has already established a good reputation in their target market.

      Well, I fail to see the problem.

      Right now, when you "invest" in a movie ticket, you're basically in the same position. Yes, you might have seen a trailer or teaser (that could be done as well with your "ransom" model), but in general you're mostly just hoping to get a decent experience. More often than not, I end up disappointed. Usually the two minutes teaser is the two good minutes of the movie.

      And that only established artists can use the model is not different from any other business venue where you can more easily raise funds (or have funds in the first place) when you are already an established business. Why shouldn't movie makers go the same venue of either finding a VC or starting out small as most other businesses do?

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    66. Re:Space analogy by dwandy · · Score: 1

      Do you want underproduction or underconsumption?

      You have a false dichotomy here.
      It seems you are of the incorrect belief that in a world without copyright we won't have any way to compensate the creators. Once you correct that false impression you may then find your way to the understanding that what we have today is a massive market distortion (aka: intellectual monopoly laws). Those that are getting rich from these laws are naturally fighting tooth and nail to ensure that their lottery winnings don't go away: they might have to work for a living like the rest of us. There's no hookers and blow on a middle-class salary.

      Further, economics predicts that once we remove the monopoly (rights) we will have greater (not less) choice in the market, at a lower price - and as long as there is competition they will each make ordinary incomes and profits. And this is both healthy and is actually a reasonable assumption for numerous reasons. These are currently two of my favorite:
      (1) Monopolies allow monopoly rents: name one monopoly that was also competitive? Example: Are the phone companies more or less competitive where there is no competition?
      (2) At any instant in time, there is a fixed amount of money that can be spent on a given class of goods and services. (yes, this amount changes over time for various reasons, but at any instant of time it is fixed). This means that if U2 earns $100million that removes $100million from the pie. This sum could support hundreds of artists at ranges of middle and upper-class lifestyles. Example: While the recording industry is dying off, the music industry is healthy and growing. People have a relatively consistent budget for music (shifting it seems slowly upwards over time) but they don't spend it on shiny plastic discs any more. This means that artists can, and do, get paid without selling plastic discs.

      I'll end this with a quote from one of the past lottery winners:

      people only made money out of records for a very, very small time. When The Rolling Stones started out, we didn't make any money out of records because record companies wouldn't pay you! They didn't pay anyone! ... So if you look at the history of recorded music from 1900 to now, there was a 25 year period where artists did very well, but the rest of the time they didn't.
      --Mick Jagger

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    67. Re:Space analogy by alexo · · Score: 1

      Singing your favourite song in a public place does constitute copyright infringement.

      So is telling a joke.

  6. Ballsy by tobiah · · Score: 1

    These judges just made some potent enemies...

    --
    "The ability to delude yourself may be an important survival tool" - Jane Wagner -
    1. Re:Ballsy by Opportunist · · Score: 1

      I don't know how Spain appoints its judges, but here the judge would look at you and laugh at you if you tried to "threaten" him with something like getting him fired. To spare you the unpleasant details: Not bloody likely to happen.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Ballsy by AHuxley · · Score: 1

      Very much so, from Pinochet to the Spanish Civil War to Tibet and Rwanda.
      With the Bilderberg Group meeting at the Hotel Dolce in Sitges, Spain, Henry Kissinger words to seem to jump out. “universal jurisdiction risks creating universal tyranny — that of judges.”
      The RIAA, MPAA might call for some judicial reform :)

      --
      Domestic spying is now "Benign Information Gathering"
    3. Re:Ballsy by Totenglocke · · Score: 1

      Well, to be fair, he didn't say anything about the potent enemies getting the judge fired. They could always just have them killed (not saying it's likely, but it's possible).

      --
      "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ~Thomas Jefferson
    4. Re:Ballsy by redscare2k4 · · Score: 1

      Well... in Spain we have two high courts: The Supreme Court and the Constitutional Court. Judges for both of those courts are appointed by the Congress (yay, so much for separation of powers), so... while you can't just fire judges you can make sure the ones you don't like never get to any High Court.

    5. Re:Ballsy by Opportunist · · Score: 1

      Hmm. I prefer our system. Here, judges are elected by peers. I.e. if a seat gets vacant, the rest of the judges on the level choose from the applicants the one they consider the best fitting one.

      Yes, it can lead to a ruling clique, but so far this was avoided. We also tend to have pretty level headed judges, who, likewise, prefer level headed people as their peers. And I'm quite glad at least one pillar of our democracy remains fairly solid and (mostly) incorrupt.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    6. Re:Ballsy by Anonymous Coward · · Score: 0

      Well, maybe in your former democracy.

  7. It won't be long... by postmortem · · Score: 1

    Until big dollars representation finds their way in Spain and tell them how it *should be*.

  8. Move aside Canada by Namarrgon · · Score: 5, Funny

    It's straight to the top of the "priority watch list" for you, Spain.

    --
    Why would anyone engrave "Elbereth"?
    1. Re:Move aside Canada by Anonymous Coward · · Score: 1, Funny

      Oh no you don't! Canada has that spot and we're not giving it up without a fight!

  9. Re:Your post is an example of why starting the bod by phantomfive · · Score: 1

    I only do it when it takes nothing away from the body. In this case you could have understood the post completely without reading the subject. Sorry if that bothers you.

    --
    Qxe4
  10. World Cup by Barrinmw · · Score: 0, Offtopic

    I don't watch soccer, but because of this, I will be rooting for Spain in the world cup...now can anybody tell me if they are a good team?

    1. Re:World Cup by Capsaicin · · Score: 0, Offtopic

      I don't watch soccer, but because of this, I will be rooting for Spain in the world cup...now can anybody tell me if they are a good team?

      They are pretty much the favourites this time round.

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    2. Re:World Cup by Freud · · Score: 0, Offtopic

      One of the favourites.

      --
      Blah blah blah, etc.
    3. Re:World Cup by Anonymous Coward · · Score: 0

      They ain't too bad... They have lots of individual talent, and are a potent team, they just have a tendency to choke in large tournaments.

      I like their style though.

    4. Re:World Cup by Anonymous Coward · · Score: 0

      Actually, not even then. I happened to be in Germany at the time and most germans just conceeded that it was a fair result.

    5. Re:World Cup by Anonymous Coward · · Score: 0

      They just have a tendency to choke in large tournaments.

      Yeah, like in the last European cup.

    6. Re:World Cup by Anonymous Coward · · Score: 0

      There was little doubt which was the superior team.
      (Unless you're asking a German, of course)

      This German has no doubt about which was the superior team. Germany for the first 20 minutes, Spain for the remainder. Once the Spanish found their legs, or overcame their awe at playing Germany in a final, whichever it was, we were no longer in the game.

      The Spanish appear to have forgotten how to lose. Most recent result Spain 6 : Poland 0. Ouch!

    7. Re:World Cup by delinear · · Score: 1

      Is there any way their performance can be attributed back to Spain's liberal file sharing attitude? I can't think of anything more likely to get Joe Sixpack up in arms about anti-file sharing laws than the possibility that it might help his team perform well :)

    8. Re:World Cup by Anonymous Coward · · Score: 0

      Spain always loses on the second round. If I had 1000$, I would bet on that outcome.

    9. Re:World Cup by Capsaicin · · Score: 1

      Is there any way their performance can be attributed back to Spain's liberal file sharing attitude?

      No that would be to reverse the attribution. You see when countries perform well in international (roundball) football tournaments, the judiciary in those countries begin to favour the rights of the public at large as against the rights of IP holders. I mean just look at Brazil! ;)

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
  11. Equivalent to lending a book? That makes no sense! by Anonymous Coward · · Score: 0

    "the equivalent of sharing or lending books or other media" makes no sense. The example is clearly in reference to a physical book - when was the last time you were able to lend a physical book to someone without depriving yourself of it at the same time. Also, it would have to be done in a way that enabled the person you lent it to to do the same thing - lend it on without depriving themselves of it and do so as easily as a link on a web page or in software with no other limitation. With that capability, if the people (or business) that produced the book did so with the intent of making money on it - how would it work?

  12. The bottom line is... by Max+Romantschuk · · Score: 3, Interesting

    ...that we, as consumers, want to consumer media with reasonable terms.

    There will always be a certain number of people who want things for free. But I suspect most of us are happy to pay a reasonable amount of money for most content.

    I, for example, like certain anime TV series which I can't get through any legal channel locally. So I just torrent the fansubs. I'd love to pay 0.5-1 EUR per episode to get a DRM-free download to keep. But I can't.

    Since Spotify came along I've been happily subscribing for 10 EUR a month to get an unlimited amount of music. I don't get to keep it, but it's kind of like having I radio station where I am the DJ, without the annoying ads. The price is right, thus I pay.

    I'm still waiting for a reasonably priced edition of ST TNG... The price of the DVD:s is ridiculous for a series that started twenty years ago.

    Piracy will likely never go away, but if the media companies actually tried to serve customers instead of maximizing profits they might actually end up with something which is viable in the long run.

    --
    .: Max Romantschuk :: http://max.romantschuk.fi/
    1. Re:The bottom line is... by Anonymous Coward · · Score: 0

      There is no distribution method so cheap and convenient that continued piracy will not be defended by someone.

    2. Re:The bottom line is... by CaptainNerdCave · · Score: 1

      if the media companies actually tried to serve customers instead of maximizing profits

      In many businesses, giving the customers what they want IS maximizing profits. Look at the early Ford Motor Co. The media companies aren't trying to maximize profits, they're trying to suck money from people, a wholly different practice that comes from giving people just enough of what they want that they are willing to pay for it, but little enough that they are still miserable (kind of like why many car repair places stopped offering lifetime wheel alignments).

      I, for one, have been a consistent repeat customer of the places that give me exactly what I want at a price that is reasonable. Each time I tell others about these places, they become repeat customers. Everyone wins, except the places that hate their customers.

      PS- If any of you living in America care, Tires Plus offers lifetime alignments, Dunn Bros, Caribou Coffee, and Starbucks offer excellent products, and Amsoil often pays for itself in improved fuel efficiency and lengthened oil change intervals.

    3. Re:The bottom line is... by MaskedSlacker · · Score: 1

      Starbucks offer excellent products

      Only if you hate coffee.

    4. Re:The bottom line is... by Ginger+Unicorn · · Score: 2, Interesting

      This thinking is too binary - it's a matter of degree. If you have a cheap convenient distribution method that converts 90% of pirates to your method, the fact that the other 10% still exists is unimportant. The trick is to come up with a method that hits the sweet spot in the scale to maximise profitability. If you have a relatively scale-agnostic distribution method like bit-torrent and you can get 2 million people to give you a dollar, you make more money than getting 100,000 people to give you 10 dollars.

      --
      (1.21 gigawatts) / (88 miles per hour) = 30 757 874 newtons
    5. Re:The bottom line is... by delinear · · Score: 1

      That's irrelevant. There's no locked down system that's so bullet proof that some label won't say it's not enough. The point is you find a compromise where the largest number of people are happy to pay, the right price point with the right freedoms, and you accept you'll never convert 100% of the market. The problem the **AAs seem to have is that they just can't accept that not everyone is going to pay, and they're willing to throw away huge sums of money on DRM and annoy all their legitimate customers to go after the few extra percent, when they could do none of that and still make money hand over fist.

    6. Re:The bottom line is... by delinear · · Score: 1

      Don't think of it as coffee, more as coffee flavoured milk drinks. Like a warm coffee milkshake. It's as far from real coffee as strawberry milkshake is from real strawberries, but doesn't mean you can't enjoy both so long as you don't delude yourself about the nature of them by believing it's anything approaching proper coffee.

    7. Re:The bottom line is... by CaptainNerdCave · · Score: 1

      Why would I buy prepared coffee from Starbucks? I buy the beans and use a French press at home. Their Caffe Verona and Italian Roast are excellent.

    8. Re:The bottom line is... by bytestorm · · Score: 1

      At 1 EUR per episode, do you think you can find 300K people (assuming 250k production, localization, distribution & maintenance costs per episode) who would buy each one to cover costs then make some profit on top? That seems like a lot of people for what strikes me as a niche market. I guess it'd work for your big market segment shows like naruto or code geass, but people who don't like that genre would be screwed.

    9. Re:The bottom line is... by Anonymous Coward · · Score: 0

      there is nothing, zip, nada zero way for peopel to think it reasonable to have instant access to all content, on any format they want, with no adverts for no cost.
      And yet this is what pirate assholes think they are ENTITLED to.
      Pathetic.

    10. Re:The bottom line is... by Max+Romantschuk · · Score: 1

      Interestingly I can't even get Naruto here, except for some DVDs released with ancient episodes and probably cut (read destroyed) to be kid-friendly.

      If even niche series break in Japan, what's stopping subbing them to English and having a 1 EUR / episode download option? What's the loss compared to the current fansubbing situation?

      --
      .: Max Romantschuk :: http://max.romantschuk.fi/
  13. Serious Question: by Anonymous Coward · · Score: 0

    Have the operators of The Pirate Bay considered relocation to Spain?

  14. Re:Your post is an example of why starting the bod by Anonymous Coward · · Score: 0, Funny

    Well, I've got to admit, that when I'm fucking, I don't have much brain capacity and dexterity left over for writing because I do tend to devote all my attention to the task at hand. I suppose it's different for conservatives because a lot of the time either a) the woman has to lie back and think of England or b) the guy is lying back and enjoying the blowjob he demanded (which she she decided to give because she's looking for a lifetime meal ticket). I prefer the liberal approach, but to each his own. My writing skills, outside of periods of sexual intercourse, are quite satisfactory and were thus even before attending university.

  15. Avast! by shikaisi · · Score: 1

    Let's cross the Spanish Main, me hearties. Aaaaaarrrr!

    --
    No left turn unstoned.
  16. In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 4, Informative

    In Spain when you buy a media for storage (SD Cards, HDDs, CDRW, etc) you are paying a tax ("El canon digital") and that funds are shared among the authors or people with IP over published and registered works. So.. is not illegal (almost legal) to download music, movies, books, etc for personal use. Not is not personal use become rich selling 2000 "personal" copies of the last CD release of Shakira...

    You choose, in USA pay each CD to the artist o in Spain you pay to some random artist when you purchase a SDCard for take pictures of your kids... Spain is too different from USA.

    I live in Spain, but I not born here and not study here.

    1. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 1, Informative

      This tax is a really bad way to solve the problem... We pay the tax ("canon digital") when we buy anything that can be used to store content (cd, dvd, hd, sd, consoles, mobiles, computers,...)
      Companies and government pay it too, even that one may figure it's not gonna be used to store pirate content, and all this money goes to our RIAA equivalent, the SGAE, that doesn't have to give any explanations about how the money is distributed between their associates.

      The result? I have 2 computers, ps3, wii, mobiles,... I've already paid money because I'm a potential pirate. Should I pirate and get a use for the money spent or should I pay for everything and let the SGAE get money for no reason.

    2. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 2, Interesting

      Czech Republic uses that system as well. Storage media and printers are burdened with that tax and the funds are channeled to intermediary. The thing is, the intermediary is privately owned and there is no governmental oversight whether the allocation of funds to the artists is effective.
      Downloading copyrighted works for personal usage permitted here as well, but circumventing DRM is not, regardless whether you are the owner or not.

      Do any other countries besides Spain and Czech Republic implement such system?

    3. Re:In Spain you pay a tax (cannon) by imakemusic · · Score: 1

      So who actually gets the money generated from that tax?

      --
      Brain surgery - it's not rocket science!
    4. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 0

      I am from Spain, I lived in the US for a while and now I'm back.
      Certainly, different countries, different laws, you cannot compare.
      It is really fucked up that for every byte of storage media you buy you are paying a cannon to the SGAE (RIAA equivalent in Spain).
      They don't care if you buy CD's for backups or a HDD to install Linux. You are going to pay. It's unfair but I think that accounts for people downloading stuff.

      Now lemme check my uTorrent queue... Oh, I was downloading some open source and free Linux ISOs but the law allowed my ISP to block all ports and stuff...

    5. Re:In Spain you pay a tax (cannon) by loufoque · · Score: 1

      In France, you pay such a tax, but it doesn't change the fact that downloading or distributing copyrighted material for free is somewhat illegal.
      It's just something the government added to save the poor music industry that is being killed by evil sharers.

    6. Re:In Spain you pay a tax (cannon) by Mornedhel · · Score: 1

      Do any other countries besides Spain and Czech Republic implement such system?

      France does. The tax applies to blank recordable media and recording devices. It was created at the time to complement the right of making private copies of intellectual works (from books to music to movies).

      The concept of private copy still exists, and it is in theory still legal to make private copies, unless it "causes unjustified prejudice to the interests of the author". Which, according to HADOPI, is basically all the time.

      --
      This /.-related sig is a stub. You can help Mornedhel by expanding it.
    7. Re:In Spain you pay a tax (cannon) by F.Ultra · · Score: 1

      Tape Tax is in USA aswell, it was invented there!

    8. Re:In Spain you pay a tax (cannon) by emj · · Score: 1

      Basically the ones that get played on the radio.

    9. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 0

      Yea we've got this "tax" in Germany too. Unfortunately after several copyright law changes it has become illegal to download or copy. Not that those taxes went away. No, they get more an more. Recently computers were added to the long list of items you have to pay extra without getting anything in return.

      At least it provides a great moral justification for piracy.

    10. Re:In Spain you pay a tax (cannon) by johanw · · Score: 2, Interesting

      Yes, The Netherlands. Down,loading books, music and movies is legal (technically, copying for your own personal use is legal, wether you own a legal copy or not) and you pay when buying CD's and DVD's (which are therefore mass-ordered in Germany (www.opus.nl) to avoid the tax or bought from vendors who ignore it). We don't pay extra for memory cards, USB sticks or harddrives although the lobbyists are trying. And we have the same problem: the collecting organisation resides in luxury offices and claims they have lost too much gambling on the stock market to pay the artists.

    11. Re:In Spain you pay a tax (cannon) by HyperQuantum · · Score: 1

      In Spain when you buy a media for storage (SD Cards, HDDs, CDRW, etc) you are paying a tax ("El canon digital") and that funds are shared among the authors or people with IP over published and registered works.

      Here in Belgium it's a similar system, though I'm not sure about the details.

      It makes me wonder if it's fair. Can I just publish and register some worthless IP as cheaply as possible, something that nobody even wants to get, and then start collecting my share of the funds? And why should publishers get payed when a buy a blank CD that I want to use to backup my family pictures?

      --
      I am not really here right now.
    12. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 1, Informative

      The "tax" you pay has nothing to do with legally of copying books, movies and music. Spanish law allows to do and sharer those copies with no benefits, but there isn't any relation to that "tax".

      As a side note "computer programs" are treated in a different way: you're allowed to make backup copies but not to share them.

    13. Re:In Spain you pay a tax (cannon) by wiredlogic · · Score: 1

      The same system is in use in the US but it only applies to special audio CDRs (and DATs) which nobody really uses since the market for the dedicated recorders is dead. In any case it's hard to believe that content creators get any significant money out of this system since the levy is even smaller than the pittance most musicians make from CD sales.

      --
      I am becoming gerund, destroyer of verbs.
    14. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 0

      Canada. And frankly, the system sucks. I don't download any pirated content, so why do I have to pay? CDs are now almost more expensive than DVDs.

    15. Re:In Spain you pay a tax (cannon) by Anonymous Coward · · Score: 0

      Portugal has this as well. at least for CD's and DVD's. Don't know if memory cards also have that tax included...

  17. A tracker is like a Fence for stolen goods... by Anonymous Coward · · Score: 0

    How is it different? If the tracker knowingly (and possibly profitably - though this isn't really important) provides a services that offers pointers to torrents of material that is being distributed in direct contravention of the wishes of the creator or copyright holder. How is that different from a fence saying 'hey, I never handled the goods - I only match up buyers and sellers'? Many trackers out there only exist because of their willingness - collectively or individually - to offer torrents of illicit content.

    Of course the 'big dollars' are going to get out their big guns and go after this kind of thing, it's big business after all. But it scales well down below big studios and companies too.

    Is this *change* or is it *wrong*? The Internet is a kind of new frontier, most frontiers are pretty messy in their frontier stage. Lots of people get hurt, lots of stuff changes hands in good ways and bad ways. Ultimately as more stable and sustainable elements of society arrive the rule of law is established and more efficient and stable (and less dangerous) commerce becomes possible. Nearly all of the readers of Slashdot benefit from, or are at least participants in, these elements of our society including, commercial business, public safety, public health, public education etc.

    It seems that the freedom that a frontier provides is somehow conveniently separated from the responsibility and respect we should all have to each other and products of each others work. It also seems that in the debates on Slashdot that somehow it is wrong to profit from work. I don't get this - again nearly all of us readers profit from our work every day. Many of us, probably most, participate in a collective creation of products or services that are sold for profit which is in turn used to pay us. Is that right or not?

    I've never understood why, if that were true, there's so much venom in these discussions directed at the content creators/owners. Even if they are rotten bastards, if you want to benefit from the protections that enable you to sell your work those same protections need to be offered to everyone who is doing work that is legal in our society, even if they are rotten bastards. Is this wrong?

  18. Primitive world by Anonymous Coward · · Score: 0

    When we get a free and unlimited source of electrical energy, we can surely expect the oil companies to make it illegal somehow.
    Unfortunately that's the primitive world we still live in folks.

  19. Unfortunately by Anonymous Coward · · Score: 0

    Unfortunately there is a law called "Law of sustainable economy" that is about to pass, that will bypass judges completely and will let the goverment to shut down websites without judge aproval, as long as the website has harmful content for "the authors" (copyright holders). So, in ensence they'll have the power to shut down every webste they don't like, in less than 24h. A judge could revert that, but that could take months or years.
    Moreover, the (copyright) industry is asking the goverment for the right to shut down internet connections if the law of sustainable economy doesn't reduce piracy up to 70%.

  20. Speaking from Spain by Anonymous Coward · · Score: 4, Informative

    For all of you north-americans speaking out of your methane-generating device, allow me to put this in context.

    In Spain we pay a tax called 'canon' (bad choice, you cannot google that and get any meaningful results, google for 'sgae canon' instead, SGAE being the equivalent of your RIAA and its ilk). That tax is about 2-3 euros out of about 50 (those numbers vary but think you pay 2-3 eur when you buy a 500 GB HD anywhere). Got that? Ok, you pay also when you buy anything of the following: TV, DVD, camcorder, camera, iPod, iPhone, any other smartphone, USB drive, microSD, set-top box, playstation, whole computer (with HD inside), etc. Any medium capable of storing copyrighted works is taxed. Many spanish people misunderstand what this tax is for and there is outrage among the ignorant that THEY(tm) tax you 'before' you commit THE CRIME(tm). Of course, it's not like that. This tax gives us what you americans and anyone everywhere has been doing since the beginning of time: lending privately. When I was 10 and lent a mix tape to a friend it was legal. When a friend lends me a book it's legal. When today someone brings a DVD to a friend's place to play it on their telly (oh those peeracy vornings) it's also legal. So this is why spanish judges rule like this. It's also not new, we have had rulings like that for 5 years since the SGAE started their scaremonging about the trillions they lose to piracy every hour. Spanish judges have no other way to rule than this because the canon tax gives everyone the right to lend privately, even if those to whom you lend are not your friends and even if this whole process is automated. Neat? You bet. Going to last? I think the legal bases for this are sound and as I said it's been extensively tested in court. That means the only way SGAE has to take this right away is to lobby and change the law but so far they have been unsuccessful. IANAL but I think you have in the US a weaker legal figure called 'fair use' that doesn't go as far.

    Last thing: For this trick to work there cannot be any monetary profit to the web operator. As I said before, this is analog to lending privately. Have even a google ad in the page and you may lose the case; as long as you make a page with only P2P links you are safe.

    1. Re:Speaking from Spain by spidr_mnky · · Score: 1

      Many spanish people misunderstand what this tax is for and there is outrage among the ignorant that THEY(tm) tax you 'before' you commit THE CRIME(tm). Of course, it's not like that. This tax gives us what you americans and anyone everywhere has been doing since the beginning of time: lending privately.

      If the the money is to offset the "cost" of private lending, and you have to pay it whether you do any such lending or not, it sounds like it's exactly like that.

      It's a neat trick in countries where this is the case that paying a little completely screws up the recording industry's ability to threaten individuals with extreme punishment, but that doesn't change the ethics of the tax. You've just painted it up with positive language and said exactly the same thing: You're presumed guilty, and charged a nominal fee.

      That's leaving out other issues such as who the money goes to, and whether there is any "guilt", or liability, to speak of.

    2. Re:Speaking from Spain by MobyDisk · · Score: 1

      So would it be legal, in Spain, for an organization to buy 1 million blank DVDs and make copies of movies and books onto those DVDs, so long as they gave the DVDs away?

  21. Re:Quite ridiculous verdict by Inconexo · · Score: 1

    > they did not generate any profit from their site

    That is no excuse.

    Well, spanish law says sharing is legal if no profit is made. So, it really isn't a excuse. It's a legal principle.

  22. Anti-Commercial Bias by TheVelvetFlamebait · · Score: 3, Insightful

    This decision highlights the pervasive anti-commercial bias in society. It often has no practical basis. Often, the making of the money adds no extra damages to the crime itself. The bias against commercial sharing is no exception.

    Commercial sharing involves sharing the same works to the same people. It has the same demand-killing effects that non-commercial sharing does. It affects the artists in the same way. The only real difference I can see is that the artist, unlike with non-commercial sharing, might actually be able to compete with the non-vanishing price point of commercial sharers. If anything, commercial sharing is better for artists than non-commercial sharing.

    Why do we make such a distinction? Why is it so much worse for a person to receive an ill-gotten stream of money than, say, an ill-gotten stream of free entertainment? It makes no sense to me. I cannot support a decision not grounded in (not so) common sense.

    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    1. Re:Anti-Commercial Bias by ribbe · · Score: 1

      It's not about the damages. It's to discourage trying out illegal commercial sharing as a business model. Kind of like the different degrees of murder - the victim is just as dead, the damage is the same, but to discourage planned illegal activity the punishments differ.

      I think this actually makes sense, since deterrents likely work best against people who rationally plan their crimes and weigh the possible outcomes. A commercial pirate is likely to carefully consider the amount of potential fines. A college student, less so.

    2. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      It's not about the damages. It's to discourage trying out illegal commercial sharing as a business model.

      So, by the same reasoning, we should go extra hard on non-commercial sharers, so that sharing doesn't become their primary source of entertainment? I guess that makes sense.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    3. Re:Anti-Commercial Bias by selven · · Score: 1

      Regulating commercial use specifically allows for certain reasonable compromises - for example, allowing movie producers to maintain their temporary monopoly in movie theaters and their temporary monopoly in physical media (ie. CDs) sales while allowing people to share the movies on the internet.

    4. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      But, would anyone with internet actually pay for illegitimate copies of movies, if given the chance? It doesn't sound like much of a compromise otherwise.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    5. Re:Anti-Commercial Bias by Just+Some+Guy · · Score: 1

      Why do we make such a distinction?

      For much the same reason that I can drop a hamburger patty on the ground in my own kitchen, pick it up, wipe it off, and cook it anyway while a McDonald's would be closed for the same reason. For the same reason I can make my tween kids mow my own lawn while I'd get in serious trouble for employing a child. For the same reason I can put an Apple sticker on my HP netbook, but I'd be sued 8 ways from Sunday if I tried to sell them as Apples.

      More interesting (to me) is why you think personal, non-profit activities should be regulated just like their commercial counterparts.

      --
      Dewey, what part of this looks like authorities should be involved?
    6. Re:Anti-Commercial Bias by SleazyRidr · · Score: 1

      I think it's kinda the same as not using prisoners for cheap labour. They're already in prison, so we may as well use them, but it will provide an incentive to create more prisoners to get more free labour.

    7. Re:Anti-Commercial Bias by mcgrew · · Score: 2, Insightful

      This decision highlights the pervasive anti-commercial bias in society.

      I'm not sure what you mean by that; obviously someone did, as you're moderated insightful. Maybe I didn't get enough coffee this morning, or sleep last night.

      What anti-commercial bias? It seems this society worships commerce; people will posit that free = useless, and sharing is a bad thing (contrary what our mothers in my old generation taught us), and that "*there's no such thing as a free lunch". If there's a pervasive bias, it seems to me to be a pro-commercial bias.

      Commercial sharing involves sharing the same works to the same people. It has the same demand-killing effects that non-commercial sharing does.

      No, it doesn't -- commercial "sharing" isn't sharing, it's selling. If you buy a bootleg CD, that IS a lost sale to the CD's distribution chain; whoever you give the money to gets money that rightfully belongs to the CD's creator, while if you're not paying for it they've lost nothing. If you were going to buy it, you'ld buy it. If you think it has value, you'll pay for it.

      The only real difference I can see is that the artist, unlike with non-commercial sharing, might actually be able to compete with the non-vanishing price point of commercial sharers. If anything, commercial sharing is better for artists than non-commercial sharing.

      I'm wondering if I'm reading it backwards, or if you wrote it backwards, because it's backwards. Noncommercial sharing helps the artist by getting him noticed, while the commercial sale of counterfeits is in fact a type of theft -- if you gain money that's rightfully mine, you've stolen from me. If you copy something of mine I've lost nothing.

      Why is it so much worse for a person to receive an ill-gotten stream of money than, say, an ill-gotten stream of free entertainment?

      I think I answered your question. A download is not a lost sale, while sale of a counterfeit is a lost sale.

      * If there's no such thing as a free lunch, how do rabbits eat?

    8. Re:Anti-Commercial Bias by selven · · Score: 1

      Why do people buy a 42 inch TV instead of a 28 inch TV? The same argument applies to going to a movie theater and watching through a 1000 inch TV. That's one reason a pirate might pay to watch a movie at a theater. As for people buying on DVD, for some people going to the store, buying a season of (insert show here) and going back takes only 30 minutes, which is more convenient than downloading 7-15 gigs of video through a 5KB/sec dialup connection (my calculations put that at 2-5 weeks non-stop). And don't think that second issue will go away as technology improves - once we get bored with increasing resolution to beyond that of the human eye we'll start distributing 3D movies where viewers can pick their own point of view, and one of those will take up around 100 GB.

      Right there we have two commercial markets that people will buy from even if the pirate networks become 100% legal.

    9. Re:Anti-Commercial Bias by chickenarise · · Score: 1

      If there's no such thing as a free lunch, how do rabbits eat?

      They forage for food, a process that takes time and energy, thus it isn't free.

      --
      One convenient locations...in Africa.
    10. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      OK, so there's still a market for illegitimate, priced copies of TV seasons that is (sort of) diminishing as internet technology improves.

      For many, many people, it's just as easy to download an almost DVD quality movie with less than 1GB of bandwidth, and requires less dough. For TV series, it's even easier, since you can download the next episode while watching the previous one!

      Frankly, I don't see it as much of a compromise. It feels more like the middle/upper class getting everything they want, the artists suffering, and the poor people without fast internet connections just being screwed (but then again, they could never really afford luxuries like big movie/music collections). How many more sales do you think there are thanks to the unavailability of commercial copyright-infringing media? If a person prefers to buy a dirt cheap copy when going to the store (but can't), then either they go home and download it, or they can't afford fast internet or full-priced copies of media. This is, of course, an over-generalisation, but the rule outweighs the exceptions.

      And this is ignoring another important issue. We are making a distinction of convenience, without taking into consideration the justice of such a distinction. The reason we want to punish commercial copyright infringement is the harm to the artist caused by practising such infringement, but the same harm is caused by non-commercial is no different. Why are we punishing one, but not the other? It is a significant injustice to the artist and, in fact, the commercial infringer that we punish one harshly, and leave the other scot-free. If there were some difference in effect between commercial and non-commercial infringements, then it would be understandable, but there isn't. Right now, it makes about as much sense as exempting people with internet connections from copyright, or even people with cats from copyright.

      We cannot have a just legal system that decides who to apply the law to, based on arbitrary distinctions. It is just not right.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    11. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      For much the same reason that I can drop a hamburger patty on the ground in my own kitchen, pick it up, wipe it off, and cook it anyway while a McDonald's would be closed for the same reason.

      Because it's a health risk to other people if McDonalds does it?

      For the same reason I can make my tween kids mow my own lawn while I'd get in serious trouble for employing a child.

      Because 12-year-olds don't have social power to negotiate fair working terms?

      For the same reason I can put an Apple sticker on my HP netbook, but I'd be sued 8 ways from Sunday if I tried to sell them as Apples.

      Because doing so would be fraudulent, plus a weakening of Apple's brand and infringement of their trademark? Please note that I am assuming no fraud here; that the seller makes it crystal clear that their copies are illegitimate.

      More interesting (to me) is why you think personal, non-profit activities should be regulated just like their commercial counterparts.

      I will answer this question, but first I'd like to point out something interesting. You use the word "personal", as in, "is nobody's business but my own". But clearly, this also applies to for-profit transactions. I mean, just like how the private transactions of media, with no money changing hands, is private and personal, so too is exchanging media for money. The same reasoning applies, yet for some reason, most people don't apply it. Well, IMHO, the reasoning is wrong, so I more ask the question from the other end, i.e., why do people use such reasoning in the first place?

      So, to answer your question. Your question is moot. The activities are not personal. There is always a third party in any copyright infringement: the artist. Willing or not, they are party to the transaction, since it is their work and commercial investment which is being stolen from.

      So now, the question becomes, "Why do I think non-profit activities should be regulated like their commercial counterparts?" Well, I think they should be regulated in the same way when there is no difference in effect between money exchanging hands, and money not exchanging hands. If a non-profit activity generates the same damage as its for-profit activity, then I see punishing both activities equally not just as desirable, but necessary in order to maintain an equitable, just, and integral legal system. Does that answer your question.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    12. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      I'm not sure what you mean by that; obviously someone did, as you're moderated insightful. Maybe I didn't get enough coffee this morning, or sleep last night.

      What anti-commercial bias? It seems this society worships commerce; people will posit that free = useless, and sharing is a bad thing (contrary what our mothers in my old generation taught us), and that "*there's no such thing as a free lunch". If there's a pervasive bias, it seems to me to be a pro-commercial bias.

      There is both, I'm afraid. It's interesting the contradiction here, but I suppose it's not entirely unexpected, since the anti-commercial bias to which I am referring is based on envy. Envy is itself a contradiction. You hate those who live the way you yourself want to live. As a consequence you hate, by association, the way of life itself, but at the same time, yearn for it.

      This is what I'm talking about. The "pervasive anti-commercial bias" is more or less envy for rich people. I mean, you may not feel it, but there are plenty who do. You often don't have to dig very deeply to find prejudice and resentment towards rich people, or towards the idea of someone else making a lot of money. Sometimes it's fairly pronounced, for example, when people call someone like Paris Hilton a spoilt rich kid (which is empirically true, but is meant as a derogatory term). Other times it's subtle, like calling the guy who owns the mansion and the speedboat down the street "lucky", even though he probably had to work his butt off to earn that kind of money.

      So yeah, we have a pro-commercial bias, and an anti-commericial bias. It's self--contradictory, which is why I think, at least in our legal system, we should pick a position, and stick to it.

      No, it doesn't -- commercial "sharing" isn't sharing, it's selling.

      It's a semantic distinction. It's still sharing. The seller still has his copy of the work, and now, for a fee, so do you. How is that not sharing?

      If you buy a bootleg CD, that IS a lost sale to the CD's distribution chain; whoever you give the money to gets money that rightfully belongs to the CD's creator, while if you're not paying for it they've lost nothing. If you were going to buy it, you'ld buy it. If you think it has value, you'll pay for it.

      This distinction is very fragile. What if the CDs are sold close to cost, for example, for $3? Then, you have a choice of either buying legitimately for $20 or paying $3. If you're not going to pay $20, it's not a lost sale. What if it was, say, $10? Still, it's within your rights to decide to decide not to buy such a CD for more than $10, thus it is still possible for you to buy the illegitimate CD without it being a lost sale for the legitimate CD.

      What if the goods were not delivered physically? What if they were delivered digitally, in much the same way as people download them now for free? Then the action is identical, with the exception of money changing hands. Consider allofmp3.com. They sold their mp3s for peanuts. Can you honestly tell me that buying an album for a couple of dollars from allofmp3.com implies that you would have bought the full priced album, for as much as $30 in stores?

      I'm wondering if I'm reading it backwards, or if you wrote it backwards, because it's backwards. Noncommercial sharing helps the artist by getting him noticed, while the commercial sale of counterfeits is in fact a type of theft -- if you gain money that's rightfully mine, you've stolen from me. If you copy something of mine I've lost nothing.

      There's a final step in your reasoning here that you haven't quite made. I don't know whether you can't see it, or whether you're just avoiding it, but it's there. Yes, sales are a type of theft. You gain money that rightfully belongs with the artist. Why? Because it destroys demand, and potentially could replace sales. Now, as I demonstrated earlier, just because you pay mor

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
    13. Re:Anti-Commercial Bias by mcgrew · · Score: 1

      The time is free and the energy comes from the food.

    14. Re:Anti-Commercial Bias by TheVelvetFlamebait · · Score: 1

      Time is free in the same way as life is free, but I've never heard anyone seriously recommend wasting either of them.

      As for the energy, well, the rabbit had to work its butt off to get that energy didn't it? For the record, I know how circular that argument is. Such is life.

      --
      You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  23. Trackers are not Fences by maroberts · · Score: 1

    A fence actually handles the stolen goods. The Spanish court decision seems to be partially on the basis that a tracker never handles anything.

    Lets consider A who says to tracker X 'I have goods G' .

    Tracker T simply tells potential buyer B that A has G. T has no knowledge of whether A has legal title to G.

    It is no different from a newspaper advert placed by A. The newspaper is not responsible for determining whether A has the goods legally or not, and therefore neither should a tracker

    --

    Donte Alistair Anderson Roberts - hi son!
    Karma: Chameleon

    1. Re:Trackers are not Fences by Anonymous Coward · · Score: 0

      You're right except if it were discovered or commonly known that the newspaper classified section offered mostly items that had been stolen then there would be some safeguards put in place like requiring personally identifiable information, a limit to the number off ads that could be placed by an individual etc. This would likely happen if the proportion of items in a classified section that were stolen was comparable to the proportion of illicit content distributed on most torrent trackers.

  24. North Americans? by OrangeTide · · Score: 4, Informative

    Canada has a pretty famous blank media levy in the Canadian Copyright Act. 2/3rd of the tax goes straight to authors and publishers.

    USA has a 2% import or manufacturer tax on devices that can be used to duplicate music. (Fairness in Music Licensing Act of 1998)

    I just wanted to point out that the idea of taxing based on possible copyright violation is something North Americans are familiar with, and is not unique to Spain. Although Spain has cast a much wider net than even Canada when it comes to applying the tax.

    --
    “Common sense is not so common.” — Voltaire
    1. Re:North Americans? by Anonymous Coward · · Score: 1, Insightful

      I made the original comment. You still don't get it. In Spain the tax is NOT 'just in case' you copy. The tax gives us the right to lend whatever we bought. No one is saying you are a pirate. Is it clearer now? Spain or any other country would be a reign of terror if people were punished before a crime was commited, right?

      OTOH if you also pay taxes on blank media. Why are then the Canadian RIAA equivalent prosecuting P2P? What rights do you get with that tax? That's pretty twisted, paying twice, when you buy the disk and when you get thrown in front of a judge, no?

    2. Re:North Americans? by Anonymous Coward · · Score: 0

      Sadly, Canada and the USA are quickly moving towards 'keep that media levy tax, but ALSO make file downloading/sharing illegal'. After all, the recording agencies clearly need to have their cake and eating it too, since they're clearly above common sense or the law.

    3. Re:North Americans? by OrangeTide · · Score: 1

      Oh, you're supposed to get rights when you get taxed. In the US and Canada we lose rights when we are taxed.

      --
      “Common sense is not so common.” — Voltaire
  25. Re:Equivalent to lending a book? That makes no sen by DrJimbo · · Score: 3, Insightful

    I think the ruling makes sense, you just disagree with it. Of course, sharing a file is not identical to lending a book. If they were identical then there wouldn't have been a trial or a ruling.

    The judges realized sharing a file was not identical to lending a book. File sharing is rather new to the courts and the judges needed to figure out the legality of this new "file sharing" activity. The US courts have sided with the corporations and have deemed that file sharing is just like making and distributing counterfeit physical books and cds. But sharing a file is not the same things as printing and selling copies of a book. If we apply your logic to the rulings in the US courts then we would have to conclude that those rulings don't make sense either.

    The truth is that file sharing falls in between lending and counterfeiting. IMO, it is the US rulings that make no sense. The reason is that with file sharing, the recurring cost for producing digital information that people want is actually negative. For example, if a particular torrent file is popular then there will be a lot of seeders for it. The US courts are trying to hobble the miracle of zero or negative recurring costs while the Spanish court's decision unleashes the incredible efficiency of distribution via file sharing.

    You asked how can someone make money writing a book. The answer is easy, I (and many others) pay for web sites and books and music that I like even if I am not required to. I see it as my votes for things I like. I want to keep the things I like going so I gladly contribute. I agree that legalizing file sharing might have a drastic effect on publishing industries. These industries, for the most part, have devolved to transforming scarcity into profit. Once scarcity is no longer an issue, their scarcity based business models will either transform or die. While this may be painful for workers and investors who stick with the outmoded model past its expiration date, for society as a whole it is a good thing. Authors who inspire readers enough to donate money or pay in order to keep the author rolling will survive. Many authors will thrive. Less inspiring authors won't do as well but since it costs only about $200 to self-publish a book, the barrier for entry, even for lousy authors is very low.

    In general, the creation of artificial scarcity and artificial inefficiency make society as a whole less wealthy while they make a few individuals more wealthy. This is morally indefensible.

    --
    We don't see the world as it is, we see it as we are.
    -- Anais Nin
  26. Re:Quite ridiculous verdict by MaskedSlacker · · Score: 0, Redundant

    Obvious troll is obvious.

  27. Re:bad analogy by MRe_nl · · Score: 1

    "violence and horror inflicted by Somalis sailing around the world".

    Surely you jest.

    --
    "Kill 'em all and let Root sort 'em out"
  28. Re:Quite ridiculous verdict by Anonymous Coward · · Score: 0

    Media pirates may not always profit, but they steal revenue from entertainment companies, because music and movies pirated will not be seen in theatre or stage, so producers get no income

    Entertainment companies may not always profit, but they steal money from people, claiming they lost revenue and sales and saying they are entitled to this money that people used for other things like food, clothes or transportation because people has no more income to pay outrageous prices for entertainment.

    Fixed it for you.

  29. 100% sensationalism by Anonymous Coward · · Score: 0

    Which kind of new is this if there are sentences like this?

    This implies that the judges are sympathetic to file sharers.

    WTF??? Have you ever heard that a killer doesnt go to prison because judges are sympathetic to killers??? I havent (maybe you, but not in Spain) because there are laws for that, judges cant do whatever they want. For all of you that dont know anything about Spain, we pay a tax (canon) that allow us to copy whatever we want whithout obtaining profits (profit == money)

    The ruling essentially says that file sharing is the digital equivalent of lending or sharing books or other media.

    In Spain this is 100% legal. And dont forget that a torrent file has not copyrighted information.

      Maybe it's time for all them rowdy pirates to move to Spain."

    I would say that piracy is what Israel (supported by USA) does. And if any of this "pirates" comes to Spain will be welcome but leaving their guns at home (in Spain are illegal).

    Why dont you clean your coast instead of putting pressure in other countries laws?

  30. Same situation in other countries by DrYak · · Score: 3, Insightful

    Several other countries in Europe tolerate self -growing/-producing small quantities of cannabis too.
    It seems that the old world is better at making distinctions between large organised crime rings, and a couple of people in a corner doing stuff harming no-one else.

    --
    "Sufficiently advanced satire is indistinguishable from reality." - [Tips: 1DrYakQDKCQ6y52z6QbnkxHXAocMZJE61o ]
    1. Re:Same situation in other countries by Myopic · · Score: 2

      Although I am sympathetic to the specific example of marijuana, I think more often than not I would rather not "distinguish" between a large, well-organized criminal ring and a small, amateur criminal ring. For almost everything, I think the law should apply in both situations. (For marijuana, I guess I think the same: the law should NOT apply, equally, in both situations.)

    2. Re:Same situation in other countries by blackraven14250 · · Score: 1

      An "amateur criminal ring", in this scenario, is 3 potheads smoking the weed they grow.

      A large, well organized crime ring is a group of people powerful enough to take over a South American government by force.

      You wouldn't want to distinguish between these?

    3. Re:Same situation in other countries by Myopic · · Score: 1

      Like I said the first time, for marijuana I am sympathetic. For marijuana, you and I probably agree that smoking the dope is just fine, but "taking over governments" and other violence is the problem. So, you example doesn't compare people committing the same crime.

      So, say, a small theft ring is when a couple guys break into a house and steal some cash. A large theft ring is when eleven thieves break into a casino and make off with millions of dollars. In both cases they have committed pretty much the same crime, at different degrees of magnitude, and no, I wouldn't want to excuse the small ring just because it isn't so large as the big ring. In both cases there was a conspiracy, a break-in, and a theft.

    4. Re:Same situation in other countries by KahabutDieDrake · · Score: 1

      Unfortunately, and as I think you probably know, that doesn't actually extend to encompass the difference between a small pot growing operation for personal consumption, and drug traffickers.

      First off, in many countries, a small pot growing operation for personal use isn't actually a criminal act. While trafficking at any level is. Second, the principle of harm comes into play. No one is getting hurt because of a small pot growing operation in a basement / garage. Where traffickers are killing people for even finding their growing fields.

      So while I like the law to be applied evenly, without too much "consideration", I think there is a pretty big leap between applying anti-drug laws to a couple of stoners, and applying those same laws to south american cartels armed with machine guns and anti-personnel mines.

    5. Re:Same situation in other countries by uninformedLuddite · · Score: 1

      south australia isn't so bad either

      --
      The new right fascists are bilingual. They speak English and Bullshit.
  31. Re:Justification by Toreo+asesino · · Score: 2

    What a shame neither common-sense or basic facts back you up - http://www.thebookseller.com/news/99958-toc-piracy-may-boost-sales-research-suggests.html

    --
    throw new NoSignatureException();
  32. Re:Justification by delinear · · Score: 2

    It. Is. Not. Stealing. I know I shouldn't feed the obvious troll, but really, I can promise you, as someone who is legally trained, stealing is completely different to infringement of intellectual property rights. That's not a justification of any action, it's a plain statement of fact. That you can't or won't understand this either indicates that you are reasonably ignorant of the differences (in which case, best not to comment) or that you're an obvious shill for the labels who would like everyone to believe the two are the same, since stealing has a lot more negative connotations than copyright infringement (people can envision having something of theirs stolen, they can less easily envision having some copyright of theirs infringed). So, no, I actually know you're not right - I understand the point you're trying to make, but when you use deliberately inflammatory terms which are just incorrect, you invalidate your whole argument. Had you said it was morally wrong, maybe you'd have a point that was worthy of condiseration and discussion, but to say it's stealing is no more accurate than to say it's murder, or to follow the **AAs definition of file sharing as being an act of hijack that takes place on the high seas.

  33. How much are you paying for FOSS? by Anonymous Coward · · Score: 1, Interesting

    How much are you paying for FOSS? I bought Mandriva. I bought a GIMP book. Because I had the money and wanted to. If I didn't have the money, I wouldn't but I could still get it because it was free. However, in that case, if piracy had been an option, it would not have resulted in a lost sale.

    So "what about OSS" is pointless: what about it? It already is a service where you pay nothing and yet it exists right now. So what if other non-OSS software has to rely on service and updates for revenue? OSS doesn't have a problem.

    1. Re:How much are you paying for FOSS? by Opportunist · · Score: 1

      That's basically why I was asking "what about OSS". The GP stated that "if you want to continue getting software then you have to pay up for the service of software development". And while, yes, you paid (not necessarily the ones making GIMP, btw), you did not have to. With OSS, payment is quite optional.

      And yes, I spend quite a bit of money on OSS (more than on commercial stuff, thinking about it...), but it is mostly voluntarily and most of the money is spent to improve my ability ot use it. I do NOT pay for the "privilege" of being allowed to use it.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  34. Lending is exempt by Theaetetus · · Score: 1

    In Spain we pay a tax called 'canon' (bad choice, you cannot google that and get any meaningful results, google for 'sgae canon' instead, SGAE being the equivalent of your RIAA and its ilk). That tax is about 2-3 euros out of about 50 (those numbers vary but think you pay 2-3 eur when you buy a 500 GB HD anywhere). Got that? Ok, you pay also when you buy anything of the following: TV, DVD, camcorder, camera, iPod, iPhone, any other smartphone, USB drive, microSD, set-top box, playstation, whole computer (with HD inside), etc. Any medium capable of storing copyrighted works is taxed. Many spanish people misunderstand what this tax is for and there is outrage among the ignorant that THEY(tm) tax you 'before' you commit THE CRIME(tm). Of course, it's not like that. This tax gives us what you americans and anyone everywhere has been doing since the beginning of time: lending privately. When I was 10 and lent a mix tape to a friend it was legal. When a friend lends me a book it's legal. When today someone brings a DVD to a friend's place to play it on their telly (oh those peeracy vornings) it's also legal.

    Wow! Spain sure is enlighted and far beyond America in this realm...
    Oh, wait.

    17 USC 109(a) Notwithstanding the provisions of section 106 (3), the owner of a particular copy or phonorecord lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord.

    Give your book to your friend. No problem. Give your CD to your friend. No problem. Sell your CD to a friend. No problem. Bring your DVD to your friend's place to watch. No problem (see 17 USC 109(c)).

    I mean, really... Did you honestly thing it was illegal to lend a book to a friend in America? You've never heard of "lending libraries", or even "book clubs"?

  35. Re:Quite ridiculous verdict by Inconexo · · Score: 1

    True, and that is why I didn't answer other obvious points. But I thought that the information could be useful to people grown in other IP legal frame.

  36. File "sharing" vs. lending books by HikingStick · · Score: 3, Insightful

    The real difference between file "sharing" and lending books seems to be that shared media (e.g., music, video) files) tend to get copied and passed around--they never are returned--and are thus dissimilar to lending a book. It's like comparing apples and oranges. To make lending a book like sharing media files, one would need to make copies of the book and pass them out to any interested persons--something that is clearly a violation of copyright in most instances (i.e., even fair-use limits how much of a work may be reproduced for protected uses).

    Since music often is broadcase on public airwaves, I do believe it deserves different treatment than books, however. I liked the interpretation of the U.S. Copyright Act of 1983 that allowed for the transfer of CD recordings to tapes, because the tapes could not preserve the same level of sound quality (effectively degrading the audio to a level comparable to that heard on radio broadcasts). I wish media companies would allow people to rip and share audio files at sub-optimum levels (perhaps even limiting the allowable audio quality of then protected rips and files by statute). This would allow them to protect their "pure" digital media while facilitating legal file sharing that tends (in my understanding) to expose more customers to more music which, in turn, drives new album/track sales.

    --
    I use irony whenever I can, but my shirts are still wrinkled...
    1. Re:File "sharing" vs. lending books by chickenarise · · Score: 1

      The real difference between file "sharing" and lending books seems to be that shared media (e.g., music, video) files) tend to get copied and passed around--they never are returned

      Books contain information and if you borrowed a book from a library and read it you have successfully copied information into your brain. The difference you point out ignores the fact that when you return a library book you do not return your brain to the state it was in before having read that book. In fact, you could copy the information in that book to other people's brains through any means of communication.

      --
      One convenient locations...in Africa.
    2. Re:File "sharing" vs. lending books by HikingStick · · Score: 1

      But unless you are one of a very rare subset of people who has perfect recall, you will not remember everything that was printed in the book. Even though you internalize the knowledge, when you re-present it, you are filtering it through your memory, life, and experiences. When you hear a song you are similarly affected (some more than others). While you may be able to sing a rendition of that song to a friend or neighbor, it is not full representation of the original work, and you cannot go around the country performing that song for others without running afoul of copyright law governing performance.

      --
      I use irony whenever I can, but my shirts are still wrinkled...
  37. Your conclusion... by alfredos · · Score: 1

    Maybe it's time for all them rowdy pirates to move to Spain

    I find it kind of a flamebait. In Spain we have a bad enough situation with everyone paying the "media tax" to a guild that is supposed but demonstrably not sharing it among musicians (more about that on previous posts). We don't deserve to be called pirate-friendlies like that.

  38. Uh... no. by mark-t · · Score: 1

    When you lend a book, you are giving out a copy that was authorized for production. When you share a file, you are giving out a copy that was not authorized for production. Notwithstanding not all unauthorized copies infringe - I know that. However, if the unauthorized copy was exempt from copyright infringement for private use, then if you are giving out the copy to other people, then *by definition*, "private use" can't be applicable anymore, so it would stand to reason that the copy becomes infringing unless there is some other remaining reason why the copy would still be exempt.

    1. Re:Uh... no. by Anonymous Coward · · Score: 0

      What kind of circular masterbatory logic is that?

      The entire point of fair use and private use is that you CAN give it to your friends to interest them, or give your friends something in common with you. The problem occurs when suddenly with the invent of the internet people just don't have 30 or 40 friend max anymore, but entire groups of hundreds of thousand of people might get together and all be friends on a website.

      No-one is trying to argue people that copy things and sell them for money shouldn't be sot and killed. However giving things to your friends (AKA sharing) has been a time honored traditional value. Laws could use some re-working. If you produce content and feel you can no longer make a business of it, then fuck off and go work in a cubefarm. Lots of people will take your place and continue to entertain and create art, for free if need be. In fact for thousands upon thousand of years as far as we can tell art has always been free and you were expected to copy everything and build on it. To better all society. Now suddenly if I wanted to make my own computer I would be sued six ways to sunday by probably all 5 companies that hold patents and copywrite and bullshit. There would be more than 5 companies but the rest pritty much got eaten up and spat the fuck out for dinner.

    2. Re:Uh... no. by mark-t · · Score: 1

      Let's see... the exemption for private use copying says that the copy must be for the *PERSONAL AND PRIVATE USE* of the person making the copy. If you give it, sell it, share it, lend it, or in any other way distribute it, then the copy cannot possibly be argued to be strictly for private use anymore. Notwithstanding, it may still be exempt from copyright infringement for other reasons, but private use can't be construed to apply.

  39. Canon is not a tax by Damnshock · · Score: 2, Insightful

    I've read some comments here talking about the "tax" known as "canon digital" here in Spain.

    I just want to explain that it is not a *tax*. The amount of money got from this "canon" is not used by the goverment but by a *private organization* (CEDRO for books, SGAE for music...).

    What do I want to point with this? Well, the money is managed by a private organization. That is *NO TAX*. They decide what to do with that money and how to give it to the "artists/writers/whatever".

    [angry comment]
    To go even further, 80% of money they get from the "canon" is paid by the law system in Spain. Ain't that ridiculous? Material obviously not used for copyright infridgment has to pay for the "canon"!
    [/angry comment]

    It has also been said that we citiziens pay for every CD/DVD/HD/TV/whatever with canon. That is not *exactly* true. The company that is selling the CD/DVD/... pays for it and, therefore, increseas the price to keep the benefits but the user is *not* paying the "canon". There is a difference legally speaking.

    I just wanted to inform you slashdot readers ;)

    Regards

  40. Awesome, i am moving there as soon as possible by hesaigo999ca · · Score: 1

    Too bad the whole limewire case can't be tried in this country!...would save them trillions...

  41. For important people reading this thing... by paxcoder · · Score: 1

    Please not that comments here are just pessimistic due to how things were developing so far (see other news at http://torrentfreak.com/), and people only say you'd take greens becouse other courts probably did (or pressure, or in one case, they were/are actually pro-copyright lobbyists themselves).
    In reality, what we mean is that this is finally a ruling with some common sense. And don't be discouraged by many other courts ruling differently. You beat them hands down (due to your open mindedness I guess).

  42. Re:Equivalent to lending a book? That makes no sen by Anonymous Coward · · Score: 0

    So your solution to artificial scarcity is policy that will create real scarcity? And you wonder why no one takes you seriously?

  43. of course there's financial gain by Anonymous Coward · · Score: 1, Informative

    they get a copy of a song or movie or whatever they would have otherwise had to pay for. community theft.

  44. My shower by Anonymous Coward · · Score: 0

    I don't know about yours, but my shower is not public.

  45. So not watching a movie is too? by Anonymous Coward · · Score: 0

    So not watching a movie is too? Bollocks.

  46. Oh yeah ! Move to Spain !! by unity100 · · Score: 2, Funny

    heat, tourism, and angry women. and computers. and filesharing. great combination !

  47. Re:Equivalent to lending a book? That makes no sen by Just+Some+Guy · · Score: 1

    Authors who inspire readers enough to donate money or pay in order to keep the author rolling will survive. Many authors will thrive.

    I downloaded Cory Doctorow's "Eastern Standard Tribe" from his website for free. I liked it so much that I ended up buying a copy to have. Judging by his sales numbers, it seems like I'm not the only one.

    --
    Dewey, what part of this looks like authorities should be involved?
  48. Re:Equivalent to lending a book? That makes no sen by DrJimbo · · Score: 1

    It seems that you are assuming very few people will pay to support authors when they can get the works of those authors for free. People can already get books for free from public libraries yet that hasn't squashed the sales of books.

    Perhaps you and your friends will refuse to pay for a book you found inspiring. I gladly pay to support the authors of books I love. Therefore there may be a real scarcity of authors who cater to greedy individuals who have an extremely narrow and childish world view but there will be an abundance of authors who inspire their readers to pay back for what they received.

    I'm not seeing any downside here.

    --
    We don't see the world as it is, we see it as we are.
    -- Anais Nin
  49. Re:Equivalent to lending a book? That makes no sen by Anonymous Coward · · Score: 0

    All profit comes from scarcity, that's how supply and demand works. In our society when you are the creator of a work you are entitled to certain, but limited, rights to determine what happens with that work. This is based primarily on the concepts of property and private ownership. You can choose to sell or give away or destroy the work as you see fit (with some limitations). This is one of the principle rights granted individuals in our current system, this would not be true in a communist system where the product of your work belongs to the state as a whole and any value created by your work accrues to the state. The right to determine what is done with the product of your work is yours whether you are digging ditches and want to get paid for the product of your work - sell your work to someone who wants ditches dug - or whether you author a creative work such as a story, a t-shirt design or a piece of software. In our system one of the rights you have is to profit from your work, this includes an implied right to be protected from some forms of deprivation by others. One form of deprivation we protect creators from is the form where someone makes an exact copy of your work and sells it for themselves. There are limitations to this protection though, copying is allowable (again with limitations) for educational purposes, imitation is allowable for parody (this is SUPER important) etc. Another major form of allowable deprivation is that of competition, in principle this is what patents are meant to sort out but obviously that's becoming increasingly problematic. Regardless, our current system is set up to protect these rights as one of the core principles of freedom.

    And yes, our legal system moves slowly. One of the benefits of this is that it provides a certain stability and also deliberation as things are decided by courts and legislators (and executive branches with respect to enforcement). So yes, our system is struggling right now with how to extend the rights of control of the creator with the new frontier the technology has provided.

    Also, just because the cost of duplication drops (even to near zero) doesn't mean that the price of that good needs to drop with it. What is the basis of that argument? If Picasso had created a painting of high value, then duplicated it in the form of prints - who has the right tell him that he couldn't charge a million dollars for each print based on the fact that those subsequent prints only cost, say $5 to make. What would the basis of that limitation of rights be? Would it be the 'social good'? How would that work?

    BTW, what do you mean by 'artificial scarcity'?

  50. Move to Spain? by Anonymous Coward · · Score: 0

    "Maybe it's time for all them rowdy pirates to move to Spain."

    But how do you translate "Arrr" into Spanish? "Si" is a poor substitute for "Arrr".

  51. Based on Hosting/Sharing Copyrighted Data, or Not? by severoon · · Score: 1

    The article is not exactly clear...did the judges rule that it's ok as long as you don't host or directly share copyrighted material? Is profit a requirement for prosecution? Does this leave the door open to prosecute people that actually are hosting the copyrighted material on the torrent network (even if it is, say, cached in encrypted form and they didn't know they were hosting it while it was in-flight thru an onion proxy like Tor)? Article sucks, too many unknowns!

    --
    but have you considered the following argument: shut up.
  52. Re:Equivalent to lending a book? That makes no sen by Anonymous Coward · · Score: 0

    There is a fundamental flaw in thinking of digital media sharing as counterfeiting. We consumers are charged a very high portion of the price of the actual goods in concept of manufacturing and distribution of the medium.

    We as society have evolved to new distribution methods, there are PRIVATE PROFITING COMPANIES providing us with services that enable the free flow of information between individuals. The simply haven't, and are using their money and influence to pressure every possible authority into restricting our freedom.

    "But... now that electricity reaches homes and lightbulbs provide uninterrupted light... How are we, candle and oil lamp manufacturers going to make a profit?!?"

    Its their business model what its broken and its not our responsibility to fix it or to find a new profitable way for them.

    Also, taking into account the sheer ammount of effort and money they have put into slowing progress , and the vile methods they use...

    I for one say Fuck You

  53. Re:Your post is an example of why starting the bod by noidentity · · Score: 1

    I'm just curious as to what you think the subject line is for.

  54. On the Right Track? by PingPongBoy · · Score: 1

    I can't give full credit yet, but this may be the path to settling this conundrum of artistic material being expensive to produce yet easy to copy. Clearly we have a growing socioeconomic problem that threatens creativity. With the intelligence of mankind evident in creating such good technology, the solution to making this technology usable to the benefit of all is simple.

    Once copying is accepted by law, copying becomes taxable.

    Copiers pay a tax (probably based on mere bandwidth usage, which will nail people who don't copy, but that's life in an age where everyone is "borrowing" good content), and producers of content get paid (based on unique downloads to unique IP addresses from official servers, so no you can't download to yourself just to tick up your score).

    A few decades ago, libraries funded by taxes made it possible for many people to experience knowledge without having to pay full price per book. At present, it is fair to use taxes to make digital information and art available without even paying the astounding sum of $0.99 per item.

    For a fair tax all around and for practicality, several criteria must be met.

    • Creators are paid relative to quality and demand.
    • The tax is used only fund the system for distributing creative works, including authors, artists, journalists, websites, Internet infrastructure, etc.
    • Creative work made available on the system must remain available, so it can't be withdrawn to inflate the price.
    --
    Know your pads. One time pad: good for cryptography. Two timing pad: where to take your mistress.
  55. Artificial Scarcity by DrJimbo · · Score: 1
    The first hit from Google(Artificial Scarcity) is a Wikipedia entry called, "Artificial Scarcity". They say:

    Artificial scarcity describes the scarcity of items even though the technology and production capacity exists to create an abundance. The term is aptly applied to non-rival resources, i.e. those that do not diminish due to one person's use, although there are other resources which could be categorized as artificially scarce. The most common causes are monopoly pricing structures, such as those enabled by intellectual property rights or by high fixed costs in a particular marketplace. The inefficiency associated with artificial scarcity is formally known as a deadweight loss.

    I couldn't have said it better myself.

    --
    We don't see the world as it is, we see it as we are.
    -- Anais Nin
  56. They focused on what matters by Mr2001 · · Score: 1

    In the case of lending a book or property, theres still only a single instance of the property in use. In the case of file sharing, the original good is duplicated into two separate instances of equivalent good, hence the "copy" part.

    The court quite rightly realized that the number of copies is irrelevant. The effect of sharing is the same as the effect of lending, both on consumers (who get their media desires sated for free) and on publishers (who don't get paid).

    Consider the difference between a file sharing site that lets you download any song you want, and a hypothetical "file lending site" that lets you listen to any song you want (anywhere, on any device, at any time(*)). The only real difference is that one site leaves you with more free space on your hard drive, and the other leaves you with more free bandwidth. But as far as your appetite for music and the publisher's appetite for money are concerned, they might as well be the same.

    (* Physical lending is limited to the number of copies on hand, but that number might as well be infinite, because there are no restrictions on how many copies a person or library is allowed to lend. For the "lending site" analogy to be perfect, it would have to buy multiple copies of popular songs, but that number would still be much lower than the number of listeners.)

    --
    Visual IRC: Fast. Powerful. Free.
  57. it all depends on how they look at it by net28573 · · Score: 1

    for those who think that there is a difference in making copies of a digital product as opposed to a physical product you might be correct, however if you think about it. a physical copy can be compared to a digital copy in that you use your own computers hardrive to etch the information you are copying the book from onto another device. would they look at physical copying differently if someone had a machine that allowed them to view what was in a book and physically write and or print it and share it with friends? we do already but the problem with using it is that the paper costs more than if someone were to copy the book onto a flashdrive or something. we are still paying for the flashdrive that holds the media similarly to a book. it all draws down to the question of whether or not they would respond the same to media sharing negatively if paper were cheaper and if people simply left the information stacked up as packets of paper in the middle of the side walk with a sign that says "Take me".

    --
    RIP TRICERATOPS, YOU NEVER EXISTED
  58. Re:Based on Hosting/Sharing Copyrighted Data, or N by rtb61 · · Score: 1

    Isn't that what the ruling points at. There are just too many unknowns in not for profit file sharing as such the judges logically err on the side of the majority rather than the minority.

    Say you own the viewing licence to a large collection of copyrighted content, you are allowed to let any one watch any content at one time, at one location in a private setting. As long as the content is not being streamed to more than one location at the same time, including your own use, you are sharing access to unused parts of your collection. Of course it should be a stream and not a download.

    Technically you should be able to create a business where people share the creation of a content library upon condition that only one person at a time can stream any particular piece of content at one time, technically even a single piece of content can be broken down into it component digital elements and only one person at a time is able to access that particular digital element. So a neighbourhood digital streaming only club as a future broadband only non-profit business model (it doesn't really need to cover much territory to effectively fund it's purchases, management and digital upload).

    --
    Chaos - everything, everywhere, everywhen
  59. Rare good sense from Spain by codeAlDente · · Score: 1

    Dear Spain, I'm not sure if you meant what you said, given that you're about to default on your sovereign debt, but I appreciate it anyway. It's no secret that a lot of file sharing happens in college. It's as natural as young women having pillow fights in their underwear. However, if college bookstores are allowed to resell the same used textbooks over and over for an exorbitant profit (until the textbook author writes an unnecessary new edition to stop it), I think I should (at very least) be permitted to share an e-book with a fellow needy, underprivileged student for the benefit of our mutual education. Sincerely, SharingIsCaring@checkTheFascistNCAA_Machine.com.org

    --
    He once inserted random mutations into his code, just so he could have the experience of debugging.
  60. Re:Quite ridiculous verdict by MaskedSlacker · · Score: 1

    What I want to know is, was I modded redundant because I pointed out the obvious that the obvious troll is obvious? Or was it my obvious redundant use of the word obvious when commenting on the obvious fact that the obvious troll is obvious?

  61. Re:Based on Hosting/Sharing Copyrighted Data, or N by Thinboy00 · · Score: 1

    Unless you force everyone to get "Trusted" Computing (which is essentially DRM at the firmware level which is illegal to subvert), streaming == downloading if the user wants it badly enough.

    --
    $ make available
  62. Re:Oh yeah ! Move to Spain !! by Anonymous Coward · · Score: 0

    angry women

    Naah, they just talk quickly. If you can't accelerate your brain activity in the heat of siesta to the level enabling you to understand their point you end up as a annoying non-listener.