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All Your Stonehenge Photos Are Belong To England

An anonymous reader writes "English Heritage, the organization that runs and manages various historical sites in the UK, such as Stonehenge, has apparently sent letters to various photo sharing and stock photo sites claiming that any photo of Stonehenge that is being sold violates its rights, and only English Heritage can get commercial benefit from such photos. In fact, they're asking for all money made from such photos, stating: 'all commercial interest to sell images must be directed to English Heritage.' As one recipient noted, this seems odd, given that English Heritage has only managed Stonehenge 'for 27 of the monument's 4,500 year old history.'"

78 of 347 comments (clear)

  1. First Henge by Anonymous Coward · · Score: 5, Funny

    Brought to you by the aliens who built it.

    1. Re:First Henge by Anonymous Coward · · Score: 2, Funny

      Well if they get news of this outrage they may well come and take it back leaving English Heritage unhenged in addition to unhinged.

    2. Re:First Henge by icannotthinkofaname · · Score: 4, Funny

      And they built it for good reason, too. Have you seen what they put under that place-marker? There's a prison whose sole purpose is to absolutely contain the most feared creature in the universe.

      Er, so said the British TV show, anyway.

      --
      Let q be a radix > 1. I am in ur base-q, killing 10 d00ds.
    3. Re:First Henge by gtall · · Score: 2, Funny

      "There's a prison whose sole purpose is to absolutely contain the most feared creature in the universe."

      I hardly think we need to bring Jimmy Carter into this.

    4. Re:First Henge by Aeros · · Score: 2, Funny

      I thought Chevy Chase knocked this thing down in European Vacation?

  2. Simple: by Fluffeh · · Score: 4, Insightful

    Step One: Study RIAA methods and business practice.
    Step Two: Find some old stuff alying around that people seem to like.
    Step Three: Claim "Ownership" of aforementioned stuff.
    Step Four: PROFIT!!!

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    1. Re:Simple: by Fluffeh · · Score: 5, Interesting

      Actually, while reading the comments on the article, I found this rather amazing link to a "street view" care of Google that lets you walk right through there from the comfort of your own PC terminal.

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      Moved to http://soylentnews.org/. You are invited to join us too!
    2. Re:Simple: by Anonymous Coward · · Score: 2, Insightful

      Step Five: Take it to the logical limit. They didn't make Stonehenge, but they can control the copyright, correct? So, following that logic, if I don't make a song, but I downloaded it and therefore now possess a copy of the song, do I now have say as to the copyright of the song? Because, as the copyright holder, I can't be sued for breaking copyright, right? 'I can't be breaking copyright if I have a copy!' should be a legal defense if this holds up.

    3. Re:Simple: by russ1337 · · Score: 2, Interesting

      ^^ +5 insightful,

      they also better sue Microsoft for that picture of Stonehenge they distributed with their OS.

    4. Re:Simple: by c0lo · · Score: 5, Insightful

      Step Three: Claim "Ownership" of aforementioned stuff.

      While for RIAA has clear the legal bases of their claims (copyright law, in various incarnations), it is not quite clear to me on what legal basis English Heritage can claim ownership of the photos one takes. IANAL, but to my mind they can't claim copyright:

      • on the photo, because the photo (which is the form of expression of "artistic creation") is not theirs, is the photographer's
      • on the Stonehenge itself - because:
        1. it is ... shall I say?... a building, not at "form of expression"
        2. even if a building would be a "form of expression", it is not theirs (being listed as world heritage)
        3. even if it would be theirs and classified as a "form of artistical expression", the creation act trancedes any current temporal limit for "protection under the copyright law" (that is, unless in UK the copyright protection was extended beyond 5000 years!)

        Head explodes!

      --
      Questions raise, answers kill. Raise questions to stay alive.
    5. Re:Simple: by troon · · Score: 2, Interesting

      Try to walk through the middle now, and you get "This image is no longer available". The English Heritage black helicopters have paid a visit...

      --
      Ydco co ,df C erb-y go. a Ekrpat t.fxrapev
    6. Re:Simple: by jedi58 · · Score: 3, Interesting

      It's not just Stonehenge - the National Trust do it for most of their properties too, but they don't actively police people selling the photos Apparently as it's their property, any photos taken on their property (if it's taken from public land it's okay) are owned by them under terms and conditions that don't seem to be visible anywhere and by taking photos you're agreeing to them. :(

    7. Re:Simple: by rilister · · Score: 4, Informative

      If you want an even more amazing view of Stonehenge, here's a visiting tip that doesn't seem to be that well known - if you plan ahead and fill out this form:
      http://bit.ly/bYertb ...you can get inside the ropes and get within touching distance of the stones at sunrise. You get the place pretty much to yourself *and* the major road running right by the site is completely empty. It's a genuinely humbling experience and you can get views like this.
      http://bit.ly/dxPWXE
      Yeah, go ahead and write me, English Heritage.
      (although I still feel bad about the moment I found I was accidentally standing on a halfburied lintel.)

      --
      'This writing business. Pencils and what-not. Over-rated if you ask me. Silly stuff. Nothing in it' - Eeyore
    8. Re:Simple: by ledow · · Score: 5, Informative

      Or you could just drive past.

      Without fail, every single foreigner I've ever asked about Stonehenge finds it to be extremely uninspiring and a wasted journey / stop. And £14.95 an adult... are ya kidding me? You can get entry to any number of places for that. Hell, Tintagel Castle of something is infinitely more useful, pretty and interesting (and far cheaper) and that's just a pile of crumbling rocks falling into the sea.

      Apart from there being virtually nothing at Stonehenge but some generic worn rocks in a vague circle, if you DO get past the barriers, there's much better stone circles elsewhere that are free. The "mystery" of how "they" made it isn't really a mystery for anyone who dabbles in such archaeology, or even that surprising - unusual at best.

      One American friend had an organised day trip to Stonehenge from London when they visited (all the British people are now in fits of laughter). How/why I have no idea, but they were rather disappointed to say the least.

      It's nice to see once, the best view now completely ruined by silly fences and borders and being from several hundred yards away as you drive down the hill to the East of it. But that's precisely what you do - see it once. I don't know of a single person that's seen it and *deliberately* gone back to stop there again (rather than passing by) - maybe I just don't know enough hippies.

      Considering it's on quite a major road that many thousands of people drive down every summer to get to Devon/Cornwall, and that it's only a few hundred yards from said road (on one of the most dangerous turnoffs in the world because everyone is goggling at the stones rather than driving and not noticing the *one* guy miles in front who's stopping to turn to actually go TO them), the number of people you ever see inside the barriers is pretty pitiful. Unless, of course, you're there on the solstice when you REALLY don't want to be using that road at all unless you fancy day-long queues and not being able to get within a mile of the damn thing.

      Stonehenge really is the most over-hyped, unimpressive place in Britain that I know. Keep driving, get to Cornwall and go look at dozens of standing stone sites for free (or much cheaper under the National Trust) or, even better, go look at something vaguely interesting like Tintagel, St Michael's Mount, or something vaguely recognisable.

    9. Re:Simple: by turbidostato · · Score: 2, Informative

      "try using photos of the Eiffel Tower for commercial gain and see where it gets you."

      I don't think there's any problem making commercial gain from Eiffer Tower. It's the night lights what could get you in troubles.

    10. Re:Simple: by ScrewMaster · · Score: 2, Insightful

      While for the RIAA has clear the legal bases of their claims

      I think what you mean is that the RIAA has a clear legal basis for their actions. And, the answer to that is: not always. They've been caught more than once suing over material for which they do not have the rights. Whether that's due to Incompetence or sleaziness, I couldn't say. The point being that the RIAA is hardly an improvement over this English Heritage outfit.

      --
      The higher the technology, the sharper that two-edged sword.
    11. Re:Simple: by thoth · · Score: 5, Informative

      Or you could just drive past.

      I had a chance to visit the UK a few years ago, and took the train out to Salisbury to see Stonehenge. I enjoyed it, since it is a famous landmark, but what blew me away that day was wandering the cathedral in Salisbury. The medieval clock on display, working since 1200 or whatever, was really cool, at least to me. And there was an original Magna Carta on display, one of the few (four?) surviving copies, fairly legible too. All in all I went out planning to see Stonehenge but wound up pleasantly surprised with unplanned discoveries at the nearby town.

    12. Re:Simple: by bigbird · · Score: 2, Informative

      Yes, it's an impressive cathedral, and the Magna Carta is definitely worth a look. Old Sarum, the original Salisbury, is an interesting place too. It's very close by.

    13. Re:Simple: by anonymous+cupboard · · Score: 2, Interesting

      I went there with my school when I was young and many years ago before EH took over. There was no boundary, and I even ended up sitting on one of the fallen stones (not forbidden in those days). What was more interesting were some of the nearby complexes such as Avebury which had a proper museum.

    14. Re:Simple: by DavidTC · · Score: 3, Insightful

      They can assert their rights as a condition of entry to the property. This does happen also on entry to various museums which may explicitly forbid all photography or just commercial photography. If you photograph Stonehenge from somewhere else (especially from public land), then there can be no objection or claim to copyright.

      This is what is, frankly, nonsense.

      There are only two reasons to forbid photography in a museum:

      One is banning flash photography to stop damage to paintings. This is clearly a stupid rational for something outside, and I would assume almost all photographs of Stonehenge are taken without a flash anyway.

      Two is if there are things still copyright. Which is an even stupider reason for this.

      I went to the Museum of Modern Art , and could take non-flash photography of all works except, strangely, a single one, because it was on loan and still under copyright. (It was some sort of shark in a case.)

      This group might have some legal basis for restricting photography, you can indeed stop people from taking pictures on your 'property', but at that point Stonehenge needs to be taken away from their management and given to someone else. They don't actually 'own' Stonehenge, they're just running the property on behave of the British government, and if they're going to act like this, they should be removed from that.

      This is, incidentally, different than restricting someone from using it as a trademark, which the British government could do if they wanted.

      --
      If corporations are people, aren't stockholders guilty of slavery?
    15. Re:Simple: by c0lo · · Score: 2, Insightful

      They can assert their rights as a condition of entry to the property. This does happen also on entry to various museums which may explicitly forbid all photography or just commercial photography. If you photograph Stonehenge from somewhere else (especially from public land), then there can be no objection or claim to copyright.

      This is what is, frankly, nonsense.

      There are only two reasons to forbid photography in a museum:

      One is banning flash photography to stop damage to paintings. [...]

      Two is if there are things still copyright. [...]

      I can imagine another dummy reason a museum can invoke: "don't take photos, I don't want my security setting to be photographed; and good luck trying to avoid it, I took the pain of making it unavoidable".

      But, somehow... I don't know why... I can imagine this being invokable for the Stonehenge... not by a rational person anyway.

      --
      Questions raise, answers kill. Raise questions to stay alive.
    16. Re:Simple: by david_thornley · · Score: 3, Informative

      When I visited it, we weren't allowed to go inside the ropes, so no walking through the middle. What annoyed me is that we weren't allowed to walk all the way around it, as the ropes ran into a highway. It was sunset shortly after the winter solstice, and I wanted to see how close the stones came to lining up with the sun.

      --
      "When you have eliminated the unacceptable, whatever is left, however improbable, must be the truthiness" - Holmes
  3. From the original email: by rickzor · · Score: 3, Informative

    'We are sending you an email regarding images of Stonehenge in your [website]. Please be aware that any images of Stonehenge can not be used for any commercial interest, all commercial interest to sell images must be directed to English Heritage.'

    It appears that from this email even website advertising would be "violating their rights"

  4. Carhenge by tag · · Score: 5, Funny

    Fine. I'll use pictures of Carhenge instead.

    1. Re:Carhenge by Anonymous Coward · · Score: 2, Interesting

      does this qualify as a car analogy?

    2. Re:Carhenge by dominious · · Score: 3, Funny

      there exists a Carhenge?! I can see this 1000 years later:

      tourist 1: hmm, they must have been using this wheel to calculate the time of sunrise or something...
      tourist 2: indeed, amazing technology they had. I wonder what these numbers show in front of the "main" seat. Must be some kind of a galactic compass!
      tourist 1: woah...

    3. Re:Carhenge by Abstrackt · · Score: 3, Funny

      It's like a car analogy.

      --
      They say a little knowledge is a dangerous thing, but it's not one half so bad as a lot of ignorance. - Terry Pratchett
  5. Dear English Heritage, by MarioMax · · Score: 5, Insightful

    Dear English Heritage,

    Go fuck yourselves.

    Signed,

    Everyone else

    1. Re:Dear English Heritage, by Dynedain · · Score: 5, Insightful

      Exactly. My photos of Stonehenge are mine. I shot them, and my admission ticket had nothing on it restricting the terms of my photographing it.

      These are my fucking property. I created them, I own the copyright, not this organization, and I'll sell them if I please.

      Now, if they want to try to trademark Stonehenge, go right ahead, but I don't see it holding up.

      --
      I'm out of my mind right now, but feel free to leave a message.....
  6. Of course by VincenzoRomano · · Score: 3, Insightful

    All photos of the Colosseo, St. Peter's dome, Ponte Vecchio and Ponte di Rialto belong to ... Berlusconi.

    --
    Maybe Computers will never be as intelligent as Humans.
    For sure they won't ever become so stupid. [VR-1988]
    1. Re:Of course by delinear · · Score: 2, Interesting

      If you mean St. Peter's Basilica, since it's in the independent city state of the Vatican, all photography belongs to the Pope (or, possibly, to God). Interestingly, while on the subject of the Vatican and restricted photography, taking photographs of the ceiling of the Sistine Chapel is stricly forbidden, the rights now being owned by the Japanese company that restored it, but when I was there pretty much everyone ignored the rule (some guy even had a full tripod setup in the middle of the floor with a remote control and a freind to help create a space around the camera). The guards seemed to shout occasionally that photography was forbidden, but they did very little to actually prevent it even though most people were blatant about it.

  7. Ruining photography by proxima · · Score: 5, Insightful

    This sort of crap has the potential to make photographer's lives really annoying. And this comes just as more and more people are active amateur photographers.

    The lighting on the Eiffel Tower is copyrighted? Museums claim rights over photographic reproductions of century-old paintings? Where do we draw the line?

    On the one hand, we have the physical equivalent of contracts: agreements made as a requirement for entrance; this allows zoos, museums, etc. to restrict the use of commercial photography. But photos taken from public streets? From the air?

    The fact that these institutions go after commercial users isn't much comfort; the line between non-commercial amateur and commercial-but-still-amateur photography. Have ads up on a blog? Submit your photo to a local art show? Sell your photo to a stock photo site? It's easy for an amateur to make a little cash from the best of their photos.

    --
    "The universe seems neither benign nor hostile, merely indifferent." --Carl Sagan
    1. Re:Ruining photography by Sylak · · Score: 2, Funny

      As a Theatre Lighting Designer, i ask how i too can claim copyright on a lighting design and defeat a longstanding tradition which says i am unable to copyright anything but my paperwork.

    2. Re:Ruining photography by lulalala · · Score: 3, Interesting

      Apparently this happened to Taipei 101 too. Its public relations section claims any advertisement using the building's iconic image need to pay a fee for it. Post card publisher and different real state agencies were sent legal notices in the past.

    3. Re:Ruining photography by Anonymous Coward · · Score: 5, Insightful

      As a theatrical lighting designer, I dislike people like you. I don't want to copy your design for your last play. Firstly, it doesn't match the play I'm working on (even if it's the same script). If i did use it, it would look like crap and I wouldn't be hired again. Are you afraid of me copying a specific thing you did with a light? Guess what, borrowing little bits from others is how you grow in the arts. It's not just about each little idea, it's also about how you combine them. Think collage. And if you create the iconic version that runs on broadway and that every director asks to be repeated, well fucking awesome. Also, no other lighting designer is ever going to have the same equipment or space again, so even if they do recreate your look, it's less like copying and more like making a crayon version of the Mona Lisa. An homage. So please, get over yourself. This isn't like downloading music, where instead of coming to see your play they're looking at pictures they pirated or they went out and created a perfect working replica. At worst, someone several years down the line will make they're lights look kinda like what they're (crappy) camera remembers them like, only with different equipment in a different space. And people will say "those lights don't work for this production" and they will be out of work. Also, you don't mention copywriting your programming. Which you can. Also you're instructions to the board op and SM. Which, again, are useless unless everything is a perfect match. Which it won't be. Sorry for being so ranty. But worrying about someone copying one of my lighting designs is like worrying about someone copying the way an actor acts. Yes, with enough work someone could do it...but only sorta, and it would v&e meaningless to someone watching, and anyone in the biz making hiring decisions is gonna call them out on it...

    4. Re:Ruining photography by CrashandDie · · Score: 3, Insightful

      Well, it's already a big mess.

      In France for example, you can take the picture of someone on the street, but you're not allowed to publish it. You need to have a signed waiver from the person, or the legal guardian. Even furniture and houses benefit from this.

      What it basically means, is that I can't use the picture of a specific house to try and sell the house I'm currently building. It also means that I could get in trouble for putting a picture of myself on Flickr if there happens to be an identifiable stranger in the background. I also can't publish a picture of a (for the sake of example) chest-drawer in the middle of a public street, or sell it, or show it during an art expo and gain material benefits from it, unless the owner of the chest drawer signed a waiver.

      However, I can take a picture of a bunch of people who are demonstrating (quite common for the past weeks in France), provided that I'm photographing "a group of people demonstrating", not "a person". Though, when you think about the 18+ megapixel cameras any sufficiently committed amateur photographer can get their hands on, I wonder where the line is drawn. Can I crop?

      I'm quite an avid photographer; the UK/Australia/US rules on this were an absolute godsend (rough lines: don't breach the "expectation of privacy" and you're good to go). Well, that was in the days before Stonehenge was built.

    5. Re:Ruining photography by Grapplebeam · · Score: 2, Insightful

      It's simply capitalism over artistic endeavor and appreciation. After all, if people enjoy your art for free, you won't have gained any money.

      --
      There is no -1 Disagree.
    6. Re:Ruining photography by Sylak · · Score: 3, Interesting

      I was trying to be funny because i find this ridiculous. The point that was trying to be made was that copyrighting a light display is in every other sense not feasible, and to use it to limit photograph is a gross misinterpretation. I'm very sorry you took that seriously, but I'm very firmly in a camp against copyrighting light displays not only for the reasons you mentioned, but simply because copyrighting it is putting a stifle on a lot creativity, because i and other LDs i know copy each other when they see an element they life and want to reuse.

  8. While we're making unenforcable claims... by mykos · · Score: 5, Insightful

    "We own the light you collected which was reflected from this object that predates our country by millennia "? I am hoping deep down that they're just kidding and it's just a practical joke on the world. There are so many adjectives applicable to this idiocy, but I am getting sleepy and don't have time to list them.

  9. Image rights and trademark by williamhb · · Score: 5, Informative
    I'm not a lawyer of course... 33(B).1 of the National Heritage Act 2002 is

    The Commision may exploit any intellectual property, or any other intangible asset, relating to ancient monuments or historic buildings.

    Various case law in some jurisdictions (eg, Rock and Roll Hall of Fame vs Gentile Productions 1998 in the US) seem to allow companies to protect their building's images as trademarks even though the building is visible from public land. So I wouldn't be so fast to dismiss English Heritage's claim as "unthinkable and ridiculous". (Or at least, it might be "ridiculous" to us on Slashdot, but they might still win.) It'll be interesting to watch anyway.

    1. Re:Image rights and trademark by cappp · · Score: 3, Interesting

      The Act seems to apply to this case exactly. I wish Parliament published comments along with the Acts so we have an easier time judging legislative intent. I would imagine they're trying to facilitate English Heritage becoming more financially independent - 2008 they received 132mil from the government which was 2/3 of their operating budget. I suppose todays announcement that Culture, Media and Sport is taking a 24% cut over the next few years has them rather spooked.

      That being said, why doesn't it make sense that they want to control the commercial exploitation of their properties? The British public pays to maintain these sites, and an awful lot of money at that, so why should some company be allowed to step in and enjoy the benefits of the public's investment? As long as they aren't charging then it seems English Heritage doesn't mind - seems fair.

    2. Re:Image rights and trademark by mysidia · · Score: 2, Insightful

      However.... exploiting any intellectual property says nothing about "making something intellectual property" that was not intellectual property before.

      And doesn't say anything about giving the commission the exclusive right to exploit any intellectual property.

      The most obvious definition of 'exploit intellectual property' is.... they can sell post cards with a picture of the historic place featured, even if someone else took the picture, and didn't give them permission.

      It says nothing about "seizing any intellectual property" or "denying other people the right to exploit their own intellectual property, if relating to the monument", or "creating intellectual property rights from thin air", and enforcing them retroactively

    3. Re:Image rights and trademark by ishobo · · Score: 2, Interesting

      Hall of Fame v. Gentile was vacated by the 6th and it went no further. It did not establish any case law regarding the trademark of a structure. If you are going to throw around examples, I recommend the 6th's White Tower v. White Castle (1937) and Ferrari v. Roberts (1991), Also, the SCOTUS opinion in Two Pesos v. Taco Cabana (1992). Finally, the Lanham Act of 1946 had a narrow scope protecting marks likely to cause confusion or deceive purchasers as to the source of goods or services. In 1967, the statute was ammended, eliminating the wording of purchasers, broading the scope.

      Finally, one key detail that is often overlooked in the Hall of Fame case is both parties sold posters of the museum, hence they were competitors.

      --
      Slashdot - The great and glorious cluster fuck of Internet wisdom.
    4. Re:Image rights and trademark by shutdown+-p+now · · Score: 2, Insightful

      That being said, why doesn't it make sense that they want to control the commercial exploitation of their properties? The British public pays to maintain these sites, and an awful lot of money at that, so why should some company be allowed to step in and enjoy the benefits of the public's investment?

      Because what's being "exploited" are photos, which are in no way, shape, or form their property.

      I mean, I pay a fair bit to maintain my car as well, but that doesn't give me any control over the "exploitation" of third-party photos of it.

    5. Re:Image rights and trademark by dkf · · Score: 3, Informative

      I wish Parliament published comments along with the Acts so we have an easier time judging legislative intent.

      That's what you'll need to read Hansard for. Alas, it seems to be difficult to search, but I think this is relevant. Moreover, as in the US, UK courts most certainly do take into account what was said in the legislature during the legislative process when dealing with some law, though they prefer to use the letter of the law as stated and existing precedent in relation to any particular act.

      As pointed out in the link, there may well be superior legislation that prevents English Heritage from successfully making the claim. I would expect the key issue to be whether the photographs in question are, in principle, commercial or private pictures, and not whether some company is making money off hosting them.

      --
      "Little does he know, but there is no 'I' in 'Idiot'!"
    6. Re:Image rights and trademark by naasking · · Score: 3, Insightful

      The British public pays to maintain these sites, and an awful lot of money at that, so why should some company be allowed to step in and enjoy the benefits of the public's investment?

      Because you paid an entrance fee to visit this site, and you're also paying to maintain the site via taxes, so why should you pay even more? Will I now have to pay the government every time I take a picture of a road? I'm sorry, but it's ludicrous.

  10. A disguised way to sue Microsoft? by Dogbertius · · Score: 5, Funny

    C:\WINDOWS\Web\Wallpaper\Stonehenge.jpg

    Need I say more?

  11. Re:seems to misconstrue the nature of copyright by jeffrey.endres · · Score: 2, Interesting

    Seems to be a trend. Parks Victoria is attempting to charge photographers for taking photos of state parks. I wonder if you could counter with a fraud charge?

  12. Re:Well... by guyminuslife · · Score: 2, Insightful

    I would think that, in this instance, as in all things, they would be True Neutral.

    --
    I don't believe in time. It's a grand conspiracy designed to sell watches.
  13. This is Spinal Tap by Lord_of_the_nerf · · Score: 3, Funny

    I suppose they'll want a percentage from sales of Smell the Glove too.

  14. Not copyright - a special law applies by Anonymous Coward · · Score: 3, Informative

    This isn't about copyright. If it were, these letters would have nothing to support them, since a) the copyright on Stonehenge has expired and b) the plain view doctrine (for at least some of the photos).
    However, it turns out that there is a special law in Britain that grants English Heritage all rights to all intellectual property somehow derived from archaeological monuments (search for National Heritage Act 2002). Since the UK's constitution is a rather jumbled up and all in all pretty toothless mess, the principle that the government can and will create any law it bloody well pleases seems to be in effect. So yes, in the UK English Heritage has a case.
    If you've smuggled the images outside of the UK and you publish them there, the situation might be different, but it depends highly on whether your country has an extradition treaty with the UK and if so what the exact terms of it are.

  15. 4500 years? by T+Murphy · · Score: 4, Funny

    How did they manage to build it by 2500 BC? I usually don't manage to finish it until 2000BC... they must have had a nearby source of marble I wasn't aware of.

  16. It's really simple, copyright expires. by kawabago · · Score: 2, Informative

    Old paintings are in the public domain as is stonehenge. Tell them to take you to court and make sure you have counterclaims to really slam them with because they wouldn't stand a chance!

    1. Re:It's really simple, copyright expires. by esme · · Score: 2, Insightful

      I could understand if English Heritage wanted to instate a new policy that required permits for commercial photography. They really want to improve the tourist facilities at the site, and have had trouble getting the money to do so. I think they'd have a very hard time of it, since Stonehenge is clearly visible from public roads and the air. So unless they want to build a giant dome over it, they really couldn't control access.

      But trying to retroactively apply that policy to photos taken before the policy was in place is stupid.

  17. Re:Any UK legal folk around? by headLITE · · Score: 3, Informative

    I'm not UK legal folk, but there is this: http://www.legislation.gov.uk/ukpga/1988/48/section/62

  18. Wrong jargon for Britain by Mathinker · · Score: 5, Insightful

    Dear English Heritage,

    We refer you to the reply given in the case of Arkell v. Pressdram.

    Signed,

    Everyone else

    1. Re:Wrong jargon for Britain by noidentity · · Score: 3, Informative

      For those who are lazy like me: Arkell and Pressdram

  19. Sydney Opera House Too by Nom+du+Keyboard · · Score: 4, Interesting

    The Syndey Opera House Trust tries to pull the same crap, even though they are directly contradicted by Australian law on photography in public places. Seems to me that England also has a law that you can shoot any photograph you want in public, although the police there often do their best to ignore it when they are misbehaving otherwise. I would think that the Stonehenge people don't really have a case and are trying to get away with threats and bluster.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  20. Good Reply To The Letters..... by IHC+Navistar · · Score: 5, Funny

    Dear Sir/Madam, We will gladly remove the photographs of Stonehenge that you have asked us to remove. However, we require that you provide us with written, notarized documentation detailing: 1. Ownership or controlling interest in Stonehenge by your organization, 2. Transfer of ownership to your organization by the original creator(s) of the work, and, 3. That the work was, in fact, created by those that transferred ownership to your organization. Additionally, we would like to take this letter as an opportunity to inform you that we have awarded your organization with lifetime membership in our "Good Luck With That" club, which is an exclusive organization of groups displaying exceptional confidence in their legal endeavors. Sincerely, Howard, Fine, and Howard Attorneys-At-Law

    --
    Knowing Google's lust for data collection, the Soviet Union is still alive and well inside the psyche of Sergey Brin....
  21. Re:Any UK legal folk around? by headLITE · · Score: 2, Informative

    The EU actually has a non-idiotic /recommendation/ for this, it's just not binding, i.e. member states don't have to implement it. The EU recommendation is similar to the actual UK legislation that basically allows taking pictures of anything that's directly visible from a public location. I.e. buildings on a road, even sculptures. Now I don't know the status of Stonehenge, maybe it's not considered a public location for some reason?

    But I doubt it is really covered by /copyright/ of all things, since it's not an original work of the would-be copyright owner.

  22. Re:Well... by Chrisq · · Score: 2, Funny

    Druidism has just been recognized as a religion in the UK, wouldn't they have some ground to claim "intellectual property" on Stonehenge?

    Or maybe it will go the other way round and English Heritage will start taking all the money from collection boxes in St Pauls Cathedral, York Minster, etc - but once a year 'allow Christians "special access" for a religious ceremony.

  23. Re:How is our children learning... by History's+Coming+To · · Score: 2, Funny

    Not entirely accurate - there was a spat between the band and the local council at the Glastonbury festival a few years back because the council were concerned that Stonehenge was more associated with Spinal Tap than it was with Stonehenge. In the end (as pointed out above) it was settled on the grounds that Spinal Tap's copyright is still in force while Stonehenge's had run out years ago.

    --
    Please consider this account deleted, I just can't be bothered with the spam anymore.
  24. Re:Dissenting voice here by tehcyder · · Score: 2, Insightful
    That is begging the question that this is in the public domain.

    Personally, I don't see why English taxpayers should have to pay for the upkeep of Sonehenge and then let anyone else make money off the site.

    --
    To have a right to do a thing is not at all the same as to be right in doing it
  25. The photographer owns the copyright by Viol8 · · Score: 2, Interesting

    .. of any photo they take in the UK. So EH can bluster and threaten all they want , they won't get anywhere. Someone needs a good kick up the arse in their legal department.

  26. Is that the legal definition of the word "must"? by CurseOfTheVampire · · Score: 2, Interesting
    'all commercial interest to sell images must be directed to English Heritage.'

    If this is the legal definition of the word "must", then it is legally synonymous with the word "may" (according to Black's Law Dictionary, 5th Edition, at least) - in other words, they're giving us a choice. In a legal sense they probably would have had to use "obliged", "compelled" or "required" for this to have any weight (and I doubt they could do this without having some kind of contract in place compelling anyone to specific performance).

    Thanks English Heritage - I choose not to direct any commercial interest to you. See ya later!

    (Not a lawyer, obviously.)

  27. Sure, I'll give you back your Stonehenge photos... by HertzaHaeon · · Score: 3, Interesting

    But only if you trade them for all the images of myself captured by Birtish surveillance cameras. Photos or video of me belong to me, sorry.

  28. Re:Greed vs Common Sense by xaxa · · Score: 3, Insightful

    Sadly another case of greed over-ruling common sense.

    Blame the current government (or the previous government for spending all the money, if you prefer).

    All NDPBs (non-departmental public bodies / quangos), as well as government departments, have been told to cut costs and find new ways to make money. The one I work for is trying to sell it's scientific data (yet it's also supposed to go on data.gov.uk and be available to the taxpayers who paid for it).

    Anyone sufficiently annoyed with English Heritage should write to their MP. I imagine it will fix the issue very quickly.

  29. Art, not History by gafisher · · Score: 5, Informative

    Stonehenge as we know it is a fairly modern structure, almost completely disconnected from what existed prior to what can only be called an "artistic" reconstruction in the early 1900s. Here can be found a fairly good summary of the story, which shows that "[Stonehenge] has been created by the heritage industry and is NOT the creation of prehistoric peoples." An online search for "Stonehenge rebuilt" brings up other articles, including (while they last!) photos, showing that commercial interests like English Heritage have a far better claim to Stonehenge than archeology or history. One more quote summarizes the issue: ""The instigators of the English heritage landscape were essentially amateurs, working by trial and error."

  30. Re:Copycats by delinear · · Score: 2, Interesting

    The irony is that the emerging markets are the ones who pay least notice to the West's IP, meanwhile we think the best way to regenerate our economies is by stifling innovation and dragging everyone through the courts for every supposed infringement. And the bigger irony is that, once the companies behind the ever more insane IP laws have milked every drop from the average guy in the street, they won't hang around to prop up an ailing economy in a country going down the tubes, they'll up sticks and move their HQ to those same emerging markets and start all over again.

  31. We win, we lose by captainpanic · · Score: 3, Interesting

    ^^ +5 insightful,

    they also better sue Microsoft for that picture of Stonehenge they distributed with their OS.

    On the short term, that would be a win:
    Two companies known for petty copyright claims are fighting each other in a lawsuit. Both lose money.

    On the long term, we lose:
    At first, more lawyers find work. But then they become unemployed. Unemployed lawyers may start searching for other things to sue (that's what they do, right?). Assuming that people cannot become more stupid, but the rules can become more stupid, it stands to reason that more lawyers means more (stupid) rules.

    1. Re:We win, we lose by SirGarlon · · Score: 3, Funny

      Assuming that people cannot become more stupid, but the rules can become more stupid

      That is a wildly optimistic assumption. Both people and rules have repeatedly demonstrated an unlimited potential for stupidity. There is no reason to think either have bottomed out yet.

      --
      [Sir Garlon] is the marvellest knight that is now living, for he destroyeth many good knights, for he goeth invisible.
    2. Re:We win, we lose by commodore64_love · · Score: 2

      This whole debate could be simplified by asking one simple question:

      - To whom does common property belong?
      - Answer: The People from which all legitimate authority derives.

      Stonehange is part of the British people's common property (just like air, water, roads), and it belongs to all, which means it is public domain and not copyrightable.
      .

      >>>Feedback on this comment system?

      It sucks. I hate this dynamic index and can't get back to the classic (plain text) index.

      --
      "I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
    3. Re:We win, we lose by Obfuscant · · Score: 2, Insightful
      It sucks. I hate this dynamic index and can't get back to the classic (plain text) index.

      Me, too. Once you preview, you have to click another buttong to fix any typos, and then preview again before posting.

      What's worse is that moderation selections take effect immediately. I used to be able to moderate as I read through the comments, and if I really needed to moderate something near the bottom I could go back up and remove the moderation from an earlier comment and then submit them all at the same time. Now I hesitate to moderate anything because I know the choice is unrevokable once selected. Bad design.

    4. Re:We win, we lose by northstarlarry · · Score: 2, Informative

      You should be able to go back to the old style comment system using your user preferences. I just did, anyways. Help & Preferences > Discussions > Viewing > Disable Dynamic Comments.

  32. Avebury by CountBrass · · Score: 4, Informative

    The complex at Avebury is orders of magnitude more impressive than Stonehenge. Possibly the most impressive stone... calendar err.. complex in the world. You can't get more than a fraction in a single photo. Definately worth a day trip. Some links: http://www.nationaltrust.org.uk/main/w-avebury http://en.wikipedia.org/wiki/Avebury

    --
    Bad analogies are like waxing a monkey with a rainbow.
  33. Admission ticket? by Anonymous Coward · · Score: 2, Insightful

    The very idea of an admission ticket to some of humanities very roots is in itself ridiculous. While we acknowledge that maintenance does cost real money, how does that extend to the very property rights, the images, the very photons, that reflect from the property?

    This is thievery; the worst of sorts.

  34. You, too! could build your very own Stonehenge!! by zooblethorpe · · Score: 5, Interesting

    The "mystery" of how "they" made it isn't really a mystery for anyone who dabbles in such archaeology, or even that surprising - unusual at best.

    Indeed. The tech is *so* simple that Wally Wallingford of Flint, Michigan is building his own Stonehenge (more of a Concretehenge, really) almost single-handedly, just using wood forms, levers, and clever balancing to move these huge multi-ton blocks about.

    A lot of things that people these days describe as "OMG how did they possibly do that it must be ALIENS!" are really only mysterious because people are shockingly ignorant of the basics of how the world works. Probably comes of sitting on their bums so much.

    Cheers,

    --
    "What in the name of Fats Waller is that?"
    "A four-foot prune."
  35. what about parody photos? by TheGratefulNet · · Score: 2, Funny

    wonder if they'll come after me for this one:

    http://www.flickr.com/photos/linux-works/140536377/

    yes, it was a slow day in the hardware lab and I felt inspired at the time. I know that if anyone will 'get' what those are, its the slash crowd.

    --

    --
    "It is now safe to switch off your computer."