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Can a Monkey Get a Copyright & Issue a Takedown?

An anonymous reader writes "Last week, the Daily Mail published a story about some monkeys in Indonesia who happened upon a camera and took some photos of themselves. The photos are quite cute. However, Techdirt noticed that the photos had copyright notices on them, and started a discussion over who actually held the copyright in question, noting that, if anyone did, the monkeys had the best claim, and certainly not the photographer. Yet, the news agency who claimed copyright issued a takedown to Techdirt! When presented with the point that it's unlikely the news agency could hold a legitimate copyright, the agency told Techdirt it didn't matter. Techdirt claims that using the photos for such a discussion is a clear case of fair use, an argument which has so far been ignored."

56 of 335 comments (clear)

  1. Maybe a million monkeys by perpenso · · Score: 5, Funny

    Can a Monkey Get a Copyright & Issue a Takedown?

    Maybe a million monkeys could do it, as they do with Shakespeare.

    1. Re:Maybe a million monkeys by kale77in · · Score: 5, Insightful

      1) Does copyright apply to random generation? The Shakespeare issue captures the essential point... Would the monkeys hold copyright on their text, having produced it by chance?

      2) Is intentionality is required for moral rights of art creation? If I'm camping and a rock falls on my camera and somehow causes a photo to be taken, does the rock have the copyright? What if a monkey falls on the camera, with the same effect? What if the monkey tries to eat the camera, with the same effect? What consciousness of the act of creation is required? In this case, the monkeys framed their reflections in the lens, which was a creative act if using a mirror is a creative act. There can't have been any consciousness of others publishing these images; are the 'portraits' thus portraits to us but not to them?

      3) Copyright is a human social construct that prevents the exploitation of creativity to the detriment of authors. Does this have any meaning in whatever system of exchange impresses monkeys?

    2. Re:Maybe a million monkeys by LordLimecat · · Score: 5, Insightful

      3) Copyright is a human social construct that prevents the exploitation of creativity to the detriment of authors. Does this have any meaning in whatever system of exchange impresses monkeys?

      This is the most relevant part. Copyright's intention is to encourage works by providing the author with certain privileges. When there is no human author and no intentionality behind it, there is no reason for copyright.

    3. Re:Maybe a million monkeys by willworkforbeer · · Score: 5, Funny

      ...not to get too technical, but in the industry that's known as one "Michael Bay Script Unit"

      --
      Pretending this is my office full of bitter coworkers..
    4. Re:Maybe a million monkeys by jbeaupre · · Score: 4, Funny

      Shakespeare's works are public domain, which is why monkeys can do it. It might take a million of them to figure out how to do it, but every one of them knows they'll be turned into monkey stew if they try to write anything by J K Rowling. An encyclopedia of her works, they are still debating.

      --
      The world is made by those who show up for the job.
    5. Re:Maybe a million monkeys by Ol+Olsoc · · Score: 5, Insightful
      Copyright is as copyright does. Chance is not in the equation. A human photographer or painter can and often does hold copyright on randomly shot photos. And for a good reason. At what point does randomness stop? If say you set up a camera with method of taking photos of lightning, it will do it. And you hold copyright and can sell that photo as yours. Lightning is very random.

      I find this issue interesting in the extreme, esp since copyright is now becoming badly abused. Apparently perpetual copyrights, and shrinking concept of fair use - the legals are involved to the hilt, so now they are going to get involved in this.

      First off, those photos are pretty good. Better than many human taken photos. So there is tangible worth. Next we look at what a copyright owner is. Must the holder be human? Where is that defined? Now we move on to the comparative aspects of non-human copyright. Certain animals have been shown to be self aware, and there is no doubt that many animals could learn that there is something happening when they press the shutter on a camera. They can create. Now compare that to say a 3 year old human taking photos, I allowed my son to take photos with my professional camera at that age. An African Gray Parrot for instance is functioning at an intellectual level of around a 4 year old. So were my son's photos not copyrightable? How about an autistic or schizophrenic person?

      --
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    6. Re:Maybe a million monkeys by Midnight+Thunder · · Score: 2

      Then again there is the matter of what context and who's equipment was used. Copyright is not always clear cut and usually depends on who has the better lawyers in those murky parts.

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    7. Re:Maybe a million monkeys by blackbeak · · Score: 2

      ...which isn't plausible since Monkees only reproduce works written by others...

      Uhm, I beg to differ! Ever hear of "Last Train to Clarksville"?

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    8. Re:Maybe a million monkeys by Adrian+Lopez · · Score: 3, Funny

      Monkees only reproduce works written by others

      No kidding. Ninety-nine times out of a hundred, a million monkeys typing on a million typewriters will produce some variation upon Finnegan's Wake.

      --
      "In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
    9. Re:Maybe a million monkeys by AK+Marc · · Score: 3, Interesting

      Does copyright apply to random generation?

      Copyright applies only to creative generation. Random would not count. Logical (i.e. alphabetical listing of people and numbers in phone books) is explicitly not covered by copyright. It does not apply to discoveries (pretty rocks, math, photos taken by monkeys). Many photos are uncopyrightable. A photo of a painting taken to replicate the painting as closely as possible, even if it requires great technical skill for lighting and such, is not a creative work, but an uncopyrightable derivative of the painting. However, in almost all other cases of taking a picture of art, the photo is copyrightable. The assumption is that there was some creativity in picking the location or lighting or such when taking the photo, even if it is just a picture of a random building taken from across the street without actual care or creativity expended in taking the picture.

      So, unless there is some creativity required for the creation of the item in question, one may not copyright it. If they argue that the monkeys were creative, then the monkeys would hold the copyright, as the human discovering the monkey picture did not create anything and thus can't hold the copyright to it.

    10. Re:Maybe a million monkeys by phantomfive · · Score: 3, Interesting

      Claiming copyright on the output of an algorithm (ie, randomly generated numbers) has been tried before. The consensus at the time (not that I looked deeply) seemed to be that the law is vague on the issue, and it might manage to stand up in court.

      --
      "First they came for the slanderers and i said nothing."
    11. Re:Maybe a million monkeys by Surt · · Score: 3, Funny

      "It was the best of times, it was
        blurst of times."

      You stupid monkey!

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    12. Re:Maybe a million monkeys by WalksOnDirt · · Score: 2

      Ever hear of "Last Train to Clarksville"?

      Written by Boyce and Hart, as were many of their early hits. This is true of most artists, but the Monkees did write a few nice songs, like Randy Scouse Git and Goin' Down .

      --
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    13. Re:Maybe a million monkeys by gnasher719 · · Score: 3, Interesting

      Seems to me that if the photographer properly and adequately reimbursed the monkeys then the paper would have purchased said portraits by contract from the monkeys.

      You can't form a contract with a monkey. Therefore you cannot get the copyrights for a work created by a monkey. And lastly, a DMCA takedown notice by a person who doesn't have the copyright is a criminal matter.

    14. Re:Maybe a million monkeys by jimshatt · · Score: 4, Interesting

      The photographer, David Slate, was there with his camera to photograph the monkeys. That's your intentionality right there. It doesn't matter if he shot the photos themselves, used a tripod and a random interval for taking pictures, or used monkeys. I know I'm stretching the glorified tripod analogy, but still...

      When I ask a passer-by to take a picture of me (and my family), who owns the copyright? I really don't know.

    15. Re:Maybe a million monkeys by Pharmboy · · Score: 4, Insightful

      This is the most relevant part. Copyright's intention is to encourage works by providing the author with certain privileges.

      You forgot the most important part: Copyright exists to give the creator exclusiverights to profit from the creation in exchange for the public gaining ownership after a fixed period of time. We protect you now, you give it to us later.

      The idea that you "own" what you create is an artificial construct, a mutually beneficial social contract, and a point that most corporations don't seem to care about anymore. Disney in particular, wants to buy or create "creative works" and own them forever, yet have society pay to secure that right. That is not a sustainable or justifiable system, and certainly is not what the original intent was.

      --
      Tequila: It's not just for breakfast anymore!
    16. Re:Maybe a million monkeys by mcvos · · Score: 2

      But a DMCA takedown is a lot easier, clearly.

      Everything about this story makes me wonder if lawyers might be monkeys.

    17. Re:Maybe a million monkeys by sFurbo · · Score: 2

      The passer-by (damn, I read that yesterday in an article about this story, but now I can't find it).

      With respect to your point, I would agree if he had given the camera to the monkeys, but AFAICT, the monkeys took the pictures with him unaware, so it wasn't his intention to make those pictures.

    18. Re:Maybe a million monkeys by ewanm89 · · Score: 2

      Technically the passer-by owns the copyright, however, one could argue there is a implicit contract to pass copyright to whoever owns the camera in such cases even though it's that explicitly stated and/or put in writing. In this case, the photographer didn't ask the monkeys to take the picture, the monkeys just picked up the camera and did.

      If I come along, see a nice picture a photographer missed and asked to borrow the camera for the shot (I accidentally left mine at home or something) presuming it is agreed and he/she lends me the camera, surely it was me that took the picture and so the copyright is technically mine.

    19. Re:Maybe a million monkeys by ewanm89 · · Score: 2

      Actually, that was the original intent of the Church lobbyists when they first asked for it to stop the bible being reproduced en masse with the new printing presses. Look at how well that worked out.

    20. Re:Maybe a million monkeys by alexo · · Score: 2

      Copyright is a human social construct that prevents the exploitation of creativity to the detriment of authors. Does this have any meaning in whatever system of exchange impresses monkeys?

      This is the most relevant part. Copyright's intention is to encourage works by providing the author with certain privileges. When there is no human author and no intentionality behind it, there is no reason for copyright.

      And here I was, thinking that modern day copyright is a system to lock down and monetize culture to the benefit of middlemen.

      Live and learn...

    21. Re:Maybe a million monkeys by melikamp · · Score: 2

      Copyright exists to give the creator exclusive rights to profit from the creation

      This is wrong twice. The actual purpose of copyright is to give publishers, not creators, exclusive rights. This goes back to the Statute Of Anne which assigned copyrights directly to printers and hosed writers both retroactively and in the future. US law fixed the language, but neither the purpose nor the effect. It is still virtually impossible to collect monopoly profits unless you are a publisher. As a lone artist, you invariably find that in order to make any money at all, you have to become very famous first. There are two good ways to do it, and both involve giving up the exclusive right. Let your fans share your work or sign your copyright over to a publisher.

      But even if you disagree with this observation, this is still wrong because no copyright law provides exclusive rights to profit. Rather, it's an exclusive right to make copies. Come on people, it's in the effing name.

  2. First by rhook · · Score: 2

    Sue them, on behalf of the monkeys.

  3. Derivative works? by BWJones · · Score: 4, Funny
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    1. Re:Derivative works? by PPH · · Score: 3, Funny

      If you'd have the monkey inserted into a photo of Congress' debate over raising the national debt ceiling, we might not have suspected Photoshop.

      --
      Have gnu, will travel.
  4. The monkey is the photographer by juventasone · · Score: 2

    And they take better pictures than I do...

    1. Re:The monkey is the photographer by mywhitewolf · · Score: 2

      glad i wasn't the only one thinking "how the hell does a monkey take such a good self portrait when the best i can manage is a picture composed of about 2% my head, 18% the sky and 80% my arm...

    2. Re:The monkey is the photographer by gknoy · · Score: 2

      Longer arms? :D

  5. Re:Nothing to do with DMCA by rhook · · Score: 3, Informative

    Of course it wasn't a DMCA takedown notice, the Daily Mail is based in the UK.

  6. This explains Youtube by ChromeAeonium · · Score: 2

    Well, that explains why, on YouTube, videos with good music always tend to get taken down. I think, 'Now what kind of idiot would force down free promotion? I never even would have heard of this music had it not been for YouTube.' I always figured a monkey, and an exceptionally stupid one at that, was behind those takedown notices.

  7. Infinite Monkeys by retaj · · Score: 3, Funny

    Would an infinite number of monkeys with an infinite number of cameras still have more fun flinging poo?

  8. Re:Animals Don't Have Rights by TibbonZero · · Score: 3

    And companies. Don't forget companies! They have the same rights as people too!

    --
    Tibbon
    tibbon.com
  9. Re:Monkeyshopped by MacTO · · Score: 2

    I'm guessing that any claims to copyright will be made over processing done to the photo prior to publication and, perhaps any setup done to the camera before they monkeys started monkeying around. After all, it's hard to get photos that good by pure chance.

  10. Re:Seems fair by bipbop · · Score: 5, Interesting

    I know that if you are the sole possessor of, e.g., a discontinued book, you become the copyright holder of that work.

    [citation needed]

  11. Re:Seems fair by Lehk228 · · Score: 2

    that is an interesting belief you hold, it is not, however based on any semblance of reality

    --
    Snowden and Manning are heroes.
  12. Re:Will someone please think of the (monkey) child by zill · · Score: 2

    And on an entirely more serious note:

    In most states the act of bestiality is illegal, but pornographic photographs of animals are not.
    In every state, sex with children, as well as pornographic photographs of children are illegal.
    Which brings us to the question: is pornographic photographs of monkey children illegal?

    Please help me out here, Slashdot armchair lawyers. I desperately need the answer for educational purposes.

  13. Re:Seems fair by artor3 · · Score: 4, Funny

    I know that if you are the sole possessor of, e.g., a discontinued book, you become the copyright holder of that work.

    [citation needed]

    The OP is clearly american, and americans are under the belief that their words and actions are law and always right.

    [citation needed]

  14. Re:Monkeyshopped by Hognoxious · · Score: 2

    Except monkeys aren't legal persons, and therefore can't hold copyright, enter into a contract. I would say that the copyright belongs then to the closest human in the causal chain, i.e. the person who gave them the camera.

    It's similar to claiming that your cat agreed to an EULA when you set everything up and wait for it to tread on the mouse. Hooey. The animal is merely a servant of the human master.

    Tying it nicely together: http://www.bbc.co.uk/news/uk-13286470

    --
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  15. Re:HEY hey by Vermifax · · Score: 2

    And people say we monkey around....

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    Logout
  16. Re:Work for hire by PC+and+Sony+Fanboy · · Score: 2

    Monkeys and other animals are not legal persons, so copyright authorship would not initially vest in them. In all likelihood, a court would apply a combination of the work for hire and independent contractor doctrines, and copyright would initially vest in the owner of the equipment used to take the photographs. The photographer would have the copyright and the legal right to license the photos. Also, just a note that since 1989, copyright notice is not required - so don't count on a lack of notice to mean there is no valid copyright!

    That's very american of you. Nice explanation, I'm sure all the americans appreciate it. I wonder if you've got an equally valid explanation for, say, the UK. That way your post would be relevant.

  17. Re:Monkeyshopped by AdamWill · · Score: 2

    No-one is seriously arguing that the monkeys hold the copyright. We _are_ suggesting that there's no reasonable grounds on which anyone _else_ could claim to own the copyright. Shockingly, it's possible for data to exist without anyone holding a copyright on it, though some interest groups dearly wish things were otherwise.

  18. Animals can't hold copyrights by jambarama · · Score: 2
    Same issue as painting elephants. This has been discussed in copyright literature (PDF warning). Internally, the copyright office excluded works produced by animals, as well as works produced entirely by "mechanical processes or random selection without any contribution by a human author."

    The U.S. Supreme Court's general rule that a copyrightable work's âoeauthor is the party who actually creates the work, that is, the person who translates an idea into a fixed, tangible expression entitled to copyright protection." ... Broad and traditional notions of copyright authorship assumed the answer to that question was limited to human creators. But no definition of "author" appears in the copyright statute. Neither does the Constitution's reference to authors mandate that they be human.

    From a theoretical perspective, the question often comes down to creativity - can animals be creative? Animal research tends to suggest that animals CAN be creative, to the same extent as humans. The issues are similar with computer generated "expression" - can a computer be creative? Should randomness be considered creativity?

    However you come out on those questions, courts have decided, based on a policy choice favoring humans, to exclude animal authorship. Which makes some sense, since an elephant doesn't have capacity to enforce its rights (you could have a guardian do it, but we don't allow animal guardians to sue vets for malpractice, so it is hard to see why this would be different).

    With elephant paintings, the copyright is typically in the name of the zoo, or whoever enabled the elephant to make the painting (e.g. selected colors, brush type, canvas type for the animal). In the case of a monkey who took a picture, probably the zoo or the camera owner.

  19. Re:Nonsense by RazorSharp · · Score: 2

    Or maybe ownership is a human concept -- one we invented full cloth -- and one that monkeys and inanimate objects do not qualify for.

    Yeah right. Try taking a banana away from a monkey. Or a bone away from a dog. Animals have a sense of ownership, it just usually doesn't last long because they tend to consume the item.

    --
    "From the depths of my skeptical and rationalist soul, I ask the Lord to protect me from California touchie-feeliedom."
  20. Re:Monkeyshopped by mywhitewolf · · Score: 2

    using that logic though, if a dog bites a person, we should put the owner down, because "The animal is merely a servant of the human master."

  21. Developers! Developers! Developers! by mevets · · Score: 2

    If monkeys can be CEOs, why can't they hold copyrights?
    I'm certain the first one was infringing on that MS exec's copyright though...

  22. Re:Maybe I'm just a speciest... by sunwukong · · Score: 2

    It's kinda scary imagining what speciesist means to a jackal-headed man.

  23. Re:Seems fair by Jah-Wren+Ryel · · Score: 2

    This is probably the most insightful thing I've read on /. today. Then again, I've been busy arguing with right-wing fascists about the travesty that is the USA.

    Apparently you have battled too much with the monsters and stared too long into the abyss.

    --
    When information is power, privacy is freedom.
  24. Re:Work for hire by Jah-Wren+Ryel · · Score: 2

    That's very american of you. Nice explanation, I'm sure all the americans appreciate it. I wonder if you've got an equally valid explanation for, say, the UK. That way your post would be relevant.

    Seems to me that it's all covered by the Berne Convention which "harmonized" such laws across practically every country in the world. But if you weren't so busy being a smug bastard you probably would have known that.

    --
    When information is power, privacy is freedom.
  25. Monkey Business by thetsguy · · Score: 3, Funny

    Now this qualifies to be a monkey business

  26. Re:Seems fair by bky1701 · · Score: 2

    And how often does that happen? How many people keep their work secret because someone MIGHT copy it? I'd be willing to bet, next to none. The historical cases of people keeping their works secret are either because they failed to have them published or because they were a bit mental. Copyright can never fix either of these issues, and the internet rather fixed the first now. Now copyright threatens the internet. It is time to abolish it, before our culture is irreparably damaged.

    The only time the pro-copyright argument makes any sense is with large but homogenous works, like movies. However, as we have been seeing lately, you need not have a multi-billion dollar budget to make a movie, even ones quite comparable to those with multi-billion dollar budgets. So really - what's copyright doing for us, again?

  27. Re:Monkeyshopped by MacTO · · Score: 2

    Ignoring any user agreement that we implicitly agreed to by posting to Slashdot, there is a quite clear statement posted at the bottom of each page: "Trademarks property of their respective owners. Comments owned by the poster." So yes, you own the rights to your comments just as I own the rights to mine. Similarly, you have the rights to "process" my comments (e.g. quote and comment upon the appropriate sections). What you don't have the right to is the original comment without "processing" (e.g. the entire comment without commentary).

    At any rate, it probably depends a lot upon context. Slashdot is a venue for discussion. As such it follows a certain set of rules. Photography is a different context, with a different set of rules. Snapping pictures with a photographer at the helm (i.e. the initial camera's settings) and a photo editor at the stern (e.g. cropping, colour adjustments, etc.) is yet a different context.

    What I would suggest, in this case, is the original photographs have dubious copyright status (since a bunch of monkeys were involved). This is because it is probably a first, as such it has no social or legal context. Yet the processed photographs would have a much better defined social and legal context, and they are most likely property of the company that they were contracted out to.

    So unless you can get your evolved monkey fingers on the originals, republishing them is almost certainly a violation of their copyrights. Even if you could get your hands on the originals, you would still have to deal with the uncertainty of the legal system determining who actually owns the rights. Monkeys or humans. (Personally I'd support the monkeys, but I'm just one member of a larger society that has to make that decision.)

  28. Re:Nothing to do with DMCA by jonbryce · · Score: 2

    A British citizen is entitled to claim copyright in the US just like everyone else, and if their copyright is infringed, they can take action in the US courts. So yes, the Daily Wail is entitled to serve a DMCA takedown notice to someone who infringes their copyright in the US.

  29. Re:Seems fair by chrismcb · · Score: 2

    I know that if you are the sole possessor of, e.g., a discontinued book, you become the copyright holder of that work. Without necessarily knowing the specific laws, it seems it should be similar here. The alleged goal of copyright is to incentivize the creation and/or distribution of works. The fact that this typically involves rewarding the 'artist' is tangential.

    According to wiki "The Berne Convention focuses on authors as the key figure in copyright law..." so I don't think that rewarding the 'artist' is tagential.

    While possessing the sole copy of a piece of work gives you some way of controlling the copying of such work, it doesn't automatically grant you the copyright. Only the owner of the copyright can grant you the copyright.

  30. Hoax: Monkeys hack cell accounts, leave cute ... by fygment · · Score: 2

    Interesting discussion on copyright. But what if:

    the photos and story are a fabrication. The photographer set it up and concocted the entire scenario to sell the story. So really, the copyright claim is valid since the photographer did do the work. The Daily Mail is reacting since it is trying to cover up the lie it published. If too much scrutiny is drawn to the pictures, then the hoax will become apparent.

    Next story: monkeys hack in to cell phone accounts and leave cute messages.

    --
    "Consensus" in science is _always_ a political construct.
  31. The moneky speaks his mind by RevWaldo · · Score: 3, Funny

    And three monkeys sat in a coconut tree
    Discussing things as they are said to be
    Said one to other now listen, you two
    “There’s a certain rumour that just can’t be true
    That man descended from our noble race
    Why, the very idea is a big disgrace, yea”
    No monkey ever deserted his wife
    Starved her baby and ruined her life

    Yea, the monkey speaks his mind

    And you’ve never known a mother monk
    To leave her babies with others to bunk
    And passed them on from one to another
    ‘Til they scarcely knew which was their mother
    Yea, the monkey speak his mind

    And another thing you will never see
    A monkey build a fence around a coconut tree
    And let all the coconuts go to waste
    Forbidding all other monkeys to come and taste
    Why, if I put a fence around this tree
    Starvation would force you to steal from me

    Yea, the monkey speaks his mind

    Here’s another thing a monkey won’t do
    Go out on a night and get all in a stew
    Or use a gun or a club or a knife
    And take another monkey’s life
    Yes, man descended, the worthless bum
    But, brothers, from us he did not come

    Yea, the monkey speaks his mind


    .

    1. Re:The moneky speaks his mind by powerlord · · Score: 2

      At least throw an attribution or a link for more information if you're going to post someone else's work (especially ironic in a discussion of Copyright).

      http://www.elviscostello.info/wiki/index.php/The_Monkey

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