Why Your Dad's 30-Year-Old Stereo Sounds Better Than Yours
asto21 writes "Cnet's Steve Guttenberg sheds light on this interesting development that over the years, actual sound quality became a secondary selling point since most people started buying their equipment either online or from big box retailers. People started caring more about the number of connections and wireless interfaces and wattage of systems. As a result, there was less money in R&D budgets to spend on advancements in sound."
what makes it sound good. Surely there's no need for more R&D to maintain the status quo. What sunk good sound was a desire to push down the costs.
Nullius in verba
Sound quality is still a selling point to people who want it, and those people will still find a wide selection of good quality components. However most consumers dont want to deal with setting up expensive speaker systems and finding the 'sweet spot' in the room etc. They just want a box that noise comes out of, and thats what they purchase.
"Have you ever thought about just turning off the TV, sitting down with your kids, and hitting them?"
I’d also like to throw into the pile the complete obsession with bass in the current generation. It seems to have become the major selling point of speakers at the expense of the mid and high ranges. I like to feel my rib cage rattle as much as anyone else, but I also like those sharp, crystal clear highs.
And it’s of course mandatory to point out that current music sucks, and kids these days only listen to low quality mp3 versions of it anyway and no one has an appreciation for proper sound reproduction and other such “get off my lawn” arguments ;p
I’d also like to note that modern speakers aren’t big enough! I don’t care about volume (personally I don’t like stuff ear-bleeding loud) but my dad’s huge (up to my neck) floor speakers have a presence that you just don’t get with the modern stuff I’m guessing because they just move more air due to their size.
Sorry not true.
*My* 30 year old stereo sounds better than yours.
Ignorance killed the cat. Curiosity was framed.
After working at Kodak for 26 years in electronic imaging and hearing nothing but "IMAGE QUALITY", I am now faced with a world where everyone is taking crappy pictures with crappy cell phone cameras. Why did we bother?? As in the stereo world, cost and convenience trump what used to be important.
Sorry, but gray text on gray background is making my eyes bleed.
Right up through most of the 1990s power ratings differentiated models within a given manufacturer's lineup, but that's barely true anymore. In those days the least expensive models had 20 or 30 watts a channel, but now most low- to midprice receivers have around 100 watts per channel. For example, Pioneer's least expensive receiver, the VSX-521 ($250) is rated at 80 watts a channel; its VSX-1021 ($550) only gets you to 90 watts: and by the time you reach the VSX-53 ($1,100) you're only up to 110 watts per channel! Doubling the budget to $2,200 gets you 140 watts per channel from their SC-37 receiver. Denon's brand-new $5,500 AVR-5308CI delivers 150 watts per channel! The 31-year-old Pioneer SX-1980 receiver Butterworth wrote about was rated at 270 watts per channel. He tested the Pioneer and confirmed the specifications: "It delivered 273.3 watts into 8 ohms and 338.0 watts into 4 ohms." It's a stereo receiver, but it totally blew away Denon's state-of-the-art flagship model in terms of power delivery!
Emphasis mine. So I noticed that you didn't adjust the SX-1980's price into 2010 dollars so let's ask Wikipedia about the cost of an SX-1980 in today's dollars:
Its retail price in 1978 was $1295.00. According to the average historical price of gold, it would have listed for an equivalent of $8199.42 in 2010.
Okay. Show me that industry wide receivers that cost in excess of eight grand are vastly inferior to the SX-1980 and we'll have a conversation. What's the Yamaha RX-V1800 cost these days? One grand? Am I surprised your blind listening test found something that costs over eight times that amount sounds better?
Here's what you're noticing: the market of people who want to sink ten grand into a receiver (just the receiver alone!) isn't big enough for them to waste their time making the absolutely perfect everything just in the name of sound quality. You're going to design the circuit board and power output entirely devoted to sound quality? Not if you're only going to sell a hundred units.
I have a lot of audiophile friends but I don't often hear "Gee, I wish they sold an eight thousand dollar receiver devoted to sound quality so I could really blow some money to climb from the 90th to 98th percentile of sound quality."
My work here is dung.
I think one of the biggest issues is the gap in price between good products and low end stuff. I want my music to sound good and I'm willing to buy something that is 3x the cost of the everyday / low end equipment. But instead I'm given the choice between low end equipment or pro-awesome-blow-your-mind stuff that is 10 times more expensive, with nothing in between. I would love the more expensive stuff, but I just can't afford a 10,000 worth of stereo gear.
It was taught to respect it's elders, not like these young punk stereos you see walking around with their pants hanging off their butts. And, MY dad's stereo mowed the lawn every week without having to be told. Don't you know that builds character??
I swear to God...I swear to God! That is NOT how you treat your human!
I'm 41.
Years of listening to Rush, Van Halen, ACDC, Iron Maiden, Def Leopard, Metallica ,Yngvie Malmsteen and Joe Satriani (among others) at ear splitting volumes has probably reduced the audio reception fidelity of my ear drum to that of a crappy mid 80's Krako speaker set bought from radio shack.
So while I lament with you about the loss of speaker quality I seriously doubt I'd be able to hear the difference.
Since apparently linking to the pages with the actual content in the summary is a no-no, here they are:
First, the Cnet article talking about the test that someone else did.
Next, the actual source article.
Steve Guttenberg was amusing in the Police Academy movies (though not nearly as good as Leslie Nielsen), but why should I trust him for advice about audio gear?
...the future crusty old bastards are already drinking the Kool-Aid.
Well, the article does ... unfortunately, we have Slashdot linking to Gizmodo linking to CNet, where the actual article was:
http://news.cnet.com/8301-13645_3-20082026-47/how-can-30-year-old-receivers-sound-better-than-new-ones/?tag=mncol;txt
Build it, and they will come^Hplain.
It is actually amazing how good modern speakers can sound. If you buy higher end hardware these days it is damn impressive. However it costs more. Not more than it used to, just more than the cheap stuff.
This article is stupid because it is looking back and pretending as though 30 years ago HiFi sets were common and cheap. Not hardly. They were expensive and rare. Take the price you'd pay for one, adjust for inflation, and then see what you'd get with your money today. You'd probably be pretty impressed. Please remember that $500 in 1980 is $1,305 today. You can get a pretty heavy hitting receiver for that kind of cash.
Also 5/7.1 has to be taken in to account. Receivers are asked to do more these days, not even taking in to account the stuff he's whining about. Time was they were just amplifiers and preamplifiers for two channels, and maybe a tuner. Now they do all that for 5, 7, or more channels and handle decoding of digital formats, crossovers, maybe room correction, and so on. For all that, they still sound good, amps are not often your problem in sound quality (speakers are).
He seems to be whining that they can't make quality cheap. Well, too bad. That is a frequent problem. Quality costs money. You want quality sound? Go buy it. I love my system, it is extremely good sounding. However it did run me like $6,000 for a 5.1 setup. Don't want to spend that much? I totally understand, but you can't then cry that a $600 system doesn't sound as good.
Sometime in the early 20th century RCA did an experiment where they had people come into a room where opera music was playing. They had the test subject adjust two dials until the music sounded 'best'.
The result was half the subjects turned both dials all the way down. The other half adjusted the dials to the midpoints.
The two dials were for treble and bass. Half the test subjects were people who went to a lot of live opera performances. The other half where people who listened mostly to the radio. The live listeners adjusted the dials to the midpoint, matching the sound they usually listen to. The other half listened over the radio. They adjusted the dials all the way down because that's how radio sounds.
The moral of the story- what "sounds best" depends a lot on what you think "sounds best", and is not necessarily a measure of accurate sound reproduction.