Pop Artists Support Megaupload; Universal Censors
New submitter TheSHAD0W writes "Several well-known artists, including P. Diddy, Will.I.Am, Snoop Dogg and Kanye West produced a song in support of the site Megaupload, recently targeted by law enforcement as a 'rogue site.' The music video was gaining popularity — until YouTube received a takedown notice from Universal Media Group, claiming it violated their copyrights."
There's a brief article about him on Wikipedia. He's an old hacker who made money by inside trading and later set up the Mega* sites brand with Megaupload, Megavideo and Megaporn along others. On Google Video there's 6 years old video when he goes to Monaco grand prix and spends $10 million over the weekend for all kinds of parties.
:-)
He's been awfully silent lately, but lately he bought NZ$30 million mansion from New Zealand and got residency there. After that he sponsored $500,000 fireworks for capital of NZ in celebration of residency.
Looks like they contracted the producing of that song to Printz Board. Wonder how much he paid for that. And you say sites like The Pirate Bay and Megaupload "barely get income to pay for hosting"
That's the best trailer from Universal since a while.
The Wise adapts himself to the world. The Fool adapts the world to himself. Therefore, all progress depends on the Fool.
Vain, self indulgent rappers supporting a warez site? How odd is this especially since one of the key figures running Megaupload is a criminal.
http://en.wikipedia.org/wiki/Kim_Schmitz
What's the dilly yo?
"If any question why we died, Tell them because our fathers lied."
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Dear god is that song horrible. It's a bunch of celeb-statements about megaupload incorporated into a cringeworthy advertisement-song. I'm all for the message, but please don't make me listen to that song again.
Taking into consideration those artists and the stuff they've put out recently, you actually thought it was going to be good?
The only thing necessary for evil to triumph is for it to be pitted against a slightly greater evil
Don't these people understand that all music belongs to the mega music corporations? This of course includes music videos as well. They have a lawful right to profit from all music anyone anywhere makes.
if so and if Universal clams that they own this then where is the over time and back taxes?
There were several singers, and it only needs for one of them to have signed such a contract. It wouldn't surprise me in the slightest, espicially in the early days of their careers. When a music label promises an artist the shot at fame and fortune, the artist usually agrees to whatever terms are set. Plenty more potential stars for the label to ask if the offer is declined.
M-E-G-A, upload to me today...
Send me a file, MEGAUPLOAD
MEEEEEEEGAAAAA
MEEEEEEEGAAAAA
What's not to like in such poetry?
They are not the copyright holders. They get raped by the copyright holders.
Don't blame the devil for doing bad things with your sole after you sold it to him.
Don't fight for your country, if your country does not fight for you.
The song sounds more like they just recorded some sound bites (something you might hear on a radio station, "This is X and you're listening to Y") from artists and celebrities and slapped them on a cheap advertising jingle. There are some lyrics, but the singers are some random studio musicians.
And suckless? Nah.
No, unless the contract artists signed explicitly states so.
Well... can art even be rated objectively? Subjectively it can, of course.
But regarding art, instead of "objective" I have heard this funny term "intersubjective", which roughly means that by average a certain song is rated good or bad by the listeners. So if some songsmith creates a new hit for Mileh Cyruz and people generally think it's kinda catchy, then it could be seen as an intersubjectively successful song.
pay faster with ez-pass and pay less that the cash rate.
The margin is surveillance/tracking info, of course.
We know where leadership by an anti-intellectual "strongman" who scapegoats minorities and likes boisterous rallies goes
people do all sorts of desperate things when they are weak or stupid or poor
it is those who do things out of evil that still deserve and always did deserve your blame
shifting blame from the devil, in fact, is exactly how the devil works, and you fall for it
you blame the girl for being raped because of the dress she wore, not the rapist
you blame the poor for not having health insurance, rather than the rules about healthcare put in place by the rich corporations
you blame the musician for signing away things he didn't understand when he was a young dumb kid with a catchy tune and stars in his eyes
no: you should always blame the devil, you shouldn't blame the victim. or you fail at simple morality, and you fail at logical coherence. and the devil depends upon people like you to do that. meanness and cruelty defines a society when it is dominated by people would rather overlook the actions of evil, and point their hate at the weak
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
It looks like besides Universal needing to be taken out back and educated a bit, YouTube needs to make some process adjustments as well:
Considering the already ripe-for-abuse design of the automated takedown notice-response system, there should be a catch in their system to track notices and disputes on a single video, and at the very least the automated takedown system should be suspended on a video while it is being disputed... or if that can't be done, at the very least it shouldn't be able to be re-taken-down by another notice from the exact same party that is currently being disputed. That's just common sense.
The next obvious thing for youtube to do is track parties filing complaints and the number of undisputed and disputed claims they have, as well as the outcome of disputes. For example, if a party has filed at least 10 claims, has had at least four of them disputed, and has not successfully defended at least 75% of their claims, their infringement requests must then be manually reviewed by youtube staff before a takedown occurs. These numbers would be on a rising tier, where the burden of sincerity rises with claims filed. (at least 500 claims, requires at least 95% successfully defended to avoid manual review) This would allow small groups a little more leniency in the process, while making sure the heavy hitters didn't get away with any significant abuse. It's american legal tradition to place the burden of proof on the accuser, and what we have right now here is more of a guilty-until-proven-innocent, repeatedly, and that's just doubly-wrong.
I'd like to see some statistics though - this may be a rare incident - if UMG files 1000 takedowns a day (a large number to be sure, but not really that unreasonable considering their and youtube's size) and of that less than 2% of those get disputed, and less than 10% of the disputes are found to have merit, then maybe UMG really isn't being that much of an ogre here.
I work for the Department of Redundancy Department.
I see this an a great opportunity to contact my representative. Most often, congressman get letters from tons of ignorant people mixed with intelligent an unintelligent letters from mobs of people in various campaigns against _____ bill. This is a great showcase of what is wrong with the system; a clear, unambiguous example of its corruption and flaws. I will be contacting my representative about this story in the hopes that he can see exactly why we don't want SOPA to pass.
Remind me never to buy any more music with the Universal label.
It is possible to be a "bad artist". In the same way as a kangaroo in a Ford pickup is still a "bad driver".
I went to megaupload once and the main page tried to install a virus, luckily sandboxie prevented any damage
And some yahoo strumming the same 4 rock chords is really any better? "Art" is subjective
So they derive income for premium services by replacing adverts on the web? Google, Facebook etc. are going to love that. Top of the stack wins.
So yes, it sounds slimy, AND YET, it's MY browser and I should be the one who decides which ads, if any, that I care to view.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
An interesting theory, and one I will judge for myself... once I actually see the clip. I'm sure someone must have grabbed a copy before it was taken down.
Love the business model though. They figured out that users won't react well to additional annoying advertising... but *substitute* annoying advertising? Won't even notice. Clever. I'd agree to that, if I actually trusted the program not to also add more advertising and a bit of spyware too. Which I don't. And if I wern't already running ad-blocking.
I noticed thatguywiththeglasses.com is running a campaign against it too, on the grounds that under SOPA a studio could have their site shut down for an insulting review. It wouldn't be the first time they have run into copyright issues - the review of The Room has already been pulled after the studio threatened to sue.
You tube is a private company. So what if they remove content because they're spineless pricks? No one is 'entitled' to having their video retained on youtube.com, they can remove a video for any reason they want, and they don't have to explain it to you if they don't feel like it...not from a legal perspective. Why does everyone seem to forget this when things like this arise?
The voices are dubbed in over old random video clips. What you hear is some unknown voice actor, not the celebrity. The celebrities weren't originally saying anything about Megaupload. The whole thing is fake!
And the reason is was taken down has nothing at all to do with copyrights or record contracts. It was taken down due to the law you can't use anyone's "likeness" in an ad without permission.
IIRC, the kinds of works which can be made for hire are explicitly limited, and music is not included. Of course, the RIAA tried to push a law through Congress which changed that (always thinking of [screwing] the artist, RIAA is), and actually succeeded, but the backlash was so strong it was amended out of law within a year.
should fall in line. They are there to produce assets for the entertainment industry, not create works of culture.
It's american legal tradition to place the burden of proof on the accuser, and what we have right now here is more of a guilty-until-proven-innocent, repeatedly, and that's just doubly-wrong.
It's more than an American tradition, it's a fundamental principle in all modern democracies.
See here's the issue....
Say Lady Gaga covers Jonathan Coulton, and Coulton himself was there, got Gaga's permission to record and distribute the performance, recorded the incident, and threw it up on YouTube.
By your example, UMG (Gaga's label) would be able to claim copyright.
And we already know it does NOT really work that way.
Basically...here's the similarities...
1) An independent entity wrote the song
2) An independent entity produced the song
3) All the label artists did was sing on it (and even then, only 3 artists did any actual "singing"). They did not contribute in any other way except their voice. They were simply hired to SING. They themselves did not put forth any *creative* input into the song. They did not write any of it, or produce any of it.
Therefore, UMG should have NO claim!
Doesn't explain the 3 label artists that actually SANG on the song....
Ahh yes ez-pass. There's another neat scam. Raise the ticket price forcing everyone to get a tag, then make sure there's a minimum balance on people's account and make a shitload of money off the interest.
Believe me this is still in the best interest of the people offering the service.
There are no provisions in the law for this though.
There are no penalties for false take down requests except if the complaining party is not authorized to act on behalf of the owner.
yep, and that's what needs to be changed. Shouldn't need to be changed really, should have never been an issue to begin with. But "that's a good idea" laws like this get freighttrained through the legal system without any attempt to protect them from abuse. Someone runs around the room yelling "vote yes to protect the chidren! vote yes to feed the starving artists!" and everyone just immediately votes for it without reading the fine print or considering the possibilities for abuse. If it weren't such a common issue I'd attribute it to incompetence, but that's just how business is done in the legislatures lately.
Really, if I could have any one law passed, it would be a constitutional ammendment that makes it unlawful to enact a law that does not include adequate provisions for prevention of abuse. That's really the root of most of the "bad laws" we have on the books today. Most of them are good idea "in theory", but put too much power in one party's hands, without proper checks/balances.
I work for the Department of Redundancy Department.
Depends on Gaga's contract. It might contain the 'I grant ownership of copyright for everything I produce for the next x years to UMG' clause.
Wow, nearly 100% whoosh!
The only relevant point is that Kim owns the rights to this video fair and square and Universal has fraudulently claimed ownership of something they couldn't possibly believe they owned, TWICE!
It doesn't matter how good or not the video is. It doesn't matter if it's truth or fiction. It doesn't matter if you like Kim or not.
So sit back, get some popcorn, and watch as the lawyers contort the law, logic, and even basic reason into a pretzel to maintain that this was anything but perjury. Watch as a judge bends over backwards to avoid making a just ruling against his corporate overlords.
But in this situation, she didn't even produce it, she just sang on it. In the hypothetical situation, Coulton would be the producer. That's effectively the same situation we have with Mega. Mega (or indie entities hired by them) wrote and produced the song and video. The RIAA artists simply appeared on it.
"E-ZPass Makes It Easy to Catch Cheaters" -- ABC News 8/13/2007
http://abcnews.go.com/GMA/story?id=3472823#.TuT-BVZqDgc
We know where leadership by an anti-intellectual "strongman" who scapegoats minorities and likes boisterous rallies goes
So the contract would define produce as including singing.
I recall reading somewhere that such things are common clauses in contracts signed by new, as-yet-unknown artists. Studios worry that without such a clause, an artist who achieves success may be poached away by a rival studio offering better conditions or higher royalties.