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UK Law Enforcement Starts Seizing Music Blogs

Grumbleduke writes "From Dajaz1 (a site that is no stranger to unjustified copyright takedowns) we learn that the popular R&B website rnbxclusive.com (warning: threatening message on site) has allegedly been seized by the Serious Organized Crime Agency, a UK law enforcement agency, and its operators arrested on fraud charges. Not only does the replacement message contain a number of factually dubious claims, it also shows the visitor's IP address, browser and operating system, and threatens to track and monitor them. At a time when copyright lobby groups are strongly pushing for even greater powers through laws such as SOPA and ACTA, one is left wondering why they think they need them, when police can shut down websites such as this at will."

29 of 310 comments (clear)

  1. Darknets by Anonymous Coward · · Score: 5, Interesting

    Time to switch to the darknets. At least until their generation dies off and some reason returns.

    1. Re:Darknets by Penguinisto · · Score: 5, Insightful

      A nice thought, but the problem lies in the fact that it isn't just a single generation soaked with this particular poison.

      If it were just a matter of waiting until Orrin Hatch died off, that would be easy. OTOH, the MPAA and RIAA likely employs an awful lot of 30-somethings, as well as a lot of duped people out there who swallowed their propaganda... and that's going to take at least half a century before they die off.

      I'm afraid we're stuck with either fighting, or watching the whole thing get strangled.

      There is no reliable means or method to hide anymore - no matter how many TOR nodes you traversed to get your packets here. If they cannot reach you now, they will find ways to insure that they can (a heavily-modified and enforced TPM on all devices, anyone?)

      Better to fight them now than suffer under their burdens later.

      --
      Quo usque tandem abutere, Nimbus, patientia nostra?
    2. Re:Darknets by History's+Coming+To · · Score: 5, Interesting

      I actually found it rather useful to test a IP/user-agent switching plugin. (I use it to test environment sensitive sections of websites I write). All works fine, which IP address would they like me to come from?

      The irony with this whol thing is I'm anti-piracy, I'm one of those weirdos who thinks artists deserve to get money for what they produce, however easy it is to copy bit for bit. But that SOCA message strikes me offensive and wildly accusatory that I'm starting to think my anti-piracy crusade needs to go on the back burner while I deal with the important thing, keeping the internet free.

      --
      Please consider this account deleted, I just can't be bothered with the spam anymore.
    3. Re:Darknets by Nethemas+the+Great · · Score: 5, Insightful

      You're not weird. Most people believe artist should be compensated for their work. The trouble is the MPAA/RIAA, their ilk and their members do not.

      --
      Two of my imaginary friends reproduced once ... with negative results.
    4. Re:Darknets by whoever57 · · Score: 5, Interesting

      Yeah, well I noticed the U.K. serious sissy patrol neglected to leave any contact information so I could ridicule them about tracking me and offer them a taste of my stool

      So leave a message in their logs, go to: http://rnbxclusive.com/SOCA_Are_Wankers or some similar URL

      --
      The real "Libtards" are the Libertarians!
    5. Re:Darknets by wbr1 · · Score: 4, Insightful

      You'r not strange at all. I beleive artists should be paid. However, as the music industry stand most get paid a pittance while corps rake in huge money and spend it on ways to make more with lobbying, and pay execs self congratulatory fortunes. The record company model made far more sense when tney had to fund expensive studios, and actually manufacture a physical product. Now it has morphed into simple greed, and inertia and money keep it moving.

      --
      Silence is a state of mime.
    6. Re:Darknets by gmack · · Score: 5, Interesting

      I understand your offense but I wonder if anyone has considered that this whole thing could be a hoax.

        Domain servers in listed order:
              SK.S7.ANS1.NS103.KLCZY.COM
              SK.S7.ANS2.NS103.KLCZY.COM

      If a government agency had grabbed the domain wouldn't they have changed the hosting to something they control rather than some cheap name service whose homepage seems to only be an ad portal?

    7. Re:Darknets by sugarbomb · · Score: 5, Informative

      Complain away!

      http://www.soca.gov.uk/contact-soca/complaints

      Complaints
      We do our utmost to provide the public with the best possible service, and to act professionally and courteously at all times. However if you want to complain about SOCA or a SOCA officer, first please look at our complaints process

      Then, if you wish to make a complaint, you can contact:

      SOCA Counter Corruption Department
      PO Box 58396,
      London
      NW1W 9SB

      Telephone: 020 7238 2626
      Email: publiccomplaints@soca.x.gsi.gov.uk

      If you would rather complain to the Independent Police Complaints Commission or you are not happy with the way your complaint about a SOCA officer has been handled, you should contact:

      The Independent Police Complaints Commission
      90 High Holborn
      London
      WC1V 6BH

      Telephone: 08453 002 002
      Email: enquiries@ipcc.gsi.gov.uk

    8. Re:Darknets by nbauman · · Score: 4, Insightful

      It wasn't just expensive studios and physical product.

      They used to spend a lot of money developing new talent and marketing. They might pay an upcoming star $100,000 for a year while they wait for her to take off (if ever). Living expenses, travel, ads in Variety and Rolling Stone, and cocaine are expensive.

      I'm not sure whether these were productive expenses or whether they were just the cost of positioning themselves on the top in a competitive market. *Somebody* is going to have a hit, whether it's a corporate-promoted work or not. We had music before the days of big corporations, and we'll still have music if they go.

    9. Re:Darknets by EdIII · · Score: 4, Insightful

      I agree that we need to fight now. Darknets would be a step towards that.

      TOR does reliably hide people. I have seen white papers on trying to analyze TOR networks, but I am not convinced that it would work on a large scale. Too many nodes to monitor. TOR is by no means the most advanced technology out there. You have Freenet and other Darknets being developed as we speak.

      The real war will be stepping up with rampant civil disobedience on enforced TPM. Refuse to purchase the devices, go to underground markets to get your equipment, etc.

      That is the end game, the final battlefield. Encryption. All roads lead to it. It will either be controlled, which means freedom died, or it will remain uncontrolled, and enable freedom to survive.

    10. Re:Darknets by Anonymous Coward · · Score: 5, Interesting

      I sent this:

      Un. Fucking. Believable. That pro-music site is registered by the IFPI, and therefore the MAFIAA.
      http://who.is/whois/pro-music.org/

      Regarding the Domain Seziure at http://rnbxclusive.com/,

      This is a complaint about whatever SOCA officer decided acting as a personal enforcer for the IFPI and RIAA was a remotely reasonable use of taxpayer’s dollars. I honestly don’t expect you to take this email seriously, but hey, miracles happen.

      I am a Canadian Citizen. You are a British agency, and apparently logging information about my visit to that site and threatening prosecution, an unlimited fine and a 10 year prison sentence. . I have never been to this site before. I saw a news article about the seizure and clicked on a link. I am not happy to see your agency is logging (read spying) on other countries citizens.

      I have a strong ethical issue with the notices on that site, so much so that I’ve wasted twenty minutes of my life to tell you how I feel.

      The line “As a result of illegal downloads young, emerging artists may have had their careers damaged” That statement is anecdotal at best, and an outright lie at worst. The fact that you link to a page(pro-music) who’s whois information lists ross@ifpi.org as a tech and admin contact absolutely disgusts me. The IFPI, as I’m sure you’re aware is a global front for the RIAA. Has Sony, Warner, etc under guise of RIAA and IFPI bought out the British government too? See here for a list of RIAA members: http://www.riaa.com/aboutus.php?content_selector=who_we_are_board.

      A government agency should absolutely not be promoting a private corporation in any way shape or form. To imply the only way to get “legal” music is from IFPI members is not only extremely dishonest, but completely untrue.

      I think a few things need clarified about the nature of computerized data. Data is not “stolen,” it is copied. No physical or tangible object is taken, the owner is not deprived of anything. If anything it would be a copyright issue, which is a civil issue not criminal. Unfortunately the RIAA and IFPI have decided it’s a better strategy to litigate rather than innovate.

      What these sentences imply is that it’s more damaging to society to download a copy of a copyrighted song than walking up to a random stranger and beaning them in the head with a baseball bat (a cricket bat for you English folks). I’m not well versed in British law, but in Canada at least it’s only a two year maximum for assault with a weapon.

      But honestly, good luck with your “unlimited fines” and outrageous prison sentences. I’m sure any well informed member of the public appreciates your agency’s dedication to Corporate America.

      Last but not least, a right-justified page, really??

      Sincerely,

      A pissed off Canadian.

    11. Re:Darknets by AngryDeuce · · Score: 4, Informative

      After buying tons of CDs where it was obvious that the production quality was vastly different on the radio singles compared to the rest of the $20-fucking-dollar CDs a lot of the time (especially bad during the 90's), when Napster came around, I was done throwing money at the record industry.

      That's not to say I don't support artists, I just refuse to give them money through their label. I've gone to many live shows, bought a lot of merchandise, even donated directly to some. I'll support an artist in any way that is possible without some Record Industry vampire fuck standing in between us.

      Granted, my musical tastes have completely changed and I listen to very little major label music anymore, and thanks to the internet, there are tons of people out there giving great music away completely for free; you have to wade through some shit to find it, but then again, most of the stuff coming out of major labels these days is shit anyway. The RIAA is quickly becoming irrelevant, not because of piracy, but because artists don't need them anymore. People are getting huge online due to word of mouth. A friend forwarded me a video of a duo doing a cover of a Chris Brown song 9 months or so ago, and they were the musical guests on Saturday Night Live this past weekend. In less than a year they've gone from Youtube to NBC...it's not really my kind of music but it's impressive regardless.

      Humanity was making music for thousands of years before the concept of a fucking record label even existed. I have a feeling that people will continue to make music long after they're gone. The only people terrified of a MAFIAA-less future is the MAFIAA itself.

    12. Re:Darknets by fatman22 · · Score: 5, Insightful

      "We do our utmost to provide the public with the best possible service, and to act professionally and courteously at all times."

      I beg to disagree with you. Have you read the nonsense on that replacement web page?

      "... were stolen from the artists" - nothing was stolen. The authors and publishers still have possession of their property. They were only deprived of profits they had not yet earned. That is not a proper thing to do, but it is also not stealing. Change the text to read "were being distributed without the owners' permission".

      "As a result of ... young, emerging artists may have had their careers damaged. If you have ... you will have damaged the future of the music industry." - The publishers have done far more to ruin or hinder the careers of young emerging artists than any illegal downloaders could have caused. Aim your sites in the right direction please.

      Most of the Internet community already understand this. You apparently do not or do not want to. Do your credibility a favor and reword that page.

    13. Re:Darknets by Anonymous Coward · · Score: 4, Funny

      purple monkey dishwasher, why are you in my brain
      have i gone insane or am i totally lame?
      the answers to these questions are also filled with song
      no need to sing along, sit right back and smoke that bong



      that sounds a lot better than 99.9% of the top 40 garbage out here, man.

    14. Re:Darknets by Znork · · Score: 4, Insightful

      No. The easiest way to demonstrate why is to examine what happens to the copies when copyright expires. There is no transfer of property at that point. The copies are and have always been the property of their respective possessor.

      The monopoly right is more like a taxation right on the act of copying.

      Calling it 'property' and trying to think about it as 'property' inevitably muddies your thinking. Which was the whole point of trying to call it 'property' in the first place.

    15. Re:Darknets by Anonymous Coward · · Score: 5, Informative

      err... they don't actually pay the upcoming star $100,00 for a year... its called an "advance" and that money would be spent on production (studio time / musicians / song writers ) and promotion (travel / hotels / record company execs / record company promos / in store posters / record company execs / pre-release cd's for radio stations / record company spruikers / music video / record company execs ). It's really just a loan. The artist see'd none of it.

      As part of the advance the record company usually then own the copyright to the work (because they contracted the star to perform it for them).

      The reason the record companies give advances is they then charge interest and fees on top of that (remember most of that money was spent by the record company doing things in house). Then with every sale the record company repays the advance (and charges more management fees on top for accounting). A tiny portion of what is left makes its way to the artist in cash.

      The best part of it is, if that upcoming star becomes popular and tours, the record company still gets a cut as they own the copyright (just like a musical licenses its songs/music from the original writers).

      Believe me an artist never really wants an advance - a up coming start can be extinguished with the debt. I have a friend who sold over 100,000 albums and ended up with $1,000,000 debt to the record companies and is still touring 4 years later trying to make any money.

  2. Tee-hee by Anonymous Coward · · Score: 5, Funny

    Does anyone else giggle when they read "Serious Organized Crime Agency" with a deep voice?

    1. Re:Tee-hee by Hoi+Polloi · · Score: 4, Funny

      Sounds like something a 10 year old came up with. "I'm the head of the Very Important Government Stuff!!"

      --
      It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
  3. Thanks SOCA by viperidaenz · · Score: 4, Insightful
    for assuming you have jurisdiction in my country.

    "About SOCA"

    SOCA tackles serious organised crime that affects the UK and our citizens. This includes Class A drugs, people smuggling and human trafficking, major gun crime, fraud, computer crime and money laundering. and downloading american music

    ftfy.

  4. Serious Organized Crime Agency by microbee · · Score: 4, Insightful

    One wonders what that means: is it an agency against serious organized crime, or is one to commit the crime itself?

  5. Looks Fake by Olipro · · Score: 5, Insightful

    whois indicates the original owner still controls the domain, the server itself is Rackspace owned whereas SOCA's own website is run themselves via Connect Internet Solutions Ltd. - throw in the fact that SOCA haven't made any announcement or press release regarding the alleged takedown and the whole thing looks like a setup, I call shenanigans.

    1. Re:Looks Fake by Olipro · · Score: 4, Interesting

      according to a commenter elsewhere, they apparently phoned SOCA's press office and asserted it to be genuine, so, perhaps I stand corrected.

  6. Is that a real thing? by mosb1000 · · Score: 5, Informative

    I can't believe there's actually a crime fighting organization called the Serious Organized Crime Agency. It's hard to imagine how they could have a sillier name, or who would feel threatened by something called that. Maybe they should upgrade it to the Super Serious Organized Crime Agency, or maybe even Super Serious Organized Crime Agency Plus.

  7. It is my understanding... by fuzzyfuzzyfungus · · Score: 5, Insightful

    I get the impression that, no matter how rosy the state of the industry or how sweeping the existing state powers, the push for harsher 'anti-piracy' legislation will continue until such time as the primary task of the world's security forces will be the summary execution of those suspected to be guilty of insufficient music purchase during the preceding fiscal year.

  8. Archive.org to the rescue by Necroman · · Score: 4, Funny

    So, I wanted to see what was so bad about this site, so I checked out the latest cached version of it from archive.org. It looks like the site wasn't hosting anything that was copyrighted, but provided links to copyrighted content (their downloads from June 2011 seem to use HulkShare.com, but those links are dead).

    It's hard to say if he was just providing linking to illegal content or if he was uploading the files to the file sharing sites himself and then providing a link.

    --
    Its not what it is, its something else.
  9. Blatantly fake. by gallondr00nk · · Score: 4, Interesting

    Come on, it doesn't even look real. Anyone can relay back browser information. Look at the language. "Arrested for fraud", "damaged the future of the music industry". Official notices don't look like this. They don't go off on stupid tangents about destroying the music industry.

    There's some corporate shilling going on here, almost certainly.

  10. Analysis by Anonymous Coward · · Score: 5, Informative

    Well, apparently the agency does care about IP href="http://http://www.soca.gov.uk/threats/intellectual-property-crime"> [soca.gov.uk]
    The Whois shows it's still owned by 'Suheil Saiyed'; last update Jan 4.
    The IP address the domain currently points to (83.138.166.114) is in San Antonio, Texas, and is owned by Rackspace.com, an American company.
    The wording on the adver..erm..warning is over-the-top, and is unlikely to have originated from a real governmental agency.
    also, it specifically references a commercial site (something a real government agency wouldn't do).
    Here's an article on Ars Technica about a similar incident IP href="http://arstechnica.com/tech-policy/news/2011/06/no-the-feds-didnt-seize-your-domain-youve-just-been-punked.ars"> [Ars Technica]
    All in all, I'm pretty sure it's a hoax.
    And I'm suspecting the folks behind pro-music.org (the site referenced in the 'warning').

  11. Re:Time to Slashdot them... by Blue+Stone · · Score: 4, Informative

    As a result of illegal downloads young, emerging artists may have had their careers damaged. If you have illegally downloaded music you will have damaged the future of the music industry. [emphasis mine]

    Hilarious.

    A perfect union of government law enforcement and lying, deceitful, dishonest, morally corrupt shysters (called the music industry) in operation. Zero facts. Zero credibility and destroying the credibility of SOCA's serious work with the alienating, dishohonest hyperbole the seized website now displays.

    Every major study published independently has suggested that the opposite of what they say is true. So where the hell do they get off nakedly lying like that? I guess all pretence at independence is gone and they don't mind being seen to be little more that RIAA, BMI (et all) shills.

    Makes you realise who's really running government and their institutions in this day and age.

    --
    Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
  12. Time to take their toys away by mykos · · Score: 4, Insightful

    If people can't enforce copyright without rushing headlong into a police state, I think we should take away that privilege of copyright which society has afforded them. And this isn't some extreme slippery slope argument. We are on that slippery slope and we are sliding down it right now.

    I'm sure there are defeatist pedants who will come along and say "Good luck taking it away! They're too powerful and they have too much money!", but you have to start somewhere. And having that attitude means they have one less person to fight.